Portfolio. Ella Simeon 07746102672 - KLC School of Design
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Portfolio.
Ella Simeon
07746102672
Ella Simeon
esbs_interiors
ellasimeon
I am a third year BA Interior Design student at KLC School of Design, who has great empathy for people but also for our earth. I am particularly
interested in working within a Commercial and / or Hospitality Design Company, helping create unique, soulful and interesting environments which
embrace and celebrate the complexities of the world around us.
I feel incredibly lucky having always known the career path I wanted to follow. Pursuing my passion for Interior Design and the Arts originated after
seeing a family friend’s interior design work at a very young age.
I previously studied Fine Art and Textile at A-Level. Both of these required a high level of precision; I have an exceptional eye for detail and
understand how the details can make or break a design.
I am an extremely positive and pragmatic individual who loves to listen, question and learn. Being highly-driven, proactive and confident, with great
communication skills I’am able to work effectively both individually and as part of a team, producing high quality work on time.
The Turbine Hall at the Tate Modern is a space which particularly inspires me. The phenomenal boundaries of human perception generated within
the cavernous space through the echoing sounds and muted lighting makes the space feel endless. Additionally, the power and impact which
installations placed within the space, both big and / or small, have on oneself, making them feel significantly smaller or bigger is what fascinates
me.
My strengths lie in design development / problem-solving, through sketching, model making and space planning, as well as 2D and 3D visualisation
through technical drawings and detailing, using predominantly Revit and AutoCAD.
01 MOB Kitchen.
Social Design - Adaptive, Reuse.
Sketch development, using pencils and Photoshop. Conceptual model, made from potatoes.
The design that I have created for Mob Kitchen recognises the needs of the local
community as well as taking into account the original use of the building as a place
of ‘sanctuary’ for all. The proposed space not only helps people suffering from food
insecurity but also provides a unique environment for locals simply wanting to further
their knowledge of food culture and nutrition. By creating a space which welcomes
people of all ages, ethnicities and classes, no one is left feeling excluded from the
community. When adapting and re-using this Grade II listed building I believed that
any new materials used should reflect and enhance the existing structures. Using a
limited range of new materials throughout the space not only has a positive effect on
the environment but also fits with the ethos of Mob Kitchen, who use the words ‘real’,
‘no fuss’ and ‘budget-friendly’ to describe themselves.
Sketch development. Visual, illustrating proposed space, using Revit and Enscape.
Rendered Section, using Revit, Enscape and Photoshop.
Ground Floor Plan, using Revit and Enscape. Mezzanine Level Plan, using Revit and Enscape.
Visual, illustrating proposed Mezzanine Level, using Pencils and Photoshop. Visual, illustrating proposed space, using Revit and Enscape. Materials used within Proposed Space.
02 Carousel, London.
Hospitality Design.
The focus of this brief was based on how living, working and communication has
transformed in recent years and is expected to change further in the future. Within
our ever-changing world, flexibility within design is crucial, as things are constantly
evolving. Therefore, the question that needed answering and resolving was ‘How can a
design proposal reflect a consistently changing atmosphere?’
With all this in mind my concept evolved with the idea that bringing theatre and
drama to the meal through all elements of the experience, creates an excitement and
originality. This seemed appropriate when thinking about the word ‘Carousel’ and
how it’s an element of a funfair which in itself is theatrical and exciting. Additionally, a
theatre is constantly revolving and changing, much like Carousal and the world.
Sketch development. Plan, illustrating space layout, using AutoCAD. Visual, illustrating proposed bar, using Sketch up and Photoshop.
Rendered Section AA, using Auto CAD and Photoshop.
As Henry Matisse says,
‘creativity takes courage’.
Rendered Section BB, using Auto CAD and Photoshop.
03 Orange Box, London. 1
S001
The concept explored the process of anamorphism. As a result the design was based on the
idea that a distorted shape or object gains clarity as a result of movement or experiencing the
shape or form from a different viewpoint / perspective. It is through movement which allows
Post-Covid Workspace. workers minds to constantly revolve helping increase productivity within the workspace.
57
Solid, Oak timber tread 1350mm in length and a 280mm
50
width.
1
S002 Using oxidised oak handrails, oak treads and perforated red mild steel risers and banisters
which extend to the ceiling will help create a visual impact. The blurred figure walking down
1350
1151
the stairs behind the perforated metal railings is only seen in whole as they reach the lower
Solid Oak 50mm diameter curved handrail, warm to the
touch. Positioned 60mm away from the perforated red
powder coated mild steel bulustrade.
ground floor level. When choosing the materials not only did I think about sustainability
but also about characteristics such as durability, slip-resistance, limited risk of decay and
50
49
22
corrosion and high-performance in heavy trafficked environments.
