Film & Media New Books Catalogue July-September 2022 - Bloomsbury Publishing
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Film & Media New Books Catalogue July-September 2022 B L O O M S B U RY ACADEMIC
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No
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Podcast
The Bloomsbury Academic Podcast
is more than just a book talk. Each
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Season two is available on our website,
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www.bloomsburyacademicpod.comEBooks
Contents ePub and ePDF availability is listed under each book entry.
Review Copies
British Film Institute ������������������������������������������������������ 3 Email academicreviewus@bloomsbury.com (Americas)
/ academicreviews@bloomsbury.com (UK / Rest of World).
Screenwriting������������������������������������������������������������������ 3
Animated Films �������������������������������������������������������������� 4 Standing Orders
Film Genres�������������������������������������������������������������������� 4 Many of our series are available on a standing order basis.
For further information contact our trade ordering
Film Theory�������������������������������������������������������������������� 5 departments listed on page 12.
Film History�������������������������������������������������������������������� 5
Translation Rights
Film Directors ���������������������������������������������������������������� 6 Available unless otherwise indicated.
World Cinema���������������������������������������������������������������� 7
Key to Symbols
Gender & Media������������������������������������������������������������ 8
Media Theory ���������������������������������������������������������������� 9 Available on inspection / as exam copies: order online at
Media Theory and History�������������������������������������������� 10 www.bloomsbury.com. To request any other PB or eBook,
email askacademic@bloomsbury.com (Americas) /
TV �������������������������������������������������������������������������������� 10 inspectioncopies@bloomsbury.com (UK / Rest of World).
Game Studies �������������������������������������������������������������� 10
Online resources available.
Representatives, Agents and Distributors ������������������ 12
Available for institutions to purchase on
www.bloomsburycollections.com
Bloomsbury Open Access
Selected research publications are available on open access.
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Bloomsbury Academic is a division of Bloomsbury Publishing Plc. Registered in England No. 01984336.BFI FILM CLASSICS
“An indispensable part of every
cineaste’s bookcase” – Total Film
Sunset Boulevard Picnic at Hanging Rock The Godfather Seven Samurai
9781839024085 9781839023354 9781839024580 9781839024771
The Lost Honour of Katharina The Searchers Eight and a Half (Otto e mezzo) Grave of the Fireflies
Blum (Die verlorene Ehre der 9781839024696 9781839024733 9781838719234
Katharina Blum)
9781839024375
Discover more at www.bloomsbury.com/BFIFilmClassicsBFI Film Classics
F I L M & M E D I A – British Film Institute / Screenwriting
Sunset Boulevard Picnic at Hanging Rock
Steven Cohan, Syracuse University, USA Anna Backman Rogers, University of
Steven Cohan's study of Billy Wilder's 1950 noir Gothenburg, Sweden
classic draws on original archival research to shed Peter Weir's haunting and allusive Picnic at
new light on the film's production history, and the Hanging Rock (1975), is widely hailed as a classic
contribution to the film's success and meanings of new Australian cinema, seen as exemplary of a
of director Wilder, stars Holden and Swanson, peculiarly Australian style of heritage filmmaking.
costumier Edith Head, and composer Franz Anna Backman Rogers' study considers Picnic from
Waxman. Cohan considers the film both as a 'backstudio' picture feminist, psychoanalytic and decolonialising perspectives, exploring
(a movie about Hollywood) and as a film noir, and in the context of its setting in a colonised bushland in which the Aboriginal people
McCarthyism, blacklisting and the Hollywood Ten. are a spectral presence in a landscape stolen from them in pursuit of
the white man's 'terra nullius'. She delves into the film's production
UK September 2022 • US September 2022 • 104 pages • 60 bw illus history, addressing director Weir's influences and preoccupations at
PB 9781839024085 • £11.99 / $15.95
ePub 9781839024092 • £10.79 / $15.10
the time of its making, its reception and its lasting impact on visual
ePdf 9781839024108 • £10.79 / $15.10 culture more broadly.
Series: BFI Film Classics • British Film Institute
UK October 2022 • US October 2022 • 104 pages • 50 colour illus
PB 9781839023354 • £11.99 / $15.95
ePub 9781839023361 • £10.79 / $15.10
ePdf 9781839023378 • £10.79 / $15.10
Series: BFI Film Classics • British Film Institute
The Child in Cinema Beyond Bagpuss
Karen Lury, University of Glasgow, UK A History of Smallfilms Animation Studio
The Child in Cinema brings together a host of Chris Pallant, Canterbury Christ Church
internationally recognised scholars to provide an University, UK
interdisciplinary perspective on the representation
Ivor the Engine, Noggin the Nog, Pingwings,
of the child in cinema. Individual chapters examine
Pogles Wood, Clangers, and Bagpuss - the
how children appear in non-fiction and non-
iconic animations produced by the Canterbury-
theatrical films -documentaries, art installations and
based Smallfilms studio between 1958 and 1984
public information films. It also considers the global reach of cinema
- constitute a significant thread of British cultural history. Through
featuring children, including films from the former Yugoslavia, Brazil
extensive studio access, interviews with many key Smallfilms
and India, as well as exploring the labour of the child both in front of
collaborators, press and audience analysis, Chris Pallant traces a
and behind the camera as actors and filmmakers.
comprehensive and definitive historical record of the studio’s work.
