FAMILY GUY "Peter Envy" Screenplay by
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FAMILY GUY "Peter Envy" Screenplay by Chip Casner Logline: After Lois accidentally walks in on Brian masturbating, Peter learns he's no longer the "biggest" man in the house and must overcome his male mediocrity.
FAMILY GUY "PETER ENVY" 1. ACT ONE EXT./ESTAB. GRIFFINS’ HOUSE - DAY INT. GRIFFINS’ LIVING ROOM - SAME The Griffin family watches television. INT. ACTION 5 NEWS DESK - DAY (ON TV) TOM TUCKER and MAYOR WEST sit behind the counter. A tabby kitten nudges up to Mayor West. MAYOR WEST And who is this sprightly little fellow? Tom Tucker reads from an index card. TOM TUCKER Well, Mayor, this handsome fur ball is named Barfy. He’s almost litter box trained, gets along with other pets, and loves to be stroked. MAYOR WEST ... We have something in common. The cat painfully swallows, then burps up some food all over Tom’s papers. TOM TUCKER That’s... just great. (to camera) So head down to the Quahog Humane Society and adopt a pet today. BACK TO GRIFFINS’ LIVING ROOM STEWIE I want a kitty! I want a kitty!
FAMILY GUY "PETER ENVY" 2. BRIAN This is why I hate these shows. They cater to the audience’s emotions without one word of how much time and effort goes into owning a pet. LOIS Isn’t that a bit hypocritical, Brian? BRIAN (defensive) Maybe, but it’s still true. And didn’t you already have a cat before me? CHRIS He ran away. MEG Please mom, can we get a kitten? LOIS I don’t know. What do you think, Peter? Peter stands and projects his voice. PETER (inspirationally) Whether it be an abandoned feline or a lost and forgotten puppy, the Griffins never turn a blind eye to man’s selfish and incomprehensible ways. LOIS Peter, what are you talking about?
FAMILY GUY "PETER ENVY" 3. PETER To the Quahog Humane Society! The Griffin children cheer in unison as they all file out the door. LOIS I’m not cleaning up the litter this time. INT. GRIFFINS’ BATHROOM - DAY (FLASHBACK) A pregnant Lois removes clumps of litter and places them in a plastic bag. Dust particles fill the air. Lois stands and coughs profusely. CLOSER IN: INT. LOIS’ INTERNAL ORGANS The camera follows the inhaled particles, which appear to be hundreds of nasty looking parasites down her throat and through her umbilical cord. They enter the stomach of the fetus which clearly resembles Chris Griffin, and proceed toward his brain tissue... which they begin eating. EXT./ESTAB. QUAHOG HUMANE SOCIETY - DAY The marquee reads “Rez dogs 1/2 off!” EXT. QUAHOG HUMANE SOCIETY - SAME The Griffins exit their car and pass by the barking caged dogs. Brian viciously growls back at them. PETER (reprimanding) No Brian, no! Bad dog! Brian feels a lump in his throat. BRIAN I think I just swallowed some kennel cough.
FAMILY GUY "PETER ENVY" 4. LOIS (to Brian) Maybe you should go wait in the car. BRIAN I need the exercise, so I think I’m just gonna walk back to the house. PETER Alright boy, we’ll see ya at home. The Griffins continue inside. TIFFANY, 21, drop dead gorgeous, enters the cages carrying a bowl of water. Brian turns and presses up against the fence. BRIAN I’m a little parched myself. TIFFANY Would you like a drink? BRIAN Love one. How are your martinis? TIFFANY They’re good, if you don’t mind a little hair in ‘em. Brian politely laughs. BRIAN Hi, I’m Brian. TIFFANY Hey, Brian, I’m Tiffany. BRIAN Any chance you’d be interested in grabbing a real martini sometime? I know a great place.
FAMILY GUY "PETER ENVY" 5. TIFFANY Don’t take this the wrong way, but you’re old enough to be my dad. Brian chuckles. BRIAN Well, didn’t Freud say all daughters are at some point attracted to their fathers? TIFFANY Wow, that’s really creepy. And I have a boyfriend. Tiffany heads toward the door. TIFFANY Thanks for the offer. Before leaving, she turns and gives Brian a flirtacious smile. He is smitten. EXT./ESTAB. GRIFFINS’ HOUSE - LATER INT. GRIFFINS’ LIVING ROOM - SAME Brian enters and collapses on the couch. BRIAN (to self) All to myself... What to do? What to do? He exudes a deviant look and glances toward the bathroom. INT. GRIFFINS’ BATHROOM - DAY Brian sits on the commode and closes his eyes. Fast Times at Ridgemont High reference/music begins.
