Enrichment/Instructional Packet - Grade 6 Reading/English Language Arts
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Grade 6 Reading/English Language Arts Enrichment/Instructional Packet June 1, 2020 to June 12, 2020 Middle Grades Reading/English Language Arts Prince George’s County Public Schools Division of Academics Department of Curriculum and Instruction The teacher will not grade this packet. Created May 2020
Grade 6 Reading/English Language Arts Student Directions: Use the checklist to pace out daily practice in Reading/English Language Arts. Track your progress by check marking each activity as it is completed. Activities may be completed on the pages or in a notebook/journal. Grade 6 RELA - June 1, 2020 through June 12, 2020 June 1 - June 5 ❏ p. 362 Concept Vocabulary ❏ pp. 363-366 Read from “Alice’s Adventures in Wonderland” ❏ p. 367 Comprehension Check ❏ p. 370 Conventions June 8 - June 12 ❏ p. 312 Concept Vocabulary ❏ pp. 373-374 Read “Jabberwocky” ❏ p. 375 Comprehension Check ❏ pp. 395-397 Write a Fictional Narrative Student’s Daily Reading Responsibilities: In addition to the tasks in this packet, you should continue the practice of daily reading. Select any combination of the following options for 30 minutes of daily reading: ● Read a novel, magazine, book, or other print text of your choice. ● Read an online newspaper, blog, or consider other selections from your textbook or topics of interest to you. ● Access and read an e-book and or listen to an audiobook.
MAKING MEANING About the Author from Alice’s Adventures in Wonderland Concept Vocabulary As you perform your first read of this excerpt from Alice’s Adventures in Wonderland, you will encounter these words. Lewis Carroll (1832–1898) Charles Lutwidge Dodgson peeped wondered curiosity was a professor of mathematics and a talented Context Clues To find the meaning of an unfamiliar word, look for clues photographer. Today, he is in the context, which is made up of the words and phrases that surround best remembered for two the unknown word in a text. Here are two examples of how to use children’s books he wrote context clues to determine meaning: under the pen name Lewis Carroll: Alice’s Adventures Synonyms: He stumbled, or tripped, over a toy that had been left in Wonderland (1865) and on the floor. its sequel, Through the Looking-Glass (1871). Huge Restatement of an Idea: Tasha was unaccompanied in the empty bestsellers almost from the room and felt lonely sitting by herself. moment they appeared, the Alice books have been the Apply your knowledge of context clues and other vocabulary strategies to basis of numerous stage determine the meanings of unfamiliar words you encounter during your plays and films. first read. First Read FICTION Apply these strategies as you conduct your first read. You will have an opportunity to complete a close read after your first read. NOTICE whom the story ANNOTATE by marking is about, what happens, vocabulary and key passages where and when it happens, you want to revisit. and why those involved react © Pearson Education, Inc., or its affiliates. All rights reserved. as they do. ! STANDARDS Reading Literature By the end of the year, read and CONNECT ideas within RESPOND by completing comprehend literature, including the selection to what you the Comprehension Check and stories, dramas, and poems, in the grades 6–8 text complexity band already know and what you by writing a brief summary of proficiently, with scaffolding as have already read. the selection. needed at the high end of the range. Language Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 6 reading and content, choosing flexibly from a range of strategies. a. Use context as a clue to the meaning of a word or phrase. 362 UNIT 4 • IMAgINATION
NOVEL EXCERPT from Alice’s Adventures in Wonderland Lewis Carroll BACKGROUND © Pearson Education, Inc., or its affiliates. All rights reserved. In 1862, a shy English mathematician entertained his colleague’s three SCAN FOR MULTIMEDIA young daughters by taking them on a boat trip. As they rowed down the River Thames, he decided to tell them a story, making it up as he went along. Afterwards, one of them, a 10-year-old girl named Alice Liddell, loved his story so much that she begged him to write it down. This “golden afternoon,” as Lewis Carroll called it, was the inspiration for his novel Alice’s Adventures in Wonderland. NOTES Chapter 1. Down the Rabbit-Hole Mark context clues or indicate 1 Alice was beginning to get very tired of sitting by her sister on the another strategy you used to help bank, and of having nothing to do: once or twice she had peeped you determine meaning. into the book her sister was reading, but it had no pictures or peeped (peept) v. conversations in it, “and what is the use of a book,” thought Alice, MEANING: “without pictures or conversation?” from Alice’s Adventures in Wonderland 363
