SHOWCASE AVAILABLE DECEMBER 3, 2021 THROUGH JANUARY 2, 2022 AT HGODIGITAL.ORG - Houston Grand Opera
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STUDIO
H O U S T O N G R A N D O P E R A
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SHOWCASE
AVAILABLE DECEMBER 3, 2021 THROUGH JANUARY 2, 2022 AT HGODIGITAL.ORG
WELCOME
W
elcome to the HGO
Digital production of the
HGO Studio Showcase.
I am delighted that you are joining
us for the streamed version of this
beloved annual tradition, which
took place live for a limited audience
earlier this fall due to safety protocols.
Since 2019 I have had the privilege
of serving as Artistic Advisor for
HGO and the HGO Studio program,
but that is far from the beginning of
my association with this wonderful
company. More than two decades
ago, I was a starry-eyed artist training
with the HGO Studio, dreaming of a
life as an opera singer performing
on the stages of the world’s greatest
opera houses. Even though I had HGO Studio Showcase host Ana María Martínez
no guarantee at the time of how my
professional life would go, it was, in fact, here, at this very place, where I was able to develop
my artistry and launch what would turn out to be the career of my dreams.
It is a tremendous joy to work with the talented young artists selected to train with this
prestigious program, and to watch them grow and develop as they pursue their own dreams.
Competition for entry to the HGO Studio is intense for a reason. There are very few places
that offer an opportunity like this one. Areas of focus include languages, combat lessons,
and vocal and acting coaching, among many others. Our young artists also get the chance
to perform roles in mainstage productions before audiences of thousands, alongside current
major opera stars. This program truly nurtures tomorrow’s stars in a most comprehensive way.
I know it is also a thrill for HGO’s audiences to watch these young artists develop over the
course of their many performances with HGO each season. Their spotlight starts with this
event, which each year kicks things off with a selection of opera scenes carefully curated by
HGO Studio Director Brian Speck and Music Director Miah Im as a means to showcase their
talents and create excitement for the season ahead.
From Blake Denson and Raven McMillon performing a scene from Rigoletto in roles that are
sure to become staples in their respective repertoires, to Ricardo Garcia and Cory McGee
honing their dramatic skills in a piece from The Rake’s Progress, many of the Showcase’s
offerings feature our artists trying on parts for the very first time. Of note, two of the selections
are from mainstage operas HGO will perform this season—Gounod’s Romeo and Juliet and
Poulenc’s Dialogues of the Carmelites—providing a wonderful taste of the delights to come.
Our Studio artists spent months preparing for the Studio Showcase. Please join me in
welcoming them. I hope you enjoy the program!
Ana María Martínez
HGO Artistic Advisor
HGO.org 1
PROGRAM Gluck Orfeo ed Euridice – Act III
(1714-87) “Vieni, segui… Vieni, appaga il tuo consorte!”
Euridice: Raven McMillon
Orfeo: Emily Treigle • Piano: Alex Munger
Strauss Der Rosenkavalier – Act II
(1864-1949) “Mir ist die Ehre wiederfahren… Ich kenn’ Ihn schon
recht wohl”
Octavian: Sun-Ly Pierce • Sophie: Elena Villalón
Piano: Bin Yu Sanford
Gounod Faust – Act IV
(1818-93) “Qu’attendez-vous encore?... Vous qui faites
l’endormie… que voulez-vous, messieurs?”
Méphistophélès: William Guanbo Su
Faust: Eric Taylor • Valentin: Luke Sutliff
Piano: Kirill Kuzmin
Verdi Rigoletto – Act I
(1813-1901) “Figlia! Mio padre!”
Rigoletto: Blake Denson • Gilda: Raven McMillon
Giovanna: Sun-Ly Pierce
Duke of Mantua: Ricardo Garcia
Piano: Bin Yu Sanford
Intermission
Stravinsky The Rake’s Progress – Act III
(1882-1971) “How dark and dreadful… I burn! I freeze!”
