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Will they ever make the cursed child into a movie

'Harry Potter and the Cursed Child' Jeremy Daniel UPDATE, with new start date The new, one-play version of Harry Potter and the Cursed Child will begin performances four days earlier than previously announced, with the start now set for Friday, Nov. 12, at Broadway’s Lyric Theatre. No reason for the move was detailed in the announcement
today. Previous, June 28 A new version of Harry Potter and the Cursed Child is returning to North American stages as a one-show experience. The world premiere theatrical event will take place November 16 at Broadway’s Lyric Theatre in New York. The show will debut at the Curran in San Francisco on January 11. The Canadian premiere will begin
performances in May at the Ed Mirvish Theatre in Toronto. Cursed Child was previously a two-part event. “Collaborating on Harry Potter and the Cursed Child has been one of the great joys of my professional life,” author J.K. Rowling said. “While no one would wish for what has happened over the last year, it has given Jack, John and the first-class
creatives who first breathed life into the production the opportunity to revisit the play, and to find a new way to frame our story — with amazing illusions and some exquisite new staging — all the while keeping our original story intact. I’m so proud to be associated with this new, reimagined version, and to be able to welcome back audiences to the
Lyric, Curran and Ed Mirvish theatres.” Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, Harry Potter and the Cursed Child is a play by Jack Thorne, directed by John Tiffany. In a joint statement, Jack Thorne and John Tiffany said, “We are incredibly excited to be returning to the US with this reimagined Harry Potter and
the Cursed Child. We’ve been working hard on this new version throughout lockdown and it’s been a joyous process of rediscovery. It has given us a unique opportunity to look at the play with fresh eyes and we have been inspired by the entire creative team every step of the way.” The story picks up 19 years after Harry, Ron and Hermione saved the
wizarding world. They’re back on a most extraordinary new adventure – this time, joined by a brave new generation that has only just arrived at the legendary Hogwarts School of Witchcraft and Wizardry. It includes spells, a race through time, and an epic battle to stop mysterious forces, all while the future hangs in the balance. The play features
movement by Steven Hoggett, a set by Christine Jones, costumes by Katrina Lindsay, music & arrangements by Imogen Heap, lighting by Neil Austin, sound by Gareth Fry, illusions & magic by Jamie Harrison, and music supervision & arrangements by Martin Lowe. U.S. casting is being overseen by Jim Carnahan, CSA. Harry Potter and the Cursed
Child is produced by Sonia Friedman Productions, Colin Callender and Harry Potter Theatrical Productions. “We are delighted to announce that Harry Potter and the Cursed Child, which since its triumphant opening in New York and San Francisco has seen record breaking numbers of people spellbound by the wizardry on stage, will be returning in
North America in a new, re-imagined version that audiences can see in one afternoon or evening,” said Friedman and Callender in a statement. Harry Potter and the Cursed Child is the first Harry Potter story to be presented on stage. It has been seen by over 4.5 million people worldwide and holds 60 major honors, with nine Laurence Olivier Awards
including Best New Play and six Tony Awards including Best New Play. It is already the longest-running two-part play in Broadway history. The reimagining takes into account “the challenges of remounting and running a two-part show in the U.S. on the scale of Harry Potter and the Cursed Child, and the commercial challenges faced by the theatre
and tourism industries emerging from the global shutdowns,” said a statement from the production. “We are excited to be able to move forward with a new version of the play that allows audiences to enjoy the complete Cursed Child adventure in one sitting eight times a week.” Productions of Harry Potter and the Cursed Child in Melbourne, Australia
(now playing), London’s West End (currently scheduled for October 14) and Hamburg, Germany (returning for previews on December 1) will continue in the original two-part format. Health and safety protocols for the new theater-going experience will be announced closer to the start of performances. Producers say they will “be adjusting to all
