Do We Do Enough For Youth?
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
noda.org.uk Summer 2019 | £3.90 Be inspired by amateur theatre Children In Performance - The Definitive Guide A Trip to the Archive Taking It To The Next Level All the News From Your Region Do We Do Enough For Youth? Please share this copy of NODA TODAY with fellow society members
CONTENTS WELCOME Welcome to the Summer edition of NODA On the cover TODAY, as you can see the new updates and changes in format are slowly rolling out, we hope Chicago High the grouping of articles makes for a more informed School Edition reading experience and that the magazine will truly Angles Theatre be “NODA Today”. If you have any comment or Photo by Curtis McMullan 8 suggestions, Rob, our National Editor would like to hear from you, alternatively speak to your Regional Representative or Regional Councillor. Features Do We Do On the theme of knowing what is going on, the Volunteer Conference allowed for some interesting discussions, over the coming months Council and its Regions will be doing what we can to address the issues. An area of concern was our Youth Work, and we have since sought to recruit someone 11 Enough For to integrate the fantastic work being done in our regions and better understand what we can do to support this very important aspect of NODA. We are pleased to announce that at the time of publication, we have appointed Mike Mullen as the new Youth Coordinator. I am sure you will all be hearing from him soon to inform Taking It To The Next Level We spoke to Paul Elsam, author, performer and course director on taking youth performing to the next level Youth? you all of his amazing ideas going forward. Summer is definitely here, marked by the highest temperatures for June recorded and everyone involved with and attending this year’s Summer School at Yarnfield starting their packing for what looks at being a tremendous week. 20 Children In Entertainment All the News From Your Region As trustees of a National Charity we have to spend time on governance matters, our constitution has been given a thorough looking-at by councillors, the result of their labours means some tweaks and a revision of Bye Laws to support them. At the The definitive guide to Children In National AGM in September you will be asked to approve the changes, full details Entertainment including Chaperones, will be included in the detailed papers for that conference. Performance Licensing and Safeguarding We do have a legal helpline which is there to support all societies on a range of matters, we recent had a query about “reasonable adjustment” a simple oversight in 30 The Middle Leg of the Presidential how someone discussed accessibility, led to a call to the team. If you have a query, contact Dale, as we may already have had a similar query and can provide a route forward. Tour Catch with NODA President Jacquie Continue to enjoy your involvement in Theatre, in whatever role excites you. Stedman as she and her husband David tour the UK. East North East North South East Michael Hastilow - Chairman of Trustees 32 A Trip to the Archives 2019 marks the 75th anniversary of D-Day. We delve into NODA GETTING IN TOUCH history to learn of how the Association The National Operatic and Dramatic NODA Insurance survived World War II Association nodainsurance.co.uk 15 The Metro Centre 01823 250 736 56 Long Service Award Winners Peterborough PE2 7UH NODA Safe noda.org.uk/nodasafemembers In this edition we celebrate the East Midlands North West South West West Midlands T +44 (0) 1733 374 790 0345 257 6632 recipients of awards for 25 to 45 E info@noda.org.uk years of service to their societies. W www.noda.org.uk NODA Legal Advice Service 01733 374 790 62 First Timer Thoughts © 2019 National Operatic and Dramatic Association Registered CIO 1171216 (NODA Membership Services) info@noda.org.uk What is it like being a first timer at Registered Company no. 241572 Social Media the NODA Summer School. Kevin facebook.com/ Stemp tells us his experiences being Patrons NationalOperaticDramaticAssociation a newbie The Lord Lloyd Webber Twitter - @NodaTweets Connie Fisher Instagram @NodaPics London Scotland Wales & Ireland NODA Youth
Your letters and comments Who’s Who at NODA Council H socie as your President NODA London Regional Councillor NODA South East Regional Councillor our Does y ty Jacquie Stedman Andrew Rogers Kay Rowan have a spe pulled of jacquie.stedman@noda.org.uk andrew.rogers@noda.org.uk kay.rowan@noda.org.uk society ctacu f Was your last famous show l a r show something Chairman Michael Hastilow NODA North Regional Councillor Gordon Richardson NODA South West Regional Councillor Graham Liverton ? alumni ? out of the michael.hastilow@noda.org.uk gordon.richardson@noda.org.uk graham.liverton@noda.org.uk ordinary? Immediate Past President NODA North East Regional Councillor NODA Wales & Ireland Regional Councillor Nick Lawrence Leslie Smith Jordan Spencer nick.lawrence@noda.org.uk leslie.smith@noda.org.uk jordan.spencer@noda.org.uk NODA East Regional Councillor NODA North West Regional Councillor NODA West Midlands Regional Councillor National Editor NODA North West Editor Tessa Davies Christine Hunter Hughes Ian G. Cox Rob Williams Rob Gemmell tessa.davies@noda.org.uk christine.hunterhughes@noda.org.uk ian.cox@noda.org.uk editor@noda.org.uk rob.gemmell@noda.org.uk NODA East Midlands Regional Councillor NODA Scotland Regional Councillor NODA Life Member NODA East Editor NODA Scotland Editor Nanette Lovell Stuart McCue-Dick John W. Barnes Julia Rymer Alan C. Jones nanette.lovell@noda.org.uk stuart.dick@noda.org.uk john.barnes@noda.org.uk julia.rymer@noda.org.uk alan.jones@noda.org.uk NODA East Midlands Editor NODA South East Editor Alex Wood Gregory Gower NODA Limited alex.wood@noda.org.uk gregory.gower@noda.org.uk If you have an Chairman Chairman of Trustees Directors NODA London Editor NODA South West Editor Eric Smart Michael Hastilow Neil Maidman, Christine Hunter Hughes interesting story to Position Vacant Matthew Heaton eric.smart@noda.org.uk michael.hastilow@noda.org.uk Ian G. Cox, Fred Piggford editor@noda.org.uk matthew.heaton@noda.org.uk tell, then get in touch NODA North Editor NODA Wales & Ireland Editor with your Regional Emma Scott Dee McIlroy emma.scott@noda.org.uk dee.mcillroy@noda.org.uk Head Office Staff Editor NODA North East Editor NODA West Midlands Editor Chief Operating Officer Marketing and Publishing Executive Membership Services Tony Harris Janine Graeme Dale Freeman Rob Williams Richard Hutchinson tony.harris@noda.org.uk janine.graeme@noda.org.uk dale@noda.org.uk rob@noda.org.uk richard@noda.org.uk Finance Manager Administrative Support and Summer School Chris Cotton Beverly Clarke chris@noda.org.uk beverly@noda.org.uk NODA ANNUAL GENERAL MEETING The Annual General Meeting of The National Operatic and Dramatic Association, Charity No 1171216 will take place on Saturday 28th September 2019 at 2.30pm at Conference Centre Southport (The Where do I go to find out...? Floral Hall) PR9 0DZ. Where do I find contact To find out more about We need legal advice - The Meeting is called in accordance with Rule 11 of the Associations Constitution to receive the audited annual statement of accounts, the trustees report, receive reports on the number of members, the details for my Regional NODA Pantomimes? what do we do? proposed rates of subscription, elect nominated Trustees, Honorary and Life Members. Appoint the appeals committee and elect the auditors for the ensuing year and receive any other business of which Representative? due notice has been given. Go to www.noda.org.uk/regions Go to www.noda.org.uk/pantomimes Email info@noda.org.uk clearly To ensure the smooth running of the meeting, any resolutions to be considered at the meeting should be Click on your region and then the tab Here you can read extracts of all of the detailing your issue or request. sent to the Chairman of Trustees Michael Hastilow at 15 The Metro Centre, Peterborough, PE2 7UH or saying Committee pantomimes available from NODA by e-mail to michael.hastilow@noda.org.uk to arrive no later than 24th August 2019. or We will then contact our Legal Team or who will get in touch with you directly. NODA email addresses follow the format of You can apply for your performance firstname.lastname@noda.org.uk licence online NODA Today - Summer 2019 5
