EBOOK - FREE ACCESS AND READING

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Running head: EBOOK – FREE ACCESS AND READING

                     Ebook – Free Access and Reading:

             Eluding the Flamethrower and the Mechanical Hound

                             Maryann Muhilly

                        INFO 653 Digital Llibraries

                             Drexel University

                             Dr. Laura Cheng

                               June 13, 2012
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                                    Table of Contents

Abstract – page 3

Part 1:

Introduction – pages 4-5

Ebook Definition and Reading Habits – pages 6-8

Project Gutenberg, Internet Archive, and Google Books -- Public Domain – pages 8-10

Ebook Licensing for Libraries – pages 10-11

Conclusion – pages 11-12

Part 2:

Sample Survey of Ebook Reading Habits – page 13

Appendix -- Recommended Resources for Ebooks, Publishing, and Open Access

          pages 14-18

References – pages 19-21

Certification Statement – page 22
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                                        Abstract

       Bradbury’s Fahrenheit 451 offers cautionary reading about the danger of

obsolescence for print books that are ultimately saved when individuals commit printed

words to memory. The dramatic rise in the reading of ebooks from 2008-2012 testifies to

the evolving habits of readers who now read ebooks on ereaders and other electronic

devices in addition to reading print books. Print-on-demand machines like the Espresso

Book Machine can offer an alternative to ebooks by providing a print version of a digital

file. Three digital libraries – Project Gutenberg, Internet Archive, and Google Books –

offer free ebooks from public domain that can be downloaded to electronic devices.

Libraries, currently negotiating with the publishing companies for equitable fees for

ebook collections, are another source of free ebooks. Eventually, reading of ebooks

should encourage a social constructivist environment through connecting reading to

commentary, critique, and contextual information; through reading as social community

activity; and through reading as participatory experience. A new paradigm of the book

ecosystem will incorporate conventional print books, print-on-demand books, ebooks,

and enhanced ebooks.
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Part 1:

                                           Introduction

          Eluding the Mechanical Hound after Guy Montag uses a flamethrower to burn his

house, his cache of books, and a man, Montag meets Granger and four other men at a

campfire. Granger inquires about what Montag has to offer. Montag claims that he has

part of the Book of Ecclesiastes and a little of Revelation in his head. Although another

man Harris also has the Book of Ecclesiastes, Granger warns Montag, “Walk carefully.

Guard your health. If anything happens to Harris, you are Ecclesiastes” (Bradbury,

1953/1995, p. 317). When Montag fears he has forgotten Ecclesiastes, Granger informs

him of a procedure that will enable recalling anything that has been read once. Granger

announces the purpose of each individual as a repository of the written word – from the

works of Plato to those of Mahatma Gandhi: “All we want to do is to keep the knowledge

we think we will need intact and safe” (Bradbury, 1953/1995, p. 320). Granger describes

human book repositories as “dust jackets for books, of no other significance otherwise”

(Bradbury, 1953/1995, p. 322). After destruction by the atomic bomb, books can be

written again when people who retain memory of the written word will set books in type

until the inevitable arrival of the next Dark Age for books. On their journey along the

river, the men share one purpose: “ . . . they were sure of nothing save that the books

were on file behind their quiet eyes, the books were waiting, with their pages uncut, for

the customers who might come by in later years, some with clean and some with dirty

fingers” (Bradbury, 1953/1995, p 326). Post war, Montag recalls the words of Revelation
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22 about the leaves on the tree of life – or perhaps the leaves as the pages of books – that

will heal nations.