UK September 2022 • US September 2022 • 224 pages • 40 bw illus
Beyond Bagpuss is illustrated with more than 100 images from the
PB 9781844575121 • £21.99 / $29.95 • HB 9781844575138 • £65.00 / $90.00 Smallfilms archive, including those that have not previously been
ePub 9781844577248 • £19.79 / $27.47 published.
ePdf 9781839024955 • £19.79 / $27.47
British Film Institute
UK July 2022 • US July 2022 • 288 pages • 100 bw illus
PB 9781839022388 • £26.99 / $36.95 • HB 9781839022395 • £80.00 / $110.00
ePub 9781839022401 • £24.29 / $34.34
ePdf 9781839022418 • £24.29 / $34.34
British Film Institute
Being There and the Evolution
of a Screenplay
3 Draft Scripts with Commentary
Aaron Hunter, Maynooth University, Ireland
Being There (1979) is generally considered the
final film in Hal Ashby’s triumphant career. Being
There and the Evolution of a Screenplay features
three versions of the film's script: an initial draft by Jerzy Kosinski,
based on his 1970 novel; a second by Ashby collaborator and
Oscar-winner Robert C. Jones; and a final draft written by Jones with
Ashby’s assistance. Additionally, the book features facsimile pages
from Ashby’s copy of the scripts that include handwritten notes,
providing valuable insights into the redrafting process. This book is a
presentation of the script and a record of the process of crafting it.
UK August 2022 • US August 2022 • 488 pages • 4 bw illus
PB 9781501372377 • £28.99 / $39.95
Previously published in HB 9781501348358
ePub 9781501348365 • £85.90 / $117.00
ePdf 9781501348372 • £85.90 / $117.00
Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 3F I L M & M E D I A – Animated Films / Film Genres Animation: Key Films/Filmmakers
Chris Pallant, Canterbury Christ Church University, UK
Watership Down Genndy Tartakovsky
Perspectives On and Beyond Animated Sincerity in Animation
Violence Kwasu David Tembo, Independent Scholar,
Edited by Catherine Lester, University of Zimbabwe
Birmingham, UK This open access book features Genndy
Watership Down (Martin Rosen, 1978) is as Tartakovsky, widely regarded as a pioneer in
controversial as it is beloved. This open access contemporary Western animation of the 20th
collection unites scholars and practitioners to and 21st centuries. This book draws attention to
consider the ongoing legacy of this landmark of British cinema and the comparatively mysterious figure creator, while simultaneously
animation history. Topics include the film’s production, reception, celebrating his singular vision, mastery of formal technique, genre
music, generic context, the ethics and aesthetics of animated violence, sensitivity, personal stylistic flair, and how these aesthetic and
its increasingly relevant political and environmental themes, and its narrative elements combine to produce what the author calls an
relationship to Richard Adams’ 1972 source novel and subsequent 'animation of sincerity' in all his works.
adaptations. As the first substantial work on Watership Down, this book The ebook editions of this book are available open access on www.
is an authoritative introduction for scholars, students, and fans. bloomsburycollections.com.
The ebook editions of this book are available open access on
UK April 2022 • US April 2022 • 296 pages • 64 bw illus
www.bloomsburycollections.com.
HB 9781501356292 • £90.00 / $120.00
ePub 9781501356285 • £0.00 / $0.00
UK September 2022 • US September 2022 • 272 pages • 30 bw illus ePdf 9781501356278 • £0.00 / $0.00
HB 9781501376993 • £90.00 / $120.00 Series: Animation: Key Films/Filmmakers • Bloomsbury Academic
ePub 9781501376986 • £0.00 / $0.00
ePdf 9781501376979 • £0.00 / $0.00
Series: Animation: Key Films/Filmmakers • Bloomsbury Academic
Snow White and the Seven
Sylvain Chomet’s Distinctive
Dwarfs
Animation
New Perspectives on Production,
From The Triplets of Belleville to The Reception, Legacy
Illusionist
Edited by Chris Pallant, Canterbury Christ
Maria Katsaridou, Aristotle University of Church University, UK & Christopher Holliday,
Thessaloniki, Greece King’s College London, UK
This open access book provides the first in-depth This open access book focuses on Walt Disney’s Snow White and the
analysis of Sylvain Chomet's animation films and contribution to Seven Dwarfs, which set in motion the Golden Age of the Hollywood
contemporary animation. It examines important elements of the cartoon and continues to be an international sensation. This book
artist’s life, studies and previous works, along with his influences and explores the enduring qualities that have marked Snow White’s
important collaborations. Special attention is paid to the production influence and legacy, providing a collection of original chapters
processes, as well as the historical and socioeconomic context in that reflect upon its pioneering use of technology and contributions
which they were created, to provide the reader with a comprehensive to animation’s visual style, the film’s reception within an American
study of the films and to highlight their contribution to the context, and its status as a global cultural phenomenon.
advancement of contemporary animation.
The ebook editions of this book are available open access under a CC
The ebook editions of this book are available open access under a CC BY-NC-ND 3.0 licence on www.bloomsburycollections.com.
BY-NC-ND 3.0 licence on www.bloomsburycollections.com.
UK July 2022 • US July 2022 • 328 pages • 28 bw illus
UK December 2022 • US December 2022 • 240 pages PB 9781501373961 • £28.99 / $39.95
HB 9781501363993 • £90.00 / $120.00 Previously published in HB 9781501351228
ePub 9781501363986 • £0.00 / $0.00 ePub 9781501351211 • £0.00 / $0.00
ePdf 9781501363979 • £0.00 / $0.00 ePdf 9781501351204 • £0.00 / $0.00
Series: Animation: Key Films/Filmmakers • Bloomsbury Academic Series: Animation: Key Films/Filmmakers • Bloomsbury Academic
Opera Cinema
A New Cultural Experience
Joseph Attard, Kings College London, UK
Since 2006, leading opera companies have
beamed shows to cinema screens all over the
world – live. ‘Opera cinema’ is the most successful
marriage of this elaborate, esoteric artform and
the silver screen. But what is different about
watching Massenet at the multiplex, compared to a traditional stage
performance? Is opera cinema a new, hybrid artform in its own
right? Is it bringing new fans into the fold? Is there a danger it could
one day eclipse the stage? This book discusses these questions by
charting the history of opera transmissions, exploring how digital
media changes our relationship with culture.
