National Programmes 2019/20 - British ...
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It’s important that 2019/20 in numbers people right across the country are able to have 2,800+ objects loaned a relationship with the to 105 venues British Museum’s global collection. Sharing 1,500+ long-term loans objects, skills and ideas, the Museum connected 10 with more than 10 million million+ people outside of London people had the chance to see in 2019/20, helping to British Museum objects on loan, level up opportunity compared to 6.2 million visitors to throughout the UK. the Museum itself 9 specially curated National Programmes touring exhibitions
Sharing objects ‘The Museum is committed to sharing its collections as widely as possible and building positive and sustainable relationships with a diverse network of partners across the UK.’ Desire, love, identity Hartwig Fischer, Director, at Norfolk and Norwich Millennium Library. British Museum Photo by Hannah Hutchins.
The British Museum has The three types of exhibition are: Pushing paper: contemporary drawing from 1970 to now at three types of exhibitions Oriental Museum. Touring exhibitions © Matt Jaworski Jointly curated touring exhibitions for sharing objects. There Spotlight Loans is no set menu – every exhibition is collaborative, tailored and unique.
Touring exhibitions Often co-curated and incorporating objects from partner museums, touring exhibitions evolve as they travel around the country to tell regional as well as global stories. Desire, love, identity: This exhibition highlighted the previously overlooked LGBTQ history Launched at the British Museum in 2017 to mark the 50th anniversary exploring LGBTQ histories of the Museum’s collection and of the Sexual Offences Act, the touring enabled museum partners in Oxford, exhibition saw each partner shaping Nottingham, Bolton, Norwich and the story with their own objects. Dorchester to do the same. 264,644 visitors U K-wide
Jointly curated touring exhibitions Working with museum partners, we bring objects together to tell stories in ways not otherwise possible at the British Museum. Hoards: a hidden history The British Museum and Salisbury Museum Partnership Exhibition The exhibition looked at the varied and changing explanations behind the burial It showcased recent discoveries, with objects including the spectacular of ancient Britain featured objects from both partners’ of hoards (precious objects including Ipswich Iron Age gold torcs. collections. As well as Salisbury, it coins and jewellery placed in the visited Ulster, Buxton, the Isle of Wight ground or underwater) and why they and Peterborough. were sometimes never recovered. 147,944 visitors U K-wide
Spotlight Loans Smaller exhibitions, sometimes consisting of a single object. They offer the chance to explore objects in greater depth, at a wider range of venues. The golden age of satire? This tour followed on from the Citi exhibition I object: Ian Hislop’s search Featuring nine satirical prints from the late Georgian period, it offered a unique was curated with Have I Got News For You panellist and Private Eye editor, Ian Late-Georgian satirical prints for dissent, which explored how people snapshot of the time. Travelling from Hislop. Hislop also gave sell-out talks historically used objects to challenge Pontefract to Nottinghamshire and at every venue. the status quo. Whitehaven in Cumbria, the display 46,819 visitors U K-wide
Desire, love, identity at Norfolk and Norwich Millennium Library. Photo by Hannah Hutchins. ‘ We are really thrilled to be hosting this exciting exhibition... It’s also a testament to our Millennium Library, which will be the only library to be hosting the touring exhibition.’ Margaret Dewsbury, Norfolk County Council
Sharing skills Connecting colleagues, young people and trainees with opportunities to gain and develop new skills. Museum Futures trainees. Photo by Josh Caius.
Every loan between the This work is complemented by Portable Antiquities Scheme, Young skills development programmes: Archaeologists’ Club. British Museum and Portable Antiquities Scheme partner museums across Museum Futures Knowledge Exchange the UK allows us to share Visitor Services Knowledge Circle knowledge and expertise.
