A METHOD FOR PREPARING PHOTOGRAPHS OF PETRI DISH CULTURES BY DIRECT CONTACT PRINTING ON PHOTOGRAPHIC PAPER
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A METHOD FOR PREPARING PHOTOGRAPHS OF PETRI DISH CULTURES BY DIRECT CONTACT PRINTING ON PHOTOGRAPHIC PAPER Downloaded from http://jb.asm.org/ on January 18, 2021 by guest JOHN T. BUCHHOLZ AND I. M. LEWIS I)epartment of Botany and Bacteriology, The University of Texas, Austin, Texas Received for publication July 11, 1929 Recently we discovered that photographs of Petri dish cultures prepared by direct contact printing on photographic developing paper are as satisfactory for most purposes as pictures obtained by the use of a camera and the usual method of photographic technique. The Petri dishes are used in the same manner as negatives and the resulting prints are positives, in natural size, the colonies appearing as white objects on a black background. The details of such forms as B. mycoides are reproduced with striking clearness (fig. 1). Because of the simplicity of the process, the excellence of the product and the many uses to which it may be put by investigators and teachers, we have thought it desirable to describe this method in some detail. The entire process is carried out in a dark room, using a ceiling lamp as a source or light for printing. At a distance of 2.5 to 3 meters the rays which reach the object, from a concentrated source of light, are very nearly parallel and cast dark, sharp shad- ows of the colonies on the white paper. We have used an ordinary clear glass 150 watt Mazda lamp at 3 meters distance from the object. A special opaque lamp shade is probably of no great advantage, when the ceiling and walls are blackened, but we have used a cylindrical shade painted black on the inside and provided with a 60 mm. opening below in order to prevent re- flections from the walls of the room. The light must be centered directly above the exposing table so that the sides of the dish cast no shadows. All preliminary operations preceding the exposure may be 105
106 JOHN T. BUCHHOLZ AND I. M. LEWIS carried out by the use of conveniently placed ruby or amber lights. The Petri dish, with cover removed, is placed bottom side down on the sensitive side of the paper and pressed down. A piece of cloth under the paper facilitates close contact which is necessary. A special plate holder seems to be unnecessary. Downloaded from http://jb.asm.org/ on January 18, 2021 by guest FIG. 1. PHOTOGRAPH OF A POURED DILUTION PLATE BY DIRECT CONTACT PRINTING ON PAPER When plate and paper are properly adjusted the ceiling -light is turned on for the desired exposure. The period of exposure depends on several factors and needs to be determined for each culture. The color and transparency of the agar, its depth in the dish, the kind of paper, the developer used, and the temperature of development all influence the time required. With an agar which is almost colorless, and with vigorous Novagas paper, the
PHOTOGRAPHS OF PETRI DISH CULTURES 107 exposure may be as short as 10 seconds but with No. 4 Azo the same subject may require 150 seconds. Agar or gelatin which has more of the amber color, due to beef extract or beef infusion, requires a longer exposure. We adjust the time of exposure so that development of the print is completed in 35 to 60 seconds. The kind of paper used is the most important single detail. Bromide papers are too fast, requiring such short exposures Downloaded from http://jb.asm.org/ on January 18, 2021 by guest (usually about 2 second) that there is difficulty in properly timing the exposure, and they also lack contrast. If Azo paper is used it should be No. 4 or No. 5; Nos. 1 and 2, in our experiments, always gave unsatisfactory results; No. 3 may be useful for an unusual subject. Excellent results were also obtained by using Gevaert's Novagas vigorous paper. This paper has the advantage of re- quiring a shorter period of exposure. Extra vigorous Novagas was not tested but is probably still more desirable for very trans- parent subjects. Both Novagas and Azo papers give satisfactory detail and contrast. The kind of developer appears to be of considerable importance. The standard Eastman "MQ" Elon Hydrochinon developer is less satisfactory than the Eastman Special, which may also be ob- tained in tubes. We have tested several formulae and found the following very satisfactory. Formula D72. Stock solution Water . ............................................. 500 cc. Elon (Photol or Metol) .................................... 3 grams Sodium sulphite ............................................. 45 grams Hydrochinon ............................................. 12 grams Sodium carbonate ......................................... 65 grams Potassium bromide ......................................... 1.8 grams Water to make ............................................. 1 liter For use take 1 part stock solution to 1 part water. Formula D78. Stock solution Water .................................................. 500 cc. Elon (Photol or Metol) .................................... 2.7 grams Sodium sulphite ........................................... 40 grams Hydrochinon ............................................. 10.6 grams Sodium carbonate .......................................... 75 grams Potassium bromide ........................................ .8 grams Water to make ............................................ 1 liter