industry and government guidance to keep our audiences and company safe.” Broadway tickets go on sale to the general public on Monday, July 12. San Francisco tickets go on sale Wednesday, July 21. For more information and to sign up for pre-sale access, visit HarryPotterOnStage.com. On sale dates for the Canadian premiere are to be
announced. Subscribe to Deadline Breaking News Alerts and keep your inbox happy. 2016 book and two-part West End play Harry Potter and the Cursed ChildPromotional posterWritten by Jack Thorne (script & story) J. K. Rowling (story) John Tiffany (story) Date premiered30 July 2016 (2016-07-30)Place premieredPalace Theatre, LondonOriginal
languageEnglishSeriesHarry PotterGenre Fantasy Adventure Drama SettingWizarding World Harry Potter and the Cursed Child is a 2016 British two-part play written by Jack Thorne based on an original story by J. K. Rowling, John Tiffany, and Thorne.[1] Previews of the play began at the Palace Theatre, London, on 7 June 2016,[2] and it premiered
on 30 July 2016. The play opened on Broadway on 21 April 2018 at the Lyric Theatre, with previews starting on 16 March 2018. Its cast is similar to that of the first year in the West End, with returning actors Anthony Boyle, Sam Clemmett, Noma Dumezweni, Poppy Miller, Jamie Parker, Alex Price, and Paul Thornley. The story begins nineteen years
after the events of the 2007 novel Harry Potter and the Deathly Hallows and follows Harry Potter, now Head of the Department of Magical Law Enforcement at the Ministry of Magic, and his younger son, Albus Severus Potter, who is about to attend Hogwarts School of Witchcraft and Wizardry. The play is marketed as the eighth story in the Harry
Potter series. The play received enthusiastic critical reception, although the script was not received well by some of the Harry Potter fandom.[3] At the 2017 Laurence Olivier Awards, the London production received a record-breaking eleven nominations and won another record-breaking nine awards, including Best New Play. At the 2018 Tony
Awards, the Broadway production won six awards, including Best Play. The play also set the record for highest all-time weekly ticket sales of any play, grossing over $2.5 million at the Lyric Theater for the week ending 30 December 2018.[4] In June 2021, the production team announced that the play would be re-staged as a single show for future
performances on Broadway beginning in November 2021, as well the San Francisco and Toronto productions beginning in 2022. The existing two-part play will continue to be staged in London, Melbourne and Hamburg. Other details regarding the single-part version, such as length, have yet to be released.[5] Background In December 2013, it was
revealed that a stage play based on the Harry Potter series had been in development for around a year,[6] with the view to bringing it to the stage sometime in 2016.[7] At the time of the announcement, author J. K. Rowling revealed that the play would "explore the previously untold story of Harry's early years as an orphan and outcast".[8] The
following May, Rowling began establishing the creative team for the project.[9] On 26 June 2015, this project was officially confirmed under the title of Harry Potter and the Cursed Child,[10] and it was revealed it would receive its world premiere in mid-2016 at London's Palace Theatre.[11] The announcement marked the eighteenth anniversary of
the publication of the first Harry Potter novel, Harry Potter and the Philosopher's Stone,[12] published on 26 June 1997.[13] On announcing plans for the project, Rowling stated that the play would not be a prequel.[14] In response to queries regarding the choice of a play rather than a new novel, Rowling stated that she "is confident that when
audiences see the play they will agree that it is the only proper medium for the story".[15] Rowling also assured audiences that the play would contain an entirely new story and would not be a rehashing of previously explored content.[16] On 24 September 2015, Rowling announced that the play had been split into two parts.[17] The parts are
designed to be viewed on the same day or consecutively over two evenings.[18][19] On 23 October 2015, it was confirmed the plays were set nineteen years after the conclusion of the final novel Harry Potter and the Deathly Hallows,[20] and would open at London's Palace Theatre in July 2016.[21] The plays principally follow Harry Potter, now Head
