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Thanks to our Sponsors @1 lntroduction & A FLAGSHIP PROGRAMME OF THE EUROPEAN UNION'S CWCI FUND. I Generat lnformation W 6\ Do lt @@ s*i* t a-llE \\rl Iro qr4!_!!!: V Lg lE rl CoNrEqExcE qlThe Making of a New Empire woR(sHop & Cu(r!R^L INITIATIVE Procedure 269 rUND I @h DARcus HowE lTrouble in Paradise PRO HELVETIN @ t!- @h cLrFF BESTALL ARTS COUNCIL OF SWITZERLAND lcage of Dreams @h CRAIG & DAMON FOSTER I The Great Dance COUNTERS Gears J.G. Strijdom is Very Very Dead My African Mother The Royal Netherlands Embassy The Fight Lady was a Mashoza Please Rise REAI DMII,IA La Promesse The Secret Safari @Tomorrowb Heroes v 333333! aaaaaaa The panelists ::::::: ljrrtrsh Bokkie I ::::::: council --l -T"
fl Amsterdam; Maurice the British Council, Jo in London and Gait Learmont these films and the four e.tv Clo: Encounters films from g99.To dale, z in Cape Town; the European Union / first-time directors have passed throug WELCOME TO THE THIRD ENCOUNTERS SOUTH AFRICAN Conference Workshop and Cultural the Laboratory six have made films fi INTERNATIONAL DOCUMENTARY FESTIVAL. We have been heartened by lnitiative Fund (CWCI), Emmanuelle e.tv and they and other Laborato the response to the Festival, by both the public and filmmakers, which Gille in Pretoria; Cinema Nouveau, Nico candidates have gone on to make the makes this Festival glow and grow. ln 1999 we screened z3 titles; in van der Merwe, for his support of the own films, elsewhere. e,tv is once aga 2ooo we screened 3z tifles; this year, out of the phenomenal 3o1-' .. FestilFd encouraging audiences by committed to commissioning fitms fro titles sent to us, we present 421 titles for your delectation. This is U means of our low ticket prices, and his the Laboratory we thank them for the first year that we will travet to fohannesburg and we are testing the staff in Cape Town and Johannesburg. support. waters with a 'Choice' selection of the Cape Town programme. Thanks to Tim Atkinson for his Motty Slingsby is the Laborato Encounters is gaining international Bestatl, Pule Diphare, Craig & Damon support, he provides the video coordinator, Peter Eaton the Festiv recognition. We have formed an Foster, lngrid Gavshon, John Hendricks, machinery and to the Victoria Junction programmer, Laun Bowman and lacq association with the Swiss Festival Teboho Mahtatsi, Craig Matthew and Hotel for making all our guests so Dolamore coordinated the Pan Visions du Rdel and this year nine JoElte Chesselet. comfortable. Discussions. Tania Bester is tl South Africans, among them the four This is a '[ive' and lively event. ln Last year, e.tv commissioned z films programme designer. We thank the r999 Close Encounters filmmakers, addition to the filmmakers talking as a result of the Ctose Encounters one and at[ for their efforts. attended this festival, courtesy of Pro about their films we have organized Laboratory. We are pteased to screen Nodi Murphy & Steven Markovi Helvetia. Five South African films were many Panel Discussions. Experts, screened there, two of them in academics, people in the know and competition: Pule Diphare's lG Strijdom people in the films will be in the 't\l\l ( I is Very Very Deod and Lindy Wilson's cinemas to comment on the films and Gugulethu Seven. answer any questions you may have Last year over 50 fitmmakers about the issues they raise. attended the Festival. This year we We wish to thank all those that have . hope to prove lust as popular... and made this Third Encounters possible: can already name some of our guests. Pro Helvetia, the Swiss Arts (5lncit, From abroad we welcome Werner Peter da Rin in Zurich and, in particutar, Schweitzer (Switzerland), Jan Heijs Mirlam Asmal in Cape Town; the Royal (Hottand) and Darcus Howe (Britain). Netherlands Embassy, Hans Glaubitz in Among the South Africans are Ctiff Pretoria and Holland Film in
r- Werner Schweitzer Do lt Wemer SchweiEer made his first film in Switzerland 2ooo 97min 35mm rD swts the mid lo's, al the age of zr, whitst Dirs: Sabine Gisiger & Marcel Zwingli reading sociology at the University of Prods: Samir & Werner Schweitzer Zurich. Typically, it was a co[[aborative Daniele von Arb was 16 years old when effoft and potiticat, two principles that he and friends founded the r97o Zurich were to characterise his work in the revoh''!^nary cell listed by the ClA, in Switzerland 1999 gomin 35mm future. As a founder of the Videoladen its Lt of international terrorist Dirs: F Bernasconi, C Davi, N Fares, co-operative, using video technology, organisations, under the code name W George, K Musale, T Thiimena, he helped pioneer a new form of "Annebiibi." Remarkably, the CIA never S Werenfels montage, a rapid succession of put hand to the extensive 8mm Prods: Werner Schweitzer & Samir 'heterogeneous' images creating a footage of the group that they With personal histories as a starti subjective, polemic, rap-tike [anguage. filmed of themselves, here point and a healthy dose of irot Videoladen's best-known fitm Ventschr specialises in working with intercut with contemporary seven young fitmmakers exami employing this technique was the young fitmmakers; /DSwrss is a case in interviews of the group, concepts of what it means to I documentary Zurich is Burning, aboul point. "My goal is to make and ftiends and family. Daniele, 'Swiss'. The sons and daughters the youth movement in that city. ln the produce fitms with an ingenious immigrants, ltatians, lndians, Egyptia early 9o's, Werner formed Dschoint creative power, an intriguing story with and Moroccan ,lews among them, ar Ventschr Fitmproduction (oint Venture) drama, emotions, and new points of with the 'cultural baggage' of thr with Samir. Together they specialize in view. I would tike my audience, after ancestors, they address issues producing films for cinema and TV with the screening, to have felt the immigration, emigration and duty three focal points: politics, society and filmmaker's personal involvement, and one's family. lnterspersed wi cross-cutture issues; and new forms of perhaps also to have learned interestingly presented statistics on t visual language. ln the last ten years something new about peopie, society, state of a 'nation' we see the pictu they have produced eight fiction fitms history and the wortd we are living in." puzzte of a country that is more thi and more than twenty documentaries, We are pleased to wetcome \lerner iust the home of watches, banks, gor most of them reteased in the cinema. lt Schweitzer as a guest of Erltlrters, chocolate, fabutous penknives at is interesting to note that in sponsored by Pro Helvetia. He will cuckoo clocks. Switzerland a large number of introduce his productions Do lt and lD Courtesy of Dschoint Ventschr Films & Pra Helvetia. documentaries are finished on 35mm Sr,vrss and take part in the Close and have a theatrica[ release. Dschoint Encounters Laboratory as a tutor. T Tue 24 7,30pm Panel: W Schweizer, T Dunne Mon 30 6pm
