DR. BABASAHEB AMBEDKAR MARATHWADA UNIVERSITY, AURANGABAD - MASTER OF FINE ARTS - Painting /Portraiture DEPARTMENT OF FINE ART Revised Curriculum ...
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DR. BABASAHEB AMBEDKAR MARATHWADA UNIVERSITY, AURANGABAD
DEPARTMENT OF FINE ART
Revised Curriculum of
MASTER OF FINE ARTS – Painting /Portraiture
( Choice Based Credit & grading system)W.E.F. ACADEMIC YEAR 2016-17
Specialization course in “Painting /Portraiture” leading to the Master of Fine Art (M.F.A.- Painting )
The Curriculum is Planned to further enhance the knowledge and skill of the student while encouraging personal growth based on research in
various styles of painting , related technology and ideas.
Regular expertise interaction will help to build a bridge between students and their future mentors from industry.
There will be three specializations and the student can specialize in one of these specializations. They are: Painting /Portraiture &
Printmaking
(Graphic Art ) Once student select his / her Specialization subject, cannot change for whole course.
The arrangement of visiting staff and regular staff for concern expertise subject to be made by institute according to syllabus.
The experts / Visiting staff can be Professionals, master craftsmen, artists and traditional artists or from allied subjects.
While conducting practical assignment attention will be given to develop in students a good professional outlook, apart from academic
excellence.
Visits to Design Studio, Advertising Agency, Print Industry, Museums, Temples, Architectural Monuments, Exhibitions, Galleries,
Professional
set up, Art and Craft workshop are to be the regular features.Course Pattern
Title of Course Master of Fine Arts – Painting
M. F. A. – Painting / Portraiture
Course Duration Two Years
Examination Pattern Semester Pattern
Intake Capacity 30 students per year
Teaching Learning Days 90 Days per Semester
Eligibility B.F.A.- Painting
A. Standard of Passing-
To pass the candidate must obtain at least 50 % in individual subjects, in internal assessments and University examination in all theory
and practical subjects.
B. ATKT Rules
Allow to keep term (ATKT) available for Theory subjects for only.
C. Award of Class
The system of evaluation will be as followsSr. Equivalent Grade Points Grade Grade description
No percentage
01. 90.00-100 9.00-10 O Outstanding
02. 80.00-89.99 8.00-8.99 A ++ Excellent
03 70.00-79.99 7.00-7.99 A+ Exceptional
04 60.00-69.99 6.00-6.99 A Very Good
05 55.00-59.99 5.50-5.99 B+ Good
06 50.00-54.99 5.00-5.99 B Fair
07 45.00- 49.99 4.50-4.99 C+ Average
08 40.01-44.99 4.01-4.49 C Below average
09 40 4.00 D Pass
10 < 40 0.00 F Fail
D. Attendance of Students
This is a Practical oriented Full time Regular course, so 75 % attendance is compulsory / (65% with medical)
E. Verification / Revaluation
Verification will be done by panel appointed by Concern University Revaluation will be done only for theory papers by panel appointed by concern University, Not for the practical subjects. Internal marks will not change. A student cannot claim to repeat or revaluate the internal assessments. F. Medium of Instruction Medium of instruction and Examination will be English as a global language/ Hindi as a national language/ and Marathi for better understanding of students. G. University Terms Academic calendar should be follow as per concern University
MFA – Painting / Portraiture/ Print - Making
No. of Marks Total
Hrs. per
Sem. /
Exam.
Sem. Course Ref. No Subject Title Credit Minm.
Hrs. Internal Exam.
Assessm
ent. /
tutorial
Course-01 History of Arts (Indian & Western 04 60 - 05 3 50 50 100
Foundation
Course-02 Philosophy of Arts(Indian &
Course 04 60 - 05 3 50 50 100
Western )
Course-03 Painting / Portraiture (PR)
06+1 180 - 05 35 50 50 100
Sessional work / Class Work
1 Core Course Course-04 Drawing / Anatomy study (PR) 02 60- 05 12 50 50 100
Elective Course-05 Computer Graphic (PR) 02 60- 05 12 50 50 100
Compulsory Course-06 Indian constitution 02 30 2 50 50 100
Course Course-07 Research methodology 02 30 2 50 50 100
TOTAL 23 480 ----- 350 350 700
Th 180 hrs + pr 300 hrs = 480hrs – 540 = 60 other activity – library hrs, Exhibition , Study Tour & Other
History of Arts (Indian & Western
Foundation Course-08 04 60 -05 3 50 50 100
Course Course-09 Philosophy of Arts(Indian & 04 60- 05 3 50 50 100
Western )
2 Course-10 Painting / Portraiture (PR)
06+1 180- 05 35 50 50 100
Sessional work / Class Work
Core Course Course-11 Drawing / Anatomy study (PR)
02 60- 05 12 50 50 100Course-12 Computer Graphic (PR) 100
Elective 02 60- 05 12 50 50
Compulsory Course-13 Research Projects / Review
01 15 2 50 50 100
Course Writing / synopsis writing
TOTAL 20 435 ----- 300 300 600
Th 135 hrs + pr 300 hrs = 435 hrs – 540 = 105 other activity – library hrs, Exhibition , Study Tour & Other
Foundation Course-14 Service Course
04 60 3 -- -- 100
Course
Course-15 Painting / Portraiture (PR) Panal/Ju
3 Core Course Sessional work / Class Work 12 360- 10 --- ry Exam --- 300
300
Compulsory Course-16 Project / Dissertation
04 60 NA 100 --- 100
Course part – 01
TOTAL 20 480 ----- 450 50 500
Th 120 hrs + pr 360 hrs = 480 hrs – 540 = 60 other activity – library hrs, Exhibition , Study Tour, Conference & Other
Course-17 Seminar / Project / Jury
20 300 --- 200 200
Dissertation Part -02 Exam
Core Course
4 Course-18 Viva-Voce Jury
--- --- --- 100 100
Exam
TOTAL 20 300 ----- ----- 300 300
Th 300 hrs + pr 00 hrs = 300 hrs – 540 = 240 other activity – library hrs, Exhibition , Study Tour, Conference & Other
GRAND TOTAL 83 1695 ----- 1100 1000 2100Semester –First Foundation Course - Course 01 - HISTORY OF ART (ORIANTAL & OCCIDENTAL ) THEROY 50 , SESSIONAL /TUTORIEL 50 , CREDIT 04 ORIANTAL Comparative survey of evolution of the art painting in the eastern & western culture. 1.Tradition of person Indian only up to the beginning of 19th century and for eastern painting in the indigenous sociopolitical and religion context. 2. Analysis of significant master pieces form different periods stylistic conversions and variation themes and their various sources OCCIDENTAL Comparative survey of evolution of the art painting in the eastern & western culture. 1. Survey of main periods of western painting and sculpture from Paleolithic periods up to the middle of 19 th century. 2. Important artists of various periods significant master pieces, socio-political and religious ideas to the art activity and the thinking UNIT I 01. Introduction to lranian art 02. Indian styles of Miniature paintings including pala , jain Rajastani pahari etc. 03. Daccani school paintings
