F.Q. Liquids Product Catalogue - Tri-Art Manufacturing
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Product Catalogue
F.Q. Liquids TM
TM
Professional Level Proudly Canadian Tri-Art Manufacturing
Finest Quality Line www.tri-art.ca 4 Harvey Street, Kingston, ON, K7K 5B9
TM Table of Contents Introduction . . . . . . . . . . . . . . . 2 Colours/Formats . . . . . . . . . . . 3 Application/Surfaces . . . . . . . 4 Colour Chart . . . . . . . . . . . . . . 5
TM
Liquid Acrylics
Acrylics in their purest form.
What makes F.Q. Liquids
a premium paint line?
Liquids are Acrylics in the purest form. A self-leveling,
fluid paint capable of very fine details, maintaining the
impression of a brush stroke or creating smooth layers of
colour. This line is a showcase of our ability to make highly–
chromatic, clean and vibrant colours. There are signature
ones unique to Tri-Art such as Transparent Permanent
Orange, Quiller Violet and the beguiling Liquid Mirror.
1 2Colours
PROFESSIONAL LEVEL – FINEST QUALITY SERIES
Application & Surfaces
PROFESSIONAL LEVEL – FINEST QUALITY SERIES
Colour Format Application
All colours of the spectrum are represented in the The colours are smooth and lotion- Paints are packaged in cylinders with flip caps for controlled Ideal format for
Liquid line. Traditional colours often associated with like. The format is aptly suited for dispensing. Colours may be used full strength although due fine art, mixed
media, glass and
oils have been sourced as well as new synthetic smooth layers, thin glazes, fine to their potency, mixing with mediums is recommended
organic pigments with drastically improved strokes and details. Liquids readily for extending volume, diluting strength, glazing or heavy-
permanence and vibrancy. Each colour has been mixe with all other Tri-art acrylic textured applications. Just a drop will go a long way. Clean fabric painting
formulated with the highest-grade pigments and
binders to achieve the maximum concentration and
colours and mediums. Once dry up with soap and water. Colours are very staining and applications.
the paint film will remain flexible, permanent once dry.
colour strength. No fillers or extenders are used water resisitant and lightfast. MEDIUMS
allowing for authentic pigment characteristics and Tri-Art’s Polymer Medium has the same consistency as
colour chroma. All colours have excellent stability
Grinding of pigments Liquid colours. It is the accompaniment medium to mix and
and resistance to fading. They are formulated maintain viscosity, flow and chroma. Using Gel Mediums
Pyrrole Red Transparent Pyrrole
with 100% acrylic emulsion to give the best will increase the viscosity for thick painting applications.
Medium Red Medium
adhesion, tensile film strength, and longevity. Colours may be mixed with water for effects and washes.
Doing this may result in a loss of colour gloss and vibrancy.
Appropriate Surfaces
Using a surface prepared with a Tri-Art Gesso provides:
• Toothy surface for extra paint adhesion.
Coarsely ground Finely ground
PR 254 PR 254 • A colour reflective or absorbant surface.
Opaque Transparent • Barrier to prevent paint absorption into substrate.
There are opaque, semi opaque and Once dry, colours will remain flexible and resistant to
transparent colours for glazing, mixing climatic changes. They will not chip, crack or peel once dry.
and bold coverage. Certain colours They have excellent adhesion with the ability to perform
have both a transparent and opaque on any surface prepared for water-based paints, such as:
version. The colour’s gloss, satin or • Paper • Metal
matte finish as well as the opacity and • Canvas • Leather
transparency will be dictated by the • Glass • Fabric
inherent pigment properties and its • Wood
optimal grind. The finer the grind,
the more transparent the colour
will be. Coarser ground pigments
3 result in more opaque colours. 4TM
Liquid Acrylics TM A blend of modern and traditional.