Councillors Chat A quick note from your Regional Councillor Tessa Davies Nannette Lovell Andrew Rogers Gordon Richardson Leslie Smith East Regional Councillor East Midlands Regional Councillor London Regional Councillor North Regional Councillor North East Regional Councillor NODA East recently held their It was great to meet so many of This has been a year of change By the time this magazine is Once again it gives me great annual AGM and Gala awards our NODA family at the AGM for the NODA London committee. published hopefully all nominees for pleasure to welcome you to NODA presentation. I want to thank and Awards Day on 23rd June. A new Councillor, a re-joining our youth and performance awards North East where things have been everyone who worked to make Congratulations to all those groups Treasurer and now both our Social will have accepted their nominations moving pretty quickly since I last the day a success and to all that who received nominations for Media guru and Editor have stood and sent their paperwork and spoke to you all. attended. We are now planning the awards. We now have a new Rep down. We are reviewing the roles remittance accordingly. 2020 event and, with the number for District 4 - Andrew Key and a and responsibilities of the current In April we had our Gala Weekend of guests growing every year, we new Awards Secretary, Caroline committee members and seeing Every year the choosing of my in Bridlington which once again are on the lookout for another great Jervis, who will be looking after your where we need to strengthen the winners becomes harder such is the was a huge success with around venue within the region. requests for Long Service Awards. team. Be assured we will continue standard. Same is true of our reps – 700 members of the NODA North Alison Roberts has also taken on to work hard to ensure London to be nominated is an honour itself. East family in attendance together In the meantime, I am looking the role of Membership Secretary. Societies get the service they with our National President Jacquie forward to visiting many of the Caroline has taken over from require. See you hopefully at Gosforth Stedman and her husband David. shows around the region, I am Peter Beddall and Alison from Phil Park Hotel September 14th for I hope they had a much fun as the sure they will continue to maintain Williams as both of these gentlemen All the best for your forthcoming what proves to be another special rest of us. the high standards that we have have decided to retire. productions – I hope to see you evening. come to expect from the societies in I hope you all have a brilliant soon. NODA East. summer! Christine Hunter Hughes Stuart McCue-Dick Kay Rowan Graham Liverton Jordan Spencer Ian G. Cox North West Regional Councillor Scotland Regional Councillor South East Regional Councillor South West Regional Councillor Wales & Ireland Regional Councillor West Midlands Regional Councillor My final ‘Chat’ – very much the The NODA Scotland conference The Celebration Day of 2018 I hope you agree that the South By the time you receive this edition We were delighted to welcome our end of an era, as you all know, in will once again return to the was held at the Electric Theatre in West awards evening this year was our Regional Awards and Annual National President Jacquie Stedman September I step down from my iconic Peebles Hydro (25-27 Guildford. All together during the a most enjoyable evening, and the General Meeting in Hereford and husband David to mingle and current post as North West Regional October 2019) for a weekend day nearly 300 people attended. venue did us proud. would have taken place nearly two meet with members and delegates Councillor and hand that particular of workshops, networking and Eight societies entertained us with a months ago and the preparation will at our 2019 Regional Conference baton over to Andy McNicholas. socialising. Workshops will cover range of performances from opera The next awards evening will be be underway for 2020. and Awards Day in April. singing, movement, drama, licensing to a modern musical to a serious on the 9th May 2020. I am aware However, I look forward to meeting of children in theatre and stage play. for some societies this may be I will be vacating the role of The well attended event included many, many more members of ‘the management. There will also be a inconvenient, but with it currently Councillor in 2020 and therefore exhibitor partners, a make-up NODA Family’ as I travel around range of theatrical suppliers and I have already visited almost 30 being in March, it is too near to if there is anyone that would be workshop, AGM and spectacular the country as your National rights holders in attendance. The societies since the beginning of the Christmas to do everything with interested in possibly taking on this entertainment. There were President. It has been an honour weekend will also include the AGM year and many more to come. Your ease and with weather being rewarding role please do get in presentations of 174 awards in 5 and a pleasure to serve as the and the result of the Programme and productions continue to amaze with difficult (the snow) last year! touch with me via email categories, along with those for the NW Councillor – the region where Poster Competition. their professionalism and vitality. jordan.spencer@noda.org.uk programme and poster competition. NODA was originally born! The Southwest AGM will be on Thank you for the support with 360 Bookings are now open, and full I look forward to meeting more of September 1st 2019, at the Walnut Please keep inviting me to your members sharing achievements of details are on the NODA Scotland you and watching your exciting Tree, North Petherton at 11am. All shows and where possible Luke and 2018. I hope to see you all again pages at www.noda.org.uk productions. welcome! I would be delighted to attend. soon. 6 NODA Today - Summer 2019 7
