Decorative Art & Design - Montpelier Street, London | 11 August 2020 - Bonhams
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Decorative Art & Design Montpelier Street, London | 11 August 2020
DECORATIVE ART AND DESIGN KNIGHTSBRIDGE, LONDON SALE TUESDAY 11 AUGUST 2020 AT 10AM VIEWINGS VIEWING BY TIMED APPOINTMENT ONLY, 7 AUGUST 2020 09.00 - 4.30 BST PLEASE CONTACT GEMMA SANDERS 9 AUGUST 2020 11:00 - 3.00 BST TO CONFIRM DATE, TIME AND DURATION. 10 AUGUST 2020 09:00 - 4.30 BST GEMMA.SANDERS@BONHAMS.COM VENUE COVER ILLUSTRATIONS BONHAMS FRONT COVER: LOT 218 MONTPELIER STREET INSIDE FRONT COVER: LOT 69,71,72 KNIGHTSBRIDGE INSIDE BACK COVER: LOT 18 LONDON, SW7 1HH BACK COVER: LOT 108 REGISTRATION IMPORTANT NOTICE Please note that all customers, irrespective of any previous activity with Bonhams, are required to complete the Bidder Registration Form in advance of the sale. The form can be found at the back of every catalogue and on our website at www.bonhams.com and should be returned by email or post to the specialist department or to the bids department at bids@bonhams.com To bid live online and / or leave internet bids please go to www.bonhams.com/auctions/25941 and click on the Register to bid link at the top left of the page. bids department at bids@bonhams.com MEET THE TEAM Astrid Goettsch Gemma Sanders Senior Sale Coordinator 20th Century Decorative Arts astrid.goettsch@bonhams.com gemma.sanders@bonhams.com 020 7393 3975 020 7393 3860 Catherine White Ellis Finch Pictures Silver catherine.white@bonhams.com ellis.finch@bonhams.com 020 7393 3884 020 7393 3973
STORAGE INFORMATION
SALE NUMBER: 25941 HANDLING Payment in Advance
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BUYERS COLLECTION & STORAGE the following handling charges apply per Lot: credit or debit card.
AFTER SALE INFORMATION Furniture, large pictures and large objects:
All sold lots marked TP will be transferred to £45.00 + VAT Payment at time of collection by: cash credit or
Cadogan Tate from 9am Friday 14th August (Please note: Charges apply every day including debit card.
2020 & will be available for collection from 12pm weekends and public holidays.
Monday 17th August 2020. CADOGAN TATE’S CONDITIONS
LOSS AND DAMAGE OF BUSINESS
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email or phone call are required in advance Hammer Price will be charged at 0.6% but will (‘Cadogan Tate’) are subject to their standard
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authorisation from the successful buyer is VAT
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ensure lots are ready at time of collection. Hammer price of the lot plus Buyer’s Premium
* VAT on imported items at a preferential rate of or, at its sole option, the cost of repairing or
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STORAGE AND HANDLING CHARGES
ON SOLD LOTS RETURNED TO PAYMENT 2.Reserves a lien and right of sale over all lots
CADOGAN TATE All charges due to Cadogan Tate may be paid for payment of all charges due.
to them in advance or at the time of collection Contact details for Cadogan Tate Limited:
STORAGE from their warehouse. Payment may be made 241 Acton Lane, Park Royal
Storage will be free of charge for the first 14 by cash, cheque with banker’s card, credit, or London NW10 7NP
calendar days from & including the sale date debit card (Please note: Amex is not accepted). +44 (0) 800 988 6100
Tuesday 11 August 2020. Information on charges due is available by email
at collections@cadogantate.com or telephone on IMPORTANT INFORMATION
Charges will apply from 9am Tuesday +44 (0)800 988 6100. The United States government has banned the
25 August 2020. import of ivory into the USA. Lots containing ivory
are indicated by the symbol ф printed beside
After the storage-free period the following the lot number in this catalogue.
charges apply:
Furniture, large pictures and large objects
£6.05 per day + VAT
(Please note: Charges apply every day including
weekends and public holidays)
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SALE INFORMATION
CUSTOMER SERVICES PAYMENTS SYMBOLS
Monday to Friday 8.30 to 18.00 Buyers The following symbol is used to denote that
+44 (0) 20 7447 7447 +44 (0) 20 7447 7447 vat is due on the hammer price and buyer’s
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PHYSICAL CONDITION OF LOTS SHIPPING For further VAT information
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to the physical condition of any lot is for general international shipping as well as export licenses declan.kelly@bonhams.com
guidance only. Intending bidders must satisfy please contact Alban Shipping on:
themselves as to the condition of any lot as +44 (0) 1582 493 099 ELECTRICAL EQUIPMENT
specified in clause 14 of the notice to bidders enquiries@albanshipping.co.uk All electrical equipment in this sale has either
contained at the end of this catalogue. been tested by a suitably qualified electrician or
CITES REGULATIONS has been operationally disabled. If the intention
As a courtesy to intending bidders, Bonhams Please be aware that all lots marked with the is to reconnect this equipment we recommend
will provide a written indication of the physical symbol Y are subject to cites regulations when that this is carried out by a suitably qualified
condition of lots in this sale if a request is exporting these items outside the EU. The electrician.
received up to 24 hours before the auction regulations may be found at www.ukcites.gov.uk
starts. This written indication is issued subject to or may be requested from: FURNITURE UPHOLSTERED
clause 3 of the notice to bidders. Whilst we take every care in cataloguing
UK Cites Management Authority furniture which has been upholstered we offer
IMPORTANT INFORMATION Zone 117 no guarantee as to the originality of the wood
The United States government has banned the Temple Quay House covered by fabric or upholstery.
import of ivory into the USA. Lots containing 2 The Square
ivory are indicated by the symbol ф printed Temple Quay
beside the lot number in this catalogue. Bristol BS1 6EB
Bonhams 1793 Limited
Registered No. 4326560
Registered Office: Montpelier Galleries
Montpelier Street, London SW7 1HH
+44 (0) 20 7393 3900
+44 (0) 20 7393 3905 fax
Pictures & Posters
Lots 1 - 32
1 DANIE DE JAGER (SOUTH AFRICAN, 1936-2003) 2 * LORNE MCKEAN (BRITISH, BORN 1939)
Shawu AR Basset Hound
signed, titled, numbered and dated ‘danie de jager/1989/SHAWU/42/100’ (to top signed, numbered and dated, ‘1972/3/8 Lorne McKean’ (to back)
of base), with inscribed integral plaque ‘ONE OF THE/MAGNIFICENT SEVEN/ TUSK bronze with a brown patina, 19.5cm (7 11/16in) high (excluding base)
LENGTH WEIGHT/LEFT 3.17M 10’4” 52.6kg 116lb/RIGHT 3.06M 10’ 50.8kg 112lb/ together with two further bronze sculptures; ‘Deerhound’ and ‘Wild Cat’, by the same
DIED OCT. 1982’, bronze with a brown patina, 60cm (23 5/8in) long hand (3)
£1,000 - 1,500 €1,200 - 1,800 £700 - 900 €840 - 1,100
3 LOUIS WILLIAM WAIN (BRITISH, 1860-1939) 4 SIMON PALMER (BRITISH, BORN 1956)
I’ve Got Rhythm AR The Picket Line
signed ‘Louis Wain.’ (lower right) signed ‘Simon Palmer’ (lower right), titled ‘The Picket Line’ (lower left)
pen and ink gouache and watercolour
18.5 x 14cm (7 5/16 x 5 1/2in). 35.5 x 24.5cm (14 x 9 5/8in).