of the Department of Magical Law Enforcement, and his younger son, Albus Severus Potter.[22][23] Plot The play is divided in two parts, consisting of two acts each. Act One In the opening scene, set during the epilogue of Deathly Hallows in the year 2017, Harry and Ginny Potter send their son, Albus Severus, on the Hogwarts Express to begin his
first year at Hogwarts. Harry works a desk job as the Head of Magical Law Enforcement at the Ministry of Magic, while Ginny is the editor of the sports section of The Daily Prophet. Ron Weasley and Hermione Granger also send their daughter Rose on the train. Hermione is now Minister of Magic, while Ron manages Weasley's Wizard Wheezes in
Diagon Alley. On his first trip aboard the Hogwarts Express, Albus forms an unlikely friendship with Scorpius Malfoy, the son of Harry's former nemesis Draco and his wife Astoria (née Greengrass). Unlike his father, Scorpius is very polite and very nerdy. The school is stunned when, in a break with the tradition of Potters being sorted into Gryffindor,
Albus is sorted into Slytherin alongside Scorpius. Both boys are bullied by other students over the next few years, Albus due to his perceived failure to live up to his parents, Scorpius due to unproven rumours that he is the son of Lord Voldemort. Scorpius's mother then passes away due to a fatal disease. Albus and Harry drift apart due to Albus's
struggles with his father's shadow and Harry's uncertainty on how to deal with his son's problems. Albus also drifts apart from Rose, with whom he was close before meeting Scorpius. Prior to his fourth year, Albus gets into a fight with his father after being given the latter's baby blanket and a love potion from Ron. During the fight, Harry angrily says
that he sometimes wishes Albus was not his son, and Albus spills the potion on the blanket. Harry obtains a prototype of a more powerful version of the Time-Turner that allows one to travel into the past and change history. Simultaneously, Harry's scar starts hurting again, causing him to become concerned that Voldemort may be returning. Amos
Diggory, who has become old and is cared for by his niece, Delphi [full name Delphini Riddle, alias Delphi Diggory], asks Harry to use the Time-Turner to prevent the death of his son, Cedric. After overhearing Harry refuse to help the Diggorys, Albus is inspired to do so and convinces Scorpius to help him. The two escape from the Hogwarts Express
to visit Amos, and they team up with Delphi to steal the Time-Turner from Hermione's office, in the Ministry of Magic, while disguised with Polyjuice Potion. Act Two Knowing that Cedric's death was the result of him winning the Triwizard Tournament[1] alongside Harry, the boys use the Time-Turner to travel back to the first tournament challenge in
1995. The two disguise themselves as Durmstrang students in an attempt to sabotage Cedric to prevent his victory. The plan fails, and the disguises cause Hermione to become suspicious of Viktor Krum, a Durmstrang student, and go to the Yule Ball with Ron instead. As a result, Ron never experiences the jealousy fundamental to his relationship with
Hermione, and the two never marry. Ron instead falls in love with Padma Patil at the Ball, and Hermione becomes a frustrated and mean professor at Hogwarts, teaching Defence Against the Dark Arts. Meanwhile, Harry has nightmares about Voldemort as he grows suspicious that the wizard will return. A centaur named Bane tells Harry that a "dark
cloud" is around Albus. Convinced that Scorpius is a threat to Albus, Harry tries to have the boys kept apart at Hogwarts by attempting to force Headmistress Minerva McGonagall to keep tabs on Albus using the Marauder's Map. Albus and Scorpius' friendship is destroyed, but the two eventually reconcile after Albus steals Harry's old Invisibility
Cloak from Albus's older brother James Sirius. Harry is persuaded to relent after a conversation with Draco and Ginny. Meanwhile, Albus and Scorpius make another attempt to use the Time-Turner to change Cedric's fate, this time by humiliating him during the Triwizard Tournament's second task. When Scorpius returns to the present day, however,
Albus is not with him. Dolores Umbridge walks up to him and reveals that Harry is dead and Lord Voldemort rules the wizarding world. Act Three Scorpius discovers that as a result of his actions, Cedric joined the Death Eaters and killed Neville Longbottom, preventing him from killing Nagini and allowing Voldemort to win the Battle of Hogwarts.