Jan Heijs The Making of a Procedure 769 New Empire Jan Heiis learned to [ove the cinema at The Nethertands 1995 8omin 35mn school. Then, as a political science The Netherlands 1999 98min 35mm Dir: Iaap van Hoewrft student at university in Amsterdam, he Dir: los de Putter Prod: lan Heiis had a job in the box office ofthe Dutch Prod: Jan Heils ,1 Fitmmuseum and watched hundreds of films. lt was in Bertin, programming for Escaped convict, the famous ArsenaI cinema and helping war hero, media I organise the Berlinale section of the manager, mystic lnternational Forum of Young Cinema, visionary - Khozh- Procedure 759 is the bureaucri that he met Hubert Bals. Bals was the Ahmed Koukhaev euphemism for the death penalty founder of the then infant Rotterdam is the very modern California, USA. This film focuses festivat. lt was under his tutetage that model of a maior eteven witnesses to the execution Heils learned "to watch fitms as fitms, and contains most drama; and because Mafia don. convicted murderer Robert Atton Har as cinema and not onty as tools for I tike to see films about real people.' Twenty-five years Among the observers are : other (politicaD purposes; and to Heiis used De Filmkront as a tool to ago in Moscow he Quentin's former prison warden ta appreciate film directors as artists, with hetp people develop their film founded supervises the execution and all their problems, trying to make what journalist skitls and now uses lura Film underground movement that became famity of one of Harris' victims. A they wanted to make." to help young filmmakers realise their the cradle of the Chenchen liberation present are a journalist; offir Whitst stitl a film critlc for De dreams, to brlng their films to the movement. Today, amidst the ruins of witnesses, including the current she Volkskrant and editor-in-chief for the international screen for an Grozny, he rides in an armoured of San Diego; a VIP witness (the o monthly De Filmkront, Heiis became a international audience. Mercedes dressed in expensive ltatian person present who is actualty agai Film Producer making, among other We are pleased to welcome Jan to Cape suits. A rare death penalty); a psychiatrist; i fitms, Crty tfe. This was a series of rz Town, courtesy of the Royal portrait of one Harris' distant cousin who is a chu short films by directors such as Netherlands Embassy. He wi[[ introduce of the world's minister from Atabama. All have mi; Kieslowski, Sen, Klopfenstein, Tan and screenings of his productiow-- The most oowerful and contradictory feetings about Agresti about their 'home towns'. ln Moking of a New Empire and l*dure me/Ya suave execution. Throughout the film, t99z he joined Ruud Monster's .lura 769 -and answer questions from the strategist - Noukhaev controls the vital role the media plays on pul Films and has produced a few dozen audience. He witl also act as a tutor on flow ofthe planet's targest oil reserves. opinion prompts us to re-examine films, mostly documentaries "because the Close Encounters Documentary Couftesy of Juro Film & Hollond Film. real costs of extreme retribution. it's stitt reality that is most gripping Laboratory. Courtesy of Jura Film & Hollond Film. T Wed 25 7.15om Panel: J Heiia, D v Zyl Smit [/on 30 8ph
with Rajiv Ghandi and Robert Mugabe. 7o,ooo people, an island the size of in the throes of an identity cris ln t99z Darcus became The Devil's Slough with a flag, a Prime Minister and "The old England of selFconfidenr Advocate on C4's cult studio debate a vote at the UN." He discovers a of peopte knowing who they a show honing his inimitable polemical nation that cannot feed or clothe itself style. He scribes a weekly column in nor pay its debts - a country dependent The New Stotesman. on weatthy white outsiders as ever it We welcome Darcus to Cape 1s*n was in coloniaI times. ln Martinique Darcus Howe, ex-Btack Panther, son of where he will introduce his filnlaub/e Darct rs shocked - the place is an Anglican priest, Britain's teading ln Paradise, the White Iribe omnibus supposed to be the Caribbean but it black radicaI commentator. and answer questions afterwards. He is looks more like Nice. There the French He broke with Establishment at age 19, a Ctose Encounters Laboratory tutor government welcomes him to a left Trinidad for London, entered the and is sponsored by the British Council. transptanted Europe. lt woutd be "une Middle Tempte, swapped it for cotastrophe" the Martinique tetl Darcus, lournalism. Uncle and mentor, radical Trouble in Paradise to sink to the tevel of desperation and that's dead... the whole of England intellectuaI C.L.R. James, inspired UK zoor 53min Video disorder of the other istands. Darcus is in a flux." He travels the length a Darcus to combine writing with politicat Dir: Michael Waldman retieved to to return Engtand yetbreadth of the country to discot activism.Abriefspell asassistanteditor Offering the same pointed critique of disturbed that the dreams of why the Engtish don't seem to wz on the Trinidad trade union paper The his Caribbean homeland as he made of independence he nuftured as a young to be English anymore. On the seco Vanguord was followed as editor of Britain in the series White Tribe, Darcus man have not been reatised. leg of his journey in search of t British magazine Roce Today. asks what the former colonies have white tribe, he desperately seeks t A Mangrove Nine trialist, Darcus was done with the independence for which UKzooozx5omin English who are proud to be whi acquitted of 'rlot and affray'. He they fought? "l teft the Caribbean as a episodes Video After "4o days and 4o nights" organised the zo ooo strong Btack colony and l've come back to look at in Dir: Pau[ Wilmshurst draws the conctusion that otd Engta Peopte's March of r98r ctaiming official a serious political way for the first time When Darcus Howe moved to Engtand is dead. His mission for the final I neglect and inefficient policing of the and l've met it as a colony." When his from Trinidad 40 years ago, he met of his iourney is clear: to find t investigation of New Cross fire in which sister tells that a close family fti"-d has people who were certain of who they "new" Engtand. "What kind of plz 4 black teenagers died. been shot, it proves a pretudt*'the werld what it meant to be English. will England become in the next His UK broadcasting career [aunched in tales of viotence and racial division that Today, as Scottand and Wales seek a years? Wi[[ there be anything left t] t982on Channel 4'sBlockonBlack.He he encounters. Darcus'next stop is semi-detached relationship from feets English?" produced and presentedC{s Bandung Antigua that he ctaims is independent Engtand and with Europe [ooming Courtesy of Diverse Productions, Channet & the British Council. File, pulting no punches in interviews by name onty. "lmagine a place of ever nearer, Darcus discovers a people CT Wed 25 8.15pm lntro and Q&A - D Howe lvlon 30 6pm