Tri-Art Manufacturing
4 Harvey Street, Kingston Ontario, K7K 5B9 Proudly Canadian tri-art.ca
3 ★★★ SO 3 ★★★ SO 5 ★★★ SO 9 ★★★★ O 9 ★★★★ O 9 ★★★★ O 3 ★★★ SO 2 ★★★ SO 6 ★★★★ T 3 ★★★★ SO 5 ★★★★ T 4 ★★★★ T 4 ★★★★ O 1 ★★★★ O 1 ★★★★ O 4 ★★★★ T 6 ★★★★ T 1 ★★★★ SO
Arylide Yellow Arylide Yellow Arylide Yellow Bismuth Yellow Bismuth Yellow Bismuth Yellow Cadmium Primary Yellow Indian Yellow Viridian (hue) Sap Green Light Sap Green Chrome Oxide Naples Yellow Yellow Oxide Transparent Yellow Nickel Azo Yellow Raw Sienna
Light Medium Deep Light Medium Deep Yellow Medium (hue) Juane primaire Juane indien Vert émeraude Vert sève clair Vert sève Green (hue) Oxyde jaune Oxide Jaune azo nickel Terre de sienne
Jaune arylide clair Jaune arylide Jaune arylide foncé Jaune bismuth clair Jaune bismuth Jaune bismuth Jaune cadmium (teint) Vert oxyde de Jaune naples (teint) Oxyde jaune naturelle
PY 74 PW 6 PY 110 PY 42 PG 7 PR 101 PG 7 PY 42 PY 150
moyen moyen foncé moyen (teint) chrome transparent
PY 3 PY 65 PY 184 PG 7 PBr 7 PW 6 PY 42 PR 101 PBr 7
PY 74 PY 184 PY 110 PY 184 PY 110 PY 74 PY 65 PW 6 PG 17 PY 42
7 ★★★★ T 5 ★★★ SO 5 ★★★ SO 5 ★★★ SO 5 ★★★ SO 6 ★★★★ T 6 ★★★★ T 6 ★★★★ T 8 ★★★★ O 1 ★★★★ SO 1 ★★★★ O 5 ★★★★ T 5 ★★★★ T 7 ★★★★ T 6 ★★★★ T 3 ★★★★ T 1 ★★★★ SO 1 ★★★★ SO
Golden Yellow Naphthol Orange Naphthol Red Light Naphthol Red Cadmium Red Transparent Trans. Permanent Trans. Permanent Pyrrole Orange Burnt Sienna Red Oxide Transparent Red Transparent Gold Golden Orange Transparent Brown Sepia Raw Umber Burnt Umber
Juane doré Orange naphtol Rouge naphtol clair Medium Medium (hue) Permanent Orange Red Light Red Medium Orange pyrrole Terre de sienne Oxyde rouge Oxide Oxide Orange doré Brun transparent Sépia Terre d’ombre Terre d’ombre
Rouge naphtol Rouge cadmium Orange transparent Rouge permanent Rouge pyrrole brûlée Oxyde rouge Oxyde or naturelle brûlée
PO 48 PY 150 PY 65 PR 112 PR 112 PO 73 PR 101 PO 48 Q Scar PBr 25 PR 101 PG 7
moyen moyen (teint) permanent tranparent clair transparent moyen transparent transparent
PBr 7 PBr 7 PBr 7
PR 170 PR 170 PY 74 PO 71 PY 110 Q Scar PR 254 PG 101 PR 101 PY 110
9 ★★★★ O 9 ★★★★ O 6 ★★★★ SO 3 ★★★★ SO 3 ★★★★ T 7 ★★★★ T 7 ★★★★ T 5 ★★★★ T 7 ★★★★ T 4 ★★★★ SO 1 ★★★★ O 1 ★★★★ O 1 ★★★★ SO 1 ★★★★ O 1 ★★★★ O 1 ★★★★ O 3 ★★★★ SO 2 ★★★★ SO
Pyrrole Red Light Pyrrole Red Primary Magenta Magenta Light Alizarin Crimson Permanent Burnt Crimson Permanent Maroon Quinacridone Van Dyke Brown Titanium White Warm White Zinc Mixing White Unbleached Red Oxide Tint Neutral Grey Graphite Grey Paynes Grey
Rouge pyrrole clair Medium Magenta primaire Magenta clair (hue) Crimson Cramoisie brûlée Marron permanent Magenta Van Dyke brun Blanc titane Blanc chaud Zinc mélange blanc Titanium Teinte d’oxyde Gris neutre Gris graphite Gris de payne
Rouge pyrrole Alizarine cramoisie Cramoisie Magenta Titane écru rouge
PR 255 moyen PV 19 PW 6 PW 6 PR 122 (teint) permanent PO 48 PR 254 PV 19 PR 101 PB 15:3 quinacridone PBr 7 PW 6 PW 6 PW 4 PBk 11 PW 6 PBr 7 PBk 10 PBk 7 PB 15:3 PV 23