Do We Do Enough For Youth? With the re-launch of the NODA Youth Everybody’s Talking About Jamie and with amazing music and is fun to stage, Project approaching, we are pleased more, this has created a new buzz for but as it hasn’t been on the West End in to announce the appointment of our musical theatre - particularly as these years and is not available on Spotify, new Youth Coordinator, Mike Mullen. shows incorporate real-life recent events Apple Music etc, hence no one knows He will lead the relaunch and be there and issues pertinent to youth growing it and the choice doesn’t interest youth. to support the amazing work our Youth up in today’s world. But how does this If I suggested High School Musical my Advisors do around the country with our transfer down to amateur companies; hand would be bitten off by people amazing members. the release of the rights for these types of wanting to sign up. Don’t get me wrong shows will be years away, if ever? there are still some amazing educational The work we do with Youth groups has arts programmes in schools but how been a hot topic for some time and the So, now I have had a little moan about can we as an industry support, plug the progress already made in such a short the difficulties finding youth shows, how gaps or replace this education if it truly time is exciting. I’ve taken a step back to do we change it? How do we push the becomes lost in schools? think about what we as NODA and the industry to give more opportunities to industry in general offer youths - the next youth - in shows they’re so interested in? Youth groups offer an amazing generation At the end of the day, as we all know, experience to children by introducing they are the future of the industry whether them into theatre but again there are As a youth director, before we have amateur or professional. limitations. Every group does things even finished the current show, I am differently, but I would expect most being quizzed by the cast on what is With the huge amount of cuts to Arts groups would say they are met with coming up next; what are the options for in schools, children are less exposed barriers from the professional world the next musical? Quite often I have to to theatre and in particular, plays so reply ‘I don’t know’. when it comes to choosing a show, the kids always go for a musical as that is I find it harder and harder each year to what is most accessible to them and find shows: the most well-known ones as well. For • that suit the age range, years I have tried to stage Children of • the capability of the company, Eden by Stephen Schwartz. It’s a show • that will actually sell and make our society money, • that won’t break the bank to stage, • that will fit in a small theatre, • can be done with a composite set. So not many limitations! After weighing up all of those factors, we then have to work out if the show choice will actually attract a youth cast. Both the West End and Broadway over the last few years have seen an explosion of new musicals including Come From Away, Dear Evan Hansen, Chicago High School Edition - Angles Theatre, Wisbech Photo by Curtis McMullan
Taking It To The Next Level whether in access to performance rights, venue limitations. Again how can we as an industry support these groups to enable them to offer the best possible education to their members? Over recent years, we have seen a big Harry in Peter Terson’s wonderful Zigger change in Rightsholders focus, with a lot Zagger remains a high point. I was more School Editions or Junior versions selling petrol in the daytime, booze at of major shows being released (much night (in a nightclub), and acting and to the adult companies envy!). The rehearsing in every spare moment I group I direct for have performed many could find. of these versions now with great success and this shows that Rightsholders are Months later, I applied to my local keen to encourage youth to ‘get the education authority for a discretionary bug’ early with the big hits. Shows grant, and they turned me down flat. like Chicago and Les Misérables are If this were a movie script, that would suddenly within the scope of a young definitely be the protagonist’s lowest performer and although in some parts low point! I’d stumbled late into acting heavily simplified (but certainly not all as a shy care leaver, found my mission parts) it does not affect the storyline in life, and then been thwarted horribly or the impact these shows have. This at a critical moment. is certainly a step in the right direction in terms of show choices but there still subsidised or taster sessions. The likes of Well, so far I have just posed more A bit of panicked research taught me seems to be a gap for the older youth the National Youth Theatre hold a three questions than giving any answers. But that I could get a mandatory grant at sections who are more than capable of week Summer School dedicated to I think that is the point, as a Director one of just two schools – Rose Bruford doing the full show - a junior version just pure Technical Theatre. where do I go for answers, where do College, and Manchester Polytechnic wouldn’t interest or push them. I go for support. But actually, what – and within weeks I’d landed a place So how do we support those that want support do I want, do I want someone at the Poly. It isn’t just onstage where more needs to take their amateur performing to the to talk to, somewhere I can read it to be done to encourage youths within next level, what route is best - stage all, a workshop to teach me, a forum Drama school was something else. the theatre. Sound, lighting, costumes, school, university, weekend classes/ to discuss our issues with other youth Everyone in my class was the ‘best’ set building, props, the list goes on. I summer schools? When I was 18, I directors? All I know is that I want to actor from their own town or city, and got involved in theatre as an eager made the decision to not go off to do as much as I can and the best I can everyone seemed super-confident. 15 year wanting to perform, but very university but to learn within a working for youth theatre, I want to stand on the I mostly kept my head down, and I quickly became interested in all things theatre, that was the right choice for rooftops beating the drum as the talent studied hard. offstage, in the end concentrating on me but what about others. Whilst we involved deserve all of the praise and My Name is Paul Elsam. You might to join in as I stumbled around being sound and lighting. I was lucky to be are not careers advisors, children look support we can offer. know me as the author of ‘Acting taunted by an invisible Faustus. I was Everyone knows how tough it is to involved at a theatre that was equipt up to us for guidance. So where do I Characters’. Here’s my story about hooked! I joined the newly-formed earn a living as a professional actor. I to and encouraged young people to find the guidance and support to help For a number of years, NODA has how a lad from Merseyside came to Wirral Youth Theatre (run by the wise think they must’ve put something in the get involved in anything and everything those children? In the following article, offered a programme of support to work with the Stephen Joseph Theatre and funny Mary Austin) and promptly Didsbury water because I left the Poly theatre. But not all groups are equipt I spoke to Paul Elsam from the University members for anything relating to Youth. teaching the actors of tomorrow. fell in love with warm-ups, impro, feeling like the industry was lucky to to do this, where do they go for that of Hull, who with a background in With the appointment of our new Youth devising, and pros-arch acting. have me! Anyway, that, sadly, was the