£600 - 800 €720 - 960 £800 - 1,200 €960 - 1,400
See https://www.bonhams.com/ for further footnote on this lot See https://www.bonhams.com/ for further footnote on this lot
5 ANNA KATRINA ZINKEISEN (BRITISH, 1901-1976) 6 ALBERT VICTOR ORMSBY WOOD (BRITISH, 1904-1977)
AR Orchids in a white vase AR Two Women in Conversation
signed ‘A Zinkeisen’ (lower right) signed with monogram and dated ‘47’ (lower left)
oil on canvas oil on board , 42 x 26.5cm (16 9/16 x 10 7/16in).
64 x 76cm (25 3/16 x 29 15/16in). together with a further painting of two women, by the same hand (2)
£600 - 800 €720 - 960 £600 - 800 €720 - 960
See https://www.bonhams.com/ for further footnote on this lot
4 | Bonhams
7 ITZCHAK TARKAY (ISRAELI, BORN 1935) 8 ITZCHAK TARKAY (ISRAELI, BORN 1935)
Four ladies seated at a table Seated model in an interior
signed (lower right) indistinctly signed (lower right)
watercolour and pen and ink oil on board
44.5 x 44.5cm (17 1/2 x 17 1/2in). 48.3 x 33cm (19 x 13in).
£1,000 - 1,500 €1,200 - 1,800 £1,500 - 2,000 €1,800 - 2,400
See https://www.bonhams.com/ for further footnote on this lot
9 JUN DOBASHI (JAPANESE, 1910-1975) 10 JUN DOBASHI (JAPANESE, 1910-1975)
Village Red Abstract
signed ‘Jun. Dobashi’ (lower right) signed and dated ‘Jun. Dobashi 62’ (lower left)
oil and sand on card, gouache and pastel
24 x 35cm (9 7/16 x 13 3/4in). 50 x 65cm (19 11/16 x 25 9/16in).
Painted in 1957
£800 - 1,200 €960 - 1,400 £800 - 1,200 €960 - 1,400
See https://www.bonhams.com/ for further footnote on this lot See https://www.bonhams.com/ for further footnote on this lot
Decorative Art and Design | 5
11 FRANCISCO TAMAGNO (1851-1933) 12 * REGIS MANSET 13 FRANK BEATTY (1899-1984)
CYCLES TERROT AIR FRANCE, Paris OUT OF THE RUNNING
lithographic poster in colours, c.1895, cond B+, lithographic poster in colours, 1949, cond B+, not lithographic poster in colours, 1929. printed by
backed on linen, framed. backed Mather & Company, Chicago. cond. A-, backed on
60½ x 42ins (154 x 107cm) 39 x 24in. (99 x 62cm.) linen, framed
43 x 35ins (110 x 90cm.)
£700 - 900 €840 - 1,100 £200 - 400 €240 - 480
£800 - 1,200 €960 - 1,400
14 NIKOLAY PAVLOVICH AKIMOV (1901-1968)
ART OF THE COMEDY
offset poster in colours, 1966, cond A-, not backed, and: The Wedding and Krechinsky’s wedding. (3)
37 1/2 x 25 1/2ins (95 x 65cm.)
£500 - 700 €600 - 840
15 * ALBERT BRENET (1903-?) 16 FRANCOIS GOS (1880-1942) 17 * HUBERT HILSCHER (1924-1999)
AIR FRANCE, AFRIQUE OCCIDENTALE YVERDON LES BAINS DZIS MODEL- JUTRO SAMOLOT
lithographic poster in colours, c.1955, cond B+, not lithographic poster in colours, printed by E.Stuber, lithographic poster in colours, 1958, cond A, backed
backed, Yverdon, cond A, backed on linen on linen
40 x 25in. (102 x 64cm.) 39 x 25ins. (99 x 64cm.) 39 x 26ins. (99 x 66cm.)
£100 - 200 €120 - 240 £500 - 700 €600 - 840 £500 - 700 €600 - 840
6 | Bonhams
18 JULES CHERET (1836-1932) 19 * ALPHONSE MUCHA (1860-1939) 20 * ANONYMOUS
PALAIS DE GLACE SALON DES CENT / XXeme EXPOSITION CHOCOLAT SUCHARD
lithograph in colours, 1893, cond.B+, backed on linen, lithographic poster in colours, 1897, plate 94 from les photographic and lithographic poster, cond A-, not
printed by Chaix, Paris, framed 48 x 34ins. (122 x Maitres de l’affiche, printed by Chaix, Paris, condition backed, framed
86cm.) B-, not backed 45 x 29ins. (114 x 74cm.)
15 x 11 ins. (40 x 29cm.)
£700 - 900 €840 - 1,100 £500 - 700 €600 - 840
£200 - 300 €240 - 360
21 OTTO GLASER (1915 - 1991) 22 ANONYMOUS 23 * WILLIAM H. BRADLEY (1868-1962)
BINACA PLASMA PHOSPHATADO THE INLAND PRINTER. Christmas 1895
lithographic poster in colours, 1949, cond A-, backed lithographic poster in colours, printed by Raul Caldevilla lithographic poster in colours, 1899, plate 172 from les
on linen & Cia, Porto, cond B+, not backed Maitres de l’Affiche, cond B+, printed by Imprimerie
50 x 35ins (127 x 88.90cm) 57 x 36ins. (145 x 92cm.) Chaix, not backed
11 x 7 1/2 ins. (28 x 19cm.)
£500 - 700 €600 - 840 £500 - 700 €600 - 840
£500 - 700 €600 - 840
24 NIKOLAI ANDREEVICH DOLGORUKOV (1902-1980). 25 * ALFRED CHOUBRAC (1853-1902) FOLIES - 26 NIKOLAI ANDREEVICH DOLGORUKOV (1902-1980)
THE COURT BERGERE, ILKA DE MYNN END GOAL
maquette, 1944 FOLIES - BERGERE, Ilka de Mynn maquette, 1944,
34 x 23 1/2ins. (86 x 60cm.) lithographic poster in colours, c.1890, printed by 34 x 25ins. (86 x 63cm.)
Appel, Paris, cond B., not backed,
£700 - 900 €840 - 1,100 46 1/2 x 30ins. (118 x 77cm.) £700 - 900 €840 - 1,100
£100 - 200 €120 - 240
Decorative Art and Design | 7
27 * PAUL GILLETT 28 * ANONYMOUS 29 * E. AUFDEUBLATTEN
THE OPEN DOOR TO WINTER SPORTS PARIS-BERNE ZERMATT
offset in colours, cond B+, not backed, framed lithographic poster in colours, 1914, cond B+, backed offset lithographic poster in colours, 1956, cond A, not
29 x 19ins. (74 x 48cm.) on japan, framed backed, framed
42 x 30ins. (107 x 76cm.) 40 x 25in. (102 x 62cm.)
£500 - 700 €600 - 840
See https://www.bonhams.com/ for further footnote £500 - 700 €600 - 840 £800 - 1,200 €960 - 1,400
on this lot
30 ANONYMOUS 31 * HUGO D’ALESI (1849-1906) 32 * ANONYMOUS
DAMAS LE MONT CERVIN CHEMIN DE FER VIEGE=ZERMATT
lithographic poster in colours, cond A, backed on linen lithographic poster in colours, cond , backed framed lithographic poster in colours, c.1900, cond C+, not
50 1/2 x 36ins (128 x 91cm.) 42 x 29½in. (107 x 75cm.) backed, framed
52 x 33ins. (132 x 84cm.)