UK July 2022 • US July 2022 • 256 pages
HB 9781501370373 • £90.00 / $120.00
ePub 9781501370359 • £79.34 / $108.00
ePdf 9781501370342 • £79.34 / $108.00
Bloomsbury Academic
4 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.ukF I L M & M E D I A – Film Theory / Film History
Realist Film Theory and Bicycle Intimacy and the Anxieties of
Thieves Cinematic Flesh
Hilary Neroni, University of Vermont, USA Between Phenomenology and
This book offers a concise introduction to realist film Psychoanalysis
theory and shows how this theory can be engaged Patrick Fuery, Chapman University, USA
to interpret Vittorio De Sica’s Bicycle Thieves.
Through three key concepts—Hollywood and Combining two distinct philosophical fields
realism, early realist theories and their influence, to the study of cinema, Patrick Fuery shows
and realism and its relationship to melodrama—the book lays bare how phenomenology and psychoanalysis, so often seen as
the debates and approaches within the vibrant history of realist film contradistinctive, are explored through their commonalities rather
theory. In this way, the book provides a point of entry to realist film than differences. Using three interconnected themes—intimacy,
theory from its inception to today as well as a new way to conceive of anxiety, and flesh— he illustrates that anxiety is a driving process
realism. in all cinema, and for it to take place there must be a relationship
of intimacy. Discussing such films as Tree of Life, Don’t Look
UK September 2022 • US September 2022 • 208 pages Now, Gravity and Roma, Fuery demonstrates why combining
PB 9781501378591 • £14.99 / $19.95 • HB 9781501378607 • £55.00 / $75.00 phenomenology and psychoanalysis to the study of cinema is
ePub 9781501378584 • £13.10 / $17.95 necessary for studying film.
ePdf 9781501378577 • £13.10 / $17.95
Series: Film Theory in Practice • Bloomsbury Academic
UK December 2022 • US December 2022 • 240 pages
HB 9781501376351 • £90.00 / $120.00
ePub 9781501376344 • £79.34 / $108.00
ePdf 9781501376337 • £79.34 / $108.00
Bloomsbury Academic
Cinematic Modernism and Experiencing Cinema
Contemporary Film Participatory Film Cultures, Immersive
Aesthetics and Narrative in the Media and the Experience Economy
International Art Film Emma Pett, University of York, UK
Howard Finn, Queen Mary, University of London, Existing studies of film audiences, and of media
UK reception more broadly, have revealed the
complexity of viewing practices and cultures
Drawing on a broad range of examples, including
surrounding cinema-going and its exhibition
Soviet montage, Italian neorealism, postwar new waves and the ‘new
spaces. Experiencing Cinema offers the first in-depth study of
cinema’ of Taiwan and Iran, Cinematic Modernism and Contemporary
participant engagement with a range of experiential media forms
Film explores the cultural significance of modernism and its lasting
derived from cinema culture. From sing-a-long screenings to
influence over cinema. Howard Finn provides concise accounts of
theatrical extravaganzas, a broad spectrum of alternative film-going
how theorists such as André Bazin, Siegfried Kracauer, Gilles Deleuze
practices and immersive spaces are explored and analysed in this
and Jacques Rancière have discussed the cinematic aesthetic,
original audience study. Moving from intimate community gatherings
clarifying debates over terms such as ‘realism’, ‘classical’ and ‘avant-
to blockbuster urban venues, from isolated farmhouses to Olympic
garde’ as well as recent controversies over terms such as ‘slow
stadia, Experiencing Cinema considers the lure and value of these
cinema’ and ‘vernacular modernism’.
popular events.
UK September 2022 • US September 2022 • 336 pages • 30 b&w
HB 9781788312738 • £85.00 / $115.00 UK September 2022 • US September 2022 • 248 pages
ePub 9781350242579 • £76.50 / $105.78 PB 9781501374883 • £28.99 / $39.95
ePdf 9781350242586 • £76.50 / $105.78 Previously published in HB 9781501352041
Bloomsbury Academic ePub 9781501352058 • £79.34 / $108.00
ePdf 9781501352065 • £79.34 / $108.00
Bloomsbury Academic
New Perspectives on Early
Cinema History The Politics of Nordsploitation
History, Industry, Audiences
Concepts, Approaches, Audiences
Pietari Kääpä, University of Stirling, UK & Tommy
Edited by Mario Slugan, Queen Mary University
Gustafsson, Linnaeus University, Sweden
of London, UK & Daniël Biltereyst, Ghent
University, Belgium The Politics of Nordsploitation takes a transnational
approach to exploring films in their industrial
New Perspectives on Early Cinema History is a contexts, viewing them as not only political
theoretical reconceptualization of the origins of cinema. It showcases manifestations of domestic considerations but
the latest methods and tools for analysis, casting new light on the also positioning Nordic exploitation film cultures in a global context.
early cinema experience. The collection emphasizes the recent boon The book provides a film historical exposition of a largely ignored
in the availability of primary materials, the rise of digital technologies, cultural movement, and, on a more retrospective level of analysis, it
the developments in new cinema history, and the persistence of outlines how influential these films have been. The majority of the
some conceptualizations as key incentives for rethinking early cinema book focuses on key patterns and periods in the 1970-90s, but also
in theoretical and methodological terms. Contributors discuss early traces the impact these films have had on textual tactics and industrial
cinema in the US, the UK, France, Germany, Denmark, Italy, Russia, practices of contemporary filmmakers.