Portable Antiquities Scheme In numbers The Portable Antiquities 1.5 Scheme (PAS) helps million+ to advance knowledge finds have been recorded to date and interest in the past by recording and 81,602 sharing archaeological finds were recorded discoveries made by in 2019 members of the public. 119 national and local partners 42 Finds Liaison Officers across England and Wales
Training in the community Since 2014, the PASt Explorers project has organised training for community volunteers to help the important work of PAS. In 2019/20, the project ran 22 training sessions across the country for PAS staff and volunteers. These sessions covered topics from recording objects to identifying Roman coins, with a session delivered in partnership with the Young Archaeologists Club (YAC), training branch leaders in the work of the PAS and how to use these skills for YAC activities. Excavations at Gobowen, Shropshire. Courtesy of Portable PASt Explorers is supported by Antiquities Scheme. National Lottery Heritage Fund
Museum Futures In numbers Led by the British Museum, 140 this programme invests in a young people attending new generation of diverse taster days museum professionals through paid on-the-job 8 Cultural Heritage training in digital skills. Diplomas earned in 2019 9 Diplomas currently in progress 658 credits earned by trainees towards Cultural Heritage Diplomas 2019 partners 2020 partners British Museum Birmingham Museums Trust 17 Garden Museum Bristol Culture Museum of East Anglian Life British Museum National Museums Liverpool Derby Museums Norfolk Museums Service Royal Pavilion and Museums Hastings Museum and Art Gallery Horniman Museum and Gardens paid trainee South West Heritage Trust York Museums Trust Irish Linen Centre and Lisburn Museum Tullie House Museum and Art Gallery placements Tyne & Wear Archives and Museums at museums Supported by National Lottery Heritage Fund across the UK
Knowledge Exchange In numbers Since 2010, this scheme 100+ has supported week-long staff exchanges at more than professional exchanges 40 UK museums since 2010 with arts and heritage organisations across the UK. 11 In 2019, British Museum staff successful professional took part in exchanges with exchange placements with museum colleagues from five partners Bath, Cambridge, Liverpool, delivered in 2019 Paisley and Tees Valley. 2019/20 partners American Museum and Gardens, Bath National Museums Liverpool Paisley Museum, Scotland Tees Valley Museums University of Cambridge Museums Supported by the Vivmar Foundation
Paisley Museum The Knowledge Exchange provided a timely opportunity for collaboration with Paisley Museum and Art Galleries as they deliver a £42 million redevelopment project, which has seen most of their collection move into a new, publicly accessible store. Paisley Museum hosted Assistant Collections Manager, Christy Yates, who is working on transferring objects to the British Museum’s new store in Reading. As such, he was very interested to learn from staff at Paisley Museum about the move and documentation work. In return, the British Museum hosted Paisley Museum’s Learning and Access Co-ordinator, Catherine Harbon. Catherine worked with our public programming and education teams and shadowed several learning sessions for school groups. Christy Yates (British Museum) at Paisley Museum as part of the Knowledge Exchange programme.
Visitor Services In numbers Knowledge Circle 8 In 2019, the British partner organisations Museum worked with partner organisations to 15 develop and deliver a pilot placements programme for front-of- house staff. Participants 525+ hours of had the chance to spend skills-sharing a five-day, fully funded and co-ordinated professional exchange placement at one of the eight organisations taking part. 2019 partners Black Country Living Museum British Museum Leeds Museums and Galleries National Museums Northern Ireland National Trust Roman Baths Salford Museum Service Salisbury Museum Supported by the Vivmar Foundation
Museum Futures trainees. Photo by Josh Caius. ‘I can easily say this has been the best year of my life... I’ve spent a year learning all things digital from the fountain of knowledge that is my supervisor, Kevin, and I’ve felt so supported to make the most of being a trainee.’ Tasha Brown, Museum Futures trainee (2019) based at Royal Pavilion and Museums, Brighton and Hove
Sharing ideas Creating platforms to share ideas with individuals and organisations across the UK, the British Museum is continually inspired A self-led Samsung by its partners. Digital Discovery Centre activity in the Parthenon Gallery.
The Museum supports a Programmes include: Youth Collective as part of Greengross Summer Programme. culture of shared learning. Photo by Alastair Fyfe. Samsung Digital Discovery Centre National Programmes Conference We deliver programmes British Museum Young People’s Programme Where we are… for museum professionals, young people and children that encourage the exchange of thoughts and ideas.
