ANIMATION MADE IN GERMANY 2015 - A GUIDE TO ANIMATION PRODUCTION COMPANIES - GERMAN FILMS
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001 Introduction The booklet “Animation made in Germany 2015” is published by the German Producers Alliance – Film & Television and supported by several regional film funds in Germany with the aim to showcase animation com- panies that work out of Germany along with their products. It is being published as a practical handbook at the occasion of the Cartoon Forum 2015 and the workshop on “German-European Alliances in Animation” organized in connection with this event. At this workshop German repre- sentatives from the industry and their international counterparts will dis- cuss perspectives, trends and opportunities in animation focusing on Poland and the Baltic States. This booklet “Animation made in Germany 2015” expands on a prior initiative of seven German regional film funds and again this year is supported by such funds (as listed on page 002). Each company represented in this booklet has been suggested to be included by one or more of the regional film funds or other market participants – without claiming to cover the entire industry. We trust, however, that it does reflect the great variety of the industry’s potential in content, technique, creativity and style. Additionally it tries to show how the various target groups of the audience are addressed and how the network of producers, film funds and TV partners works in Germany. As such it delivers a good idea of the German industry and of the portfolio a German business part- ner has to offer. We hope that you will find this compendium useful to find suitable partners for your projects in Germany. We encourage you to use the booklet either as a first step to contact a German producer or to find a new German busi- ness partner to work with to create colorful new ideas and properties.
002 003 Acknowledgement German film and media funds supporting this booklet This booklet (and the workshop on “German – European Alliances in Ani- FilmFernsehFonds Bayern (FFF) mation” organised at the occasion of the Cartoon Forum 2015 in Toulouse) Sonnenstrasse 21 would not have been made possible without the financial support and 80331 München other input generously provided by various regional German film and www.fff-bayern.de media funds. We like to thank them particulary for their support. Filmförderung Hamburg Schleswig-Holstein (FFHSH) • FilmFernsehFonds Bayern (FFF) Friedensallee 14-16 • Filmförderung Hamburg Schleswig-Holstein (FFHSH) 22765 Hamburg • Film- und Medienstiftung NRW (FMS) www.ffhsh.de • Medien- und Filmgesellschaft Baden-Württemberg (MFG) • Mitteldeutsche Medienförderung (MDM) Film- und Medienstiftung NRW • nordmedia Film- und Mediengesellschaft Niedersachsen/Bremen (FMS) Kaistrasse 14 Furthermore we want to thank everybody involved in bringing this booklet 40221 Düsseldorf to life by being spontaneously supportive and helpful. www.filmstiftung.de Medien- und Filmgesellschaft Baden-Württemberg (MFG) Breitscheidstrasse 4 70174 Stuttgart www.mfg.de Mitteldeutsche Medienförderung (MDM) Hainstrasse 17-19 A publication by the German Producers Alliance – Film & Television 04109 Leipzig supported by FFF, FFHSH, FMS, MFG, MDM, nordmedia. www.mdm-online.de Concept and organization: Tania Reichert-Facilides and Andrea Schiefer (both Freebird Pictures, www.freebirdpictures.de) Cover illustration: nordmedia Film- und Medien Maya The Bee – Movie: gesellschaft Niedersachsen/Bremen Based on Waldemar Bonsels’ “Die Biene Maja und ihre Abenteuer” Expo Plaza 1 and “Himmelsvolk” © Studio 100 Media, Buzz Studios, Screen Australia und Screen NSW 30539 Hannover The Little Dragon Coconut: www.nordmedia.de © Caligari Film- und Fernsehproduktions GmbH / cbj Verlag 2015 The 7th Dwarf: © 2014 7 Dwarves Animation Company / Cinemendo GmbH / Erfttal Film- & Fern- sehproduktion GmbH & Co. KG / CC Medienproduktions und Verwaltungs GmbH / TransWaal Film GmbH & Co. KG / VIP Medienfonds 2 GmbH & Co. KG / VIP Medien- fonds 4B GmbH & Co. KG / Rialto Film GmbH / MMC Independent GmbH / Universal Pictures Productions GmbH; all rights reserved Oops! Noah is gone: © 2015 Ulysses, Fabrique d’Images, Skyline and Moetion Films; all rights reserved The Little Medic: © WunderWerk / DKM / Zeitsprung Pictures / Prof. Dietrich Grönemeyer
004 005 Table of contents 001 Introduction 008 7 DWARVES ANIMATION 050 GLÜCKLICHER MONTAG 094 SCOPAS MEDIEN 002 Acknowledgement 010 AKKORD Film 052 HAHN FILM 096 SOUL PIX 012 ALEXANDRA SCHATZ 054 HD ENTERTAINMENT 098 STARGATE 003 Funding Companies FILMPRODUKTION 056 JEP ANIMATION 100 STUDIO 100 MEDIA 006 Production Companies 014 AMBIENT ENTERTAINMENT & Studios 058 LAVALABS MOVING IMAGES 102 STUDIO 88 016 ANIMATIONSFABRIK 060 LIGA 01 COMPUTERFILM 104 STUDIO FILM BILDER 018 BALANCE FILM 062 LUXX FILM 106 STUDIO FIZBIN 020 BASTEI MEDIA 064 LUXX STUDIOS 108 STUDIO RAKETE 022 BIGHUGFX 066 M4E 110 THE SOULCAGE DEPARTMENT 024 BLUE EYES FICTION 068 MACKEVISION 112 TRADEWIND PICTURES 026 B-WATER STUDIOS 070 M.A.R.K. 13 114 TRAFFIX ENTERTAINMENT 028 CALIGARI FILM 072 MORRO IMAGES 116 TRICKSTUDIO LUTTERBECK 030 CELLULOID VFX 074 MOTIONWORKS 118 TRIKK17 032 CHIMNEY 076 MovieBrats Studios 120 TRIXTER 034 CONSTANTIN FILM 078 NFP ANIMATION FILM 122 ULYSSES 036 DAYWALKER STUDIOS 080 PIXABLE STUDIOS 124 UNIVERSUM FILM 038 DIGI TRICK, GERD WANIE 082 PIXOMONDO 126 VIRGIN LANDS 040 EXOZET 084 RAINER LUDWIGS 128 VISUAL DISTRACTIONS 042 FABIAN&FRED IMAGE BUILDING 130 WUNDERWERk 044 FFL FILM- UND 086 REKLAME FX FERNSEH-LABOR 088 ROTHKIRCH CARTOON-FILM 046 FISH BLOWING BUBBLES 090 SCANLINE 048 FREEBIRD PICTURES 092 SCHESCH FILMKREATION
008 009 7 Dwarves Animation The 7 Dwarves Animation Company (formerly Zipfel The 7 th Dwarf mützen-Film or ZMF) was founded in 2002 by Otto Waalkes, Bernd Eilert, Douglas Welbat and Juergen Production: released 2014 Format: animation feature film, 3D, Draabe. 87 min. In 2003 ZMF produced the live action movie 7 Dwarves Funding: FFA, FFHSH, FFF, nordmedia, – Men Alone In The Wood which premiered in 2004. Land Hessen – HessenInvestFilm, The Dwarves exceeded all expectations: With almost DFFF 7 million admissions it became one of the most success- ful German movies ever. The sequel 7 Dwarves – The Wood Is Not Enough was released in 2006 and reached the top of German box office after the fourth weekend. It finally made over 4.5 million admissions in the German speaking territories. Since March 2013, the 7 Dwarves Animation Company has produced the 3D animated film The 7th Dwarf in English for the international market. The movie is sold all over the world (including USA and Canada). The company is currently developing a sequel 7 Dwarves and the Giant’s Baby and an animated TV series also in English. 7 Dwarves Animation Company Hofweg 9 22085 Hamburg (Germany) Contact: Douglas Welbat Phone: +49_40_32 90 81-0 E-mail: moviecompany@moviecompany.de Web: www.zipfelmuetzenfilm.de