Cliff Bestall Cage of Dreams Craig & Damon Foster The Great Dance Cliff Bestall must South Africa zoor 44min Video South Africa zooo 78min 35mm be one of South Dir: Clifford Bestatl Dirs: Craig & Damon Foster Africa's prolific fi[mmakers ln Cape Town's having made over Pollsmoor prison, 5o documentaries powerfutty - $rutal in the past 20 gangs krlr as years. He has won the Numbers reign The Foster brothers are a formidable many international supreme. ln a groundbreaking aci team of mutti-award winning Debuted as a work in progress awards for his work both as a towards a peaceful change in the fi[mmakers. Though born and raised in Encounters 1999, we are pleased cinematographer and a director. An system the prison's first black chief Cape Town both have extensive screen the compteted multi-awz innovative filmmaker, Cliff avoids the warden, Johnny .lansen, opens the door technicaI and creative experience winning feature. The San are wic classic mode of 'obf ective' fitming, to a film crew. They document conflict gained from the film industry in acknowledged to be the otd using a range of perspectives and resolution workshops and the inmates England and America. Their passion for inhabitants of southern Africa with often striking contradictions that of Cell r9r, where the crudely tattooeo the outdoors, the coast and ancient unbroken link to their ancestors v encourages the exploration of the muttiple murderers, rapists and desert landscapes, drew them to the have lived in the same region for o subtle textures of the truth. ln g99, at robbers share cramped quarters. Kalahari and the opportunity to have 30 ooo years. The film follows a grr the first Encounters Documentary Plotting the slow change of heart in the Africans tell the of lXo San in the central Kalah stories through Festival, we screened his Nelson top echeton of the Numbers' gang medium of and focusing on the unique relations non-fiction television Rolihlala Mandelo - on intimote members leads to surprising glimpses cinema. Their technical abilities between their [ifestyle, the land ; portroit and he tutored on the Ctose of hardened souts opening to enabted them to develop the special the animals they hunt. Hunting Encounters Laboratory. He atso shot introspection. cameras required for the complicated fundamental to their culture and the award-winning Close Encounters film sequences and amazing "action" "the chasing hunt" the San must "ti documentary lG Strijdom is Very Very Atso scrceningt Special Assignment,s sequences that has made The Greot over" the anima['s mind in this anci Dead, for Pule Diphare. We are 'lnside Out,, directed by A"telise Danc' the winner of over 20 battte of human-animal endurar pteased to welcome him back with the Burgess, is a disturbing foltowY: She intefuionat awards including Best This is the first time that anyone I groundbreaking Cage of Dreams, the concentrates on ex-inmate and 2g! Picture at Wildscreen zooo (Golden photographed, filmed and documen first fitm shot in Potlsmoor Prison, and boss Mogamat Benlamin and his Panda); the z4th USA lnternational in such detail the ancient rites wh as a tutor on the Close Encounters 'welcome' home. Wildlife Film Festivol zoot; and Telluride the "hunter becomes the hunted". Laboratory Both films courtesy of the SABC. Mountain Film Festival zoot. Courtesy of SK Pictures & Off the Fence.
CLOSE ENCOUNTERS 1999 CLOSE ENCOUNTERS J.G. Striidom is Very, Very Dead South Africa 1999 z6min Video and the btack children left behit motherless, in the surrounding pr Dir: Pule Diphare urban townships and far-flu e.tv, a staunch supporter ofthe Close Encounters Documentary Laboratory, has Avonti tooo Silver Aword " homelands. " to date, commissioned 6 films for broadcast resulting from the Laboratory. We Not ontv is he dead, but he's also lost his are honoured to screen all of these films at the Festival. courtesv of . and t , heacA :nce the comoletion of this film The Fight rne prooucers. V ,,r,lotrqrura cottapseo, Irontcalty, on South Africa 1999 z6min Video The Ctose Encounters 1999 films were screened to international audiences at what was Republic Day and Strijdom's Dir: Eddie Edwards the prestigious Swiss documentary film festival, Visions du Rdel in zoot. head literalty rolled. So here's a reat Avanti zooo Silver Award piece of history... the Square was once Andile "One by One" Tshongolo I CLOSE ENCOUNTERS 2OOO the domain of white order and literally boxed his way out of 1 supremacy, then it turned into a township. This fitm documents Changing Gears Overspray commercial center and a haven for black struggte, his grueling training regi South Africa zoor z6min Video South Africa 2oo1 25min Video people who challenged the and relationship with trainer Stt Dir: Mareo Fleiser Dirs: Claude Wittwenn & Ebrahim Haiee and establishment declared their Naude, and his physicatty demand Ten years ago, a black woman behind Graffiti artists, Claude and Eib, record freedom under the shadow of Afrikaner job as a groom in Trudy Houaree the wheel of a vehicle was unthlnkable. the struggle for dominance between pride. This fitm of paradoxes captures the stable. All in an effort to achieve a bel While apartheid laws did not prevent some of the most established graffiti changing complexion of a city released life for his family. This punchy little f these women from driving, politics, crews in Cape Town. Local tegends from the trappings of a truly fallen idot. follows his preparation for the fight t economics and cultural traditions were Fatko, Sky r and Wealz r3o prepare for sets him on the road to success. obstacles to them taking to the streets. the showdown. They are active My African Mother Things have changed in South Africa. The "writers" - veterans of the scene who South Africa 1999 z6min Video Lady was a Mashoza film follows three black women drivers. make a Iiving through their art. Then Dir: Cathy Winter South Africa 1999 26min Video Etizabeth, aged 43, is a learner; Miriam, there are the more anarchic young Avonti zooo Winner Dir: Nokuthula Mazibuko a veteran taxi driver of twenty years; and writers, off the streets, making names "l remember the forbidden back