04. similarities and difference between Indian and Iranian style of Paintings
05. Comparative study of portraits in Indian miniature painting & Iranian style
06. Comparative study of landscape in Indian miniature painting & Iranian style
07. Comparative study of colours in Indian miniature painting & Iranian style
08. vijaynagara and other southern painting styles
09. Introduction to Indian folk arts
10. company school
BOOKS
01. Vidya Dehejiya – Indian art- fidan Publication
02. Dictionary of Indian Art & Artists Pratima Sheth Mapin Publish
03. Vision 50 Years of British Creativity thames & Hudson
04. History of Art by Gajanan Bhagwat , Directorate of Art, Mumbai Publication .
Foundation Course - Course 02
PHILOSOPHY OF ART (ORIANTAL & OCCIDENTAL )
THEROY 50, SESSIONAL /TUTORIEL 50, CREDIT 04
ORIANTAL
1.Indian philosophy aesthetics as related to art
2.fundamenttal of Indian art.
3. Indian attitude to visual arts with special reference to parenting
4. formal aspects in Indian art with special reference to shilpa text.
5.Indian philosophy its principals and religious thoughts and religious thoughts and their relation to arts6.Indian art- its mythological and socio-political relationship
7. aesthetics concept in Indian art it's sources evolution and scope and their relevance to works to arts.
8. Theory of rasa – rasa sutra and it's commemorators, shadanga ( six limbs of Indian paintings).
OCCIDENTAL
1. Concept of are art and beauty with special reference to thinkers from Plato to moderns and various periods from early to modern
2. theories relating creativity – motion imagination, inspiration play and intuition, imitation pleasure and empathy.
Fundamental factors in the creative work of art from, content, expression and communication
BOOKS
01. meewoÙeËefceceebmee – je] Yee] heešCekeâj – ceewpe ØekeâeMeve
02. keâuee kesâ efmebOoevle – Deej ] peer ] keâefueieJeg[- DevegJeeo [e@] yeÇpeYegPainting Extensive studies form life. Studies of human figure draped and undraped in full half and three fourth length studies of various draperies and objects studies of life in different age groups. Studies on rendering techniques and expression studding of palette for portraiture . then handling and brushing techniques. Elements, of design in portraiture posing and arranging the model with the background - characterization of the model Important of the personal approach to drawing and painting and visualizing the organization Compositional analyzing, of painting emphasis on personal style and expression study of important portraits. Indian and western approach to portraiture . Aesthetics of portrait painting with a special reference to Indian miniature portraits. Professional aspects of portrait. Essential practical submission for painting & Portraiture -size of work not less 3' by 3' and not more than 6'by 6' - Each finished painting / Portraiture contain 10 marks in First and second semester - Each finished painting / Portraiture contain 30 marks in Third semester - at the time of viva- voce student most have to display the practical work of all semester Core Course – Course 04 Drawing / Anatomy study (PR) PRACTICAL 50, SESSIONAL /TUTORIEL 50 CREDIT 02. Drawing level study of representative or non – representative painting art work with different medium . Studies of human figure & Anatomy related to portraits painting at drawing level .Same study with different medium . Extensive studies from life. Studies of human figure draped & undraped in full , half & three fourth length .Studies of various draperies and objects studies of life in different age groups .Studies on rendering techniques and expression . Element of design in portraiture ,posing and arranging the model with the background .Characterization of the model .Importance of the personal approach to drawing and visualizing the organization . Emphasis on personal style and expression . Elective – Course 05 Computer Graphics PRACTICAL 50, SESSIONAL /TUTORIEL 50 CREDIT 02.
Study of Computer Software applications used for creating Graphic Design. In first semester student must thoroughly study one of the software to create
Design using vector formats. It is expected to study such application software like CorelDraw, or Adobe Photoshop
Compulsory Course - Course 06.
INDIAN CONSTITUTION (THEORY)
Theory 50, SESSIONAL /TUTORIEL 50 CREDIT 02
Objective of the Subject-
Introduction to Indian Constitution
To learn the different aspects of Indian Constitution
Content-
Chapter 1
a. Framing of the Indian constitution: Role of the Constituent Assembly
b. Philosophy of the Constitution: Objectives, resolution, preamble, fundamental rights and duties, Human rights and environmental
protection.
Chapter 2
a. Special rights created in the constitution of Dalits, Back ward classes, Women & Children and religious and linguistic minority’s
b. Directive principles of State policy: The need to balance fundamental rights with directive principles.
Chapter 3
a. Union Execution: president, Prime minister and Counsel of Ministers: Powers and functions, coalition government, problems in their
working.
b. Union Legislature: Lok-Sabha and Rajya-Sabha, powers and functions. Recent trends in their functioning.
Chapter 4
a. State government: governor, chief minister and council of ministers, legislation
b. Center - state relation: Political, financial, and administrative: recent trendsChapter 5
a. Judiciary: Supreme Court, Judicial review, writs public interest litigations. Enforcing rights through writs
b. Emergency provision (Article 356)
Reference Book:
Indian Constitution by D Srinivasan, Himalaya Publishing house.
The Constitution of India, H. M. Shirwai,
The Constitution of India, J. N. Pandey, Central Law Agency.
Compulsory Course - Course 07.
RESEARCH METHODOLOGY
THEORY 50, SESSIONAL /TUTORIEL 50 CREDIT 02
Objective of the Subject-
To learn media research
Understand the techniques of qualitative and quantitative research
Contents –
Research: Definitions, Methods, Selection & Formulation of Research Problem, Hypothesis, Sampling,
Research Designs, Processing & Analysis of data, Statistical Analysis, Findings, Report Writing
Survey: Meaning, Concept, Utility, Planning, Organizing & Conducting survey, Public Opinion Survey,
Readership Survey
Data: Meaning, Kinds - Demographic, Socio - Economic, Socio - Psychological data
Tools of Data Collection: Questionnaire, Schedule, Interview, Case study, Observation, Content Analysis etc
Media Research: Measuring Impact, Evaluation, Monitoring, and Feedback
Market Research: Principles of Market Research, Theories of Segmentation & Positioning, Pre-Testing, Post -Testing
SUGGESTED READINGS:
1. Social Research S R Vajpayee
2. Doing Your Research Project Judith Bell
3. Research Methodology - Methods & C R Kothari Techniques
4. Research Methodology in Social Sandhu & Singh Sciences5. Communication & Research V P Michael for Management
6. Research in Mass Media S R Sharma & Anil Chaturvedi
7. Research - How to Plan, Clifford Hawkings & Speak & Write About it Macro Sorgi
Semester –Second
Foundation Course - Course 08
HISTORY OF ART (ORIANTAL & OCCIDENTAL )
THEROY 50 SESSIONAL /TUTORIEL 50 CREDIT 04
ORIANTAL
1.Indian art form mid 19th century onwards per- independence periods and post independence periods
2.sources and experiments in cotemporary Indian art.