       On the new iPad 2, tap on the iBooks built-in app, click on the Store button, watch

the virtual bookshelf rotate, key in Fahrenheit 451, select an ebook version of the novel,

click on the price button, confirm the purchase through an iTunes account, and an ebook

of Bradbury’s 1953 dystopian novel will be delivered to iBooks on the new iPad. Go to

Google Play bookstore, click on the button for Buy Books, and look at the slideshow of

images for a link to Ray Bradbury’s books with the acknowledgement of Bradbury’s

recent death: In Memoriam 1920-2012.

https://play.google.com/store/books?feature=corpus_selector

With Google Play, the user selects the device for delivery of the ebook: Android,

iPhone/iPad, laptop, and desktop. Google provides additional directions for transferring

the ebook as an EPUB or PDF through Adobe Digital Editions Desktop Reader for

laptops and computers as well as directions for transferring the ebook to supported

ereader devices like the Nook and Sony Reader. Currently, Google Books cannot be

downloaded to the Kindle. If a participating library uses OverDrive for ebook delivery,

download the OverDrive Media Console for desktop and mobile platforms, check for the

availability of the Bradbury title in the OPAC, and download the free ebook. Other

vendors of ebooks for libraries include Baker & Taylor, Freading, and 3M Cloud Library

(Polanka, 2012, An Ebook Primer). Polanka (2012) cites a summer 2011 survey by the

Chief Officers of State Library Agencies (COSLA) that indicates 39% of public libraries

have not begun to offer downloadable media service to their patrons (An Ebook Primer).

Ebooks, however, offer another format for publishing, disseminating, consuming, and
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preserving the written word that will help to elude the flamethrower and the Mechanical

Hound.

                            Ebook Definition and Reading Habits

   In its BookStats and Publishing Industry Glossary, The Association of American

Publishers (AAP) defines ebook as “works that are direct or very similar facsimiles of

printed originals developed initially or exclusively for electronic format. These could

contain some hyperlinks.” Armstrong (2008) provides another definition of ebook: “ . . .

any content that is recognizably ‘book-like,’ regardless of size, origin or composition, but

excluding journal publications, made available electronically for reference or reading on

any device (handheld or deskbound) that includes a screen” (p. 199). The AAP

distinguishes types of digital format: ebooks, enhanced ebooks, non-physical audio

books, paid mobile apps, Internet-based products and services, and bundled products.

Tracking the increases in ebook sales, the AAP announced an increase of 1039.6% in net-

unit sales growth from 2008 to 2010. The Pew Internet & American Life Project in The

Rise of E-reading (2012) reports the habits of Americans who read ebooks: “Those who

have taken the plunge into reading e-books stand out in almost every way from other

kinds of readers” (p. 3). The study provides a statistical breakdown as well as a list of the

ways in which readers of ebooks stand out:

   •     Ebook readers are relatively avid readers of books in all formats: 88% of those

         who read ebooks in the past 12 months also read print books

   •     One-fifth of American adults [21%] have read an ebook in the past year

   •     Ebook readers read more frequently for a host of reasons: pleasure, research,

         current events, work, school
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   •   Ebook readers are more likely to have bought their most recent book, than to have

       borrowed it [71% of ereader owners]

   •   Ebook readers are more likely to prefer buying books in general, and often start

       their book search online (The Rise of E-reading, p. 3).

The Pew study of 2,571 Internet users 16 years old and older contends that four times

more people read ebooks on a typical day now than was the case two years ago. The

Horizon Report (2012) identifies electronic books as a one year or less time-to-adoption

horizon: “Audiovisual, interactive, and social elements enhance the informational

content of books and magazines . . . . The content of electronic books and the social

activities they enable, rather than the device used to access them are keys to their

popularity . . . (p. 8). IDEO’s Future of the Book video introduces Nelson, Coupland, and

Alice as futuristic ways to read digital text and to build communities around books: “ . . .

exploration of digital reading that seeks to identify new opportunities for readers,

publishers, and authors to discover, consume, and connect in different formats.

http://vimeo.com/15142335 IDEO’s video won the 2012 Webby Award in the

Experimental & Weird category. Nelson connects reading to commentary, critique, and

contextual information; Coupland encourages reading as a social community around

which book collections grow; Alice makes digital reading non-linear and participatory.

