Outside In exhibition catalogue 2018 - St Vincent's Private Hospital ...
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Outside In
exhibition
catalogue
2018
Outside In
Outside In is a vibrant exhibition that reflects our founding vision
“The art really lifts to provide those in our care with a connection from the hospital to
the spirit of the the outside world. Art works provide opportunities for reflection and
contemplation, and engage memory and recognition, inspiration and
hospital” motivation.
This year across both St Vincent’s Private Hospital Brisbane and Holy
Spirit Northside Private Hospital, 43 artists and groups are exhibiting art works reflecting the Outside In
theme, through depicting encounters with people, places and experiences beyond the hospital itself.
In 2018, over 600 artworks will be loaned from 43 artists and groups for exhibition throughout St Vincent’s
Private Hospital Brisbane and Holy Spirit Northside Private Hospital.
We encourage sales of these art works and a 20% commission will help us develop our Arts Program further.
If you are interested in purchasing an art work, please visit our main reception.
For further information on our Arts Program, or if you are interested in exhibiting in future,
please contact Fiona Forrest, Arts Program Curator, at fiona.forrest@svha.org.au
St Vincent’s Private Hospital Brisbane and Holy Spirit Northside Private Hospital are part of the St Vincent’s Health Australia group.
As a Catholic healthcare service we bring God’s love to those in need through the healing ministry of Jesus.
We are committed to providing compassionate and innovative care, enabling hope for those we service, especially those who are
poor or vulnerable. We draw on the talents of our people and collaborate with others who share our vision and values.
2 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 3
Artists and exhibition locations
St Vincent’s Private Hospital Brisbane
Block 1, January to July 2018 Location Block 2, July 2018 to January 2019
Lynette Tilt (February to June) Lesley Kendall (June to September)
Ground floor entrance corridor Kim Herringe
Tony Walker
Joe Ruckli (October to January 2019)
O
utside In is a unique art exhibition program that generates a distinctive welcome Wendy Bennett Lizzie Connor
to our hospitals. Partnership with over 40 artists ensures that public spaces and Floor 1, rehabilitation and
Terry Memory Perrin Millard
wards in our hospitals are transformed with exhibitions of original artwork. This year Chapel corridor
has seen the expansion of Outside In exhibitions into Holy Spirit Northside Private Geraldine Wheeler Cielle van Vuuren
Hospital, building on four successful years of the program at St Vincent’s Private Hospital Beatrice Prost Floor 2, general medicine Gabi Mika Mc-Naughton
Brisbane.
Debbie Mack Roslyn Howse
The art exhibitions enliven the hospital environment and bring beauty, colour and vibrancy.
Importantly, the art invites the viewer to engage a greater sense of well-being through the Floor 3, palliative care Cecily Slade
Graham W. Smith F.R.Q.A.S.
inspiration it offers. Susan Wishart
Our theme Outside In aims to bring depictions from the outside world into the hospital, Tricia Reust Jennis Ardern
enabling patients to connect with their own experience and memory of natural beauty in their Floor 4, medical
Terri Vidler Felicity Clarke
motivation and recovery to health. Outside In continues to create a dynamic environment for
healing and the program of changing exhibitions provides new interest for patients and staff. Tiffany Warner Floor 5, pain management Nicola Duncan
Outside In artists understand the contribution of their art to the healing of our patients and Tony Walker Floor 6, interim care Logan Artist’s Association
well-being of staff and visitors, and generously share their creativity with us. I would like to Floor 8, Brisbane Centre for Pain
thank each of the artists that contribute to our hospital by loaning their artwork for exhibition. addSALT: Jennii Gould and Kate Bray Stewart Free
Management
As you visit our hospitals, I encourage you to explore and enjoy the richness of the
exhibitions.
Holy Spirit Northside Private Hospital
Block 1, January to July 2018 Location Block 2, July 2018 to January 2019
Cathy Gilday Lindsay Farrell
Daniele Doyle Donna Henery Ground floor, Ward GA
Chief Executive Officer Abramo Papp
Sandra Pearce
Holy Spirit Northside Private Hospital
St Vincent’s Private Hospital Brisbane Maxwell Butler Ground floor corridor Helle Cooke
Fiona Paterson
Floor 1, Ward 1C Kirsty Kennedy
Anne Yang
Vanessa Bertagnole Floor 1, corridor Anne-Louise Ciel
Wendy Rix Paula Payne
Floor 2, outside Intensive Care Unit
(January to August) (September to January 2019)
Kay Watanabe Floor 2, entrance corridor Jennifer Hudson
4 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 5
Lynette Tilt
Lynette Tilt is a Brisbane-based artist creating stylised
artworks and jewellery inspired by both natural and man-
made environments. Her current focus is on movement and
change within the environment. Her stylistic paintings border
at times on abstract and are reflected in her jewellery.
Lyne is also the creator and operator of LyneArt Designs and
has her work in a variety of locations including Brisbane,
Dayborough and Mt Tamborine.
It is her hope that her artwork brings joy and inspiration to
those who view it. Lyne regularly shares her artwork and
progress via Instagram and Facebook and would love to
St Vincent’s Private Hospital Brisbane
engage with you there.
instagram: lynetiltart_lyneartdesigns
facebook: LyneArtDesigns
Block 1, 2018
Exhibition location: ground floor, entrance corridor
Tony Walker
Tony Walker’s expressive style in watercolour and acrylic
inks on paper and canvas is interpretive, going beyond
impressionism to explore spirit, mood and the character
beneath the surface of the landscape or figurative subject.
Tony travels widely on ‘en plein air’ painting trips and to
participate in Urban Sketchers’ events in cities worldwide.
He is represented in galleries in Australia and overseas. Most
recent awards include: Best Watercolour Brisbane Rotary
Art Spectacular 2017; first prizes RQAS Brisbane ‘Town
and Country’ exhibition June 2016; Watercolour Society
Qld Annual Exhibition 2015; and, selected to exhibit his
watercolour painting in the prestigious FabrianoInAquarello
exhibition in Fabriano, Italy, in May 2018.