support? After doing a small amount amateur theatre gives us an insight into Coordinator, Mike Mullen we will be I grew up in Wallasey, over the water last time I ever acted as an amateur of research, I was surprised to see so the choices available and possibly kick-starting the relaunch of NODA from Liverpool. I loved sport, and was The WYT lent me out to a local amateur (although ‘amateur’ seemed to be a many holiday and evening classes looking at alternative routes into the Youth and we want your involvement. on the school team for football and society in Birkenhead, to play Nick banned word at drama school back available to youths in Technical Theatre, industry. rugby - but I was rather shy in group in the cheeky comedy Two and Two then, just as ‘Ayckbourn’ appeared to some of which were free, heavily What do you want to get from your social situations. Make Sex. Things were suddenly be a banned playwright). membership? grown-up but still playful, and I was • Do you want us to advocate on I was always a bit of a clown in private mixing with people from across the your behalf to Rightsholders? with my brothers, but there was no outlet social spectrum – all of whom made me • Hold District/Regional/National for that – for example, no drama at all feel welcome, despite my then yeti-like workshops? on the school curriculum. Now and appearance! By now I’d chosen drama • A Youth Summer School? then they would hold auditions for a big over rugby (not an easy conversation), • Create a general forum so glitzy musical – West Side Story and and had had a mad idea: what if I members can chat together to the like - but that all seemed quite scary. could get paid for doing what I loved? overcome issues that others may share? I did English Lit at ‘A’ Level, which also I applied to drama schools. RADA We have lists and lists of things that we meant studying old plays that were seemed too posh for the likes of me, but can offer but we want to offer what our hard to decipher. As it happened our I managed to successfully fail auditions membership needs, not what we think it English teacher, Mr Coates, was a real at Central (in front of a scary Billy-Elliot- needs. theatre lover, and because we were style panel) and Bristol Old Vic (who studying Marlowe’s Doctor Faustus, he made me sing, unprepared, a wobbly decided we would stage it too. So, we Three Blind Mice – I still shudder at So now is your chance. did the full play, ‘in the round’, in a large the memory). A school in Birmingham classroom, for an invited audience. So (BSSTDA) took pity and offered me a Visit noda.org.uk/youth to help us aged seventeen, and entirely new to place for the following year. I promptly shape NODA for the future. acting, I found myself onstage playing moved to a bedsit a stone’s throw from the Pope! I remember still the thrill of my youth theatre and carried on with audience laughter, and not being able the impro, and the productions - playing 10 NODA Today - Summer 2019 11
And then? A decade plus of pockets of unemployment, interspersed with some amazing acting adventures that took me all over the UK and abroad, Study BA (Hons) onto TV, and into the West End for an Olivier-nominated new musical (singing ‘Three Blind Mice’ not required). Acting at a world- Then? My second big love – teaching, which led me into research, which led to my two books for Bloomsbury, ‘Acting Characters’, plus a study of famous theatre – starts September theatre genius Stephen Joseph. The new BA (Hons) Acting degree, starting September 2019, is a partnership between CU Scarborough, the UK’s leading modern university and Coventry University* Fast forward to 2019, and we’re about Scarborough’s world-famous Stephen Joseph Theatre. Ranked No.13 to launch a BA (Hons) Acting course UK University here at CU Scarborough, run in close vlogging, to producing, to performing This partnership allows students to gain first-hand acting experience directly Guardian University partnership with the Stephen Joseph for video games. The first module from the theatre professionals, whilst simultaneously achieving a professional Guide 2019 Theatre. My new job requires me to requires no speech at all! I also get to qualification. *CU Scarborough is part of the Coventry University Group plan the curriculum, so now I get to fill our shelves with plays, with cutting- plot learning adventures for a new edge advice from our professional The students will be immersed in the workings of a professional theatre from the wave of actors, whatever their current partners at the Stephen Joseph Theatre. beginning, which provides them with an invaluable insight into the profession; a age. It’s quite radical. The audition is I’ll be picking some personal favourites feature which most traditional courses cannot provide. friendly and personal. And there’s no too, including by a few people who Coventry University* Shakespeare – which I love, but he have really shown how to reinvent The diversity of the curriculum allows students to train in both traditional and UK’s highest ranking does tend to dominate drama school the theatre experience. Top of my list? non-traditional acting techniques. This includes acting for stage, TV and radio New University training. Instead, we’ll teach everything Maybe you guessed – a certain Alan alongside the rather non-traditional training in presenting, corporate role-play, Guardian University from acting (naturalistic and not), to Ayckbourn… vlogging and gaming. In addition, students will have the opportunity to audition Guide 2019 for the SJT and be a part of a professional acting company in their third year. *CU Scarborough is part of the Coventry University Group A full course description and information on how to apply is available on the CU Scarborough website www.coventry.ac.uk/cus/acting. So you’re thinking of taking it to the next level and acting professionally. How do you get there? Everyone At the heart of the cultural life of Scarborough for more than sixty years, the Stephen Joseph Theatre has a has an opinion on this - so here’s my unique connection with world-renowned playwright, Sir Alan Ayckbourn, who regards it as his home theatre. pennyworth. The majority of his 80 plays have premiered there. Professional acting work these days is The theatre continues to innovate with the introduction of an acting degree in association with CU intermittent so that other thing you’re Scarborough, part of the Coventry University Group. trained to do could be the key to helping you enter and stay ‘in the Places available for September 2019. Apply now. business’. Virtually every actor needs a second income – the hard part is to be able to earn money while still being able to get to auditions. So, self- employment can be ideal. Failing that, it helps to have an understanding boss! The biggest challenge is to be taken seriously by the ‘gatekeepers’ – casting directors, directors, and the higher- status agents. They stake their reputation handful of conservatoire-schools That’s why the BA (Hons) Acting at on the quality and reliability of the outside London – however only the CU Scarborough is run in formal actors they work with - so you need to most prestigious few can help you land partnership with the Stephen Joseph persuade them somehow you are both a good agent when you graduate. Theatre (SJT). This is no rubber-stamping