India, Hong Kong and Singapore.
UK August 2022 • US August 2022 • 288 pages • 31 bw illus
UK May 2022 • US May 2022 • 256 pages • 20 bw illus PB 9781501373947 • £28.99 / $39.95
HB 9781350181977 • £85.00 / $115.00 Previously published in HB 9781501327339
ePub 9781350181991 • £76.50 / $105.78 ePub 9781501327315 • £79.34 / $108.00
ePdf 9781350181984 • £76.50 / $105.78 ePdf 9781501327308 • £79.34 / $108.00
Bloomsbury Academic Series: Global Exploitation Cinemas • Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 5F I L M & M E D I A – Film History / Film Directors
Screening the Crisis Forms of the Cinematic
US Cinema and Social Change in the Architecture, Science and the Arts
Wake of the 2008 Crash Edited by Mark Breeze, St. John's College,
Edited by Hilaria Loyo, University of Zaragoza, University of Cambridge, UK
Spain & Juan A. Tarancón, University of This interdisciplinary collection explores how
Zaragoza, Spain cinema calls into question its own frame of
Screening the Crisis brings together film studies reference and, at the same time, how its form
scholars to explore the ways in which new becomes the matter of its thought. Building on the
tendencies in US cinema enhance awareness of the complexity of axiom (cherished by philosophers of cinema from Epstein to Deleuze)
the problems facing contemporary society. The issues addressed that cinema is a medium that thinks in conjunction with its spectators,
include economic inequality, shifts in gender roles, racial conflicts, this book examines how various forms of the cinematic rethink and
immigration, surveillance practices, the environmental crisis, the redraw the terrain of traditional disciplines, thereby enabling different
politics of housing, and the fragility of nationhood. With its ample modes of thought and practice. Areas under consideration by a range
range of topics and perspectives, this collection provides an essential of leading academics and practitioners include architecture, science,
reference work for those who want to research how US cinema has writing in a visual field, event-theory and historiography.
responded to the manifold interconnected crises that characterize our
UK July 2022 • US July 2022 • 232 pages • 26 bw illus
current times.
PB 9781501374906 • £28.99 / $39.95
Previously published in HB 9781501361425
UK August 2022 • US August 2022 • 304 pages • 13 bw illus ePub 9781501361449 • £72.79 / $99.00
HB 9781501388125 • £95.00 / $130.00 ePdf 9781501361432 • £72.79 / $99.00
ePub 9781501388132 • £85.90 / $117.00 Bloomsbury Academic
ePdf 9781501388149 • £85.90 / $117.00
Bloomsbury Academic
The Cinema of Yorgos Lanthimos Martin Scorsese’s Documentary
Films, Form, Philosophy Histories
Edited by Eddie Falvey, Plymouth College of Migrations, Movies, Music
Art, UK Mike Meneghetti, University of Toronto, Canada
Yorgos Lanthimos is one of the more interesting
My Voyage to Italy (1999), Martin Scorsese’s
filmmakers to have emerged out of the new
personal documentary excursion through his
century. This edited collection covers everything
formative experiences with Italian cinema, stands
from an early career marked by experimentation
as a key progenitor for Scorsese’s resuscitated documentary practice
with a range of different media to international festival hits including
today. The director’s unassuming desire to compose histories has
Dogtooth, The Lobster, The Killing of a Sacred Deer, and the
clearly guided his late-period film and television output, yet his
Academy Award-winning 'historical' epic The Favourite. His work
distinctive contributions as an historian continue to be overlooked
demonstrates a fascinating contravention of aesthetic, thematic, and
in conventional auteurist studies. Martin Scorsese’s Documentary
generic boundaries that forms the basis of some of the analyses in the
Histories offers the first extended investigation of these films by
volume. This is a timely compendium of critical approaches to one of
decisively re-situating Scorsese’s varied late-period works within
the most distinct voices in contemporary film.
the context of contemporary practices and theories of audiovisual
historiography.
UK July 2022 • US July 2022 • 288 pages • 13 bw illus
HB 9781501375491 • £90.00 / $120.00
ePub 9781501375484 • £79.34 / $108.00 UK September 2022 • US September 2022 • 280 pages • 57 bw illus
ePdf 9781501375477 • £79.34 / $108.00 PB 9781501375958 • £28.99 / $39.95
Bloomsbury Academic Previously published in HB 9781501336874
ePub 9781501336881 • £79.34 / $108.00
ePdf 9781501336898 • £79.34 / $108.00
Bloomsbury Academic
The Bloomsbury Companion to
Stanley Kubrick
Edited by I.Q. Hunter, De Montfort University,
UK & Nathan Abrams, Bangor University, UK
Bringing together an international team of leading
scholars and emergent voices, this Companion
provides comprehensive coverage of Stanley
Kubrick’s contribution to cinema. After a substantial
introduction outlining Kubrick's life and career and film production
and reception contexts, the volume consists of 39 contributions on
key themes that both summarise previous work and provides new,
often archive-based, state-of-the-art research.