£500 - 700 €600 - 840 £500 - 700 €600 - 840
£100 - 200 €120 - 240
8 | BonhamsSilver Lots 33 - 93
33 AN ARTS AND CRAFTS SILVER BOX
Kate Harris, mark for William Hutton & Sons Ltd, London 1899, engraved ‘K Harris
Sculpt’
Triangular form, the hinged lid cast with an image of a young lady gazing into a mirror,
the sides with Aesthetic style floral decoration, on three hemispherical feet, height
6.5cm, length 8.5cm, weight 5.5oz.
£600 - 800 €720 - 960
34 OMAR RAMSDEN: A CASED SET OF SIX SILVER COFFEE SPOONS 35 AN EDWARDIAN ARTS AND CRAFTS SILVER COFFEE POT
London 1938, one spoon unmarked by Sibyl Dunlop, London 1904
Three with spiralling leaf stems, the other three with reeded stems, the bowls with a With a conical lid, the incurving body with applied foliate motifs on a hammered finish,
lightly hammered finish, length 11.2cm, weight 4oz. height 23.5cm, weight total 24.5oz.
£500 - 600 €600 - 720 £1,500 - 2,500 €1,800 - 3,000
36 OMAR RAMSDEN: A SILVER CHRISTENING MUG 37 A SPANISH SILVER AND ENAMEL BOWL
London 1935 maker’s mark ‘MP’, 20th century
Height 8.5cm; together with a two-handled bowl, by Omar Ramsden, London 1938, The shallow bowl with gold and green enamel over a textured ground, the foot with four
diameter 14cm, weight 18oz. (2) enamel cabochons, diameter 25cm.
£600 - 800 €720 - 960 £500 - 700 €600 - 840
10 | Bonhams38 A MODERNIST GERMAN SILVER FLATWARE SERVICE
Robbe & Berking
‘Riva’ pattern, placings for eight, comprising: table knives, table forks, table spoons, saucier spoons, fish knives, fish forks, dessert knives, dessert forks, dessert spoons, coffee spoons,
two serving spoons, two serving scoops, a sauce ladle, a cake slice, weight excluding items with steel blades 167oz.
£1,000 - 1,500 €1,200 - 1,800
39 KURT ERIC CHRISTOFFERSON: A MODERNIST SILVER BOWL 41 A DANISH SILVER SAUCEPAN
International Sterling Crafts Associates, mid-20th century, stamped number CD600 Y Ф Michelsen, Copenhagen 1914
A gentle concave bowl with steeply tapering sides, diameter 30.5cm, weight 39oz. With an ivory handle length 21cm; together with a bowl, A Michelsen, 1927; a coffee
£800 - 1,200 €960 - 1,400 pot, Cohr, 1960; two kidney-shaped dishes, Erik Herlow for A Michelsen, also stamped
Herløw, weight total 43oz. (5)
40 NO LOT £600 - 800 €720 - 960
42 NO LOT
THE PROPERTY OF A PRIVATE EUROPEAN COLLECTOR;
‘THE SEAWOLF COLLECTION’ LOTS 43 - 48
43 LIBERTY & CO: A ‘CYMRIC’ SILVER BOWL
Birmingham 1902
The design attributed to Archibald Knox, the stylised circular bowl on three raised flat-sectioned hooped feet, each inset with a chrysoprase cabochon,
length 17cm, diameter of bowl 16.5cm.
£800 - 1,200 €960 - 1,400
See https://www.bonhams.com/ for further footnote on this lot
Decorative Art and Design | 1144 LIBERTY & CO: A SILVER CONDIMENT STAND
London 1900
the design attributed to Archibald Knox, the square section central column with open-work Celtic knot handle, the circular bowl with stylised guides across its top and clover leaf
fretwork to the well of its interior, on four stepped spade feet, height 17.5cm.
£300 - 400 €360 - 480
See https://www.bonhams.com/ for further footnote on this lot
45, 46 AND 47 NO LOTS
48 A PAIR OF ARTS AND CRAFTS SILVER PEPPERS 49 LESLIE GORDON DURBIN: A SILVER THREE-PIECE CONDIMENT SET
Guild of Handicraft, London 1913 London 1948
Hammered form and flaring wide to the base, the domed bayonet covers with a beaded Comprising a salt, pepper and open mustard, with blue glass liner, the salt with fish
edge to the lips, height 5.5cm, weight 2.9oz. finial, height 8cm.
£150 - 200 €180 - 240
See https://www.bonhams.com/ for further footnote on this lot £500 - 600 €600 - 720
50 OMAR RAMSDEN: AN ARTS AND CRAFTS SILVER INKSTAND
London 1922
With a hammered finish, the lid engraved with a stylised thistle, with a filled base, diameter 15cm.
£500 - 600 €600 - 720
12 | Bonhams51 ROBERT EDGAR STONE: AN ART DECO SUITE OF DISHES AND CONDIMENTS
London 1937, with facsimile signature.
Comprising a large dish and two smaller examples, with curved bases, radiating handles and semi-circular feet, and a three-piece condiment set, lidded mustard with spoon,
pepper and salt shakers, length of the larger dish 31cm, weight 42oz. (7)
£1,500 - 2,000 €1,800 - 2,400
52 A PAIR OF SILVER THREE-LIGHT CANDELABRA 53 * A PLATED NOVELTY COCKTAIL SHAKER IN THE FORM OF A ZEPPELIN
James Dixon & Sons, Sheffield 1920 J A Henckels, Zwilling of Solingen, German circa 1928, marked D.R.G.M. 894384 and
The three lights with removable nozzles, the tapering stems leading to simulated riveted 12 to base
filled bases, height 22cm. (2) The nickel-plated set in the form of a Zeppelin, the fuselage with screw fitting dome top
and tail fin, interior with strainer, ‘cowling’ cap, a cylindrical flask with screw cap, cork
£1,500 - 2,000 €1,800 - 2,400 screw and measure, height 31cm.
£1,000 - 1,500 €1,200 - 1,800
54 HECTOR MILLER: A SILVER CREAM JUG AND COVERED SUGAR BOWL 55 GRAHAM WATLING: A SILVER COFFEE POT AND A COVERED SUGAR BOWL
London 1998 Y Ф London 1974
With undulating linear decoration, height of jug 11cm; together with a silver beaker Slender baluster form, with elongated spout and bark-effect texturing on the covers,
and a silver tumbler cup, Graham Leishman Stewart, Edinburgh 1999/2000, both with height of coffee pot 27cm, weight total 32oz.
millennium marks with an all-over spot hammered surfaces, height 7.2cm and 6.2cm,
weight 32.5oz. (4) £500 - 700 €600 - 840
£400 - 500 €480 - 600
Decorative Art and Design | 13THE PROPERTY OF A PRIVATE EUROPEAN COLLECTOR; ‘THE SEAWOLF COLLECTION’
The Seawolf collection came together as a collaboration of four private collections that ‘highlight the development of the moderns’
between 1880 and 1940.’ Representing a great diversity of Arts and Crafts, Art Nouveau, Art Deco along with postmodern works.
This collection was exhibited at Museum Boijmans Van Beuningen, Rotterdam, The Netherlands, between February to April 2003
and was accompanied with the publication ‘The Seawolf Collection, A Personal Touch, late 19th and 20th century silver’.
Further exhibitions of the collection were held at The Design Museum, Ghent, Belgium, June to September 2003. Museet PA
Koldinghus, Kolding, Denmark, February to May 2004 and Pinakothek der Moderne, Design section, Munich, Germany, Autumn 2004.