talented and reliable. exercise – the SJT people helped to That leads us to universities and shape and write the degree, and they Joining Equity, the actors’ union, is a colleges. Search the UCAS database, will be centrally involved in lots of good start. But training is useful too. and you’ll see dozens of courses – elements, including the end-of-course Everyone’s heard of RADA, so if you degree, HND and so on – offering professional showcases in London and train there, or at one of the other top- to train you as an actor. The training the North. No-one can guarantee you division UK schools, you’ll be leaving is less intensive – maybe three or four work as an actor, but they can help you with a real badge of quality. But the hours a day, rather than eight – but get there, which is why the syllabus of competition to get in is fierce, and even then at least you can take on part-time this degree is dedicated to sniffing out Photography by Mark Lamb if you can get a loan to cover fees, your work alongside the course, to help you alternative sources of employment for living costs in London will probably be survive. But the bit that’s often missing at actors. This includes linking you into the the thing that keeps you awake at night, this level is exposure to the professionals other professional training on campus talk. 01723 336700 visit. CU Scarborough Ashburn Road, when you should be learning lines! who might employ you when you – nursing, policing, business, and so on write. cus@coventry.ac.uk off Valley Road, Scarborough YO11 graduate. – to give you further evidence of your see. www.coventry.ac.uk/cus 2JW There are alternatives, including a versatility. PARTNER ADVERTISING FEATURE 12 NODA Today - Summer 2019 13
Pantheon’s Three Show Year Richings Players Perform Play at Girton College, Cambridge NODA Scotland NODA London The Pantheon Club Glasgow are by Lewis Milne Photography and containment of a Zombie in a freezer halfway through their three show year produced by Pantheon’s president in an Ardrossan café. Find yourself - Cats, Smalltown, The 25th Annual David Robertson. trapped in three separate stories Putnam County Spelling Bee. of Smalltown life, before you, the Following the recent success of Cats, audience, vote to decide how the story Pantheon has over 95 years of Chitty Chitty Bang Bang, Elf: The ends; making for a truly memorable experience staging large scale Musical, Spamalot, Legally Blonde, evening of entertainment with partial productions in Glasgow’s biggest Sister Act and Grease, Pantheon nudity, marsupial violence and zombie theatres and is Glasgow’s largest returned to a more intimate venue with vomit! What’s not to love? At Websters non-professional theatre organisation. Lovers, Urinetown, Men Should Weep, Theatre Glasgow from 8 to 12 October We stage two to three shows per year and Into The Woods in the last two 2019 in venues across the city, with major years. Pantheon are back at Websters productions usually being performed at Theatre Glasgow in 2019 with The 25th Annual Putnam County The King’s Theatre. Smalltown and The 25th Annual Putnam Spelling Bee County Spelling Bee this autumn. Pantheon’s next musical will be the side- Cats splittingly hilarious, wildly unpredictable The Pantheon production of Cats Smalltown and heart-warmingly endearing The at the King’s Theatre Glasgow this Smalltown is a dark, dynamic and 25th Annual Putnam County Spelling spring was absolutely mesmerising delightfully outrageous wee Scottish Bee, the story of a group of socially and truly stunning, with choreography comedy telling the story of what awkward teenage rejects battling and direction by Chris J S Wilson, happens when contaminated water it out for the title of best speller in Iver's award-winning company, The opposition, culminating in a riot on the Girton... It's been an absolute privilege musical direction by Kieran Young, (‘Rabbie Juice’) causes extraordinary Putnam County. Catch the big event at Richings Players, are honoured that streets of Cambridge. The so-called to spend time in this world, to imagine lighting design by Jonnie Clough (Blue events to happen to ordinary people. Websters Theatre Glasgow from 12 to Girton College, Cambridge - the UK's 'blue stockings' had a long way to go, this story and to, I hope, honour those Parrot Theatre & Live Events), bespoke Unleashing all sorts of comedic 16 November 2019. It’s going to be first residential institution for the higher but their strong spirit and persistence early pioneers in doing so. And now, costume design and make up design carnage along the way; from rag- one hell of a showdown! education of women - has invited the were important elements in the story of to know it is being performed only a by Emma Leigh Porter and June Young dolling on Girvan beach to the release company to perform Jessica Swale's suffrage, equality and emancipation for stone's throw from the portraits of the at That Looks Good, photography of animal passions in Stewarton, to the David Cooke, Pantheon Club inspiring play Blue Stockings at a women. real Miss Welsh and Emily Davies is Festival to celebrate the college's 150th such a thrill. I wish all at Girton the most anniversary in June. Although Girton has spent more than fantastic and well-deserved celebration of volunteers and young actors to put Award for Voluntary Service; and half its 150 years educating brilliant in their 150th Anniversary year." A Fitting Award on a production of Bugsy Malone in numerous Awards and nominations The Players performed Blue Stockings women to levels of excellence NODA East Soham Village. Playing to an audience from NODA. at Iver Village Hall in October 2018, comparable with, or better than, those The Mistress of Girton College, of just 400 the company now put on directed by Sophie Torrent, and of men, they were unfortunately not Professor Susan J Smith, says: "My productions to audiences of thousands In 2008 a converted Methodist Chapel received rave reviews from audiences. allowed to graduate until 1948. The favourite line in Jessica Swale's riveting in a variety of theatrical arenas. was purchased enabling Viva to branch Sophie is delighted to take up the College has therefore always set play about Girton's early days is: 'we into after-school drama clubs and the mantle of bringing this play to life again the pace on matters of equality and don't get buffeted by the wind, we Viva’s Youth Theatre attracts young development of accredited training in its true setting, with many of her inclusion and continues to prioritise change its course'. As we approach people from 5 to 25 years to audition such as LAMDA and the Arts Award. original cast. widening participation, alongside the 150th anniversary of our foundation, for around 5 to 7 productions a Viva’s foundation evolved through academic achievement and all-around this on-site production by the Richings year, and as its status has grown, Daniel’s inspired drive to bring The play, which opened at personal development for students and Players is a timely reminder of the it has extended to incorporate an community theatre to young people Shakespeare's Globe Theatre in staff alike. triumph of hope over experience that Adult Theatre group whose extensive for whom opportunities were few. His 2013, follows the challenges faced our College represents." The