Tom Rakewell: Ricardo Garcia
Nick Shadow: Cory McGee
Anne Trulove: Elena Villalón
Piano: Kirill Kuzmin • Harpsichord: Alex Munger
Poulenc Dialogues of the Carmelites – Act II
(1899-1963) “Pourquoi vous tenez-vous ainsi”
Chevalier de la Force: Eric Taylor
Blanche de la Force: Sun-Ly Pierce
Mère Marie: Emily Treigle • Piano: Kirill Kuzmin
Rossini L’italiana in Algeri – Act I
(1792-1868) “Oh! che muso, che figura!”
Isabella: Emily Treigle • Mustafà: Cory McGee
Taddeo: Luke Sutliff • Haly: Blake Denson
Piano: Bin Yu Sanford
2 HGO.org
Gounod Romeo and Juliet – Act IV
(1818-93) “Va! je t’ai pardonné… Nuit d’hyménée!”
Juliet: Elena Villalón • Romeo: Ricardo Garcia
Piano • Alex Munger
CRE ATIVE TE AM
Ana María Martínez Host
Kristine McIntyre Stage Director
Ben Doyle HGO Digital Video Director
Daniel James HGO Digital Producer
Michael James Clark Lighting Designer
Adam Noble Fight Director
PRODUCTION CREDITS
Kristen Burke Interim Director of Production
Meg Edwards Stage Manager
Meghan Spear Assistant Stage Manager
Dotti Staker Hair & Makeup
Kristie Osi Costume Realizer
Jeremy Johnson English Subtitles
Kirill Kuzmin, Kevin J. Miller, Musical Preparation
Peter Pasztor
Carl Ferguson Assistant Technical Director
Megan Properties Design Director
The entire staff of HGO contributed to the success of this production. For a full listing of the
company’s staff, please visit HGO.org/about-us/people.
Performing artists, stage directors, and choreographers are represented by the American Guild of
Musical Artists, the union for opera professionals in the United States.
Stage crew personnel provided by IATSE, Local #51.
Wardrobe personnel provided by Theatrical Wardrobe Union, Local #896.
With deepest thanks to the members of the HGO Studio Committee, who helped make the Studio
Showcase possible:
Jack Roth, Chair Patrick Carfizzi Maureen Hetzel Beth Madison Allyn Risley
Warren Ellsworth, Molly Crownover Mel Hetzel Miguel Miro- John Serpe
Vice Chair Lynn Gissel Steve Homer Quesada Janet Sims
Robin Angly Sandy Godfrey Marianne Kah Valerie Miso- Dian Stai
Saúl Balagura Ellen R. Gritz Stephanie Larsen Quesada Harlan Stai
Michelle Beale Brenda Harvey- Richard Leibman Kathy Moore John G. Turner
Larissa Bither Traylor Carolyn J. Levy Charlene Nickson Bob Wakefield
Melinda Brunger Nancy Haywood Tracy Maddox Gloria Portela Trey Yates
HGO.org 3
WHO’S WHO KRISTINE
Opera, and Hometown to the World with
Santa Fe Opera, as well as Flight for Utah
MCINTYRE
Opera and The Dallas Opera.
Director
Stage director ANA MARÍA
Kristine McIntyre MARTÍNEZ
has directed more Host
than 90 operas across the U.S. with Grammy Award-
a focus on new, contemporary, and winning soprano Ana
American works. Productions include María Martínez is
Jake Heggie and Gene Scheer’s Moby considered one of the foremost sopranos
Dick (Utah Opera, Pittsburgh Opera, of her time, with an international career
Chicago Opera Theater, Opera San that spans the world’s most important
Jose); Dead Man Walking (Lyric Opera of opera houses and concert halls. HGO’s
Kansas City, Des Moines Metro Opera, artistic advisor since 2019, Martínez
Madison Opera); the world premieres has a storied history with the company,
of Louis Karchin’s Jane Eyre (Center for performing roles including Cio-Cio San
Contemporary Opera, New York) and in Madama Butterfly (2010), the title role
Mark Lanz Weiser and Amy Punt’s The in Carmen (2014), Marguerite in Faust
Place Where You Started (Art Share, (2016), and Florencia in Florencia en el
LA); new productions of Wozzeck, Billy Amazonas (2019). During the 2020-21
Budd (regional Emmy award), and Peter season, Martínez performed the role
Grimes, as well as As One (Kaminsky of Mimì in La bohème at San Diego
/ Campbell / Reed), Glory Denied, Opera, the world’s first-ever drive-in
and Soldier Songs (Des Moines Metro opera production, and portrayed Nedda
Opera), Jonathan Dove’s Flight (Pittsburgh in Pagliacci at Palm Beach Opera. She
Opera, Des Moines Metro Opera, also gave a series of virtual performances
Austin Opera), Jake Heggie’s The End including a “Living Room Recital” for
of the Affair (Lyric Opera of Kansas Los Angeles Opera, and curated and
City) and Three Decembers (Des performed in two Spanish themed virtual
Moines Metro Opera); Florencia en el programs: Suite Española, a celebra-
Amazonas (Madison Opera), Elmer tion of the music of Spain, for HGO,
Gantry (Tulsa Opera), Of Mice and and “Pasión Latina,” alongside pianist
Men (Utah Opera, Austin Opera, Tulsa Craig Terry, for Lyric Opera of Chicago.