He provides workshops in ‘Expressive Watercolour’ and
‘Urban Sketch’ (pen/acrylic ink) periodically at venues in
Brisbane.
www.tonywalker.com.au
facebook: tonywalkerartist
Exhibition location: ground floor and floor six, Interim Aged Care
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Wendy Bennett Geraldine Wheeler
Wendy’s work is based on her photography and sketching Geraldine Wheeler is a retired minister of the Uniting
during walks in nature, the everyday and travelling. She Church in Australia who has been using images as visual
looks for interesting trees, collections of leaves, reflections, interpretation of scripture to complement preaching and
water and abstract forms. What she notices in everyday teaching in words and as a means of entering into prayer
life can be something everyone will walk by unnoticed. It and meditation for several decades.
surprises the viewer of her work, as they may take no notice
of some frozen weeds at the side of the road with beautiful For this exhibition, Geraldine presents a range of her
green and purple crystalline hues. gouache stencil paintings on black Stonehenge paper. Some
draw upon visits to various places in parts of Europe, whilst
The rest of Wendy’s work comes from her intuition and others are part of a series based upon flora – “Patterns
emotions when viewing the world and struggling with her of Petals”. Another piece depicts Jesus healing blind
son’s disability, which she feels has given her more insight Bartimaeus, originally created for a Catholic Education
into what art can do for the artist and the viewer. Wendy can Lenten study book and then hung in the prayer room at
look at the mundane and turn it into a work of art, and see Stillpoint for some years.
beauty in everyday scenes.
Geraldine has drawn, painted and made prints from school
Wendy was born in London, UK, but has lived in Australia days, studying art at high school and taking adult classes
most of her life. After attending a special art high school with artists such as Clem Forbes, Wim de Vos and Michael
in Western Australia, she studied graphic design at Curtin Winters. She is three times winner of the Maleny Art Awards
University, and worked in advertising. Christian Theme section and is founder/co-ordinator of
the ecumenical group of artists in South East Queensland, Exhibition location: floor one, Chapel and link corridor
Aspiring to be an artist from a young age, for last twenty “Visionaries”.
years Wendy has been creating art while being a mother to
twins. Wendy has worked in health for the last 14 years in Her Ph. D. thesis (ACU 2004) examined the possibilities for
children’s hospitals. the role of visual art within the theological understanding of
the Reformed Tradition of Christianity.
Exhibition location: floor one, Rehabilitation facebook: wendybennettartist
instagram: wendybennettartist
Terry Memory Beatrice Prost
Terry Memory is a Brisbane-based photographer who French born Australian artist, Beatrice is creating poetic
is primarily interested in capturing either ideological images in her studio tucked in the Noosa hinterland. From
contradictions and ambiguities or natural beauty and form, an engineering career as a geophysicist working for an
often in a visually diffused manner. The subject matter for international corporation she decided to release her inner-
his work is wide, but typically genres include landscape, still creative voice and call Australia home.
life and figuration (human form). He is particularly interested
in, and drawn to, the monochromatic pictorialist style that Starting less than a decade ago, her practice is twofold.
dates from 1890-1920 and alternative printing processes She paints large aerial views of our planet to the point of
such as platinum and palladium printing. abstraction. Her works are gestural, textural and energetic
as she interacts with mixed media layers using wet-on-wet
With respect to colour imagery, Terry is drawn to modern techniques on her canvasses on the floor.
concepts portrayed in a painterly style. Thus, for his still
life and figurative work he seeks to contrast ideological The other side of her practice is to hand carve in her unique
contradictions, via subject matter, with emotional way her own original images of the Australian nature
overtones created via the chosen aesthetic style. Likewise, she resonates with. Carving lines and making marks in a
for landscape works, he finds the combination of the subtractive, erosive motion on rag paper requires a detailed
pictorialist style with colour philosophically interesting meditative precision. Beatrice opens up the narration, the
and aesthetically pleasing. A logical extension of these poesy and the music of each of her original pieces. Her
photographic styles is complete abstraction. language refers to a wide range of universal marks found
on topographic maps, tattoos, embroidery, lines and dot
For Outside In, Terry has assembled a collection of painting, lino carving techniques and more.
landscape and still life flower captures which vary in
style from realistic to painterly and through to complete With those irreversible unique mark makings, Beatrice
abstraction. All the images use natural light and were shot releases the raw surface from the ink to weave the stories
on location throughout Japan, New Zealand, Tasmania and captured into the images. Each of those marks is a new
Queensland. shard of light. She bridges the digital with the artist manual
touch in a unique way. Her artworks are all originals and Exhibition location: floor two, general medical
Exhibition location: floor one, Rehabilitation
collected in hospitals, council and private collections.
www.beatriceprost.com
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Debbie Mack Tricia Reust
Debbie moves slowly and listens to the land, feels her Much of Tricia’s work has a consistent Australian theme,
energy and rhythm. She observes the colours and moods being representations of Australian landscape, flora and
as they are slowly revealed to her. Debbie’s paintings are fauna.
about interpreting these emotions and observations as she
immerses herself in the landscape. Tricia creates her work through layers of collage and texture,
including text, which give depth and visual message in the
Debbie is dedicated to plein air painting and sketching works. Through this technique she invites speculation and
from life, and this process underpins all of her work. There contemplation from the viewer, through extending the time
is an unpredictability in working ‘en plein air’ that infuses they spend with each artwork.
the artwork with energy and tension. This is what she loves
most about the process. Tricia attended the Newcastle Art School for over two years,
holds a Basic Art Certificate from the Art Instruction School
She is constantly gathering views, flashes of moments and in Minnesota, USA, and is a graduate with Distinction from
imagery, and assembles her memories into simple and the Open College of the Arts, Queensland.
emotional interpretations of the beauty that surrounds her.