yard The abo-mshoza were expensiv Portia, iust sixteen, is a skilled go-karter, for themselves with illegal "bombing." living quarters into which loften dressed, insotent, rebetlious hel[-rais a symbol of a new attitude - her fearless The film culminates in the "batite": a . transgressed. My secret journey from women of the townships. Five wom driving skills starkly contrast Elizabeth's huge hip-hop event that draws young our tiled and oudourless kitchen into now in their early forties, remini wheet-gripping nervousness. The film people from alt walks of life. TF-.signs the c '-lding smell of suurpap, lifebouy about their wild youth, and we gait explores atl that driving is about: of territoriaI battles are on ev|};ireet soafu/rd bodies contained in that fascinating insight into the lsipants independence, power, status, a job, a corner, if only you knew how to read ' room." This personal and evocative film sub-cutture of the late 7o's and e: means of getting around, danger, and them... this energetic funky film wil[ be is an eloquent testimony tothe 8o's. lmages of Jo'burg and Soweto violence. lt is a funny film with loud your interpreter and guide. relationships that developed between the 7o's, are intercut with 9o's urban boisterous characters. young whites and their "other mothers" and a vibrant 7o's disco music track. ingCE0ofe.tvandthedirectors'CTTue24rcpmAllCloseEncountersr999titlesscreentogether. -tl 112 h"
I ncluded in this documentary line-up masters of the four titles that are narratives - documentary genre I are child) are documentary. ! films that are scripted and acted. with 6o films to their multi-award The five central White exptoring and redefining winning credit. ln this realistic fi[m, the vignettes are a dramatic South Africa zoor 5omin Video boundaries is a popular device of the is subtty transposed into 'fiction' an depiction by the Nenets Dir: Teboho Mahlatsi documentary film genre, these emotionally identifiable .., o1 lnrth'. of the harsh effect Soviet communism Episode 11 of this popular a narratives too blur the line between controversial educational youth ser fact and fiction. Using dramatic- [: Z:{; lLnx!! ;: :,F Bruxelles. te u ue & -" t i re fras {yr on their age-old social order. This is the world's first feature film in focuses on the rote history plays of actual events or cleverly recreation "2" the Nenets language. understanding present conflir disguised'mockumentary' footage, Seven Songs from Courtesy of the Finnish Film Foundotion. Learners' valuabte skitts a fitmmakers may convince the viewer the Tundra are encouraged in experiences that what they see is reat. Fintand zooo gomin 35mm Shooting Bokkie classroom. Zakes' car-wash busines: Dirs: Anastasia Lapsui & Markku South Africa 1999 Somin Video thriving; he's happy with Maggie z Lehmuskallio Dir: Rob de Mezieres his soccer team is doing well wt La Promesse The visually dazzling contrasts of The tines between documentary reality Captain Shai convinces him that i Belgium 1996 gomin 35mm horizon-less snowy expanses and lush and fiction btur in this voyeuristic the onty one who can bring down Dirs: Luc & Jean-Piene Dardenne seasonal vegetation of the Tundra is lourney into the underworld. A Cape Gibb's drug empire. Vuyani asks A Cannes fitm festival prize winner and the setting for this unusual film. Town film crew class to examine the role their o considered more 'real' than many Director Lapsui weaves a number of is hired and communities ptayed in the liberat documentaries, Lo Promesse engages legends and her own experiences into told that the struggle. Gunman gathers evidet and convinces with its evocative stories that document and describe the assignment is a about what really happened to portrayal of the archetypal struggle Iife of the Nenets, the nomadic peopte profile of a brother. Sika decides to keep between father and son, between right who hunt and fish in the Russian iuvenile Cape memory of Papa Action alive in sch and wrong. lgor's father trades in illegal tundra. The first and seventh songs ' Flats gang member. Meanwhile, a by becoming the Son of Papa z immigrants. When Amidu, from Burkina (the ritual sacrifice of a reindeer^to the behind the scenes camera captures meets Papa Action in prison. A punc Faso, falls and dies in their employ, lgor gods and a woman singinglb' her crevrlrembers hotly debating the we[[-researched docu-drama tl must reconcile his fathert imposed ' moral issues raised, particularly the redefines the medium of educatio code of deception and silence with his dilemma that they wilI be accomptices TV. Director Teboho Mahlatsi t maturing sense of duty to the man's wife to a premeditated murder. introduce the screening. and child. The Dardenne brothers Courtesy of Reeltime Pictures. Courtesy of SABC & Bomb. are Fr 27 10 30pm / Sun 29 8pm CT Fri 27 6pm / Tues 31 6pm CT Thurs 26 6pm with Iotroi rows Heroes CT 23 815pm t\,,1on Paneli J W Fredencks. S Cullis niro and O&A - T lvahlatsi Jhb Sun 5 4pm with Ionrorowb Feroes
The Charcoal People Divorce lranian Style Brazil / USA 7999 67min 35mm lran / UK 1998 8omin Video Dir: Nigel Noble Dirs: Kim Longinitto & Ziba Mir-Hosseini Dir: Dennis O'Rourke ) Cunnamulla... the end of the railway line i" outback Queensland. Christmas in lbustr and there\ a lot more UK zooo 5omin 35mm going on than the annual lizard race. Dir: Carol Morley Aboriginal and white Australians live CaroI Morely returns to Manchester together but apart. Creativity struggtes where in the early 198o's five years of against indifference, eccentricity her life were lost in an alcoholic haze. against conformity. Daity dramas This is a brave, unflinching poetic unfold. Famous country-and-western Winner of twelve international awa retrieval of an era in which Photographer Marcos Prado's portraits singer Stim Dusty is coming to town, a this documentary is set in a courtrc rediscovered friends, acquaintances of Brazil's 'charcoal people' inspired teenage concert pianist is touring with in centraI Tehran and foltows a num and enemies speak directly to the Academy Award winning director Nigel her pet cat, and Santa Claus is of women who come before a n camera with frank and unadorned tales Noble to focus on the plight of several plussed iudge and by turn of Carol's drunken, promiscuous migrant workers and their famities. whatever they can - reason, argum( behaviour, her insecurities and random Their lives are led on the front lines of charm, outrage, pleas for sympa acts of kindness. ln Morley's search for the massive ecological destruction of patience - to secure their rights. V her lost self, conflicting memories and Brazilian forests. Their meagre sweltering in his