280
Solid oxidised oak inlay,creating a visual contrast,
which helps prevent users accidentally tripping.
280
Structural support column.
280
4177
280
Handrail
Red powder coated steel zig-zag stringer. This is a
structural element which supports both the treads and
the risers. The treads are bolted to the stringer and
280
the mild steel risers are welded.
280
Perforated red powder coated mild steel balustrade.
This is supported via a steel frame which is bolted
onto the steel stringer.
560
Visual, illustrating presentation space, using Revit and Enscape. Powder Coated Steel handrail support welded to the
steel frame supporting the perforated red powder
280
coated mild steel bulustrade.
280 280 280 280 280 280 280 280 280 280 280 1349
N
Proposed Detailed Plan of staircase.
1 4752
1 : 25 @A3
Plan of Staircase, using Revit.
Notes: Client Name: Oliver Heath, Clerkenwell Drawing Title. Proposed Detailed Plan of Staircase
- Dashed lines indicate stairs above the height of 2000mm.
- Please note when reading the technical drawings on a paper size lower than A3 the
04/05/2021 14:34:14
oxisised oak inlays, positioned on the nosing of each step, can not be read properly. Sheet number D001
Read in conjunction with drawings P001, P002, P002, P004, E001, E002, S001, S002, Date 13.02.2021
D002, D003, D004, D005 and D006.
Drawn by ES
Project Name: ID 6.4 Staircase
Checked by SB & SM Scale @A3 1 : 25
Shadow Gap
100mm
Visual, illustrating workshop space, using Revit and Enscape.
Stringer
Visual, illustrating staircase, using Revit and Enscape. Visual, illustrating workspace, using Revit and Enscape. Model Studies. Sketch Development.
Upper Ground Floor Flooring
Perforated red powder coated Mild steel bulustrade bolted to an internate steel support.
1
1154
405
D006
The plenum. Space between the ceiling below and floor above, used to hide air
circulation units such as heating, ventilation and air-conditioning.
1
D003 Perforated red powder coated Mild Steel bulustrade.
Powder coated Steel Frame. This supports
the perforated mild steel balustrade.
158 155 155 155 155 155 155 155 155 155 155 155 155 155 155 155 155 155 155 155 155
Concrete ceiling.
The plenum. Space between the ceiling below and floor above, used
295
to hide aircirculation units such as heating, ventilation and
Perforated red powder coated Mild steel bulustrade bolted to an internate steel support.
air-conditioning.
296
Solid Oak 50mm diameter curved handrail, warm to the touch. Positioned 60mm away from the
perforated red powder coated mild steel bulustrade.
Concrete ceiling.
1703
Powder Coated Steel handrail support welded to the steel frame supporting the perforated
Solid Oak 50mm diameter curved handrail, warm to the touch. red powder coated mild steel bulustrade.
Positioned 60mm away from the perforated red powder coated mild
steel bulustrade.
Powder Coated Steel handrail support welded to the steel frame
supporting the perforated red powder coated mild steel bulustrade.
Proposed Detailed Section of Balustrade joining to ceiling
1
1:5 @A3
11
Perforated mild steel riser which is powder coated. The perforated
mild steel runs the whole way up the stairs, providing additional support
for the Solid Oak treads. Visual, illustrating staircase, using Revit and Enscape. D003 - Proposed Detailed Section of Balustrade Joining to Ceiling, drawn in Revit.
Notes: Client Name: Oliver Heath, Clerkenwell Drawing Title. Proposed Detailed Section of Balustrade
Powder coated Steel Frame. This supports
Read in conjunctionthe
with drawings P001,
perforated P002,
mild steel P002, P004, E001, E002, S001, S002,
balustrade. joining to ceiling
04/05/2021 14:34:25
D001, D002, D004,Powder
D005 and D006.Steel Frame. This supports
coated
the perforated mild steel balustrade. Sheet number D003
Solid oxidised oak inlay,creating a visual contrast, which helps Perforated red powder coated Mild Steel
Date 13.02.2021
prevent users accidentally tripping. Balustrade. Project Name: ID 6.4 Staircase Drawn by ES
2953
Perforated red powder coated Mild Steel Checked by Checker Scale @A3 1:5
Balustrade.
Red powder coated steel zig-zag stringer.
This is a structural element which supports
both the treads
Red powder and the
coated steelrisers. Thestringer.
zig-zag treads
Red powder coated steel zig-zag stringer. This is a structural element
1551
are
Thisbolted to the stringer
is a structural element and the mild
which steel
supports
risers aretreads
welded.
which supports both the treads and the risers. The treads are bolted to both the and the risers. The treads
are bolted to the stringer and the mild steel
the stringer and the mild steel risers are welded. risers are welded.
