THREE 26-29 May Playhouse, QPAC - Presented by Australasian Dance Collective & Queensland Performing Arts Centre
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Presented by Australasian Dance Collective &
Queensland Performing Arts Centre
THREE
26—29 May
Playhouse, QPAC
Australasian Dance Collective brings you THREE
highly-anticipated Australian premieres from
renowned choreographers Jack Lister, Melanie
Lane and Hofesh Shechter.
Brisbane’s own rising star of the Alterum manifests newfound heroes in
choreographic world, Jack Lister, fuses a parallel existence that is both urgent
dance and visual art to create a stunning and obscure.
mainstage performance, Still Life.
Long term musical collaborator
Inspired by the artworks of the 16th and Clark joins Lane in this compelling
17th century Memento Mori movement, examination of the human body and its
it serves as a touchstone of our own search for intimacy.
mortality, the beauty in decay and our
relationship with time. Queensland finally gets its chance to
experience international superstar and
Still Life embraces the dichotomy of the dance revolutionary, Hofesh Shechter.
permanence of visual artworks against
the impermanent nature of dance, Presented in association with Hofesh
creating a world of poignant conflict – Shechter Company, ADC unveils the
time passes but memories endure. Australian premiere of Cult — the work
that propelled Shechter into his globally-
Melanie Lane is one of Australia’s renowned career.
THREE
strongest choreographic voices, her
works seamlessly blending elegance Instinctive and raw, it is a powerful
with edgy physicality. illustration of his unique and acclaimed
choreography and is the first time the
Alterum Melanie Lane Stealing from ancient and current London-based choreographer’s work
mythologies of the supernatural body, has been performed in Queensland.
20 minute interval
Still Life Jack Lister
15 minute interval
Cult Hofesh Shechter
Australasian Dance Collective
Australasian Dance Collective is one
of the nation’s leading contemporary
dance companies. Established in 1984 as
Expressions Dance Company, we have
created more than 170 works by 75 Australian
and international choreographers.
With an extraordinary ensemble of six
dancers, the company has achieved
significant recognition through national
awards, including three Helpmann Awards
and three Australian Dance Awards.
We are defined by our commitment to
excellence in both performance and sector
development, contributing to the evolution
and future of contemporary dance. Annually
we create multiple new works, collaborate
nationally and internationally and present
performance seasons at major Australian
venues including our presenting partner
venue Queensland Performing Arts Centre.
Under the leadership of Artistic Director,
Amy Hollingsworth, the Queensland-based
company is focused on collaboration,
empowerment and artistic risk-taking to
create exhilarating dance works that push
boundaries and speak to the soul.
Amy Hollingsworth
Artistic Director
Just over a year ago, I was preparing a I have long been an admirer of Melanie Lane’s Working with the remarkable choreographers
welcome note for THREE – we were in full work - she first took my breath away with of THREE are a collective of artists who have
flow, approaching the world premiere with her power as a performer, and then quickly given their all to pursue artistic excellence
momentum and excitement. Two weeks from became a choreographer I was fascinated in these collaborations. So, I wish to extend
the opening night we, like so many, had to by. She is one of Australia’s outstanding my warmest thanks to the creatives behind
cancel the season. creative voices, and I sought out the chance this production: Clark, Wil and Hofesh for
to collaborate with her, knowing she would an incredible sonic journey through this
In the face of such ambiguity and uncertainty, create a piece that was dynamic, full of wit program, Alana for adding a new dimension
creativity can be our greatest asset, providing and complexity. of expression with her costuming, and to
us the ability to imagine and reimagine. At Glenn for framing these works with a stunning
ADC, we made an early commitment to use From the moment I saw Jack Lister’s first play of light.
the limitations of the year to do what we know work, I knew I was watching the emergence of
and love - creating and cultivating. an incredibly talented artistic voice. Over the I also want to acknowledge the dancers; they
past five years, I have watched him flourish, have all contributed so much to this evening.
