Individual Differences in Aesthetic Preferences for Multi-Sensorial Stimulation
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vision Article Individual Differences in Aesthetic Preferences for Multi-Sensorial Stimulation Jie Gao 1, * and Alessandro Soranzo 2 1 Institute of Education, University College London, London WC1H 0AL, UK 2 Department of Psychology, Sheffield Hallam University, Sheffield S10 2BP, UK; A.Soranzo@shu.ac.uk * Correspondence: jie.gao@ucl.ac.uk Received: 30 October 2019; Accepted: 30 December 2019; Published: 6 January 2020 Abstract: The aim of the current project was to investigate aesthetics in multi-sensorial stimulation and to explore individual differences in the process. We measured the aesthetics of interactive objects (IOs) which are three-dimensional objects with electronic components that exhibit an autonomous behaviour when handled, e.g., vibrating, playing a sound, or lighting-up. The Q-sorting procedure of Q-methodology was applied. Data were analysed by following the Qmulti protocol. The results suggested that overall participants preferred IOs that (i) vibrate, (ii) have rough surface texture, and (iii) are round. No particular preference emerged about the size of the IOs. When making an aesthetic judgment, participants paid more attention to the behaviour variable of the IOs than the size, contour or surface texture. In addition, three clusters of participants were identified, suggesting that individual differences existed in the aesthetics of IOs. Without proper consideration of potential individual differences, aesthetic scholars may face the risk of having significant effects masked by individual differences. Only by paying attention to this issue can more meaningful findings be generated to contribute to the field of aesthetics. Keywords: multi-sensorial stimulation; individual difference; aesthetic preference 1. Introduction Aesthetics play an important role in everyday life. We buy a mug because we admire its attractive design; we choose a particular hotel room because we like the view or the decoration. Such aesthetic experiences are rooted in our brain; yet, there is little scientific understanding of how we make these aesthetic decisions. Research in experimental aesthetics faces different challenges, the two main ones being that: (i) Aesthetics often arise from multi-sensorial stimulation; and (ii) aesthetic experience is essentially subjective. 1.1. Aesthetics in Multi-Sensorial Stimulation In brand design, much attention is paid to a consumer’s whole experience rather than to a single product feature [1,2]. The design builds upon the evidence that when multiple senses are stimulated simultaneously, it leads to a richer and more immersive experience [3]. However, aesthetic psychologists have been studying each sense in isolation and mainly focusing on the visual sense. Just as Carbon and Janesch [4] pointed out, whilst vision is the sense that has been widely studied in aesthetics, in many circumstances haptic and tactile features may overpower visual features in terms of pleasure. They have, therefore, argued that any model which describes aesthetic responses must consider more than one sense at a time (see also Muth et al. [5]). To explore how different senses contribute to the overall aesthetic experience, Soranzo et al. [6] studied the aesthetic preference for Interactive Objects (IOs). As shown in Figure 1, these are three-dimensional objects, which contain Vision 2020, 4, 6; doi:10.3390/vision4010006 www.mdpi.com/journal/vision
Vision 2020, 4, 6 2 of 13 Vision 2020, 4, x FOR PEER REVIEW 2 of 14 electronic components that exhibit an autonomous behaviour when handled, e.g., vibrating, playing a sound, or lighting-up. a sound, or lighting-up. (It will be interesting, (It will in the be interesting, infuture, to manipulate the future, additional to manipulate dimensions, additional such dimensions, as the as such IO’s thecolour IO’s or their or colour odour.) their IOs are an odour.) IOsideal are device an idealto device investigate aesthetics as to investigate they stimulate aesthetics as they more than one sense at a time. By employing the IOs which differ in size, surface stimulate more than one sense at a time. By employing the IOs which differ in size, surface texture, contour and texture, behaviour (as illustrated in Table 1), the current project aimed to investigate individuals’ contour and behaviour (as illustrated in Table 1), the current project aimed to investigate individuals’aesthetics in multi-sensorial stimulation. stimulation. aesthetics in multi-sensorial Figure1.1.Picture Figure Pictureof ofinteractive interactiveobjects objects(IOs) (IOs)and andthe themotion motionsensor. sensor. Table1.1.Variables Table Variableswith withcorresponding correspondinglevels. levels. FormForm Behaviour Behaviour Size Size Surface TextureContour Surface Texture Contour Small (7.5 cm) Small (7.5 cm) Smooth Smooth (plastic) (plastic) Round (sphere)(sphere) Round Emit aEmit light a light Large (15 cm) Large (15 cm) (fabric) Rough Rough (fabric) Angular Angular (cube) (cube) Play aPlay sound a sound Vibrate Vibrate Quiescent Quiescent 1.2. 1.2.Individual IndividualDifferences DifferencesininAesthetics Aesthetics The TheLatin Latinadage adage“de “degustibus gustibusnon nonest estdisputandum” disputandum”(there (thereisisnonoaccounting accountingfor fortaste) taste)suggests suggests that thatindividual individualdifferences differencesin inaesthetic aestheticare areeither eitherarbitrary arbitraryor orotherwise otherwiseinexplicable inexplicable[7,8]. [7,8]. However, However, modern modernbehavioural behaviouralresearchresearchhas hasshown shownthat thatmeaningful meaningfulstatements statementscan canbe bemade madeabout aboutindividual individual differences differencesinin aesthetics aesthetics [9],[9], which whichactually generates actually moremore generates insights into the insights study into theofstudy aesthetics. Appelt of aesthetics. etAppelt al. [10]etunderlined that in situations al. [10] underlined where no where that in situations clear tendency no clear emerges tendencyfrom the overall emerges from the sample, it overall issample, not unlikely that individual differences have cancelled out the expected effect it is not unlikely that individual differences have cancelled out the expected effect and that and that the effect isthe evident, effect isbut only for evident, buta only subset forofa participants. This is why subset of participants. Thispsychologists