FAMILY GUY "PETER ENVY" 6. EXT. SWIMMING POOL - DAY (CUTAWAY) ANGLE ON Brian slowly opening a sliding bathroom window. Tiffany stands on the diving board wearing a sexy red bikini. She dives in. INT. GRIFFINS’ BATHROOM - DAY (BACK TO SCENE) Brian pleasures himself. EXT. SWIMMING POOL - DAY (CUTAWAY) Tiffany throws her hair back and pulls herself up the in- ground pool ladder. TIFFANY Hi, Brian. You know how cute I always thought you were. INT. GRIFFINS' BATHROOM - DAY (BACK TO SCENE) Brian continues masturbating. EXT. SWIMMING POOL - DAY (CUTAWAY) Tiffany struts along the pool and opens up her bikini top. Brian approaches and kisses her. INT. GRIFFINS’ LIVING ROOM - MOMENTS LATER A joyous Griffin family enter with Stewie carrying, Barfy. MEG When do I get to pet Barfy? STEWIE Never! He’s all mine. The Griffins sit on the couch. Lois continues walking. LOIS Smelling all that urine and feces has made me have to use the bathroom. INT. GRIFFINS' BATHROOM - CONTINUOUS Lois walks in on Brian, looks down, and sees his enormous package.
FAMILY GUY "PETER ENVY" 7. LOIS Brian, I’m sorry... WOWEEEEEE! Lois exits the bathroom. Brian hastily covers up. BRIAN Doesn’t anyone freakin’ knock around here anymore? EXT./ESTAB. GRIFFINS' HOUSE - NIGHT INT. PETER AND LOIS’ BEDROOM - SAME Lois reads a magazine as Peter watches television. She shakes her head and lets out a small laugh. PETER Still thinking about walking in on Brian? I bet he’s really small. LOIS No, quite the contrary. Was his father a Great Dane or Mastiff? PETER (concerned) No, he’s pure Beagle. How... big... was... he, Lois? LOIS (innocently) I don’t know. PETER Bigger than me? LOIS Maybe.
FAMILY GUY "PETER ENVY" 8. PETER Great! If I wasn’t insecure already with all my other flaws. LOIS You’re making too big of a deal out of this, Peter. I don’t care about that sort of thing. Peter violently pulls the blanket over his head. PETER Good night, Madame Butterfly! Lois smiles as she reaches to turn out the light. LOIS Good night... Brian. Peter reveals himself from under the covers. PETER I knew it! He furiously stands. PETER You have made the ultimate betrayal, Lois, you’ve called out the name of another. LOIS Just go to bed, Peter. It was an accident.
FAMILY GUY "PETER ENVY" 9. PETER As king of this 1,738 square foot Cape Cod style home, which I think should’ve appraised higher last year when we took out that second mortgage but that dumb appraiser said our screened in porch wasn’t actual square footage ‘cause it lacked a heat source... I shall become longer and girthier than any other man alive. INT. PORN MOVIE SET - DAY (CUTAWAY) John Holmes makes love to an adult film actress on a bed. The director watches intensely. PORN WOMAN Oh, Mr. Holmes, you’re so big. Do you feel it? DIRECTOR Great job, John. Just a few more minutes, then you can release. John continues faster while in the missionary position. JOHN HOLMES I feel it, baby. PORN WOMAN No, do you feeeelll it? JOHN HOLMES I feel it. Just let me work. He continues to thrust.
FAMILY GUY "PETER ENVY" 10. PORN WOMAN No. Do you really, really feeeelll it? JOHN HOLMES (annoyed) Feel what? PORN WOMAN ... The AIDS. EXT. PETER AND LOIS’ BEDROOM - NIGHT (BACK TO SCENE) LOIS I’m going to bed. Good night. Peter moves to the window sill and gazes up at the moon. PETER (singing) What is a guy to do, when he’s only four point two? Does he try to ignore the fact... he’s just the warm up act? The camera pans across a star filled sky. EXT. PARK BENCH - DAY Peter sits alone feeding pigeons and watching happy couples stroll by. PETER (singing) And how can a guy believe, his girl is truly happy. Maybe there is some way, he can change. INT. IRISH PUB - NIGHT Peter wears a leprechaun’s hat and dances with the patrons.