While it was not an easy time, it was a seeking new ways of creating and testing the Individually they are so fiercely talented but
privilege and pleasure to meet the challenges edges of what he can achieve. I am thrilled to collectively, they are extraordinary.
of the year with all who comprise the broader have him join the company as a dancer, but
team at ADC. I am so thankful to work with also to be presenting his first creation for As well as acknowledging the achievements
this wonderful group of people who exemplify the collective. of the creatives behind these stunning dance
courage and creativity, and here we are, works, our thanks go to our broader collective
ready to finally share with you this program As an artist, I feel the imprint of the amazing of supporters and partners. They enable
that truly embodies our vision of choreographers I have had the privilege us to have great impact and for this, we are
collective excellence. of working with over my career. Hofesh incredibly grateful. A special mention in
Shechter was one of those - his unique particular to our longstanding partner QPAC
We all respond to art in different ways, so choreographic voice and meticulous pursuit for presenting this season of THREE with us.
within the gift of a varied program such of his vision not only tested and invigorated
as THREE, there really is something for me but had a truly lasting impact on me. On behalf of the board, staff and dancers, it
everyone. THREE has also offered up an I think his work has the same effect on is my absolute pleasure to share with you this
exhilarating challenge for the collective – with audiences, grabbing you from the first exceptional, long-awaited evening of dance.
each of the choreographers possessing such moment, and not letting go, well beyond the
utterly unique creative voices while they all curtain coming down.
share a profound talent for connecting
to audiences.
John Kotzas Queensland Performing Arts Centre
Chief Executive QPAC
Queensland Performing Arts Centre
The proud home of live performance in Queensland for Chair
more than 35 years, Queensland Performing Arts Centre Professor Peter Coaldrake AO
(QPAC), welcomes more than 1.5 million visitors to over 1,200
performances each year. Deputy Chair
Leigh Tabrett PSM
As a venue, QPAC provides an inspiring and welcoming
environment for audiences, artists and presenting companies.
Trust Members
Dr Sally Pitkin AO
As a producer, QPAC broadens the choice of live
performance available to Queenslanders through creative Dare Power
development and investment in signature programs including Georgina Richters
the QPAC International Series, Out of the Box and First Susan Rix AM
Nations Program, and the presentation of local, national and Leanne de Souza
international artists and companies.
Executive Staff
As an investor, QPAC collaborates with commercial producers Chief Executive — John Kotzas
on national and international tours and nurtures emerging Executive Director, Stakeholder
artists through pathways to professional development.
Engagement Strategy — Jackie Branch
Executive Director, Visitation — Roxanne
Acknowledgment
Hopkins
The Queensland Performing Arts Trust is a statutory body
of the State of Queensland and is partially funded by the Executive Director — Venue Infrastructure
Queensland Government and Production Services — Bill Jessop
Executive Director, Business Performance
This season of THREE is the triumphant
return to the Playhouse stage for ADC and will The Honourable Leeanne Enoch MP: Minister for Environment — Kieron Roost
surely delight Brisbane audiences. and the Great Barrier Reef, Minister for Science and Minister
for the Arts QPAC Production Credits
Each of the three choreographers—Hofesh
Director, Programming — John Glenn
Shechter, Melanie Lane, and Jack Lister— are Director-General, Department of Communities and Housing
at different stages in their careers and all have Director, Public Engagement and Learning
and Digital Economy: Ms Clare O’Connor
garnered critical and popular acclaim. — Rebecca Lamoin
Project Officer — En Rui Foo
THREE is a compelling demonstration of Amy QPAC respectfully acknowledges the Traditional Owners
Marketing Coordinator — Sarah Bond
Hollingsworth’s vision to extend ADC beyond of the Lands across Queensland and pays respect to their
the languages of dance, bringing together the ancestors who came before them and to Elders past, present Event Manager — Alex Loh
worlds of visual art and dance. and emerging. Head Flyman — Heath Reid
Flyman — Harry Byrne
QPAC has been a long-time collaborator of
Patrons are advised that the Performing Arts Centre has Floor LX — Lauren Sallaway
ADC and it is heartening to see the company’s
growth and evolution. This season of THREE EMERGENCY EVACUATION PROCEDURES, a FIRE ALARM Sound Operator — Tony Carter
may have been a long time coming, but it is system and EXIT passageways. In case of an alert, patrons
worth the wait. should remain calm, look for the closest EXIT sign in GREEN, qpac.com.au
listen to and comply with directions given by the inhouse Facebook @atQPAC
trained attendants and move in an orderly fashion to the open
Twitter @QPAC
spaces outside the Centre.