Opera), the world premiere of Kirke Other engagements last season include
Mechem’s John Brown (Lyric Opera of her first-ever performances in the title
Kansas City); new productions of Street role of Tosca at Opera Philadelphia and
Scene, The Tender Land (Michigan then again at Cincinnati Opera. Martínez’s
Opera Theater), and Lee Hoiby’s Bon career highlights include Cio-Cio San and
Appétit; a staged concert version Musetta in La bohème at the Metropolitan
of Vanessa (Toledo Opera), and the world Opera; the title role in Rusalka at the
premiere of The Canticle of the Black Glyndebourne Festival and Teatro Colón in
Madonna (Newmark Theater, Portland). Buenos Aires; the title role in Luisa Miller
Current projects include new produc- and the Countess in Le nozze di Figaro at
tions of UNKNOWN with UrbanArias, A the Bayerische Staatsoper; Violetta in La
Thousand Acres with Des Moines Metro traviata, Donna Elvira, and Cio-Cio San
4 HGO.org
at the Royal Opera House Covent Garden;
KIRILL KUZMIN
Donna Elvira at San Francisco Opera; Nedda
Pianist and
in I Pagliacci, Tatiana in Eugene Onegin,
Principal Coach
Marguerite in Faust, Fiordiligi in Così fan
HGO Studio alumnus
tutte, and Rusalka at Lyric Opera of Chicago;
Kirill Kuzmin is currently
Elisabetta in Don Carlo, Amelia in Simon
principal coach at
Boccanegra, Mimì, Violetta, Nedda, and the
HGO and a music staff member at The
title role in Carmen at Los Angeles Opera;
Glimmerglass Festival. In the 2020-21 HGO
and her major roles with HGO. Orchestral
Digital season, he accompanied Arturo
highlights include performances with the
Chacón-Cruz and Sasha Cooke for their
Berlin Philharmonic, New York Philharmonic,
Live from The Cullen recitals and served on
Boston Symphony Orchestra, Filharmonica
music staff for numerous other productions.
della Scala, Puerto Rico Symphony, Seoul
In the 2019-20 season, Kuzmin served
Philharmonic, Tchaikovsky Symphony in
on HGO’s music staff for productions
Moscow, the Sinfônica Brasileira, and the
of Saul and Aida. Previous HGO credits
BBC Symphony.
include Eugene Onegin (also as diction
MICHAEL JAMES coach), Le nozze di Figaro, Faust, Giulio
CLARK Cesare (also as continuo player), and West
Lighting Designer Side Story, as well as two of Wagner’s monu-
Michael James Clark mental Ring cycle operas, Siegfried and
is the lighting super- Götterdämmerung. He also served as
visor for HGO. He principal coach for HGO’s world premiere of
designed lighting for HGO’s production Ricky Ian Gordon and Royce Vavrek’s The
of Aida (2020) and La bohème at Miller House Without a Christmas Tree and
Outdoor Theatre, as well as the world was involved in the world premiere of David
premiere of The Phoenix (2019). He lit the Hanlon and Stephanie Fleischmann’s After
HGOco world premieres of Some Light the Storm. In the summer of 2020, he
Emerges (2017), After the Storm (2016), had been engaged to serve as principal
and O Columbia (2015); Otello (2014); coach for the production of Die Feen at the
Die Fledermaus, Aida, and Il trovatore Glimmerglass Festival, but it was canceled
(2013); La bohème, La traviata, and The due to COVID-19. He returned to the
Rape of Lucretia (2012); The Marriage of Glimmerglass Festival this summer.