may wantmay is why psychologists to explore want to individual differences explore individual even wheneven differences this when is not their this isprimary goal. not their By investigating primary individual differences goal. By investigating individual indifferences aesthetics,in scholars found aesthetics, stable and scholars found statistically stable androbust individual statistically robustpreferences individual which were masked preferences which by weak were population masked by weak preference population [11,12]. preference [11,12]. While Whilemany many studies studieshave found have a consistent found aesthetic a consistent preference aesthetic for stimuli preference forwith specific stimuli properties with specific (e.g., simplicity properties (e.g.,insimplicity vision [13]; smoothness in vision in touch [14]), [13]; smoothness scholars in touch are [14]), reluctant scholars areto use these reluctant to findings use these to claim the findings touniversal claim thenature of these universal aesthetic nature appeals. of these This isappeals. aesthetic because individual This is because differences have individual emerged in practically all studies. As long as a century ago, Thorndike differences have emerged in practically all studies. As long as a century ago, Thorndike [15] pointed [15] pointed out that the diversity out that theamong people’s diversity among preference people’s is vast and isthat preference and that any vast“although one person “although any onemay feel very person may decided feel very preferences, these are never decided preferences, shared these are neverbyshared enoughbyofenough his fellows tofellows of his make anything like universal to make anything agreement” like universal (p. 150). agreement” Aesthetic (p. 150). response Aestheticisresponse an intrinsically subjective and is an intrinsically whimsical subjective andexperience. whimsical There are probably experience. There no are other scientific probably no field otherwhere individual scientific field differences are more relevant. where individual differences Modern are morebehavioural relevant.research Modernon empirical behavioural aesthetics research has onshown empiricalthat aesthetics scientifically hasmeaningful shown thatstatements scientifically of individual meaningfuldifference statements can of be made. For individual example,can difference McManus be made. et al. For[12] found that example, people et McManus canal.be[12] categorised found that intopeople two clusters can be based on theirinto categorised preferences two clusters for rectangles: based on One theircluster preferred preferences forrectangles rectangles: closer Onetocluster a square shape, preferred and the other rectangles cluster closer to apreferred square shape,elongated and rectangles; Spehar,preferred the other cluster Walker and Taylor [16] elongated identified rectangles; two Spehar, clusters Walker of and participants Taylor [16]based on their identified two appreciation of fractal patterns: clusters of participants based on Onetheir cluster liked images appreciation with of fractal extreme patterns: values of the spectrum One cluster liked images slope,with andextreme the othervalues clusterofpreferred intermediate the spectrum slope, and slope thevalues. These other cluster preferred intermediate slope values. These individual differences are worth further exploring. It could be argued that an aesthetic appeal may only be shared within distinct clusters of individuals, rather than universally.
1.3. The Qmulti Protocol In order to incorporate the exploration of individual difference into the investigation of overall aesthetic experiences, Gao and Soranzo [17] developed the Qmulti protocol which is based on Q- methodology (see References [18,19] for more details). The key aspects of the Qmulti protocol are Vision 2020, 4, 6 3 of 13 presented as the following, namely, the Q-sorting procedure and corresponding Q-factor analysis; the distinction between preference and dominance; and the dedicated R script of Qmulti protocol. individual differences are worth further exploring. It could be argued that an aesthetic appeal may 1.3.1. only be The Q-Sorting shared withinProcedure and Corresponding distinct clusters Q-Factor of individuals, Analysis rather than universally. The Q-sorting procedure proposed by Stephenson [18] requires participants to rank-order 1.3. The Qmulti Protocol stimuli (e.g., statements, pictures, objects, etc.) into one single quasi-normal (i.e., bell-shaped) In order response gridtowhich incorporate the exploration represents a continuum of individual difference of preference, into the investigation or agreement, or importance, of etc. overall An aesthetic experiences, Gao and Soranzo [17] developed the Qmulti protocol which is example of the Q-sorting grid is presented in Figure 2. The shape of the grid depends on the research based on Q-methodology questions. Watts(see and References Stenner [19][18,19] for more details). have provided effectiveThe key aspects instructions of thetoQmulti on how protocol build the are response presented as the following, namely, the Q-sorting procedure and corresponding Q-factor grid. While a quasi-normal distribution shape is commonly used in Q-sorting, researchers should analysis; the distinction design between the grid based preference and dominance; on their knowledge of theand the dedicated research R script topic under of Qmulti[19]. investigation protocol. Q-factor analysis [18] is used to analyse the Q-sorting data. In contrast to conventional factor 1.3.1. The Q-Sorting Procedure and Corresponding Q-Factor Analysis analysis, Q-factor analysis groups participants together instead of items. It enables researchers to identify The consensus and disagreement Q-sorting procedure proposed by among participants. Stephenson Each participants [18] requires Q-factor represents the stimuli to rank-order shared aesthetic (e.g., judgment statements, amongobjects, pictures, the participants etc.) intowho one are significantly single quasi-normalloaded (i.e.,on the Q-factor. bell-shaped) In this way, response grid individual which differences represents can be explored a continuum and informed of preference, by the data. or agreement, or importance, etc. An example of the Aftergrid Q-sorting Q-sorting, participants is presented are2.asked in Figure to clarify The shape of thethe reasons grid dependsfor on their theaesthetic research judgments, such questions. Watts as andwhy they prefer Stenner one provided [19] have stimuli over the other; effective which stimuli instructions on howfeature(s) to builddraws their attention, the response etc. Thea grid. While qualitative data quasi-normal complements distribution shapetheisQ-sorting commonly data usedto in give an in-depth Q-sorting, and comprehensive researchers should design account of the grid how baseddifferent clusters of of on their knowledge participants the research make topicaesthetic judgments [19]. under investigation in a multi-sensorial stimulation setting. Least preferred Most preferred -4 -3 -2 -1 0 +1 +2 +3 +4 Figure Figure 2. 