FAMILY GUY "PETER ENVY" 11. PETER (singing) Oh, the Irish are so funny, the Irish love to laugh. But the Irish have never been known, to break a woman in half. Oh, the Irish love to jostle, the Irish love to rip. Peter motions to fart. PETER (singing) But the Irish have never been the subject of any gossip. A row of ladies sit at the bar and each whispers into the next woman’s ear. A man at the end, with a large bulge in his pants, winks back at them. PETER (singing) The Africans, Mexicans, Italians, and Poles too, have all been born to work in porn, even Rod Carew... the black Jew. INSERT: ROD CAREW BASEBALL CARD BACK TO IRISH PUB PETER (singing) The Irish are good at labor, the Irish have blue eyes. The Irish only seem endowed when they’re with a girl from Thai... land... hooooo.
FAMILY GUY "PETER ENVY" 12. The music fades. A fierce gust of wind blows the bar door open. Peter’s hat tumbles through the air and is sucked outside. He follows. EXT. IRISH PUB - CONTINUOUS Peter chases his hat as it dances in the wind just outside his reach. A large Converse sneaker stomps on it. Peter looks up and sees a black man with two attractive blondes. The three get into a waiting limo and drive away as a tear rolls down Peter’s face. EXT./ESTAB. GRIFFINS’ HOUSE - DAY INT. GRIFFINS’ LIVING ROOM - SAME Stewie sits with Barfy. Several syringes are scattered next to him. Brian enters, dressed for success. STEWIE Hi there, big guy. Where are you off to looking all, Dapper Dan? BRIAN I decided to teach a screenwriting class at the community college. What are you doing with all those needles? STEWIE Just giving Barfy his distemper, rabies, and feline Leukemia shots. The vets are much too expensive. BRIAN You sure you’re qualified to do that? STEWIE Brian, you’re talking to a guy who mastered time travel and human cloning.
FAMILY GUY "PETER ENVY" 13. BRIAN (sarcastically) Yeah... those all turned out well. Brian exits. Stewie examines the syringe. STEWIE (to self) I guess anywhere would be fine. He inserts the needle directly into the cat’s tail. The feline yelps, leaps onto the floor, and throws up. Stewie watches cautiously. The cat steps in its own vomit and leaves barf stained paw prints along the carpet. He snuggles in a laundry basket filled with newly folded clothes and throws up one more time. STEWIE (to self) What the deuce? He reads the bottle next to him. STEWIE (to self) Patient, Meg Griffin. If fungus persists, please administer three times a day. INT. GRIFFINS' LIVING ROOM - NIGHT (CUTAWAY) Meg applies ointment to her toes with an eyedropper. MEG (to self) Once this fungus goes away, I’m sure to be popular. CAMERA ZOOMS IN on Meg’s crusty big toe. THEN ZOOMS CLOSER to reveal the fungi family homestead. INT. FUNGI FAMILY HOUSE - NIGHT The green, grotesque, fungi family plays cards at a table.
FAMILY GUY "PETER ENVY" 14. FUNGI MOTHER Do you have a two? FUNGI FATHER Sorry, go fish. Drops of liquid trickle down from above and onto their card table. They all look upward. FUNGI SON Looks like the roof is leaking again. FUNGI MOTHER You know, I saw a nice little crevasse surrounded by heavy thicket north of here. It appeared dry as a bone. FUNGI FATHER Pack your bags everyone, we’re moving out! The fungi family carry their suitcases. ANGLE ON the father’s suitcase which has a sticker that reads: “Christie/Trump 2016.” INT. GRIFFINS’ LIVING ROOM - NIGHT Meg tightens the cap on her bottle and sets it next to her. She sprawls out on the couch and scratches her crotch region. EXT./ESTAB. DOCTOR’S OFFICE - DAY INT. DOCTOR’S OFFICE - SAME Peter lies on the examining table while DR. HARTMAN probes under his pants with a large hand-held magnifying glass. DR. HARTMAN Wow! This thing is really tiny. Dr. Hartman rises wearing headphones. He fidgets with a device.
FAMILY GUY "PETER ENVY" 15. DR. HARTMAN My new ipod Nano offers 100 hours of music and has 16 gigabytes of memory. PETER But doctor, what about the size of my penis? Is it normal? DR. HARTMAN It’s perfectly normal, Mr. Griffin. See this chart. Dr. Hartman motions to a poster titled “The Average Male Penis.” From left to right it’s illustrated as infant, school boy, teenager, and adult. Dr. Hartman points between the school boy and the teenager. DR. HARTMAN You’re right about here, Mr. Griffin. But if you’re not happy, there’s always surgery. Dr. Hartman hands Peter some brochures. DR. HARTMAN Go home and read these and let me know your decision in a few days. As Peter exits, he sees a young boy pulling his pants up in the next room. Peter lowers his head in shame. EXT./ESTAB. QUAHOG COMMUNITY COLLEGE - DAY The marquee reads: “Your last shot at doing something with your life.” INT. QUAHOG COMMUNITY COLLEGE CLASSROOM - SAME Brian organizes some papers on his desk. DEAN PRICHARD, 50’s, approaches Brian.