108 JOHN T. BUCHHOLZ AND I. M. LEWIS For use take 1 part stock solution to 2 parts water. Formula D72 gives warmer tones and works faster than D73, but either of these formulae will give good results. D73 diluted 1:2 seems to TABLE 1 Exposure and development time table for an average subject with various brands of paper and kinds of developer Downloaded from http://jb.asm.org/ on January 18, 2021 by guest The source of lighJt was a clear glass 150 watt Mazda Lamp at a distance of 3 meters. Time is given in seconds. AZO NO. 6 AZO NO. 3 AZO NO.Z4 GUVAURY's NOVAGAS BROMIDE OR RECOM- DECom- INFIOR (VIGOROUS) (NOT RZCOx. MENDED MEDXD FOR OUR DCOR- MEDMD) SUBJECTS M DENDD _~~~~~~~4 14 Eastman Special 75- 90 40 150 50 30 40 30 25 j? 180 760F. recommended 15 45 10 60 Eastman Formula D72 120 40 150 50 Diluted 1:1 77°F. 105 50 recommended 90 65 Eastman "MQ" Elon- 210 25 300 35 25 Hydro. not recom- 180 40 240 45 60 35 mended 150 70 180 90 30 50 Azo No. 2 RIORi NOT RE- COMEXDED Eastman Formula D73 240 30 360 25 180 30 full strength stock 180 45 300 45 120 45 solution 77°F. 120 60 240 55 90 90 Eastman Formula D73 180 35 diluted 1:2 parts 150 45 water 77°F. 120 60 90 90 work faster than the stock solution. For a convenient quickly prepared developer we recommend Eastman's Special. Table 1 showing the periods of exposure and development required to give
PHOTOGRAPHS OF PETRI DISH CULTURES 109 satisfactory results, using the several brands and grades of paper and kinds of developer which we have tested, suffices to indicate the time relations to be expected for an average subject. The Petri dishes for cultures which are to be photographed should be selected with care. They should have flat bottoms, free from scratches and other imperfections. Care should be exercised to see that the layer of agar is not too deep and that its Downloaded from http://jb.asm.org/ on January 18, 2021 by guest thickness is uniform throughout. Sensitized plates or films may be used in the same manner as paper if desired. Since these have a bromide emulsion they must be handled only in ruby light, and their time of exposure is very short, only a fraction of a second, with a less powerful ceiling lamp. A slow emulsion is preferable. We have used Eastman's Process films, developed with a contrast developer (Dll), with very satisfactory results. The time of development may be va- ried in order to give different degrees of contrast. These films give positives in the same sense as the contact prints described above, and the prints made from them are reversed, black colonies against a white background. If white colonies against a black background are desired from such films, it is necessary to print the film image in a printing frame on another film which is devel- oped and used as a negative for the final prints. When films are used in making the first impression, the differences due to the variations in the thickness of the agar in various parts of the Petri dish are less pronounced. Otherwise the use of films offers no great advantages. The accompanying illustration (fig. 1) of a soil dilution plate was prepared by direct contact printing on Azo paper No. 4. A survey of the literature revealed the fact that others have employed methods similar to the one developed in our work but differing from it in certain important details. De Giaxa (1888) appears to have been the first worker to describe a direct printing method for this purpose. At this early date the original Koch plates were still in use. He placed such a plate on a piece of sen- sitized printing out paper, exposed to sunlight, and then treated the print according to the toning and fixing methods in use at that time. The illustration which accompanies his description of the
110 JOHN T. BUCHHOLZ AND I. M. LEWIS process is remarkable for the differentiation and contrast which it shows. De Giaxa pointed out the advantages of such a method and the principles involved in the -process, but the method does not appear to have come into general use, if one may judge by the published work which followed. Lindner (1914) described a photographic method based on a Downloaded from http://jb.asm.org/ on January 18, 2021 by guest process of, shadow printing, using various biological objects placed directly on photographic paper. He employed an arc lamp and mirror, describing the parallel rays as an essential condition of his process. The Petri dish cultures which he has illustrated show the usual white colonies against a dark back- ground. In a more extensive treatise (1920) this author en- larges on the general subject of photography without the use of a camera, but this book has not found its way into many American libraries. Broadhurst (1917) described a method of printing from agar plates directly on blue-print paper. She called attention to the simplicity of the process and its usefulness in the preparation of demonstration material for teachers of bacteriology. Since blue- prints are not suitable for reproduction, illustrations of this method are lacking. It is possible that others may have de- scribed a similar procedure but if so we have not found reference to it in a search of the literature. The method which we have employed appears to be more simple than any which we have seen described. We have used it for the reproduction of many types of Petri dish cultures including expo- sure plates; water, milk and soil analyses; effect of light, disinfec- tants and dyes; bacterial antagonism; liquefaction of gelatin and effect of bacteria on gelatin in Frazier's medium. The method is admirably suited to the needs of students who wish to preserve results obtained in class work. Students who have had no pre- vious experience with photography have been able, by this method, to obtain excellent illustrations of plates prepared in routine laboratory experiments. We believe the method will be found very useful by teachers of bacteriology.
PHOTOGRAPHS OF PETRI DISH CULTURES 111 REFERENCES BROADHURST, JEAN 1917 Blue printing directly from agar plates. Jour. Bact., 3, 187. DE GIAXA 1888 Ueber eine einfache Methode zur Reproduction der Koch- schenplatten. Centralblatt fur Bakteriologie etc., 3, 700. LINDNER, P. 1914 Ein einfaches photographisches Verfahren in Dienste der biologischen Analyse. Wochenschr. f. Brauer., 31, 87. LINDNER, P. 1920 Photographie ohne Kamera. Die Photographische Bibli- Downloaded from http://jb.asm.org/ on January 18, 2021 by guest othek, 29.
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