Tricia exhibits regularly in regional shows and competitions,
Debbie hopes her work will catch your eye and make since moving to Queensland from Michigan in 1987. She
you think differently about the scene, and perhaps, about is active in the art community, coordinated the Redcliffe
painting. Regional Youth Art Awards with artist and friend John
Robinson (1997-2007) and was the inaugural Chair of the
Debbie has exhibited widely in Queensland, recently as part Scarborough Fair Arts Association Inc. Tricia teaches, and
of the Lethbridge 10000 Art Awards as a Gallery Exhibition presents workshops throughout Australia and overseas.
Finalist, the RNA Exhibition, Brookfield Show, Percolator
Gallery and the State Library of Queensland’s “Peace and She is a Master Pastellist with the Pastel Society of Australia
Quiet Exhibition”. She has also exhibited in the U.S. at the (PSA) Inc. and a member of Artists in Redcliffe; Redcliffe Art
Brooklyn Art Library and Artbox Project Miami 1.0. Society; Visionaries; and the Moreton Bay Arts Council.
Exhibition location: floor three, Palliative Care Exhibition location: floor four, general medical
www.debbiemack.com www.triciareust.com
www.ozpastels.com
www.colourinyourlife.com.au
Graham W. Smith Terri Vidler
F.R.Q.A.S. Master Pastellist Terri Vidler was born in Brisbane and spent many happy
weekends and holidays visiting the Gold Coast and
Graham’s main oeuvre is landscapes and seascapes, but in Sunshine Coast as a child.
the 2017 Doug Moran National Portrait Prize his oil painting
of “Silver Steve” was one of 200 semi-finalists out of 1200 She has a great love for classic Queenslander style homes
entries Australia wide. – and the simple retro fibro beach houses at the Coast – a
natural topic for her painting today and her most popular
He has held workshops in Queensland, New South Wales, artwork with art buyers.
South Australia, Tasmania and Western Australia, and has
tutored at the Regional galleries of Bundaberg, Tweed River Terri’s preference is for stylised paintings – done in bright
and Bunbury. He has contributed over 17 tutorial articles happy colours. They are not painted on site or from
as well as 60 monthly “Art Tips” columns for the Australian photographs but are imagined places using various favourite
Artist magazine. His TV programme “Arts Masterclass”, home styles familiar to her. For Terri, it’s about the colours,
shown over 12 episodes on Briz 31, was seen in Brisbane, memories and charm of these houses.
Sydney and Melbourne, and he also ran a twice weekly Art Remember ‘clothes prop’ clothes lines in backyards? Old
Tips segment on Bay FM radio, Brisbane. His work is in the fashioned water tanks on timber stumps? How about cheap
collection of the Sunshine Coast Regional Gallery and Pine and cheerful holidays in little fibro weekenders at the Coast?
Rivers Gallery. Some of these houses still survive, but they are disappearing
In 2004 he became a Master Pastellist with the Pastel quickly... for ‘progress’. Ah… memories!
Society of Australia, and the Pastel Society of America in Terri loves it when an art buyer connects with one of her
New York awarded him a scholarship in 2005. In 2015 the paintings. “I always hope they get as much enjoyment from
Royal Queensland Art Society awarded him a Fellowship to them as I do from creating them”, she says.
the Society and he has created over 2750 works across all
mediums and judged many art shows. In 2018 his work will Terri is a member of Art St. and more of her art can be seen
Exhibition location: floor three, Palliative Care be exhibited in Fabriano, Italy. at www.artst.com.au Exhibition location: floor four, general medical
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Tiffany Warner
Most of Tiffany’s photography is shot in and around the
Redland area, and she feels very fortunate to have found
this magical place since moving from Melbourne in 2010.
She enjoys the bayside and bushy lifestyle, full of amazing
flora and fauna which makes for a wonderful backdrop for
portraits, landscapes and the amazing Wellington Point
sunsets.
Tiffany has won awards for her work through Scattered
Arts, Light Space and Time, and has had work published
by Redland City Council, Redland City Bulletin, Weekend
Notes, and the Bureau of Meteorology. She has also had
extensive exposure via numerous social media platforms via
St Vincent’s Private Hospital Brisbane
Tourism Australia, Tourism Queensland, Northern Territory
Australia and 612ABC Brisbane.
In 2017 she obtained a Diploma in Fine Art Photography
and exhibited at the Ekka Queensland Show, Nundah Art
Block 2, 2018
Show, produced the annual Wellington Point Calendar, as
well as presenting her first Outside In exhibition.
Exhibition location: floor five, pain management
addSALT
Jennii Gould and Kate Bray are two Brisbane-based artists
who aim to bring zest, pattern, colour and vibrancy through
their artwork. Their joint exhibition addSALT brings together
the far away Italian shores and the closer shorelines of
Redlands Bay and North Stradbroke Island. Mingling the
vibrancy, colours, patterns and the rhythm of all things salty.
Fishing villages, days at the beach, fish and chips, seagulls
and walks by the ocean.
In their artwork the viewer might find a safe place to
connect, explore and even escape into another world. They
hope that memories might be triggered that hark back to
times of freedom, fresh air, fun and familiarity.
Jennii and Kate met at TAFE while studying for their
Diploma of Fine Arts in 2013 and have since become firm
friends, encouraging each other in their respective creative
journeys.
Jennii, a published children’s book author and illustrator,
has a passion for interpreting and visually recording her
immediate environment in delightful, unexpected, colourful,
fun filled ways. Jennii’s addSALT work is vibrant and
energetic, filled with life, movement, patterns and rhythm
and invites the viewer to participate.
Exhibition location: floor eight, Brisbane Centre for Pain Management Kate uses a variety of mediums and techniques drawing
inspiration from the coastal environment of Redlands Bay
and North Stradbroke Island.
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Lesley Kendall Kim Herringe
Inspired by the natural world, Lesley Kendall creates Printmaking is Kim’s passion. It is her respite. It is her
artworks from what she sees around her. second love.
In February, she completed a two-year residency at the Mt Printmaking gives Kim a space of calming respite from a
Coot-tha Botanic Gardens, where she used its rich diversity culture of haste and automation. She loves combining the
of plants and birds as her inspiration. She paints botanically meditative craft of relief and intaglio printing with capturing
inspired paintings. the slower pace of life in the natural world as the subject
of her work. In her experiences of nature and its translation
Quiet, solitary walks in the garden are a central part through the act of printmaking, she is reminded to be still
of her creative process. Plants are seen as objects of and present in daily life.
contemplation.