Instagram @atqpac
Alterum
Melanie Lane
Alterum - latin for ‘other’, steals from ancient Creatives
and current mythologies of the supernatural
body, Alterum manifests new found heroes in Choreography Melanie Lane
a parallel existence that is both urgent
Music Clark
and obscure.
Lighting Design Glenn Hughes
Six hybrid bodies march, wrestle, writhe and Costume Design Alana Sargent in
fly in a collective dance that reflects the collaboration with Melanie Lane
human desire to reach beyond the limits of
Costume Realisation Gayle MacGregor,
our bodies whilst seeking to maintain the Sharon Clarke and Frances Pyper
primal instincts of connection, protection,
intimacy and desire.
With a bold, original score from long time
collaborator Chris Clark (UK), Alterum
celebrates the potential of the supernatural
body by navigating and negotiating a meeting
between hyper-reality and human-ness.Still Life
Jack Lister
Art galleries have always felt like a
sacred space to me. A space where I am
simultaneously struck with clarity and
spurred to imagination, awed by the way
static imagery sculpts our internal dialogue.
There’s a great power in the contradiction
of galleries; public and private, curated to
confront or comfort. Equally, our responses Creatives
are contrastingly ephemeral to the works
Concept and Creation Jack Lister
enduring.
Choreography Jack Lister in
A wilting flower, the falling sands of an collaboration with the dancers of
hourglass, remaining wisps of a snuffed Australasian Dance Collective
candle; motifs once inextricably associated Music
with brevity of life. The traditions of the Piano Concerto No.23 in A Major, K. 288:
Vanitas and Memento Mori, permeated within II. Adagio - Wolfgang Amadeus Mozart
Dutch painting of the 16th & 17th century. La Sonnambula - Vincenzo Bellini
Prelude, Op. 28 No. 4 - Frederic Chopin
Nocturne 13 in C Minor Op. 48 No. 1 -
Still Life paints a world of poignant conflict, Frederic Chopin
embracing the dichotomy of the permanence Emptyset
of visual artworks against the impermanent
Sound Design Wil Hughes
medium of movement. A touchstone of our
own mortality, the beauty in decay and our Lighting Design Glenn Hughes
relationship with time. Costume Design & Styling Alana
Sargent
Costume Realisation Gayle MacGregor
and Carla Binotto
Foyer activation
Skull design Wil Hughes
Sketch artist Scott BretonCult
Hofesh Shechter
Created in 2004, as a response to the world
around it, Cult is an explosive, electric piece
that takes a dark, ironic view of the powers that
steer our society. Cult drew public attention
immediately to Shechter’s dark and captivating
work that delivers physical, virtuoso dance,
embraced by elegant stage compositions and an
overall gripping atmosphere. A rich soundtrack
composed by Hofesh himself enhances the lithe
routine of six dancers in this forceful, yet
touching, performance.
“This piece is very close to my heart, it was the
first group work I created and it marked the
beginning of a long creative journey. That 16 years
later Cult is still relevant, is both a testament
to the rawness and integrity of the emotions it
carries, as well as, unfortunately, a still tormented
world, where culture and individual struggle to find
balance of powers.” — Hofesh Shechter
With thanks to Bruno Guillore, Associate Artistic
Director for Hofesh Shechter Company.
Creatives
Cult is presented in association with Hofesh
Choreography and music Hofesh Shechter
Shechter Company.
Lighting Design Chahine Yavroyan
Music Advisor Matthew Davidson
Staging Phil HulfordMelanie Lane Jack Lister
Choreographer — Alterum Choreographer — Still Life
Melanie is a choreographer and performer based Melanie choreographed the 2015 and 2017 live Following his training at The Australian Ballet He was appointed Associate Choreographer
in Melbourne, who has collaborated with artists shows for UK electronic musician Clark (Warp School, Jack Lister joined Queensland Ballet for QB in 2019 and in January 2020, Jack joined
from film, visual art, theatre and music, creating records), performing at over 30 international (QB) in 2014 and danced many featured roles in Australasian Dance Collective as a company
works that tread between performative forms venues and festivals including Moma PS1 New works choreographed by Christopher Bruce, Nils artist and his first commission for the company,
and contexts. York, Villette Sonique Paris, Funkhaus Berlin and Christe, Jiří Kylián, Trey McIntyre and Still Life, forms part of THREE, which was to have
Sonar Festivals in Barcelona/Istanbul. Natalie Weir. been performed at QPAC in April last year. It will
Her independent work has been presented now premiere in May at the Playhouse Theatre.