IDEO has identified three distinct areas for innovations with digital text: new narratives,

social reading with richer content, and tools for critical thinking. O brave new world, /

that has such ebooks in it! [based on Miranda’s pronouncement in Shakespeare’s The

Tempest (V.i): “How beauteous mankind is! O brave new world, / that has such people

in’t.”]. Former Random House editorial director Jason Epstein, co-founder of On
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Demand Books that markets the Espresso Book Machine for print-on-demand (POD)

books for libraries and bookstores, continues with the brave new world allusion when he

speculates, “Imagine if all of the printed books disappeared . . . . If we blew a fuse, we’d

all be savages again. Whoever we are is in these books” (as quoted in Glazer, 2009, p.

482). The Espresso Book Machine can dispense a paperbound book in five minutes from

a digital file using ink-jet technology for immediate pick-up at point-of-sale or for

delivery. The Espresso POD technology offers an alternative to ebooks because the Pew

study (2012) acknowledges that readers express preferences between ebook and print

book depending on the topic, purpose, and place of reading.

      Project Gutenberg, Internet Archive, and Google Books – Public Domain

       Project Gutenberg and Internet Archive represent two large collections of works

in public domain whose copyright has expired and which offer access to free ebooks.

Michael Hart, the creator of Project Gutenberg, is also credited with creating the first

ebook of The Declaration of Independence in 1971. Currently, Project Gutenberg offers

36,000 books for free download to laptop or desktop as well as to mobile devices and

ereaders. The homepage indicates that over 100,000 etexts are available through their

partners, affiliates, and resources that can offer additional texts because of the different

copyright regulations of other countries. Project Gutenberg recommends Eucalyptus, an

updated 2012 Apple app [cost $9.99] that provides 20,000 downloadable copies of

Project Gutenberg texts. Himalaya, a free app also recommended on the Project

Gutenberg site, functions as an ereader that can access Project Gutenberg texts. Apple’s

iBookstore also contains most Project Gutenberg texts; however, to ensure downloading

the latest edition of the text, the user can access the Project Gutenberg site and the EPUB
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format of the text. The user can then open the EPUB text in iBooks on the iPhone, iPod,

or iPad. Divakar (2012) explains that Project Gutenberg etexts are presented in “Plain

Vanilla ASCII which is considered to be easy on the eyes and the computer” (p. 112).

Michael Hart’s obituary memorializing his death in 2011 references a passage from

George Bernard Shaw’s Maxims for Revolutionists (1903) about the power of

unreasonable people as among Hart’s favorite quotes: "Reasonable people adapt

themselves to the world. Unreasonable people attempt to adapt the world to themselves.

All progress, therefore, depends on unreasonable people." Project Gutenberg, which uses

a voluntary donation system for funding along with grants and partnerships, has a simple

mission: “to encourage the creation and distribution of eBooks.”

       Another open access repository, Internet Archive identifies itself as a “non-profit

digital library offering free universal access to books, movies, & music as well as 150

million archived web pages.” For example, a search for Aldous Huxley’s Brave New

World produces an ebook of the novel that can be accessed and can be read online or in a

variety of formats: PDF, EPUB, Kindle, Daisy, DiVu. Brewster Kahle established

Internet Archive, offering free access to over three million public domain books, in 1996.

Donations, grants, partnerships, and the Kahle-Austin Foundation support the open

access to Internet Archive artifacts.

       Finally, initiated in 2004, Google Books including Google Books Library Project

and Google Partners Program has currently scanned over 20 million books into its digital

library. The Google Books interface now has a search window for researching a topic

and a Google Play button for browsing the world’s largest bookstore for downloading

ebooks to laptop, desktop, tablet, phone, or ereader. If a title is in the public domain like
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Shakespeare’s The Tempest, then Google Books offers reading the entire play online. The

user can also download the ebook as EPUB or PDF, and for example, the downloaded

EPUB or PDF could be opened in iBooks. Google Books allows users to view a sample

of the ebook, to enter a title in My Library, to write a review, to rate the book, and to find

other booksellers who carry the book. The link for find in a library connects the user to