Kim is the wife of a contemporary war veteran and she
This exhibition includes a series of paintings from this feels that her printing practice gives her respite from the
residency, which have been created using watercolours, ink sometimes chaotic world of the PTSD that they both live
and natural materials. with and manage.
www.lesleykendall.com In a culture of haste and automation, the natural world
instagram: #rustlingleaf encourages us to be still and present. In a built and enclosed
facebook: a year in the garden – les kendall environment, art can bring this natural world, its stillness and
calming qualities, inside. Exhibition location: ground floor, entrance corridor
Kim is a printmaker working with intaglio and relief
printmaking, and letterpress. She is a member of Maleny
Printmakers, Flying Arts, NAVA and Arts Connect Inc. This is
her second Outside In exhibition, and she has also exhibited
on the Sunshine Coast.
Exhibition location: ground floor, entrance corridor
www.kimherringe.com.au
Joe Ruckli Lizzie Connor
Joe has long been drawn to the otherworldly quality of Lizzie’s exhibition presents the happy times most of us have
sunlight in Australia. Through it, the sidewalk becomes an experienced at the beach, both as children and adults. From
uncanny stage where characters momentarily emerge and holidays and surfing safaris to newly discovered breaks,
disappear under its radiance. Striking the cities windows winter beach walks, and of course, beautiful summers’ days
and walls, its cast both blinds and bathes the curb below. at the beach.
Directed only by chance and unfolding for a fleeting
moment, Joe has waited for these anonymous protagonists Enjoying a number of mediums, Lizzie uses acrylic, water
to step into the spotlight during these flashes of luminous colour, oil paint, and a range of drawing media – and taking
intensity. With the rest of the city lost in shadow, each from nature, she often incorporates elements from her
character wanders into the unknown. environment for a more tactile mixed media experience.
Painting in the colours of the ocean – blues, turquoises and
For this exhibition, Joe creates a visual conduit between the violets – Lizzie’s work promotes a feeling of calm, well-being,
hospital and the city street beyond. He has captured the relaxation and fun.
vibrancy of the CBD that can be seen from a distance from
the hospital grounds. Originally from Sorrento in Victoria, Lizzie has lived in many
places including Western Australia and the Coffs Harbour Exhibition location: floor one, Rehabilitation
Joe is currently a PhD Candidate at the Queensland College area, and now Mudjimba on the Sunshine Coast. Lizzie
of Art, where he is also a sessional lecturer. As part of is a professional artist with a diverse career comprising
Joe’s doctoral research titled “The Lived Experience of the numerous solo and group exhibitions, as well as running
Medical Encounter”, he is spending time with our patients classes and workshops from her home studio and venues
capturing how it feels to live a life (both temporarily or around South East Queensland, and leading international
indefinitely) dominated by medical practice. Through this group tours and workshops.
process Joe aims to give voice back to the patient through
documentary storytelling. Lizzie has a Bachelor of Art (Fine Arts) from Curtin University,
W.A., and is a current member of the Australian Society of
https://www.instagram.com/__skippy__/ Marine Artists and Royal Queensland Art Society.
Exhibition location: ground floor, entrance corridor
www.lizzieconnor.com.au
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Perrin Millard Gabi Mika-McNaughton
Perrin’s art is influenced by observations made during a Gabi is fascinated with the array of flowering trees and
long standing nursing career - a recognition that when life shrubs in our tropical Brisbane Spring and Summer. Some
is at a low point the more we reflect on what holds value. are not necessarily endemic to Brisbane, such as the
When all that is superfluous falls away, the beauty of nature Poinciana or Jacaranda, but seem permanently etched into
seems to bring an element of peace. Drawing on historical this beautiful city’s landscape.
and contemporary art, Perrin looks at nature, landscapes,
and humanist experiences, focusing on how light, colour, These colourful flowers provide inspiration to Gabi’s new
and images effect our emotions and our memories. body of work, shown for the first time in this Outside In
exhibition.
In this exhibition, Perrin presents a study of the depth and
atmosphere of sky and clouds. There is something unique Gabi was born in Christchurch, New Zealand, in 1963 into
about the sky, as you look at centuries of its representation, a family of painters and singers. She emigrated from New
is it is one of the few things in the world that is holistically, Zealand with her family to Australia to study fashion/textile
predominately unchanged by the passage of time, yet it design at the National Art School in 1980.
changes minute by minute. This collapsing of time allows us
After a career in fashion, photography, and interior design, in
to understand our place in the world.
2009 Gabi decided to concentrate on painting full time. She
Perrin Millard has an evolving art career based on a decade is a prolific painter and multi award- winning artist. In 2014
of traditional art training followed by a visual art education won ‘She’, an Australian national art prize for Women and
at Queensland College of Art (QCA) Griffith, were she has has been a finalist in many prestigious national and state art
been awarded an Academic Excellence award in 2015 and prizes. Exhibition location: floor two, general medical
2016. Perrin teaches art classes at Lilly-Lee Gallery and has
www.gabi-mikamcnaughton.com
been actively involved in numerous exhibitions over the past
decade, including two shows in 2018 at Percolator Gallery
and POP Gallery.
Exhibition location: floor one, Chapel and link corridor
www.perrinmillard.com
Cielle van Vuuren Roslyn Howse
Cielle is a Zimbabwean-Australian emerging visual artist A nature lover since childhood Roslyn studied biology
and art therapy student. She immigrated with her partner and worked as an environmental scientist for 20 years in
and son from Zimbabwe to Brisbane in 2008. Gladstone. Work included guiding industries and councils
to manage their impacts and research studies of mine site
Settling into a new environment reignited her passion impacts (Mt Morgan).
for nature as place, a heritage from time spent in the
Zimbabwean bush amplified by her experiences of Retiring to Brisbane in 2012 provided the opportunity to
Queensland’s environment. Concern for and celebration of indulge in painting. Jane James taught Marine Science at
nature are key elements of Cielle’s recent work. She uses the Brisbane Institute of Art and she was a huge inspiration.
an experimental approach across printmaking, drawing, Within six months of weekly lessons, paintings emerged
eco-dyeing and new media; often engaging with visually which provided great joy and pride. Roslyn hasn’t stopped
seductive ephemeral materials like tea bags, silks and painting since.
thread.