Councillors Cup 2019 was programme of productions has vision has benefited many, and the by women in education at the turn of Rooted in real events in and around awarded to Daniel Schumann of Viva received awards for the quality of its results of that vision continue to flourish. the Twentieth Century and sheds light Girton College, this will be the first time The play poses the very real question; Arts and Community Group based in classical drama. Over the years Viva Daniel went on to study at the Central on this real event that coincided with the play has been performed on site, love or knowledge; which would you NODA District 4S. Initially a small youth has gained a reputation for attendance School of Speech and Drama and is the growing campaign for suffrage. amid the Victorian buildings where choose? group, founded in 1997 by Daniel, then at the Edinburgh Fringe Festival with now a West End Director still involved It was just one step on the road to the story unfolded. Author of the play, aged fifteen, who after borrowing fifty many productions receiving 5 stars. in enabling young people to follow equality of opportunity for women Jessica Swale says; "I am so delighted Will Torrent pounds, gathered together a group Also, they have received the Queen’s their dream as he had. and was met with fierce and ugly that Blue Stockings is 'coming home' to 14 NODA Today - Summer 2019 15
A Little Lincolnshire Theatre with Unique Beginnings From Brigadoon to Vulgaria NODA East Midlands NODA North Brief Encounter 1955 Local Writer is Best in Britain NODA North East Pateley Bridge playwright Keith The Country Theatre Burton has been chosen to receive Founded in 1961 Spittal Variety Group Imagine Chitty Chitty Bang Bang in the this year’s Geoffrey Whitworth Alex Wood tells the story of The the 22nd March (1960), Tuesday a Methodist Chapel in Wickenby with have entertained audiences in the Borders! Award for the best play in Britain Broadbent Theatre in Wickenby late rehearsal of Maria Martin ended Roy Broadbent being very instrumental Scottish Borders to a vast selection written by an amateur writer. And at 12pm and HC, the last out of the in the project. The building was to be of productions over the years with Auditions were held not only for the his success is doubly rewarding Conscientious objectors came to theatre, switched off the heating and called The Country Theatre but when variety, musicals but predominantly parts but also for people wishing to as he will be presented with his Lincolnshire to farm during the Second lights. At 7am on 23rd March, VF as he Roy died the company, who were now pantomimes. be in the show - interest was immense! award in front of a home crowd World War. In the evenings they went to his office opposite the theatre, named Lindsey Rural Players, decided Planning was intense for the production, because the awards ceremony is sometimes read plays. Among their noticed smoke from the roof. He called to call the theatre The Broadbent. They Although sticking to the traditional but the greatest hurdle to overcome taking place in Harrogate. number was a Quaker, Ray Broadbent, the Fire Brigade, who were quickly subsequently negotiated about buying pantos, we do sometimes stray on was the car. Due to building design at father of Oscar-winning actor Jim on the scene. The fire started behind some land to the rear so they could occasion; staging in January 2019, The the theatre, the cars available for the The 2019 British Final of One-Act Broadbent and a Frenchman called the proscenium arch, and the stage, build an extension in the late ’70s and Snow Queen, having in previous years show were unable to reach the stage!!! Plays is being held on 5th and 6th Francis Cammaerts who later left to curtains, lighting etc. were entirely burnt; early ’80s. presented Snow White and also The What to do? Never known to be July at Harrogate Theatre. It is one become one of the heroes of the French the roof above ruined.” Pied Piper as well. beaten the S.V.G. sent out a call to the of the most prestigious amateur resistance. The 100-seat Broadbent Theatre local community asking for their help to drama events in the land featuring The play was put on somewhere else, continues to thrive to this day. As well We have in our society now the fourth build our own car and received offers the champions of national festivals After the war, a group called Holton and for the next several years there as the Players’ own productions it hosts generation of some families, proving from local engineers, mechanics and run by the All-England Theatre Players was formed which included were suggestions about using the many companies from around the ourselves to be a family as opposed to tradesmen offering their services free Festival, the Drama Association of some former COs. This group used insurance money to build a stage at country and even one from America. just a society. Indeed, after forty pantos of charge. Which goes to prove that Wales, the Scottish Community an old Nissen hut, fully kitted out as a Wragby Town Hall or extend Holton This July Lindsey Rural Players will our resident Dame has recently hung up "Teamwork makes the dream work!" Drama Association and the theatre, called the Country Theatre. Jim Hall. In the meantime the Players be celebrating the history of the his wigs and retired! Association of Ulster Drama Broadbent made his acting debut here continued to meet in the magnificent theatre when they reprise A Certain After many headaches, which after all Festivals. The Geoffrey Whitworth as one of the children in Ibsen’s A Doll’s drawing room of Holton Hall, staging Demographic – Conchies, which tells Only doing musicals (our first being is part and parcel of Am Dram, our Cup is the final award of the night House. their productions in the bay window the story of the conscientious objectors Brigadoon in 1965) mainly when society has like many others covered all and guarantees a publishing and making their entrances and exits who started it all. celebrating landmark anniversaries sorts of productions. So, having gone contract for the writer. But this wasn’t to last. An extract from through the sliding sashes! 25yrs, 30yrs etc. or when unmissable from Brigadoon to Vulgaria, where will the Player’s minutes book tells us what With thanks to Gail Dennis and Bill musicals become available, the we go in the future? Only time will tell! Keith’s winning script is his happened next. “On the evening of But in 1970 the Players purchased the Bartlett for their help with this article. opportunity to stage Chitty Chitty Bang play A Penny for Them which Bang was too good a chance to miss. Pateley Bridge Dramatic Society performed in this year’s All- Gladys Blackler England Theatre Festival. 9th March 1924 – 7th June 2019 NODA West Midlands Keith said: This caps-off a great first half of the year following It is with much sadness that we announce the death of Gladys Blackler who has the publication of one of my passed away peacefully at the grand age of 95. In recent years she had been other plays ‘On False Premises’ living in a Worcester care home. which was a finalist in this year’s Tennessee Williams One Act Play Gladys served as a Regional Representative in Worcestershire and also was Festival. And Harrogate is so much awards secretary for Midlands Region. nearer than New Orleans! We remember Gladys with much fondness together with her late husband Stan, both of whom moved to Worcester in 1970 after establishing an operatic society in Banbury, Oxfordshire. Our condolences, thought and prayers are with their son Colin and his wife Rose and their daughter Liz, husband John and families. 16 NODA Today - Summer 2019 17