OCCIDENTAL
1.western art (Europe and America )form mid19th century onwards till world war II
2. western art post world war II period.
3. contemporary western art- its sources and experiments.
UNIT I
01. concept school o fart in India
02. Bengal revival Movement
03. Progressive artists group
04. contemporary art in Baroda05. contemporary art in Mumbai 06. contemporary art in Culcutta 07. contemporary art in South India 08. New Mediums in art in India after 1990 09. Indian art : gallery, museums , art dealers & Collectors 10. critical study of Indian postmodern art (Case study ) BOOKS 01 Vidya Deheseya – Indian art fiden Publication 02 Dictionary of Indian Art & Artists Pratima Sheth Mapin Publish 03 Vision 50 Years of British Creativity thames & Hudson 04. History of Art by Gajanan Bhagwat , Directorate of Art, Mumbai Publication . Foundation Course - Course 09 PHILOSOPHY OF ART (ORIANTAL & OCCIDENTAL ) THEROY 50 SESSIONAL /TUTORIEL 50 CREDIT 04 ORIANTAL 1. Principal of iconography and painting in Indian art. 2. Inter relationship of visual art with perforating art. 3. nature art function of works of art as concerned in Indian aesthetics. 4. staevey of for east tern art china. 5. Taism and vem Bummhism with reference to art. 6. six cannons of Chinese painting
7. modern Indian art- visual analysis and ideological sources.
OCCIDENTAL
1. Movement in painting and sculptures form mid 19th centure to present day with emphasis on the contribution of important masters in Europe
and America.
2 .modern western art.
3. visual analysis and ideological sources.
4. study of aesthetics and its scope Relationship between actual works of art and the principal of aesthetics of the significant periods of art
history
BOOKS
01. meewoÙeËefceceebmee – je] Yee] heešCekeâj – ceewpe ØekeâeMeve
02. keâuee kesâ efmebOoevle – Deej ] peer ] keâefueieJeg[- DevegJeeo [e@] yeÇpeYegEssential practical submission for painting & Portraiture -size of work not less 3' by 3' and not more than 6'by 6' - Each finished painting / Portraiture contain 10 marks in First and second semester - Each finished painting / Portraiture contain 30 marks in Third semester - at the time of viva- voce student most have to display the practical work of all semester Core Course - Course 11 Drawing / Anatomy study (PR) PRACTICAL 50, SESSIONAL /TUTORIEL 50 CREDIT 02. Drawing level study of representative or non – representative painting art work with different medium . Studies of human figure & Anatomy related to portraits painting at drawing level .Same study with different medium . Extensive studies from life. Studies of human figure draped & undraped in full , half & three fourth length .Studies of various draperies and objects studies of life in different age groups .Studies on rendering techniques and expression . Element of design in portraiture ,posing and arranging the model with the background .Characterization of the model .Importance of the personal approach to drawing and visualizing the organization . Emphasis on personal style and expression . Elective -Course 12 Computer Graphic PRACTICAL 50, SESSIONAL /TUTORIEL 50 CREDIT 02. Study of Computer Software applications used for creating Graphic Design. In second semester student must thoroughly study one of the software to create Design using vector formats. It is expected to study such application software like CorelDraw, or Adobe Photoshop Compulsory Course - Course 13 THEORY 50, SESSIONAL /TUTORIEL 50 CREDIT 01. Research projects / Review Writing Write a research project (Miner) in consultation with class teacher or Head.(any one -25 mark Internal )
To take a literature review of a selected subjects / topic & Review that written in your own words / style (Minimum 02 to 03 – 25 mark
Internal)
Semester –Third
Foundation Course - Course 14
Service Course - 04 credits
Exam . Pattern – 100 Marks (50 TH+50 PR)
(Service Course offered in Third or Fourth semester only)
Introduction to visual Art / Appreciation of Art - Hours 60 , -
50 Mark TH – University Exam. , 50 Mark PR - IA (Internal - Assessment )
01. Elements of Art
02. Fundamental of Art
03. Color – theory and Practical
04. Introduction to History of Art (Indian )
05. Basic study about different Art Schools in India . Viz. Ajanta, Mughul , Rajput Jain. Etc
06. Basic study about Folk Art
07. Appreciation of Art
08. Principals of Art and Design – practical
09. Drawing and Sketching - Practical
Core Course - Course 15
PAINTING & PORTAITURE ( PRACTICAL )
SESSIONALWORK / CLASS WORK 300 Mark (Jury Exam) CREDIT 12
PAINTING / PORTAITUREStudent must have to submit Minimum ten (10) finished Painting with Preparatory sketches and evaluate ion of this work by internal & External Expert . Each finished painting / Portraiture contain 30 marks in Third semester -size of work not less 3' by 3' and not more than 6'by 6' Compulsory Course - Course 16 Project / Dissertation Part – I THEORY, CREDIT 04., 100 MARK. Student must have to submit Final synopsis on selected topic of Dissertation . evaluate ion of this work by internal & External Expert . contain 100 marks in Third semester
SEMESTER - Final Core Course – Course 17 SEMINAR / PROJECT / DISSERTATION PART -II Dissertation (theory) Exam . Pattern –Total Mark 200 (Jury Exam) CREDIT 20 DISSERTATION – (PAINTING / PORTAITURE) Final semester candidates are required to select a suitable topic for their dissertation In consultation with the subject teacher and work on it under his guidance or under a guide teacher approved by the University. the dissertation (7000-10000 words)should be prepared in the prescribed manner and handed over (04 copy ) to the concern teacher, through the Head of the Department positively one months before the commencement of the examination . Core Course – Course 18 VIVA- VOCE Viva- voce Exam . Pattern –Total Mark 100 (Jury Exam) Viva- voce examination will be conducted by a panel nominated by the chairman comprising the expert and appropriate external experts from the joint board of examiners.
Final semester candidates will have to arrange a display of their total class work (Form I to IV Semester) at the time of viva- voce examination along with
dissertation in the Department / examination hall .
Grade Awards :-
(I) A ten point rating scale shall be used for the evaluation of the performance of the student to provide letter grade for
each course and overall grade for the Masters Programme grade points are based on the total number of marks obtained
by him / her in all the heads of examination of the course . These grade points and their equivalent range of marks are
shown separately in table – I
Table I – Ten point grades and grade description
Sr. Equivalent Grade Points Grade Grade description
No percentage
01. 90.00-100 9.00-10 O Outstanding
02. 80.00-89.99 8.00-8.99 A ++ Excellent
03 70.00-79.99 7.00-7.99 A+ Exceptional
04 60.00-69.99 6.00-6.99 A Very Good05 55.00-59.99 5.50-5.99 B+ Good
06 50.00-54.99 5.00-5.99 B Fair
07 45.00- 49.99 4.50-4.99 C+ Average
08 40.01-44.99 4.01-4.49 C Below average
09 40 4.00 D Pass
10 < 40 0.00 F Fail
Evaluation Method , standard of Passing ,Grade card , Grievance Redressal , Service course Registration rules & other
as per the report of the Credit & grade based system from the academic Year 2011-12 / school coordinate committee
report . / As per UGC Guidelines adoption of choice Based Credit System.
