CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS

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CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
CULTURE AT THE HEART
OF THE CONSTRUCTION
OF THE GRAND PARIS
EXPRESS

PRESENTATION OF THE
ARTISTIC AND CULTURAL PROGRAMME
AND THE KEY MOMENTS 2020-2024
THURSDAY 27 FEBRUARY 2020

                               With the support of the
                               Endowment Fund of the
                               Grand Paris Express
societedugrandparis.fr
culture-grandparisexpress.fr
CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
TABLE OF CONTENTS

1.   EXPERIMENTING AND CELEBRATING THE GRAND PARIS EXPRESS

1.1. A popular success at the heart of the Grand Paris territories

Large construction site parties bringing together a total of 45,000 people
Participation in the first Biennial of architecture and landscape of the Île-de-France region
Projects of artistic residencies co-created with the territories and the inhabitants
Nomadic artworks circulating from one construction site to another
Artworks in virtual reality around the construction sites
Urban strolls on the metro lines
A commitment in favour of photography
An educational programme for youth

1.2. 2020 programme and key moments

The touring construction site parties                                                           p
New artistic residencies on the territories
The touring of the nomadic artworks of the Grand Paris
Express
6 new virtual reality artworks around the construction sites
Two exhibitions to discover the train stations’ design
A new edition of the Grand Paris Express Pedestrians
The Great Race of the Grand Paris Express
A cycle of debate-concerts to imagine and celebrate the
Grand Paris

2.   BUILDING THE HERITAGE OF THE FUTURE

2.1. The artist and architect “tandems”: the Grand Paris Express is creating
the largest collection ever of artworks in the public space                                     p.11

36 artists at work
An artistic direction and guest curators
The new projects and invited artists in 2020

                                                                                                p.19
2.2. A diversity of architectures, a shared design

A new edition of the train stations’ Charter of architecture
Design as a guiding principle
A conception guide for the future squares of the Grand Paris
An important commission to illustrate the territories
                                                                                                p. 21
3.   PLEYEL, AN URBAN AND CULTURAL DEMONSTRATOR

4.   THE ENDOWMENT FUND,                                                                        p.23
     A VOLUNTARIST APPROACH

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CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
Editorial by Thierry Dallard,
                      President of the Board of the Société du Grand Paris

By contributing to the invention of train stations and new neighbourhoods,
the Société du Grand Paris wants to reconnect with the foundation of our
European cities: the squares, the public space, an urban density favouring
encounters and exchanges and that will participate in the fight against
global warming by limiting urban sprawl, welcoming nature and trees and
favouring the use of public transport instead of the car.

In this respect, architecture and culture are levers to transform our
relationship to space: they are factors of social connection, creating an
attachment to a territory. They ensure a human and sensitive link
between the infrastructure and the users.

Today, the artistic and cultural programme that has been implemented
has a triple goal:

   Building the heritage of tomorrow, namely through original
collaborations between architects and artists for each of the 68 new train
stations of the network.

   Experimenting in the territories and heralding the upcoming arrival of
the metro, inviting artists, young creators and inhabitants to propose
creative projects around our construction sites

   Celebrating the Grand Paris Express by organising important artistic
and popular events on the construction sites, allowing the involvement of the
inhabitants in our adventure.

Few projects have called upon such a large diversity of creators, architects,
designers and artists. This collective commitment is the guarantee of a
human, urban and creative ambition, essential to the implementation of our
project. The central place of culture at the heart of the Grand Paris Express
will contribute to building the Grand Paris of the 21st century. One hundred
and fifty years after the transformation of Paris by Baron Haussmann, the
idea is to draw the map of a Capital Region that is more open to the world,
where the train stations of the new network become the new doors to the
Grand Paris.

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CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
1. EXPERIMENTING AND CELEBRATING THE
   GRAND PARIS EXPRESS
1.1.A POPULAR SUCCESS AT THE HEART OF THE GRAND PARIS TERRITORIES
From the launch of the first construction sites in 2016 until the full implementation of the network planned in
2030, the artistic and cultural programme of the Grand Paris Express is accompanying the construction of the
metro by involving the territories and the inhabitants, offering a new creative territory to artists and participating
in the urban insertion of the sites undergoing work.
To implement this artistic and cultural policy, the Société du Grand Paris chose, as part of a public tender, an
artistic direction team led by José-Manuel Gonçalvès with the collaboration of Manifesto, the Eva Albarran & Co
agency and the CENTQUATRE-PARIS.
Four years after its start, this programme of unprecedented geographic and temporal scale, is intensifying to become
a trademark of the Grand Paris Express’ construction. More than 200 artists from different generations and horizons
(performing arts, contemporary art, design, digital art, innovation, architecture) have already taken part in this
adventure, involving around 200,000 inhabitants of the Grand Paris.

               “The Grand Paris Express construction sites are an innovative space to
               participate in the invention of the city of tomorrow, based on a strong cultural
               project that stems from the specificities of the territories united by the future
               metro.”
               José-Manuel Gonçalvès, artistic and cultural director of the Grand Paris Express

LARGE CONSTRUCTION SITE PARTIES, BRINGING TOGETHER A TOTAL OF 45,000 PEOPLE.

Artistic, cultural and festive gatherings, christened “KM” for the kilometres that will have been covered up to
the opening of the metro, moving from one construction site to another, like a touring festival. More than sixty
artists, institutions and companies have already been invited as part of the events programme (Olivier Dubois,
JR, Dominique Boivin, Emile Omar, the Académie Fratellini, Groupe F, DJ Chloé, Cie La Machine, Iván Navarro,
the Ecole des Arts du Cirque de Rosny, etc.). As a sign of the increasing enthusiasm for these rendezvous, more
than 6,000 people participated in the last party (KM8) at Villejuif in February 2020.