56 A RARE ARTS AND CRAFTS SILVER CENTREPIECE / TAZZA resurrected human soul. The figure is above five curved supports with open-work naturalistic
Henry Wilson, circa 1904. Commissioned to commemorate the Golden Wedding of Charles applications, on a circular base, the whole on a carved ebonised wood plinth, height overall
and Susan Trask in 1904, gifted to them by their children, who on the bowl are represented 41cm, diameter of bowl 30.5cm, weight 90oz.
by nine sets of applied initials and gold roundels corresponding to their zodiac signs. The
circular bowl is finely embellished with fine wire-work, bands with applied lozenge and gold £10,000 - 15,000 €12,000 - 18,000
beads, raised on three pairs of elongated tapering supports, the underside of the bowl with a
spiralling fluted design, the bowl is centred with a removable seated female figure of Fate, Provenance
who is spinning out her thread with fine wire forming the initials of their first born son Charles Charles and Susan Trask thence by descent to Nicholas Trask in 1979 (the current lot is
Joseph who died in infancy. A small golden butterfly above the initials symbolises the sold with an accompanying copy of a letter from Nicholas Trask).
14 | BonhamsFROM A PRIVATE COLLECTION
57 A VICTORIAN SILVER BOWL 58 A DANISH SILVER TWO-HANDLED TRAY
Heath & Middleton, London 1886 Frantz Hingelberg, stamped ‘STERLING DENMARK’ circa 1954
In the Aesthetic taste, oval form and modelled as a lily pad with upturned sides, the four Rectangular, the border formed as an enclosed continuous helix, with two reeded
feet modelled as pomegranates, length 29.5cm, weight 23.5oz. openwork handles, length handle to handle 55cm, weight 103oz.
£1,200 - 1,800 €1,400 - 2,200 £1,200 - 1,800 €1,400 - 2,200
See https://www.bonhams.com/ for further footnote on this lot
A PRIVATE COLLECTION OF GEORG JENSEN SILVER
59 GEORG JENSEN: A DANISH SILVER TUREEN OR VEGETABLE DISH AND COVER 60 GEORG JENSEN: A DANISH SILVER BLOSSOM PATTERN TUREEN
pattern 228, dated 1918 pattern 2C, 1933-1944 period marks
The cover handle formed as blossom, the base with applied foliate decoration, diameter Oval, the two handles formed as blossom, length 31.5cm, weight 43oz.
23.5cm, weight 22oz.
£4,000 - 5,000 €4,800 - 6,000
£1,500 - 2,500 €1,800 - 3,000
61 GEORG JENSEN: A DANISH SILVER TAZZA 62 A DANISH SILVER AND GLASS ICE BUCKET WITH 63 GEORG JENSEN: A DANISH SILVER TAZZA,
pattern 263A, post-1945 marks TONGS DESIGNED BY JOHAN ROHDE
The circular bowl with hanging grape branches beneath, Dansk Guldsmede-Håndværk, circa 1970 pattern 574C, import marks for London 1936
supported by a twisting stem, height 13cm, diameter Square form, with two drop handles formed as The shallow bowl supported on an openwork stylised
13cm, weight 9oz. bunches of grapes, the tongs with similar decoration, leaf and flower stem , height 11.4cm, diameter 13.7cm,
height 15.5cm. (2) weight 7.7oz.
£1,000 - 1,200 €1,200 - 1,400
£400 - 600 €480 - 720 £1,000 - 1,500 €1,200 - 1,800
Decorative Art and Design | 1564 GEORG JENSEN: A LARGE DANISH SILVER CENTREPIECE BOWL, DESIGNED BY HENNING KOPPEL
pattern 980A, designed in 1948, post-1945 mark
Asymmetrical rounded form, with gently sloping sides on an abstract cast foot. diameter 40.5cm, weight 128oz
This Koppel design received the Gold Medal at the IX Triennial 1951 in Milan.
£7,000 - 9,000 €8,400 - 11,000
65 GEORG JENSEN: SIX PAIRS OF SILVER CARAVAL PATTERN CAKE KNIVES AND 66 GEORG JENSEN: A DANISH SILVER BRACELET
Ω FORKS pattern 394, designed by Lene Munthe, post 1945 marks
post 1945 marks, also stamped STERLING DENMARK With five silver and unmarked yellow metal links, length 15cm.
Forks with three tines, knives with stainless steel blades. (12)
£300 - 500 €360 - 600
£500 - 600 €600 - 720
67 GEORG JENSEN: A DANISH SILVER PLATTER 68 GEORG JENSEN: A COLLECTION OF DANISH SILVER FLATWARE
Ω pattern 210C, post 1945 marks various dates, predominantly pre-war marks
Circular with bead rim, diameter 36cm; together with a Georg Jensen teapot and sugar Comprising twenty-three pieces in Continental, Blossom, No. 21, Acanthus, Pyramid,
bowl, pattern 80A, post 1945 marks, weight total 51oz. (3) Cactus and Bernadotte patterns; together with twelve further piece of Danish flatware;
two spoons, W A Phipps; an Asprey letter opener, weight total 43oz.
£800 - 1,200 €960 - 1,400
£1,000 - 1,500 €1,200 - 1,800
16 | Bonhams69 GEORG JENSEN: A DANISH SILVER TAZZA 70 GEORG JENSEN: A PAIR OF DANISH SILVER AND ENAMEL BOWLS
Ω pattern 264A, post 1945 mark post 1945 marks, designed by Henning Koppel, with facsimile signature
The circular bowl with hanging grape branches beneath, supported by a twisting stem, The bowls with green and blue abstract enamel incorporating the GJ trademark logo,
height 27cm, weight 43oz. underside engraved 1904-1979 and limited edition numbers 52 and 106 /200, diameter
19cm, weight total 32oz. (2)
£3,000 - 5,000 €3,600 - 6,000
£800 - 1,200 €960 - 1,400
(Lots 69,71 & 72)
Decorative Art and Design | 17NDIDI EKUBIA MBE
Born in 1973. Her training began at
Wolverhampton Polytechnic, (now the
University of Wolverhampton), 1992-
1995, where she undertook a 3D design
course involving wood, plastics and metal.
Particularly intrigued by the possibilities of
metalwork, she did a year at the Bishopsland
Educational Trust, (1995-1996) a post
graduate training program for silversmiths
and jewellers which led to her completing
an MA in silversmithing and jewellery at the
Royal College of Art (1996-1998).
Her work is already represented in important
public collections of contemporary craft
throughout Britain including The Victoria
and Albert Museum, Ashmolean Museum,
Oxford, Aberdeen Art gallery, Bristol City
Museum and Art Gallery and the Shipley Art
Gallery, Gateshead, Crafts Council, London,
P & O Makower Trust. She is represented
in several institutional collections including
the Goldsmiths’ Company, the Grocers’
Company, the Weavers’ Company and
Winchester Cathedral.
71 NDIDI EKUBIA: A BRITANNIA STANDARD SILVER VASE
AR London 2008
Hand-raised, embossed and chased with an undulating textured surface, height 21.5cm, weight 41.9oz.
£3,000 - 5,000 €3,600 - 6,000
See https://www.bonhams.com/ for further footnote on this lot
72 NDIDI EKUBIA: A TWIN-COMPARTMENT SILVER SERVING DISH
AR London 1998
Auricular form, the shallows of the two compartments with hammered swirls, the surround with a spot-hammered finish, height 10.5cm, length 31cm, weight 31.5oz.