2. A A q-sorting q-sorting grid grid for for an an experiment experiment with with 24 24 stimuli stimuli (or (or items). items). 1.3.2.Q-factor The Distinction analysisbetween Preference [18] is used and the to analyse Dominance Q-sorting data. In contrast to conventional factor analysis, Q-factor analysis groups participants together As mentioned earlier, people pay attention to a variety instead of items. It of information enables when researchers making to aesthetics identify consensus decisions. and disagreement For example, when judgingamong the participants. aesthetics of Each Q-factorpolygon, a coloured represents the shared people aesthetic may consider judgment among the participants who are significantly loaded on the Q-factor. In this way, variables, such as the shape or the colour or the combination. People may differ in their preferences individual differences within can be a certain explored variable, butand informed agree by the data. of the variable. For example, individual A may on the importance preferAfter red Q-sorting, participants polygons whilst are asked individual B mayto prefer clarifyblue the reasons polygons;for but theirboth aesthetic A andjudgments, B may regard suchthe as why they prefer one stimuli over the other; which stimuli feature(s) draws their attention, colour as the most important variable on which they base their aesthetic judgment. We refer to the etc. The qualitative importancedata of a complements variable as itsthe Q-sorting The dominance. data analysis to give anofin-depth dominance andhas comprehensive a similar meaningaccountinofa how different regression clusters analysis ofoffinding participants make aesthetic out whether judgments a variable in a multi-sensorial can predict an outcome, but stimulation it utilises setting. the Q- sorting data directly and provides a more straightforward means of addressing this issue [16]. 1.3.2. The Distinction between Preference and Dominance Mathematically, the dominance of a variable is a measure of the spread of its levels across the Q- As grid: sorting mentioned earlier, The larger thepeople spreadpay (i.e.,attention extreme to a varietyinofthe positions information grid, such when making as very much aesthetics liked and decisions. very much For example, disliked), when judging the higher the weight.the aesthetics of a coloured polygon, people may consider variables, such as the shape or the colour or the combination. People may differ in their preferences within a certain variable, but agree on the importance of the variable. For example, individual A may prefer red polygons whilst individual B may prefer blue polygons; but both A and B may regard the colour as the most important variable on which they base their aesthetic judgment. We refer to the importance of a variable as its dominance. The analysis of dominance has a similar meaning
Vision 2020, 4, 6 4 of 13 in a regression analysis of finding out whether a variable can predict an outcome, but it utilises the Q-sorting data directly and provides a more straightforward means of addressing this issue [16]. Mathematically, the dominance of a variable is a measure of the spread of its levels across the Q-sorting grid: The larger the spread (i.e., extreme positions in the grid, such as very much liked and very much disliked), the higher the weight. 1.3.3. The Dedicated R Script of Qmulti Protocol A ready to use R script [20], the QmultiProtocol.R, has been developed to analyse the data collected by the Q-sorting procedure. The QmultiProtocol.R makes use of the following packages: ‘qmethod’ [21]; ‘ordinal’ [22]; and ‘data.table’ [23]. The default version of the QmultiProtocol.R adopts the frequentist approach and runs the ordered-probit model to analyse the Q-sorting data. It uses the ordered-probit model to analyse the preferences whilst the dominance is tested via the analysis of variance of the weight of each variable, calculated by measuring the spread across the grid of the levels of each variable (see Reference [17] for more details). 1.4. Current Project The aim of the current project was to investigate aesthetics in multi-sensorial stimulation and to explore individual differences in the process. To achieve this aim, we measured the aesthetics of IOs using the Q-sorting procedure. Data were analysed by applying the QmultiProtocol.R [17]. By following the Qmulti protocol, we were able to address the following research questions: • Which are the overall preferred characteristics of each variable of the IOs? • Which are the important variables that influence people’s preference of the IOs? • Do people systematically differ in their aesthetic judgement about the IOs? • Do different clusters of people prefer different characteristics of a variable of the IOs? • Are different clusters of people driven by different variables of the IOs? 2. Method 2.1. Participants Eighteen participants (14 females and 4 males, aged 18–24 years old) took part in the Q-sorting experiment of IOs. 2.2. Materials Four variables of the IOs were manipulated, namely, Size, Surface texture, Contour and Behaviour (see Figure 1). The variables differ in the number of levels, as indicate in Table 1. As a result, there are 32 IOs in total. 2.3. Procedure Participants were first asked to play with the 32 IOs to familiarise themselves with the objects, especially the behaviour that each IO exerts when picked up. Then participants were asked to rank-order all the IOs into one single bell-shaped (i.e., quasi-normal) grid ranging from ‘the least preferred’ (−5) to ‘the most preferred’ (+5) (see Figures 3 and 4). IOs that were sorted into one common column were considered as equivalent. The grid was designed to (a) accommodate the 32 IOs and (b) enable participants to differentiate their preferences of the IOs. After Q-sorting, participants were asked to elaborate on their aesthetic judgement.