Figaro (2011); the world premiere of Cruzar
la Cara de la Luna (2010); and numerous BLAKE DENSON
outdoor productions. Clark also has designed Baritone
lighting for Teatro La Fenice, San Francisco Gloria M. Portela and
Opera, the Canadian Opera Company, Stages Richard E. Evans/
Carolyn J. Levy/Liz Grimm
Repertory Theatre, Theatre Under the Stars,
and Jack Roth Fellow
and Rice University.
Second-year HGO Studio artist Blake Denson,
originally from Paducah, Kentucky, was a
Grand Finals Winner in the 2020 Metropolitan
Opera National Council Auditions and is
a 2018 alumnus of HGO’s Young Artists
Vocal Academy (YAVA). For HGO’s 2021-22
HGO.org 5
WHO’S WHO season, Denson will perform the role
of Morales in Carmen, Daddy/Tim
Suite Española: Explorando Iberia. He
was a studio artist at Wolf Trap Opera,
in alternate cast performances of The where he covered Romeo in Romeo
Snowy Day, Jailer in Dialogues of the and Juliet and Giocondo in La pietra del
Carmelites, and Gregorio in Romeo and paragone, and a voice fellow with Music
Juliet. During the 2020-21 HGO Digital Academy of the West, where he sang
season he appeared in Giving Voice; Jenik in The Bartered Bride. Recent roles
Hansel and Gretel as Peter; and Suite include Lamplighter/Drunkard in The
Española: Explorando Iberia. He obtained Little Prince and Fenton in Falstaff. As a
his Bachelor of Music in voice degree first-year apprentice at Santa Fe Opera,
from the University of Kentucky School of he covered Parpignol in La bohème and
Music and completed his Master of Music sang Fenton/Normanno in the Apprentice
degree at Rice University’s Shepherd Scenes Night. Recently, Garcia won the
School of Music. Denson was a studio New Orleans District of the Metropolitan
artist at Wolf Trap Opera in 2018 and Opera National Council Auditions and
was set to return to Wolf Trap Opera advanced to the Gulf Coast Region finals.
for a second season in the summer of This summer, he returned to Wolf Trap
2020 to perform the Commander and Opera as Valcour in The Anonymous
cover the title role in Eugene Onegin, as Lover and sang the role of Grimoaldo
well as cover the role of Marcello in La in Rodelinda at the Aspen Music Festival.
bohème, but those productions were
CORY MCGEE
canceled due to COVID-19.
Bass
RICARDO GARCIA Beth Madison Fellow
Tenor A second-year HGO
Dr. Ellen R. Gritz and Studio artist from
Mr. Milton D. Rosenau Stafford, Virginia,
Jr./Michele Beale and Cory McGee completed his Master
Dick Anderson Fellow
of Music degree at Rice University’s
A second-year HGO Studio artist from Shepherd School of Music. He was the
Castro Valley, California, Ricardo Garcia second prize winner in HGO’s 2020
completed his Master of Music in Voice at Eleanor McCollum Competition Concert
the San Francisco Conservatory of Music of Arias. For HGO’s 2021-22 season,
(SFCM) and holds a Bachelor of Music McGee will perform the role of Billy in The
in Voice from the University of the Pacific. Snowy Day. During the 2020-21 HGO
For HGO’s 2021-22 season, Garcia Digital season he appeared in The Making
will perform the role of El Remendado of The Snowy Day, an Opera for All as
in Carmen, Papí/Jasper in in alternate Billy, and in Giving Voice. In summer
cast performances of The Snowy Day, 2019, he joined Santa Fe Opera as an
First Commissioner in Dialogues of the apprentice artist, portraying the role of
Carmelites, and Romeo in alternate the Gardener in Ruder’s The Thirteenth
cast performances of Romeo and Child. In 2018 he was a studio artist
Juliet. During the 2020-21 HGO Digital with Wolf Trap Opera, where he played
season he appeared in Vinkensport La Voce in Mozart’s Idomeneo and