WorldCat where the user can search for a library that holds the book. Google Books also

features advanced search options. Singel (2009) describes Google’s deal with On

Demand Books to print books from Google Books to an Espresso Book Machine at a

point-of-sale where the user can pick up a print copy or can request shipping of the print

copy. For example, Harvard Bookstore in Cambridge, MA has an Espresso Book

Machine. Under Get this book in print in Google Books, the user clicks on On Demand

Books for a list of bookstores with Espresso Book Machines, the option to ship the book,

and the cost of the printed book. The Harvard Bookstore will print The Tempest from its

Espresso Book Machine and will ship the book for a cost of $7.10 plus shipping, or the

On Demand Book can be picked up at Harvard Bookstore for $7.10. These three digital

libraries – Project Gutenberg, Internet Archive, and Google Books – offer over millions

of ebooks in public domain for free reader access.

                              Ebook Licensing for Libraries

       Licensing of ebooks for libraries has emerged as an important issue because of the

changing relationships between ebook publishers and libraries. The ebook is often

tethered to a particular device because of Digital Rights Management (DRM) restrictions.

These restrictions affect the access, pricing, utility, privacy, and preservation of ebooks.

Hamaker (2011) in his article with the interesting title Ebooks on Fire promotes
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affordable shared access of ebooks as an option “that would actually boost our

intellectual capital, as different individuals could read and comment on the same text

together.” Hamaker (2011) advocates for multiple use access for library ebooks: “What a

boon it would be for educational purposes if all ebooks for academia came with multiple

use capabilities supporting multiple readers and joint annotation as well as multimedia

integration.” For example, in March 2012 Random House announced a possible 300%

increase in its wholesale cost of ebooks to libraries (Owen, 2012). Of the six major

publishers, Random House is the only one to offer libraries unrestricted access to its

ebooks. Penguin has discontinued its partnership with OverDrive and will no longer

distribute ebooks to libraries. Macmillan, Simon & Schuster, and Hachette do not

distribute ebooks to libraries. HarperCollins places a 26-limit use on their library ebooks

before the library must purchase a copy of the ebook. ALA President Molly Raphael

(2012) emphasizes the importance of library access to digital content: “Libraries must

have the ability to purchase a wide range of digital content at a fair price so that all

readers have full access to our world’s creative and cultural resources, especially those

who depend on libraries as their only source of reading material.”

                                         Conclusion

       A constructivist reading environment of ebooks based on robust media richness

would encourage reading as a process of construction; reading through social

negotiations of meaning; reading immersed in authentic contexts; and reflective reading

as an ultimate goal. The falling prices of ereaders, more content availability, better retail

distribution, and increased media coverage have influenced the exponential increase in

ebook sales. The standards of EPUB format established in 2007 allow publishers to
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produce a single digital file for distribution. Users of ereaders, smartphones, netbooks,

tablets, and laptops will demand accessibility of ebooks by any device. The ideal ereader

or electronic device has not yet debuted for consumer use although the new iPad shows

promise because of affordability, iBooks app and iBookstore, retina display with four

times the pixels of the iPad 2, A5X quad-core graphics, and downloading of EPUB and

PDF format. Librarians, however, need to consider a variety of strategies for delivering

ebooks in digital format not restricted by DRM or by hardware. In addition, the library

community should encourage the International Digital Publishing Forum  to

extend the EPUB format to include annotating, note-taking, and bookmarking features.

The Pew Internet & American Life Project (2012) survey that identifies the ebook on a

hand-held device as the choice of readers [53%] for reading in bed oddly resonates in the

open book of the Billy Collins poem, Reading Myself to Sleep (1999):

       Is there a better method of departure by night

       than this quiet bon voyage with an open book

       the sole companion who has come to see you off,

       to wave you into the dark waters beyond language?