010 011 Akkord Film Akkord develops and produces TV series and Euro- Raven The Little Rascal pean feature films with a special focus on animated 1 family entertainment. Founded in 2001 and based in Production: released 2012 Berlin, with subsidiaries in Hamburg and Stuttgart, Format: feature film, 75 min. the company’s expertise is in story development and BroadcastER: SWR, HR international co-productions. Funding: MFG, Land Hessen – Hessen Akkord benefits from 25 years of international produc- InvestFilm, DFFF, FFA, MEDIA Production structure: Studio 88 ing experience of its owner and CEO, Dirk Beinhold, Werbe- und Trickfilm GmbH, SWR, 1 who worked on Hollywood films as Creative Executive HR at New Regency, as Co-Head for German Fiction Pro- duction at Pro7 and Head of Creative Production of Raven The Little Rascal – RAVEN THE LITTLE RASCAL – Studio Babelsberg. The Big Race THE SERIES After producing international art-house co-productions 2 4 such as Dear Enemy (2004), L’avion (2005) and After Production: release 2015 Production: release 2016 wards (2007), as well as the international event mini- Format: feature film, 73 min. Format: TV series, 52 x 12 min. series Ben Hur (2010), Akkord completed its first ani- Broadcaster: SWR, NDR, HR Broadcaster: SWR, NDR mated feature film, Raven The Little Rascal, in 2012. Funding: MFG, Land Hessen – Hessen Funding: MEDIA, MFG, nordmedia, InvestFilm, DFFF, FFA, FFHSH, FFHSH Raven The Little Rascal – The Big Race will be released BKM, MEDIA, Medienboard Berlin- Production Structure: SWR, NDR in German-speaking territories (August 2015), in France Brandenburg (October 2015, La Course Du Siècle). Further territo- Production Structure: SWR, NDR, HR, ries to come include Turkey, Poland and South Korea. Universum Film 2 Additionally, Akkord is currently producing a 52 x 12 min. TV series of Raven’s adventures. Rabbit School While the Raven films and series target mostly a pre- 3 school audience, Akkord is currently enlarging its Production: release 2017 scope to encompass family entertainment as a whole. Format: feature film This includes the upcoming animation feature Rabbit Broadcaster: NDR, SWR Funding: FFF, MFG, FFHSH, Film- School (Die Häschenschule), set for an Easter-release stiftung NWR, MBB, FFA, DFFF, in 2017 by Universum Film in Germany and Gebeka nordmedia, MEDIA Films in France. Further animated feature films and Production Structure: Virgin Lands TV series are currently in development. GmbH, NDR, SWR Akkord Film Produktion GmbH 4 Arndtstrasse 34 10965 Berlin (Germany) Contact: Dirk Beinhold Phone: +49_ 30_609 89 80 30 E-mail: info@akkordfilm.com Web: www.akkordfilm.com 3
012 013 Alexandra Schatz Filmproduktion Since 1986 Alexandra Schatz has developed, directed MOLLY MONSTER – THE MOVIE and produced over 150 animated short films and sev- 1 eral TV series for children. Production: release 2016 She has co-operated with a wide range of international Format: feature film, 70 min. children’s book authors and illustrators such as Rotraut Funding: nordmedia, Film- und Susanne Berner, Axel Scheffler, Tomi Ungerer, Tony Medienstiftung NRW, Kuratorium Ross, Satoshi Kitamura, Jeanne Willis and Ole Könnecke. junger deutscher Film, BKM, Many of her productions were awarded the “Friedrich- DFFF, SRG SSR, BAK, Berner Film- förderung, Züricher Filmstiftung, Wilhelm-Kurzfilmpreis”, “Der Goldene Spatz”, First MEDIA, Eurimages, Swedish Film Prize at Tokyo Children’s Filmfestival, “Magnolia Institute Award” at the International Shanghai TV Festival. Among her productions are the television programme Karlchen for pre-school children Marvellous Milly (26 x 5 min.), 2 What The Little Bear Says (4 x 4 min.), the TV special Production: in development The Fourth King (26 min.). Format: pre-schoolseries, In 2007 Alexandra Schatz Filmproduktion has set up 52 x 5 min. and feature film, the International co-production between Little Monster 70 min. Funding: nordmedia GmbH, Switzerland, Slugger Film AB, Sweden and 1 Trickstudio Lutterbeck GmbH, Germany to develop and produce the pre-school series Ted Sieger’s Molly FERDINAND UND PAULA Monster (52 x 5 min.) as well as a TV special Molly 3 And The Christmasmonster (26 min.). The pre-school Production: inproduction FORMAT: TV series, 13 x 3,5 min. animation feature Molly Monster – The Movie is cur- BROADCASTER: RBB, MDR, KiKA rently in production with Senator Film GmbH, Little Production structure: RBB, Digitrick Monster GmbH, Peacock Film GmbH, Sluggerfilm AB and TrickStudio Lutterbeck GmbH. The pre-school series Karlchen based on the bestseller children’s books by R.S. Berner as well as the pre-school feature Karlchen are currently in development. 3 Alexandra Schatz Filmproduktion UG (haftungsbeschränkt) Am Klagesmarkt 9 (Hinterhaus) 30159 Hannover (Germany) Contact: Alexandra Schatz Phone: +49_511_39 33 15 E-mail: Alexandra.Schatz@t-online.de 2
014 015 Ambient Entertainment Founded 1998 Ambient Entertainment, at the time Impy’s Island comprised of a small team of two handful of dedicated 1 people, set out on the adventure of producing Back To Production: released 2008 Gaya – one of the first CGI movies not made by a US Format: CGI animation feature film, Major Studio. Today Ambient Entertainment has a fully 87 min. equipped production pipeline for CGI movies, starting with character and set development, all the way to ren- HAPPY FAMILY dering the final image. Our supervisors and team mem- 2 bers have international experience and credits on a Production: in production variety of major animated and VFX films. Ambient Format: animation feature film, Entertainment has been specializing in CGI-animated 90 min. film production, and has produced, either as its own Funding: nordmedia, FFA, DFFF in-house productions, or as commissioned work for and with Warner Bros., Constantin Film or Bavaria Enter- 1 tainment, five full-length CGI animation features, (Back to Gaya, Impy’s Island, Impy’s Wonderland, Animals United, Tarzan) all of which were released world-wide, covering the entire value chain from cinema to Free TV. The look and feel of Ambient Entertainment’s oeuvre covers the full spectrum from a cartoon approach to photorealistic, and our carefully grown and constantly updated production pipeline has allowed us to deliver high quality animation to the market for more than 15 years – with no end in sight. Now Ambient Entertainment has a core team of 75 em ployees, which can be increased to over 100, depending on the production needs and project status. It combines all elements of CGI animation, such as character set-up and rigging, set-building and construction, muscle-based rigs and set-up, cloth-simulation, VFX of all types, lighting, compositing, camera, editing and rendering. Ambient Entertainment GmbH & Co. KG Wilhelmstrasse 4 30171 Hannover (Germany) Contact: Sebastian Riemen Phone: +49_511_844 89 90 E-mail: info@ambient-entertainment.de Web: www.ambient-entertainment.de 2