Vision 2020, 4, 6 5 of 13 Vision 2020, 4, x FOR PEER REVIEW 5 of 14 Figure 3. The response grid of Q-sorting procedure. 3. Results The Q-sorting data were inserted into a spreadsheet to be read by the QmultiProtocol.R in R. Detailed steps of the analysis performed by QmultiProtocol.R can be found in Reference [17]. An example of data collected from a participant (P10) is shown in Figure 4. The results of the analysis are Figure3.3.The presented in the following Figure sections. Theresponse responsegrid gridofofQ-sorting Q-sortingprocedure. procedure. 3. Results The Q-sorting data were inserted into a spreadsheet to be read by the QmultiProtocol.R in R. Detailed steps of the analysis performed by QmultiProtocol.R can be found in Reference [17]. An example of data collected from a participant (P10) is shown in Figure 4. The results of the analysis are presented in the following sections. Figure 4. Figure 4. Example Example of of Q-sorting Q-sorting result. result. 3.1. Ethics 2.4. Research Question One: Overall Preference To find All out the overall participants preferred gave their characteristics informed consent for of each variable inclusion beforeof the IOs, the in participation QmultiProtocol.R the experiment. runsstudy The an ordered-probit was conducted model on the ranks in accordance with that theeach of the IOs Declaration received by of Helsinki. all theapproval Ethical participants. was Specifically, obtained fromthetheresult of Wald Ethics chi-square Committee test suggested of Sheffield Hallam that in general, University (Ref:participants ER6377599).preferred rough to smooth surface texture (Χ2 = 6.44, Figure df =4.1,Example of Q-sorting p = 0.004), round toresult. angular shape (Χ2 = 10.38, df = 1, p = 3. Results 0.001) and lighting/vibrating to sounding/quiescent objects (Χ = 206.74, df = 3, p < 0.001). However, 2 3.1. Research Question One: Overall Preference thereThe wasQ-sorting no significant data difference in preference were inserted between big into a spreadsheet to beand small read by objects (Χ2 = 2.05, df = 1,inpR. the QmultiProtocol.R = 0.15). To DetailedFigure find steps5out illustrates of the the preferred theoverall analysis overall preference performed of each characteristics of variable. each variable by QmultiProtocol.R can beoffound the IOs, inthe QmultiProtocol.R Reference [17]. An runs anofordered-probit example data collected frommodela participant on the ranks that (P10) is each shown ofinthe IOs received Figure by all 4. The results of the analysis participants. are Specifically, the result of Wald presented in the following sections. chi-square test suggested that in general, participants preferred rough to smooth surface texture (Χ2 = 6.44, df = 1, p = 0.004), round to angular shape (Χ2 = 10.38, df = 1, p = 3.1. Research 0.001) Question One: Overall and lighting/vibrating Preference to sounding/quiescent objects (Χ2 = 206.74, df = 3, p < 0.001). However, there Towasfindnooutsignificant the overalldifference preferredin preference between characteristics of each big and small variable of theobjects IOs, the(ΧQmultiProtocol.R 2 = 2.05, df = 1, p = 0.15).anFigure runs 5 illustratesmodel ordered-probit the overall on thepreference ranks that of each each variable. of the IOs received by all the participants. Specifically, the result of Wald chi-square test suggested that in general, participants preferred rough to smooth surface texture (X2 = 6.44, df = 1, p = 0.004), round to angular shape (X2 = 10.38, df = 1,
Vision 2020, 4, 6 6 of 13 Vision 2020, 4, x FOR PEER REVIEW 6 of 14 p = 0.001) and lighting/vibrating to sounding/quiescent objects (X2 = 206.74, df = 3, p < 0.001). However, there was no significant difference in preference between big and small objects (X2 = 2.05, df = 1, = 0.15). p Vision 2020, 4, x FOR Figure PEER REVIEW 5 illustrates the overall preference of each variable. 6 of 14 Figure5.5.The Figure Theoverall overallpreference preferenceof ofeach eachvariable. variable. 3.2. Research 3.2. Research Question QuestionTwo: Two:Overall OverallDominance Dominance Figure 5. The overall preference of each variable. Tofind To findout outwhich whicharearethe theimportant importantvariables variablesthatthatinfluence influencepeople’s people’spreference preferenceof ofthe theIOs, IOs,the the 3.2. Research QmultiProtocol.R Question QmultiProtocol.R conducts Two: conducts Overall an Dominance analysis of variance on the weights of variables that analysis of variance on the weights of variables that are calculated are calculated by thethe by analysis To findprocedure analysis out which(see procedure (see are Reference theReference[17] important [17] forformore variablesmore details). thatdetails).The influenceTheresult resultsuggested people’s suggested preferencethatofthere that there the was was IOs, a the asignificant significant difference difference between between the thevariables variables in terms in termsof how of how important important they were they QmultiProtocol.R conducts an analysis of variance on the weights of variables that are calculated by considered were considered by the by participants the analysiswhen theparticipants making when procedure (seean making aesthetic an aesthetic Reference judgment [17] judgment for more (F(F(3, (3,68) details). = 28.34, 68) =The28.34, pp < result