Roslyn has regularly exhibited at Percolator Gallery, Aspire
In this exhibition, Cielle presents her eco dyed silk works, Gallery, RQAS and BIA since arriving in Brisbane. As a
printmaking pieces and photographs. The beauty of member of ArtSt she has exhibited twice in the Art Space at
leaves, flowers and delicacy of details such as spider the Royal Brisbane and Women’s Hospital. Prior to moving
webs connects the works, providing an uplifting feeling as to Brisbane, Roslyn had exhibited mosaic works, bead
experienced in walking in the botanical gardens, in a forest, sculptures and photographs at the Gladstone Art Gallery and
or among community gardens. Museum. Five entries were accepted for the annual Rio Tinto
Alcan Martin Hanson Memorial Art Awards (2008 to 2016). Exhibition location: floor three, Palliative Care
Since completing her Bachelor of Fine Art degree at
Queensland College of Art, Cielle commenced postgraduate This collection of paintings was chosen to represent
studies in Art Therapy at the Miecat Institute, Melbourne. Australian seascapes and landscapes. It is hoped that every
She finds this enriching for her arts practice and personally, patient will be able to say “I’ve been there!” to at least one of
and subsequently desires to use art making processes and these paintings. Just a couple of those big lovable animals
group participation to enhance community connectivity have wandered in for a visit.
Exhibition location: floor one, Rehabilitation both interpersonally and to the natural environment.
www.artst.com.au/artist-roslyn-howse
instagram: @roslynhowseart
16 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 17
Cecily Slade Jennis Ardern
Cecily paints floral artwork from living flowers. Her paintings Jennis Ardern is an emerging contemporary artist inspired by
are built from many layers of oil paint, each one adding nature. She explores themes of growth, transformation, and
luminosity to the work. Strong contrasts, vibrant pure the interconnectedness of people and their environments,
transparent colour, intense detail and nuances of tone and with a particular love for Queensland. Jennis focuses on
light are a strong feature of Cecily’s work, as is a passion hope and love of life and uses bold colours and flowing lines
for good design as the basic structure on which the work is to convey the complexity and richness of life and the human
conceived. experience.
Cecily makes art because something makes her heart sing She says, “I believe as human beings we have an amazing
and she is so entranced by the intricate beauty of it that capacity to remake the world every time we open our eyes;
she wants to make it part of herself. Her work is uplifting, a complex network of senses, ideas and memories all come
intensely focussed and very time consuming as she together to create meaning in each interaction with person,
breathes life into it. place or object. It is incredible that there are meanings for
one person that do not exist for anyone else in quite the
When viewing these paintings you are invited to sink into same way. And this is what brings my landscapes to life;
the work, like a meditation, and open your heart to the they are mixes of experiences layering upon each other and
beauty and life energy captured within the bloom. all connected, memories and seasons out of order, the seed
and the tree together but all of it real. All of it meaningful.”
Cecily has won three Special Merit Awards for ‘Light, Space
and Time’ Online Gallery; Finalist in the Milburn Prize, Jennis has exhibited in numerous exhibitions throughout
Brisbane Institute of Art (2017); 2nd prize winner of the ‘Still Queensland since 2014 including: the Peace and Quiet
Life and Florals’ in the Australian Artist Magazine (March Exhibition at the Queensland State Library (2015-2016), as
edition, 2016); and, Finalist in the Lethbridge 10000 (2016 a finalist in the Rotary Art Spectacular (2016) and the Darcy
and 2014). Doyle Awards (2017).
www.cecilyslade.com www.jennisardern.com
Exhibition location: floor three, Palliative Care Exhibition location: floor four, general medical
facebook: jennisardernartist
instagram: jennisardernartist
Susan Wishart Felicity Clarke
Susan is a digital artist who creates art that is immersive, For over 15 years, Felicity has been a soft sculpture and
meditative and healing, as she works towards the mixed media artist, creating bespoke accessories and
intersection where the mind is engaged but peaceful at the artworks with needle felt and machine embroidery.
same time.
Her artworks range from textile landscapes, art quilts, 3D
The Subtle Energies in Nature comprises images shot in stitched sketches on sheer organza, multi-layered mixed
Queensland, with iconic landscapes such as Mt Cooroora media figures and lighting.
in Pomona, Gardners Falls in Maleny and Magnetic Island,
alongside others from travels, connecting with nature in Felicity’s primary inspiration comes from replicating images
Melbourne and the United Kingdom. In creating her work of nature and the world around us, using many non-
she selects the photographic image, then manipulates, traditional upcycled materials, along with recognisable
draws and add filters and effects to create a visual. fibres, textures and mediums in a 3d format.
Based on subtle energies – states of mind such as intuition, In recent times her work has also encompassed exploring
dreams, visions and déjà vu – Susan attempts to recreate internal landscapes of the mind and body, with work
what is in her mind’s eye. In the process, it evolves, until focusing on thermal and MRI imaging of the brain with PTSD
she reaches a point where memory and image match. and other mental health imaging.
Susan has a Bachelor of Media Arts from RMIT and a Felicity won the emerging artist award from Art From the
Masters in Digital Art from University of the Arts London. Margins in 2018, where she also volunteers, and was a
finalist in the RBWH Art Awards 2017. She has exhibited
www.susanwishart.com in diverse group exhibitions including with Art From
the Margins, Mental Illness Fellowship of Queensland,
Grace Arts Events, Australian Textile and Surface Design
Association and the Queensland Spinners, Dyers, Weaver
and Fibre Artists.
Exhibition location: floor three, Palliative Care Exhibition location: floor four, general medical
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18 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 19Nicola Duncan Logan Artists’
Nicola is fascinated by nature’s design, particularly the
infinite repetition with plants and flowers, and her digital Association
work reflects these shapes and patterns found in nature.