2 So she was considering in her own mind (as well as she could, NOTES for the hot day made her feel very sleepy and stupid), whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies, when suddenly a White Rabbit with pink eyes ran close by her. 3 There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to Mark context clues or indicate another strategy you used to help itself, “Oh dear! Oh dear! I shall be late!” (when she thought you determine meaning. it over afterwards, it occurred to her that she ought to have wondered (WUHN uhrd) v. wondered at this, but at the time it all seemed quite natural); but MEANING: when the Rabbit actually took a watch out of its waistcoat-pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, curiosity (kyoo ree OS uh tee) n. and burning with curiosity, she ran across the field after it, and MEANING: fortunately was just in time to see it pop down a large rabbit-hole under the hedge. 4 In another moment down went Alice after it, never once considering how in the world she was to get out again. 5 The rabbit-hole went straight on like a tunnel for some way, and then dipped suddenly down, so suddenly that Alice had not a moment to think about stopping herself before she found herself falling down a very deep well. 6 Either the well was very deep, or she fell very slowly, for she had plenty of time as she went down to look about her and to wonder what was going to happen next. First, she tried to look down and make out what she was coming to, but it was too dark to see anything; then she looked at the sides of the well, and noticed that they were filled with cupboards and book-shelves; here and there she saw maps and pictures hung upon pegs. She took down a jar from one of the shelves as she passed; it was labeled “ORANGE MARMALADE,” but to her great disappointment it was empty: she did not like to drop the jar for © Pearson Education, Inc., or its affiliates. All rights reserved. fear of killing somebody, so managed to put it into one of the cupboards as she fell past it. 7 “Well!” thought Alice to herself, “after such a fall as this, I shall think nothing of tumbling down stairs! How brave they’ll all think me at home! Why, I wouldn’t say anything about it, even if I fell off the top of the house!” (Which was very likely true.) 8 Down, down, down. Would the fall never come to an end! “I wonder how many miles I’ve fallen by this time?” she said aloud. ”I must be getting somewhere near the center of the earth. Let me see: that would be four thousand miles down, I think—” (for, you see, Alice had learned several things of this sort in her 364 UNIT 4 • IMAgINATION
lessons in the schoolroom, and though this was not a very good opportunity for showing off her knowledge, as there was no one NOTES to listen to her, still it was good practice to say it over) “—yes, that’s about the right distance—but then I wonder what Latitude or Longitude I’ve got to?” (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.) 9 Presently she began again. “I wonder if I shall fall right through the earth! How funny it’ll seem to come out among the people that walk with their heads downward! The Antipathies,1 I think—” (she was rather glad there was no one listening, this time, as it didn’t sound at all the right word)“—but I shall have to ask them what the name of the country is, you know. Please, Ma’am, is this New Zealand or Australia?” (and she tried to curtsey as she spoke—fancy curtseying as you’re falling through the air! Do you think you could manage it?) “And what an ignorant little girl she’ll think me for asking! No, it’ll never do to ask: perhaps I shall see it written up somewhere.” 10 Down, down, down. There was nothing else to do, so Alice soon began talking again. “Dinah’ll miss me very much tonight, I should think!” (Dinah was the cat.) ‘”I hope they’ll remember her saucer of milk at tea time. Dinah my dear! I wish you were down here with me! There are no mice in the air, I’m afraid, but you might catch a bat, and that’s very like a mouse, you know. But do cats eat bats, I wonder?” And here Alice began to get rather sleepy, and went on saying to herself, in a dreamy sort of way, “Do cats eat bats? Do cats eat bats?” and sometimes, “Do bats eat cats?” for, you see, as she couldn’t answer either question, it didn’t much matter which way she put it. She felt that she was dozing off, and had just begun to dream that she was walking hand in hand with Dinah, and saying to her very earnestly, “Now, Dinah, tell me the truth: did you ever eat a bat?” when suddenly, thump! thump! down she came upon a heap of sticks and dry leaves, and the fall © Pearson Education, Inc., or its affiliates. All rights reserved. was over. 11 Alice was not a bit hurt, and she jumped up on to her feet in a moment: she looked up, but it was all dark overhead; before her was another long passage, and the White Rabbit was still in sight, hurrying down it. There was not a moment to be lost: away went Alice like the wind, and was just in time to hear it say, as it turned a corner, “Oh my ears and whiskers, how late it’s getting!” She was close behind it when she turned the corner, but the Rabbit was no longer to be seen: she found herself in a long, low hall, which was lit up by a row of lamps hanging from the roof. 1. The Antipathies (an TIHP uh theez) Alice is trying to think of the word Antipodes (an TIHP uh deez), a name used by people in the northern hemisphere to refer to New ealand and Australia. from Alice’s Adventures in Wonderland 365