We Won’t Throw Away Our Shot! In every job that must be done, there is an element of fun NODA North West themed dance-a-thon to the songs of Mamma Mia with participants enhancing the atmosphere by wearing flower garlands and fun accessories. Sarah Osborne, Director of NODA Summer School, ran an Actor’s Toolbox session working on character development through scripted pieces and also awakened the interest of the young people by telling them all about NODA Summer School. The final workshop responded to requests from previous attendees to have a themed singing workshop. Hamilton was chosen, and the participants enjoyed the challenging scores. The t-shirts Now in its third year, the Youth Event at workshops. Additionally, the young for the event were designed by Rob the NODA NE Gala Weekend aims to people saw some of what is available Williams at Head Office, and we were provide a great introduction to the Gala at the weekend as well as viewing assured that they would be worn again Weekend as well as providing exciting the evening cabaret performance of – promoting the NODA Youth brand. workshops and the chance for young A Chorus Line by Guiseley Amateur people to share in the excitement of the Operatic Society. All three workshops Feedback from those attending was “It all started last year in the summer Arts Afternoons, were taken up with every show, we ran around saying nearly 700 members of the Region who were led by experienced, professional very positive, and plans are underway term when we were informed that our rehearsals. ‘Break a leg’ to all members of the cast. gather together for this annual event. tutors who have supported NODA at a for an event in 2020. next production was going to be Mary We had a prop area where we had regional and national level in terms of Poppins Jr. Everyone was very excited, With only a few weeks to opening to collect our props such as the sweep Held at the Spa Complex in Bridlington delivering workshops. Jo Sykes and the school was buzzing. The night, we started having weekend brush, carpet bag and the parrot head the day involved the opportunity to Youth Adviser-NODA North East auditions took place in our school hall rehearsals which lasted between umbrella. attend dance, acting and singing The dancing workshop was a 2½ hour where we had to sing, dance and act a four and six hours. We also had the monologue. It was a very tense time! opportunity to meet lots of new people We had lots of help from our school’s such as the Radio Lancashire team and fifth-year pupils and sixth formers, all At the end of the year, we were each Dermot O’Leary, who we performed to. our amazing teachers and, of course, A Cinderella Story presented with a script and a letter to our Producer and Director, Mrs NODA West Midlands say which part we had been given. The set came a week before the show, Shuttleworth, and our Assistant Director The students that had landed principal and we were all so amazed at how and Choreographer, Shelley Stott. part in the adult company. I first heard I pre-stage nerves as I wanted to give roles had to start learning their lines incredible it was, it was like a set It has been great fun working with was Cinderella during rehearsals. I was an amazing performance. The first and songs straight away, which was a from a West End show! All our shows all our friends on the production of slightly apprehensive at the beginning night was so special, I had support challenge that everyone accomplished. took place in the Summerlee Hall at Mary Poppins Jr., and it is definitely an as I was playing alongside adults who from lots of family and friends. The last In September, we started rehearsals, the Senior School. We performed experience we shall never forget!” had years of experience and did not performance was to a full house where and it was amazing to see the first two evening and two afternoon want to let them down, but at the same the atmosphere and applause was scene coming together. performances. Brooke Medhurst (age 11) and time, I was over the moon as I had fantastic, I will never forget it. Morgan Cuthbert (age 10) been given this opportunity to prove During the months leading up to The crowds were huge, and all we ‘Mary Poppins’ and ‘Bert’ myself. I loved every minute of it. I enjoyed the show, lots of break times and could hear from backstage was the Kirkham Grammar School playing poor Cinders but wearing the after-school sessions, as well as our excited murmur of the audience. Before It was time to get organised. I made ball gown made me feel special and sure my homework was completed on like a real princess. I loved being part time and I highlighted all my lines and of a pantomime that so many people Llandudno Youth Music Theatre performer appears with the Welsh National Opera concentrated on learning a page at a said they had enjoyed and I received NODA Wales & Ireland Sophia Powers as Cinderella time. Between school and homework, I many compliments on my performance. practised my lines whenever possible. It made all the hard work worthwhile. I Erin Hornsby, a 15-year-old member from the WNO Youth Opera. felt very sad when the last performance of Llandudno Youth Music Theatre, has Being Cinderella is never an easy task, There are always things that could go was over, I did not ever want it to end.' made her professional debut in the Erin, a pupil at Ysgol John Bright, said she's an overworked, downtrodden wrong crossing your mind. I focused Welsh National Opera’s production of “I taught myself the song they had sent and kind-hearted character who's on on the things I could control and found Since finishing Cinderella, Sophia has Mozart’s The Magic Flute. and recorded that. I also recorded a stage or not far from it for the entire everybody at CLOC Adults were very appeared in a production of Joseph folk song I knew. The WNO emailed production. So when 13-Year-old supportive, so I didn't have to worry. I and the Technicolour Dream Coat. The tour began in February 2019 in the back to ask if I could go down to Sophia Powers auditioned for CLOC's would like to say a special thank you Auditioned and got the part of Oliver Millennium Centre Cardiff and finished Cardiff and audition. I was really Cinderella little did she know she would to Teresa Biddell the producer and which she looks forward to playing this in Venue Cymru, Llandudno on 27th excited when I got the part as this is the land this prestigious role and feel like a Rosemary Ravenscroft who both had July at the Highbury Theatre and also, April. biggest thing I’ve ever done and such real princess. I caught up with Sophie to great faith in me from the start and also she will be playing the role of Tiger an amazing opportunity for me. find out how she got on as she juggled to all the principal roles who guided me Lily in a production of Peter Pan at the In the production, Erin plays one of the school, learning lines and taking to the along the way. Sutton Town Hall. three spirits who act as guardians and I feel very lucky to have been given this stage on opening night. advisors in the performance. Erin got opportunity, and I hope to continue to On the opening night, I was extremely Sophia Powers of CLOC and the part after sending a voice recording grow from this experience.” 'I did not expect to be cast as a leading excited but obviously had a few Janine Graeme Regional Editor of her singing after receiving an email 18 NODA Today - Summer 2019 19