Nicola regards these shapes, patterns and colours of nature The Wednesday morning art participants at Logan Artists’
to be healing, calming and inspirational. Association are a wonderfully eclectic group. They come
from diverse backgrounds and have formed an extremely
Nicola came to art later in life, after a cancer diagnosis friendly and supportive unit where everyone feels safe to
in 2015. She found that when all else falls away and you experiment and hone their artistic skills.
spend time away from the world, time in rest and healing,
you discover what is truly important. Artists all work on individual pieces in mediums of water
colour, acrylic, oil, drawing and mixed media. It is truly a
“As part of my healing, I allowed my creativity to come to delight to be part of this and to witness the development
life – I thanked my inner critic for protecting me thus far, and experimentation of enthusiastic artists.
but made it clear that I no longer needed such protection.
I create for me first and foremost, to lose myself in nature’s Artists exhibiting:
beauty and bathe in the often surprising and delightful • Shelley Bagnall
results of letting your creativity lead you wherever it wants • Peter Biggin
you to go. If in the process of creating I can engage another • Connie Blunden
individual, draw them into my creation, causing them to
pause, breathe, reflect, reconnect, remember – or just smile, • Lyndell van Emmerik
then wow,” she says. • Debbie Hogg
• Colleen Lloyd
Nicola has been a participant in the Royal Queensland Art
Society Watercolour and Member’s exhibitions. • Pauline Meizer
Artist: Shelley Bagnall
• Lrae Tawse
www.nicoladuncan.com.au • Brian Toomey
Exhibition location: floor five, pain management
• Debaran Wright
Exhibition location: floor six, Interim Aged Care
Stewart Free
The actual process of painting delights Stewart, who enjoys
working in acrylics and is fascinated with the play of light on
surfaces, be it a small object, a landscape or an old house.
For his third Outside In exhibition, Stewart presents acrylic
paintings of familiar Brisbane street scenes and Brisbane
back fences with local colourful creepers. Subjects that will
be known to most.
Artist: Lyndell van Emmerik
In addition, some paintings are from his recent trip to India.
Stewart is a Brisbane-born artist who has studied under
several of Brisbane’s respected artists, including Mervyn
Moriarty, Roy Churcher and Shealagh Mee, at Brisbane’s
famous ‘Flying Art School’ (Eastaus) in the 1970s.
Between 1975 and 2008 Stewart’s professional obligations
took precedence over his painting, however he kept painting
and completed many private commissions.
Upon retiring in 2008, he returned to his art school roots
and joined the Brisbane Institute of Art, Windsor, where
he studied under Paul Milburn (with whom he had a very
successful two-man show at White Canvas Gallery), David
Paulsen, Sally Cox and Nameer Davis.
Exhibition location: floor eight, Brisbane Centre for Pain Management Artist: Debaran Wright Artist: Lrae Tawse
20 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 21Photography: Joe Ruckli 22 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 23
Cathy Gilday
Cathy finds inspiration in the everyday, from many
different avenues, and her creativity is inspired by personal
experiences. She paints in a style that allows her to express
her feelings and emotions – predominantly in a semi-
abstract or abstract style, and in some cases verging on the
surreal.
The majority of Cathy’s works begin with simple charcoal
lines and are then continued with acrylic paint. However, she
enjoys the use of a mixture of mediums and she is always
open to experimentation with new techniques and products.
To create depth and tonal value, Cathy uses multiple
coloured glazed layers in her paintings, which is a slow but
Holy Spirit Northside Private Hospital
rewarding process.
Cathy has been involved in many group exhibitions across
South East Queensland and is currently a finalist in the Art
Lovers Australia 2018 Art Prize on the Gold Coast.
Block 1, 2018 www.cathygilday.com
Exhibition location: ground floor, ward GA
Donna Henery
Donna Henery is a young and passionate emerging artist
whose work brings fun and imaginative imagery into her
exhibition.
Donna’s watercolour paintings mostly focus on cat-like
characters, a naturally outdoor animal, and places them in
human clothing, along with magic-realistic situations. The
characters and their interactions within the paintings are
open to interpretation, but commonly convey internal healing
in a hurt world. Many of these situations concern growth,
energy, and our animalistic connection to the Earth.
As a current business/fine art student, Donna enjoys
creating new art pieces in her free time, combined with her
creative writing experience. She also creates for educational
purposes when the opportunity presents itself. Much of
Donna’s original work consists of watercolour art and
illustrations, and comic-style art. She also designs her own
t-shirts and postcards, using original illustrations combined
with creative writing.
Exhibition location: ground floor, ward GA
24 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 25Sandra Pearce Fiona Paterson
Sandra is a maker of artist books, printed imagery and For Fiona Paterson, “From drought and flooding rains”
paper installations incorporating distinctive textural and speaks volumes. Weather has played across the surface of
colourful monoprinting techniques. the Australian Landscape and created masterpieces that
have captured photographer’s hearts for many years. But to
Her work examines the notion of boundaries, Fiona, this has inspired her to paint.
domestication, and the commodification of natural
landscapes, focussing on nature-human conflicts. She is Fiona loves the creative lines that flow outward and inward
particularly interested in the impact of urbanisation on the across the scenes. The way disasters have changed the
biodiversity of native wildlife and plants. colours and contours of our land taps into her imagination
and adds a new dimension to the mediums she loves. She
The work in this exhibition features bird species that people can roll with ink and acrylic, spray and flick too, sponge
frequently encounter in their day-to-day lives. Many birds and scrape on texture. Then finish off with the soft vibrant
live and thrive amongst humans and we love to watch them, pastels that pull it all together. So whether she paints at
listen to their song, and feed them in our backyards. In the horizon or from above, the story of our country travels
urbanised areas birds are our most dynamic connection to along mountain ranges, coastlines and breaks banks to flow
the natural world. Through their accessibility, urban birds through the contours in many directions.
can ‘open the door’ for city residents to develop a broader
interest in the conservation of wild nature.