UK July 2022 • US July 2022 • 396 pages • 23 bw illus
PB 9781501373954 • £28.99 / $39.95
Previously published in HB 9781501343629
ePub 9781501343636 • £99.00 / $135.00
ePdf 9781501343650 • £99.00 / $135.00
Bloomsbury Academic
6 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.ukF I L M & M E D I A – World Cinema
Indigeneity in Latin American The New Wave Cinema in Iran
Cinema A Critical Study
Milton Fernando Gonzalez Rodriguez, KU Parviz Jahed, Independent Scholar, UK
Leuven, Belgium; University of Amsterdam, the The New Wave Cinema in Iran is an historical
Netherlands and analytical study of the Iranian New Wave
This book explores how contemporary films Cinema (Mowj-e No) as an artistic and intellectual
participate in the evolution and circulation of movement that came to its best early productions
images and sounds that in many ways define between 1958 and 1978. Parviz Jahed focuses on
how indigenous communities are imagined, at a local, regional the development and the early progression of the movement in the
and global scale. The volume reviews the diversity of portrayals 1960s and explores its emergence and development in the context of
from a chronological, geopolitical, linguistic, epistemic-ontological, the cultural and social conditions of Iran during this period.
transnational, paradigm-changing and self-representational
perspective, allocating one chapter to each theme. The author looks UK May 2022 • US May 2022 • 240 pages • 51 bw illus
HB 9781501369124 • £90.00 / $120.00
at the contexts in which Latin American films circulate and provides ePub 9781501369117 • £79.34 / $108.00
the foundations of histrionic indigeneity, a theory that explains how ePdf 9781501369100 • £79.34 / $108.00
overtly dramatic proclivities play a significant role in depictions of an Bloomsbury Academic
imagined indigenous Other in recent films.
UK August 2022 • US August 2022 • 304 pages • 5 bw illus
HB 9781501384707 • £95.00 / $130.00
ePub 9781501384691 • £85.90 / $117.00
ePdf 9781501384684 • £85.90 / $117.00
Bloomsbury Academic
Popular Ethiopian Cinema
Crisis Cinema in the Middle East
Love and Other Genres
Creativity and Constraint in Iran and the
Michael W. Thomas, SOAS University of London,
Arab World UK
Shohini Chaudhuri, University of Essex, UK Popular Ethiopian Cinema shines much-needed
Shohini Chaudhuri examines a broad scope of light on the history, structures and films of the
international films, ranging from award-winning, Amharic film industry in Ethiopia. Focusing on
festival favourites such as Five Broken Cameras the rise of the industry from 2002, up until the
(2011), Persepolis (2007) and Kiarostami’s About contemporary moment, and embedded in archival, ethnographic and
Elly (2009) to lesser-known films originating from Saudi Arabia, textual research methods, the book offers a detailed appreciation of
Iran, Lebanon, Syria and Iraq. Using various regional film archives Amharic-language cinema. Michael Thomas considers fikir/love as an
and interviews with filmmakers such as Yasmin Fedda, Ossama organising principle in national Ethiopian culture and, by extension,
Mohammed, Leila Sansour and Sam Kadi, Chaudhuri identifies Amharic cinema. Placing fikir as central to understanding Amharic film
how witnessing, humour, animation and adaptation have become genres also illuminates the continuous negotiations at play between
prevalent creative strategies for producing work under the socio- romantic, familial, patriotic and spiritual notions of love in these films.
political and material limitations of crisis.
UK September 2022 • US September 2022 • 256 pages • 40 bw illus
UK July 2022 • US July 2022 • 272 pages • 19 bw illus HB 9781350227408 • £85.00 / $115.00
HB 9781350190511 • £85.00 / $115.00 ePub 9781350227415 • £76.50 / $105.78
ePub 9781350190528 • £76.50 / $105.78 ePdf 9781350227422 • £76.50 / $105.78
ePdf 9781350190535 • £76.50 / $105.78 Series: World Cinema • Bloomsbury Academic
Bloomsbury Academic
Isabelle Huppert Petrocinema
Stardom, Performance, Authorship Sponsored Film and the Oil Industry
Edited by Darren Waldron, University of Edited by Marina Dahlquist, Stockholm
Manchester, UK & Nick Rees-Roberts, Paris- University, Sweden & Patrick Vonderau,
Sorbonne Nouvelle, France University of Halle, Germany
Deconstructs Isabelle Huppert’s star persona A collection of essays concerning the close
and public profile through critical and theoretical relationship between the oil industry and modern
analysis of her various screen roles. This collection media—especially film. Since the early 1920s, oil
remedies the lack of coverage of the multi-award winning actress, companies have been producing and circulating moving images that
despite being Oscar-nominated and winning prizes at the BAFTA formed part of a larger cultural project to transform the image of oil
awards and festivals of Cannes, Venice and Berlin. By focusing on exploitation, creating media interfaces that would allow corporations
a number of theoretical questions that relate to image, identity, to coordinate their goals with broader cultural and societal concerns.
sexuality and place, this volume situates Huppert’s star persona in the These essays consider the intersecting cultural histories of oil
more practical creative contexts of performance, authorship, genre extraction and media history by looking closely at moving image
and collaboration. imaginaries of the oil industry, from the earliest origins or “spills” in
the 20th century to today’s post industrial “petromelancholia.”
UK July 2022 • US July 2022 • 264 pages • 30 bw illus
PB 9781501372438 • £28.99 / $39.95 UK August 2022 • US August 2022 • 272 pages • 34 bw illus
Previously published in HB 9781501348914 PB 9781501374852 • £28.99 / $39.95
ePub 9781501348921 • £79.34 / $108.00 Previously published in HB 9781501354137
ePdf 9781501348938 • £79.34 / $108.00 ePub 9781501354144 • £85.90 / $117.00
Bloomsbury Academic ePdf 9781501354151 • £85.90 / $117.00
Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 7F I L M & M E D I A – Gender & Media Library of Gender and Popular Culture
Claire Nally, Northumbria University, UK; Angela Smith, University of Sunderland, UK
Film Bodies From the Margins to the
Queer Feminist Encounters with Gender Mainstream
and Sexuality in Cinema Women On and Off Screen in Film and
Katharina Lindner, Late of University of Stirling, UK Television
"Lindner provides a welcome guide through new Edited by Marianne Kac-Vergne, Université de
terrain. Deftly navigating the challenge of bringing Picardie Jules Verne, France & Julie Assouly,
feminist and queer thought together, Film Bodies Université d’Artois, France
raises important questions about how the social,
From the Margins to the Mainstream is a study of the conflicted
spatial and corporeal coordinates of cinematic being are imbricated."