as Hans Sach’s Trainer; The Making of Ranger Nat in David Hanlon’s chil-
The Snowy Day, an Opera for All; and dren’s opera, Listen, Wilhelmina!, and
6 HGO.org
was a soloist in “Bernstein at 100 – A Codes of Mary Bowser and Lucy in Picker’s
Celebration.” Recent engagements include Awakenings. Her recent roles included La
the title role in The Marriage of Figaro and Princesse in L’enfant et les sortilèges with
Pandolfe in Massenet’s Cendrillon (Oberlin the Cincinnati Symphony Orchestra and
Opera Theater) and Leporello in Don Papagena in The Magic Flute at CCM in the
Giovanni (Oberlin in Italy). He returned to summer of 2020, which were canceled due
Santa Fe this summer as an apprentice artist to COVID-19. This summer she performed the
for the second time, performing the role of role of Frasquita in Carmen with Cincinnati
Theseus in A Midsummer Night’s Dream. Opera and Rosina in The Barber of Seville
Later this season, he will make debuts with with Opera Steamboat. Later this season,
Michigan Opera Theater and Florentine Opera she joins Opera Philadelphia in her role and
as Colline in La bohème. company debuts as Gilda in Rigoletto.
RAVEN MCMILLON ALEX MUNGER
Soprano Pianist/Coach
Kathleen Moore and Gary Hollingsworth and
Steven Homer/Nancy Ken Hyde/Trey Yates/Dr.
Haywood Fellow Saúl and Ursula Balagura
Fellow
A second-year HGO
Studio artist from Baltimore, Raven McMillon A third-year HGO Studio artist from New
was recently recognized as a 2021 Grand Berlin, Wisconsin, Alex Munger previously
Finals Winner in the Metropolitan Opera’s served as a staff pianist at the University
Eric and Dominique Laffont Competition. of Illinois, where he helped prepare La
For HGO’s 2021-22 season, McMillon will bohème and The Rape of Lucretia. For
perform the role of Frasquita in Carmen, HGO’s 2021-22 season, Munger will serve
Peter in The Snowy Day, and Papagena in as coach for Carmen, The Magic Flute, and
The Magic Flute. During the 2020-21 HGO Romeo and Juliet. Previously with HGO, he
Digital season, McMillon performed the roles served as coach for Vinkensport and Hansel
of Rona Richards in The Impresario; Peter in and Gretel during HGO Digital’s inaugural
The Making of The Snowy Day, an Opera for season; coach for My Favorite Things: Songs
All; and Gretel in Hansel and Gretel. She also from The Sound of Music, Rigoletto, and
featured in the HGO Digital concert Giving La favorite; and with HGO Studio singers
Voice and performed as Sister Margaretta in recital and other performances. Previous
in HGO’s My Favorite Things: Songs from engagements include a 2020 recital of
The Sound of Music. McMillon received her Schumann’s Dichterliebe with tenor Richard
Bachelor of Fine Arts in Vocal Performance Trey Smagur, presented by the Houston
at Carnegie Mellon University and completed Symphony, and an appearance at the Bay
her graduate degree at the University of View Music Festival (Carmen), where he
Cincinnati College – Conservatory of Music returned in 2019 as a faculty pianist for its
(CCM). Her opera credits include Adele two-week opera and art song program. In
in Die Fledermaus; the title role in Goldie 2018, Munger was a fellowship pianist with
B. Locks and the Three Singing Bears; the Aspen Opera Center, where he worked
Linfea in La Calisto; and Barbarina in The on The Barber of Seville; he returned to
Marriage of Figaro. In addition to her opera Aspen in the summer of 2019. In the summer
credits, McMillon has also workshopped new of 2020 and 2021, he served as a coaching
roles such as Mary in Chiao’s The Secret fellow at Wolf Trap Opera. He received
HGO.org 7
WHO’S WHO his Master of Music degree in Vocal
Coaching and Accompanying from the
WILLIAM
GUANBO SU
University of Illinois.