All of the works incorporate Sandra’s colourful monoprinting
techniques, using found materials including plants and
stencils to create one-of-a-kind and often unexpected
images, reflecting the textures and patterns of the world
around us.
www.sandrapearce.com.au
Exhibition location: ground floor, ward GA Exhibition location: floor 1, ward 1C
Max Butler Anne Yang
Max Butler has travelled all over Australia for seven years in Anne began painting in 1998. She paints in both pastel
his van Morrison, taking hundreds of photos of the everyday and oil from her home studio in Cooroy, Sunshine Coast,
countryside. At home, he transforms these sometimes dull Queensland.
photos into brilliant paintings, avowing that those colours
are actually there if we look close enough. Anne delights in the beauty of nature, be it the rugged
beauty of the bush or the delicacy of a flower, and she paints
Max simply calls all of his paintings “My Country” and in response to this emotional connection. Painting outdoors
numbers them in the order in which they were created. en plein air is where she feels most connected with the
He has sold over 500 paintings, most of which are from environment, and really enjoys this both in the physical and
this series which at present numbers 442 paintings of this emotional sense. This combined with a love of adventure
country he loves so much. He hopes the paintings will and travel has led Anne to paint in Australia, New Zealand,
remind you of places you have been or want to visit in the USA, Spain and Portugal.
future.
Anne finds the immediacy and vibrancy of the soft
Max began exhibiting his art in Toowoomba and Miles pastel medium to be the perfect artist’s tool to portray
and then at various exhibitions throughout Brisbane, as the contrasting variety of colour, texture and form in the
a member of Royal Queensland Art Society and Artists landscape and the illuminating power of sunlight. Her
Guild of Australia. He exhibited regularly at the Ascot State expertise in this medium was recognised by the Pastel
School Art Show where he was Principal for ten years. The Society of Australia in 2014 when she was awarded the
Ascot State School P&C Association has sold over 250 status of Master Pastellist.
prints of his painting “School Days at Ascot”. In 2009, he
began exhibiting at Martin Galleries at Nundah. Anne’s work is represented by the Montville Art Gallery, Main
Street, Montville.
www.anneyang.com.au
Exhibition location: ground floor, corridor Exhibition location: floor 1, ward 1C
26 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 27Vanessa Bertagnole Kay Watanabe
Vanessa Bertagnole is an award-winning photographer, Kay Watanabe is a Brisbane-based visual artist with her
artist and Arts Management professional. Her work is main medium being printmaking, and she has recently
mainly concerned with the elusiveness of memory and diversified into painting, drawing and sculpture. Born in
mediated forms of communication. Tokyo, she moved to Australia in 2005.
Digital Disruptions is a series of bright and colourful Often Kay’s artworks are themed around humanity’s
landscape images juxtaposed against a black dropdrop relationship, both amongst themselves and with their
that have been glitched to reference abstract paintings. environment. To express these themes, she frequently
Vanessa’s work is an exploration in painting with pixels chooses plants and planets as her motif, as she becomes
and exploring the liminal spaces between converging more humble about a human being’s relationship with their
digital worlds. Glitch Art or databending, involves manually surroundings. She focuses on the beauty of nature, which
tweaking and recoding an image’s raw data to create amazes people and, which, at the same time, might make
obscure and unpredictable visual effects. Still images them feel humble, spiritual and possibly scared.
are reconfigured using various digital media – video,
phones, computers and projectors and then materialized Kay actively exhibits in shows and art fairs in Australia
in new photographic form. By disrupting the digital code and internationally, which includes her solo shows in
and constant stream of digital imagery pervading our Tokyo in 2016. Her works have also been selected for
everyday lives, these images allow for quiet reflection numerous shows and she was awarded various awards and
and contemplation on the convergence of media now commendations. Most recently in October 2017, Kay was
commonplace in modern society. awarded third place in the New York International Miniature
Exhibition location: floor one, corridor
Print Exhibition to which over 600 works by 235 printmakers
Vanessa regularly exhibits throughout Australia as well around world were submitted.
as overseas. She has been a finalist in many national
and international art prizes and most recently she was Kay teaches printmaking through various organisations,
selected as a finalist in the 2017 Olive Cotton Award for including Queensland’s art peak body Flying Arts Alliance,
Photographic Portraiture and for the William and Winifred Artisan, State Library of Queensland and the Brisbane
Bowness Photography Prize. Vanessa’s work is held in Institute of Art.
various private collections throughout the world.
www.printmaking8.wix.com/kaywatanabe
www.vanessabertagnole.com
Wendy Rix Exhibition location: floor two, entrance corridor
Wendy is a Yuwaalaraay woman – her family are from a little
town called Goodooga in north west NSW, however she
lives in Redcliffe. She paints in a contemporary, Indigenous
style, mostly using acrylics on either canvas, timber,
furniture, walls, concrete...
“I try to paint what I cannot express in words. The feelings
of hope, love, overcoming obstacles, family stories,
challenges. I paint from my heart, from my spiritual place,
and I use Baayami (God) to help me. When I have to think
about a painting, I lie down on the couch, (push the dogs
off!) and close my eyes. I wait till my breathing has calmed
and my eyes are still and I say, ‘so God, what are we going
to paint’ … and he tells me, I listen, we paint,” she says.
Wendy’s first Outside In exhibition was at St Vincent’s
Private Hospital, and her work is part of the hospital’s
permanent collection. 2017 was an exciting and busy year
for Wendy, as she completed art workshops and large
scale murals in schools and neighbourhood centres. Her
work was commissioned to be incorporated into fashion
designs for Lifewear, Dezigna and Faebella, as well as the
Indigenous Australian Invitational Rugby Team and the
design the Australian Defence Force AFL jersey.
www.wensart.com.au
Exhibition location: floor two, outside Intensive Care Unit
28 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 29Lindsay Farrell
“Camino” (Spanish for “the way”) denotes a pilgrim walking
route. Lindsay’s exhibition Noosa Camino is a series of
images and reflections developed while walking in the Noosa
National Park. The images relate to Christian Spirituality
and the path that Jesus walked. These images of places in
the Noosa National Park become stations for reflection and
allude to the local place, prayer and the Christian story.
