Adults + Young Artists - Art Classes for Continuing Education + Community Outreach June-July In-person and online offerings - Cleveland Institute ...
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Cleveland Institute of Art
Creativity Matters
Art Classes for
ummer
Adults +
Young Artists
Continuing Education +
Community Outreach
June–July
In-person and online offerings
2
Art + Design Visual Arts Courses
Summer at a Glance
+ Visit us at facebook.com/ciaceco
+ In-person and online adult class offerings are
in the evenings, the weeks of June 7–August 2
+ In-person and online Young Artists class offerings
are weekdays Monday–Friday, June 7–17
(No class Friday, June 18)
+ Online-only Young Artists classes are
Saturdays, June 12–July 31
+ Fall Teacher Workshops will be held October 16 + 17
+ Summer registration closes Friday, May 21
We have a new online registration portal!
All students registering online for a class must now have a myCIA account,
which includes a username and password. Setting up a myCIA account is a
one-time process for new and returning students. Login to register and pay
for a class, as well as access your course homepage for any online class.
Visit my.cia.edu/ceco to get started.
We will still accept mail-in and over the phone registrations as usual.
Cleveland Institute of Art gratefully acknowledges the citizens of
Cuyahoga County for their support through Cuyahoga Arts and Culture.
Design: Trevor Marzella ’10 Photography: Robert Muller
Summer 2021 Courses 1
CIA
Classes are held on the day of week indicated. Most classes run for multiple weeks.
Continuing Education + Community Outreach
Please refer to individual class descriptions for specific dates and times.
Adults Young Artists Summer
Intensive Workshops
Weekday Evenings + Weekends, Weekdays
June 7–August 2 June 7–June 17
June 11–July 31
Registration Deadline: Saturdays
Friday, May 21 June 12–July 31 Registration Deadline:
Friday, May 21
Registration Deadline:
Mondays Friday, May 21 Raku Ceramic Firing
Graphic Narratives
Unreal Engine 4: Game Design
Handmade Books Weekday Mornings Collaging with Pattern
Indirect Painting Method: Oil Painting Cartooning 101 Digital Painting and Illustration
Introduction to Video Making Creative Coding Eco Dyed Paper & Notebooks
Stone Carving Digital Illustration Color Decals: Enameling
Wheel Throwing: Beginning + Advanced Digital Photography for Digital Spaces Business of Art: Professional Practices
Next Level Painting: Beyond the Basics
Tuesdays Portfolio Development: Color Theory
Summer 2021
About Face Portraits Portfolio Development: Drawing from Life *New! Young Artist
Abstract + Experimental Drawing
Abstract Painting
Screen Printing Writers’ Week:
Alternative Process Photography Weekday Afternoons Summer 2021
Basics in Fiber Art Advancing in Acrylics
Experimental Projects in Ceramics Creative Writing August 2–8
Human Evolution Digital Painting in Photoshop: Monsters
Explorations in Printmaking Creative Writing Across Genres
Wednesdays Fun with Fabrics Fiction Writing
Beginning Painting Intro to 3D Modeling Text and Image
Drawing in Color Intro to Drawing from Nature Screenwriting
Graphics, Patterns, and Images in Metal Portfolio Development: Illustration Poetry
Visual Culture of the Americas Writers’ Week* Creative Nonfiction
Watercolor Landscapes Publication and Celebration
Saturday Mornings
Thursdays Digital Cartooning 5–8th Grade
Glassblowing: Fun with Form! Photobooks: Developing Image and Form
Writing Your Book Pattern and Surface Design
Saturdays Saturday Afternoons
Atelier Drawing Digital Cartooning 9–12th Grade
Creative Self Expression in Acrylic Paint Face Value: Portraits
Design Your Game: Prototyping Experimental Photography
Introduction to Drawing from Observation Narrative Self Portraits
On Myth & Revision: Writing Past
the First Draft
Portfolio Development: Painting from Life
2 Here’s what you’ll need What to expect for
Art + Design Visual Arts Courses for your online class: in-person classes:
10% off per • Internet access • Adult students will need to purchase
household for • A smartphone, tablet or
computer that has a camera
their own supplies. Supplies usually
cost between $30–100. A supply
list will be shared with enrolled
multiple course • Supplies, which vary by class.
Students are responsible for
students before the course begins.
• Supplies for young artists are
registrations*
purchasing their own supplies/
software ahead of time. covered—you do not need to
Supplies usually cost between bring anything unless stated.
* Not valid with other CIA discounts $30–100. A supply list will be • All students will be required to
Registration must be submitted shared with enrolled students follow COVID-19 health & safety
in person or by mail by May 21 before the course begins. protocols. These include:
CIA alumni and US veterans • Google Meet meeting link, which will - Everyone who enters the campus
can also receive a 10%! be available prior to the start of class is required to wear a mask
Online or over the phone registrations will not qualify over the nose and mouth.
What to expect in - To be on campus, all employees
and students are required to
your online class: conduct daily health assessments,
including temperature and
• Most classes will begin each session
symptom monitoring.
with an instructor-led demonstration
Teachers! or lecture via Google Meet where • Students will need to follow
Earn up to 2.4 CEUs by tracking you’ll review the processes, all social distancing directions
your attendance for your continuing techniques, materials, and/or while in the building for class.
education class. software that you’ll be working • More details on in-person
with on your assigned project(s) requirements will be emailed
No extra application needed.
Please email ce@cia.edu • Each class will then break out into once we receive your
for more information. studio time for you to create work completed registration.
from home and engage in individual
check-ins with your instructor
on the progress of your work
• In the last hour of class, the
group will sign back into Google
Meet for virtual critiques and/or
discussions, which is a great way
to engage with your classmates!
• Weekly assignments, supplemental
videos, tutorials, handouts, and
resources will be emailed to you
or available on your course’s web
page on myCIA. Information for
accessing myCIA will be emailed
prior to the start of class.
Summer Collaging with Pattern books. We’ll sew them into saddle-stitched 3
CIA
Online Workshop notebooks and use templates to make the
Intensive Workshops CEFD 385 00 cut-offs into bookmarks.