100 100
Polished Stainless Steel, Raised Mirror,
preventing people from walking under the
staircase lower thanSteel,
Polished Stainless 2m. Raised Mirror,
40 40
preventing people from walking under the
Solid oak, timber tread. Supported by both the steel stringer and staircase lower than 2m.
perforated mild steel riser.
Flooring
Flooring
Polished Stainless Steel, Raised Mirror,
38 38
38 38
preventing people from walking under the
staircase lower than 2m.
1 The steel Stringer will be bolted to a steel
support below the flooring, this will then be
400 400
bolted to the
The steel concreate
Stringer will bebelow.
bolted(Disclaimer:
to a steel
this is tobelow
be confirmed by a this
Structural
D005 support
Staircase
the flooring,
Engineer.)
bolted to the
will then be
concreate below. (Disclaimer:
this is to be confirmed by a Structural
265 265
265 265
Staircase Engineer.)
295
Steel Suport, bolted to concreate below.
(Disclaimer: this is to be confirmed by a
Structural Staircase
Steel Suport, bolted Engineer.)
to concreate below.
(Disclaimer: this is to be confirmed by a
Structural Staircase Engineer.)
40 1380 40 1319 41
posed Cross Section 1361
720 740 299
25
299
@A3 2520 1361
39 260 100 180 99
300 280 280 280 280 280 280 280 280 280 39 260 100 180 99
1350 300
Proposed Detailed Section of stringer Floor Support
Section of Staircase, drawn in Revit. 1 300
D005 - Proposed Detailed Section of Stringer Floor Support, drawn in Revit.
Proposed Detailed Section of stringer Floor Support
1 : 5 @A3
Visual of Hallway, using Revit and Enscape. Visual of Staircase, using Revit and Enscape.
1
Client Name: Oliver Heath, Clerkenwell Drawing Title. Cross Section - Proposed AA
1:5 @A3
with drawings P001, P002, P002, P004, E001, E002, S002, D001, Notes: Client Name: Oliver Heath, Clerkenwell Drawing Title. Proposed Detailed Section of Stringer
04 Beauty Pie.
Exhibition Design.
This particular project brief was to create an exhibition space for the make-up company Beauty
Pie. When analysing the characterises of a pie itself and linking them to the brand, I came
up with the hashtag, #a slice of pie. This hashtag linked to the idea of a slice being a part of
something bigger, which I believed related to the company, as it is a member’s club, and being a
member means you are a part of something bigger.
The structure of the ‘pie’ itself inspired a centralised spatial strategy. The symmetrical layout
represents the symmetrical proportion of the features on a human face. The sloping pathways
create a sense of hierarchy and guide visitors up to the central area in an accessible manner.
Concept/ Inspirational images.
Model Studies. Sketch Development. Visual / Illustation of the Proposed Exhibition Stand, using Sketch Up and Photoshop.
05 Detailed Drawings. PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
recessed cornice, cladded with Douglas
70 Lacquered MDF frame with heavy duty clear 100 Fir shiplap timber boarding (145x 19mm)
250
laquear finished coat. (width:70mm)
100 80 with a white oiled finished on 12mm
plywood backing with concealed fixing to
This project was designed to make us think about how joinery is
25 framing. construction and the different detailed drawings which are needed to
Polyurethane upholstered seat and back pads
on dense foam padding fixed to fabric covered Laquered MDF frame with heavy duty illustrate the construction process.
1640
1300
300
clear laquer finished coat. (width:70mm)
MDF panel
Pendant lamp hung central to table. Research into the materials, as well as working out, through sketching,
Painted square mild steel table leg (note this is
the different level changes and how the shadow gap is shown,
203
1000mm above the table surface
100 different to the other table leg)
70 provided me with a greater understanding of how elements within the
Matt solid colour plastic laminate on MDF tabletop Fabric covered MDF panel (above seat design are properly illustrated within technical drawings.
PRODUCED BY AN AUTODESK STUDENT VERSION
255
with visible underside painted and a solid colour back and ceiling)
core laminate edge (square edge profile)
PRODUCED BY AN AUTODESK STUDENT VERSION
(thickness:50mm)
PRODUCED BY AN AUTODESK STUDENT VERSION
Polyurethane upholstered seat and back
pads on dense foam padding fixed to
2560
2263
2110 610 2110 610 2110 610 2110 Pendant lamp hung central to table. Height from fabric covered MDF panel.
600
200 table surface is 1000mm
200
Matt slid colour plastic laminate on MDF
tabletop with visible underside painted
Plan of Booths, using AutoCAD. 10670 and a solid colour core laminate edge
1000 (square edge profile) (width:70mm)
250
75x 150mm anodised aluminium fliptop
power and data access point to sit flush
to table surface.