suit. Sometimes sad, the barest of commentary and fly- viewpoints weave in and out, revealing existence comes from making the often hilarious, this is an astonishingly the wall invisibitity the camera a portrait of the city, its pop culture ovens and stoking them with the wood honest portrait of the eccentricities, turned on the court and lets it tell and people. An admonition about the to make charcoaI that fuels the hypocrisies and reality of life in an own story. A fuscinating [ook, by tu folly of alcohol driven excess and a demand of the multinational pry iron I isotar.d communitv. unintentionally funny i must-see for anyone who has had one and steel industries. BeautifulB;hot, \ Cot lr of Film Australia. heartbreaking, into the workings c too many... this evocative portrait stands surprisingly outspoken and humr Courtesy of Morley /Cannon testimony to the devastation of the lslamic Republic. Productions & the British Council. Courtesy ofVixen Films & the British environment and a dislocated people. Council. Courtesy of Zazen Productions. Tue 24 6pm / Tue 31 8Pm CT Tue 31 7 30pm CT Sun 29 5 45pm Jhb Vor 6 6p- / -h-rs I 8pm | 16 Jhb Wed I 8pm Paneli Z Otto-Sallies, R Shabodien JhbSat4330pm I
The Dealers, Encounters on the FreeDogme Jazz on a Summer's D Artists & Collectors Milky Way France zooo 53min Video USA 1959 78min 35mm France 996 Trmin Video Burkina Faso / Mati / Switzerland zooo Dir: Roger Narbonne Dir: Bert Stern Dir: Jean-Luc Leon 94min Video Enter the rarefied wortd Dir: Juerg Neuenschwander 6 years ago, Danish directors Lars von of France's upper-class Trier and Thomas Winterberg signed art addicts. The simple From the savannahs of West Africa to their "vow of cast of title characters the alpine meadows of SwitzNi.j - chastity" and so has one thing in simitarities and differences of the bovine began a new common: a love for kind are contrasted and reveated. A fitm wave known expensive art and the as Dogme 95. wherewithal to either This 'dogma' make, sell, or buy it. The ever-roving establisheda Bert Stern, the last person camera records glimpses of Basquiats new genre of photograph Marilyn Monroe al of dubious origin, to the authentic fiction film with captures the mood of Americana. works ofVan Gogh, Dado, Lichtenstein, particular 'rutes' the 1958 Newport Jazz Festival wl Louis Cane, Combas and Kota. (no music, no lights) and a strong for two days and nights, music lege Obscenely weatthy art deaters Burkina Faso breeder meets a Swiss documentary touch. FreeDogme Duke Ellington, Count Ba Marianne & Pierre Nahon are a dairy furmer and an organic Swiss examines this movement from a Thelonious Monk, Mahalia Jack: dynamic and dismissive wheeling furmer meets a charismatic vet from the director's point of view. ln different Chuck Berry Dinah Washington, A dealing duo who can make or break an Sahet. Their talk is an encounter of the parts of the world, the participating O'Day (but to name a fewl) ptay in the ftick of a second dimension, between the Third artist's career filmmakers - Lars von Trier, Wim sing for audiences clearly enraptu chequebook. ln an astonishingty World and a consumer society, Wenders, lean-Marc Barr, Lone Scherfig Rehearsals and stage performances candid scene, Pierre informs the providing a clever analysis of the - talk to each other and, Dogme-style, inter-cut with boats, children plar metaphysical painter Dado that his art philosophy of mitk. Part burlesque, part film themselves... These self-portraits and folks having fun. Oh, and did coutd use more work and inspiration. A poetry the fitm reveals oe.ople are edited according to the mention the most uptifting captivating, breezy romp across an and impler$zing understanding con{yration ted by the Swedish fitm extraordinary live soundtrack r exhausting schedute of dinners, gallery change for the betterment of critic Marie Berthelius. The result is a captured on film? This is the best openings and seriously expensive themselves and their herds. very special debate between documentary ever made. Sin purchases. Courtesy of Container-W & committed filmmakers. delicious. Pro Helvetio Couftesy of La Sept Arte. Courtesy of Lo Sept Arte. Courtesy of the British Council. Sat 28 2Pm CT Fri 28 9,30pm CT Mon 23 8pm /Sat28 9'15pm Panel: RWeinek. SHundt, L Pollack ltg __-.l Jhb Fri 3 8pm / Tue 7 8pm I
Life without Death Maestro, Maestro! Herbert von Karajan Switzerland 1999 85min Video Dir: Patricia Plattner Canada zooo 83min Video Dir: Frank Cole lsraeI zoor 53min Video Fitmed in crisp b&w and with a minimal Conductor's baton poised to strike and Denmark zooo 89min Video Dir: Duki Dror monotone voice-over Cole records the one fist raised vengefulty in the air - Dir: T6mas Gislason Grace, wit, patience and persiste cross-Sahara lourney that, rr months this image is now part of the Karajan l'ti 1937, Danish communist leader, Arne characterise this engaging portrail and 8 dead camels later, earned him a tegend. "He coutd prolong a measure Munch-Petersen, disappeared in the the director's father and uncles, ptace in the Guinness Book of Records. with a simple movement of the arm. Soviet Union. Sixty years later, Darwish brothers. lraqi Jews, they This 'achievement' was not what drove His technique was breathtaking." documents found in the KGB archive Baghdad in the 5o's for lsrael him to it. Rather, it was his obsessive Christa Ludwig recatls. Ten years after reveal that he died a prisoner. Shot in established "Fantasia", designi need to conquer death that made him the Maestro's death, great artists tetl Russia, the astonishing tate stretches manufacturing and distribul put himself in the way of death. about their experiences, the rehearsats, from jeatousty guarded archives to icy Chanukah menorahs. The story wea Though a linear journey, there is what it was like to work under him as camps in Siberia, unveiling some of the memories from lraq and lsrael - nothing conventionalty linear about, an orchestra conductor, his abilities as unbetievably contrived charges in a homelands, two [anguages, 1 nor much movement in, this haunting a stage director and businessman, his system buitt on the insane logic of identities, and two enemies. I film. Typicatty obsessed, in zooo, he fascination with the latest technology. Josef Stalin. Gislason's style, graphics awakens to trace his lraqi roots, ( set off again. His body Was found Using archival material of rehearsats, and split screen, powerful flashes of to face the reclusive silence of Tokm from Timbuktu. Reluctant to die, ctasses for conductors and television archive footage, the marches, the father. As he digs for information ab Cole instructed that his remains be interviews, there emerges the m(rait machinery the adoring masses, give the past, he unearths a long k conserved at the Cryonics lnstitute in of a modern individual with marldes onel; sense of the despotic power family secret. A video diary t Detroit awaiting, technotogy to his nature. One of which is the responsible for the disappearance of intersperses humorous moments v permitting, his rebirth. forgotten detail that he was a member more than 3oo ooo foreigners. moving and revealing insights. Courtesy of Necessory lllusions Courtesy of th e Dan i sh Bro adcosti n g Courtesy of Zygote Films. of Hitler's Nationa[ Sociatist Party. Productions. Corporotion ond the Donish Film lnstitute. Courtesy of MC4. CT Sun 29 2pm CT Sat 28 4pm Jhb Sat 4 2pm