12 There were doors all round the hall, but they were all locked; NOTES and when Alice had been all the way down one side and up the other, trying every door, she walked sadly down the middle, wondering how she was ever to get out again. 13 Suddenly she came upon a little three-legged table, all made of solid glass; there was nothing on it except a tiny golden key, and Alice’s first thought was that it might belong to one of the doors of the hall; but, alas! either the locks were too large, or the key was too small, but at any rate it would not open any of them. 14 However, on the second time round, she came upon a low curtain she had not noticed before, and behind it was a little door about fifteen inches high: she tried the little golden key in the lock, and to her great delight it fitted! 15 Alice opened the door and found that it led into a small passage, not much larger than a rat-hole: she knelt down and looked along the passage into the loveliest garden you ever saw. How she longed to get out of that dark hall, and wander about among those beds of bright flowers and those cool fountains, but she could not even get her head though the doorway; “and even if my head would go through,” thought poor Alice, “it would be of very little use without my shoulders. Oh, how I wish I could shut up like a telescope! I think I could, if I only know how to begin.” For, you see, so many out-of-the-way things had happened lately, that Alice had begun to think that very few things indeed were really impossible. ❧ © Pearson Education, Inc., or its affiliates. All rights reserved. 366 UNIT 4 • IMAgINATION
Comprehension Check Complete the following items after you finish your first read. Review and clarify details with your group. 1. Why does Alice decide to follow the Rabbit? 2. What does Alice see in the well? 3. What is at the bottom of the well? 4. What is the purpose of the tiny golden key? 5. Why does Alice wish she was able to “shut up like a telescope”? 6. Notebook Write a summary of the excerpt from Alice’s Adventures in Wonderland to confirm your understanding of the selection. © Pearson Education, Inc., or its affiliates. All rights reserved. RESEARCH Research to Clarify Choose at least one unfamiliar detail from the text. Briefly research that detail. In what way does the information you learned shed light on an aspect of the story? Share your findings with your group. Research to Explore Choose something that interested you from the text, and formulate a research question you might use to find out more about it. from Alice’s Adventures in Wonderland 367
LANGUAGE DEVELOPMENT Conventions Conjunctions and Interjections Writers improve the flow of their writing by using conjunctions to connect sentence parts and show the relationships between or among those parts. Coordinating from ALICE’S ADVENTURES IN conjunctions are used to connect sentence parts that are of equal WONDERLAND importance. Here are some examples. COORDINATING CONJUNCTIONS EXAMPLE SENTENCE and, or, but, nor, for, yet, so The show was sold out, yet there were dozens of people waiting in line. Notice that in the example sentence, the conjunction yet is preceded by a comma. A conjunction that joins two independent clauses is always preceded by a comma. Any word, phrase, or sound that expresses a sudden feeling is called an interjection. Writers use interjections to add liveliness and a sense of realism to their work. Here are some examples: EXAMPLES OF INTERJECTIONS EXAMPLE SENTENCES ah, aha, whoa, hey, oh no, oops, Oops, I dropped the plate! Oh no! I shh, well, wow, whew forgot my homework. In some cases, an interjection is followed by an exclamation mark. In other cases, an interjection may be followed by a comma, and an exclamation mark may appear at the end of the sentence. Read It Work individually to correctly label the coordinating conjunctions or interjections in each sentence from Alice’s Adventures in Wonderland. 1. Oh, how I wish I could shut up like a telescope! © Pearson Education, Inc., or its affiliates. All rights reserved. 2. There was nothing else to do, so Alice soon began talking again. 3. “Well!” thought Alice to herself, “after such a fall as this, I shall think nothing of tumbling down stairs!” ! STANDARDS Language Write It • Demonstrate command of the Notebook Write a brief paragraph about an imaginary adventure. conventions of standard English grammar and usage when writing Use at least two coordinating conjunctions and two interjections in your or speaking. paragraph. Then, exchange paragraphs with a group member, and label • Demonstrate command of the the conjunctions and interjections in your classmate’s paragraph. conventions of standard English capitalization, punctuation, and spelling when writing. 370 UNIT 4 • IMAgINATION
MAKING MEANING About the Poet Jabberwocky Concept Vocabulary As you perform your first read of “Jabberwocky,” you will encounter these words. beware foe slain Lewis Carroll (1832–1898) is the pen name of Charles Context Clues If these words are unfamiliar to you, try using context Lutwidge Dodgson, who clues to help you determine their meanings. Context clues are other was a British mathematics words and phrases that appear in nearby text. Even if you cannot figure professor at Oxford out a word’s exact definition, you can usually determine its part of University. Under his pen speech—whether it is a noun, a verb, an adjective, or an adverb. Here is name, Dodgson wrote an example of how to apply this strategy. Alice’s Adventures in Wonderland and Through Context: The captain countermanded the directive of the officer. the Looking-Glass. Like these classic novels, his