FAMILY GUY "PETER ENVY" 16. DEAN PRICHARD All right, Mr. Griffin, I believe you’re all set here. If you have any questions, my office is just down the hall. BRIAN Thank you, Dean Prichard. I appreciate the opportunity. DEAN PRICHARD Good day, sir. Dean Prichard exits. Brian writes his name on the chalkboard as students trickle into the classroom. BRIAN Good morning, future Charlie Kaufmans. If you don’t know who he is... you shouldn’t be here. Brian’s eyes widen as Tiffany enters. BRIAN Tiffany! TIFFANY Hey, Brian. Tiffany sits in the front row as Stewie enters. BRIAN Stewie? What are you doing here? STEWIE Barfy was a little under the weather so I thought I’d come check out your class.
FAMILY GUY "PETER ENVY" 17. I’ve got a few ideas brewing I wouldn’t mind seeing on the big screen. BRIAN Thanks, man. Stewie sits down directly next to Tiffany. BRIAN Good morning everyone, I’m your instructor, Mr. Griffin. But please, call me Brian. Mr. Griffin was my loser father’s name... who lived in a van... down by the river. Brian unsuccessfully attempts a Chris Farley impression. The class is awkwardly silent. STEWIE That was more painful than watching Trebek chat with the guests. INT. JEOPARDY SET - DAY (CUTAWAY) ALEX TREBEK makes small talk with the players. ALEX TREBEK Nora, our returning champion, has an obsession with... aglets? I know what those are because I’m a genius, but why don’t you inform our audience. NORA, 50’s, homely with thick glasses, responds.
FAMILY GUY "PETER ENVY" 18. NORA Aglets are the tiny plastic sleeves at the end of your shoelaces that keep them from unraveling. ALEX TREBEK I won’t be buying you any clogs for your birthday. The live audience sighs in anguish at his awful joke. ALEX TREBEK All right, let’s get back to the game. INT. QUAHOG COMMUNITY COLLEGE CLASSROOM - DAY (BACK TO SCENE) Brian lays a sheet of paper on each of the student’s desks. BRIAN The first thing we’re going to learn is how to develop your characters so they’re memorable, engaging, and full of life. Brian finishes at Tiffany’s desk. Stewie has not received one and tries to get Brian’s attention. STEWIE Mr. Griffin, I didn’t get a character development worksheet. Brian continues to ignore Stewie. BRIAN (to Tiffany) What are the chances... I could have breakfast at Tiffany’s? Stewie lowers his head.
FAMILY GUY "PETER ENVY" 19. STEWIE Ugh. BRIAN I’m sorry. That was really inappropriate. TIFFANY It was. But I like inappropriate. Brian gazes at her in a boyish, crush sort of way. She returns the gesture. Stewie continues to be ignored. STEWIE ... Wish I had a character worksheet. END OF ACT ONE
FAMILY GUY "PETER ENVY" 20. ACT TWO EXT./ESTAB. THE DRUNKEN CLAM - NIGHT INT. THE DRUNKEN CLAM - SAME Peter, Quagmire, and Joe sit at a table drinking draft beers. JOE The official term is penile enhancement surgery. Lengthening is achieved by a procedure that releases the suspensory ligament from the pubic bone. A small incision is made in the upper pubic region which allows the hair to grow over the scar making the surgery virtually undetectable. PETER Wow, Joe. You sure know a lot about this. JOE Let’s just say, after the accident, I had a little help from science. QUAGMIRE If this is something Lois is curious about, I could, you know... help you out.
FAMILY GUY "PETER ENVY" 21. PETER No, I just want to be like one of those tall guys that walks around all arrogant ‘cause you know they’re packing a tennis racquet handle... Like street walkin’ Charlie. EXT. CITY STREET - DAY (CUTAWAY) A tall, lanky black man struts down the street. Cars veer to avoid hitting him. STREET WALKIN’ CHARLIE (singing) I’m street walkin’ Charlie, I walk along the street, I don’t use the sidewalk so they swerve around me. I’m street walkin’ Charlie, I got nowhere to go, I don’t have a job so I take it slow. Stewie is dressed in drag and sings the chorus alongside two other hookers as they loiter at a bus stop. STEWIE AND HOOKERS Street walkin’ Charlie, street walkin’ Charlie. Street walkin’ Charlie, street walkin’ Charlie. Quagmire pulls up in his Corvette. QUAGMIRE Hey, Street, how come you don’t use the sidewalk?