Vision 2020, 4, 6 7 of 13 3.3. Research Question Three: Individual Differences Q factor Vision analysis 2020, 4, x FOR PEERwas conducted with the Q-sorting data (see Reference [24] for a detailed REVIEW 7 ofQ14factor analysis procedure). We compared different factor solutions (i.e., two Q-factors, three Q-factors and four Q-factors)Qbased factor on analysis was conducted the variance that thewith theaccount factors Q-sorting data for, the(see Referenceand Eigenvalue [24]the formeaningfulness a detailed Q of factor analysis procedure). We compared different factor solutions (i.e., the factor scores. As a result, a three-factor solution was chosen, which accounted for 70% of two Q-factors, three Q-factors the variance and four Q-factors) based on the variance that the factors account for, the Eigenvalue and the in total. Eight participants were significantly loaded on Q-Factor1 (Eigenvalue = 5.4, variance= 30%), meaningfulness of the factor scores. As a result, a three-factor solution was chosen, which accounted six on Q-Factor 2 (Eigenvalue = 4.1, variance = 23%) and three on Q-Factor 3 (Eigenvalue = 3.1, variance for 70% of the variance in total. Eight participants were significantly loaded on Q-Factor1 (Eigenvalue = 17%). = 5.4,This suggested variance= 30%),that six onthere were2three Q-Factor clusters= of (Eigenvalue 4.1,participants variance = 23%) whoandmade threea on different Q-Factoraesthetic 3 judgment of the IOs. (Eigenvalue = 3.1, variance = 17%). This suggested that there were three clusters of participants who Figures made 7–9 illustrate a different thejudgment aesthetic shared aesthetic judgments among the participants who were significantly of the IOs. loaded on each Q-factor. Figures The the 7–9 illustrate firstshared letter in each cell aesthetic represents judgments the IO’s among the size (L = Large, participants = Small); who Swere the second is the surface texture (R = Rough, S = Smooth); the third is the contour (A = Angular, significantly loaded on each Q-factor. The first letter in each cell represents the IO’s size (L = Large, S = Small); the second is the surface texture (R = Rough, S = Smooth); R = Round); and the forth is the behaviour (Q = Quiescent, V = Vibrate, L = Light, S = Sound). the third is the contour (A = The Angular, R = Round); and the forth is the behaviour (Q = Quiescent, V = Vibrate, following paragraphs elaborate on the patterns of the shared aesthetic judgment, which help readers L = Light, S = Sound). The following paragraphs elaborate on the patterns of the shared aesthetic judgment, which help to read the figures. readers to read the figures. Figure Vision 2020, 4, x FOR PEER 7. The REVIEW Figure 7. Theshared sharedQ-sorting resultofofparticipants Q-sorting result participants loaded loaded on Q-factor on Q-factor 1. 1. 8 of 14 As can be seen, participants loaded on Q-factor 1 ranked the small smooth angular object which lights up as the most preferred one (+5) and the small rough, angular object which makes a sound like the least preferred one (−5). By examining the pattern of the ranks of IOs, we can see that participants of Q-factor 1 tended to prefer smooth surface to rough surface, and they dislike the IOs that make a sound. To be more specific, the three most preferred IOs are all smooth lighting up objects, whereas, the three least preferred objects are all rough sounding objects. No clear pattern is identified for the size or the contour variable. The qualitative data of post-sorting interview provide further evidence to support this shared aesthetic judgment. For example, participant P10 reported, “I prefer the smooth than the fabric texture because it feels clean, smooth and easy to clean stuff like that; I don’t really have a preference of the circles or the squares, but I like lighting up”. Figure8.8.The Figure Theshared Q-sortingresult shared Q-sorting resultofof participants participants loaded loaded on Q-factor on Q-factor 2. 2. As On can the other participants be seen, hand, participants loadedloaded on Q-factor on Q-factor 2 preferred 1 ranked rough the small round smooth IOs, just angular like which object participant lights up as theP09 pointed most out “[the preferred onefabric (+5)balls] andfeel thecomfortable to hold”. small rough, Meanwhile, angular object they whichseemed makes to aprefer sound like vibrating the least and lighting-up preferred one (−5).IOs By to sounding the examining IOs.pattern For example, of theparticipant P03 we ranks of IOs, saidcan in the seepost-sorting that participants interview “I found the sound ones are quite harsh”. Similar to Q-factor 1, no clear pattern for the size variable is identified.