Continuing Education + Community Outreach
Sunday, June 13 Carmen Romine
June 11–July 31 9am-4pm (EST)
1-day workshop
Registration Deadline: Cost: $90 Color Decals: Enameling
Friday, May 21 This workshop meets in-person
Collage is the formation of pieces and parts CEJM 115 00
Are you looking to explore your artistic coming together from various sources. Saturday, July 24 + Sunday, July 25
side while developing new ideas and Students will explore the possibilities of collage 9am–12pm
techniques? Our intensive workshops by using recycled materials at home: magazines, 2-day workshop
are just for you! Dive in during our one newspapers, and primarily surfaces that have Cost: $110
and two-day workshops, designed pattern. We will be experimenting with additive
and subtractive methods such as glitter, staples, During this 2-day workshop, students will be
to give an immersive experience in
hole punching, funky shaped scissors, markers, able to fire images onto an enameled surface
contemporary art-making processes.
oil pastels, etc. We will be picking out patterns to create full color photographs. The first day
Raku Ceramic Firing to emphasize repeats. Students will also we will gather our images, ready our materials
This workshop meets in-person learn how to finish with a plexiglass surface and set up the decal to be fired. The next day
CECR 260 00 to permanently fix the collage. we fire them! Bring family photos, vacation
Friday, June 11 (6–9pm) + memories, a favorite artwork, anything you
Meagan Smith
Saturday, June 12 (1–4pm) would want to keep forever. Make a memory
2-day workshop you will never forget!
Cost: $110 Digital Painting and Illustration Lyanne Torres
Online workshop
Summer 2021
Raku is a process of ceramic firing inspired by CEIL 155 00
traditional Japanese practice that often results Saturday, July 17 Business of Art: Professional Practices
in amazing iridescent colors. At CIA this means 9am–4pm (EST) This workshop meets in-person
an open fire on the loading dock, teamwork, 1-day workshop CEFD 230 00
and a lot of fun. Learn the fundamentals of Cost: $90 Saturday, July 31
raku along with advanced techniques such as 9am–4pm
alcohol reduction and combustible decoration. Students will be introduced to the digital 1-day workshop
Students may bring one item of their own environment via Photoshop and Procreate in Cost: $90
bisque-fired work that is smaller than 10x10 an intensive 1 day seminar. Learn concepts
such as layer organization, layer styles, clipping You’re making your art… but now what? What
inches if they’d like. All students will get to does it take to go from casual maker to working
experiment using pre-made tiles. This (relatively) masks, layer opacity and more in order to
create a simple digitally painted portrait. It will artist? For many, the transition of getting your
low-heat firing method means you'll get to take artwork out in public is daunting. This workshop
your work home that day. be fast-paced with much information, so to get
the most out of the seminar, students must will teach the developing artist how to present
Alberto Veronica Lopez have some familiarity with working digitally. and promote their work, get involved in the
art community, and understand what it means
Len Peralta
Unreal Engine 4: Game Design to be a working artist today. This workshop
This workshop meets in-person includes topics such as pricing artwork,
CEGD 105 00 Eco Dyed Paper & Notebooks writing an artist statement, and presenting and
Saturday, June 12 + Sunday, June 13 This workshop meets in-person promoting artwork.
9am–4pm CEPM 245 00 Mary Urbas
2-day workshop Saturday, July 17 + Sunday, July 18
Cost: $175 9am–4pm
2-day workshop
This workshop will introduce you to the Unreal Cost: $185
Game Engine 4. We will explore building both
a 3D and 2D environment and the basics of We’ll go over the basics of natural dyeing, how
creating interactions using Unreal Blueprint to prepare paper for eco printing, explore colors
visual scripting. No prior experience with a & patterns from materials, and each student will
game engine is required. make a handful of prints to use for softbound
Harrison Walsh
4 Adult Courses under the guidance of an instructor with 20+ or set a mood through the moving image.
Art + Design Visual Arts Courses
years of industry experience. Gain a deeper Students will have a class screening of their
understanding of the technical foundations of final project along with a class critique.
Weekday Evenings + Weekends the format; the ability to make effective scripting Emily Flory
June 7–August 2 choices; and write a final script that will be
workshopped by fellow writers.
Registration Deadline: Stone Carving
Friday, May 21 Marc Sumerak
This course meets in-person
CESC 145 00
Please note: Most adult courses Indirect Painting Method: Oil Painting June 7–August 2 (no class July 5)
require students to purchase their own Online course 6–9pm
supplies ahead of time, and supplies CEPT 320 00 8 sessions
usually cost between $30–100. June 7–August 2 (no class July 5) Cost: $375
Supply lists will be shared with enrolled 6–9pm (EST)
students before the course begins. Learn to create a sculpture out of colorful
8 sessions
alabaster stone. Using the reductive method,
Cost: $295
experience the form emerging from the center
This course focuses on teaching oil painting of your stone. This class will teach you the
Mondays application using the indirect method, i.e. using step-by-step process of designing, carving,
fine layers of glazes to build color hue and value and polishing your stone. You will learn to use
Handmade Books over a detailed underpainting. Students will special tools and techniques that will result in
This course meets in-person learn to use layers of paint, glazes, tints and a beautiful finished and polished stone. Most
CEFM 110 00 different mediums to create more interesting tools and materials will be provided.
June 7–August 2 (no class July 5) hues and values in an oil painting beyond the Rick Rollenhagen
6–9pm color mixed in their palette. Students will learn
8 sessions to apply color theory concepts based on the
Cost: $345 opacity of a color and the properties of different Wheel Throwing: Beginning + Advanced
oil mediums. Rather than a specific subject or This course meets in-person
This class will focus on the different structures
style, the method of applying oil paint will be CECR 200 00
and forms in the art of bookmaking. We will
emphasized. During this class, each student will June 7–August 2 (no class July 5)
create books in a range of binding techniques
complete an individual painting with a theme 6–9pm
including folding, gluing, and sewing. Some
of their choosing. Students should have a 8 sessions
binding processes include: saddle stitched,
knowledge and background using oil paints Cost: $375
perfect binding, coptic stitched, Japanese slab
stitch, tea bag, accordion fold, and others. and associated materials. Learn how to throw on the potter’s wheel!
We will also explore some basic creative cover Augusto Bordelois Students can choose from rustic stoneware
techniques behind using fabric and printed clay or smooth white porcelain. Beginners
paper. Making handmade books is a rewarding will learn to make basic forms like cylinders,
Introduction to Video Making
process to learn and a great way to create bowls, and mugs on the wheel. Using colored
This course meets in-person
sketchbooks for all creative types! slips and glaze, inlay, texture, and carving you
CEPH 315 00
Carmen Romine will learn various ways to finish your creations.