Analysis: It is difficult to tell exactly what the underlined words poems are noted for mean. However, the word countermanded ends in -ed and follows their clever wordplay and the subject of the sentence, captain. Countermanded must be a verb. delightfully zany word Similarly, the word directive is in between the article the and the choices. preposition of. Directive must be a noun. In the poem you are about to read, you will encounter a number of invented words. These are words that the poet made up, so you will not find them in a dictionary. You may not be able to determine exactly what they mean, but you can use context clues to figure out their parts of speech. First Read POETRY Apply these strategies as you conduct your first read. You will have an opportunity to complete a close read after your first read. © Pearson Education, Inc., or its affiliates. All rights reserved. NOTICE who or what is ANNOTATE by marking “speaking” the poem and vocabulary and key passages ! STANDARDS Reading Literature whether the poem tells a story you want to revisit. By the end of the year, read and or describes a single moment. comprehend literature, including stories, dramas, and poems, in the grades 6–8 text complexity band proficiently, with scaffolding as needed at the high end of the range. CONNECT ideas within RESPOND by completing Language Determine or clarify the meaning the selection to what you the Comprehension Check and of unknown and multiple-meaning already know and what you by writing a brief summary of words and phrases based on grade 6 have already read. the selection. reading and content, choosing flexibly from a range of strategies. a. Use context as a clue to the meaning of a word or phrase. 372 UNIT 4 • IMAgINATION
POETRY Jabberwocky from Through the Looking-Glass Lewis Carroll © Pearson Education, Inc., or its affiliates. All rights reserved. BACKGROUND In the first chapter of Through the Looking-Glass, the sequel to SCAN FOR MULTIMEDIA Alice’s Adventures in Wonderland, Alice encounters a creature called a Jabberwock. Many of the invented words in Carroll’s imaginative poem are made up of two different words. For example, brillig is a combination of brilliant and broiling. ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe; NOTES All mimsy were the borogoves, And the mome raths outgrabe. Jabberwocky 373
5 “Beware the Jabberwock, my son! NOTES The jaws that bite, the claws that catch! Mark context clues or indicate Beware the Jubjub bird, and shun another strategy you used to help you determine meaning. The frumious Bandersnatch!” beware (bee WAIR) v. He took his vorpal sword in hand; MEANING: 10 Long time the manxome foe he sought— So rested he by the Tumtum tree And stood awhile in thought. foe (foh) n. And, as in uffish thought he stood, MEANING: The Jabberwock, with eyes of flame, 15 Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head 20 He went galumphing back. slain (slayn) v. “And hast thou slain the Jabberwock? MEANING: Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!” He chortled in his joy. 25 ’Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. MEDIA CONNECTION © Pearson Education, Inc., or its affiliates. All rights reserved. Discuss It How does listening to Alice read “Jabberwocky” in the video help you to better understand the poem? Write your response before sharing your ideas. Alice in Wonderland (1983)—Jabberwocky SCAN FOR MULTIMEDIA 374 UNIT 4 • IMAgINATION
Comprehension Check Complete the following items after you finish your first read. Review and clarify details with your group. 1. What does the speaker say to beware of? Who is the speaker addressing? 2. What three things does the speaker warn about in lines 5–8? 3. What happens to the Jabberwock at the end of the poem? 4. Notebook Write 3 or 4 sentences in which you summarize what happens in the poem. © Pearson Education, Inc., or its affiliates. All rights reserved. RESEARCH Research to Clarify Choose at least one unfamiliar detail from the text. Briefly research that detail. In what way does the information you learned shed light on an aspect of the poem Share your findings with your group. Research to Explore Choose something that interested you from the text, and formulate a research question that you might use to find out more about it. Jabberwocky 375
PERFORMANCE-BASED ASSESSMENT PREP Review Notes for a Fictional Narrative At the beginning of this unit, you expressed an idea about the following question: What might happen if a fictional character were to come into the real world? ! EVIDENCE LOG Review your Evidence Log and your QuickWrite from the beginning of the unit. Did you learn anything new? NOTES Identify at least three key situations or events that occurred because of either the author’s or character’s imagination. 1. 2. 3. Identify an interesting character from one of the selections and note some his or her character traits: Identify some sensory details that you might use to develop the real- world setting of your narrative: © Pearson Education, Inc., or its affiliates. All rights reserved. Evaluate the Strength of Your Evidence Do you have enough details and examples, both from the texts and your own experience, to write a " STANDARDS well-developed, engaging fictional narrative? If not, make a plan. Writing Write narratives to develop Brainstorm for details to add Talk with my classmates real or imagined experiences or events using effective technique, relevant descriptive details, and Reread a selection Ask an expert well-structured event sequences. d. Use precise words and phrases, Other: relevant descriptive details, and sensory language to convey experiences and events. Performance-Based Assessment Prep 395