Bass
SUN-LY PIERCE Anne and Albert Chao
Mezzo-Soprano Fellow
Mr. and Mrs. Charles A third-year HGO
G. Nickson/John Studio artist from Beijing, William Guanbo
Serpe and Tracy Su is a Grand Finals Winner of the 2019
Maddox Fellow
Metropolitan Opera National Council
Originally from Clinton, New York, Chinese Auditions and the second place winner
American mezzo-soprano Sun-Ly Pierce in HGO’s 2019 Eleanor McCollum
is a second-year HGO Studio artist and Competition Concert of Arias. For HGO’s
the first prize winner in HGO’s 2020 2021-22 season, Su will perform the
Eleanor McCollum Competition Concert roles of Zuniga in Carmen, First Officer
of Arias. For HGO’s 2021-22 season, in Dialogues of the Carmelites, Second
she will perform the roles of Mercedes Armored Man in The Magic Flute, A
in Carmen, Sister Mathilde in Dialogues Mandarin in Turandot, and the Duke
of the Carmelites, 2nd Lady in The of Verona in Romeo and Juliet. During
Magic Flute, and Stephano in Romeo the 2020-21 HGO Digital season, he
and Juliet. Last season with HGO, she performed the role of Bowie Krebs
appeared as Liesl in My Favorite Things: in The Impresario and in fall 2019 with
Songs from The Sound of Music and HGO, he performed the role of Usher in
as Hansel in HGO Digital’s Hansel and Rigoletto. He has studied German lieder
Gretel. Pierce completed the graduate at the Franz Schubert Institute in Vienna,
vocal arts program at the Bard College and in 2017 won first prize in the Gerda
Conservatory of Music and holds a bach- Lissner Lieder Competition. During the
elor’s degree in vocal performance from summer of 2019, he sang Count Ceprano
the Eastman School of Music. As a winner in Verdi’s Rigoletto with Opera Theatre
of the Marilyn Horne Song Competition, of Saint Louis as a Gerdine Young Artist.
Pierce was set to perform on an interna- Last spring, he made his Austin Opera
tional recital tour with pianist Chien-Lin debut as Angelotti in Tosca, and this
Lu featuring the premiere of a new song summer, he returned to the Aspen Music
cycle by two-time Grammy Award–winning Festival as a voice fellow to sing Sarastro
composer Jennifer Higdon, which was in The Magic Flute and Garibaldo
canceled due to COVID-19. In the fall in Rodelinda.
of 2019, Pierce joined the Broad Street
Orchestra as Dorinda in Handel’s Acis LUKE SUTLIFF
and Galatea. She returned to the Music Baritone
Academy of the West this summer as Lynn Gissel/Brenda
2021 Vocal Fellow. Harvey-Traylor Fellow
A first-year HGO
Studio artist from
Littleton, Colorado, Luke Sutliff recently
completed his Master of Music degree
at Rice University’s Shepherd School of
8 HGO.org
Music. For HGO’s 2021-22 season, he will performed several leading roles, including
perform El Dancairo in Carmen, M. Javelinot/ Nemorino in The Elixir of Love and Rodolfo
Thierry in Dialogues of the Carmelites, and in La bohème, in addition to appearing
Mercutio in alternate cast performances in Carmina Burana with Salt Lake City’s
of Romeo and Juliet. At the Shepherd Ballet West. Taylor has participated in
School, he appeared as Kaiser Overall in Der Apprentice Artist programs with Santa Fe
Kaiser von Atlantis and Johannes Zegner Opera, Central City Opera, and Utah Lyric
in Proving Up. He holds a Bachelor of Music Opera. He had been set to perform in
degree from the Juilliard School, where he Santa Fe Opera’s Tristan and Isolde and
studied with the late Sanford Sylvan and HGO’s Werther and Parsifal last season, but
made his Alice Tully Hall debut performing those engagements were canceled due to
Fauré’s L’horizon chimérique. Sutliff previ- COVID-19. He was named a semi-finalist at
ously performed the roles of Demetrius in A the Metropolitan Opera’s National Council
Midsummer Night’s Dream and Belcore Auditions in 2017.