----------------------------------------------------------------------*******----------------------------------------------------------DR. BABASAHEB AMBEDKAR MARATHWADA UNIVERSITY, AURANGABAD
DEPARTMENT OF FINE ART
Revised Curriculum of
MASTER OF FINE ARTS – APPLIED ART
Illustration /Visualization/ Typography
(Choice Based Credit & grading system)
W.E.F. ACADEMIC YEAR 2015-16Specialization course in “Applied Art” leading to the Master of Fine Art (M.F.A.- Applied Art) This Syllabus is designed in terms of preparing the student for the professional scenario with relevance to practical needs and requirements. The number of assignments also requires with reference to learning objects for every subject and the time available. A holistic approach includes providing industry training via internships, handling live projects, visits to advertising and design houses and also print and production units. Technical advancement is the key to a substantial teaching system in today’s world and thus a great responsibility lies on the art curriculum to prepare students to rise to meet global standards and align seamlessly to changing trends. The modern world seems to be growing exponentially in the digital domain, and yet the print is also evolving like never before. Thus the syllabus is structured with balance in learning skills in both the domains of design. The syllabus needs to be made to promote flexibility and freedom of approach in teaching, within the structure of learning objectives. Regular expertise interaction will help to build a bridge between students and their future mentors from industry. There will be three specializations and the student can specialize in one of these specializations. They are: Illustration / Visualization /Typography Once student select his / her Specialization subject, cannot change for whole course. The arrangement of visiting staff and regular staff for concern expertise subject to be made by institute according to syllabus. The experts / Visiting staff can be Professionals, master craftsmen, artists and traditional artists or from allied subjects.
While conducting practical assignment attention will be given to develop in students a good professional outlook, apart from academic excellence. Visits to Design Studio, Advertising Agency, Print Industry, Museums, Temples, Architectural Monuments, Exhibitions, Galleries, Professional set up, Art and Craft workshop are to be the regular features.
Course Pattern
Title of Course Master of Fine Arts – Applied Arts
M. F. A. – Applied Arts
Course Duration Two Years
Examination Pattern Semester Pattern
Intake Capacity 45 students per year
Teaching Learning Days 90 Days per Semester
Eligibility B.F.A.- Applied Art
A. Standard of Passing-
To pass the candidate must obtain at least 50 % in individual subjects, in internal assessments and University examination in all theory
and practical subjects.
B. ATKT Rules
Allow to keep term (ATKT) available for Theory subjects for only.
C. Award of Class
The system of evaluation will be as followsSr. Equivalent Grade Points Grade Grade description No percentage 01. 90.00-100 9.00-10 O Outstanding 02. 80.00-89.99 8.00-8.99 A ++ Excellent 03 70.00-79.99 7.00-7.99 A+ Exceptional 04 60.00-69.99 6.00-6.99 A Very Good 05 55.00-59.99 5.50-5.99 B+ Good 06 50.00-54.99 5.00-5.99 B Fair 07 45.00- 49.99 4.50-4.99 C+ Average 08 40.01-44.99 4.01-4.49 C Below average 09 40 4.00 D Pass 10 < 40 0.00 F Fail D. Attendance of Students This is a Practical oriented Full time Regular course, so 75 % attendance is compulsory. E. Verification / Revaluation
Verification will be done by panel appointed by Concern University
Revaluation will be done only for theory papers by panel appointed by concern University, Not for the practical subjects.
Internal marks will not change. A student cannot claim to repeat or revaluate the internal assessments.
F. Medium of Instruction
Medium of instruction and Examination will be English as a global language/ Hindi as a national language/ and Marathi for better
understanding of students.
H. University Terms
Academic calendar should be follow as per concern UniversityMFA - Applied Art
No. of Hrs. Marks Total
per Sem. /
Exam.
Sem. Course Ref. No Subject Title Credit Minm.
Hrs. Internal Exam.
Assessmen
t tutorial
Course-01 Advertising Foundation and
Foundation 03 45 - 05 3 50 50 100
Dimension
Course
Course-02 Technical Theory 03 45 - 05 3 50 50 100
Course-03 Visual Communication Design 04 120 - 05 18 50 50 100
Core Course Course-04 Computer Graphics 02 60 - 05 12 50 50 100
Course-05 Field Work 01 30 - 02 NA 50 00 50
1
Course-06 Specialization
(Illustration or Visualization
Elective 05 150- 06 18 50 50 100
or Typography or
Photography )
Compulsory Course-07 Indian constitution 02 30 2 50 50 100
Course Course-08 Research methodology 02 30 2 50 50 100
TOTAL 22 510 ----- 400 350 750
Th 150 hrs + pr 360 hrs = 510 hrs – 540 = 30 other activity – library hrs, Exhibition , Study Tour & Other
Course-09 Advertising Foundation and
Foundation 03 45 - 05 3 50 50 100
Dimension
Course
Course-10 Technical Theory 03 45 - 05 3 50 50 100
2
Course-11 Visual Communication Design 04 120 -05 18 50 50 100
Core Course Course-12 Computer Graphics 02 60- 05 12 50 50 100
Course-13 Field Work 01 30- 02 NA 50 00 50Course-14 Specialization
(Illustration or Typography or
Elective 05 150- 06 18 50 50 100
Visualization or Photography
)
Compulsory Course-15 Research Projects /Review
01 15- 02 2 50 50 100
Course Writing/ synopsis writing
TOTAL 19 465 ----- 400 300 700
Th 105 hrs + pr 360 hrs = 465 hrs – 540 = 75 other activity – library hrs, Exhibition , Study Tour & Other
Foundation Course-16 Service Course
04 60 3 50 50 100
Course
Course-17 Visual Communication
04 120 -05 18 50 50 100
Design
Core Course
Course-18 Computer Graphics 02 60- 05 12 50 50 100
Course-19 Field Work 01 30- 02 NA 50 00 50
3
Course-20 Specialization
(Illustration or Typography
Elective 05 150- 06 18 50 50 100
or Visualization
Photography )
Compulsory Course-21 Project / Dissertation
05 75 NA 100 00 100
Course part – 01
TOTAL 21 495 ----- 350 200 550
Th 135 hrs + pr 360 hrs = 495 hrs – 540 = 45 other activity – library hrs, Exhibition , Study Tour & Other
Course-22 Seminar / Project / Jury
20 300 00 200 200
Dissertation Part -02 Exam
Core Course
4 Course-23 Viva-Voce Jury
--- --- 00 100 100
Exam
TOTAL 20 300 ----- ----- 300 300
Th 300 hrs + pr 00 hrs = 300 hrs – 540 = 240 other activity – library hrs, Exhibition , Study Tour & Other
GRAND TOTAL 82 1770 ----- 1150 1150 2300Semester –First
Foundation Course – Course 01
Advertising Foundation and Dimension (For all Electives)
THEROY 50 , SESSIONAL /TUTORIEL 50 , CREDIT 03
1 Advertising Concept
a Definition and Classification of Advertising in the changing context.
b Technology and Evolution of Advertising
c Development and Growth of Modern Advertising
d Function and Effects of Advertising.