PERFORMANCE-BASED ASSESSMENT SOURCES PART 1 • WHOLE-CLASS SELECTIONS Writing to Sources: Fictional Narrative In this unit, you met a variety of fictional characters whose imaginations • SMALL-GROUP led them to unusual and fantastical places. You also considered the SELECTIONS importance of imagination in real-life situations. • INDEPENDENT-LEARNING SELECTION Assignment Choose a character from one of the selections you read in this unit, and write a short story that explores the following question: What might happen if a fictional character were to come into the real world? Use the following story starter to begin your narrative: One day, showed up on my doorstep, and. . . . As you draft, establish a vivid setting and a clear point of view. Use narrative techniques, descriptive details, and sensory language to develop your characters and their experiences. Logically organize the events in your narrative and connect them with transitions. Your narrative should end with a conclusion that resolves the conflicts, or struggles, your characters face in the story. ! WORD NETWORK Reread the Assignment Review the assignment to be sure you fully understand it. You may use the story starter provided as the first sentence As you write and revise your of your narrative. However, if your imagination is fired up and you would fictional narrative, use your like to start your story in a different way, feel free to do so. Word Network to help vary your word choices. Review the Elements of a Fictional Narrative Before you begin writing, read the Fictional Narrative Rubric. Once you have completed your first draft, check it against the rubric. If one or more of the elements is missing or not as strong as it could be, revise your narrative to add or strengthen that component. © Pearson Education, Inc., or its affiliates. All rights reserved. " STANDARDS Writing • Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details, and well structured event sequences. • Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. • Write routinely over extended time frames and shorter time frames for a range of discipline specific tasks, purposes, and audiences. 396 UNIT 4 • IMAGINATION
ESSENTIAL QUESTION: Where can imagination lead? Fictional Narrative Rubric Focus and Organization Evidence and Elaboration Language Conventions The introduction is engaging and The narrative effectively uses The narrative intentionally clearly establishes a setting and a point techniques, such as dialogue, follows standard English of view. pacing, and description, conventions of usage and to develop characters, mechanics. Events in the narrative progress events, and experiences in logically and are connected by memorable way. 4 effectively used transitions. The narrative effectively The conclusion is memorable and uses descriptive details and resolves the conflicts the characters sensory language to vividly face over the course of the story. portray the characters and develop the setting. The introduction is mostly engaging The narrative uses techniques, The narrative follows standard and establishes a setting and a point such as dialogue, pacing, English conventions of usage of view. and description, to develop and mechanics. characters, events, and Events in the narrative progress experiences. 3 logically and are connected by transitions. The narrative uses descriptive details and sensory language The conclusion resolves the conflicts to portray the characters and the characters face over the course of develop the setting. the story. The introduction establishes a setting The narrative sometimes uses The narrative sometimes and a point of view. techniques, such as dialogue, follows standard English pacing, and description, to conventions of usage and Events in the narrative sometimes develop characters, events, mechanics, but also contains progress logically and are occasionally and experiences. grammar and spelling errors. 2 connected by transitions. The narrative occasionally There is a conclusion, but it does not uses descriptive details and fully resolve the conflicts the characters sensory language, but some face over the course of the story. word choices are vague and imprecise. The introduction does not establish a The narrative does not use The narrative does not follow setting and a point of view, or there is techniques, such as dialogue, standard English conventions no introduction. pacing, and description, to of usage and mechanics, and develop characters, events, contains many grammar and © Pearson Education, Inc., or its affiliates. All rights reserved. Events in the narrative do not progress and experiences. spelling errors. logically and are not connected by 1 transitions. Word choices are vague, and the narrative does not The conclusion does not connect to use descriptive details and the narrative, or there is no conclusion. sensory language to portray characters or develop the setting. Performance-Based Assessment 397
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