in The Elixir of Love at the Chautauqua
EMILY TREIGLE
Institute. Last summer, he had been set to
Mezzo-Soprano
make his debut in the role of Elder McLean
Mr. and Mrs. James W.
in Susannah at Opera Theatre of Saint Louis,
Crownover/Mr. Veer
but that was canceled due to COVID-19. Vasishta Fellow
Sutliff joined Santa Fe Opera as an Apprentice
A first-year HGO
Artist for summer 2021, covering the role
Studio artist from New Orleans, Emily
of Jon Seward in The Lord of Cries and
Treigle was named a Grand Finals Winner
performing Demetrius in A Midsummer
in the Metropolitan Opera’s 2021 Eric
Night’s Dream.
and Dominique Laffont Competition and
ERIC TAYLOR was the third prize winner in HGO’s 2021
Tenor Eleanor McCollum Competition Concert of
Mrs. Sharon G. Ley and Arias. For HGO’s 2021-22 season, she will
Mr. Robert F. Lietzow/ perform Mother Jeanne in Dialogues of the
Jill and Allyn Risley/ Drs. Carmelites and Gertrude in Romeo and
Rachel and Warren A.
Juliet. This spring, she covered the title role of
Ellsworth IV Fellow
L’enfant in L’enfant et les Sortilèges at Rice.
A first-year HGO Studio artist from In 2019, Treigle trained with HGO’s Young
Saint George, Utah, Eric Taylor recently Artist Vocal Academy and participated in the
completed his Master of Music degree at Aspen Music Festival, where she portrayed
Rice University, where he performed the Madame Armfeldt in A Little Night Music. This
roles of Sam Polk in Susannah and Tito summer, she returned to Wolf Trap Opera as
in La clemenza di Tito. He was named the a Studio Artist for the second time. Previous
second prize winner in HGO’s 2021 Eleanor roles include Bradamante in Alcina and Mrs.
McCollum Competition Concert of Arias. Ott in Susannah, an opera made famous by
For HGO’s 2021-22 season, he will perform her grandfather, world-renowned bass-baritone
Chevalier in Dialogues of the Carmelites, Norman Treigle. Treigle pursued her Master of
First Armored Man in The Magic Flute, Music degree at Rice University’s Shepherd
Pong in Turandot, and Tybalt in Romeo and School of Music, where she received her
Juliet. While pursuing his undergraduate Bachelor of Music degree last year.
degree in music at Westminster College, he
HGO.org 9WHO’S WHO ELENA VILLALÓN BIN YU SANFORD
Soprano Pianist/Coach
Mr. and Mrs. Harlan C. Stephanie Larsen/Dr.
Stai Fellow and Mrs. Miguel Miro-
Quesada/ Ms. Lynn
A third-year HGO
Des Prez Fellow
Studio artist from
Austin, Elena Villalón was a Grand Finals A second-year HGO Studio artist from
Winner of the 2019 Metropolitan Opera Seoul, Bin Yu Sanford has established
National Council Auditions, Second Prize herself as a solo pianist, vocal coach, and
winner in the 2021 Hans Gabor Belvedere chamber musician. For HGO’s 2021-22
International Singing Competition, and the season, Yu Sanford will serve as coach
Audience Choice Award winner in HGO’s for The Snowy Day, The Magic Flute, and
2019 Eleanor McCollum Concert of Arias. Turandot. During the 2020-21 HGO Digital
For HGO’s 2021-22 season, Villalón will season, she served as coach for The
perform as Amy in The Snowy Day and Impresario and The Making of The Snowy
as Juliet in alternate cast performances of Day, an Opera for All. She also appeared
Romeo and Juliet. During the HGO Digital with HGO Studio singers in recitals and
2020-21 season she performed the other performances and served as coach
roles of Farinelli’s Trainer in Vinkensport; for My Favorite Things: Songs from The
Amy in The Making of The Snowy Day, Sound of Music. Yu Sanford earned her
an Opera for All; and Dew Fairy and Doctor of Musical Arts in Solo Piano
Sandman in Hansel and Gretel. Also Performance and an Artist Diploma in
with HGO, she previously performed Opera Coaching at the University of
Page in Rigoletto; Woman in selected Cincinnati College - Conservatory of
performances of the world premiere of El Music (CCM). Recently, she was selected
Milagro del Recuerdo/The Miracle of as one of the vocal piano fellows at Music
Remembering; and Inez in La favorite. Academy of the West, where she worked
Villalón is a graduate of the University on Jennifer Higdon’s Cold Mountain. From
of Cincinnati College - Conservatory of 2017 to 2020, Yu Sanford served as a
Music (CCM), has been a vocal fellow graduate assistant in the opera depart-
at the Tanglewood Music Center, and is ment at CCM. She was the first prize
an alumna of HGO’s 2018 Young Artist winner of the Pennsylvania MTNA Young
Vocal Academy. In summer 2019, she Artist Piano Competition. In the summer
performed Barbarina in The Marriage of of 2020, she was scheduled to join the
Figaro at Opera Theatre of Saint Louis as Glimmerglass Festival as an apprentice
a Gerdine Young Artist and returned to the pianist, however the festival was canceled
Tanglewood Music Center as a soprano due to COVID-19.