relationship between women and film as they move from the margins
- Film-Philosophy
into central focus. It examines women’s involvement with the film
In Film Bodies, Katharina Lindner takes existing debates into a and television industry as actors, directors, critics and spectators.
new direction and integrates queer and feminist theory with film The chapters analyze independent, art-house, Hollywood and TV
phenomenology. Drawing on a broad range of sources, Lindner's productions often in transnational contexts, shedding light on how
study explores the female body's presence in a range of genres definitions of femininity are culturally specific yet cross national, class
including the dance film, the sports film and queer cinema. and racial lines. The contributors include renowned scholars such as
Yvonne Tasker, Celestino Deleyto, David Roche and Nicole Cloarec.
UK September 2022 • US September 2022 • 320 pages • 26 bw illus
PB 9781350258365 • £28.99 / $39.95
UK July 2022 • US July 2022 • 256 pages • 17 bw illus
Previously published in HB 9781784536244
HB 9781788312677 • £85.00 / $115.00
ePub 9781838608545 • £90.00 / $125.02
ePub 9781350120181 • £76.50 / $105.78
ePdf 9781838608552 • £90.00 / $125.02
ePdf 9781350120174 • £76.50 / $105.78
Series: Library of Gender and Popular Culture • Bloomsbury Academic
Series: Library of Gender and Popular Culture • Bloomsbury Academic
Gender and Austerity in Popular All-American TV Crime Drama
Culture Feminism and Identity Politics in Law and
Femininity, Masculinity and Recession in Order: Special Victims Unit
Film and Television Sujata Moorti, Middlebury College, USA & Lisa
Edited by Helen Davies, University of Cuklanz, Boston College, USA
Wolverhampton, UK & Claire O’Callaghan, All-American TV Crime Drama is the first dedicated
Brunel University, UK study of Law and Order Special Victims Unit (SVU)
and its treatment of sexual violence, gender and
Gender and Austerity in Popular Culture explores how transatlantic
criminality. The book uses detailed textual and visual analyses of
visual culture has represented and reconstructed ideas of gender
episodes to illuminate the assumptions underpinning the programme.
in times of financial crisis. Drawing on social, cultural and feminist
Although SVU engages with issues pertaining to feminism and gender
theory, the writers explore how men and women experience austerity
it still relies upon traditional and misogynistic tropes such as false
differently and illuminate the problematic ways in which economic
rape charges and the monstrous mother to undermine positive views
policy can shape how gender is presented in popular culture.
of the feminine.
UK July 2022 • US July 2022 • 240 pages
PB 9781350258969 • £28.99 / $39.95 UK July 2022 • US July 2022 • 256 pages • 13 bw illus
Previously published in HB 9781784536640 PB 9781350258952 • £28.99 / $39.95
ePub 9781786720924 • £90.00 / $125.02 Previously published in HB 9781784534295
ePdf 9781786730923 • £90.00 / $125.02 ePub 9781786721617 • £90.00 / $125.02
Series: Library of Gender and Popular Culture • Bloomsbury Academic ePdf 9781786731616 • £90.00 / $125.02
Series: Library of Gender and Popular Culture • Bloomsbury Academic
Queer Horror Film and Television Masculinity in Contemporary
Sexuality and Masculinity at the Margins Science Fiction Cinema
Darren Elliott-Smith, University of Stirling, UK Cyborgs, Troopers and Other Men of the
Queer Horror Film and Television focuses on Future
representations of masculinity, and gay male
Marianne Kac-Vergne, Université de Picardie
spectatorship in queer horror films and television
Jules Verne, France
post-2000. In titling this sub-genre "queer horror,"
Darren Elliott-Smith designates horror that is crafted Spanning landmark American films from Blade
by male directors/producers who self-identify as gay, bi, queer, or Runner to Avatar, this major new study offers the first ever analysis
transgendered and whose work features homoerotic, or explicitly of masculinity in science fiction cinema. It uncovers the evolution of
homosexual, narratives with "out" gay characters. Moving from the masculine heroes from the 1980s until the present day, and the roles
margins to the mainstream, via the application of psychoanalytic played by their feminine counterparts. Considering gender alongside
theory, critical and cultural interpretation, interviews with key directors racial and class politics, Masculinity in Contemporary Science Fiction
and close readings of classic, cult and modern horror, this book is Cinema also situates filmic examples within the broader culture.
invaluable to students and researchers of gender and sexuality in It is indispensable for understanding science fiction and its role in
horror film and television. contemporary cultural politics.