The Noosa National Park holds stories that are from the
sacred dreaming of the first Australians. The Noosa Camino
series seeks to respect those stories.
Lindsay Farrell was Associate Professor in Art at the
Australian Catholic University for 24 years until his
Holy Spirit Northside Private Hospital retirement in 2017. He has a PhD from Griffith University in
Art Education and Spirituality. His work involves practice,
teaching and research in visual art. It engages the social,
ethical and religious dimensions of life and includes
collaborative projects with the Queensland Art Gallery and
Block 2, 2018 art in health.
In 2012 he was a Smithsonian Scholar in Washington DC.
He was awarded an Australian Learning and Teaching
Citation (2010) and the ACU Community Engagement Award
2009. In 2012 he was awarded the Vice Chancellors Staff
award for exceptional and valuable contribution to the ACU
Exhibition location: ground floor, ward GA
community. He has lectured in Art and Spirituality in UK,
Canada, USA and Australia. He has also had over 25 solo art
exhibitions overseas and in Australia.
Abramo Papp
In his third Outside In exhibition, Abramo presents a
collection of works from the Southern Moreton Bay region.
His works range from oil and acrylic painting on canvas, to
watercolours and acrylics on canvas paper.
Abramo’s new work consciously makes greater use of
colour, rather than just reproducing the world as we see
normally it.
Abramo is a retired architect who has re-ignited his passion
for painting which started in his teens. Since returning to his
art in 2006, water has been a constant source of inspiration
for his works mainly because he found that sailing and
being on or near the water was the only pastime which truly
relaxed him and took his mind off the stresses of work.
While gazing over water his mind would naturally drift into a
meditative state, reflecting on his inner-most thoughts and
feelings. His aim is for the viewer to experience these same
calming and reflective states as they gaze upon his works.
www.abramopapp.com.au
Exhibition location: ground floor, ward GA
30 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 31Helle Cooke Anne-Louise Ciel
Helle uses painting as language to investigate the notion As an expressionist painter, Anne-Louise is interested in
of home and sense of place. Balancing on the threshold how colour and shape can convey feeling without words or
of abstraction and figuration, she explores the liminal explanations. Her wish is to have the viewer interact with the
experience of home plurality and the endless activity of painting at a subliminal level, evoking emotion and thought,
wonder on finding oneself in a new place. Allowing the slow often both uplifting and peaceful, and she has a strong
process of painting to take agency, a sense of imagination, interest in the therapeutic power of colour.
analogy and memory takes place.
Anne-Louise first primes the canvas with acrylic in the
Recognisable figures and symbols are present yet narratives ‘base’ colour which sets the mood, then applies oil paint
remain ambiguous and non-prescriptive. Eschewing with a palette knife, each stroke creating movement and
traditional and inflexible notions of “home”, a concept of atmosphere. There is no pre-drawing so she must ‘find’ the
empathy and plurality opens spaces of multiple perspectives shapes by painting the negative space around them, often
within and in-between and fuels a quest for multifaceted creating a cut-out look. Lately she has been developing work
exploration. She welcomes the viewer in the activity. with figurative images interspersed with simplified flat planes
of colour, in a Modernist style.
Danish-born Helle has lived in Brisbane since 2007. Her
unique and international aspect is informed by her Danish Anne-Louise has exhibited extensively and has paintings
background, the element of transit, of being and feeling ‘in- in collections in France, England, Greece and USA. She
between’; and by everyday life in Australia, and her travels has had solo exhibitions at Percolator Gallery (2015, 2017),
around the World. group exhibitions at Jugglers Art Space and Aspire Gallery
(2017, 2018), and achievements including Finalist in the
In 2017, Helle achieved a Bachelor of Fine Art (Painting) Moreton Bay Art Award (2016), the Brisbane Art Prize (2017),
Exhibition location: ground floor, corridor at the Queensland College of Art. In the same year, she the Lethbridge 10000 (2014, 2015, 2016, 2017) and the Exhibition location: floor one, corridor
was involved in both group and solo exhibitions at the Rotary Art Spectacular (2017).
Woolloongabba Art Gallery, Jugglers Art Space, Nundah
Community Centre and QCA Project Gallery as well as www.annelouise-ciel.com
undertaking an artist residency in Denmark.
www.hellecook.com
Kirsty Kennedy Paula Payne
Kirsty creates new artworks in her ‘adapted verandah’ Paula’s paintings focus on sublime colour fields that have
studio, where she is able to effectively create, paint, hang great space and depth using emotive colour to provide
and store her works. opportunities for reflection, inspiration and contemplation.
Her work also speaks of the Australian light, and a cultural
For her first Outside In exhibition she has created a yet world-view of landscape. Paula’s intention is to evoke
new series of paintings. Mainly drawing on her own a spiritual connectedness reflecting on the beauty in the
experience of ‘outdoor life’ in South East Queensland, landscape whether it be stormy or serene.
Kirsty incorporates varied imagery of land and seascapes,
swimmers and abstractions, predominantly using the colour Paula’s diverse experience ranges from a practising visual
Blue in all of the paintings. artist and visual arts teacher and lecture, to curator and
project manager. Paula is currently undertaking a Doctorate
Kirsty’s artistic practice has expanded since retiring from of Visual Art at the Queensland College of Art, where she is
employment a few years ago. Since then her paintings have also a tutor in the Contemporary Australian Indigenous Art
been exhibited at various galleries and venues in Brisbane degree program.
including the Indooroopilly Library, Metcalf Gallery and the
Lockyer Valley Art Gallery. www.paulapayneartlife.blogspot.com
Her practice is encouraged through participation in a
weekly meeting with like-minded amateur artists at the
Brisbane Institute of Art.
Exhibition location: floor one, ward 1C Exhibition location: floor two, outside Intensive Care Unit
32 Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In Holy Spirit Northside Private Hospital and St Vincent’s Private Hospital Brisbane Outside In 33You can also read