£1,500 - 2,000 €1,800 - 2,400
See https://www.bonhams.com/ for further footnote on this lot
18 | BonhamsLIN SPROULE
This work follows on from her flower and
grasses which have been exhibited at the
Victoria and Albert Museum. In addition,
Sproule’s work is housed in various
collections in England and New York.
Five grasses are included in the Goldsmiths’
Hall Collection and are illustrated in the
publication Treasures of the 20th Century,
exhibition catalogue, 2000. page 100.
A unique Buttercup sculpture originally
exhibited at Goldsmith’s Hall, Gold, Power
and Allure in London 2012 sold in these
rooms in 2013.
Lin Sproule trained in painting and drawing
at Colchester School of Art, and jewellery at
The Central School of Arts and Crafts and
The Royal College of Art, where she received
a First Class Honours and a Silver Medal.
Sproule has worked in London and New
York, where she exhibited at MOMA. She
was at the Slade School of Art for three
years as the guest student of Ron Bowen,
where she studied life painting and drawing.
Notable commissions include an 18
carat gold tiara for Norman Parkinson to
photograph on occasion of H.R.H Princess
Anne’s 21st birthday, two large murals
for John Aspinal’s club in Curzon Street,
London, as well as gold grasses, which are
in the collection at Goldsmiths’ Hall, London.
73 LIN SPROULE: A UNIQUE 18 CARAT VARI-COLOURED GOLD WHEAT AND FLOWER SCULPTURE
London 2019 / 2020
Using golds in red, white, grey and yellows, with four tall wheat stems and a flower stem with three white / grey gold flower heads, all the stems further embellished with twisted leaves,
one of the stems with a dragonfly and another small dragon fly to the base, the stems gently sway, all issuing from a natural pink stone base with further applied ‘moss’, height 69cm.
£15,000 - 20,000 €18,000 - 24,000
See https://www.bonhams.com/ for further footnote on this lot
Decorative Art and Design | 19GERALD BENNEY CBE RDI (1930-2008)
Gerald Benney was one of the most outstanding goldsmiths of the 20th
century. With works being continuously produced for over fifty years,
from private commissions to mass production. Born in Hull, Yorkshire,
in 1930, Benney received many commissions from the Royal Family
and was the first craftsman to hold four Royal Warrants simultaneously:
from HM The Queen, Queen Elizabeth The Queen Mother, the Duke of
Edinburgh and the Prince of Wales.
Gerald Benney decided that his home at Beenham House in Berkshire
was the place to develop the use of enamels. The first steps were to
travel to Zurich to find an enameller who worked for Burch Korrodi.
By chance he came across the Norwegian Berger Bergensen who
had worked for the House of Bolin as well as Burch. Bergensen
was persuaded to come to Beenham House and taught the Benney
workforce all he knew about enamelling. With Alan Evans and Robert
Winter becoming notable master enamellers for Benney.
It took several years to master the craft. He refined and mastered this art
enamelling larger surface areas than Fabergé
74 GERALD BENNEY: A SILVER AND ENAMEL BOX
AR London 1971, underside also stamped GERALD BENNEY LONDON, also with design pattern number 37
Rectangular, the lid set with a translucent red enamelled panel over a radiating ground, with a cream enamel thumb-piece, the interior with suede lining,
height 4.2cm, length 12.5cm, weight total 27oz.
£3,000 - 5,000 €3,600 - 6,000
See https://www.bonhams.com/ for further footnote on this lot
GERALD BENNEY SILVER FROM THE FAMILY’S PRIVATE COLLECTION
LOTS 75 TO 83
75 GERALD BENNEY: A RARE PAIR OF SILVER AND ENAMELLED CANDLESTICKS
AR London 1978 and 1980, with master enamellers mark for Robert Vidal Winter
With black enamelled cylindrical columns, on spreading broad circular bases, detachable broad drip pans centred with a candle spike.
height 35.5cm, weight 75oz.
£6,000 - 8,000 €7,200 - 9,600
See https://www.bonhams.com/ for further footnote on this lot
20 | Bonhams77 GERALD BENNEY AND THOMAS JAMES BOUCHER: A UNIQUE SILVER BOX
AR mark for Thomas James Boucher and mark for the Royal College of Art, London 1952
Plain polished rectangular form with rounded corners, the cover with a sweeping curved
design and flush hinge, height 7.4cm, length 12.6cm, weight 12.5oz. Illustrated: Graham
Hughes, ‘Gerald Benney Goldsmith The story of fifty years at the bench’ (1998) page
25. Designed by Gerald Benney and made with Thomas James Boucher (1897-1988)
craftsman and technician at the college in Gerald’s first year at the RCA. A project was to
have a design made by Boucher who advised on the practical and technical aspects of
making silver.
£2,000 - 3,000 €2,400 - 3,600
76 GERALD BENNEY: A SILVER COFFEE POT 78 GERALD BENNEY: A SILVER BEAKER
AR London 1997, underside stamped GERALD BENNEY LONDON AR London 1993, underside stamped GERALD BENNEY LONDON
Slightly curved tapering form with bark effect textured surface and polished lower band, Plain polished surface with a flared rim, height 8.5cm, weight 6.3oz.
hinged cover with polished rim and thumbpiece with rayed textured flat top, handle with
ebonised wood insulators, height 22cm, weight 24.3oz. £500 - 800 €600 - 960
£2,500 - 3,500 €3,000 - 4,200 See https://www.bonhams.com/ for further footnote on this lot
See https://www.bonhams.com/ for further footnote on this lot
79 GERALD BENNEY: A SILVER BOWL 80 GERALD BENNEY: A RARE SILVER AND ENAMELLED WHITE BEAKER
AR London 1989, underside stamped GERALD BENNEY LONDON AR underneath of base engraved AAE, for master enameller Alan Alfred Evans, London 1970.
Bark effect textured bellied sides below a polished rim, on a plain collet foot, height White enamelled surface, the flared rim with gilt band, gilt interior and underside.
7.3cm, diameter 15.5cm, weight 13.6oz. The hallmarked on the outer surface has been incorporated into the design and covered
with translucent enamel and within a gilt border. height 9cm.An early example of Benney’s
£1,000 - 1,500 €1,200 - 1,800 enamelling. It was not until 1971 that Benney’s translucent enamels were perfected.
£2,000 - 3,000 €2,400 - 3,600
See https://www.bonhams.com/ for further footnote on this lot See https://www.bonhams.com/ for further footnote on this lot
Decorative Art and Design | 2181 GERALD BENNEY: A SILVER JUG 82 GERALD BENNEY: A SILVER LINED WOOD TRAY / BOWL
AR London 1996 AR London 1993.
Plain baluster form, the upper rim with a narrow band Circular bellied wood sides with glossy black finish, ribbed lower foot, silver centre with curved sides, height 6.5cm,
of four ribbed lines, loop handle, gilded interior, height diameter 32.5cm.
12cm, weight 15oz.