2 The Advertising Environment: Economy, Society and Technology
a The Advertising Environment
b Economic Forces and Advertising
c Social Forces and Advertising
d Technological Forces and Advertising3 Legal Aspect of Advertising
a Copyright, Trade Mark, Consequences of Advertising
b Status of Advertising Agents
c Advertising contracts and consequences
d defamation, Slander of Goods.
4 Buyer Behavior and Marketing
a The Buyer decision process
b Factors Influencing the Business Market
c Factors Influencing the Consumer Market
d Consumer Behavior
5 Commercial Aspect of Advertising
a Creative Advertising and Commercials
b Creative Copy writing, Formulating Copy
c Campaign Planning / Campaign Objectivesd Financial aspects of campaign planning
Reference Books
1 Advertising Art and Ideas/ Dr. G.M Rege / Ashutosh Prakashan
2 Principles of Advertising- A Global Perspective / Monle Lee, Carla Johnson
3 Klippners Advertising Procedure / Klippner
4 Marketing Management / Philip Kotler / Low price Edition / Pearson Education
5 The World of Visual Communication/ Dr. G.M.Rege/ Himalaya Art Book Centre Publication
Foundation Course – Course 02
Technical Theory (For all Electives)
THEROY 50 , SESSIONAL /TUTORIEL 50 , CREDIT 03
1 Communication
a The evolution of Communication
b The systems of Communication
c The types or Methods of Communication
d Importance of the study of Communication
2 Gestures
a Prominent routine Gestures
b Face, Hands, Body Movement, Pantomime or Mimingc Technical Gestures, The dance
d Indian Mythology, The dance in India
3 Pictures
a Paintings in India
b Different schools of India viz. Ajanta, Mughal, Rajput etc.
c Illustrations, Caricatures and cartoons
d Photographs
4 Symbols and Scripts
a Symbolism in India
b Picture Writing, Ideographic Writing
c Transitional Writing, Phonic Writing
d Alphabetic Writing, Calligraphy
5 Medias of Communication
a Historical background of the Poster
b The advantage of the Modern Poster, Functions of Posters
c Role of News papers in society as a medium of communication
d Importance of Magazines as a medium of Communication
Reference Books
01. Advertising Art and Ideas/ Dr. G.M Rege / Ashutosh Prakashan
02. Principles of Advertising- A Global Perspective / Monle Lee, Carla Johnson
03. Klippners Advertising Procedure / Klippner04. Marketing Management / Philip Kotler / Low price Edition / Pearson Education
05. The World of Visual Communication/ Dr. G.M.Rege/ Himalaya Art Book Centre Publication
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07. peeefnjeleerÛes MewueerMeeŒe / efJepeÙe ØekeâeMeve veeiehetj / [e@ ßeer]heeo peesMeer
08. ceeOÙeceebÛeer Je efveleerceòee - Skeâ mebMeesOeve / efJepeÙe ØekeâeMeve veeiehetj / [e@
ßeer]heeo peesMeer
09. peeefnjele Je peeefnjeleerÛes JÙeJemLeeheve / ØekeâeMekeâ meg Jee YeeJes / megYeeStudy of Computer Software applications used for creating Graphic Design. In first semester student must thoroughly study one of the
software to create advertisement using vector formats. It is expected to study such application software like CorelDraw, or Adobe Photoshop
Core Course - course 05
SESSIONAL /TUTORIEL 50 , CREDIT 01
Field Work
A study camp minimum of four days must be attended by the student to make detailed study of animals, Historical monuments,
Museums, Zoo, Bazaars, Nature, and People etc. for sketching and / or photography purpose. Students also should visit various local & other
places/ spots of interactions to male their studies, such study must be based on their choice of specialization. A portfolio pertaining to such
study must be submitted by the student.
Elective - course 06
PRACTICAL 50 , SESSIONAL /TUTORIEL 50 , CREDIT 05
Specialization
1 Visualization Concepts of Branding, Marketing and Advertising / Logo Design and Corporate Identity / Studies in Advertising Design /Concepts
of Information Theory
2 Illustration Examining the structure of body through the study of the mechanics of motion, surface form and human anatomy.
As examples of great sculptural art, the casts reward close study with insights into how reality is abstracted, simplified, clarified and translated
into artistic form.In addition to careful study of the full-size casts, particular attention is directed toward heads, facial features, hands, feet and drapery.
Artistic theories of light and shade are presented. Both linear and dimensional depictions of sculptural form are extensively explored.
3 Typography Study of Typography- History- Classifications- Anatomy and uses of various letter forms- Theoretical and applicable principles of
letter forms.
Expressive typography- Compositions with types- Study of Indian language scripts- Calligraphic experiments in Indian language scripts-
Typography in different context like new media, posters, signage, books, mailers, motion graphics etc.
4 Photography – Product and table top photography , Fashion , modeling & portrait photography , advertising & media profession
photography , Nature –Landscape & Architectural photography , Color and Black & White exposing , printing & enlargements
Compulsory Course - course 07
INDIAN CONSTITUTION (THEORY)
Theory 50, SESSIONAL /TUTORIEL 50 CREDIT 02
Objective of the Subject-
Introduction to Indian Constitution
To learn the different aspects of Indian Constitution
Content-
Chapter 1
a. Framing of the Indian constitution: Role of the Constituent Assembly
b. Philosophy of the Constitution: Objectives, resolution, preamble, fundamental rights and duties, Human rights and environmental
protection.Chapter 2
a. Special rights created in the constitution of Dalits, Back ward classes, Women & Children and religious and linguistic minority’s
b. Directive principles of State policy: The need to balance fundamental rights with directive principles.
Chapter 3
a. Union Execution: president, Prime minister and Counsel of Ministers: Powers and functions, coalition government, problems in their
working.
b. Union Legislature: Lok-Sabha and Rajya-Sabha, powers and functions. Recent trends in their functioning.
Chapter 4
a. State government: governor, chief minister and council of ministers, legislation
b. Center - state relation: Political, financial, and administrative: recent trends
Chapter 5
a. Judiciary: Supreme Court, Judicial review, writs public interest litigations. Enforcing rights through writs
b. Emergency provision (Article 356)
Reference Book:
Indian Constitution by D Srinivasan, Himalaya Publishing house.