at international festivals and theatres such Melanie’s collaborative work extends to visual After creating his first work for QB in 2015, Jack Jack has also collaborated with director, Ryan
as HAU Berlin, Tanz im August, Schauspiel artists Bridie Lunney, Ash Keating and Martin quickly established a name as a respected Renshaw, creating short dance films which
Leipzig, December Dance, Uzes Danse Festival, Böttger, and video artists Amos Gebhardt and emerging maker, recognised in The Australian have been seen at film festivals worldwide.
Indonesian Dance Festival, O Espaco do Tempo, Leyla Stevens amongst others. as “a young choreographer who is going places.” Most notably, their creations Happy Ending and
Dance Massive, Carriageworks, Arts House and He has gone on to create and present works Bubblegum have been screened and received
Sydney Opera House. In 2015 she was resident director at Lucy Guerin throughout Australia, United Kingdom, China award recognition at the prestigious San
Inc. and has been nominated for Helpmann and and Germany. Francisco Dance Film Festival and LA Dance
Alongside her independent work, she has been Green Room awards as both performer and Film Festival.
commissioned to create new works for Chunky choreographer. Melanie was the recipient of the Fonder Heart (2016) was long listed for an
Move, Sydney Dance Company, DanceNorth, 2018 Keir Choreographic Award in Australia and Australian Dance Award, while Lister’s mainstage In February, Jack premiered Aftermath, a
Australasian Dance Collective, Schauspiel the 2017 Leipziger Bewegungskunstpreis works Rational/Animal (2017) and B-SIDES (2018) co-creation with ADC Artistic Director, Amy
Leipzig, HAU Berlin, Nagelhus Schia Productions in Germany. both received critical and audience acclaim. Hollingsworth, and The Kite String Tangle’s Danny
and choreographed for English National Opera’s Harley. It premiered to rave reviews and a sold-out
Salome directed by Adena Jacobs. Melanie is currently Resident Artist at The Most recently, Jack was commissioned to create season at the Brisbane Powerhouse as Jack
Substation Melbourne and Associate Artist at A Brief Nostalgia for The Birmingham Royal Ballet. continues to work with collaborators bringing
As a performer, she has worked with artists such QL2 Canberra. It was also performed at Sadler’s Wells Theatre, dance to new audiences.
as Tino Seghal, Arco Renz, Eun Me Ahn, Club Guy London and was heralded as “entirely original” and
and Roni, Antony Hamilton and Lucy Guerin. “of exceptional maturity and depth”.Hofesh Shechter Phil Hulford
Choreographer, Music, Stager — Cult
Design — Cult
Choreographer Hofesh Shechter OBE is Cedar Lake Contemporary Ballet, Nederlands the winner of the Fedora – VAN CLEEF & ARPELS Phil Hulford started dance training, aged 18 at the
recognised as one of the most exciting Dans Theater 1, Paris Opera Ballet, Royal Ballet Prize for Ballet for LIGHT: Bach Dances, in London Contemporary Dance School. It was there
artists making stage work today, renowned and Royal Ballet Flanders. collaboration with Royal Danish Opera and co- that he met Hofesh Shechter.
for composing atmospheric musical scores directed by Hofesh Shechter and
to compliment the unique physicality of his He has choreographed for theatre, television and John Fulljames. He joined Hofesh Shechter Company and created
movement. He is Artistic Director of the UK-based opera, notably at the Metropolitan Opera (New various productions with him for more than 10
Hofesh Shechter Company, formed in 2008. The York) for Nico Mulhy’s Two Boys, the Royal Court Hofesh Shechter’s new creation Double Murder years. During that time he also worked with other
company are resident at Brighton Dome and on Motortown and The Arsonists, the National will premiere at Sadler’s Wells in September 2021. artists, including Anthony Gormley, Bruno Guillore
Shechter is an Associate Artist of Sadler’s Wells. Theatre on Saint Joan and for the Channel 4 and James Finnemore.