100
Painted square mild steel table leg (note PRODUCED BY AN AUTODESK STUDENT VERSION
10670 Recessed Cornice, cladded with
340
this is different to the other leg)
Douglas Fir shiplap timber boarding
with a white oiled finish on 12mm Cable circulation in this hollow lower leg.
plywood. Power and data cable from raised floor
320 320
187
1220 and accessed via 100mm diameter hole
1870 850 1870 850 1870 850 1870 Douglas Fir shiplap timber boarding 56 under leg.
(145x 19mm - however 10mm is
hidden when the boards are layered
MDF with 2.5mm smooth rubber sheet
on top of each other and therefore finish (Floor and upstand)
200 200 the widths appeals to only be
2110 610 2110 610 2110 610 2110 135mm)
Removable 200x 300mm rubber clad
aluminium access hatch sat adjacent to
Laquered MDF frame with heavy inside of this leg.
PRODUCED BY AN AUTODESK STUDENT
duty clear laquer finishing coat.
25
1364
10000
PRODUCED BY AN AUTODESK STUDENT VERSION
(width: 70mm)
70
69 70
Pendant lamp hung central to table. 70 67
Key:
1000mm from the table surface
100
Douglas Fir shiplap timber
boarding
Matt solid colour plastic laminate on 262 600 262
MDF tabletop with visible underside
67
Lacquered MDF frame with
1920
70 88 100 100 88 70 heavy duty clear lacquer
painted and a solid colour core finished coat.
2560
laminate edge (square edge profile
12
12mm plywood backing
50mm)
ESBS
1640
50
50
MDF
GENERAL NOTES: Project name / Site address: Drawing Title: Project no.: Date:
Polyurethane upholstered seat and
· Do not scale this drawing Project 6- Part C Group Plan Project 6C 04/12/19
· Verify all dimensions before commencing work back pads on dense foam padding
and report suspected discrepancies or
fixed to fabric covered MDF panel. Drawn by: Checked by:
25
340 ·
omissions
All dimensions are in millimeters Client: ESBS SAM Section of Booth, using AutoCAD. Material junction Detailed Drawing, using AutoCAD
Ella Simeon Interiors Painted square mild steel table leg
100 15 Varna Road, KLC School of Design Scale: Revision:
SW6 7LB, 100x 100mm
Fulahm, London T:_07746102672
Sheet Number:
001 1:50@A3 PRELIM
PRODUCED BY AN AUTODESK STUDENT VERSION Recessed Skirting, cladded with
ESBS
Douglas Fir shiplap timber boarding
Elevation of Booths, using AutoCAD.
Notes: GENERAL NOTES: Project name / Site address: Drawing Title: Project no.:
100 Date: 19 38 19 140
with a white oiled finish Type_Notes
on 12mm · Do not scale this drawing Project 6- Part C Vertical section of booth Project 6C 1204/12/19 24
plywood. · Verify all dimensions before commencing work
and report suspected discrepancies or Drawn by: Checked by:
omissions Detailed section 1:2
01
· All dimensions are in millimeters Client: material junction detail 131 ESBS SAM 69 70
Ella Simeon Interiors
15 Varna Road, KLC School of Design Scale: Revision:
SW6 7LB,
Fulahm, London T:_07746102672
Sheet Number:
003 1:20@A3 PRELIM
PRODUCED BY AN AUTODESK STUDENT VERSION06 Fulham Palace Garden Centre, London.
Mixed-Use Design.
Proposed Plan for The Palace Gardener and Glasshouse Cafe, using AutoCAD. Visual illustrating proposed cafe counter using AutoCAD and Photoshop.
The brief was to reconfigure the Fulham Palace Road entrance, so it provided
flexible and appropriate access to both parts of the business: The Palace
Gardener and Glasshouse Café.
As commercial designs’ main focus is to influence human behaviour and
experience, my initial interpretation was to create a space which had a strong link
between the retail space and the cafe, by ensuring there was a natural flow from
one zone to the other. Additionally, I provided a secure flexible solution, which
allowed the zones their own entity.
My intention for the space was to celebrate the existing structure and enhance the
visitor interaction of the surrounding environment.
Taking inspiration from the surrounding area, in particular the cells and leave of
a plane tree, the local tree, provided an appropriate visual representation of how
the community both celebrates individuality and the value of working together; this
influenced my tagline ‘balanced unity’.
Materials used within cafe and around the Retail Sales Point. Sketch illustrating the retail sales point. Visual illustrating proposed cafe design, using Sketch Up and Photoshop.Ella Simeon Design
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