fellow. She returned to Opera Theatre of
Saint Louis in the summer of 2021 as
Lauretta in Gianni Schicchi. Also in the
2021-22 season, she makes debuts with
Austin Opera (Susanna in The Marriage
of Figaro) and The Dallas Opera (Tina in
Flight).
10 HGO.orgHOUSTON GR AND OPER A STUDIO
Faculty and Staff 2021-22
Brian Speck, Director Kevin J. Miller, Assistant Conductor
Miah Im, Music Director Madeline Slettedahl, Assistant Conductor
Jamie Gelfand, Studio Manager Brian Connelly, Piano Instructor
Ana María Martínez, HGO Artistic Advisor Tara Faircloth, Drama Coach
Carlisle Floyd, Artistic Advisor Adam Noble, Movement Instructor
Stephen King, Christa Gaug, German Instructor
Director of Vocal Instruction Raymond Hounfodji, French Instructor
Sponsored by Jill and Allyn Risley, Janet Enrica Vagliani Gray, Italian Instructor
Sims, and James J. Drach Endowment Fund Sponsored by Marsha Montemayor
Patrick Summers, Kristine McIntyre, Showcase Director
Conducting Instructor and Coach
Sarah and Ernest Butler Chair
Peter Pasztor, Principal Coach
Sponsored by Mr. and Mrs. James A. Elkins
Jr. Endowment Fund
Kirill Kuzmin, Principal Coach
The HGO Studio is grateful for the in-kind Carol Lynn Lay Fletcher Endowment Fund
support of the Texas Voice Center. The Young William Randolph Hearst Endowed
Artists Vocal Academy (YAVA) is generously Scholarship Fund
underwritten by Mr. and Mrs. Robert N. Mr. and Mrs. Melvyn Hetzel
Wakefield and the HGO Guild. Charlotte Howe Memorial Scholarship Fund
Additional support for YAVA is provided by Mr. Elva Lobit Opera Endowment Fund
Patrick Carfizzi, Gwyneth Campbell, and David Marian and Speros Martel Foundation
and Norine Gill. HGO thanks Magnolia Houston Endowment Fund
for outstanding support of the HGO Studio and Erin Gregory Neale Endowment Fund
YAVA programs. Dr. Mary Joan Nish and Patricia Bratsas
Additional support for the Houston Grand Opera Endowed Fund
Studio is provided by the following funds within John M. O’Quinn Foundation Endowed
the Houston Grand Opera Endowment, Inc.: Fund Fellow
Sylvia Barnes and Jim Trimble Shell Lubricants (formerly Pennzoil Quaker
The Gordon and Mary Cain Foundation State Company) Fund
Endowment Fund Mary C. Gayler Snook Endowment Fund
Marjorie and Thomas Capshaw Tenneco, Inc., Endowment Fund
Endowment Fund Weston-Cargill Endowed Fund
James J. Drach Endowment Fund
The Evans Family
Official Airline of Houston Grand Opera
HGO.org 11HGO.ORG/STUDIO
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