With Harry now dead, Albus never existed, while Voldemort was able to completely consolidate power and transform the Ministry of Magic into a dictatorial regime. In the new timeline, Scorpius became a popular Head Boy and Quidditch star, helping the staff and students torment Muggle-borns. Umbridge became the new Headmistress of Hogwarts
and patrols the school with Dementors and a revived Inquisitorial Squad led by Scorpius. A powerful dark figure called "The Augurey" leads the Ministry of Magic. With help from Ron, Hermione, and Severus Snape, now the final members of a dwindling anti-Voldemort resistance movement, Scorpius is able to use the Time-Turner to prevent the
interference of Albus and his past self and restore the events of the original timeline, the alternate Ron, Hermione, and Snape sacrificing themselves to the Dementors in order to allow him to do so. Scorpius reunites with Albus, and the two boys are eventually found by their parents, as well as Ron and Hermione. Following these events, Harry scolds
Albus for his actions, but the two nevertheless begin to reconcile. Realising the danger the Time-Turner poses, Scorpius and Albus attempt to destroy it themselves, but they are joined by Delphi. Scorpius notices that Delphi has a tattoo of an Augurey and realizes she was in charge of the Ministry of Magic in the alternate timeline. Delphi takes them
captive, killing a fellow student in the process, and reveals her intention of restoring the alternate timeline. After Ron reveals he saw Albus and Scorpius with Delphi while he was in Hogsmeade with Neville, Harry and Draco confront Amos, only to discover Delphi had bewitched him into thinking she was his niece. Delphi takes the boys to the final
challenge of the Triwizard Tournament, but Albus and Scorpius prevent her from acting, and Delphi uses the Time-Turner again to travel farther back in time. She inadvertently takes the boys with her and then destroys the Time-Turner to leave them stranded in time. Searching Delphi's room, Harry, Draco, Ginny, Hermione, and Ron discover hidden
writing on the walls describing a prophecy that will allow Voldemort to return. Draco questions why she would be so obsessed with Voldemort's return, as Ginny finds writing on the ceiling that claims Delphi is the daughter of Voldemort. Act Four Albus and Scorpius discover they have been taken back to the night before Harry's parents were killed
and assume Delphi is planning to kill Harry before Voldemort attempts to do so. Albus and Scorpius write an invisible message on Harry's baby blanket, knowing in the present, the blanket would become stained with a love potion and expose the message. The message reads: "Dad.Help 31/10/1981." Meanwhile, Draco reveals the Time-Turner was
actually a prototype for a perfected model owned by him, but they remain unable to rescue the boys due to their uncertainty over which time period they have entered. After Harry receives the message from the boys, he and his allies use Draco's Time-Turner to travel back in time to save them and stop Delphi. While waiting for Delphi, they deduce
she intends to convince Voldemort to abandon his doomed attempt to kill Harry, ensuring her father's survival and allowing her to be with him. Harry disguises himself as Voldemort using Transfiguration to distract Delphi; after a struggle, the group manages to subdue her. Rather than killing Delphi, it is decided that she will be given a life sentence
in Azkaban Prison. Lord Voldemort then appears and is oblivious to the presence of Harry and the group. The group allows the murder of Harry's parents to play out again, unwilling to risk the consequences of altering the past. After returning to the present day, Delphi is sent to Azkaban. Albus and Scorpius now decide to be more active at Hogwarts,
with Scorpius expressing interest in trying out for the Slytherin Quidditch Team and asking Rose out on a date. Harry and Albus visit Cedric's grave, with Harry apologizing for his role in Cedric's death. Productions Production Venue/Location First Preview Opening Night Closing Night West End (London) Palace Theatre 7 June 2016 (Part One), 9 June