The Constitution of India, H. M. Shirwai,
The Constitution of India, J. N. Pandey, Central Law Agency.
Compulsory Course - course 08
RESEARCH METHODOLOGY
THEORY 50, SESSIONAL /TUTORIEL 50 CREDIT 02
Objective of the Subject-
To learn media research
Understand the techniques of qualitative and quantitative research
Contents –
Research: Definitions, Methods, Selection & Formulation of Research Problem, Hypothesis, Sampling,Research Designs, Processing & Analysis of data, Statistical Analysis, Findings, Report Writing
Survey: Meaning, Concept, Utility, Planning, Organizing & Conducting survey, Public Opinion Survey,
Readership Survey
Date: Meaning, Kinds - Demographic, Socio - Economic, Socio - Psychological data
Tools of Data Collection: Questionnaire, Schedule, Interview, Case study, Observation, Content Analysis etc
Media Research: Measuring Impact, Evaluation, Monitoring, and Feedback
Market Research: Principles of Market Research, Theories of Segmentation & Positioning, Pre-Testing, Post -Testing
SUGGESTED READINGS:
1. Social Research S R Vajpayee
2. Doing Your Research Project Judith Bell
3. Research Methodology - Methods & C R Kothari Techniques
4. Research Methodology in Social Sandhu & Singh Sciences
5. Communication & Research V P Michael for Management
6. Research in Mass Media S R Sharma & Anil Chaturvedi
7. Research - How to Plan, Clifford Hawkings & Speak & Write About it Macro SorgiSemester –Second
Foundation course – course 09
Advertising Foundation and Dimension (For all Electives)
THEORY 50, SESSIONAL /TUTORIEL 50 CREDIT 03
1 Modern Marketing Activity
a Evolution of marketing Concept
b Process of Marketing
c Characteristics of Modern marketing activity
d Promotional Marketing communication
2 Marketing Communication
a Aims and Objectives
b Role of Marketing Communication
c Various forms of Marketing Communication viz. Advertising, Personal selling, Sales promotion, Public relation, Direct mail etc.d New concepts of Marketing Communication.
3 Advertising as Marketing Communication
a Advertising as a means of man’s communication
b Purpose and role of Advertising in Marketing communication- Influence and Impact of Advertising
c Strong and Weak theories of Advertising
d Role of Marketing Research in Marketing Communication.
4 Media of Advertising
a Media Planning
b Media buying
c Indoor Advertising media
d OOH Advertising media
5 Creative Advertising
a Planning and Execution
b Unique Selling Points of subject. Its use in creative advertising
c Basic Human Motives / Desires
d Copy Platform / Function of Copy / Approach to Writing copy
e Principles of Design / Hard-sell and Soft-sell advertising.
Reference Books
01. Advertising Art and Ideas/ Dr. G.M Rege / Ashutosh Prakashan
02. Principles of Advertising- A Global Perspective / Monle Lee, Carla Johnson
03. Klippners Advertising Procedure / Klippner04. Marketing Management / Philip Kotler / Low price Edition / Pearson Education
05. The World of Visual Communication/ Dr. G.M.Rege/ Himalaya Art Book Centre Publication
Foundation course – course 10
Technical Theory (For all Electives)
THEORY 50, SESSIONAL /TUTORIEL 50 CREDIT 03
1 Advertising Production
a History of Printing Technology
b Different Methods of Production
c Printing Technology and Media of Advertising
d Innovations in print technology
2 Print Media
a Magazine Advertising
b Newspaper Advertising
3 Broadcast Media
a Television Advertising
b Radio Advertising
4 Internet Advertising
a The Internet
b Web Advertisingc Internet Directory Advertising
5 Alternative Advertising Media
a Out-of-home Advertising
b Other Alternative Advertising Media
Reference Books
01. Advertising Art and Ideas/ Dr. G.M Rege / Ashutosh Prakashan
02. Principles of Advertising- A Global Perspective / Monle Lee, Carla Johnson
03. Klippners Advertising Procedure / Klippner
04. Marketing Management / Philip Kotler / Low price Edition / Pearson Education
05. The World of Visual Communication/ Dr. G.M.Rege/ Himalaya Art Book Centre Publication
06. peenerjeleerÛes peie / ceewpe ØekeâeMeve / ÙeMeesoe YeeieJele
07. peeefnjeleerÛes MewueerMeeŒe / efJepeÙe ØekeâeMeve veeiehetj / [e@ ßeer]heeo peesMeer
08. ceeOÙeceebÛeer Je efveleerceòee - Skeâ mebMeesOeve / efJepeÙe ØekeâeMeve veeiehetj / [e@
ßeer]heeo peesMeer
09. peeefnjele Je peeefnjeleerÛes JÙeJemLeeheve / ØekeâeMekeâ meg Jee YeeJes / megYeeVisual Communication Design
Effective and creative advertising campaigns created by the students making effective use of Illustrations / Typography / Visualization
/Photography as the case may be. Various advertising media must be tried to deliver their message effectively on specialization field.
Core Course - Course 12
PRACTICAL 50 , SESSIONAL /TUTORIEL 50 , CREDIT 02
Computer Graphics
Study and practice of using pagination application software like Adobe In Design, Page Maker, and Quark Express and CorelDraw Graphic suite.
A proper design for not less than four pages may be created using any one of the software suite mentioned above.
Core Course - Course 13
SESSIONAL /TUTORIEL 50 , CREDIT 01
Field Work
A study camp minimum of four days must be attended by the student to make detailed study of animals, Historical monuments,
Museums, Zoo, Bazaars, Nature, and People etc. for sketching and / or photography purpose. Students also should visit various local & other
places/ spots of interactions to male their studies, such study must be based on their choice of specialization. A portfolio pertaining to such
study must be submitted by the student.
Elective - Course 14PRACTICAL 50 , SESSIONAL /TUTORIEL 50 , CREDIT 05
Specialization
1 Visualization Market Research methods /Studying media for branding /Understanding Positioning, brand value and experience
2 Illustration To develop proportional accuracy, foreshortening, detail-mass relationships and the use of light & shadow to draw the figure as a
convincing volumetric and spatial form. History of Composition and Design
Movements will be covered such as Modernism, post-Modernism, Surrealism, Conceptual Art, Pop Art, Expressionism and Realism.
Relationships of past art to the development of contemporary figurative art in design illustration.
3 Typography Development of typography as a discipline and overview of historical, technical and aesthetics issues- Effect of technology on
changing practice of typography and role of typography.