series Skins. As part of #HOFEST, a four week
Hofesh Shechter’s repertoire for the company festival celebrating Shechter’s work across four Hulford left the company in 2016 to expand his
includes Uprising (2006), In your rooms iconic London venues, he co-directed Gluck’s skill set and develop creature performing and
(2007), The Art of Not Looking Back (2009), Orphée et Eurydice with John Fulljames at the acting skills. He has worked on numerous film
Political Mother (2010), Political Mother: The Royal Opera House. In 2016 he received a Tony and TV shows including The Ritual, The Mummy,
Choreographer’s Cut (2011), Sun (2013), Award nomination for his choreography for the Britannia (series 2) and Pacific Rim : Uprising.
barbarians (2015), Grand Finale (2017), SHOW Broadway revival of Fiddler on the Roof.
(2018) and POLITICAL MOTHER UNPLUGGED He is currently working with UK theatre company,
(2020). Grand Finale was nominated for an Olivier In 2018 Hofesh Shechter was awarded an Lost Dog, as well as with a motion capture studio
Award for Best New Dance Production. honorary OBE for Services to Dance and the developing characters.
company’s first dance film, Hofesh Shechter’s
Shechter has also staged and choreographed Clowns, was broadcast by the BBC in September He is passionate about helping performers and
works on leading international dance companies to great acclaim. athletes reach their next levels and has developed
including the Alvin Ailey American Dance Theater, a series of workshops focusing on mindset shifts,
Batsheva Ensemble, Candoco Dance Company, In 2020, Hofesh Shechter Company was named breathwork and developing clarity and
healthy habits.Clark Wil Hughes Glenn Hughes Alana Sargent
Composer — Alterum Sound Design — Still Life Lighting Design — Alterum & Costume Design — Alterum &
Born in London, Clark is a UK music producer who Wil’s credits as a composer, songwriter and
Still Life Still Life
has worked across theatre, installation, dance sound designer for theatre have ranged from In a career spanning over 40 years Glenn Alana completed her dance studies at the
and film. contemporary ballet to musicals, and include has worked as a Lighting Designer for many New Zealand School of Dance from 2008 to
His records are released on Warp records, Arc (Australasian Dance Collective/Brisbane companies including the Melbourne, Sydney 2010. In her graduating year, she was offered an
Throttle Records and Deutsche Grammophon Festival); Single Asian Female, The Dead Devils of and Queensland Theatre Companies, Playbox, apprenticeship with Sydney Dance Company
and his live sets have toured throughout Europe, Cockle Creek, The Village, A Midsummer Night’s Malthouse, Victorian Arts Centre, Queensland (SDC), which was sponsored by Foxtel and
Asia, Australia and the United States. Dream, The Wind in the Willows (La Boite Theatre Performing Arts Centre, Sydney Opera House, featured in a docuseries. Alana became a full-
Most recently Clark has developed scores for Company); Angel’s Palace (Brisbane Writer’s Queensland Ballet, Ballet Theatre of Queensland, time company dancer in 2012 and performed
film and TV including The Last Panthers, Kiri and Festival); Kill Climate Deniers (That Production Creative Regions, Real TV, QUT, Australasian with SDC for four years, during which time she
the upcoming Stephen King mini series Lisey’s Company); Elizabeth I (Monsters Appear/ Dance Collective, Barking Gecko, Jute, Melbourne worked with numerous internationally renowned
Story, collaborating with string ensembles and Wonderland Festival); Rice, The Scene Project and Sydney Festivals, La Boite and Bangarra choreographers, including Jacopo Godani,
soloists intertwined with his electronic craft. 2018 (Queensland Theatre); From Within, Sonder, Dance Theatre. Andonis Foniadakis, Alexander Ekman, Emanuel
Chris has frequently collaborated with B-Sides (Queensland Ballet); Propel (Expressions He has toured extensively with Queensland Gat and Stephanie Lake.
choreographer Melanie Lane, scoring her works Dance Company); We Will Not Kiss/Touch/ Ballet and Bangarra Dance Theatre, throughout Alana moved to Australasian Dance
Tilted Fawn, Held, Merge, Nightdance, Re-Make, Frighten You in the Dark, Caligula (The Danger Australia and internationally and has taught Collective (ADC) in 2016, and was nominated for
Wonderwomen, Personal Effigies, Crushd for Ensemble); The Theory of Everything (Brisbane lighting design at WAAPA, RMIT and QUT. ‘Most Outstanding Dancer’ in Dance Australia’s
Nagelhus Schia Productions and Woof for the Festival/Metro Arts); Dust Covered Butterfly Dance lighting credits include: Echo Critics’ Choice Survey for 2018.