2016 (Part Two) 30 July 2016 Currently running Broadway (New York) Lyric Theatre 16 March 2018 (Part One), 17 March 2018 (Part Two) 22 April 2018 Currently running Melbourne Princess Theatre 18 January 2019 (Part One), 19 January 2019 (Part Two) 23 February 2019 Currently running San Francisco Curran Theatre 23 October 2019 (Part
One), 24 October 2019 (Part Two) 1 December 2019 Currently running Hamburg Mehr! Theater 7 February 2020 (Part One), 8 February 2020 (Part Two) TBC TBC Toronto Ed Mirvish Theatre Early 2022 TBC TBC Tokyo TBS Akasaka ACT Theater Mid 2022 TBC TBC Harry Potter and the Cursed Child, a two-part play, was written by British
playwright Jack Thorne based on an original story by Rowling, John Tiffany, and Thorne. Some websites were listing all three as authors of the script[24] but by 26 July 2016, the official website for the play[25] and many others[26] were listing Thorne as the sole script writer. The play is directed by Tiffany[27][28] with choreography by Steven
Hoggett,[29] set design by Christine Jones,[30] costume design by Katrina Lindsay,[31] lighting design by Neil Austin,[32] music by Imogen Heap,[33] and sound design by Gareth Fry.[34] In addition, special effects were created by Jeremy Chernick,[35] with illusions by Jamie Harrison, and musical supervision by Martin Lowe.[36] The producers and
Rowling have maintained a campaign called #KeepTheSecrets to ask people who have seen the play not to reveal its major twists. The slogan is printed on the tickets for the play and badges with the slogan are handed out for free during intervals. People buying their tickets online are emailed a video after the play from J.K. Rowling asking them to
support the campaign.[37][38][39][40] West End Previews at the West End Palace Theatre began on 7 June 2016,[2] with the official opening night for both parts on 30 July,[41] and originally booking until 18 September 2016.[42] Tickets went on sale to pre-registered priority bookers on 28 October 2015, with a public sale scheduled to commence on
30 October.[43] In just under 8 hours of priority booking 175,000 tickets were sold for the world premiere production,[44] with the play's booking period extended to January 2017.[45] On commencement of the public sale booking was extended until 30 April 2017,[46] with a further extension issued the same day to 27 May 2017.[47] Tickets for the
opening performance were priced from £30 up to £130 for a ticket for both parts,[48] although ticket resale agencies were selling seats for up to £3,000.[44] Ticket resale has been banned by the producers, with tickets no longer valid if sold on.[49] In mid-July 2016, the theatre began holding a ticket lottery at 1 pm each Friday, releasing 40 for sale
on their website for "some of the best seats" in the theatre for the lowest price, advertised at £20 per part. For example, the "Friday Forty" tickets sold on 29 July 2016 were for performances on 3, 5, 6, and 7 August.[50] On 20 December 2015, initial casting was announced with Jamie Parker playing Harry Potter, Noma Dumezweni playing Hermione
Granger and Paul Thornley playing Ron Weasley.[51][52][53] The casting of the dark-skinned Noma Dumezweni as Hermione sparked fervent discussion, to which Rowling responded that Hermione's skin was never specified as white.[54][55] Further notable casting includes Poppy Miller as Ginny Potter, Alex Price as Draco Malfoy, Sam Clemmett as
Albus Severus Potter and Anthony Boyle as Scorpius Malfoy.[56] The production features an overall cast of 42.[57][58] Broadway Harry Potter and the Cursed Child at the Lyric Theatre, New York, in July 2019. The production began previews on 16 March 2018, officially opening on 22 April at the Lyric Theatre. Clemmett, Boyle, Dumezweni, Miller,
Parker, Price and Thornley reprised their roles, from the West End.[59][60] The theatre removed 400 seats from the auditorium and moved the entrance to 43rd Street.[61] Tickets initially went on sale on 18 October 2017, for performances from 16 March through 18 November 2018.[62] The New York Times estimates that it is the most expensive
non-musical Broadway play ever, incurring $68 million in opening costs.[63] As of March 12, 2020, the show suspended production due to the COVID-19 pandemic.[64] On July 12, 2021, it was announced that the show would reopen on November 12, 2021 at the Lyric Theatre. This re-opening will be condensed into one show, instead of the previously