FAMILY GUY "PETER ENVY" 22. STREET WALKIN’ CHARLIE Hey, Quagmire, how come you don’t use a condom? QUAGMIRE Yeah, yeah... point taken. Quagmire’s license plate reads STD4U as he speeds off. The song briefly repeats. EXT./ESTAB. GRIFFINS’ HOUSE - DAY INT. GRIFFINS' LIVING ROOM - SAME Stewie types on a laptop with Barfy napping above him on the top of the couch. In the background, Chris chases Meg with his finger pointed at her. Stewie is perturbed. MEG Mom! Chris is trying to give me an ear booger! LOIS (O.S.) Chris, stop wiping boogers on your sister. Chris and Meg race out of the living room. INT. GRIFFINS’ SCREENED-IN PORCH - CONTINUOUS Chris and Meg are bewildered and confused. The screens and ceiling are neglected and covered with old cobwebs. CHRIS What is this place? MEG I think it’s the screened-in porch dad was complaining about to the appraiser.
FAMILY GUY "PETER ENVY" 23. CHRIS Like the one you can see connected to our house in the establishing exterior shot of every episode? MEG Yeah. Let’s get out of here. Chris and Meg quickly exit. INT. GRIFFINS’ LIVING ROOM - DAY Brian enters wearing a tie and carrying a suitcase. BRIAN Is that my star pupil working on his first assignment? STEWIE Yep. I’ve chosen to write a post- apocalyptic thriller in which farmers no longer receive subsidies and the only food that’s available is made from human waste. BRIAN (encouraging) You know what they say. It doesn’t matter what you write about, as long as you’re writing. STEWIE Thanks, teach. Brian continues into the kitchen.
FAMILY GUY "PETER ENVY" 24. INT. GRIFFINS' KITCHEN - CONTINUOUS Brian throws his stuff on the table, grabs a beer from the fridge and sits down. Lois enters. LOIS Hi Brian. Again, I’m really sorry for the other day. If I had known you were packing such a Kielbasa... things could’ve been different with us. BRIAN Really? LOIS Brian, I’m joking. BRIAN Oh, right. LOIS How’s your new job going? Lois pours herself a beverage from the fridge. BRIAN You know, I really love it. It’s the first thing I’ve been paid for that doesn’t feel like work. But there’s this girl in my class. I can’t stop thinking about her. LOIS I’m sure teachers face this problem all the time. You just gotta be disciplined and set some boundaries. You’ll figure it out.
FAMILY GUY "PETER ENVY" 25. BRIAN I hope so. Lois exits. Brian takes a long chug of beer, kicks his feet up on the table, closes his eyes, and slips into a daydream. MONTAGE BEGINS - BRIAN’S DREAM SEQUENCE INT. OSCAR AWARDS CEREMONY - NIGHT Brian kisses Tiffany on his way up to the podium. He accepts his first Oscar and points back to her. INT. METROPOLITAN MUSEUM - DAY Brian and Tiffany stroll along the hallways eating cheese and drinking martinis. Brian marks a statue with his urine. Tiffany shakes her head. EXT. GRASS FIELD - DAY The two of them play croquet. Tiffany intentionally knocks Brian’s ball out of bounds. He shakes his head but smiles. EXT. SAILBOAT - DAY Brian proudly stands at the helm as Tiffany reads a book. BACK TO GRIFFINS’ KITCHEN ANGLE ON a finger covered with snot slowly moving towards Brian’s lobe while he daydreams. It’s then jammed into his ear. BRIAN (bleeped) What the fuck? CHRIS EAR BOOGER! Chris runs away laughing. EXT./ESTAB. QUAHOG COMMUNITY COLLEGE - DAY INT. QUAHOG COMMUNITY COLLEGE CLASSROOM - SAME The class has ended. Students prepare to leave.
FAMILY GUY "PETER ENVY" 26. BRIAN Don’t forget, those outlines are due tomorrow. Tiffany is one of the last to exit. She stops at Brian’s desk and plays with a pen in her mouth. BRIAN Did you have a question, Tiffany? TIFFANY Kinda. My boyfriend and I broke up, and I was wondering if you wanna... maybe hang tonight? BRIAN I’d love to. Tiffany grabs Brian’s paw and writes her number on it. TIFFANY Text me for directions. Tiffany walks away as Brian stares down at the phone number on his paw. Stewie appears, shaking his head. BRIAN What? STEWIE Little pajama party over at Tiff’s? BRIAN You think it’s a bad idea? STEWIE Like when American Idol dropped their age limit.