£1,000 - 1,500 €1,200 - 1,800 £2,000 - 3,000 €2,400 - 3,600
See https://www.bonhams.com/ for further footnote
on this lot See https://www.bonhams.com/ for further footnote on this lot
83 GERALD BENNEY: A RARE SILVER AND GOLD BOWL 84 GERALD BENNEY: A CASED SET OF TWENTY
AR London 1968, also GERALD BENNEY 1/5. Circular form, the interior surface with rayed feathered textured decoration CONDIMENT SPOONS
issuing from an inset gold disc, the upswept sides with an applied gold rim, diameter 25.4cm, weight 22.8oz. London 1956
Although each piece bears a limited edition number, it is believed only one of each design was actually made. Fiddle shape terminals, each spoon engraved with
Rutland Gallery Exhibition: Between 13 - 30 November 1968 Gerald Benney held a one man show at the Rutland Gallery, letter or number to spell out the message ‘Glyns 1965
29 Bruton Street in London. A collection specifically made for the gallery Gerald Benney created twenty designs. These from J C Morse’, height of each spoon 8.4cm.
pieces were distinguished by the round circle of solid gold inlaid into each piece. This bowl is catalogue entry number ten
in the corresponding Rutland Collection book, entry reads “Sterling silver dish with 18ct gold rim and disc”.
£3,000 - 4,000 €3,600 - 4,800 £500 - 600 €600 - 720
22 | BonhamsSEKIYA SHIRŌ (1907 - 1994)
Born in Akita, Sekiya Shiro moved to
Tokyo in 1928 to study under the metal-
hammering artist, Kawachi Muneaki. He
became famous for his work in uchidashi
(hammered up relief), as well as for
assembling vessels from alternating
strips of different metals. He was
honored by the Japanese government
as a Juyo Mukei Bunkazai Hojisha,
commonly referred to as Ningen Kokuho
or Living National Treasure. He exhibited
widely and won many prizes for his
work, among them the President’s Prize
of the Nihon Dento Kogeiten. His work is
in the collections of the Tokyo Museum
of Modern Art and the Akita Prefectural
Art Museum.
85 A JAPANESE SILVER VASE, WITH ORIGINAL BOX 86 STUART DEVLIN: A SILVER AND SILVER-GILT FILIGREE TALL DECANTER
base signed Sekiya Shiro saku (made by Sekiya Shiro), with mark of Mitsukochi AR London 1981. Hand-raised, the tapering cylindrical sides with silver-gilt flame-pierced
department store, and Jungin (pure silver), Showa period, filigree work over a silver-gilt matted textured ground, lightly spot-hammered surface
The bulbous body with all over spot hammering within oblique lines, with a waisted above forming the waisted neck, tall tapering cylindrical stopper with the same filigree
neck, height 23.5cm, weight 19.7oz. technique, height 62.5cm, weight 60oz. LITERATURE: Illustrated in ‘Stuart Devlin:
Designer Goldsmith Silversmith’, published ACC Art Books Ltd, 2018, page 119, also
£3,000 - 4,000 €3,600 - 4,800 illustrated are the original design sketches.
See https://www.bonhams.com/ for further footnote on this lot £3,000 - 5,000 €3,600 - 6,000
Decorative Art and Design | 23STUART DEVLIN AO CMG
(1931 - 2018)
Australian silversmith, jeweller and designer.
Stuart Devlin ranks as one of the great
contemporary gold and silversmiths and has
been acclaimed by the Worshipful Company
of Goldsmiths as the designer with ‘the
Midas touch’.
Stuart Devlin, was born in Geelong,
Australia in 1931. He trained at the Royal
Melbourne Institute of Technology and, in
1958, and won a number of scholarships
including one to study silversmithing under
Professor Robert Goodden at the Royal
College of Art, London. After spending a
two year fellowship at Columbia University
in America in 1962 he returned to Australia to teach and rose to become an inspector of
art schools. In 1964, Stuart Devlin won a competition to design Australia’s first decimal
coinage. Devlin went on to be an accomplished coin designer, designing coins for over
36 countries worldwide and many more medallions and the medals for the founding
awards of the Australian honours system in 1975.
On his return to London, in January 1965, Devlin set up a small workshop in Clerkenwell
and the following year he employed his first craftsman. Devlin created new techniques
and produced a wide variety of textures, filigree forms and gilding to create his distinctive
style. Devlin aimed to design pieces that added ‘delight, surprise, intrigue, and even
amusement’, this especially can be seen in his commercially successful limited edition
novelty eggs and boxes.
In 1972 Devlin transferred his retail gallery to the ground floor of his St. John street
workshop in Clerkenwell. After a sell-out collection at Asprey, Collingwoods of Conduit
Street in London’s West End set aside an entire floor exclusively for his work to hold
regular exhibitions. Between 1979 and 1985 in partnership with the Duke of Westminster
he set up a prestigious showroom in Conduit Street almost opposite Collingwoods.
Devlin closed his London showroom in 1987.
Devlin was made a freeman of the Goldsmiths’ Company by special grant in 1966 and
elected a liveryman in 1972. In 1980 he was made a Companion of the Order of St
Michael and St George ‘for services to the art of design’ and in 1982 was granted the
Royal Warrant of Appointment as Goldsmith and Jeweller to Queen Elizabeth II. He was
Prime Warden of the Goldsmiths Company 1996 – 1997.
The Goldsmiths’ Centre situated in Clerkenwell, was developed from a discussion in
2006 between Stuart Devlin, Hector Miller and Grant Macdonald. They proposed the
visionary idea of establishing a creative institute for the goldsmith’s craft. Devlin’s initiative
also had the additional aspect of managed workshops and facilities for exhibitions,
corporate hospitality and catering.
Stuart Devlin, was Postgraduate Programme Director at the Goldsmiths’ Centre, and
while there passed on his inspiration, skills and ethic to enrich the way people live and
work. The torch for the 2012 London Olympics was designed as a tribute to Stuart
Devlin’s retro style and British craftsmanship by Edward Barber and Jay Osgerby and 87 STUART DEVLIN: A PAIR OF SILVER AND SILVER-GILT FILIGREE CANDLESTICKS
won the Design Museum’s Design of the Year Award. London 1970.
the detachable silver-gilt cylindrical filigree columns formed as varying sized interlocking
In 2011 his wife Carole and sister-in-law Victoria Kate Simkin started to assemble his spoked circles, on elongated tapering polished stems, height 38.5cm, together with a silver
archive. It became the basis for a book which was published in 2018 shortly before and silver-gilt candle snuffer, by Stuart Devlin, London 1977, with open-work filigree handle,
Stuart Devlin died. length 27.5cm, weight 33oz. (3)
£1,800 - 2,200 €2,200 - 2,600
Stuart Devlin: Designer Goldsmith Silversmith, published by ACC Art Books Ltd, 2018.
88 STUART DEVLIN: A SILVER AND SILVER-GILT FILIGREE COVERED BOWL 89 STUART DEVLIN: A SET OF FOUR PARCEL-GILT SILVER GOBLETS
London 1977 London 1977
The silver-gilt domed pull-off cover with a slight outswept curved filigree design, plain Plain tapering bowls, textured silver-gilt stems, on a spread circular foot, with small
polished bowl, diameter 20.7cm, weight 24oz. impressed falcon marks for Hambro Life, the life assurance company, height 22.5cm,
weight 26oz. (4)
£800 - 1,000 €960 - 1,200
£800 - 1,200 €960 - 1,400
24 | Bonhams90 STUART DEVLIN: A SET OF FIVE SILVER AND SILVER-GILT BEAKERS
London 1978
Polished broad band, the lower section applied with silver-gilt filigree work over a matted silver-gilt ground, height 9.5cm, weight 49oz. (5)
£800 - 1,200 €960 - 1,400
91 STUART DEVLIN: A COLLECTION OF FOUR ITEMS 92 STUART DEVLIN: AN 18 CARAT GOLD GEM-SET SURPRISE EGG
Comprising: a silver-gilt champagne flute, London 1982, the tapering stem on a circular AR London 1987
foot, with cast textured finish simulating a pebble surface, height 20cm; together with a Set with rubies, sapphires and diamonds, opening to reveal two hardstone fish and a
beaker, 1974 polished band above silver-gilt filigree work lower body, height 12.7cm, a treasure chest, with original box, weight total 132gms.