4 photography - Product and table top photography , Fashion , modeling & portrait photography , advertising & media profession
photography , Nature –Landscape & Architectural photography , Color and Black & White exposing , printing & enlargements
Compulsory Course- Course 15
THEORY 50 , SESSIONAL /TUTORIEL 50 , CREDIT 01
Research projects / Review Writing
Write a research project (Miner) in consultation with class teacher or Head.(any one -25 mark Internal )
To take a literature review of a selected subjects / topic & Review that written in your own words / style (Minimum 05 – 25 mark
Internal)Semester –Third
Foundation Course - Course 16
Service Course - 04 credits
Exam . Pattern – 100 Marks (50 TH+50 PR)
(Service Course offered in Third or Fourth semester only)
Introduction to visual Art / Appreciation of Art - Hours 60 , -
50 Mark TH – University Exam. , 50 Mark PR - IA (Internal - Assessment )
10. Elements of Art
11. Fundamental of Art
12. Colour – theory and Practical
13. Introduction to History of Art (Indian )
14. Basic study about different Art Schools in India . Viz. Ajanta, Mughul , Rajput Jain. Etc
15. Basic study about Folk Art16. Appreciation of Art
17. Principals of Art and Design – practical
18. Drawing and Sketching - Practical
Core Course – Course 17
PRACTICAL 50 , SESSIONAL /TUTORIEL 50 , CREDIT 04
Visual Communication Design
Effective and creative advertising campaigns created by the students making effective use of Illustrations / Typography / Photography
as the case may be. Various advertising media must be tried to deliver their message effectively on specialization field.
Core Course – Course 18
PRACTICAL 50 , SESSIONAL /TUTORIEL 50 , CREDIT 02
Computer Graphics
Advanced study of Animation techniques used in 2D OR 3D animation making use of suitable application software should be done. Any of the
above mentioned assignment may be produced by the student using suitable software like In Design, CorelDraw or Quark Express. Use of
sources from internet must be used by the students to embed suitable images supporting their specialization subject.
Core Course – Course 19
PRACTICAL 50 , SESSIONAL /TUTORIEL 50 , CREDIT 01
Field WorkA study camp minimum of four days must be attended by the student to make detailed study of animals, Historical monuments, Museums, Zoo,
Bazaars, Nature, and People etc. for sketching and / or photography purpose. Students also should visit various local & other places/ spots of
interactions to male their studies, such study must be based on their choice of specialization. A portfolio pertaining to such study must be
submitted by the student.
Elective – Course 20
PRACTICAL 50 , SESSIONAL /TUTORIEL 50 , CREDIT 05
Specialization
1 Visualization Creating a Brand Experience /Brand Evaluation and Rebranding / Formulation Brand Strategies
2 Illustration This semester addresses theoretical and applied perspective in order to build spatial environments within artworks.
Students are encouraged to examine issues and methods of perspective in the context of their own pictorial concerns.
Relationship of technique to content in drawing traditions up to the present day.
Wet and dry media on various supports are explored in a studio format.
Students will prepare paper with grounds for use with metal-point, inks applied with pen and brush, both natural and fabricated chalks, and
various forms of charcoal.
3 Typography Digital typography: emerging directing and new possibilities- Typography as communication. Experimental typography and need
for experiments.
4 photography - Product and table top photography , Fashion , modeling & portrait photography , advertising & media profession
photography , Nature –Landscape & Architectural photography , Color and Black & White exposing , printing & enlargementsCompulsory Course –Course 21
Project / Dissertation Part – I
THEORY, CREDIT 05., 100 MARK.
Student must have to submit Final synopsis on selected topic of Dissertation . evaluate ion of this work by internal & External Expert . contain 100
marks in Third semester
Semester –Fourth
Core Course -course 22
SEMINAR / PROJECT / DISSERTATION PART -II
Dissertation (theory) Exam . Pattern –Total Mark 200 (Jury Exam)
CREDIT 20
.
Dissertation
The students of post graduation are required to select a suitable hypothesis supporting their choice of specialization and prepare a
dissertation in conclusion with Head of the Department and work on it under the guidance of such faculty member or under a teacher as
approved by the University. Such dissertation must be prepared in the prescribed manner (Four copies) and should have minimum 7000 to
10000 words in it. It should be handed over to the concern teacher, through the Head of Department positively one calendar month before
commencement of final examination.
Core Course -course 23 Viva- voce Exam . Pattern –Total Mark 100 (Jury Exam)
The one or two external referees shall be the persons residing in India, who are experts in the subject. The viva shall be held jointly by the
external referees and the Guiding Teacher, only after the dissertation have been valued by the external and/or referees, and at the time of
holding it, the referees conducting the viva-voce shall have the dissertation in their hands and project work (Class work) displayed at the same
time.
A candidate will have to arrange a display of their total project work done in all first to third semesters. The work should be well
presented in the exhibition hall or studio of the department. The panel of examiners shall observe the candidate’s performance on the basis of
his/her displayed work and conduct the viva-voce examination simultaneously.
Grade Awards :-
(I) A ten point rating scale shall be used for the evaluation of the performance of the student to provide letter grade for
each course and overall grade for the Masters Programme grade points are based on the total number of marks
obtained by him / her in all the heads of examination of the course . These grade points and their equivalent range of
marks are shown separately in table – I
Table I – Ten point grades and grade description
Sr. Equivalent Grade Points Grade Grade description
No percentage01. 90.00-100 9.00-10 O Outstanding 02. 80.00-89.99 8.00-8.99 A ++ Excellent 03 70.00-79.99 7.00-7.99 A+ Exceptional 04 60.00-69.99 6.00-6.99 A Very Good 05 55.00-59.99 5.50-5.99 B+ Good 06 50.00-54.99 5.00-5.99 B Fair 07 45.00- 49.99 4.50-4.99 C+ Average 08 40.01-44.99 4.01-4.49 C Below average 09 40 4.00 D Pass 10 < 40 0.00 F Fail
Evaluation Method , standard of Passing ,Grade card , Grievance Redressal , Service course Registration rules & other
as per the report of the Credit & grade based system from the academic Year 2011-12 / school coordinate
committee report . / As per UGC Guidelines adoption of choice Based Credit System.
----------------------------------------------------------------------*******----------------------------------------------------------
DR. BABASAHEB AMBEDKAR MARATHWADA UNIVERSITY, AURANGABAD
DEPARTMENT OF FINE ART
Revised Curriculum of
MASTER OF FINE ARTS -BY RESEARCH
Painting / Portraiture /print making (Graphic Art)
(Credit Based & grading system)W.E.F. ACADEMIC YEAR 2015-16
Specialization course in “Painting, Portraiture & Printmaking (Graphic Art )” leading to the
Master of Fine Art By Research
Course Pattern
Title of Course Master of Fine Arts by Research – Painting
M. F. A. – Painting, Portraiture & Print Making (Graphic)
Course Duration Four Semester / Two Years
Examination Pattern Semester but one time assessment at the end of Final semester
Intake Capacity 05 students per Specialization / 15 candidates in each discipline (Painting & Applied Art)
Teaching Learning Days 90 Days per Semester
Eligibility B.F.A (Painting) Degree form this or any University or Government Diploma in Art (Painting)
of the Government of Maharashtra state or an equivalent thereto passed and must havethereafter obtained five years experience of Professional (Painting) / teaching to the classes
leading to the B.F.A. Degree (Painting) in any University or the Government diploma of art
(painting) of government of Maharashtra state & equivalent are eligible. preference will be
given to candidate form Dr. Babasaheb Ambedkar Marathwada University affiliated colleges
A. Standard of Passing- To pass the candidate must obtain at least Average Grade point B in all practical, Research
Methodology & Computer Application , Dissertation & Viva-voce subjects.