performed two-part show.[65] Melbourne On 24 October 2017, the Michael Cassel Group announced that it would be producing the Australian premiere of Harry Potter and the Cursed Child. The preview shows started on 18 January 2019 at Melbourne's Princess Theatre, and the opening night was on 23 February. The show reportedly has an
exclusive two-year residency at the Princess Theatre.[66][67] Presale tickets were released on 2 August 2018, selling more than 200,000 tickets in just four days, before the public sale tickets were released.[68][69] The 35 original Australian adult cast was revealed on 2 September and includes Gareth Reeves as Harry Potter, Paula Arundell as
Hermione Granger, Gyton Grantley as Ron Weasley, Lucy Goleby as Ginny Potter, Sean Rees-Wemyss as Albus Potter, Tom Wren as Draco Malfoy, and William McKenna as Scorpius Malfoy.[70] Toronto On 22 May 2019, it was announced that the production would have its first Canadian premiere in Toronto's Ed Mirvish Theatre.[71] Due to the
pandemic, its opening has been delayed until May 2022, when it will be presented as the newly staged one-show version developed for North America.[72] Cast and principal roles Character Original West End Cast[73](2016–2017) Original Broadway Cast[74](2018) Original Melbourne Cast[75][76] Original San Francisco Cast[77][78] Harry Potter
Jamie Parker Gareth Reeves John Skelley Ron Weasley Paul Thornley Gyton Grantley David Abeles Hermione Granger Noma Dumezweni Paula Arundell Yanna McIntosh Ginny Potter Poppy Miller Lucy Goleby Angela Reed Draco Malfoy Alex Price Tom Wren Lucas Hall Albus Severus Potter Sam Clemmett Sean Rees-Wemyss Benjamin Papac Scorpius
Malfoy Anthony Boyle William McKenna Jon Steiger Rose Granger-Weasley Cherrelle Skeete Susan Heyward Manali Datar Folami Williams Young Hermione Delphi Diggory Esther Smith Jessie Fisher Madeleine Jones Emily Juliette Murphy Craig Bowker Jr. Jeremy Ang Jones Joshua DeJesus Slone Sudiro Irving Dyson Jr. Moaning Myrtle Annabel
Baldwin Lauren Nicole Cipoletti Gillian Cosgriff Brittany Zeinstra Lily Potter Sr. Polly Chapman Claudia Grant Madeline Weinstein Jessica Vickers Lauren Zakrin Vernon Dursley Paul Bentall Byron Jennings David Ross Patterson Andrew Long Severus Snape Lord Voldemort Rubeus Hagrid Chris Jarman Brian Abraham Soren Jensen Julian Rozzell, Jr.
Sorting Hat Yann Fredericks Jenet Le Lacheur Jess Barbagallo Connor Sweeney Corey Hedy Petunia Dursley Helena Lymbery Kathryn Meisle Hannah Waterman Katherine Leask Dolores Umbridge Madam Hooch Theo Allyn Amos Diggory Barry McCarthy Edward James Hyland George Henare Charles Janasz Albus Dumbledore Trolley Witch Sandy
McDade Geraldine Hughes Debra Lawrance Katherine Leask Minerva McGonagall Shannon Cochran Cedric Diggory Tom Milligan Benjamin Wheelwright David Simes William Bednar-Carter James Sirius Potter James Potter Sr. Dudley Dursley Jack North Joey LaBrasca Hamish Johnston Tuck Sweeney Karl Jenkins Viktor Krum Connor Sweeney Bane
Nuno Silva David St. Louis Iopu Auva'a Logan James Hall Young Harry Potter Rudi GoodmanAlfred JonesBili KeoghEwan RutherfordNathaniel SmithDylan Standen Will CoombsLandon Maas Alfie HughesEzra JustinArchie PitcherZakaria Rahhali Elijah CooperTyler Patrick Hennessy Lily Luna Potter Zoe BroughCristina FrayChristiana Hutchings Olivia
BondBrooklyn Shuck Sasha TurinuiRuby HallSienna Conti Natalia BinghamNatalie Schroeder West End Year 2 replacements Harry Potter: Jamie Glover Ron Weasley: Thomas Aldridge Hermione Granger: Rakie Ayola Ginny Potter: Emma Lowndes Broadway replacements Harry Potter: James Snyder Hermione Granger: Jenny Jules Script publication
Editions Harry Potter and the Cursed Child Special Rehearsal Edition coverAuthor Jack Thorne (script & story) J. K. Rowling (story) John Tiffany (story) CountryUnited KingdomSeriesHarry PotterGenreFantasy, DramaPublished31 July 2016 (Special Rehearsal Edition)25 July 2017 (Definitive Collector's Edition)PublisherLittle, Brown and Company
(international)Scholastic (US/Canada)Pottermore (digital)Publication date31 July 2016Pages328 (Special Rehearsal Edition)321 (Definitive Collector's Edition)ISBN978-1-338-09913-3 (US); 978-0-7515-6535-5 (UK) Both parts of the stage play's script have been released in print and digital formats as Harry Potter and the Cursed Child Parts I & II.[79]