boxed letter opener, 1980, with silver-gilt filigree and polished silver spiral twist handle,
silver-gilt box, 1980, rectangular form with rayed textured surface, the lift-off cover with £1,000 - 1,500 €1,200 - 1,800
a panel of five standing figures, length 11.8cm, weight 28.5oz. (4)
£600 - 800 €720 - 960
93 HECTOR MILLER FOR AURUM: SEVEN SILVER AND SILVER-GILT COMMEMORATIVE GOBLETS
Limited edition numbered
Comprising: a goblet, London 1979, figural modelling by Tim Minett, to commemorate the creation of Winchester Cathedral, height 16.5cm, the second goblet, London 1980,
to commemorate the creation of Exeter Cathedral, height 16.5cm, the third goblet, London 1982, to commemorate the creation of Wells Cathedral, height 17cm, the fourth
commemorative ‘King’s College Chapel’ goblet, London 1983, height 16.5cm,, the fifth goblet, London 1986, to commemorate the wedding of Prince Andrew and Sarah Ferguson,
height 16.9cm, and a pair of goblets, London 1989, to commemorate the 900th anniversary of the death of Archbishop Lanfranc, height 16.5cm, weight 80oz. (7)
£1,200 - 1,800 €1,400 - 2,200
Decorative Art and Design | 25Decorative Arts
Lots 94 - 309
94 WALKER & HALL (BRITISH) 95 GORDON RUSSELL FOR RUSSELL & SONS
An Arts & Crafts Silver Hinged Box; executed 1902/1903 A ‘Lygon’ Brass Fish Bowl, circa 1920
of triangular form, the lid with raised decoration and green cabochon; together with an the repeating repoussé swirling fish design with rope twist detail to the rim and
Arts & Crafts enamelled silver plate surrounding the three bun feet
box 8.5cm wide, plate 21.2cm diameter; the box with stamped maker’s mark and silver 30cm diameter, 9cm high, with impressed ‘LYGON’ and ‘R&S’ maker’s marks to the
marks for London 1902/1903 (2) underside
£600 - 800 €720 - 960 £700 - 900 €840 - 1,100
96 MARGARET GILMOUR (BRITISH, 1883-1942) 97 IN THE MANNER OF MARGARET GILMOUR (BRITISH, 1863-1942)
An Arts & Crafts Repoussé Nickelled Metal Wall Clock, circa 1910 An Arts & Crafts Repoussé Brass Wall Clock, circa 1910
decorated with a repoussé Celtic entrelac design, the electro-plated weights also with the dial with a Celtic entrelac border and Roman numerals, the movement mounted in
a repoussé Celtic entrelac design, and the movement enclosed in a stained wood case an open wood frame, the two weights each with a Celtic entrelac band, and a Celtic
(missing pendulum) entrelac ring to the circular pendulum
clock 40cm x 40.4cm, unmarked clock 34.5cm diameter, unmarked
£3,500 - 5,000 €4,200 - 6,000 £1,000 - 1,500 €1,200 - 1,800
26 | Bonhams98 ERHARD & SÖHNE (GERMAN) 99 DR CHRISTOPHER DRESSER (BRITISH, 1834-1904)
A Trinket Box, circa 1910 A Linthorpe Brown Earthenware Vase, circa 1880
walnut veneer, nickelled metal, and lined in wood with hinged lid, lock, pierced latch shape no.298, pre-Columbian in style with moulded decoration and banded with a
and decorated with stylised floral and foliate motifs with decorative borders (no key) runny glaze. 18.5cm high, impressed ‘LINTHORPE,CHR.DRESSER’ and ‘HT’ for Henry
20.2cm long, unmarked Tooth, with incised shape no. ‘298’
£600 - 800 €720 - 960 £400 - 600 €480 - 720
See https://www.bonhams.com/ for further footnote on this lot
100 CHRISTOPHER DRESSER (BRITISH, 1834-1904) FOR MINTONS CHINA WORKS 101 CHRISTOPHER DRESSER (BRITISH, 1834-1904) FOR MINTONS CHINA WORKS
Two Framed Ceramic Tiles, circa 1870 Two Ceramic Tiles, circa early 1870s
transfer printed and handpainted, the tiles mounted in a black painted frame with a transfer printed and handpainted, one in modern frame
clear plastic sheet back both 20.3cm square, moulded factory marks and indistinct registration marks
each tile 20.3 square, frame 45cm x 23.7cm
£600 - 800 €720 - 960
£600 - 800 €720 - 960
See https://www.bonhams.com/ for further footnote on this lot
102 IN THE STYLE OF CHRISTOPHER DRESSER (BRITISH, 1834-1904) FOR MINTONS CHINA WORKS
Six Ceramic Tiles, circa early 1870s
transfer printed, inset with modern blue glazed tile strips in a later small wooden occasional table with four screw-in turned and tapering legs on brass feet
each tile 15.2cm square, table 62.8cm x 32.2cm x 41cm high
£600 - 800 €720 - 960
Decorative Art and Design | 27103 GEORGE TINWORTH (BRITISH, 1866-1913) FOR DOULTON LAMBETH 104 GEORGE TINWORTH (BRITISH, 1866-1913) FOR DOULTON LAMBETH
‘Bicyclist’: A Glazed Stoneware Model of a Frog on a Penny Farthing Bicycle, circa 1885 ‘Bicyclist’: A Glazed Stoneware Model of a Frog on a Penny Farthing Bicycle, circa 1885
glazed in tones of green, brown and blue, on an oval base glazed in tones of green, brown and blue, on an oval base
11.5cm high, impressed ‘DOULTON LAMBETH’ stamp and other maker’s marks to the 11.5cm high, impressed ‘DOULTON LAMBETH’ stamp and other maker’s marks to the
underside underside
£2,500 - 3,000 €3,000 - 3,600 £2,500 - 3,000 €3,000 - 3,600
See https://www.bonhams.com/ for further footnote on this lot See https://www.bonhams.com/ for further footnote on this lot
105 GEORGE TINWORTH (BRITISH, 1866-1913) FOR DOULTON LAMBETH 106 MARK V. MARSHALL (BRITISH, 1878-1912) FOR DOULTON LAMBETH
‘Playgoers’: A Glazed Stoneware Model of Mice at a Punch and Judy Show, 1886 ‘The Waning of the Honeymoon’: A Glazed Stoneware Figural Vase, 1880
three young mice watch another mouse with the puppets, another mouse plays the modelled as a male and female rabbit in traditional wedding attire, back to back with
drum and pipes, glazed in tones of blue and brown arms crossed, they lean against the central urn with incised title; glazed in tones of
12.8cm high, impressed ‘DOULTON LAMBETH’ stamp and date, incised ‘JB’ maker’s green, brown and blue, on an oblong shaped base
mark 12cm high, impressed ‘DOULTON LAMBETH’ factory mark and date
£2,500 - 3,000 €3,000 - 3,600
See https://www.bonhams.com/ for further footnote on this lot £1,000 - 1,500 €1,200 - 1,800
28 | Bonhams107 FLORENCE BARLOW (BRITISH, 1851-1916) FOR DOULTON LAMBETH 108 MARK V. MARSHALL (BRITISH, 1878-1912) FOR DOULTON LAMBETH
An Earthenware Oil Lamp with Pâte-sur-Pâte Decoration, circa 1890. Decorated with An Impressive Earthenware Vase with Grotesque Dragon Decoration in Relief, circa