016 017 Animationsfabrik Animationsfabrik is an animation production company, MICK – THE KOBOLD CHEF specialized in 3D animation, cartoon movies and 1 visual effects. Production: in development Founded in May 2000, the company provides concept FORMAT: TV series, 26 x 21 min. planning and realization of animated movie productions in 2D, 3D and digital visual effects for advertisements, THE 7 th DWARF cinema and television. With offices located in Hamburg 2 and Cologne, Animationsfabrik has been involved in Production: released 2014 the production of twelve theatrical motion pictures, FORMAT: animation feature film, 3D, several series and a large number of commercials. 87 min. As a one-stop production house, the company can also offer several individual production steps, such as com- ANOTHER DAY OF LIFE positing, 3D modeling, motion capturing or HD edit- 3 ing. Furthermore, the company supports its customers Production: in production in story and project development, offering creative and FORMAT: animation feature film, logistic services as well as consultation for planning 80 min. and managing large-scale movie projects. PRODUCTION STRUCTURE: Wüste Film, Kanaki Films (Spain), Platige Due to its long experience in the business and its con- Image (Poland), Walking The Dog tribution to so many animated films, series and com- (Belgium) mercials, Animationsfabrik can draw on a large pool of creative, technological and logistical know-how, which enables us to cover all aspects of cartoon pro- ductions at a very high artistic level – from storyboards and designs in 2D animation through to the whole dig- 1 ital finalization – all within a calculable and reasonable time frame. Since 2012 Animationsfabrik has begun developing its own portfolio of animated features and TV series, one of which is due to go into production in 2014. We are also reliable co-production partners for international feature film projects. Animationsfabrik GmbH Donnerstrasse 20 22763 Hamburg (Germany) 3 Contact: Sunita Struck Phone: +49_ 40_398 41 50 E-mail: mail@animationsfabrik.de Web: www.animationsfabrik.de 2
018 019 Balance Film Balance Film is a German production company that Currently Balance is working in the new exciting field The Sandpixies produces films in a wide array of animation techniques of AnimaDoc-Film which combines elements of docu- 1 and whose excellent reputation is based on stylistic mentary and animated film. This collaboration with Production: season 1 released 2009, diversity. The company develops and produces short season 2 released 2012 several European documentary companies enables films, series and movies in drawn animation, cut-out Format: TV series, 26 x 5 min. Balance Film to acquire new technical know-how. and 2D computer animation. Besides, Balance Film Funding: MDM Last but not least, promoting new artistic talent is an recently provided services in animation (rotoscoping) Production structure: RBB, MDR, important mainstay in the company’s overall work. for the Czech/German/Slovak co-production Alois NDR, Zabelle inc. (Canada) Nebel, and is proud to be a part of this film which has won the European Film Award in the Animated Pretty Anna Lena 1 Feature Film category. 2 Both of the company’s joint managing directors, Grit Production: released 2013 Format: pilotfilm, 4 min. Wißkirchen and Ralf Kukula, have over 25 years of Funding: BKM, MDM, Hessische experience in the business and are linked with the for- Filmförderung mer’s DEFA-Studio of Animation Films. The technique that has become Balance Film’s trade- Alois Nebel mark is sand animation. It involves creating figures 3 and shapes using coal dust, sand or other particulate Production: released 2012 substances, which get sprinkled onto a glass panel, lit Format: feature film, 84 min. from below, and animated. Balance Film has enhanced Funding: Czech Film Fund, Czech TV, this technique and created the world’s first sand anima- MDM, Eurimages tion series for children: The Sandpixies – a German/ Canadian production – for ARD and KiKA’s Sandmann. Half The Town 2 3 Apart from TV, Balance has completed multiple projects 4 in all sorts of different styles and animation techniques, Production: released 2014 such as Pretty Anna Lena which was awarded the “Kurz Format: AnimaDoc-Film, 80 min. filmpreis” of the Friedrich-Wilhelm-Murnau-Stiftung. Funding: MEDIA, Bayerisches Staatsministerium für Wissen- schaft, Forschung und Kunst , FFF, MDM, Medienboard Berlin- Brandenburg, DFFF, Kuratorium junger deutscher Film Balance Film GmbH Friedrichstrasse 14 01067 Dresden (Germany) Phone: +49_351_490 37 80 Contact: Grit Wißkirchen, Ralf Kukula E-Mail: info@balancefilm.de Web: www.balancefilm.de 4
020 021 Bastei Media Bastei Media GmbH is a Film & TV production com- ENE MENE BU pany, which was founded 2005 in Erfurt, Germany. (AND IT’S UP TO YOU) The company produces high-quality program from the 1 conceptual idea to professional realization for young Production: released 2011 and older children. Design and composition are more Format: interactive pre-school than accessory parts, they are essential components of TV series, 496 x 10 min. our productions. Broadcaster: KiKA Production Structure: KiKA Bastei Media GmbH conceptualizes and produces pro- jects for the KiKA (Kinderkanal, “Childrens channel”), 1 MDR (Mitteldeutscher Rundfunk), Turner Broadcast- SLUMBERS 2 ing System (Cartoon network, Boomerang) and Nickel- odeon. An important part of our business is digital media Production: in development Format: crossmedia TV series, and crossmedia productions, which were integrated in 52 x 11 min. our business segments in 2012. Funding: MDM One of our unique features is our close co-operation Production Structure: Experimental with the publishing house Bastei Lübbe, especially Game GmbH with Baumhaus and Boje, both publishers of books for children and teenagers. Our aim is to develop content THE LITTLE DREAMMIXER as potential crossmedia projects and to tell our stories 3 on more than one media platform. Whether it is a tele- Production: indevelopment vision programme, a feature film, a game or eBook, Format: TV series, 52 x 11 min. Bastei Media is a professional and experienced partner Funding: MDM Production Structure: Animations with a passion for entertainment! fabrik GmbH 2 3 LIGHTS ON (SANDY MAN) 4 Production: indevelopment Format: TV series, 13 x 4 min. Broadcaster: RBB Production Structure: RBB Bastei Media GmbH Erich Kästner Strasse 1a 99094 Erfurt (Germany) Contact: Michael Luda Phone: +49_361_511 43 800 E-mail: info@bastei-media.de Web: www.bastei-media.de 4