UK July 2022 • US July 2022 • 272 pages • 22 bw illus UK July 2022 • US July 2022 • 256 pages • 20 bw illus
PB 9781350259089 • £28.99 / $39.95 PB 9781350258372 • £28.99 / $39.95
Previously published in HB 9781784536862 Previously published in HB 9781780767482
ePub 9781786721372 • £99.00 / $137.39 ePub 9781786723154 • £90.00 / $125.02
ePdf 9781786731371 • £99.00 / $137.39 ePdf 9781786733153 • £90.00 / $125.02
Series: Library of Gender and Popular Culture • Bloomsbury Academic Series: Library of Gender and Popular Culture • Bloomsbury Academic
8 www.bloomsbury.com • UK, Europe, ROW • +44 (0)1256 302692 • orders@macmillan.co.ukF I L M & M E D I A – Gender & Media / Media Theory
Queer Sexualities in Early Film Trumping the Media
Cinema and Male-Male Intimacy Politics and Democracy in the Post-Truth
Shane Brown, University of East Anglia, UK Era
Queer Sexualities in Early Film examines how queer Michael Mario Albrecht, Eckerd College, USA
sexualities were portrayed in films from the silent In Trumping the Media, Michael Mario Albrecht
and early sound period. By looking in detail at a examines the ways that shifts in the landscapes
succession of recently-found films and revisiting of popular culture, political culture, and media
others, Shane Brown examines images of male-male technologies since the 1980s enabled a polarizing
intimacy, buddy relationships and romantic friendships in European political figure such as Donald Trump to engage those conditions and
and American films made prior to 1934, including Different from the to exploit their logic for personal and political gain. He investigates
Others and All Quiet on the Western Front. He places these films how those shifts have reconfigured the ways people engage politics,
within their socio-political and scientific context and sheds new light the relationship between celebrities, politicians and their audiences,
on how they were intended to be viewed and how they were actually the relationship between entertainment and politics, and ultimately
perceived. In doing so, Brown offers his readers a unique insight into the very notion of truth and facts to demonstrate that Trump is the
a little known area of early cinema, queer studies and social history. logical extension and exemplar of the shifts that have transpired.
UK July 2022 • US July 2022 • 224 pages UK September 2022 • US September 2022 • 240 pages
PB 9781350259027 • £28.99 / $39.95 HB 9781501364860 • £90.00 / $120.00
Previously published in HB 9781784536657 ePub 9781501364853 • £79.34 / $108.00
ePub 9781786720634 • £99.00 / $137.39 ePdf 9781501364846 • £79.34 / $108.00
ePdf 9781786730633 • £99.00 / $137.39 Bloomsbury Academic
Series: Library of Gender and Popular Culture • Bloomsbury Academic
Electronic Literature as Digital On the Digital Semiosphere
Humanities Culture, Media and Science for the
Contexts, Forms, and Practices Anthropocene
Edited by Dene Grigar, Washington State John Hartley, Curtin University, Australia, Indrek
University Vancouver, USA & James O’Sullivan, Ibrus, Tallinn University, Estonia & Maarja
University College Cork, Ireland Ojamaa, Tallinn University, Estonia
This open access book regards electronic literature One of the most original and prescient thinkers to
as fundamentally Digital Humanities (DH) in that it synthesizes the two tackle cultural globalisation was Juri Lotman (1922-
seemingly disparate strands of criticism and building, with scholars 93). This volume shows how his general model of the semiosphere
either studying the synthesis between cultural expression and screens provides a unique and compelling key to the dynamics and functions
or the use of technology to make artifacts in themselves. It provides a of today’s globalised digital media systems and, in turn, their
context for the development of the field, informed by the forms and interactions and impact on planetary systems. Developing their own
practices that have emerged throughout the DH moment, and offers reworked and updated model of Lotman’s evolutionary and dynamic
resources for others interested in learning more about electronic approach to the semiosphere or cultural universe, the authors offer
literature. a unique account of the world-scale mechanisms that shape media,
meanings, creativity and change.
The ebook editions of this book are available open access under a
CC BY-NC-ND 3.0 licence on www.bloomsburycollections.com UK July 2022 • US July 2022 • 360 pages • 28 bw illus
PB 9781501369216 • £28.99 / $39.95
UK August 2022 • US August 2022 • 392 pages • 22 bw illus Previously published in HB 9781501369247
PB 9781501373893 • £28.99 / $39.95 ePub 9781501369230 • £79.34 / $108.00
Previously published in HB 9781501363504 ePdf 9781501369223 • £79.34 / $108.00
ePub 9781501363498 • £0.00 / $0.00 Bloomsbury Academic
ePdf 9781501363481 • £0.00 / $0.00
Series: Electronic Literature • Bloomsbury Academic
The Digital Logic of Death
Seeing It on Television
Confronting Mortality in Contemporary
Televisuality in the Contemporary US Media
‘High-End’ Series Steven Pustay, Independent scholar, USA
Max Sexton, University of Surrey, UK & Dominic
This open access volume unpacks the nature of
Lees, University of the West of England, UK the relationship between death and the moving
This volume discusses how complex production image by revealing how electronic media and
histories lie behind the rise of the US mini-series, digital technologies are transforming our ability to
a form that reflects industrial changes and the represent and contemplate the finiteness of the human experience,
renegotiation of formal strategies. They reveal how the involvement so much so that our new media landscape has produced a new
of many different people in the production process, based on new (digital) logic of death. The readings ground the conversation in the
relationships of creative authority, complicates our understanding very media which defines the digital logic of death.
of authorship. These phenomena have affected the construction of
The ebook editions of this book are available open access under a
stylistics and the viewing strategies required by different shows. The
CC BY-NC-ND 3.0 licence on www.bloomsburycollections.com.
cultural, as well as industrial, strategies of recent television drama and
Open access was funded by Knowledge Unlatched.
discourses of legitimation are explored in several exemplary shows
ranging from The Young Pope to Stranger Things.