With the flamethrower and the Mechanical Hound vanquished, ebook reading promises a

future of the experimental and weird with a book ecosystem of communities built around

the combination of conventional print books, print-on-demand books, and evolving ebook

content and technology.
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Part 2: Sample Survey of Ebook Reading Habits

A Google form collected responses from 20 members of the class of 2012 at St. John’s

Preparatory School, Danvers, MA. View the form at

https://docs.google.com/spreadsheet/viewform?formkey=dHFOaDdvaVlFRFRyeWxlSH

o1MnJqeHc6MQ

Breakdown of students surveyed by question number:

   1. Eighty percent have smartphones that can connect to the Internet [some students

       later commented that they have a smartphone but do not have a data plan to

       connect to the Internet].

   2. I was especially interested in ownership of dedicated ereaders or tablet. Twenty

       percent of students own a dedicated ereader or tablet [ten percent have iPads]

   3. Twenty-five percent of the students surveyed read an ebook during the past

       twelve months of their high school career.

   4. Of the students who had read an ebook, 70 percent downloaded the book from a

       digital library with public domain works.

   5. Just ten percent plan to read an ebook during the summer of 2012.

   6. Sixty percent plan to read a print book during the summer of 2012.

   7. Although students expressed comfort with using technology for Internet, music,

       and video, the majority expressed discomfort with reading ebooks for academic

       purpose because of the lack or the awkwardness of productivity tools: annotation

       features, highlighting, note-taking, copying text, and printing from the ebook.
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Appendix: Recommended Resources for Ebooks, Publishing, and Open Access

From Hellman (2011)

       •   Digital Public Library of America Planning Wiki http://dp.la/wiki/Main_Page

       •   arXiv – Cornell University Library – Open access to 761,920 e-prints in Physics,
           Mathematics, Computer Science, Quantitative Biology, Quantitative Finance and
           Statistics http://arxiv.org/

       •   BioMed Central -- BioMed Central publishes 237 peer-reviewed open access
           journals. http://www.biomedcentral.com/

       •   Public Library of Science (PloS) -- Non-profit organization of scientists
           committed to making the world's scientific and medical literature freely accessible
           to scientists and to the public http://www.plos.org/	
  
	
  
       •   Scientific Library Online (SciELO) --
           http://www.scielo.org/php/index.php?lang=en

       •   JSTOR -- With more than a thousand academic journals and over 1 million
           images, letters, and other primary sources, JSTOR is one of the world's most
           trusted sources for academic content. www.jstor.org

       •   Creative Commons – There is no registration to use the Creative Commons
           licenses. Licensing a work is as simple as selecting which of the six licenses best
           meets your goals, and then marking your work in some way so that others know
           that you have chosen to release the work under the terms of that license.
           http://creativecommons.org

       •   Free Software Foundation http://www.fsf.org/
	
  
       •   Bloomsbury Academic Publishing in Print and Digital	
  
           www.bloomsburyacademic.com	
  	
  Bloomsbury Academic now publishes around 1,100 titles
           each year, with a particularly big presence in the Humanities and Social Sciences. Our backlist
           comprises some 20,000 titles. An increasingly important part of our programme comes from
           digital services.

           Our output includes journals, digital services, textbooks, supplementary course books, research
           monographs, reference works and professional books. Academic proposals are peer-reviewed
           before we commit to publication, to help ensure quality and to support the career progression of
           our authors.

       •   Europeana is a single access point to millions of books, paintings, films, museum
           objects and archival records that have been digitised throughout Europe. It is an
           authoritative source of information coming from European cultural and scientific
           institutions. http://www.europeana.eu/portal/
EBOOK – FREE ACCESS AND READING 15	
  

•   Distributed Proofreaders -- provides a web-based method to ease the conversion
    of Public Domain books into e-books. By dividing the workload into individual
    pages, many volunteers can work on a book at the same time, which significantly
    speeds up the creation process.	
  http://www.pgdp.net/c/