Sydney Dance Company. Other collaborations (Metro Arts); Tiptoe (Pentimento Productions); (Australasian Dance Collective) Graduation Alana’s design portfolio which began with
for theatre include Macbeth for The Young Vic Unnatural Selection, Allan (Gold Coast Arts Ball, Cinderella (Ballet Theatre of Queensland) Sydney Dance Company’s 2015 season of New
London and Sentinel for Antony Hamilton/Skanes Centre/Awkward Productions); Sweet Meniscus Queensland Ballet Academy Gala 2019, Breed, includes Liesel Zink’s Awesome and
Dansteater. (Anywhere Theatre Festival) and Legends Essentially Dance 2013-19, QUT Dance Inter at Flowstate, ADC’s triple bills Propel and
His 2015 and 2017 live shows, choreographed (Storyshare International Ltd.). Graduation 2017-19 (QUT) Swan Lake, Alice Converge, Craig Davidson’s Parts per Million
by Melanie toured across 35 international venues Wil is also an internationally acclaimed in Wonderland, Peer Gynt, 1001 Nights, A for Queensland Ballet’s BESPOKE season,
including Moma PS1 New York, Funkhaus Berlin composer for film, television and other media, and Midsummer Nights Dream, Blue Angel Cabaret, Australasian Dance Collective’s recent sell-out
and Sonar festivals in Barcelona/Istanbul. in 2018 was awarded Composer of the Year by the Rite of Spring, Mahler’s 10th (Queensland Ballet), season Aftermath, Craig Davidsons Entropy for
Clark’s collaborations as sound designer California Independent Film Festival. Into (Sydney Festival) and True Stories (Bangarra Junior Ballet Zurich, Melanie Lanes Alterum and
include location based digital artists Blast Theory Dance Theatre). Jack Listers Still Life, for ADC’s season of THREE.
in Suffolk UK and for Cannes Lions New Directors
Showcase. He has completed re-mixes for
Massive Attack, Depeche Mode, Max Richter,
Thom Yorke, Nils Frahm and Battles.
Clark is a 2020 Green Room Award nominee
for his score for Sydney Dance Company’s Woof.Artistic Director
Meet the collective Amy Hollingsworth
General Manager
Nick Engler
Company Manager
Kaitlyn McConnell
Rehearsal Director
Jenni Large
Youth Ensemble Director
Riannon McLean
Communications & Partnerships
Manager
Rebekah Devlin
Digital Design &
Marketing Manager
Alana Sargent
Production Manager
Wil Hughes
Management Consultant
Jan Irvine
THREE Production Staff
Office Manager
Adam Sleeman Stage Manager Chase Clegg-Robinson Jack Lister Jag Popham
Candice Marshall (Choreographer, Still Life)
Bookkeeper
Elizabeth Lepua Production Electrician
Accountant Scott Barton
Karen Mitchell
Assistant Stage Manager
Ariana O’Brien
Board of Directors
Wardrobe Supervisor
Marian Gibney (Chair) Frances Pyper
Tony Denholder (Deputy Chair)
Dare Power Photographers
Alan Scott THREE imagery, Justin Ridler
Bradley Chatfield
Amy Hollingsworth THREE rehearsals, Jade Ferguson
Lucy Bretherton (pages 8,9,11,12 &13), David Kelly (page 10)
Julie Garner
Dancer headshots, David Kelly Josephine Weise Lonii Garnons-Williams Tyrel Dulvarie
20Our Partners and Supporters PRESENTING PARTNERS GOVERNMENT PARTNERS Australasian Dance Collective acknowledges the assistance of the Queensland Government through Arts Queensland and the Australian Government through the Australia Council, its arts funding and advisory body. MAJOR PARTNER SEASON SPONSOR SUPPORTING PARTNERS Australasian Dance Collective acknowledges the Traditional Owners and Custodians of the lands, waters and seas on which we work and live paying respects to Elders, past, present and future.
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