June 7–August 2 (no class July 5)
Students with throwing experience will get
6–9pm
one-on-one instruction and help in developing
Graphic Narratives 8 sessions
their own personal projects. Feel free to bring
Online course Cost: $325
sketches, drawings, or any inspiration for your
CEIL 175 00 This beginner video course gives the projects. You will need basic pottery tools, an
June 7–August 2 (no class July 5) opportunity for students to learn the apron, a towel, and plastic to cover your pots
6–9pm (EST) foundations of video making and video art. (dry cleaning bags are best). Clay and tools are
8 sessions We will cover basic camera settings, lenses, available in class for purchase.
Cost: $295 lighting, sound recording, and post-production. Amy Halko
Comics and graphic novels are some of the Moving forward from just pressing record
most popular forms of published entertainment to having a full understanding of how your
in the current pop culture landscape. This DSLR camera functions plays a role in video
class will take an in-depth look at how to making. This course will not only improve your
write professional-level scripts for this format technical skills but also how you tell a story
5
CIA Continuing Education + Community Outreach Summer 2021
Wheel Throwing: Beginning + Advanced
6 Tuesdays
Art + Design Visual Arts Courses About Face Portraits
Online course
CEPT 100 00
June 8–July 27
6–9pm (EST)
8 sessions
Cost: $295
This course is an exploration in the history
and art of portraiture. Learn to open your eye
and steady your hand! In this course, focus on
rendering skills while also exploring creative
ways to interpret personality and expression.
From realistic model drawing/painting to more
abstracted methods of representation, this
course is great for both practice and trying new
things. All levels from beginners to portraitists
are welcome! This adult class also welcomes
students in grades 10–12.
Melissa Harris
Abstract + Experimental Drawing
Online course
CEDR 315 00
June 8–July 27
6–9pm (EST)
8 sessions
Cost: $295
Get inspired and draw like you've always
wanted. This class will encourage you to see
the world and your work with new eyes.
Students will work with a variety of drawing
tools such as pencils, conté crayons,
markers, felt tip pens, pastels, and willow
charcoal to learn key techniques and
concepts that will develop your appreciation
and skills in non-representational drawing.
The course will pull inspiration from
an eclectic array of sources, including
modern artists (Klee, Miro, and Kandinsky),
YouTube videos, and avant garde film.
David Verba
Graphics, Patterns,
and Images in Metal
Abstract Painting Basics in Fiber Art Human Evolution 7
CIA
Online course This course meets in-person This course meets in-person
CEPT 350 00 CEFM 135 00 CEFD 375 00
Continuing Education + Community Outreach
June 8–July 27 June 8–July 27 June 15–August 3
6–9pm (EST) 6–9pm 6–9pm
8 sessions 8 sessions 8 sessions
Cost: $295 Cost: $345 Cost: $325
Abstract artists have made important This class will focus on passing down the This course will study human evolution and
contributions to the art world by changing the long-loved craft of using yarn in different fiber diversity from our first bipedal steps in Africa
public perception of what art should represent. art techniques. Students will learn basics in four million years ago to our emergence
This class introduces concepts and techniques knitting, crochet, macramé, and weaving. as a modern species. Topics covered in
used by masters of abstraction. Concepts We will start the session off by learning the this class include how we understand and
include color as subject, painting as object, simple stitches of knitting and purling in the evaluate scientific evidence, how and why
and multiple process applications. Two artists’ form of a scarf. A variety of patterns based we study modern primate behavior, and how
artworks and styles will be explored: Jackson on desired difficulty level will be provided for we understand our own evolution from our
Pollock and Mark Rothko. Four weeks for each student. In the next project, students last shared ancestor with modern primates
each artist gives students time to develop will learn the advantages of using crochet for through to the emergence of modern humans.
new techniques and maintain weekly goals. more sculptural pieces and the foundations of Participants will see the complex relationships
Students will make two paintings inspired by creating a hat. In later projects, we will work on between human biology, the environment and
each artist: a small investigation, and a larger the art of knotting in macramé and the simple adaptation of culture as a way of life. Through
more complex finished piece. As an online structure of weaving. class discussion, optional readings, slides,
class, reliable internet connection and photo Carmen Romine videos, and physical objects/artifacts we
documentation of all artworks are required for will build a picture of the complex and often
instructor and peer discussions. changing understanding of our evolution as a
Summer 2021
Experimental Projects in Ceramics species. Also, schedule and time permitting,
Terry Clark
This course meets in-person the class may visit the Cleveland Museum
CECR 700 00 of Natural History’s permanent exhibition on
Alternative Process Photography June 8–July 27 evolution. This adult course is also open to
This course meets in-person 6–9pm students in grades 10–12.
CEPH 425 00 8 sessions
Beth Hoag
June 8–July 27 Cost: $375
6–9pm
Have you ever wanted to try out handbuilding
8 sessions
techniques in your clay studio? Or are you
Cost: $345
eyeing an experimental glaze combination, or Wednesdays
Photography isn't just for the computer! want to get reps in on the wheel? In this course
The term alternative process refers to any ceramic students will have the opportunity to Beginning Painting
non-traditional or non-commercial photographic focus on a specific project or technique, with This course meets in-person
printing process. Alternative processes are guidance from an instructor. As a material, clay CEPT 110 00
often called historical, or non-silver processes provides endless possibilities for exploration; June 9–July 28
and many contemporary photographers are this is the perfect place to test those methods 6:30–9:30pm
applying new digital technologies to these and create something truly unique. Propose 8 sessions
old processes to breathe new life into these a project to develop throughout the course Cost: $325
techniques. Learn the alternative process using the resourceful, open-studio environment
photography techniques of cyanotype, of the CIA ceramics facilities. Please bring In this introductory painting course students
anthotype, lumen printing, and photo transfer in sketches of your proposed project and will learn the fundamental techniques and
in this hands-on course. inspirations on the first day of class. Please processes of painting with acrylic paint. Class
bring dry cleaning or garbage bags for projects will target basic painting principles
Carolina Kane
covering your works in progress. Clay and and guide students to develop a better
tools are available in class for purchase. understanding of tools and materials, acrylic
paint and mediums, basic color theory, and
Lynne Lofton
two-dimensional design concepts. Discussions,
8 demonstrations, and handouts will provide Visual Culture of the Americas Students are encouraged to follow along with
Art + Design Visual Arts Courses
students with valuable resources to facilitate Online course step by step instructions for each live painting
good painting practices and artistic growth. CEFD 220 00 studio demonstration.
Susan Danko June 16–August 4 Terry Clark
6–9pm (EST)
8 sessions
Drawing in Color Cost: $295
Online course
CEDR 255 00 The goal of this course is to familiarize you Thursdays
June 9–July 28 with the cultural achievements of peoples of
6–9pm (EST) the Americas prior to the arrival of Europeans. Glassblowing: Fun with Form!