One Day in September Waiting for Jesus, Wisconsin Death Trip Dark and Lovely, the Gospel according Soft and Free UK zoor gzmin 35mm -( 2ooo 76min 35mm Dir: Kevin Macdonatd to the Papuans )lr: James Marsh South Africa I Brazll zooo video 5z Narrated by Michael Douglas France zoor 83min Video Dirs: Pauto Alberton & Graeme Reir Dir: Thomas BalmEs ',lichael Lesy's Wisconsin Death Trip, r u b lis hed in th e ea rly t97o's, rxtaposed the photographs of Charles Hitter used the 1936 Olympics to ,an Schaick, taken in the northern display his mighty Aryan military. Post- For over 1oo years, Christian ',lidwest in the 189o's, with Here's one to debunk the notion of war Germany's enforced demilitarisation missionaries of all denominations have :ontemporary reports from The Badger stereotypicaI homo-hairdresser... Zr ensured a lack of security at what were sought to convert the tribes of Papua Srote Bonner. This iournal of Black visits salons in smal[ town Sc bitted as the "Olympics of Peace and New Guinea. The Hulis are among the ?iver Falls, Wisconsin, edited by Africa. His 4oookm trip presentl loy". ln 97z, the Palestinian Btack last who stitl hold to their betiefs and lrglishman Frank Cooper, dryty reports different kind of queer, away from September took u lsraeli athletes traditions of food, dress and inter-tribat on the daily doings of the settter folk. mainstream, but stylish stitl, especi hostage. With live TV cameras pointed warfare, but not for long. The old -his stylish film, based on Lesy's book, when it comes to hair. The focus is at the "action", an incredulous world warriors - Ghini, Mahape and Wandipe lepicts the immigrants' dementia and the gay black man in the townsh looked on. So did the hostage-takers - dither, almost swayed by the reuroses that are the nightmarish The strong presence of the church via the television set in their room... charismatic (adulterous) preacher and orecursors of the American Dream. music and of tribal traditions make While we all know how it ended, this their need to convert, to hedge their Monochrome photography, pan shots interesting characters that inte non-sensationalist, non-partisan viftual bets against an apocatyptic Christian and teasing reveals heighten the gothic harmoniously with their communit catalogue of the bungled rescue vision. Director Balmds' filmin-'is so natu.^ of life on the frontier: suicides, This film is based on research by operation and Macdonald's editing intimate that he has obviousty$ned aepl;*a mothers who drown their Gay & Lesbian Archives of South Af skills lend an edge to our feeling of the trust of the Hulis, a portrait of a offspring, epidemics, adulteries, into the effect of the new constitul helplessness and dread. culture under siege that is often funny, burials... Fascinating! on the tife of gay and lesbian peopl, Courtesy of Passion Pictures & the British uttimately sad. Don't miss it. Courtesy of the BBC Areno & the British small towns. Council. Council. Cou rtesy of TBC Production s. Courtesy of GALA. CT Thurs 26 6pm / Sun 29 6pm CT Sun 29 8 15pm T Sat 28 5.3opm Jhb Mon 6 Bpm / Thurs I 6pm 123 lnlro by G Reid I
Facing Death... ln the Shadow of a Saint Carlos Cardoso - Metamorphosis Facing Life lndependent Spirit Canada / UK zooo 54min Video South Africa zooo video 5zmin South Africa zooo 5zmin Video Dir: Richard Meech SA / Mozambique zoor 33min Video Dir: Luiz DeBarros Dir: lngrid Gavshon lir: Rehad Desai What is it like to Outrageous! Notorious! Granny L be the child of a -ess than a year ago Carlos Cardoso, variously known as Granny Con, Qut famous freedom :re ^r Africa's leading investigative Cobra and the White Queen of Afri fighter... someone - -r|!ts, was assassinated. An ran riot in the bars and clubs who's p repared : -:spoken media personality in the 7g7o's u ,fohannesburg during to forsake their '.'ozambique, Cardoso's investigations her tragic death in a car crash in family and put -:rged from the expenditure of tax late 8o's. Renowned for her spectacL This is a haunting portrait of Duma their life on the ':.'enue of Maputo City Council to the Kumalo who, after three years on death line for their --lti-million dollar fraud committed by row, was granted a stay of execution 15 politicat beliefs? =rployees of the Banco de Commercial hours before he was due to be hanged Ken Wiwa, a for a crime he did not commit. Ever London based since he has struggted to make sense journatist, returns of life after near to Nigeria to give death, for as he his late father, says: " facing activist Ken Saro-Wiwa, a proper death is hard, but buriat. The journey is complicated by costumes, heavy makeup and a retir facing tife after facing death is harder." the people's expectations of their of young male admirers, hers was a A charismatic 'wounded healer', Duma hero's son and the fact that Ken lived on the edge. She openly def is able to articulate in layman's terms never got along with his father... Ken the repressive apartheid regime of t the search for the meaning of tife. The travels to South Africa where he Mozambique. An expos6 many believe era for, in reality, Granny Lee v fitm exptores notions of justice, meets Zinzi Mandela and Nkocinathi motit'^'qd his execution. This fitm neither white nor a woman. This i: reconcitiation and reparations as we Biko. Both help him reatize ! he iooklrt the personal and political fast paced, stylish account of a tin are confronted by The Sharpeville Six's can live within the father's shadow, s:ory ofa man described as the'master small{own man reinvented. emotional struggte amidst economic honour the father's memory and of controversy' and provides a potted Courtesy of Underdog Productions & the SABC. hardship. maintain his identity. -istory of some of his investigations. Courtesy of Angel Films and e.tv. Courtesy of Nomod Films. lturtesy of Rehad Desoi. CT Wed 25 6pm CT 30 Bpm screens with Carios Cardoso L.4on T Tues 3'1 6pm Pane : I Gavshon. T Ny'okushane Jhb Sun 5 8 15pm screens with Calas Cardasa