•   Gluejar	
  -­‐-­‐	
  Gluejar works with rights holders to determine a good price for ungluing their book:
    one that will compensate them for past work and replace future royalties. Readers worldwide can
    chip in to fund their favorite books on our upcoming web site unglue.it. When we meet the rights
    holders' goals, they will be paid in exchange for making their works available under a Creative
    Commons license. Everyone will then be able read and share the book freely: with no cost, and no
    DRM.	
  http://www.gluejar.com/	
  

•   Kickstarter -- is the world's largest funding platform for creative projects.
    www.kickstarter.com

•   The Open Utopia -- The Open Utopia is a complete edition of Thomas More's
    Utopia that honors the primary precept of Utopia itself: that all property is
    common property
    http://theopenutopia.com

•   Open Library – one web page for every book published
    To build Open Library, we need hundreds of millions of book records, a wiki
    interface, and lots of people who are willing to contribute their time and effort to
    building the site.
    http://openlibrary.org

•   HathiTrust – Digital Library is a digital preservation repository and highly
    functional access platform. It provides long-term preservation and access services
    for public domain and in copyright content from a variety of sources, including
    Google, the Internet Archive, Microsoft, and in-house partner institution
    initiatives. http://www.hathitrust.org/

•   The Online Books Page -- Listing over 1 million free books on the Web at U
    Penn http://onlinebooks.library.upenn.edu/

•   LOCKSS -- based at Stanford University Libraries, provides libraries and
    publishers with award-winning, low-cost, open source digital preservation tools to
    preserve and provide access to persistent and authoritative digital content.
    www.lockss.org
    	
  
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From Divikar (2012)

   •   Smashwords -- is an ebook publishing and distribution platform for ebook authors, publishers,
       agents and readers. We offer multi-format, DRM-free ebooks, ready for immediate sampling and
       purchase, and readable on any e-reading device.
       For readers, Smashwords provides an opportunity to discover new voices in all categories and
       genres of the written word. Once you register, the site offers useful tools for search, discovery and
       personal library-building. Each week we add new features based on feedback from members.
       At Smashwords, our authors and publishers have complete control over the sampling, pricing and
       marketing of their written works.
       Smashwords is ideal for publishing novels, short fiction, poetry, personal memoirs, monographs,
       non-fiction, research reports, essays, or other written forms that haven’t even been invented yet.
       It's free to publish and distribute with Smashwords.
       http://www.smashwords.com/

   •   Lulu -- Lulu is ready to help you publish your book with essential pre-publishing services,
       including: Editing, Cover Design, Interior Formatting, Publicity, and more!
       We have all-inclusive packages that provide the publishing help of a professional Lulu
       coordinator, or you can use our services a la carte for a more customized do-it-yourself
       experience. Each product page describes different levels of service, but if you need help deciding
       which service or package is best for you, please request a free consultation.
       http://www.lulu.com/publish/index.php?cid=en_tab_publish

   •   Amazon Kindle’s Direct Publishing	
  -­-­	
  With Kindle Direct Publishing (KDP) you can
       self-publish your books on the Amazon Kindle Store. It's free, fast, and easy. Books self-published
       through KDP can participate in the 70% royalty program and are available for purchase on Kindle
       devices and Kindle apps for iPad, iPhone, iPod touch, PC, Mac, BlackBerry, and Android-based
       devices. With KDP, you can self-publish books in many languages - including English, German,
       French, Spanish, Portuguese, and Italian - and specify pricing in US Dollars, Pounds Sterling, and
       Euros. You will also find useful information on our active community forum.
       Start publishing today with Amazon's Kindle Direct Publishing!
       https://kdp.amazon.com/self-publishing/signin

   •   Barnes and Noble’s Pubit -- PubIt! by Barnes & Noble is an online, self-service Web
       portal where independent publishers and authors can upload their eBooks and make them available
       for sale through the Barnes & Noble eBookstore. This easy-to-use distribution platform offers
       qualified users the expanded distribution, visibility, and protection that only Barnes & Noble can
       offer. eBooks, essays, articles, poems, and short stories sold through the Barnes & Noble
       eBookstore are available for sale on BN.com, NOOK eBook Readers, and our free NOOK
       eReading software for iPad, iPhone/iPod touch, Mac, Android, PC, etc.
       http://pubit.barnesandnoble.com/pubit_app/bn?t=support