Children in Entertainment A BOPA can be granted to an organisation for a single performance or for a series of performances within a specified time providing no payment is made to the child or to anyone else The Definitive Guide for England and Wales in respect of the child taking part in the performance and the child does not require absence from school. For the Definitive Guide for Scotland please visit our website noda.org.uk/factsheets Talk to your LA child employment officer as this could take up to 21 days. With thanks to Cambridgeshire County Council Children in Entertainment and the NNCEE Legislation A performance licence Permitted hours of performance The legislation below relates to: A performance licence is required of their approval and the ratio of With the introduction of the Children due to unforeseen circumstances, a performance or rehearsal lasts for not • Children in entertainment, when one of the following applies - children (no more than 12:1) (Performance and Activities) (England) chaperone may give permission for more than one hour. performing on stage or television, • When performing in a licenced • Child’s name, DOB and address, Regulations 2014 the permitted hours for a child to perform for an extra one in film, or commercials. premises or area (including are they missing school all performances changed. The table hour for that age of child, if he/she If a child has taken part in a • Children working in paid/ events/festivals) • Photo of the child – clear head and summarises the maximum permitted feels that the welfare of the child will performance or rehearsal on the professional sport • When the child is receiving shoulders hours and breaks that apply for the not be prejudiced and the child has previous day, there must be a • Children working as models payment for taking part • Have parents completed the different ages of children. These apply not already performed the maximum break of at least 16 hours before • When the child has to take time off medical form/if they answer yes to all performances whether the children number of performance hours that day. they are present again at a place The legislation that deals with children in school in order to take part in the include details are licensed or are performing without There must be an interval of at least of performance. For example, if a entertainment is: performance or rehearsal • Birth certificate/passport a licence under Section 37(3)(a) of the one and a half hours between two technical rehearsal continued until • The Children and Young Persons • When the performance is ticketed Children and Young Persons Act 1963. performance or rehearsals in the same 10:30pm one night, the child could not Act 1933 Section 23 to 30 • When the performance is The table gives a summary of the day. The interval may be reduced to 45 attend a dress rehearsal until at least • The Children and Young Persons broadcast A 4 Day Exemption regulations, however, where the minutes when two performances take 2:30pm the following day. Act 1963 Section 37 to 44 performance has been delayed place at the same venue and the first • The Children (performances and This licence can come in three forms If the child does not perform on more Activities) (England) Regulations • a full performance licence than four days in any period of six 2014 • a 4 Day exemption months and no payment has been Both of these are issued by the local made to the child or any other person Maximum number of hours permitted Earliest and latest Maximum period Maximum number The legislation requires that all children, authority where the child lives providing that there is no absence from of continuous of hours of from birth until they cease to be of • a Body of Persons Authority school. Age of Child at place of permitted times at performance Minimum intervals for meals and rest or performance or compulsory school age, be licensed (BOPA) - issued by the Local performance or that place rehearsal rehearsal by the local authority in which they live, Authority where the performance is A 4 day rule exemption rule would rehearsal when they take part in a performance located. need to be issued by your Local on stage or in broadcast. Authority. Any breaks must be for a minimum If the activity is directed in any way, it Birth until child of 15 minutes. If at a place of perfor- A child remains subject to these may be considered a performance and reaches 5 years 5 hours 7am to 10pm 30 minutes 2 hours mance or rehearsal for more than 4 regulations until the last Friday in June consequently may need to be licenced Body of Persons Approval old hours, breaks must include at least one of the academic year in which they 45 minute meal break turn 16. The academic year runs from 1 A Performance Licence A BOPA, if granted, removes the need If present at the place of performance September to the 31 August inclusive. to apply for an individual licence or rehearsal for more than 4 hours but A licence is granted by the Local for each child; it is granted to the less than 8 hours, they must have at Authority (LA) where the child lives (this organisation that is responsible for the least one break may not necessarily be the same LA performance. 5 years old until of 15 minutes as the child’s school). The applicant child reaches 9 8 hours 7am to 11pm 2.5 hours 3 hours years old completes and signs their part of the The approval is granted by the local If present at the place of performance performance licence application form authority where the performance is or rehearsal for more than 8 hours or and the parent then completes and taking place; the local authority can more, they must have another break of signs the other part. The complete form grant the approval even if the children 15 minutes is then sent to the LA. The form and taking part do not live within its’ If present at the place of attachments will include: boundaries. performance or rehearsal for more than 4 hours but less than 8 hours, • Who the applicant is It is the organisation which is they must have at least one meal • Where is the performance/ approved not the children i.e. the break 45 minutes and one break rehearsal venue local authority is confirming that the 9 years old until of 15 minutes • When is the performance and the group or organisation is a ‘suitable’ school leaving 9.5 hours 7am to 11pm 2.5 hours 5 hours rehearsal or ‘approved’ group and therefore age If present at the place of • What is the child’s role/Health and must be certain that they (the Local performance or rehearsal for Safety assessment Authority) have taken every reasonable more than 8 hours or more, they • The child expected Call Time/Finish precaution to ensure the group is must have the above breaks plus Time including travel arrangements indeed a suitable group. another break of 15 minutes • Who are the chaperones/copy 20 NODA Today - Summer 2019 21
You can also read