Vision 2020, 4, 6 8 of 13 of Q-factor 1 tended to prefer smooth surface to rough surface, and they dislike the IOs that make a sound. To be more Figurespecific, theshared 8. The threeQ-sorting most preferred IOs are all result of participants smooth loaded lighting on Q-factor 2. up objects, whereas, the three least preferred objects are all rough sounding objects. No clear pattern is identified for the Oncontour size or the the other hand, participants variable. loaded The qualitative data onofQ-factor 2 preferred post-sorting rough interview round further provide IOs, justevidence like to participant P09 pointed out “[the fabric balls] feel comfortable to hold”. Meanwhile, they seemed to prefer support this shared aesthetic judgment. For example, participant P10 reported, “I prefer the smooth than vibrating and lighting-up IOs to sounding IOs. For example, participant P03 said in the post-sorting the fabric texture because it feels clean, smooth and easy to clean stuff like that; I don’t really have a preference of interview “I found the sound ones are quite harsh”. Similar to Q-factor 1, no clear pattern for the size the circles or is variable theidentified. squares, but I like lighting up”. Figure Figure 9. 9.The Theshared shared Q-sorting Q-sorting result resultofofparticipants participantsloaded on Q-factor loaded 3. 3. on Q-factor On As thefor participants other loaded on Q-factor hand, participants loaded 3, they ranked quiescent on Q-factor 2 preferredobjects as theround rough least preferred IOs, just like because “they are just boring” (P11). They liked vibrating IOs the most, just as participant participant P09 pointed out “[the fabric balls] feel comfortable to hold”. Meanwhile, they seemed to prefer P12 indicated “I prefer vibrating vibration and to everything lighting-up IOs toelse. It’s like IOs. sounding massage”. While participants For example, participantloaded P03on Q-factor said in the1post-sorting and 2 ranked sounding IOs as the least preferred, participants loaded on Q-factor 3 preferred sounding IOs interview “I found the sound ones are quite harsh”. Similar to Q-factor 1, no clear pattern for the size to quiescent ones. Participant P17 explained that “I never heard a ball making a sound, it’s quite cool”. variable is identified. To further explore which variable(s) each cluster of participants paid more attention to, the As for participants dominance loaded on weights of variables wereQ-factor calculated3, they ranked separately for quiescent each clusterobjects as the (see of participants leastTable preferred because 2). By“they are justthese inspecting boring” (P11).weThey weights, likedthat: can infer vibrating IOs the Participants whomost, werejust as participant significantly loaded P12 onindicated Q- “I prefer factorvibration 1 mainlyto everything based else. It’s their aesthetic like massage”. judgement While participants on the behaviour loaded and the surface on participants texture; Q-factor 1 and 2 ranked sounding loaded IOs as on Q-factor the least 2 mainly preferred, considered theparticipants behaviour, butloaded on Q-factor still paid 3 preferred certain attention to thesounding surface IOs texture and to quiescent contour; ones. and participants Participant P17 explainedloadedthat on Q-factor 3 mainly “I never heard focused a ball making ona the behaviour sound, with it’s quite cool”. To further explore which variable(s) each cluster of participants paid more attention to, the dominance weights of variables were calculated separately for each cluster of participants (see Table 2). By inspecting these weights, we can infer that: Participants who were significantly loaded on Q-factor 1 mainly based their aesthetic judgement on the behaviour and the surface texture; participants loaded on Q-factor 2 mainly considered the behaviour, but still paid certain attention to the surface texture and contour; and participants loaded on Q-factor 3 mainly focused on the behaviour with little attention paid to the other variables. Figure 10 illustrates the dominance of variables for each factor. Table 2. Dominance weights of variables for each Q-factor. Q-Factor 1 Q-Factor 2 Q-Factor 3 Size 0.093 0.038 0.049 Surface texture 0.410 0.248 0.024 Contour 0.037 0.210 0.146 Behaviour 0.459 0.504 0.780
Q-Factor 1 Q-Factor 2 Q-Factor 3 Size 0.093 0.038 0.049 Surface texture 0.410 0.248 0.024 Contour 0.037 0.210 0.146 Vision 2020, 4, 6 9 of 13 Behaviour 0.459 0.504 0.780 Figure 10. The dominance of variables for each Q-factor. 3.4. Research Question Four:Figure Interaction between 10. The Individual dominance Differences of variables andQ-factor. for each Preferences The aim of this analysis is to find out whether participants of different clusters differ in their 3.4. Research Question Four: Interaction between Individual Differences and Preferences preference for IOs. Table 3 illustrates the results of Wald chi-square tests for the interaction between The differences individual aim of thisand analysis is to find preferences. Asout can whether participants be seen, there was no of differentinteraction significant clusters differ among in the their preference four variablesfor of IOs. Table the IOs when 3 illustrates the were all Q-factors results of Wald chi-square considered together. Intests forofthe terms interaction selected between comparison, individual differences and preferences. As can be seen, there was no significant Figure 11 shows that Q-factor 1 and Q-factor 2 mainly differed in their preferences of surface texture, interaction among theis,four that variablesloaded participants of the on IOs when all Q-factor Q-factorssmooth 1 preferred were considered together. texture, whereas, In terms loaded participants of selected on Q-factor 2 preferred rough texture. Meanwhile, Q-factor 3 mainly differed from Q-factor 1 and 2 inof comparison, Figure 11 shows that Q-factor 1 and Q-factor 2 mainly differed in their preferences surface respect Vision of 4,texture, 2020, the thatREVIEW behaviour x FOR PEER is, participants variable, as shownloaded on Q-factor in Figure 11. 1 preferred smooth texture, whereas,10 of 14 participants loaded on Q-factor 2 preferred rough texture. Meanwhile, Q-factor 3 mainly differed from Q-factor 1 and 2 in respect of the behaviour variable, as shown in Figure 11. Table 3. Result of Wald chi-square test for the Preference per Q-factor interactions. Variable df Chi-Square p Factor * Size 2 0.13 0.935 Factor * Texture 2 1.98 0.372 Factor * Contour 2 3.52 0.172 Factor * Behaviour 6 5.32 0.503 Note: * indicates interaction. Figure 11. The preference of variables for each Q-factor. Figure 11. The preference of variables for each Q-factor. 3.5. Research Question Five: Interaction between Individual Differences and Dominance The aim of this analysis is to find out whether participants of different clusters differ in the variable(s) they mostly consider when ranking the IOs. An analysis of variance was conducted on the dominance weights of each Q-factor. The result of analysis of variance suggested that participants loaded on Factor 3 were significantly different from the participants loaded on Q-factor 1 and 2 in terms of the variables that they paid attention to when making an aesthetic judgment (F (6, 56) = 8.02, p < 0.001). Figure 12 illustrates the interaction between individual differences and dominance weights of the variables of