022 023 BigHugfx BigHugFX GmbH is a dynamic visual effects studio Mara und der Feuerbringer based in Munich, Germany. The team consists of ex- 1 perienced filmmakers, animators and visual effects Production: released 2013-2014 professionals. We proud ourselves with a hands-on- Format: feature film, 90 min. approach and our teams abilitiy to think in efficient Production Structure: Ratpack solutions. We pride ourselves to think out-of-the-box Produktions GmbH and not only in digital realms, to come up with the best and efficient ways to get the best image possible. Jurrassic Park Kampagne Our creative ans technical pipelines propell projects SciFi Channel forward, without ever loosing it’s spirit. Specialized in 2 high end visual effects for films, we also work on TV Production: released 2015 series and commercials, as well as event-presentations Format: TVtrailers, 3 x 30 sec. Broadcaster: NBC-SCiFi Channel 1 or stereoscopic installations. And most important: We love what we do. And it shows. Hot Pursuit 3 Production: released 2014 Format: feature film, 90 min. Production Structure: MGM (Metro Goldwin Meyer) Creed Production: inproduction Format: feature film, 90 min. Production Structure: MGM 2 BighugFX GmbH Menterschwaigstrasse 4 81545 München (Germany) Contact: Benedikt Laubenthal Tommy Krappweis Phone: +49_89_693861151 E-mail: b.laubenthal@bighugfx.de Web: www.bighugfx.de 3
024 025 blue eyes Fiction Founded in 2003, Blue Eyes Fiction is a company that LILLY THE WITCH – YOKO develops and produces feature films for theatrical and THE DRAGON AND THE MAGIC 3 DVD release and TV films. Corinna Mehner is the BOOK / THE JOURNEY TO Production:released 2012 managing director, creative motor and head of devel- MANDOLAN Format: feature film, 102 min. opment and production of Blue Eyes Fiction. 1 Funding: DFFF, FFF, FFA, MFG, Ms. Mehner has been in the film industry since 1992 Production: released 2009/2011 Land Hessen – HessenInvestFilm, Format: feature film, 89/86 min. Medienboard Berlin-Brandenburg, and has gained extensive experience in production and Funding: DFFF, FFF, Österreic hi Bayerischer Bankenfonds, Öster- financing with the most widely acknowledged creative sches Filminstitut, Eurimages, reichisches Filminstitut, Filmfonds and financial partners in Germany before founding her Council of Europe, FFA, Film- Wien, ORF Film/Fernseh-Abkom- 1 own company. fonds Wien, Medienboard men, Swedish Film Institute, MEDIA Blue Eyes Fiction aims to produce high quality products Berlin-Brandenburg, Bayerischer for an international audience, putting an emphasis on Bankenfonds, ORF Film/Fernseh- Abkommen, Instituto de la HELP, I SHRUNK MY TEACHER large-budget mainstream feature films which can travel Cinematografía y de las Artes 4 outside of Germany as well as on bringing the originality Audiovisuales, Audiovisual Production:released 2015 and cutting-edge ideas of a generation of young film- S.G.R., Institut Català de les Format: feature film, 90 min. makers onto the screen by supporting arthouse films. Indústries Culturals, MEDIA Funding: DFFF, Film- und Medien- Blue Eyes established its position as producer of fami- Stiftung NRW, FFF, FFA, Land lytainment movies with realizing the book series Lilly Hessen – HessenInvestFilm, TRENK, THE LITTLE KNIGHT – MOVIE Österreichisches Filminstitut, The Witch as two films for Disney and the story of the Filmfonds Wien, ORF Film/ little Yeti YOKO for Sony. For these liveaction films with 2 Fernseh-Abkommen CGI characters, Blue Eyes set up a strong EU co-produc- Production: inproduction Format: featurefilm, 75 min. tion network, to create Familytainment with interna- Broadcaster: ZDF tional potential. Funding: FFHSH, DFFF, FFA, During this time Blue Eyes ventured into the 2D market Österreichisches Filminstitut, with the TV Series Trenk, The Little Knight (based on ORF Film/Fernseh-Abkommen, the well-known book series by Kirsten Boie), broad- Filmfonds Wien, FFF casted by ZDF with great success and the theatrical 2 film of Trenk, which is currently in production and will be released in 2015. Further animated TV series and feature films are already in development. Blue Eyes Fiction GmbH & Co. KG Müllerstrasse 1 80469 Munich (Germany) Contact: Corinna Mehner Phone: +49_89_32 49 07-500 E-mail: fiction@blueeyes.de Web: www.blueeyes.de 3 4
026 027 B-Water Studios We love animation! Four and a half Friends B-Water Studios was founded in summer 2012 by very 1 experienced animation producers and creatives. Production: in production We love animation, whether it is 2D or 3D, traditional Format: TV series, 26 x 26 min. or edgy styles. It is our pleasure to create TV series and feature film productions. Pinocchio Based on our intensive experiences over the past 20 years 2 we are constantly improving our workflows and our Production: released 2013 technical set up in order to always be able to produce Format: animation feature film, highest screen value for the budgets. We can offer very 2 x 90 min. competitive prices and deliver on time, even on tight Broadcaster: WDR 1 schedules. We can also offer co-financing possibilities. Production Structure: FFP Located in Europe, we see ourselves as an attractive alternative to production facilities in Asia, since those Leo & Pisa Gang would always mean traveling far, engaging overseas 3 supervisors and the possibility of encountering cultural Production: indevelopment differences in perception of creativity and business. Format: TV series, 52 x 11 min. Production Structure: FFP Our studio on the other hand is close to our European clients so that our partners and customers can always join the production. YingYang Dragons 4 We are currently producing two TV series and in Production: in development develpment of two TV series and one feature film. Format: animation feature film, 90 min. 2 3 B-Water Studios GmbH Schaafenstrasse 25 50676 Köln (Germany) Contact: Dirk Hampel Phone: +49_172_43 25 381 E-mail: info@b-waterstudios.com Web: www.b-waterstudios.com 4
028 029 Caligari Film In recent years Caligari Film has become one of the COCONUT THE LITTLE DRAGON leading German independent producers in the field of 1 animated feature films and series. Some of the company’s Production: release 2015 most successful productions include famous brands Format: TV series, 52 x 12 min. such as Coconut The Little Dragon, Knight Rusty, Broadcaster: ZDF, KiKA Princess Lillifee, Moonbeam Bear and Felix. Funding: FFF, MFG Since its foundation in 1986 Caligari is also developing and producing live action series and movies for both COCONUT THE LITTLE DRAGON theatrical and TV release as well as factual entertain- – TRUE FRIENDSHIP IS FIREPROOF ment formats and various scientific documentaries. Production: released 2014 Numerous productions of Caligari Film were nominated Format: feature film in 3D, 85 min. for all prestigious TV and movie awards. Among others Funding: FFF, FFA, MFG, DFFF, BKM the company won the “Deutsche Filmpreis” and the “Deutsche Comedypreis”, the Kid’s Jury Award of the Chicago International Children’s Film Festival and twice the Kinder-Medien-Preis “Der weiße Elefant”. Caligari Film has a solid track record of creating and developing popular brands for both TV and cinema platforms. All cinema releases have had an average audience of 800,000 viewers in German-speaking territories and the last feature films Knight Rusty and Coconut The Little Dragon have been sold into more than 60 countries world-wide. Currently Caligari Film is producing the TV series Coco nut The Little Dragon which has its TV premiere in November 2015 broadcasted by ZDF and KiKA. Addi- tionally further animated feature films are in production for releases in 2016 and 2017 such as Knight Rusty 2, Capt’n Sharky and Coconut The Little Dragon 2. Caligari Film- und Fernsehproduktions GmbH Reisingerstrasse 5 80333 München (Germany) Contact: Gabriele M. Walther, Sophie Werdin Phone: +49_ 89_548 09 50 E-mail: info@caligari-film.de Web: www.caligari-film.de 1