FAMILY GUY "PETER ENVY" 27. INT. AMERICAN IDOL STAGE - NIGHT (CUTAWAY) HAROLD, older pedophile, performs a modified version of a Katy Perry song. HAROLD (singing) I kissed a boy and I liked it. The taste of his cherry chapstick. It felt so good, it felt so right, doesn’t mean I’m in love tonight. EXT./ESTAB. GRIFFINS’ HOUSE - NIGHT INT. GRIFFINS' KITCHEN - SAME Lois serves the family their dinner. LOIS Have any of you seen your father? He left this morning without even saying goodbye. Peter enthusiastically enters. PETER Hi, family! Sorry I’m late. LOIS Where have you been all day? Peter sits and begins devouring his grub. PETER Let’s just say... whatever it is I did, I’m a bigger man for it. Peter playfully bumps Brian with his elbow. Lois sits and joins them.
FAMILY GUY "PETER ENVY" 28. LOIS Next time at least let me know what you’re doing. Brian clears his plate. BRIAN I’m off to the... library. STEWIE I didn’t realize they’re open this late. BRIAN Well, they are! Brian hastily exits. STEWIE (to self) He’s more elusive than that last sliver I had. INT. INDEX FINGER (FLASHBACK) A wooden sliver rests underneath the epidermis. Tweezers attempt to remove it but are unsuccessful. STEWIE (V.O.) (frustrated) Come on! Show yourself, damn it! A close up of the sliver reveals Peter’s face. PETER SLIVER (teasing) I’m under the skin... You can’t get me. INT. PETER AND LOIS’ BEDROOM - NIGHT A naked Peter enters the bedroom from the bathroom. Lois lays on the bed wearing lingerie.
FAMILY GUY "PETER ENVY" 29. LOIS I don’t know what you did, Peter, but Brian has got nothing on you now. Peter leaps into bed and they passionately kiss. Lois moans with delight. A perplexed Peter stops and opens his eyes. LOIS Is something wrong? PETER There’s nothing happening down there. LOIS Do you want me put on Cinemax or do the flashcards of New England lighthouses? PETER It’s not necessary. I’m hung like a horse but have the sensitivity of a great white shark. Peter casually stands, thinking he’s off camera and the scene has ended. PETER Is it lunch yet? I am so ready for some craft services. LOIS I think we’re still rolling. PETER What? Did we not go to the cutaway?
FAMILY GUY "PETER ENVY" 30. DIRECTOR (O.S.) The word sensitivity doesn’t really work with the clip we have. PETER (annoyed) Either you find a word that does, or release us for lunch. Several beats pass. DIRECTOR (O.S.) Fine, roll camera. Peter searches to find his mark on the bed. PETER (to self) I think I was here. DIRECTOR (O.S.) Action! PETER It’s not necessary. I’m hung like a horse but have the sensitivity of a great white shark. EXT. PACIFIC OCEAN - DAY (CUTAWAY) A surfer straddles his board and pleads with a great white shark. The shark has its fins crossed and listens politely. SURFER I’d really appreciate it if you didn’t bite me. I just recently got engaged, landed an awesome job, and spoke to my father for the first time in years.
FAMILY GUY "PETER ENVY" 31. SHARK Oh, congratulations. SURFER Thanks... So, if you could go find a seal or something... that would be great. SHARK Sure, no problem. Enjoy the afternoon. Great weather we’re having. The shark disappears under the ocean as the surfer paddles away. The great white then bursts through the water and bites off the surfer’s leg, which immediately bleeds profusely. SURFER (angrily) What’s up with that? I thought you weren’t gonna bite me? SHARK Sorry... habit. END OF ACT TWO
FAMILY GUY "PETER ENVY" 32. ACT THREE EXT. COLONIAL HOUSE - NIGHT An old weathered historic home sits hauntingly at the top of a hill. Brian nervously knocks at the door and Tiffany answers. TIFFANY Hi, Brian. Come on in. INT. COLONIAL HOUSE - CONTINUOUS Brian enters cautiously as a dog would in the presence of something supernatural. He follows Tiffany along a dank and dimly lit hallway. BRIAN What is this place? It feels cold and painful. TIFFANY It used to be Lizzie Borden’s house back in the 1800’s. My parents are hoping to turn it into a bed and breakfast. INT. COLONIAL HOUSE LIVING ROOM - CONTINUOUS Brian sits down on an antique Victorian style couch. TIFFANY Do you want a glass of wine? BRIAN Sure. Wasn’t Lizzie Borden the spinster who killed her father and stepmother with an axe? Tiffany returns carrying two glasses of red.