Ochre and Water: Patient Abuse: Please Rise The Secret Safari Himba Chronicles from TAC's Struggle for South Africa zooo 5zmin Video Australia / SA zoor 5zmin Video the land of Kaoko Treatment Access lir: Sharon Cort Dir: Tom Zubrycki South Africa zoor 58min Video What is the Dir: lack Lewis importance of It is an unfortunate accident or historV national symbols that in 1994, as the first dtftratic - flags, emblems South Africa zoor 53min Video government in South Africa came to :rd An evening of musical This is a record of one of the r songs? Dirs: Craig Matthew & lo6lte Chesselet power, the HIV/AIDS epidemic was -provisation sets the tone for an successful and audacious mitl exploding. Virodene, Sarafina ll, the =rcloration of the origins of both Dre operations of the armed struggle ag The Kunene River is the tifebtood of scrapping of mother-to-child- j:em and Nkosi Sikelel'iAfrika. apaftheid in South Afria. In 1986, the arid northwestern Namibia and the transmission prevention programmes, : -vthmicatty weaving historical set up an overtand sahri company that pastoral nomadic Himba, often called the atleged toxicity of anti-retrovirals... -sgments and strands with interviews holidays to unwitting tourists, used as the ochre people, who occupy this the SA government's response to HIV / =-d reflections on the political cover to smuggle weapons into South A harsh, beautifuI landscape. Their AIDS has been characterized by a ; gnificance of both songs, amusing from Zambia and Zimbabwe. Votunt cutture has survived drought and war, series of often alarming and tragic - lments rise unexpectedly. lda fiom Britain and The Netherlands drove but now faces a greater threat. actions. Patient Abuse demonstrates : cbotaphi recounts the struggle to find safari truck and worted with South Afr Anesting images explore a [andscape how, in response to the faiture of -:rcomposer grandfather Sontonga's counterparts in covert missions to im that wil[ disappear when the Namibian governmentl HIV /AIDS programs, the -rmarked grave and sings God Save and then distribute the weapons rhsrde government develops a 45o-megawatt Treatment Action Campaign emerged. :'e Queen. Personat accounts from country. The sahri operation brough hydroetectric dam. lt witl flood 35o Using unique archival footage, tracing loth composers' grandchitdren, about forty tonnes of weapons ov( square kilometers of Himba ancestral the history of TAC, the video shows Sandile Dikeni's poetry and Professor period of 7 yeas. No one was ever ctu lands, destroy their sacred gravesites how TAC has become the voice for (humalo's exptanation of how the A tale of individuals of courage, cunr and vital grazing for their herds. Led by HIV+ people in SA and internationatly combined anthem was finalty and suspense, with tightly : Chief Kapika, the Himba detiver a and ittustrates how TAC ha* orown shorr^ned reveats iust how South reconstructions of events using the orig moving and eloquent protest that froma handful of volunteUto a nfriL/feet about the country's hybrid operatives and interyiews with questions the effects of globalisation cadre of dedicated activists, anthem. This documentary was passenges who discover, on ctmetit, v and development, land rights and chatlenging the might of multinationaI :ommissioned by the SABC to was actually under their seats. cultural survival. pharmaceuticaI companies. :elebrate Heritage Day zooo. Best Documentary 2oo1 DendyAwan Courtesy of Doxo Productions and e.tv. Couftesy of ldol Pictures. -)urtesy of Angel Films & the 9ABC. Courtesy of FRU. CT Fri 27 6Pm CT Tues 24 6pm lntro and Q&A - C N/atthew, J Chesselet lc6. t=Y lntro and Q&A - J Lewis, Z Achmat Panel: Gavshon G Domlny, S Cowburn Pane : J Garraway, S Gunn J & I Valie tnu sat 4 5.3oom Sun 5 6pm I
SHAREEF CULLIS is a Film Producer lPanelists Currently she is establishing a human MARIANNE THAMM is a with Stonehouse Productions and a 'ights media center. freelance journalist and author media activist. who writes for a variety of local South Africa / ltaly zoor 54min Video :RIVfMEYER grew up in Mitchetl's and overseas publications. Dirs: John W Fredericks & Davide Tosco SHEILA COWBURN is a clinical I ain and was a general lor the Hard psychologist and .lungian analyst in - ,ings Gang. Now he is a youth ,ULIE & ISMAIL VALLIE were MK Thousands of youth affiliate with gangs private practice in Cape Town. ::stor and community leader. soldiers between t985-t999. in poverty-stricken communities and They now run their own townships of the Western Cape GRAHAM DOMINY is the National THAPELO MOKUSHANE was wholesale fruit and vegetable Province. Many never reach the age of Archivist, in charge of the Bureau of :':viously a journalist for the SABC business. zr. lf they don't die viotent deaths, Heraldry that is responsible for the - 'adio and tetevision. He is Media they go to prison or wind up in National Flag and Coat of Arms. ',':1ager of the lnstitute of Justice DIRK VAN ZYL SM|T was a wheelchairs. Yet, young men stil[ aspire :-l Reconciliation. Consultant on the drafting of the to become gangsters, they enlist for TIM DUNNE is Professor and Head of correctional r998 Services Act. protection, survival, status and a sense Depaftment of Statistical Sciences (UCT). aTLFAH OTTO-SALLIES is a filmmaker, He holds a joint appointment as of belonging. Following two such -cvelist and playwright with a Masters Professor ol Comparitive and youth, met during a prison workshop, ,OANNA FLANDERS was coordinator of ::gree in 'Theatre and multr- lnternationat Penal Law. through their incarceration and after the Prison Transformation Project at : sciplines' from Dasafts in Amsterdam. their release, Fredericks and Tosco the center for Conflict Resolution. STEFAN HUNDT is the Curator of explore and debunk the myth "if you LLOYD POLLACK is a freelance the Santam Art Collection, one of don't belong to a gang, you're jAMES GARMWAY is an Educationalist, Iecturer in art, an art critic at the the largest corporate collections nothing." Change is not easy in a cunently employed as a tertiary e/''ration Cope Times as welI as an art author. of South African art. society that rarely forgives and never cuniculum developer and researD forgets. Frankly eye-opening, ROSHIEDASHABODIEN is the Director ROBERTWEINEK is the Director extraordinarily courageous, rewarding SHIRLEY GUNN was an MK :f the Gender Advocacy Programme and Administrator of Public Eye and inspirational viewing. Commander, working within the 'lGO). She recentty visited lran as pafi which promotes art to the Courtesy of F-forFilm. Western Cape from 1986 into the 9o's. :'state delegation. greater public.