8 sessions Each week you will learn about a different This course meets in-person
Cost: $295 culture through the corpus of their material CEGL 145 00
remains; sites and cities; artifacts and objects; June 9–July 29
Using pastel, colored pencil, oil pastel, and/or written documents (Indigenous, colonial, and 6–9pm
mixed media, students will develop a practical post-colonial). All this will give you a sense of 8 sessions
understanding of color theory and improve cultural appreciation and understanding of Cost: $430
observation and rendering skills through the cultural diversity in the Americas. We will also
creation of a substantial body of work. Projects This course is intended to introduce the basics
talk about current Indigenous issues and topics
are ambitious, usually lasting three or four of glassblowing while focusing on the design
that relate to the cultures we are studying. Time
sessions and are designed to challenge skilled aspect of craft. Once essential technical skills
and schedule permitting we will also visit the
students while still offering beginners an entry and proper tool use are mastered students will
Cleveland Museum of Art to see their collection
point and a way to succeed. Students will also begin to go from their original drawings and
of Native American art. This adult course is
be introduced to the work in color of master sketches to an object. We will focus on shaping
also open to students in grades 10–12.
artists and illustrators such as Degas, Manet our blown forms but also do some solid glass
Beth Hoag sculpting to get familiar with the motion of the
or Chris Van Allsburg. Class work is based on
observed reality, costumed figure, portrait, still material. Color applications will be introduced
life or a combination. Gain skill and confidence Watercolor Landscapes and we will end the class with an exciting final
with colored drawing media through exercises Online course form to present.
in design, texture and color theory. CEPT 375 00 Alicia Telzerow
Mark Krieger June 9–July 28
6–9pm (EST)
Writing Your Book
8 sessions
Graphics, Patterns, and Images in Metal Online course
Cost: $295
This course meets in-person CEFD 185 00
CEJM 200 00 Watercolor painting makes use of transparent June 9–July 29
June 9–July 28 washes and white paper as a mirror to reflect 6–9pm (EST)
6–9pm and capture a luminous quality. Topics 8 sessions
8 sessions discussed and demonstrated in class are color Cost: $295
Cost: $375 theory, paint application, painting techniques,
Planning a memoir? Trying to finish a novel?
and paint manipulation. Each example will
How does contemporary work in jewelry and This course is for writers who are working
incorporate a new color theory lesson and a
metalsmithing embrace popular culture, and on book-length projects. It supports work in
painting technique. You will be shown how to
the myriad graphics and images we see every any genre (including fiction, nonfiction, and
paint elements found in the landscape such as
day? This class will explore the use of graphics, poetry), and is appropriate for projects at any
skies, rural and cosmopolitain environments,
patterns, and images for making jewelry, stage. We’ll explore idea development and
trees, and water. Many small quick paintings
objects, and works for the wall. We will address planning, drafting and revision, and options for
and fast dry time permits for a wide range
techniques for etching as a means to translate publication. The course will include individual
of tricks and topics to explore. As an online
graphics, patterns, and images into metal. feedback and the help of an encouraging
class, reliable internet connection and photo
We will learn and apply basic metal fabrication community. The instructor is the author of
documentation of all artworks are required
to transform our etchings into jewelry, small eight books and has worked as an editor and
for instructor and peer discussions. We will
objects, and works for the wall. We invite you consultant for many books of fiction, nonfiction,
meet up on Google Meet for all instructor
to bring images, photos, graphics, drawings, and poetry.
demonstrations, lectures, and group critiques.
doodles, and sketches. All tools and materials Zachary Savich
for this class will be provided.
Lyanne TorresSaturdays Design Your Game: Prototyping On Myth & Revision: 9
CIA
This course meets in-person Writing Past the First Draft
CEGD 225 00 Online course
Atelier Drawing
Continuing Education + Community Outreach
June 9–July 31 CEFD 285 00
Online course
1–4pm June 9–July 31
CEDR 220 00
8 sessions 9:30am–12:30pm (EST)
June 9–July 31
Cost: $325 8 sessions
1–4pm (EST)
Cost: $295
8 sessions In this course, students will develop skills
Cost: $295 to rapidly create new and engaging game On Myth & Revision: Writing Past the First Draft
prototypes using tabletop design techniques. is an anti-racist writing workshop. The course
Learn classical drawing techniques in the
Tabletop design and paper prototyping are vital will further enable creative writers to not only
French Academic method. For nearly 200
for creating both digital and non-digital games. tap into, but to also stand firmly in, their power
years, the French Academy produced some of
Non-digital prototypes strip development as individuals within a larger, more nuanced
the world’s greatest draftsmen and painters.
down to basics, allowing the designer to society working primarily in the artistic medium
Learning to study light on form by drawing from
develop gameplay without devoting time to of language. The course is for writers interested
plaster casts, still lives, and copying master
computer graphics or writing a single line of in completing (in equitable and honest ways)
works, students will gain a highly developed
code. Throughout this course, we’ll develop narratives, both personal and private. Upon
eye for value and a technical mastery of the
prototypes for board games, translate digital completion of this course, writers will debunk
drawing media. All levels welcome. For the
mechanics to physical forms, and top it all off the myth of the muse by speaking directly to the
online platform, the instructor will provide
by creating prototypes of our own original game hardships of writing; resist liking and not liking
photos and reference materials to draw from.
concepts! This adult course is also open to their working drafts; collectively define concepts
Peter Green students in grades 11–12. of craft; moderate their own feedback sessions;
Spencer Everhart and write an artist statement that summarizes
Creative Self Expression in Acrylic Paint the evolution of their writing.