FAMILY GUY "PETER ENVY" 33. TIFFANY Yep... but she was never convicted. Tiffany moves closer to Brian on the couch. BRIAN Where are your parents? TIFFANY They’re antiquing in Vermont. That’s why I invited you here, to protect me from Lizzie’s evil ghost. The two begin kissing. It gets more serious. Tiffany pretends to give Brian a lap dance. Suddenly, Stewie appears as a ghost dressed in eighteenth century garb yielding a small hatchet. He hovers above. GHOST STEWIE Hi, Brian. BRIAN Stewie? What are you? GHOST STEWIE I’m kinda this ghost-slash-your subconscious, mixed with fears of being in a house that was once a gruesome murder scene. BRIAN Whatever you are, go away! TIFFANY (to Brian) Who are you talking to? BRIAN Sorry, no one.
FAMILY GUY "PETER ENVY" 34. Tiffany continues to sexually tease Brian. GHOST STEWIE Is this really worth losing the only job you’ve ever loved? Brian ponders for a few seconds, then moves away from Tiffany. BRIAN I can’t do this. TIFFANY Why? Do you not find me attractive? BRIAN Of course I do... you’re like a model. TIFFANY Then, what is it? BRIAN I’m just having these moral repercussions. Tiffany is clearly put off. She immediately stands. TIFFANY Unbelievable! You undress me with your eyes all week long in class and now you won’t even touch me. Is this some type of power grab of yours to get the upper hand? BRIAN What? Not at all. I don’t even know what that means.
FAMILY GUY "PETER ENVY" 35. TIFFANY Yes you do! Just get out! Tiffany hastily exits. Stewie re-appears as a ghost. GHOST STEWIE Wow, she’s kind of a bitch. BRIAN What are you still doing in my subconscious? GHOST STEWIE You know... just chillin’. Who’s the guy at the park offering you candy? BRIAN Stewie, get out of there! GHOST STEWIE See ya at home, buddy! Stewie dissolves into a speck of light, then shoots out a window and vanishes up toward the heavens. EXT./ESTAB. DOCTOR’S OFFICE - DAY INT. DOCTOR’S OFFICE - SAME Peter lies on a bed with his feet in stirrups. A doctor is hidden inside his gown examining him. PETER As you can see doc, you gave me a front tail. Not to mention I think I peed out a vein last night. The doctor stands up and JACK ELAM, 60’s, cross-eyed, bushy eyebrows, is revealed. His speech is slurred and he appears intoxicated.
FAMILY GUY "PETER ENVY" 36. PETER Jack Elam? The doctor from Cannonball Run? JACK ELAM That’s right. Jack Elam walks to a counter and suspiciously mixes some chemicals. JACK ELAM (singing to self) California here we come, right back where we started from. He turns toward Peter and squirts a needle full of liquid into the air. PETER Where’s Dr. Hartman? JACK ELAM Sabbatical! PETER So you botched my operation? JACK ELAM Let me just find my scalpel and trim off the excess. First, I need a drink. The doctor returns to the counter cabinet, removes a bottle of scotch, and pours himself a shot. He turns around and Peter is gone. He shoots his whiskey and chases it with the spray from a nearby syringe. INT. PETER’S CAR - DAY Peter aggressively switches lanes.
FAMILY GUY "PETER ENVY" 37. PETER (to self) Stupid new health care plan. A godlike, baritone voice interjects from above. VOICE OF REASON (V.O.) It will allow Chris and Meg to be insured until they’re 26, reduces the deficit according to the independent Congressional Budget Office, and sets limits on what insurance companies can charge. PETER But I won’t be able to choose my own doctor and the quality of my treatment will decline, like with my operation. VOICE OF REASON (V.O.) Absolutely not. That was just an unfortunate mix up. And the cost of your procedure would have been astronomical without your new coverage. PETER Then why do I hate the new health care bill so much?
FAMILY GUY "PETER ENVY" 38. VOICE OF REASON (V.O.) Because much like the other 51 percent of Americans, you’re uninformed, uneducated, and would jump off a bridge if Glenn Beck told you to. PETER You know, voice of reason, you’re starting to make some excellent points. VOICE OF REASON (V.O.) Thank you, Peter. Good luck with your penis. Peter reaches down toward his crotch area. PETER (cringing) Just... want... to... go... back... to... normal. Peter lets out a horrific scream, then throws something out the driver’s side window. EXT. HIGHWAY SHOULDER AREA - CONTINUOUS A prison guard supervises inmates who pick up trash along the interstate. A large flap of penis skin lands on the shoulder of the officer. He cautiously smells it and is repulsed. GAY PRISONER That ain’t no snake skin! EXT./ESTAB. QUAHOG COMMUNITY COLLEGE - DAY INT. QUAHOG COMMUNITY COLLEGE HALLWAY - SAME Brian walks with confidence and cheerfully says hello to the students. He is met with somber responses.