zz Sun Opening Night Opening Night CINE 4 CINE 6 8pm Trouble in Paradise The Making of a New Empire ki z7 Do lt The Great Dance t'n Patient Abuse 5pm Seven Songs from the Tund CINE 4 clr{E 6 Panel: J Lewis, ZAchmat Mon4 iyn The Secret Safari 8pm The Making of a New Empir 6pm Cage of Dreams + lnside Out 6pm Wisconsin Death Trip v | & I Vallie Panel: J Garraway, S Gunn, lntroduction and Q&A-j Heiis Panel: M Thamm, C Bestall, A Burgess, J Flanders, E Hofmeyer 'lorL 'rouble in Paradise ro.3opm La Promesse lntroduction and Q&A - D Howe 8.r5pm Vzo Vzo 8pm lazz on a Summer's Day Introduction and Q&A - T Mahlatsi Y28 Tue 24 ::- Encounters on the Milky Way 6pm Please Rise 6pm The Charcoal People d- My Fantasia Panel: I Gavshon, G Dominy, S Cowbum ; j:om Dark & Lovely, Soft & Free 6pm The Great Dance 8pm Close Encounters zooo 73opm lD Swiss lntroduced by G Reid Changing Gears & Overspray Panel: W Schweizer, T Dunne -:- The Dealer, Artists & Collectors 8pm The Alcohol Years lntroduced by Marcel Golding e.tv CEO Panel: R Weinek, S Hundt, L Pollack lopm Close Encounters 1999: l;.:om FreeDogme 9.4pm lazz on a Summer's Day My African Mother; lG Strijdom is Very Very Dead; bz9 The Fight; Lady was a Mashoza En Maximum Penalty Wed z5 rgn Life without Death 4pm Wisconsin Death Trip 5pm Facing Death... Facing Life 6pm The Alcohol Years il5pm Divorce lranian Style 6pm One Day in September Panel: I Gavshon, T Mokushane Panel: Z Otto-Sallies, R Shabodien 8:15pm White Tribe 7.$pm Procedure 759 &r5pm Waitingfor.lesus 8pm La Promesse lntroduction and Q&A - D Howe Panel: l Heijs, D v Zyl Smit Hon jo Thu z6 6pm White Tribe 6pm lD Swiss 6pm Tomorrow's Heroes + 6pm One Day in Septr, r 3 P,. \ii'l",,:l'.',:I":: .'''"' 8pm Procedure 759 Shooting Bokkie Panel: lW Fredericks, S Cullis tue 3t Ochre & Water 8pm Do lt 9pm lntroduction and Q&A- lntroduction and Q&A - :c'r'r Metamorphosis 5pm Seven Songs from the Tundr C Matthew. I Chesselet W Schweitzer - lcpm Cunnamulla 8pm The Charcoal People
- Audio &Video Equipmen For CINE 3 ,lilGourrtn$ 6pm The Great Dance v Fri 3 So l't\ African lnternational Documentary Film Festiv 8pm )azz on a Summer's Day ? & Documentary Film Laboratory. Sot 4 2pm My Fantasia Supplied by:- 3.30pm Divorce lranian Style 5.30pm Patient Abuse 7pm Maestro, Maestro! 9pm Trouble in Paradise Sun 5 4pm Tomorrow's Heroes + Shooting Bokkie 6pm The Secret Salari lntroduction and Q&A- Producer David Max Brown 8:15pm ln the Shadow of a Saint + Carlos Cardoso lntrodudion - Director Rehad Desai Mon 6 6pm The Atcohol Years 8pm One Day in September Tue z 6pm 8pm The Making of a New Empire lazz on a Summer's Day TELEVISION cc Feg No. ClgE4/0€446r23. VAT No. 41 2ol 46758 &e Kloof Struet, Gardens, CapeTown,8001. P O Box 3010, CapeTown,8000 Wed I 5pm 8pm Do lt The Charcoal People v I zl- zt-zt{,z+7gzt.Fe*- 27-21-42}7944, e-malh timepmcnlt.co.za VldeoTap6 Edltlng, Duplicallng, Slandarda & FormatTrsnsfeL CD, OVD & CllpMall. Audia & Vldeo loi Fllm &TV.TlIIE-Code Systems,VirleoTakd)tl, Sloluo. Mar & Overlay, Shmt"toAudlo & Vldeo Playbaclq Busher{heck & Pre3entation Systerc. Video Confercnc Thu 9 5pm One Day in September 0lgltal PlciurB & Sound Capture, Processlng,Transmlsslon, Archlvlng,lnGrnel & Web S€wl, 8pm The Alcohol Years
I ' Audio &Video Equipmen For CINE 3 ,rHcourrrn$ I v Fri 6pm The Great Dance So l rth African lnternational Documentary Film Festiv 8pm lazz on a Summer's Day ? & Documentary Film Laboratory. Sot * 2pm My Fantasia Supplied by:- 3.30pm Divorce lranian Style 5.30pm Patient Abuse 7pm Maestro, Maestro! 9pm Troubte in Paradise iun 5 4pm Tomorrow's Heroes + Shooting Bokkie 6pm The Secret Sahri lntroduction and Q8A- Producer David Max Brown 8:15pm ln the Shadow of a Saint + Carlos Cardoso lntroduction - Director Rehad Desai Mon 6 5pm The Alcohol Years 8pm One Day in September lue 7 6pm 8pm The Making of a New EmPire lazz on a Summer's Day TELEVISION cc FsE No. ClgP/U084{6J23. VAT ilo. 41 201 46768 &e Kloof Street, GardenB, Cap6 Tow\ 8001. P O Box 3010, Cape Town, 8000 Wed 8 6pm 8pm Do lt The Charcoal People ! L' E 27-2t +2T7Wt. Fax'r 27-21-42+7944, e-mall: tim@Pmcnct.co.za l/fdeoTape Edltlng, OuFliEatlng, Stand.tde & FormatTransfen CD, OVD & Cllplilall. Audlo & Vldeo tor Fllm &Tv.Tlme'Code Sysiems,VldeoTake€tl, Sloiro. Mtr & Overlay, Shoot-tGAudlo & Vldeo Playback, Fushes€heck & Pr€snlation Syslems. Video Confercnc Thu 9 5pm One Day in September Olgltoi Plcture & Sound Capture, Proesslng,Ttansmlsslon, Archlvlng,lntrrnet & W€b S€rvl, 8pm The Alcohol Years
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