030 031 Celluloid VFX Since its beginnings in 2008, Celluloid VFX has For all their compositing needs, they equally rely on Underworld: Awakening prided itself on technical expertise as well as a pro- the latest software and hardware. In-house programs 1 found understanding of the aesthetics of a well-com- are routinely designed for most projects, helping them Production: released 2012 posed VFX shot. With credits including the Under Format: feature film, stereoscopic 3D achieve a close interlocking of 3D/CG and compositing. world franchise, Crank 2 and The Lincoln Lawyer, This means clients wishes and last minute changes can Celluloid VFX has a proven pipeline for handling be implemented in the compositing phase thereby avoid- MAD ABOUT THE SEA large amounts of complex VFX shots, in 2D or stereo 2 ing lenghty CG renders. 1 3D. With a client base ranging from household brands Production: released 2013 to cult genre directors and established production Format: TV and cinema commercial companies, Celluloid VFX and its international team for SWATCH, 60 sec. of artists thrive on an eclectic mix of projects and their challenging diversity. Metamorphosis Celluloid VFX were the proud recipients of the 2013 3 animago Award for “Best Advertising Production” for Production: released 2014 their work on the Swatch – Mad About The Sea TVC. Format: TVand cinema commercial Celluloid VFX has handled set supervision for many for BZgA, 2 x 40 sec. German and US projects, such as Gamer, Underworld – Rise Of The Lycans and Underworld: Awakening 3D. On the latter, the Celluloid crew carried out the LiDAR scanning, creating several hundred scans of all major sets and props. With the help of proprietary tools, they then imported the acquired data to various 3D applications. An in-house developed HDR robot which shoots a 150-MP-360° panorama at 18 F-stops under a minute also belongs to the company’s set equipment. Photo-real backgrounds, animated characters, blood, avalanches, exploding window panes, bee swarms – 2 challenging creations are actually the kind of work Celluloid VFX is most often awarded for. If a shot is technically and artistically demanding, they welcome it with open arms! Celluloid VFX GmbH Paul-Lincke-Ufer 39/40 10999 Berlin (Germany) Contact: Holger Hummel, Michael Landgrebe Phone: +49_30_547 352-20 E-mail: mail@celluloid-vfx.com Web: www.celluloid-vfx.com 3
032 033 chimney Chimney Germany is a full-service provider for moving Raven the Little Rascal – images on all screens: cinema, TV, business events and The Big Race new media, including mobile, social media and apps. 1 Our approach is unique and covers every step of the Production: release 2015 creative process. We provide all necessary key compe- Format: feature film, 73 min. tencies under one umbrella: from creation and concep- Funding: MFG, Land Hessen – tualisation to production and post-production. Among HessenInvestFilm, FFA, FFHSH, our team are award winning directors, producer and spe- Medienboard Berlin-Brandenburg, BKM, MEDIA, DFFF cialists for 3D, animation, visual effects and colour Production Structure: Akkord Film, grading. SWR, NDR, HR Chimney Group, founded in Stockholm 1995, operates ten offices woldwide: Berlin, Frankfurt, Basel, Stock- PETTSON AND FINDUS – holm, Malmö, Gothenburg, Copenhagen, Warsaw, THE BEST CHRISTMAS EVER Sydney, Singapore. 2 Chimney’s Art & Entertainment unit also serves as co- Production: release 2016 production partner on feature film & animation projects. Format: feature film, 79 min. Latest productions include: Binny & The Ghost (TV Broadcaster: ZDF Funding: Film- und Medienstiftung series), Get Santa, Raven The Little Rascal – The Big NRW, Land Hessen – HessenInvest Race, The 100-Year-Old Man Who Climbed Out The Film, MDM, MFG, Medienboard Window And Disappeared, Men & Chicken. We are Berlin-Brandenburg, FFA, DFFF currently working on the feature animation mix: Pett Production Structure: Tradewind 1 sson & Findus II – The Best Christmas Ever, a live Pictures, Senator Film, ZDF action film including many animated characters. Chimney Deutschland GmbH & Co. KG Grosse Hamburger Strasse 17 Hanauer Landstrasse 196 10115 Berlin (Germany) 60314 Frankfurt (Germany) Contact: Sebastian Leutner Phone: +49_30_27 90 708 0 +49_69_90 43 66 80 E-mail: sebastian.leutner@chimneygroup.com Web: www.chimneygroup.com 2
034 035 Constantin Film Constantin Film has been synonymous with quality and Tarzan 3D success for over 30 years. It has played a crucial role in 1 establishing German cinema both nationally and inter- Production: released 2014 nationally. Between 1977, when Bernd Eichinger estab- Format: stereoscopic 3D animation lished the company, and 2009, when it was integrated Funding: DFFF, FFA, FFF, BKM, into the media conglomerate Constantin Medien AG, nordmedia Constantin Film emerged as the most successful inde- pendent production and distribution company in the Animals United German media industry. Constantin Film’s operations 2 include German and English language feature films, Production: released 2010 theatrical distribution, home entertainment distribu- Format: stereoscopic 3D animation 1 tion, licensing and television production. Funding: DFFF, FFA, FFF, nordmedia Constantin Film’s diverse slate includes box office hits and award-winning films alike, ranging from comic Impy’s Wonderland book to literary adaptations, historical dramas, action 3 and genre films, among them The Neverending Story, Production: released 2008 The Fantastic Four film franchise, The Name Of The Format: 3D animation Funding: DFFF, FFA, FFF, nordmedia Rose, Wickie The Mighty Viking, Nowhere In Africa, Downfall, The Baader Meinhof Complex, Pope Joan, The House Of Spirits, the Resident Evil film franchise, and the highly successful comedy Fack Ju Göhte. The latest animated and internationally successful CGI feature films include Impy’s Wonderland, Animals United and Tarzan 3D. 2 Constantin Film Produktion GmbH Feilitzschstrasse 6 80802 München (Germany) Phone: +49_89_444 46 00 E-mail: zentrale@constantin-film.de Web: www.constantin-film.de 3