FAMILY GUY "PETER ENVY" 39. BRIAN Hey Jake, great job last week. The boy doesn’t respond. BRIAN Hey Kelly, don’t forget to work on that third act. She shakes her head and does not respond. Stewie calmly stands outside the classroom door. BRIAN What is going on with everyone today? STEWIE Go on in and find out. Brian enters his classroom. INT. QUAHOG COMMUNITY COLLEGE CLASSROOM - CONTINUOUS Dean Prichard stands sternly with Tiffany in front of Brian’s desk. DEAN PRICHARD Mr. Griffin, effective immediately, you are hereby fired from Quahog Community College. BRIAN For what? DEAN PRICHARD Inappropriate behavior with a student. Tiffany smiles smugly. BRIAN What? Dean Prichard, she’s lying.
FAMILY GUY "PETER ENVY" 40. DEAN PRICHARD I’m sorry. I’ve made my decision. BRIAN This is bogus! I’m not even going to give you two the satisfaction of a response. I know the truth. Brian angrily turns and storms out of the room. DEAN PRICHARD Good day, Mr. Griffin. EXT./ESTAB. GRIFFINS’ HOUSE - NIGHT INT. GRIFFINS’ LIVING ROOM - SAME Stewie forcefully carries Barfy to the front door. He drops him down and opens the front door. STEWIE If you’re gonna puke again, do it outside! Barfy playfully rubs up against the opening but stays inside. Stewie gently bumps the cat out the door with his foot. STEWIE Go on. Stewie returns to the couch and types on his laptop. INT. GRIFFINS’ LIVING ROOM - CONTINUOUS Peter enters, intoxicated, and squeezes Stewie’s cheeks. PETER Sorry, Stewie. Daddy ran over your big wheel again. Peter staggers up the stairs.
FAMILY GUY "PETER ENVY" 41. STEWIE (to self) That’s odd. I parked it in the garage like I do every night. INT. PETER AND LOIS’ BEDROOM - NIGHT Peter romantically grabs Lois and carries her onto the bed. LOIS Is everything working? PETER Like the precise inner movements of a Swiss timepiece. Peter suggestively lays on top of Lois. LOIS How many times do I have to tell you, Peter? I love you for who you are, not what hangs on the outside. PETER I love you too, sweetie. Peter reaches over to turn off the light and the room goes dark. LOIS (V.O.) Now rough me up with that disfigured peanut shell! EXT./ESTAB. QUAHOG COMMUNITY COLLEGE - DAY The marquee reads, “Teacher wanted, dogs need not apply.” INT. QUAHOG COMMUNITY COLLEGE CLASSROOM - SAME Dean Prichard lectures the class.
FAMILY GUY "PETER ENVY" 42. DEAN PRICHARD Tiffany, please read the first page of your screenwriting handbook. Tiffany doesn’t know how to respond. TIFFANY That page has been ripped out, sir. DEAN PRICHARD Borrow someone else’s! TIFFANY They’re all ripped out, sir. Brian sheepishly enters the classroom. BRIAN I came for my personals. Should I come back after class? DEAN PRICHARD Get them now, Mr. Griffin. Stewie sadly stares at Brian as he gathers his stuff through a connecting office. Dean Prichard hands Tiffany his workbook. DEAN PRICHARD Here, read mine. TIFFANY “Understanding Screenwriting by Joseph E. Casner. In order to understand and fully digest screen writing, one must journey into the soul of the writer. This is where the creativity and uniqueness of every story is derived.”
FAMILY GUY "PETER ENVY" 43. Brian slowly walks past Stewie’s desk and toward the door. STEWIE (interrupting) Mr. Griffin! This shouldn’t have happened! You did the right thing! Brian stops and turns to acknowledge his heartfelt rant. DEAN PRICHARD Leave, Mr. Griffin! I said leave! STEWIE It’s not your fault, Mr. Griffin. They made a mistake. They made us sign a form. DEAN PRICHARD One more outburst from you, Stewie, and you’re expelled from this school! Brian begins to exit. Stewie tearfully stands on his desk wearing his prep school suit and tie. STEWIE Oh captain, my captain. DEAN PRICHARD Sit down, Stewie! Another student reluctantly stands on his desk. STUDENT Oh captain, my captain. Several more students follow. Tiffany appears bitter. DEAN PRICHARD Sit down, all of you! This is your final warning!
FAMILY GUY "PETER ENVY" 44. BRIAN’S POV - Students standing on their elevated desks. BRIAN Thank you boys... thank you. FADE OUT: END OF SHOW
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