B. Award of Grade - The system of evaluation will be as follows ,Ten point later Grade System
Ten point grades and grade description
Sr. Equivalent Grade Points Grade Grade description
No percentage
01. 90.00-100 9.00-10 O Outstanding
02. 80.00-89.99 8.00-8.99 A ++ Excellent
03 70.00-79.99 7.00-7.99 A+ Exceptional04 60.00-69.99 6.00-6.99 A Very Good 05 55.00-59.99 5.50-5.99 B+ Good 06 50.00-54.99 5.00-5.99 B Fair 07 45.00- 49.99 4.50-4.99 C+ Average 08 40.01-44.99 4.01-4.49 C Below average 09 40 4.00 D Pass 10 < 40 0.00 F Fail
C. Attendance of Students - This is a Research oriented Teachers educational up gradation course, so required 02 meeting in each semester & Research Methodology / Computer Application course work Attendance is compulsory. D. Verification - Verification will be done by panel (External Examiner / referees & Guide teacher) appointed by Concern University Dept. E. Medium of Instruction- Medium of instruction and Examination will be English as a global language/ Hindi as a national language/ and Marathi for better understanding of students. F. University Terms - Academic calendar should be follow as per concern University Dept.
Semester Sr. Subject Duration No. of Hours in Credit Mark for
No assignment semester Examination
01 Research Methodology (TH) 01.hurs. Each Lecture 15 01 50
02 Computer Application (PR) 01 hurs. Each Lecture &PR 15 01 50
I 03 Drawing (PR) Own Studio Work 30 hurs. Each 05 150 10 100
Semester 04 Painting / Portraiture / Print 45 hurs. Each 05 225 15 100
Making (PR) Own Studio Work
05 Final synopsis submission --- 01 15 01 50
Total 420 28 350
Detail Stretcher of MFA By Research Course
Semester Sr. Subject Duration No. of Hours in Credit Mark for
No assignment semester Examination
Meeting with Guide Teacher are 02 only in each semester.
In 1st Sem. Synopsis Preparation & Final synopsis submission with above Project work (Practical) at the end of semester .01 Research Methodology (TH) 01.hurs. Each Lecture 15 01 50
02 Computer Application (PR) 01 hurs. Each Lecture &PR 15 01 50
II 03 Drawing (PR) Own Studio 30hurs. Each 05 150 10 100
Semester Work
04 Painting / Portraiture / Print 45 hurs. Each 05 225 15 100
Making (PR) Own Studio Work
Total 405 27 300
Meeting with Guide Teacher are 02 only in each semester.
In 2nd Sem. First draft of Dissertation submission with above Project work (Practical) at the end of semester.
Semester Sr. Subject Duration No. of Hours in Credit Mark for
No assignme semester Examination
nt
01 Drawing (PR) Own Studio Work 30 hurs. 05 150 10 100
Each
IV 02 Painting / Portraiture / Print Making 45 hurs. 05 225 15 100
Semester (PR) Own Studio Work Each
04 Viva-voce Exam- with Dissertation 01 hurs --- --- --- 100
& All Practical’s Presentation maximum Dissertation
100 Viva-
voceTotal 375 25 400
Total 1575 105 1250
Semester Sr. Subject Duration No. of Hours in Credit Mark for
No assignme semester Examination
nt
01 Drawing (PR) Own Studio Work 30 hurs. Each 05 150 10 100
02 Painting / Portraiture / Print 45 hurs. Each 05 225 15 100
III Making (PR) Own Studio Work
Semester Total 375 25 200
Meeting with Guide Teacher are 02 only in each semester.
In 3rd Sem. Final rough (Dummy) of Dissertation submission with above Project work (Practical) at the end of semester.
Meeting with Guide Teacher are 02 only in each semester.
In 4th Sem. Final Dissertation in 04 copy submitted with above all Project work (Practical) at the end of semester.
Viva- voce will be conducted along with the Dissertation and display all project work (practical).Syllabus Structure of M.F.A. By Research – Painting
Painting/Portraiture /Print Making (Graphic Art)
Ordinance O-773a & b and regulation R- 1550- a to e & R-1551 a to g relating to the Master of Fine Art degree course by
research in the subject of painting, portraiture ,print making , (Graphic Art) are implemented in Credit Based & grading
system
BY RESEARCH
(Note :- Registration as a post graduate student shall be a condition precedent to the commencement of studies for the
degree of M.F.A. by research )
A candidate for being eligible for admission to the Master of fine Arts degree course by research in the branches of 1.
Painting 2.portraiture, 3.print making, (Graphic Art)
B.F.A (Painting) Degree form this or any University or Government Diploma in Art (Painting) of the Government of
Maharashtra state or an equivalent thereto passed and must have thereafter obtained five years experience of
Professional (Painting) / teaching to the classes leading to the B.F.A. Degree (Painting) in any University or the
Government diploma of art (painting) of government of Maharashtra state & equivalent are eligible. preference will be
given to candidate form Dr. Babasaheb Ambedkar Marathwada University affiliated collegesfive years of Professional experience in Painting discipline are Outstanding in relevant field on state, National / International level achievement (Exhibitions , awards, workshops, demonstrations. etc ) a) In all the specialization prescribed for the M.F.A. degree by Research only five candidate in each specialization are allowed to enroll in every academic year / 15 candidates in each discipline (Painting & Applied Art) b) A candidate seeking admission to the M.F.A. degree courses by Research shall have to registered as a post graduate student under a teacher recognized by the University and submit through him a synopsis of the topic of his Dissertation which should be related to the branches prescribed for the M.F.A. degree by Research c) The M.F.A. degree courses by Research shall consist of a dissertation and a projects work (practical) . d) A candidate for the M.F.A. degree by Research will be required to register himself as a post graduate student under a recognized teacher approved by University. On completion of a period of four term or two academic years as a M.F.A. by Research student the candidate shall submit a dissertation for the degree along with the project work (practical )on any subject related to the prescribed for the M.F.A. degree courses provided that the teacher under whom the candidate is registered certifies that prime facie, the dissertation is worthy of submission for the award of the degree. e) The nature of the project work( practical) and the dissertation to be submitted by the candidate for the M.F.A. degree courses by Research in the branches if Painting, Portraiture, Print Making,( Graphic Art) shall be as under.
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