two different panels depicting hummingbirds, enclosed by incised foliage and pattern in 1905. Of slender baluster form in a rich blue glaze, a large dragon coils all the way
green, blue and brown glazes; mounted with brass loop handles and oil lamp fitments, around the shoulder of the vase, meeting a smaller infant dragon clinging to its tail,
raised off an ornate brass base with three hoof feet, with glass funnel and frosted in pale brown and cream tones the dragons are both highly decorated with incised
patterned globe. 51cm high excluding glass fitments (72.5cm inclusive), marks covered/ patterning and applied slip. 42cm high, impressed lion and crown stamp, impressed
unseen (enclosed by brass fitments), base stamped ‘Hinks & Sons’ number ‘6264’ and ‘ART UNION OF LONDON’ to base, incised artist’s monogram ‘MVM’
to body of vase
£500 - 700 €600 - 840
£1,500 - 2,000 €1,800 - 2,400
See https://www.bonhams.com/ for further footnote on this lot
Decorative Art and Design | 29109 EUROPEAN, POSSIBLY LIBERTY (BRITISH) 110 THE MARTIN BROTHERS (BRITISH)
TP A Secessionist-Style Arts and Crafts Armchair, circa 1905 A Double-Sided Stoneware Face Jug, executed 1897
oak, cane, rush and ceramic; the seat, back and side panels of the stained oak frame incised detail (glaze imperfections)
of square form upholstered with interwoven squares of rush and coloured cane, the 16.5cm high, incised ‘Martin Brs London & Southall 8-1897’
sides with fretwork supports, and the front supports of the arms mounted with pale
blue and pink square tiles £1,000 - 2,000 €1,200 - 2,400
71.5cm high x 62.3cm wide x 52cm deep, unmarked
£1,000 - 1,500 €1,200 - 1,800
111 THE MARTIN BROTHERS (BRITISH)
A Double-Sided Stoneware Face Jug, executed 1897
with incised detail
18.5cm high, incised ‘Martin Brs London & Southall 6. 1897’
£2,000 - 3,000 €2,400 - 3,600
112 JOHN PEARSON (BRITISH, ACTIVE 1885-1910) 113 EDWARD KRUGER GRAY (BRITISH, 1880-1943) AND MADE BY ROYAL DOULTON
A Large Charger, 1902 FOR GREENE KING & SONS LTD
hand wrought copper with repoussé decoration, the centre decorated with three ducks A Stoneware Greene King Advertising Panel, design introduced in 1933
swimming in a circle on the water and round the outer edge interlocked stylised lilies polychrome, modelled in relief
51.5cm diameter, incised ‘J.P. 1902 1764 [in an oval]’ and ‘R1355_ cGi/5’ in black ink 58cm high, impressed ‘KG’ with a lidded tankard in the design
£700 - 900 €840 - 1,100 £500 - 700 €600 - 840
30 | Bonhams114 CHARLES LABARRE (FRENCH, ACTIVE 1890S) FOR DOULTON BURSLEM
A Hand-Painted and Gilded Porcelain Exhibition Vase, 1891-3
decorated to each central panel with cupids and classical figures; hand-painted by Labarre, this vase was produced for the World’s Columbian Exposition in Chicago, 1 May 1893 – 30
Oct 1893
18.3cm high, 41cm long, hand-painted artist’s signature ‘Ch LABARRE’ to each panel, printed ‘DOULTON BURSLEM’ stamp, numbered 131.984
£2,000 - 2,500 €2,400 - 3,000
See https://www.bonhams.com/ for further footnote on this lot
115 CHARLES NOKE (BRITISH, 1858-1941) FOR ROYAL 116 CHARLES NOKE (BRITISH, 1858-1941) FOR ROYAL 117 JOHN BROAD (BRITISH, 1873-1919) FOR DOULTON
DOULTON DOULTON LAMBETH
‘Moorish Minstrel’: A Rare Vellum Figurine, issued circa ‘Mephistopheles & Marguerite’: A Rare Double-Sided ‘Bather’: A Glazed Stoneware Figure, circa 1900
1892. RA 1076, earthenware, in a pink and green Exhibition Model, issued circa 1891, earthenware, the depicting a female nude in a flower crown sitting upon
sheen, 32cm high, unmarked male figure in blue-glazed costume decorated in raised a globe
£300 - 500 €360 - 600 paste gilt with Chinese dragons and bats in flight, with 34cm high, impressed factory mark and initials ‘JB’
See https://www.bonhams.com/ for further footnote painted face and glass eyes, 32.5cm high, unmarked
on this lot £300 - 500 €360 - 600 £700 - 900 €840 - 1,100
Decorative Art and Design | 31118 PHOEBE STABLER (BRITISH, 1879-1955) FOR ROYAL DOULTON 119 PHOEBE STABLER (BRITISH, 1879-1955) FOR ROYAL DOULTON
‘Picardy Peasant (woman)’: A Rare Ceramic Figure, 1913-1938 ‘Picardy Peasant (man)’: A Rare Ceramic Figure, 1913-1938
this model is listed under HN numbers 4, 5,17A, 351, 513 but none mention this this model is listed under HN numbers 13,17 and 19 but none mention this colourway;
colourway; the figure in pink/grey top and green/grey skirt, white bonnet and white and the figure in pink/grey top and a hat, likely painted by Harry Allen
pink checked apron, hand painted by Harry Allen 23.8cm, printed ‘ROYAL DOULTON’ stamp, hand-painted (but partially rubbed away)
24cm high, printed ‘ROYAL DOULTON’ stamp, painter’s monogram ‘HA’ to base, with ‘Picardy Peasant, Potted by Doulton & Co.’
hand-painted (but partially rubbed away) ‘Picardy Peasant, Potted by Doulton & Co.’
£1,200 - 1,500 €1,400 - 1,800 £1,200 - 1,500 €1,400 - 1,800
120 WILLIAM WHITE (BRITISH) FOR ROYAL DOULTON 121 CHARLES NOKE FOR ROYAL DOULTON 122 HARRY TITTENSON (BRITISH, 1887-1942) FOR
‘The Coquette’: A Rare Ceramic Figure, 1913-1938 ‘Dunce’: A Rare Ceramic Figure, 1924, this model is ROYAL DOULTON
the cherubic child with blue dress, on a stepped green listed under HN numbers 6, 310 and 357, but none ‘A Spook’: A Rare Ceramic Model, 1916-1936
base holding a green fan; HN 20, numbered 251 mention this colourway, which is an experimental mixed with red cap and blue titanium glaze cloak with
23.5cm high, printed ‘ROYAL DOULTON’ stamp, with pale peach and blue glaze to the child’s outfit, and the crystalline stars; HN58, numbered ‘516’
handwritten ‘The Coquette, by William White Sc., child has sandy blonde hair, 27.8cm high, impressed 18.3cm high, printed ‘ROYAL DOULTON’ stamp with
Potted by Doulton & Co., no.251, HN20’ with part of date ‘4.24’ and number ‘79’, with obscured printed hand-painted ‘HN58’ and ‘no.516’
original paper label ‘ROYAL DOULTON’ stamp
£1,000 - 1,500 €1,200 - 1,800
£1,200 - 1,500 €1,400 - 1,800 £1,200 - 1,500 €1,400 - 1,800
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