Vision 2020, 4, 6 10 of 13 Table 3. Result of Wald chi-square test for the Preference per Q-factor interactions. Variable df Chi-Square p Factor * Size 2 0.13 0.935 Factor * Texture 2 1.98 0.372 Factor * Contour 2 3.52 0.172 Factor * Behaviour Figure 11. 6The preference of variables5.32 for each Q-factor. 0.503 Note: * indicates interaction. 3.5. Research Question Five: Interaction between Individual Differences and Dominance The aim 3.5. Research of this Question analysis Five: is to between Interaction find out whetherDifferences Individual participants andof different clusters differ in the Dominance variable(s) they mostly consider when ranking the IOs. An analysis of variance was conducted on the The aim of dominance this analysis weights is to find out whether participants of different clusters differ in the of each Q-factor. variable(s) The result of analysis when they mostly consider rankingsuggested of variance the IOs. Anthat analysis of variance participants was conducted loaded on Factoron 3 the were dominance weights significantly of each different fromQ-factor. the participants loaded on Q-factor 1 and 2 in terms of the variables that Thepaid they result of analysis attention of variance to when makingsuggested that participants an aesthetic judgment loaded on =Factor (F (6, 56) 8.02, 3pwere significantly < 0.001). Figure 12 different illustrates the interaction between individual differences and dominance weights of thethey from the participants loaded on Q-factor 1 and 2 in terms of the variables that paid of variables the IOs.to when making an aesthetic judgment (F (6, 56) = 8.02, p < 0.001). Figure 12 illustrates the attention interaction between individual differences and dominance weights of the variables of the IOs. Figure 12. The interaction between individual differences and dominance. 4. Discussion Figure 12. The interaction between individual differences and dominance. In this project, we examined aesthetics in multi-sensorial stimulation and explored individual differences in the process. By adopting the Q-sorting procedure, we investigated participants’ aesthetics of Interactive Objects (IOs), which stimulate more than one sense at once. Data were analysed using the QmultiProtocol.R [17] which distinguishes between preference (i.e., the preferred characteristic of a stimulus) and dominance (i.e., the most important variable(s) in aesthetic judgment). By following the Qmulti protocol [17], it was possible to examine (i) the overall preferred characteristics of the IOs, (ii) the overall dominance, (iii) the individual differences; and the interactions between (iv) individual differences and preference and (v) individual differences and dominance. 4.1. Overall Preferences The analysis of overall preference revealed that participants preferred IOs that (i) vibrate, (ii) have rough surface texture, and (iii) are round. No particular preference emerged about the size of the IOs.
Vision 2020, 4, 6 11 of 13 4.1.1. Vibration Among the variables studied in this project, “behaviour” was the dominant one (see detailed discussion below). Among the different behaviours of the IOs, the vibration was preferred by most of the participants. This result supports Carbon and Janesch’s [4] argument that haptic and tactile features enhance overall aesthetic experience. 4.1.2. Roughness In respect of the preference of surface texture, the findings of this study and previous research are controversial. On the one side, Ekman, Hosman and Lindstrom [14], and Etzi, Spence, and Gallace [25] found that smooth surfaces were preferred over rough ones; on the other side, Soranzo et al. [6]; Rowell and Ungar [26], and Jehoel, Ungar, Mccallum, and Rowell [27] reported the opposite findings. The degree of roughness might lead to a certain extent account for the inconsistent findings. In addition, psychophysics studies (e.g., Reference [28]) suggest that there exists an interaction between vibration and the perception of roughness. Therefore it can be argued that rough texture may be preferred over smoothness in multi-sensorial stimulation. However, the present study also found that one cluster of participants preferred smooth IOs whilst the other cluster preferred rough IOs. It is, therefore, possible that the discrepancies emerged in previous studies may be partially due to individual differences. 4.1.3. Roundness The result that participants preferred round IOs over squared ones is in line with previous literature (e.g., see the “smooth curvature effect”, [29]) which mainly focussed on 2D visual representations of static objects. The present study extended the findings, suggesting that this preference is very powerful and can be applied to 3D objects in multi-sensorial stimulation settings. 4.1.4. Size Silvera, Josephs and Giesler [30] suggested that larger stimuli are usually preferred to smaller ones. This effect was not replicated in the present study. However, it should be noted that Silvera et al. [30] presented their stimuli pictorially rather than using physical objects. It is, therefore, possible that this preference is confined to the visual sense. Nonetheless, the lack of effect should be taken cautiously, considering the limited size range of our stimuli. 4.2. Overall Dominance With regard to the dominance of the variables, we found that the most important variable considered by overall participants was the behaviour. This suggests that participants paid more attention to the behaviour than the size, surface texture or shape of the IOs. This is also supported by the qualitative data collected from the post-sorting interview. The behaviours exerted by the IOs were the most commonly mentioned reasons when participants were asked about the reasons, they preferred an IO to another. This finding leads to the issue of aesthetic primitives. Latto [31] defined an aesthetic primitive as a primary or fundamental “stimulus or property of a stimulus that is intrinsically interesting . . . ” (p. 68). Such aesthetic primitives, if they exist, may be hard-wired in the cognitive system, and may have an evolutionary basis. Although several stimuli features have been suggested to be primitives (e.g., golden ratio, symmetry, roundness, etc.); there is inconsistent evidence that they undoubtedly are primitives. Soranzo et al. [6] found that participants across various age groups, genders and cultural backgrounds preferred behaving objects over quiescent objects. Similar findings were found by the current study. Thus, we suggest that “behaviour” could be an aesthetic primitive.