Summer 2021
Online course Jason Harris
Introduction to Drawing from Observation
CEPT 240 00
This course meets in-person
June 9–July 31
CEDR 235 00 Painting from Life
1–4pm (EST)
June 9–July 31 This course meets in-person
8 sessions
9:30am–12:30pm CEPT 225 00
Cost: $295
8 sessions June 9–July 31
Make your artistic visions a reality and explore Cost: $325 9:30am–12:30pm
new ways of thinking about art and your 8 sessions
This course is an introduction to the materials
creative work. Through the lens of self- Cost: $325
and methods of drawing from life. Students will
expression, you will freely create artwork
explore basic drawing techniques and media Learn the art of observational painting; painting
that holds personal significance in a relaxed
to gain a fundamental understanding of the with acrylics directly from life. In this course
and supportive atmosphere. Discover how
drawing and studio experience. Topics include we will focus on using sight measurements,
to artistically express yourself in a non-
blind contour, organizational line, sighting, building a painting from using structural
representational way while appreciating the
one and two-point perspective, still life, cross components, and mixing accurate colors based
styles and techniques of modern artists. You
hatching, shading and value. Students will leave on subjects in the room. Projects will include
will learn and apply basic concepts such as
this course with a strong foundation of the skills object studies, still lives, and live models. This
composition, negative space, shading, color,
necessary to continue their own observational course also emphasizes extending acrylics to
and more to increase your visual vocabulary
drawing practice. This adult class is also open take our paintings to the next level. Learn to
and range of creative expression. Works
to students in grades 11–12. use acrylic mediums to extend the dry time,
of current and past masters will serve as a
Catherine Lentini allowing you to work in to your painting; and
resource and springboard for your own art.
develop deep colors and layers in your painting,
David Verba so you can most accurately portray the world
around you. This course is great for students
with some drawing or painting experience.
Lorri Ott10
Art + Design
Young Artists Visual
Courses Arts Courses
for Young People
Young ArtistsYoung Artist Courses Creative Coding Digital Photography for Digital Spaces 11
CIA
This course meets in-person This course meets in-person
Grades 9–12 Grades 9–12
Continuing Education + Community Outreach
Weekdays YADA 225 00 YAPH 500 00
June 7–17 June 7–17 (no class Friday, June 18) June 7–17 (no class Friday, June 18)
9:30am–12:30pm 9:30am–12:30pm
Saturdays
9 sessions 9 sessions
June 12–July 31
Cost: $335 Cost: $345
Registration Deadline: Creative Coding introduces JavaScript and This is an introductory course to digital
Friday, May 21 HTML/CSS to create fun, interactive projects photography in the era of internet and social
through a web browser! We will start with the media. This course will encourage students to
Please note: Online courses require
fundamentals of programming so no prior consider the images they are making and what
students to purchase their own supplies
knowledge required. At the end of this course messages they want to explore. Photographs
ahead of time, and supplies usually
you will have created three interactive projects have become the popular form of expression
cost between $30–100. Supply lists
that will be shared via the Internet. We will also and communication of digital platforms that
will be shared with enrolled students
look at contemporary artists working with code, lends itself to a responsibility of understanding
before the course begins. Supplies
discuss user experience, and how viewers how they are interpreted by others. Students
are included for in-person courses.
interact with interactive artworks. will learn how to make technically sound
You can also find courses open to high James Waite photographs with manual camera functions,
school students in the Adult Class listing! proper exposure settings, composition and
editing techniques. Students will need access
Digital Illustration to a digital camera or camera-phone with
Online course adjustable settings, Adobe Photoshop and
Weekday Mornings Grades 9–12 Bridge, and the internet.
Summer 2021
YAIL 300 00
Cartooning 101 Leah Trznadel
June 7–17 (no class Friday, June 18)
Online course 9:30am–12:30pm (EST)
Grades 5–8 9 sessions Next Level Painting: Beyond the Basics
YAIL 100 00 Cost: $315 Online course
June 7–17 (no class Friday, June 18) Grades 5–8
This course focuses on the fundamentals of
9:30am–12:30pm (EST) YAPT 220 00
digital art by teaching the basics of working
9 sessions June 7–17 (no class Friday, June 18)
in a digital environment. Students will learn to
Cost: $275 9:30am–12:30pm (EST)
navigate Photoshop as a drawing tool, learn
Cartooning 101 is an online course for young, 9 sessions
how to create brushes and tools to help speed
aspiring cartoonists, designed to introduce Cost: $275
up their workflow and also create several digital
and develop a diverse set of skills around projects to practice their skillset. Students must You know blue and yellow makes green…
this eclectic medium. Students will work have access to Adobe Photoshop and a tablet- but then what? Learn to communicate through
individually and collaboratively to develop style digital drawing tool such as a Wacom your paintings in this next level painting class
their own characters, settings and stories. tablet OR an iPad and Apple Pencil with the for middle schoolers who are familiar with
We will explore a variety of concepts, such Procreate app. painting basics. In this course, students will
as narrative visual storytelling, character Len Peralta develop a body of five to seven paintings
design, world building, story circles AKA each based on a painting challenge to
the Hero’s Journey, basic anatomy, layout/ convey a specific message or theme. We’ll
composition and perspective. While the class learn to send a visual message with our art,
is primarily a studio course, online lectures not just through the content of your work,
will introduce students to the nature and but through use of color and brushstroke.
history of cartooning–with a specific focus on Across all projects, students will develop their
Cleveland’s influential cartooning professionals. own personal style or themes of interest to
Josh Usmani make their work stand out from the crowd.
Emma Anderson12 Portfolio Development: Color Theory Screen Printing to Painting course and/or the Intermediate
Young Artists Courses for Young People
This course meets in-person This course meets in-person Painting course, but is open to all students at
Grades 9–12 Grades 7–12 an intermediate or more advanced level.
YAPT 265 00 YAPM 300 00 Emma Anderson
June 7–17 (no class Friday, June 18) June 7–17 (no class Friday, June 18)
9:30am–12:30pm 9:30am–12:30pm
9 sessions 9 sessions Creative Writing
Cost: $345 Cost: $345 Online course
Grades 9–12
In this hands-on, exploratory course, students Learn the basics of screen printing, covering YAFD 195 00
will gain knowledge of basic color theory all aspects of production from start to finish. June 7–17 (no class Friday, June 18)
concepts using both acrylic and watercolor Students will master printing with water based 1–4pm (EST)
painting. Projects will include research of inks and learning how to create multi-layer 9 sessions
both the natural and urban environments of screen prints. Finished projects will include Cost: $315
University Circle to gain experience in research. prints on paper as well as fabric printing on
A series of 4–6 smaller projects will be created materials of the students’ choice—canvas This course offers a supportive, constructive
throughout the course, including understanding bags, t-shirts, or other found material. Special environment for exploring short fiction, poetry,
the color wheel, the difference between RGB study and consideration will be given to the nonfiction, and writing that defies genre
and CMYK, value scales, color mixing, and rich history of screen printing, exploring key distinctions. We will read and discuss exciting,
simultaneous contrast. The final project will be artists and movements. Of all the visual arts, weird, and haunting stories, poems, essays,
student driven, based on information learned printmaking perhaps has been the most and things in between. You will share original
in the first week of class. Most work will be influential in shaping our world due to the writing, receiving feedback and guidance based
painted abstract compositions. Visits to local medium’s inherent nature of mass production, on your individual interests. You will also stretch
institutions may occur, where available. duplication, and its subsequent affordability. yourself as a writer through generative writing
This course will focus on teaching not only exercises, in the company of other writers doing
Scott Goss
technical skills but exploring real-world the same. This course is designed to encourage
printmaking applications and their impact. experimentation, curiosity, and play, while
Portfolio Development: Drawing from Life supporting writing across styles and genres.