Samsung Digital In numbers Discovery Centre 68 Delivering free, live, Virtual Visit sessions in interactive workshops online 2019/20 for children aged 7–11 in classrooms across the UK. 1,974 school children These Virtual Visits cover attended a Virtual Visit in 2019/20 key areas of the history curriculum in England and 800 Virtual Visit related subjects in Scotland, sessions booked Wales and Northern Ireland for 2020/21 (school year) so far from prehistory to the Indus out of 889 available Valley and Roman Britain. Supported by Samsung
Engaging schools Through interactive activities, quizzes and thought-provoking questions, primary school students enhance their knowledge and understanding of the past. In 2020, this programme expanded in response to schools being unable to physically visit the Museum, increasing to 33 sessions per week from November 2020, up from six per week prior to March 2020. Students taking part in a Samsung Digital Discovery Centre workshop.
National Programmes In numbers Conference 2019 300+ The National Programmes attendees team hosts a major annual 80+ conference at the British speakers and contributors from Museum for colleagues organisations nationwide in the UK museum and cultural heritage sector. 40 different breakout sessions, exploring seven themes Supported by the Vivmar Foundation
2019 conference Each year the conference addresses key subjects and issues relating to the cultural heritage sector. In 2019, the conference explored how museums are engaging with issues of representation, authority and power, with particular focus on disability, class, gender, race and sexuality. The conference covered a wide range of museum practice with workshops, tours, presentations and talks from Hartwig Fischer and Bonnie Greer OBE. Delegates at the National Programmes Conference 2019. Photo by Josh Caius.
British Museum Young In numbers People’s Programme 70 This programme is young people attended the 2019 committed to inspiring Summer School change in the Museum by connecting with a diverse 15 young people range of young people formed the first British Museum both on-site and virtually. Youth Collective Launched in 2019, the programme delivers events 90% of the 2020 Youth and training for 16–24 Collective reported year olds, co-designed having an increased awareness of the by the British Museum’s personal, social and cultural issues Youth Collective. explored in their digital events Supported by the Greengross family
Where we are... The programme seeks to work with young people who are underrepresented in museums This UK-wide programme and under-served by the arts and culture sector. This includes, but is not limited for young people aged to, young people who identify as: LGBTQ+, from a working class background, disabled or 16–24 supports them to neurodivergent, having a migrant or refugee experience, from the African diaspora or South, East and South East work in partnership with Asian diaspora or ethnically diverse. Each project will be unique, responding to a local need identified by the young the British Museum, a local people. Project outcomes can take any form and may include films, exhibitions and events. cultural organisation and a Through 15 cultural projects over the course of the five year programme, youth charity to co-produce Where we are... will reach 150 young people and 60 key partner organisations across the UK. projects that are meaningful and relevant to them in their community. Supported by the Paul Hamlyn Foundation
Delegates at the National Programmes Conference 2019. Photo by Josh Caius. ‘One of the best conferences I have attended in a long time. It’s so rare that all the sessions are so relevant and interesting, and it proved to be great for networking too.’ Conference speaker