PW 6 PW 6 PY 42 PR 101
PR 254 PR 170 PR 101 PV 22 PR 122 PR 101 PR 122
6 ★★★★ T 7 ★★★★ T 6 ★★★★ T 3 ★★★★ SO 6 ★★★★ T 3 ★★★★ T 3 ★★★★ T 4 ★★★★ T 2 ★★★★ T 1 ★★★★ SO 1 ★★★★ O 1 ★★★★ O 4 ★★★★ SO 5 ★★★★ SO 7 ★★★★ SO 7 ★★★★ SO 11 ★★★★ O 6 ★★★★ T
Quinacridone Red Quinacridone Quinacridone Brilliant Purple Dioxazine Violet Ultraviolet Red Ultraviolet Blue Prussian Blue (hue) Ultramarine Blue Ivory Black Mars Black Carbon Black Iridescent Pearl Iridescent Silver Iridescent Pale Iridescent Gold Liquid Mirror Quiller Violet
Rouge Scarlet Violet Pourpre brillant Violet dioxazine Shade Shade Bleu Prusse (teint) Classic Noir ivoire Noir Mars Noir de carbone Perle iridescent Argent iridescnet Gold Deep Miroir liquide Violet Quiller
quinacridone Écarlate Violet quinacridone Violet outremer Violet outremer Bleu outremer Or iridescent clair Or iridescent foncé
PW 6 PV 19 PV 23 PV 23 PB 15:1 PV 23 PBk 9 PBk 11 PBk 7 NA NA Pbk 10 NA PB 15:1 PV 23
quinacridone nuance rouge nuance bleu classique
PV 19 PV 19 NA NA
PR 202 PR 254 PV 15 PV 15 PB 29
2 ★★★★ T 1 ★★★★ SO 8 ★★★★ SO 1 ★★★★ O 2 ★★★★ SO 4 ★★★★ T 4 ★★★★ T 2 ★★★ SO 4 ★★★★ T 7 ★★★★ SO 7 ★★★★ SO 11 ★★★★ T 7 ★★★★ T 7 ★★★★ T 7 ★★★★ T 7 ★★★★ T 7 ★★★★ T 7 ★★★★ T
Ultramarine Blue Manganese Blue Cerulean Blue Cerulean Blue Primary Cyan Phthalo Blue Red Phthalo Blue Phthalo Turquoise Phthalo Turquoise Iridescent Copper Iridescent Bronze Rose Gold Interference Gold Interference Interference Green Interference Red Interference Blue Interference Violet
Modern (hue) Bleu céruléum (hue) Cyan primaire Shade Green Shade Light Turquoise phtalo Cuivre iridescent Bronze iridescent Or rose Or interférence Orange Vert interférence Rouge interférence Bleu interférence Violet interférence
Bleu outremer Bleu de manganèse Bleu céruléum Bleu phtalo nuance Bleu phtalo nuance Turquoise phtalo Orange
PB 36:1 PB 15:3 PW 6 PB 15:3 PG 7 NA NA N/A N/A N/A N/A N/A N/A
modern (teint) rouge vert clair interférence
PW 6 PB 15:3
PB 29 PB 15:1 PW 6 PB 29 PB 15:3 PB 15:1 PB 15:3 PW 6 PG 7 PB 15:3 N/A
Swatch Legend
Name Rose Gold
Or rose
4 ★★★★ T 5 ★★★★ T 2 ★★★★ SO 9 ★★★★ SO 9 ★★★★ O 9 ★★★★ SO 4 ★★★ SO 7 ★★★★ T 7 ★★★★ T 7 ★★★★ T 7 ★★★★ T
Pigment ID N/A TM
Phthalo Green Phthalo Green Cobalt Blue (hue) Cobalt Blue Cobalt Teal Cobalt Green Permanent Green Green Gold Golden Green Interference
Blue Shade Yellow Shade Bleu cobalt (teint) Bleu cobalt Sarcelle cobalt Vert cobalt Light Or vert Vert doré Turquoise Series – Lightfastness – Opacity (Transparent/Semi-Opaque/Opaque)
Vert phtalo nuance Vert phtalo nuance Vert permanent Turquoise
PB 29 PW 6 PB 15:3 PB 28 PG 50 PW 6 PG 26 PY 150 PY 3 PG 36 PY 150 PG 36
bleu jaune clair interférence
PG 7 PG 36 PY 3 PG 7 N/A
5 6TM F.Q. Liquids TM
Professional Level
Finest Quality Line
Proudly Canadian
www.tri-art.ca
TM
Tri-Art Manufacturing
4 Harvey Street, Kingston, ON, K7K 5B9You can also read