036 037 Daywalker Studios Since 2005 Daywalker Studios, located in Cologne, Jojo Und Der FuSSballgott have developed and produced animated movies for cin- ema, TV and commercials: In particular 3D-character Production: in development Format: teaser animation, visual effects (VFX), stereography as well Funding: Film-und Medienstiftung as the development of content, formats and crossmedia NRW, nordmedia applications. Moreover, Daywalker Studios offer sup- Production structure: Coin Film port in project development, strategy and management. If required, a very good network of internationally working experts support the Daywalker-staff. Further- more, these co-operations enable us to continuously exchange knowledge, resulting in a high standard of production. Through consolidated companies and close collaboration with selected associate companies, Daywalker Studios are able to react quickly and flexibly to the different challenges during the production process. The managing director Bolle Bollmann established the company and continues to develop it. For that purpose, the limits between animated movies, games and the development of technology are increasingly abolished in order to enable interdisciplinary, crossmedia think- ing and working. Daywalker Studios are open to this reasonable enhancement and stand for high-quality productions for every media platform. Daywalker Studios GmbH Schaafenstrasse 25 50676 Köln (Germany) Contact: Bolle Bollmann Phone: +49_221_801 47 90 E-mail: bolle@daywalker-studios.de Web: www.daywalker-studios.de
038 039 Digitrick, Gerd Wanie Digitrick celebrated its 20th anniversary in December The 3rd Moffels season (26 x 5 min.) is in development. LENNART IN GRUMBLE VALLEY 2013. As the main provider of script, concept, design, These productions give us reliable production pipelines 1 storyboard, animatics and previz (incl. lighting, came- in the 2D and 3D area which enable an efficient and Production: released2014 ra), we create animated films using practically all tech- Format: TVseries, 26 x 5 min. timely delivery of any production. Our goal has always niques, for all imaginable purposes. Our work includes Broadcaster: RBB, KiKA been to set up dependable and at the same time flexible cell animation, cut-out animation and computer ani- structures to exploit all possibilities of the medium. mation in a huge spectrum of styles. THE MOFFELS We combine traditional animation craft with advanced All productions, whether commissioned or our own, 2 techniques. Continuously, we are using new digital have won international awards, nominations and re Production: season 1 released 2012, possibilities and rise to the new challenges of produc- ceived great interest. The TV series Moffels has been tion and post-production. 1 season 3 in development awarded the “Goldener Spatz” 2008 (Erfurt), won for Format: TV series, 26 x 5 min. “Best Foreign Animation” at the International Family Broadcaster: RBB, KiKA Production Structure: RBB Film Festival (USA) in 2008, and received the “Golden Monkey” award in China (Hangzhou) in 2009. In addition, it was nominated at festivals such as the 2008 THE MOFFELS STORY SONGS 3 International Festival of Animated Images Animadrid in Spain, at the Chicago International Children’s Film Production: release 2015 Format: TV mini series, 7 x 5 min. Festival in 2009, the 2008 “Prix Jeunesse International”, Broadcaster: RBB, KiKA at the 8th Tel Aviv Animation Festival and the Annecy Production Structure: RBB International Animated Film Festival in 2007. Our short film Hope, SOS Kinderdörfer won the awards in San Francisco und India in 2012. A year later, we produced the 2D animation series Lennart Im Grum meltal (RBB, 26 x 5 min.). Currently, we are also pro- 2 ducing Moffel-Story-Songs (7 x 5 min.) and the 2D animation project Ferdinand & Paula together with Alexandra Schatz Filmproduktion (RBB, 13 x 5 min.). Digitrick, Gerd Wanie Rosa-Luxemburg-Strasse 4d 14482 Potsdam (Germany) Contact: Sabrina Wanie Phone: +49_ 331_74 000 603 E-mail: info@digitrick.de Web: www.digitrick.de 3
040 041 Exozet We love the digital world and we have played our part Vom Fischer und seiner Frau in shaping it since 1996. Within an interplay of creati 1 vity and technology, our strategy is to blend our digital Production: released 2013 DNA with well-founded strategies, creative designs, and Format: featurefilm, 60 min. a spirit for the technological frontier. Our 140 employees Broadcaster: ARD help to make Exozet the leading digital agency in the media and entertainment segment. Many companies Cloud Atlas have trusted our experience – in addition to media con- 2 glomerates such as the BBC or Axel Springer, big-name Production: released 2012 brands and organisations such as Red Bull, Audi, Format: feature film, 166 min. Deutsche Telekom, Wooga, and Universal rely on our 1 services and products. Our founder, Frank Zahn, is Tierisch verknallt still heading Exozet as a CEO. 3 Our Visual Effects department produces for both Holly Production: released 2012 wood studios and local clients. We accompany our Format: feature film, 89 min. clients through the entire filmmaking process from pre- Broadcaster: Sat.1 production to working side by side on set during film- ing through to the end of post-production while keep- Elly Beinhorn – Alleinflug ing the best quality and budget in mind. We advise you 4 on cost-effective solutions and help to manage the pro- Production: released 2014 duction schedule. Our artists are experienced visual Format: featurefilm, 105 min. Broadcaster: ZDF effects specialists on blockbuster films such as Cloud Atlas, Beauty And The Beast and Hannah as well as television films and commercials. We design awe-in- 2 3 spiring moving images, bring to life 3D characters and animation as well as motion graphics and titles. Our production studios are located in the centre of Studio Babelsberg and at our head office in the historic Berlin- Tempelhof airport. Exozet Potsdam GmbH fx.Center Babelsberg August-Bebel-Strasse 26-53 14482 Potsdam (Germany) Contact: Olaf Skrzipczyk Phone: +49_30_24 65 60-123 E-mail: effects@exozet.com Web: exozet.com 4
042 043 Fabian&Fred Fabian&Fred is a Düsseldorf and Hamburg based film Dan and the Wolf Brothers studio, specialized in short, feature and commercial 1 production, founded in 2011 by Fabian Driehorst and Production: indevelopment Frédéric Schuld. Format: 2D feature film, 85 min. In 2014 they started the script development of their first Funding: Wim Wenders Foundation, animated feature film Brothers Wolf with support of Film- und Medienstiftung NRW the Wim Wenders Foundation. The story is based on true events: A boy from San Francisco discovers the Daewit story of his grandfather through an adventures journey 2 to Hamburg, where his ancestors once were famous Production: released 2015 1 and have hidden a secret treasure. Preproduction is Format: 2D short film, 15 min. supposed to start in 2016. Funding: Film- und Medienstiftung After several mixed-media projects they finished the NRW award-winning 2D short film Daewit which premiered at 65th Berlinale and was shown in several “Oscar®” The Coup – qualif ying festivals. A Small Cleptomanicx Adventure In 2015 their branded short film The Coup – A Small 3 Cleptomanicx Adventure was shortlisted in Cannes for Production: released2015 the YoungDirectorAward and received gold at Creativity Format: 2D/3D/VFX short film, International Film Festival, USA. Fabian&Fred are 100 sec., for Cleptomanicx currently working on their next short film The New Chimney together with the Hamburg based illustrator The New Chimney Ole Utikal. The project is supported by FFHSH and 4 2 3 FFA film funds. Production: in production Besides conception and storytelling Fabian&Fred have Format: 2D short film, 10 min. a strong focus on animation/VFX and welcome inter- Funding: FFHSH, FFA national partners for collaboration. Fabian&Fred GmbH Simon-von-Utrecht-Strasse 85a 20359 Hamburg (Germany) Contact: Fabian Driehorst Phone: +49_40_33 44 27 40 E-mail: hello@fabianfred.com Web: www.fabianfred.com 4