Stevie Tanner
This course meets in-person Alyssa Perry
Grades 9–12
YADR 700 00
June 7–17 (no class Friday, June 18) Digital Painting in Photoshop: Monsters
9:30am–12:30pm
Weekday Afternoons Online course
9 sessions Grades 9–12
Cost: $315 Advancing in Acrylics YADA 300 00
Online course June 7–17 (no class Friday, June 18)
This course will guide you through the basics Grades 5–8 1–4pm (EST)
of observational drawing to create high quality YAPT 225 00 9 sessions
and finished pieces that you can add to your June 7–17 (no class Friday, June 18) Cost: $315
art portfolio. You’ll utilize different drawing 1–4pm (EST)
materials and processes, from portraits, to still Have a monstrously fun time learning
9 sessions
life, to landscape/nature/botanical drawing. Photoshop and its various assets to paint and
Cost: $275
We will also practice critiquing your work in a create images. Assignments will be monster-
constructive, fun and informative way. The goal This course is designed for students who want based creations while tackling areas such as
of this course is to help you reach a higher level to take their art to a more advanced level. You layer styles, brushes, textures and blending
of skill in the creation of your own artwork. will utilize your knowledge of painting and ability modes. A little color theory may pop up in
to conceptualize to take your work to the next the mad scientist lab too. We’ll start with the
Eddie Mitchell
level. You will develop a theme or idea and basics and then visit different areas and tools
create a cohesive body of work consisting of in Photoshop to help build your digital painting
approximately 5–7 pieces. You will also learn skills. Students will need access to Photoshop
to discuss the ideas and concepts behind to take this class.
the artwork you create. This course is ideal Gerry Shamray
for students who have taken the IntroductionExlporations in Printmaking Intro to 3D Modeling Portfolio Development: Illustration 13
CIA
This course meets in-person This course meets in-person Online course
Grades 9–12 Grades 9–12 Grades 9–12
Continuing Education + Community Outreach
YAPM 125 00 YADA 235 00 YAIL 600 00
June 7–17 (no class Friday, June 18) June 7–17 (no class Friday, June 18) June 7–17 (no class Friday, June 18)
1–4pm 1–4pm 1–4pm (EST)
9 sessions 9 sessions 9 sessions
Cost: $345 Cost: $335 Cost: $275
Embrace your experimental side while This course will introduce students to the Are you interested in a career in illustration?
mastering essential printmaking skills! In fundamentals of mesh modeling using There is a lot more to it than drawing, and
this sampler course, we’ll explore a variety the software Blender. We will cover mesh sometimes it can seem mysterious to young
of printmaking processes, including etching manipulation, materials and UV mapping, artists. Simply put, illustration is about visual
focused on drawing, relief printing, and rendering still-images and video, and basic communication of visual and non-visual
collagraph through texture and painted animation. Students will create static scenes information. This course is designed with
materials to create beautifully distinctive and basic movement to create environments real-world project prompts to help students
prints. These processes are very expressive of their imagination! We will cover best learn to use illustration to solve problems,
and inspire other experimental methods of practices and do modeling ‘challenges’ to tell stories and clearly communicate ideas
printing, so come ready to explore! By the end reinforce what we learn each day. Students and emotions. Students will learn how to
of class, you will have produced a variety of will gain an understanding of hard-edge successfully communicate vastly different
printed works and learned a range of printing modeling techniques and 3D animation. information clearly using a variety of visual cues
techniques. We will also consider form, composition, and stylization techniques. This is a perfect
Ryan Craycraft color, and figure/ground relationships course for young artists interested in developing
when composing our 3D environments. both their personal drawing style as well as
work for their portfolios. We will focus on
Summer 2021
James Waite
Fun with Fabrics advanced techniques, so a strong foundation
This course meets in-person in observational drawing is recommended.
Grades 5–8 Intro to Drawing from Nature Students may use traditional or digital media of
YAFM 135 00 This course meets in-person their choice.
June 7–17 (no class Friday, June 18) Grades 5–8
Josh Usmani
1–4pm YADR 110 00
9 sessions June 7–17 (no class Friday, June 18)
Cost: $295 1–4pm
9 sessions
This class will give students hands-on
Cost: $295
Saturday Mornings
experience in the different methods and
techniques of applying image, color, and Learn the basics of drawing using diverse Digital Cartooning 5–8th Grade
other surface embellishments to fabric. The tools such as graphite, conté, charcoal pencils Online course
finished cloth can be incorporated into fashion (and sticks), hard and soft pastels, pen and Grades 5–8
accessories, your favorite new wardrobe piece, ink (and more)! Students will explore different YAIL 350 00
or a unique piece of art to hang in your room. techniques such as pointillism, crosshatching, June 12–July 31
Explore a wide range of ways to create pattern and modeling using smudge sticks and erasers. 9:30am–12:30pm (EST)
on fabric, using dye, paint and a mixture of With an emphasis on “drawing from nature” 8 sessions
printing processes. Use the silkscreen as a students will practice observational drawing Cost: $245
drawing and printing tool. Experiment with (from real objects), and will explore subjects at a
hand cut stencils, and learn how to transfer museum field trip in University Circle. This class Looking to develop your digital art and
your ideas and designs onto a t-shirt, tote bag, will go over the art principles of perspective, cartooning skills in a fun, supportive and
bandana, and paper. Please bring a blank t-shirt value, light and shadow, and composition. collaborative environment? Digital Cartooning is
that you’d like to turn into a unique piece of art! Feel confident knowing that once these basic an online studio course designed to introduce
Other fabric and supplies will be provided. skills are established, the sky is the limit. young, aspiring cartoonists to professional
digital software and hardware. This unique class
Mary Urbas Candice Dangerfield
offers students the opportunity to improve both
narrative visual storytelling and digital art and
design skills. Digital Cartooning is designed
to build upon the lessons of Cartooning 10114 and Advanced Cartooning, but there is no Saturday Afternoons home or collect objects that are important to
Young Artists Courses for Young People
prerequisite to this course and students don’t them to make cyanotype prints. Through this
need any prior digital art experience. However, experimentation, they may find themselves,
Digital Cartooning 9–12th Grade
students should have a strong foundation of discover who they are as artists and individuals,
Online course
drawing skills. Students will need access to and spark new interests.