Vision 2020, 4, 6 12 of 13 4.3. Individual Differences In addition to overall preference and dominance, we considered individual differences and the interaction between individual difference and preference and dominance, respectively. Q-factor analysis suggested that participants could be clustered into three Q-factors. Participants of Q-factor 1 preferred smooth Ios and disliked the Ios that make a sound. Participants of Q-factor 2 preferred rough round Ios and also disliked the sounding Ios. In contrast, participants of Q-factor 3 ranked the quiescent ones least preferred. By analysing the interactions between individual differences and preference, we found that participants loaded on Factor 1 preferred smooth surface texture, whereas, participants loaded on Factor 2 preferred rough surface texture. The analysis of the interaction between individual differences and dominance revealed that different clusters of participants laid emphasis on different variables when making an aesthetic judgement. Participants of Q-factor 1 and 2 pay attention to variables, such as surface texture and contour together with behaviour whilst participants of Q-factor 3 were mainly driven by the behaviour of IOs. These findings have highlighted the relevance of exploring and discussing individual differences in the field of aesthetics. Without proper consideration of potential individual differences, aesthetic scholars may face the risk of having significant effects masked by these individual differences. Only by paying attention to this issue can more meaningful findings be generated to contribute to the field of aesthetics. 5. Conclusions By employing the Q-multi protocol, this research examined the aesthetics preference and dominance and the individual differences of multi-sensorial stimuli. The preferred characteristics of the stimuli were vibration, roughness and roundness. The dominance variable was behaviour, suggesting that “behaviour” could be an aesthetics primitive in Latto’s [31] terms. Findings have also highlighted the relevance of exploring and discussing individual differences in aesthetics. Author Contributions: Both authors contributed to the design of experiment, data collection, data analysis, interpretation of results, writing-up and revision of the manuscript. All authors have read and agreed to the published version of the manuscript. Funding: This research received no external funding. Conflicts of Interest: The authors declare no conflict of interest. References 1. Backer, D. Did You Know Bmw’s Door Click Had a Composer? It’s Emar Vegt, an Aural Designer. Wired Magazine. 13 April 2013. Available online: http://www.wired.co.uk/article/music-to-drive-to (accessed on 5 March 2019). 2. Parizet, E.; Guyader, E.; Nosulenko, V. Analysis of car door closing sound quality. Appl. Acoust. 2008, 69, 12–22. [CrossRef] 3. Schifferstein, H.N.J.; Spence, C. Product Experience; Elsevier: Berlin, Germany, 2008. 4. Carbon, C.C.; Jakesch, M. A model for haptic aesthetic processing and its implications for design. Proc. IEEE 2013, 101, 2123–2133. [CrossRef] 5. Muth, C.; Ebert, S.; Marković, S.; Carbon, C.C. “Aha” ptics: Enjoying an Aesthetic Aha During Haptic Exploration. Perception 2019, 48, 3–25. [CrossRef] [PubMed] 6. Soranzo, A.; Petrelli, D.; Ciolfi, L.; Reidy, J. On the perceptual aesthetics of interactive objects. Q. J. Exp. Psychol. 2018, 71, 2586–2602. [CrossRef] [PubMed] 7. Chandler, A.R. Recent experiments on visual aesthetics. Psychol. Bull. 1928, 25, 720–732. [CrossRef] 8. Woodworth, R.S. Experimental Psychology; H. Holt and Company: New York, NY, USA, 1938. 9. Palmer, S.E.; Griscom, W.S. Accounting for taste: Individual differences in preference for harmony. Psychon. Bull. Rev. 2013, 20, 453–461. [CrossRef] [PubMed] 10. Appelt, K.C.; Milch, K.F.; Handgraaf, M.J.; Weber, E.U. The decision making individual differences inventory and guidelines for the study of individual differences in judgment and decision-making research. Judgm. Decis. Mak. 2011, 6, 252–262.
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