044 045 FFL Film- und Fernseh-Labor Founded in 2009 and based in Ludwigsburg, Film- und THE JOURNEY OF THE ELEPHANT Fernseh-Labor has specialized in the development of SOLIMAN entertaining stories with rich characters and big emo- 1 tions. FFL also produces fictional feature films and Production: inpre-production series. Our team is comprised of five passionate film Format: cinema 3D stereoscopic makers, merging their professional experience and talent, adventure comedy and a large network of freelancers. Funding: Creative Media Europe, FFL has produced a literature adaptation of E.T.A. MFG Hoffmann’s The Sandman (2012, ZDF Kultur, 45 min.), a drama, Shifting the Blame (2012, SWR, 93 min.) and THE INNER WORLD 2 1 a comedy, Schmidt’s Nine Lives (2015, SWR, 90 min.). The Sandman and Shifting the Blame have received many Production: in development FORMAT: TV series based on corres national and international nominations and awards. ponding game, 13 x 26 min. Schmidt’s Nine Lives will hit German cinemas in Funding: MFG September 2015. Next to live action, FFL has developed Animation SUPER AGENTS projects, including a trailer and concept for a series 3 idea to the corresponding 2D Point-and-Click adven- Production: in development ture game The Inner World. Our most ambitious pro- Format: TV series, 26 x 11 min. ject so far is The Journey of the Elephant Soliman, an adventure comedy aimed at children and families. We have teamed up as creators of the story with the well- established Studio88, who will take over the design and animation part. 2 FFL Film- und Fernseh-Labor Ludwigsburg GmbH & Co. KG Hoferstrasse 20 71636 Ludwigsburg (Germany) Contact: Matthias Drescher Phone: +49_7141_488 84 33 E-mail: info@ffl.de Web: www.ffl.de 3
046 047 Fish Blowing Bubbles For nearly 14 years, Fish Blowing Bubbles has played a Soon to be released films like Ghosthunters, Legend Maya the bee – movie vital role in the production of countless feature films, Of Longwood, Maya The Bee, Get Santa, Honky 1 animations, TV series, commercials and TV movies Tonk Pirates and others, all include the animation, Art Direction – both as a service company with creative input and as Character & Set Design CGI, VFX, set designs, character design and art direc- an independent producer. With support from the out- Production: released 2014 tion-talent of FBB studios. standing funding instruments of the FilmFernsehFond Format: animation feature film Come to produce in the most beautiful region of Bayern, FBB has been catapulted to become a well-re- Germany with the Bavarian film studio Fish Blowing spected studio in the competitive production market of FEATURE FILM Bubbles. Email us to say ... hello@fishblowing.com. Munich, Germany. 2 As a film production company harbouring in-depth, Concept Art state-of-the-art digital animation and interactive media Production: in development know-how, FBB has partnered with numerous interna- Format: feature film tional companies on various media productions, and looks to expand their international collaborations for innovative, fresh brands for both television and film. The interdisciplinary FBB team has worked co-opera- 1 tively with artists and studios from around the world. High-end technologies and FBB-proprietary high-speed rendering systems allow the studio to support directors and artists in rapid visualizations of 3D worlds for fea- ture films and other media formats. The boutique stu- dio also has defined expertise in various production fields including the combination of live action and CGI. Production companies and directors should contact us for expertise in screenplays, project development, movie production, TV film production, as well as first films and student films. The “Bavaria Effect” funding arm requests that FBB spends a minimum of 1.5 times the granted loan within Bavaria. Fish Blowing Bubbles Gmbh Ridlerstrasse 31 B 80339 München (Germany) Contact: Artur Kubiczek Phone: +49_89_90 77 88 88 E-mail: hello@fishblowing.com Web: www.fishblowing.com 2
048 049 Freebird Pictures Freebird Pictures was founded by Tania Reichert-Faci- Luis and his Friends from Cricket & Antoinette lides in 2013 and is an independent company based in Outer Space 4 Munich, Germany. It focuses on the production and 1 Production: in development distribution of kid’s and family movies and series that Production: in financing Format: feature film, 3D appeal to an audience ranging from pre-school to ap- Format: animated feature film, Funding: MEDIA, Croatia Film Fund proximately 12 years of age. Freebird Pictures is involved stereoscopic 3D, 85 min. in all stages of a project – from creative production Funding: FFHSH, FFA, MEDIA, DFI, over financing to management of the theatrical release Telepool 1 and joint licensing activities, as well as consultancy services in distribution. Ooops! Noah is gone … 2 Currently we are accompanying the project Richard Production: released2015 The Stork, which will be released in 2016. Format: animated feature film, stereoscopic 3D, 85 min. Funding: FFHSH, FFA, DFFF, Filmfund Luxembourg, Irish Filmboard, Screen Flanders, MEDIA, i2i Audiovisual Molly Monster – The Movie 3 Production: release 2016 Format: feature film, 70 min. Funding: Film- und Medienstiftung NRW, nordmedia, Kuratorium junger deutscher Film/ BKM, DFFF, SRG SSR, BAK, Berner Film- förderung, Züricher Filmstiftung, 2 MEDIA, Eurimages, Swedish Film Institute Freebird Pictures GmbH Balanstrasse 73 81541 München (Germany) Contact: Tania Reichert-Facilides Phone: +49_89_990 18 50 30 E-mail: lp@freebirdpictures.de Web: www.freebirdpictures.de 3 4