Grades 9–12
a computer or iPad with either Photoshop, Cassandra Anderson
YAIL 350 01
Procreate, or Clip Studio Paint.
June 12–July 31
Josh Usmani + Rachel Usmani 1–4pm (EST) Face Value: Portraits
8 sessions Online course
Pattern and Surface Design Cost: $275 Grades 7–10
Online Course Looking to develop your digital art and YAPT 400 00
Grades 8-12 cartooning skills in a fun, supportive and June 12–July 31
YAFD 170 00 collaborative environment? Digital Cartooning 1–4pm (EST)
June 12 - July 31 is a studio course designed to introduce young, 8 sessions
9:30am-12:30pm (EST) aspiring cartoonists to professional digital Cost: $275
8 sessions tools, such as: iMacs, Adobe Creative Cloud Try your hand… at the face! This fun and
Cost: $275 and Wacom drawing tablets. This unique class creative portraiture course not only focuses
Patterns surround us everywhere in our offers students the opportunity to improve both on the foundations of realistic representation;
daily lives. In this course we will use these narrative storytelling and digital art and design you will also learn to add your own expression
inspirations to learn about the possibilities of skills. Intro to Digital Cartooning is designed and style through drawing and painting original
pattern through surface design techniques. to build upon the lessons of Cartooning 101 portraits. Let’s find out what your imagination
Drawing and weaving will be the foundation, and Advanced Cartooning, but there is no adds to a face you can already see! Great for
along with repurposing discarded materials that prerequisite to this course and students don’t all levels.
are often overlooked as resources. We will be need any prior Mac or Photoshop experience.
However students should have a strong Melissa Harris
using paper, plastic bags, twist ties, cardboard,
shredded paper, or anything that is relevant to foundation of drawing skills. Students will
your living space. We will also learn embroidery need access to a computer or iPad with either Narrative Self Portraits
and weaving off loom techniques to further Photoshop, Procreate, Affinity Designer, or Online course
embellish a recycled patterned surface. Clip Studio Paint. Grades 9–12
Josh Usmani + Rachel Usmani YADR 350 00
Meagan Smith
June 12–July 31
1–4pm (EST)
Photobooks: Developing Image and Form Experimental Photography 9 sessions
Online course Online course Cost: $275
Grades 9–12 Grades 9–12
YAPH 275 00 This class will explore the self and how we
YAPH 425 00
June 19–August 14 (no class Saturday, July 3) communicate who we are visually. Looking
June 12–July 31
1–4pm (EST) at portraits and self portraits throughout
9:30am–12:30pm (EST)
8 sessions history, we will learn about images as tools
8 sessions
Cost: $275 for communicating: from wealth and power to
Cost: $275
emotion and identity. By exploring our personal
This project-based course gives students The class utilizes experimental photography histories and using setting as a narrative tool,
the necessary skills to understand digital techniques such as cyanotypes, solargraphy, we’ll create highly individualized self portraits
photography and the process of creating digital and film photography to produce using a variety of drawing tools. This class
digital photobooks. Technical skills covered a portfolio of unique photographic prints. will emphasize drawing realistic portraits by
include manual camera functions, editing Inspiration and imagery will be taken from the mastering facial expressions and the tricky skill
software and book creation software (Adobe students’ life experiences and interests, the of drawing likeness. This is a great course for
InDesign). Conceptual skills include elements objects they collect or surround themselves students developing pieces for their portfolio.
of critique, curation and development of ideas. with, or what they love. For example as part
of the solargraphy project, students will Davon Brantley
Students will walk away from this course with
a completed photobook file which is also depict a place that gives them a sense of
formatted to print.
Leah TrznadelNew! Creative Writing Across Genres We’ll also practice how to format an industry- 15
CIA
Monday, August 2 standard screenplay with free Mac or PC
Writers’ Week: Summer 2021 software. Join us… and get started on your
Writers' Week will begin with an exploration of
Continuing Education + Community Outreach
screenwriting journey.
Writers’ Week skills and techniques that are relevant across
genres. We'll get to know one another and Scott Lax
Online course
Grades 9–12 discuss our goals and interests for the week
YAFD 355 00 ahead--while considering topics such as Poetry
August 2–8 writing's place in our lives and in the world, Friday, August 6
1–4pm (EST) strategies for creativity, and what it can mean
to "think like a writer." In this session, we'll think about how poetic
7 sessions
structure can inspire new discoveries. We'll read
Cost: $375 Zach Savich
contemporary experiments with poetic forms,
Writers' Week offers a chance to explore asking questions like: How can limitations
Creative Writing across genres. Students will Fiction Writing free us up to write? How can structure help
generate original work and receive feedback Tuesday, August 3 us sing? Through structure-based strategies
from published writers who are expert teachers for generating new poems, we’ll consider how
What are the secrets to a compelling plot?
in the following areas: fiction, screenwriting, poetic techniques can lead to meaningful
How can you develop characters and settings
poetry, creative nonfiction, and writing that insights, expression, and surprises.
that propel a story forward? This session will
combines text and image, such as comics and Alyssa Perry
focus on the key skills of fiction writing. We'll
photo essays. The course offers an intensive,
discuss samples from diverse, contemporary
supportive environment for gaining experience
authors and begin original pieces that could Creative Nonfiction
with writing strategies that will help you find
develop into short stories, novels, and other Saturday, August 7
your voice, write pieces that matter to you, and
forms of fiction.
advance your skills as a writer. It is designed This session will highlight techniques for writing
Summer 2021
for students from all backgrounds and Zach Savich
about your life. We'll consider how writing about
levels of experience. personal experience can connect to readers
Text and Image while helping you look deeply into significant
Wednesday, August 4 experiences. Inspired by traditional and
experimental examples, students will generate
This session will offer an introduction to
original work that shows what happens when
making artwork that uses both image and text.
we turn our attention to our own lives.
“Image-texts” include a wide range of examples
that place visual art and writing in conversation. Zach Savich
During this class, we’ll explore image-texts
that use collage, comics, video poems and Publication and Celebration
photo essays. Students will engage in hands- Sunday, August 8
on generative exercises to create their own
image-texts and discover the many possibilities We'll conclude Writers' Week with a day
that arise at the intersection of two forms. focused on publication, presentation, and
celebration. We'll also discuss where your
Sarah Minor
writing could go in the months ahead, along
with practical next steps for continuing to
Screenwriting develop your work from the course.