Touring Museum Partnership 14 John O’ Groats exhibitions Futures Galleries Lerwick 36 Tullie House Museum and Art Gallery Desire, love, identity: 24 Birmingham Museums Trust 49 Kelvingrove Museum and Art Gallery exploring LGBTQ histories 25 Bristol Culture 50 Royal Cornwall Museum 1 Ashmolean Museum 26 Derby Museums 16 Great North Museum Inverness 2 National Justice Museum 27 Garden Museum 51 Yorkshire Museum 3 Bolton Library and 28 Hastings Museum and Art Gallery 24 Birmingham Museum and Art Gallery Kirkwell Museums Services 29 Horniman Museum and Gardens 4 Norfolk and Norwich 30 Irish Linen Centre and Aberdeen Millennium Library 5 Shire Hall Courthouse and Museum 31 Lisburn Museum Museum of East Anglian Life Portable John O’ Groats Hoards: a hidden history 32 National Museums Liverpool Antiquities Scheme Dundee of ancient Britain 33 Norfolk Museums Service 6 Salisbury Museum 34 Royal Pavilion and Brighton Museums 35 South West Heritage Trust 52 Bedfordshire and Hertfordshire 7 Ulster Museum, NMNI 36 Tullie House Museum and Art Gallery 53 Berkshire 8 Buxton Museum and Art Gallery 49 37 Tyne and Wear Archives 54 Buckinghamshire Edinburgh 9 Brading Roman Villa 40 and Museums 55 Cambridgeshire Glasgow 10 Peterborough Museum and Art Gallery 38 York Museums Trust 56 Cheshire, Greater 13 Manchester and Merseyside Viking: rediscover the legend 57 Cornwall Newcastle 11 Norwich Castle Museum Knowledge 58 59 Derbyshire and Nottinghamshire Devon and Somerset 36 16 37 83 Nordic by nature: Exchange 60 Dorset Belfast Carlisle modern design and prints 61 Gloucestershire and Avon 82 21 12 Weston Park Museum 39 American Museum and Gardens 62 Hampshire 45 7 19 15 41 13 Old Gala House 32 National Museums Liverpool 63 Herefordshire and Shropshire 30 14 Thurso Art Gallery 40 Paisley Museum 64 Isle of Wight 15 Kirkleatham Museum 41 Tees Valley Museums 65 Jersey 72 51 38 42 University of Cambridge Museums 66 Kent Ancient Iraq: new discoveries 77 67 Lancashire and Cumbria 16 Great North Museum 67 44 Hull 68 Leicestershire and Rutland 17 74 The golden age of satire? Visitor Services 69 Lincolnshire 56 32 Liverpool 3 48 23 Manchester 12 Sheffield London Knowledge Circle 70 Late-Georgian satirical prints 69 17 Pontefract Museum 71 Norfolk 8 18 85 18 Newstead Abbey 72 North and East Yorkshire 26 58 2 43 Black Country Living Museum 73 Northamptonshire 17 19 Beacon Museum Norwich 44 Leeds Museums and Galleries Peterborough 74 Northern Lincolnshire Birmingham 68 4 11 71 33 The Kiyoharu Dragon 45 National Museums Northern Ireland 75 Oxfordshire 10 43 24 78 20 Treorchy Library 46 National Trust 76 Somerset 63 79 47 Roman Baths 77 South and West Yorkshire 86 73 55 31 Pushing paper: contemporary 48 Salford Museum Service 78 Staffordshire and West Midlands 42 drawing from 1970 to now 6 Salisbury Museum 79 Suffolk Oxford 21 Oriental Museum 22 20 75 54 52 80 Surrey and Hampshire Cardiff 1 London 22 Glynn Vivian Art Gallery 81 Sussex Swansea 61 70 29 27 84 46 82 County Durham, Darlington, 47 39 53 80 A Ming Emperor’s seat 25 66 and Teesside Canterbury 23 Manchester Museum 83 Newcastle and Northumberland 35 76 6 87 62 Isle of Wight 34 28 84 South Wales Southampton 81 60 85 North Wales 59 5 64 9 Brighton 0 Partners involved in more than one 86 Warwickshire and Worcestershire Guernsey Truro Isle of Wight programme are shown above with 87 Wiltshire Jersey Plymouth a white outline. 50 65 57
Acknowledgements The British Museum is grateful to the Dorset Foundation in memory of Harry M Weinrebe for its lead support of our national work and this publication. The Museum wishes to thank the following for their support: Art Fund Arts Council England Baring Foundation Bridget Riley Art Foundation Clore Duffield Foundation Graham and Joanna Barker The Greengross family The Headley Trust Leverhulme Trust The National Lottery Heritage Fund Paul Hamlyn Foundation Samsung Vivmar Foundation Contact Learning and National Partnerships The British Museum Great Russell Street London WC1B 3DG ukpartnerships@britishmuseum.org +44 (0)20 7323 8696 britishmuseum.org
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