[80] The first edition, the Special Rehearsal Edition, corresponded to the script used in the preview shows and was published on 31 July 2016,[81] the date of Harry's birthday in the series and Rowling's birthday, as well.[82] Since revisions to the script continued after the book was printed, an edited version was released on 25 July 2017, as the
"Definitive Collector's Edition".[83] According to CNN, this was the most preordered book of 2016.[84] Sales In the United States and Canada, the book sold over 2 million copies in its first two days of release.[85] 847,885 copies were sold during the book's first week of release in the United Kingdom. By June 2017, the book had sold over 4.5 million
copies in the United States.[86] Critical reception Harry Potter and the Cursed Child has received critical acclaim. Some audiences and critics have complimented the casting and performances, while many debate the quality of the piece and how it compares to entries in the main Harry Potter series. Publications awarding five star ratings included
The Independent, the London Evening Standard, The Stage and WhatsOnStage.com.[87][88][89][90] The Telegraph also gave five, although "there are some quibbles," while The Guardian's Michael Billington awarded four stars.[91][92] Anthony Boyle's performance as Scorpius Malfoy garnered particular acclaim. WhatsOnStage.com wrote that
"Boyle gives a career-making performance," while The Wall Street Journal described him as "the break-out performance".[90][93] Variety's critic, Matt Trueman, agreed, writing, "it's Boyle who really stands out", and both Trueman and Henry Hitchings, in the Evening Standard, noted that his performance was sure to be a fan favourite.[88][94]
Response within the Harry Potter fandom The response to the play from the Harry Potter fandom was polarizing.[3] Fans responded positively to the play and its characters, with Scorpius Malfoy being particularly popular.[95] Some fans commented that the dialogue between the familiar characters was "spot on",[96] celebrating it as a faithful
continuation of the books.[97][98] Others have noted that the play sheds light on some of the relationships between the characters, such as Harry and Dumbledore's.[99] The response had been particularly positive among fans who watched the play on stage.[100] Some fans however, said the story seemed more "like a work of fan fiction" and said that
it diverged from previously established rules of the universe, criticising the script's characterisation.[101][102][103] Some also took issue with the style and plot of the script, complaining that the Time-Turner storylines had already been used, as had Cedric Diggory's death, and that the writers were rehashing old storylines and over-played tropes of
the fantasy/sci-fi genre.[104][105] These criticisms have led to some of the fandom rejecting the play as separate from the Potter canon.[3] Queerbaiting accusations The stage play's "ambiguously gay" portrayal of the male friendship between Albus Potter and Scorpius Malfoy has been criticized as an example of "queerbaiting",[106][107] with
director John Tiffany stating his belief that it "would not [have] been appropriate" for The Cursed Child to directly address the characters' sexualities.[108][109][110] Awards and nominations Original West End production Year Award Category Nominee Result 2016 Evening Standard Theatre Award Best Play Won Best Director John Tiffany
Nominated Best Design Christine Jones Nominated Emerging Talent Award Anthony Boyle Nominated Critics' Circle Theatre Award Best Director John Tiffany Won Best Designer Christine Jones Won Most Promising Newcomer Anthony Boyle Won 2017 WhatsOnStage Award Best New Play Won Best Actor in a Play Jamie Parker Won Best Supporting
Actor in a Play Anthony Boyle Won Paul Thornley Nominated Best Supporting Actress in a Play Poppy Miller Nominated Noma Dumezweni Won Best Direction John Tiffany Won Best Costume Design Katrina Lindsay Nominated Best Set Design Christine Jones Won Best Lighting Design Neil Austin Won Best Video Design Finn Ross and Ash Woodward
Won Laurence Olivier Award Best New Play Won Best Director John Tiffany Won Best Actor Jamie Parker Won Best Actress in a Supporting Role Noma Dumezweni Won Best Actor in a Supporting Role Anthony Boyle Won Best Costume Design Katrina Lindsay Won Best Set Design Christine Jones Won Best Sound Design Gareth Fry Won Best Lighting