Thursday, August 5 Zach Savich
In this fun and intensive 3-hour screenwriting
workshop, students will learn the basics of
how to put the spoken word, visual scenes,
and a strong narrative on the page, while still
leaving room for interpretation by filmmakers.
We’ll talk about the elements of the magic of
screenwriting—be it live-action or animated—
such as character, narrative, and dialogue.16
Instructor Biographies
Glassblowing: Fun with Form!Emma Anderson (CIA ’16) received her watercolor paints. He also makes sculpture with an unshakable belief in accessibility in the 17
CIA
MFA from Kent State in 2018. Most recently from found objects. His subject matter arts and insatiable curiosity, has led Spencer
Emma curated a show, “Show Me What You inspiration comes from earth science and the to pursuing game academia in addition to his
Continuing Education + Community Outreach
Got” at Prama Gallery in Parma, Ohio. Her natural environment. The concepts of natural creative practice. He aspires to use his work
work has recently been shown at the 2019 light, optics, and color are reoccurring themes to advocate for games as an art form, and
Summer Mash-Up Exhibition at the Florence found in his artwork. to continue to build up the Cleveland game
O’Donnell Wasmer Gallery at Ursuline College development community. Spencer is an active
Ryan Craycraft was born in Elyria, Ohio.
in Pepper Pike, Ohio, and the People’s Choice member in the Cleveland game development
He received his BFA in Painting & Drawing
Artist Showdown at Gallery Plus in Cleveland, community, and the Ohio game development
from The University of Akron in 2014, and
OH. She exhibits her work regionally and community at large. He regularly participates
received his MFA in Painting from the University
internationally and has become active in the in game jams and exhibitions. He has attended
of Delaware in 2016. Craycraft has exhibited
area by bringing the arts to the community. and volunteered at GDEX in Columbus since
in the U.S. and abroad, including shows at
2017. Spencer is currently an adjunct professor
Augusto Bordelois (Havana, Cuba, 1969) The Delaware Center for Contemporary Art in
of game design at Notre Dame College,
graduated from the University of Havana with Wilmington, and Kunstraum Tapir Gallery in
where he is responsible for building upon and
a major in English Language and Literature. He Berlin, Germany. His most recent solo exhibition
expanding the program.
has also studied sculpture, ceramics, classical was at the Akron Soul Train gallery as part of his
drawing and painting, and costume design for 2020 residency. Currently, he teaches drawing Emily Flory (CIA ’19) is a photographer and
theater and cinema. Augusto has participated in and 2D Design at Lorain County Community video installation artist working in Cleveland,
more than 130 national and international group College, and serves as the Artist Manager for Ohio. She received her Bachelor of Fine Art
shows and 34 solo exhibitions. He has written FireFish Arts. in Photography + Video from the Cleveland
and illustrated short stories for children and Institute of Art. Emily’s work consists of video
Candice Dangerfield has a BFA in Drawing
teacher activities’ guides. Augusto has designed installations that reference the relationship
& Painting from BGSU, foundations from
landscapes of public spaces, and coordinated between women and the earth, as well as
CIA, and Art Education licensure from Notre
community art programs. Augusto is a teaching inspiration from childhood exploration. Her work
Summer 2021
Dame College in Ohio. Candice's artwork has
artist with more than 15 years of experience. has been exhibited at the Tinnerman Lofts,
been recognized regionally and nationally.
During art residencies with Center for Arts- the Cleveland Institute of Art and H-Space
Most recently awarded “Best in Show” in
Inspired Learning, the Art House and the Ohio Gallery in Cleveland, Ohio; Burren College
Shaker Heights, her other exhibitions include
Arts Council, Augusto has delivered hundreds of Art in Ballyvaughan, Ireland, and the Cain
the Cleveland Museum of Art, Cleveland
of workshops at schools, public libraries and Park Gallery of Cleveland Heights, Ohio.
Hopkins International Airport, and The
community organizations and created many Visit Emily's work at emilyflory.com/home.
Corcoran Museum in Washington, DC.
public art pieces across Ohio. He is a member
of CSU’s Cleveland Arts Education Consortium Scott Goss (CIA ’06) is a multimedia artist
Susan Danko (CIA ’98) is a painter and
Diversity Committee. He has been featured as a whose work explores his relationship to
installation artist based in Parma, Ohio.
guest lecturer at Cleveland State University and time, memory, and place. Scott’s work
Career honors include a 2013 Ohio Arts Council
Baldwin Wallace University. Currently, he owns explores these concepts through a variety of
Individual Excellence Award, a residency at
and directs Augusto Fine Art Studio and Art media including glass, video, sculpture, and
the Fine Arts Work Center in Provincetown,
Center in Berea, Ohio. installation. Scott received his BFA from the
Massachusetts, and two Ohio Percent for Art
Cleveland Institute of Art and his MFA from Kent
commission awards. Susan has exhibited in
Davon Brantley (CIA ’18) is a Cleveland native State University in 2014. His work has been
solo and group exhibitions at venues including
and graduate from the Cleveland Institute of featured in solo and group shows nationally,
the Museum of Contemporary Art, Cleveland,
Art. His work explores the psychological effects including ROY G BIV Gallery in Columbus,
The Butler Museum of American Art, and
of trauma on development into adulthood SPACES gallery in Cleveland, Minan Gallery
The Cleveland Foundation. Her work is held
through self-portraiture. His work depicts in Los Angeles, First Street Gallery in New
in several prominent art collections and is
emotion, drama, and beauty through tragedy. York City and Verge Art Fair in Brooklyn.
represented by Bonfoey Gallery in Cleveland.
His work and research has been supported
Terry J. Clark II (CIA ’02) earned his MFA View her work at susandanko.com.
through grants by the Ohio Arts Council,
in Painting from Kent State University in
Spencer Everhart (CIA ’18) is a game Harpo Foundation, and Kent State University.
2004. Terry’s artwork has been featured
designer, freelancer, and professor who has
at the Cleveland Museum of Art, Ingenuity Peter Green is originally from southern
lived in Cleveland for the past 7 years. He
Festival, CSU Art Gallery, and is included Ohio and studied Drawing at Cleveland
graduated from the Cleveland Institute of Art
in the MetroHealth art collection. Terry has State and Illustration at the Academy of
with his BFA in Game Design. He has always
taught studio art classes at both CSU and CIA Art in San Francisco. He specializes in
had an intense fascination with games and the
since 2008. Terry paints with both acrylic and figures and portraits, utilizing traditional
ways we play them. This fascination, in tandemYou can also read