050 051 Glücklicher Montag Glücklicher Montag is the Leipzig studio for classic 2D 1813 – God with us Leipzig from above cartoon animation of art director and director Schwarwel 1 4 and producer Sandra Strauß. Production: released 2013 Production: release 2015 Equally familiar is Glücklicher Montag with digital Format: short film, 13 min. Format: short film, 13 min. animation, flash, live action and post production of Broadcaster: MDR Broadcaster: MDR motion pictures. Funding: Sächsische Landesanstalt Funding: MDM, Kulturstiftung des The range of activities extends from the complete pro- für privaten Rundfunk und neue Freistaates Sachsen duction to individual areas in current, modern formats Medien and in diverse styles: Idea and concept, script, character design, storyboard, production, direction, animation, Richard – in Walkürenritt graphics, art direction, dubbing, music, sound fx, spe- through the life of Wagner 1 2 cial effects, editing and compositing as well as product Production: released 2013 films, teaching- and school-videos, corporate and event Format: short film, 7 min. presentation, corporate video, web presence, music and Broadcaster: MDR comedy video, commercials, sequences in TV, animated Funding: MDM, Kulturstiftung des logo, live action with animation sequences, children, Freistaates Sachsen, Sächsische film and television ... Landesanstalt für privaten Rund- In recent years, Glücklicher Montag and Schwarwel funk und neue Medien have been involved in over 40 films: MDR, SOKO Leipzig / UFA television production, Good Times Bad 1989 – Unsere Heimat, das Times, hagebau, Fairrank Germany, Constanze Krehl, sind nicht nur die Städte und Dörfer DT Medien Hamburg, Motor Music, Sony BMG, die 3 ärzte, Rosenstolz, Sido, Bela B., Sebastian Krumbiegel, Production: released 2014 as well as many house productions. Format: short film, 12 min. Films produced by Glücklicher Montag are broadcast Broadcaster: MDR on TV programmes like ARTE, MDR, 3sat, einsfesti- Funding: MDM, Kulturstiftung des val, 13th street. Freistaates Sachsen, Sächsische Landesanstalt für privaten Rund- In addition, Glücklicher Montag is also responsible for funk und neue Medien graphic design, logo design and DVD covers, posters, merchandise, advertising, press, promotion and events. 2 3 Glücklicher Montag AGM Leipzig GmbH Kochstrasse 132 04277 Leipzig (Germany) Contact: Sandra Strauß Phone: +49_341_91 85 96 00 E-mail: s.strauss@gluecklicher-montag.de Web: www.gluecklicher-montag.de www.schwarwel.de 4
052 053 Hahn Film Hahn Film, one of the leading animation studios in Mia And Me Europe, was founded by Gerhard Hahn in 1980. Since 1 1986 the company has been located in Berlin. Working Production: season 1 released in both classical 2D animation as well as CGI, Hahn 2010-2012, season 2 released 2013 Film productions always aims for high quality. Format: TV series, live action and Under the direction of Gerhard Hahn films like Werner CGI animation, 52 x 23 min. – Beinhart, Werner – Full Rooäää !!!, Asterix In Ame- Broadcaster: ZDF, KiKA, TV Puls, rica and the internationally popular TV series Mia And Nickelodeon, Rai Fiction, Televisa, Canal+, Ultra, 2, Minimax, KBS N, Me, Bibi Blocksberg, Benjamin Blümchen, Urmel, TVI, MTV3 Renaade, Wildlife, Simsalagrimm and Gnarf enjoyed Funding: Northern Ontario Heritage great success. In addition, Hahn Film animates com- Fund Corporation mercials, music videos and computer games. Hahn Film works both as a co-producer and as a pro- Sorgenfresser ducer on contract. From day one project development 2 aims at the widest possible international usability. Production: in development Hahn Film has a first-class national and international Format: TV series, 52 x 7 min. reputation for training young talents in animation, 1 profiting from Gerhard Hahn’s experience, which he School for Vampires gained through his years as a director, scriptwriter and 3 producer. Production: released 2006-2010 Hahn Film controls the entire value chain of production: Format: TV series, 104 x 11 min. subject selection and development issues through inter- Broadcaster: ARD, RBB, Rai Fiction, nal development, design, key layouts, key BGs and post- Canal+, and many more Funding: MEDIA, Medienboard production in Berlin. Berlin-Brandenburg The company works with various world renowned con- tractors. Hahn Film is currently enjoying great success 1001 Nights – with Mia And Me and there is a big interest in Sorgen THE UNTOLD STORIES fresser, the uniquely designed ‘fear eating’ dolls. 4 Production: indevelopment 3 Format: TVseries, 26 x 24 min. Broadcaster: ARD, RBB Hahn Film AG Schwedter Strasse 36b 10435 Berlin (Germany) Contact: Gerhard Hahn Phone: +49_30_443 54 90 E-mail: g.hahn@hahnfilm.de Web: www.hahnfilm.de 2 4
054 055 HD Entertainment HD Entertainment develops and produces entertaining FRÜHSTÜCK BEI STEFANIE audiovisual content – for digital media, feature films, 1 and television. Our main focus is comedic animated Production: released 2010-2013 content for the young adult demographic. Format: animated TV series, HD Entertainment represents a new generation of anima 626 × 3 min. + DVD bonus material tion production: digital, fast, efficient, top-grade. We Broadcaster: NDR use numerous modern technologies for digital anima- tion production. Using a platform-agnostic approach, DIE SPIELTAGSVORHERSAGE we always choose the software that’s best suited for the MIT RUDOLF S. FRITZEN 1 project and our customers’ requirements. Our modern 2 method of production allows for way shorter produc- Production: released2012-2014 tion times than conventional animation production. Format: animated TV series, 24 × 2 min. Even daily production is possible, allowing for example Broadcaster: Sky Deutschland for daily topical animated comedy. At the same time, HD Entertainment’s long-time experience and broad network of animation talent ensure high-end results. SV BÜDELSBÜTTEL 00 3 Production: released 2010 Format: animated TV series, 17 × 2 min. Broadcaster: NDR 2 HD Entertainment GbR Robertstrasse 12 30161 Hannover (Germany) Contact: Steffen Heisterberg, Tobias Dickmeis Phone: +49_511_39 70 900 E-mail: info@hdentertainment.de Web: www.hdentertainment.de 3
056 057 JEP Animation JEP Animation produces animated films for pre-school Lenny & Tweek children as well as for children from 6 to 9. In the last 1 years the range of target audiences was extended to Production: released2008 young adults and family programs. For example Rudolf Format: TVseries, 26 x 5 min. is a TV series of 52 fast, funny and furious shorts created Broadcaster: YLE, NRK, DR, SVT, and directed by Rudi Mertens that pleases children of Minimax, TV Escola, TPS, Al all ages. Other productions include the pre-school series Jazeera, Estonian TV, RTV Slovenia, Lenny & Tweek, based on a book by Klaus Baumgart, TV SEDEM, SOMOS TV, Sun TV and Strange Encounters Of A Friendly Kind, based on a book by Nadia Budde. Presently JEP is producing a Inui second season Bobo based on the books by Markus 2 1 Osterwalder. Inui (26 x 7 min.) is in production and will Production: release 2014-2016 Format: TV series, 52 x 7 min. have a second season as well. In development is a series Production structure: ZDF, ZDF called City Farm Hotel aimed at teens and young adults. Enterprises , Les Films de la Perrine (France) Bobo 3 Production: release 2014-2016 Format: TV series, 52 x 7 min. PRODUCTION STRUCTURE: WDR, WDR mediagroup Rudolf 4 Production: released 2010 Format: TV series, 52 x 3 min. 2 Broadcaster: Canal J, Gulli TV, DR, UPC Netherland BV, Trevano, Orlando Kids, Canal+, Galapagos Sp FundING: MEDIA, VAF Production structure: Les Films de la Perrine (France), Vivi Film (Belgium) 4 JEP Animation Schillerstrasse 6 50968 Köln (Germany) Contact: Jürgen Egenolf, Dorothee Mersmann Phone: +49_221_93 47 45 25 E-mail: ege@jep-animation.de Web: www.jep-animation.de 3
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