Design Neil Austin Won Best Theatre Choreographer Steven Hoggett Nominated Outstanding Achievement in Music Imogen Heap Nominated 2018 WhatsOnStage Award Best West End Show Won Best Show Poster Won Original Broadway production Year Award Category Nominee Result Ref. 2018 Tony Awards Best Play Won [111][112] Best Actor
in a Play Jamie Parker Nominated Best Featured Actor in a Play Anthony Boyle Nominated Best Featured Actress in a Play Noma Dumezweni Nominated Best Direction of a Play John Tiffany Won Best Choreography Steven Hoggett Nominated Best Scenic Design in a Play Christine Jones Won Best Costume Design in a Play Katrina Lindsay Won Best
Lighting Design in a Play Neil Austin Won Best Sound Design in a Play Gareth Fry Won Drama Desk Awards Outstanding Featured Actor in a Play Anthony Boyle Nominated [113] Outstanding Director of a Play John Tiffany Won Outstanding Music in a Play Imogen Heap Won Outstanding Costume Design for a Play Katrina Lindsay Nominated
Outstanding Lighting Design for a Play Neil Austin Won Outstanding Projection Design Finn Ross and Ash Woodward Won Outstanding Sound Design in a Play Gareth Fry Won Outstanding Wig and Hair Carole Hancock Nominated Outer Critics Circle Awards Outstanding New Broadway Play Won [114] Outstanding Featured Actor in a Play Anthony
Boyle Nominated Outstanding New Score (Broadway or Off-Broadway) Imogen Heap Nominated Outstanding Director of a Play John Tiffany Won Outstanding Choreographer Steven Hoggett Nominated Outstanding Scenic Design (Play or Musical) Christine Jones Won Outstanding Costume Design (Play or Musical) Katrina Lindsay Nominated
Outstanding Lighting Design (Play or Musical) Neil Austin Won Outstanding Projection Design (Play or Musical) Finn Ross and Ash Woodward Won Outstanding Sound Design (Play or Musical) Gareth Fry Won Drama League Awards Outstanding Production of a Broadway or Off-Broadway Play Won [115] Distinguished Performance Award Anthony
Boyle Nominated Noma Dumezweni Nominated 2020 Grammy Award Best Musical Theater Album Imogen Heap (producer & composer) Nominated [116] References ^ a b "Harry Potter and the Cursed Child". Harry Potter The Play. harrypottertheplaylondon.com. 2016. Retrieved 26 July 2016. ^ a b Lyall, Sarah (7 June 2016). "'Harry Potter and the
Cursed Child' Begins Previews in London, as Magic Continues". The New York Times. Retrieved 29 June 2016. ^ a b c "Some 'Harry Potter' fans are so disappointed with the new story that they're refusing to call it canon". Business Insider. 31 July 2016. As a longtime "Harry Potter" enthusiast myself, I regretfully agree with the vocal minority who did
not enjoy "Cursed Child" and would rather it wasn't part of Harry Potter's story. ^ Evans, Greg (2 January 2019). "Broadway's 'Harry Potter' & 'To Kill A Mockingbird' Break Box Office Records; Musicals Set House. Records". Deadline Hollywood. Retrieved 12 January 2019. ^ Tapp, Tom (28 June 2021). "Reimagined 'Harry Potter and the Cursed
Child' To Premiere On Broadway In November". Deadline. Retrieved 28 June 2021. ^ "J.K. Rowling's "Harry Potter" in Development for West End Stage Premiere". Playbill. 19 December 2013. Retrieved 27 June 2015. ^ "Harry Potter turned into stage play". The Guardian. 20 December 2013. Retrieved 27 June 2015. ^ Battersby, Matilda (26 June
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Awards". Playbill. 10 June 2018. Retrieved 10 June 2018. ^ Cox, Gordon (26 April 2018). "'Carousel,' 'SpongeBob SquarePants' Lead 2018 Drama Desk Nominations (Full List)". Variety. Retrieved 30 April 2018. ^ "2018 Outer Critics Circle Nominations Announced". TheaterMania.com. 24 April 2018. Retrieved 24 April 2018. ^ Evans, Greg (18 April
2018). "Broadway's 'Harry Potter', 'Mean Girls', 'Angels in America' Among Drama League Award Nominees – Complete List". Deadline Hollywood. Retrieved 20 April 2018. ^ "Grammy Awards Nominations: The Complete List". Variety. 21 November 2019. Retrieved 21 November 2019. External links Wikiquote has quotations related to: Harry Potter
and the Cursed Child Official website Harry Potter and the Cursed Child on Twitter Retrieved from "

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