   •   Global Library Consortium at Radcliffe – planning stages
       http://www.radcliffe.harvard.edu/news/in-news/academic-e-books-innovation-
       and-transition
EBOOK – FREE ACCESS AND READING 17	
  

   •   EIFL -- Working in collaboration with libraries in more than 60 developing and transition
       countries in Africa, Asia, Europe, and Latin America, EIFL enables access to knowledge for
       education, learning, research and sustainable community development.

       EIFL is an international not-for-profit organisation based in Europe with a global network of
       partners. We run a wide range of programmes and events designed to increase access to
       knowledge. http://www.eifl.net/

From Glazer (2009)

   •   A Million Penguins – wikinovel
       http://thepenguinblog.typepad.com/the_penguin_blog/2007/03/a_million_pengu.h
       tml

   •   We Tell Stories –from Penguin – six stories, six authors, six weeks – digital
       fiction http://wetellstories.co.uk/ http://www.sixtostart.com/we-tell-stories/

   •   The Golden Notebook Project -- It’s an experiment in close-reading in which
       seven women are reading the book and conducting a conversation in the margins.
       The project went live on Monday 10 November 2008.
       http://thegoldennotebook.org/

   •   Lightning Source -- Books printed one at a time on demand service to publishers	
  
       http://www1.lightningsource.com/default.aspx

   •   Pediapress -- Combine the advantages of up-to-date and in-depth knowledge with
       the convenience of printed books. Books are typeset and printed on demand based
       on your personal selection. Starting from US$ 8.90 you get your unique book and
       support the Wikimedia Foundation.	
  http://pediapress.com/

   •   Narrative --	
  A nonprofit organization dedicated to storytelling in the digital age
       http://www.narrativemagazine.com/	
  

   •   Podiobooks – Free serialized audiobooks http://www.podiobooks.com/index.php

   •   Sourcebooks -- The company publishes books, ebooks, and digital products in
       most consumer categories http://www.sourcebooks.com/

   •   Scribd -- is a social publishing site, where tens of millions of people share
       original writings and documents. Scribd's vision is to liberate the written word.	
  
       http://www.scribd.com/	
  
	
  
From The Horizon Report (2012)	
  
	
  
     • Pedlar Lady of Gushing Cross -- interactive, immersive retelling of a classic
       tale www.moving-tales.com 	
  
EBOOK – FREE ACCESS AND READING 18	
  

                                       References

Armstrong, C. (2008). Books in a virtual world: The evolution of the e-book and its

       lexicon. Journal of Librarianship and Information Science, 40, 193-206. DOI:

       10.1177/0961000608092554

BookStats publishing formats highlights. Association of American Publishers. Retrieved

       from http://www.publishers.org/bookstats/formats/

Bradbury, R. (1953/1995). Fahrenheit 451. New York: Simon and Schuster.

BookStats and publishing industry glossary. Association of American Publishers.

       Retrieved from http://www.publishers.org/bookstats/glossary/

Chesser, W. D. (2011). The e-textbook revolution. In S. Polanka (Ed.) The No Shelf

       Required Guide to E-book Purchasing. ALA Library Technology Reports. 28-40.

Collins, B. (1999). Reading myself to sleep. Questions About Angels. Pittsburgh: U of

       Pittsburgh P.

Cook, E. I. (2011). Academic library dilemmas in purchasing content for e-readers. In S.

       Polanka (Ed.) The No Shelf Required Guide to E-book Purchasing. ALA Library

       Technology Reports. 14-17.

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Certification Statement

I certify that this paper/project/exam is entirely my own work.

I have not quoted the words of any other person from a printed source or a website

without indicating what has been quoted and providing an appropriate citation.

I have not submitted this paper / project to satisfy the requirements of any other course.

Name: Maryann Muhilly

Date:   June 13, 2012
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