UK July 2022 • US July 2022 • 224 pages • 42 bw illus
PB 9781501372384 • £28.99 / $39.95
UK September 2022 • US September 2022 • 200 pages • 16 color illus, 10 bw illus Previously published in HB 9781501364082
PB 9781501375965 • £28.99 / $39.95 ePub 9781501364075 • £0.00 / $0.00
Previously published in HB 9781501359422 ePdf 9781501364068 • £0.00 / $0.00
ePub 9781501359415 • £72.79 / $99.00 Bloomsbury Academic
ePdf 9781501359408 • £72.79 / $99.00
Bloomsbury Academic
www.bloomsbury.com • USA, Canada, Latin America • 888-330-8477 • customerservice@mpsvirginia.com 9F I L M & M E D I A – Media Theory & History / TV / Game Studies Thinking Media
Bernd Herzogenrath, University of Frankfurt, Germany and Patricia Pisters, University of Amsterdam, the Netherlands
Brainmedia Miscommunications
One Hundred Years of Performing Live Errors, Mistakes, Media
Brains, 1920–2020 Edited by Timothy Barker, University of Glasgow,
Flora Lysen, Maastricht University, the UK & Maria Korolkova, University of Greenwich,
Netherlands UK
Will we ever be able to see the brain at work? What happens when communication breaks
Can we observe thinking and feeling as if we were down? Is it the condition for mistakes and errors
watching a live broadcast in the human head? that is characteristic of digital culture? And if
Brainmedia uncovers past and present examples of scientists and mistakes and errors have a certain power, what stands behind it?
educators who conceptualize and demonstrate the active human To address these questions this collection assembles a range of
brain guided by new media technologies. Brainmedia outlines a new cutting-edge philosophical, socio-political, art historical and media
history of “live brains” and argues that practices of and ideas about theoretical inquiries that address contemporary culture as a terrain of
mediation impacted the imagination of seeing the brain at work. In miscommunication. Miscommunications shows that to think about the
five carefully researched and illustrated historical case studies, Flora contemporary historical moment, a new history and theory of these
Lysen shows the conceptual but also practical assembling of brains devices needs to be written, one which illustrates the emergence of
and media. the current cultures of miscommunication and the powers of the false.
UK July 2022 • US July 2022 • 288 pages • 38 bw illus UK July 2022 • US July 2022 • 344 pages • 10 bw illus
HB 9781501378751 • £90.00 / $120.00 PB 9781501373282 • £28.99 / $39.95
ePub 9781501378744 • £79.34 / $108.00 Previously published in HB 9781501363856
ePdf 9781501378737 • £79.34 / $108.00 ePub 9781501363849 • £85.90 / $117.00
Series: Thinking Media • Bloomsbury Academic ePdf 9781501363832 • £85.90 / $117.00
Series: Thinking Media • Bloomsbury Academic
Disformations German Crime Dramas from
Affects, Media, Literature Network Television to Netflix
Tomáš Jirsa, Palacký University, Czech Republic Sunka Simon, Swarthmore College, USA
Contributing to the current interdisciplinary Sunka Simon investigates why the emphasis on the
dialogue between cultural affect studies, media uniquely German regional and national themes of
philosophy, and literary theory, this book explores Tatort (1970- ), the country's longest-running crime
the affective agency of modern literature and drama that failed to take off internationally, did not
contemporary audio-visual arts, and argues for a hinder dramas such as Netflix’s Dogs of Berlin or
novel concept of disformations that involves affective operations Dark from making a splash in the US. Interrogating key concepts and
based on both aesthetically and theoretically generative deformation debates in television studies with a foundation in German cultural
of forms. studies, using archival research, reception and news analysis, German
Crime Dramas from Network Television to Netflix makes an important
UK August 2022 • US August 2022 • 168 pages • 19 bw illus intervention in and addition to the field of U.S./U.K.-centric television
PB 9781501374890 • £28.99 / $39.95
studies.
Previously published in HB 9781501362347
ePub 9781501362330 • £66.24 / $90.00
ePdf 9781501362323 • £66.24 / $90.00 UK September 2022 • US September 2022 • 176 pages • 20 bw illus
Series: Thinking Media • Bloomsbury Academic HB 9781501368721 • £80.00 / $110.00
ePub 9781501368714 • £72.79 / $99.00
ePdf 9781501368707 • £72.79 / $99.00
Bloomsbury Academic
EA Sports FIFA
Digital Zombies, Undead Stories
Feeling the Game
Narrative Emergence and Videogames Edited by Raiford Guins, Indiana University,
Lawrence May, University of Auckland, New Bloomington, USA, Henry Lowood, Stanford
Zealand University Libraries, USA & Carlin Wing, Scripps
Through analysis of zombie-themed case study College, USA
video games and a digital ethnography of their EA Sports FIFA: Feeling the Game is the first
online player communities, this book develops scholarly book to address the importance
a framework for understanding how collective of EA’s FIFA video game series. From looking at the cultures
gameplay generates experiences of narrative, as well as the narrative of fandom to analyzing the technical elements of the sports
dimensions of players’ creative activity on social media platforms. simulation, and covering the complicated relations that FIFA has
Narrative emergence is addressed as a powerful form of player with gender, embodiment, and masculinity, the collection provides
experience in multiplayer games, one which makes individual games’ a comprehensive understanding of a video game series that is
boundaries and meanings fluid and negotiable by players. changing the way the most popular sport in the world is experienced.
The book is a valuable reference text for scholars in game studies,
UK August 2022 • US August 2022 • 264 pages • 7 bw illus
sociology of sports, history of games, and sports research.
PB 9781501374876 • £28.99 / $39.95
Previously published in HB 9781501363542
ePub 9781501363535 • £79.34 / $108.00 UK August 2022 • US August 2022 • 256 pages • 35 bw illus
ePdf 9781501363528 • £79.34 / $108.00 HB 9781501375347 • £90.00 / $120.00
Bloomsbury Academic ePub 9781501375354 • £79.34 / $108.00
ePdf 9781501375361 • £79.34 / $108.00
Bloomsbury Academic
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