PARTICIPATION IN THE FIRST BIENNIAL OF ARCHITECTURE AND LANDSCAPE OF THE ÎLE-DE-FRANCE
REGION (BAP !)

Imagined by a multidisciplinary collective (José-Manuel Gonçalvès, Pascale Dalix, Frédéric Chartier, Pierre-Alain
Trévelo, Corinne Vezzani), the “Horizon 2030” pavilion exhibited in 2019 the projects and ambitions of the Grand
Paris Express in matter of architecture, landscape architecture, design, culture and urban planning as part of the
first Biennial of Architecture and Landscape launched by the Île-de-France region. For the first time, the public (more
than 40,000 visitors) was able to discover the models and perspectives presenting the 68 train stations of the new
metro, as well as 3D immersions.

PROJECTS OF ARTISTIC RESIDENCIES CO-CREATED WITH THE TERRITORIES AND THE INHABITANTS.

These participative creative actions christened “Shared projects” are developed with the cities. After a first
season in 2018 with six teams of multidisciplinary artists (Ne Rougissez Pas!, COAL, Yes We Camp, Malte
Martin, Si Architectes, Collectif Parenthèse), three new collectives settled in 2019 in the territories close to the
construction sites: Ne Rougissez Pas ! at Vitry-sur-Seine, Jan Vormann at Créteil and the COAL collective in
Montrouge.

NOMADIC ARTWORKS CIRCULATING FROM ONE CONSTRUCTION SITE TO ANOTHER. The first six
artists have been invited to create nomadic artworks that will become part of the Grand Paris Express
collection: Pablo Valbuena, Malachi Farrell, Tobias Rehberger, Alain Bublex, Vivien Roubaud, Michel de Broin.
They will travel all along the route of the undergoing metro. In 2019, they were also visible at the FIAC, during
the Nuit Blanche parade at Vitry-sur-Seine.

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CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
ARTWORKS IN VIRTUAL REALITY AROUND THE CONSTRUCTION SITES. Twelve 360° digital artworks,
inspired by the future train station neighbourhoods, have been installed on the edges of the construction sites
since April 2019. Chosen as part of the project tender called “Numéri-Scope”, the artists offer an artistic
interpretation of the arrival of the new metro and the evolving territories. These virtual reality terminals are
accessible to all, 24/7, and more than 50,000 users have already experimented with them!

The 12 laureate artists are all from the field of young digital creation: Kaspar Ravel, Rémi Large, Dylan Cote-
Calisson, Romain Barthélémy and Gabriel Malgouyard (AAIO collective), Raphaël Faon and Andres Salgado,
Samuel Lepoil, Guillaume Seyller, Huang Wei-Hsuan, Galdric Fleury and Antoine Fontaine, Sarah Bastide and
Pierre Depaz, Mona Young-eun Kim.

URBAN STROLLS ON THE METRO LINES. After having taken more than 2,000 hikers along the route of Line
15 in 2018, the “Pedestrian Grand Paris Express” continued its itinerary along the route of Line 16 in 2019.
These strolls, free and open to all, are co-produced with the media Enlarge Your Paris. They question our
relationship to the urban landscape of the metropolis and to the act of walking, as a new means of moving about
in the Grand Paris.

A COMMITMENT IN FAVOUR OF PHOTOGRAPHY. As from 2013 and before the launch of the first
construction sites, the Société du Grand Paris initiated a programme of photographic commissions on the route
of the future network. The first works were done by Pierre-Olivier Deschamps, who produced an inventory of
more than 3,000 photographs of the train station neighbourhoods before their transformation, and by Françoise
Huguier, who invited herself inside the homes of the future users of the Grand Paris Express. Since 2016, the
Société du Grand Paris has taken part in the national photographic commission “Regards du Grand Paris”
Views from the Grand Paris undertaken by Les Ateliers Médicis in cooperation with the Centre national des
arts plastiques (Cnap). In 2018-2019, a dozen young photographers were invited to explore the new metro’s
construction sites in collaboration with the Ecole nationale supérieure Louis-Lumière.

AN EDUCATIONAL PROGRAMME FOR YOUTH. In collaboration with the Education Nationale, “the Classes
of the Grand Paris Express” is a programme destined to youth of all ages. It implements several complementary
actions, using educational tools, organising school outings and workshops and information to get to know better
the professions linked to the metro network. In 2019, a short film was initiated with high school students from
Île-de-France, in collaboration with the art and research centre Bétonsalon. More than 30 ,000 youths have
already participated in these actions.

               “The construction site parties - KM – are out-of-the-
               ordinary transgenerational events where thousands of
               inhabitants come together on a construction site with
               enthusiasm to celebrate and build a desirable future: the
               Grand Paris.”
               Rémi Babinet, President of the Endowment Fund of the Grand Paris Express

            KEY-FIGURES                                                                                       F

        > 45,000 participants of the construction site parties KM
        > 26 urban strolls, more than 2,000 hikers across the routes of the metro’s future lines
        > 40,000 visitors to the “Horizon 2030” Pavilion at the Biennial
         of Architecture and Landscape of the Île-de-France region
        > 9 shared sites on these territories
        > 50,000 users of the Numéri-Scope terminals implemented on the territories
        > 30,000 young participants for the educational programme “the Classes of the Grand Paris
            Express”

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CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
KM6 - 29 June 2019, at Vitry-sur-Seine – “Inside out”       KM7 - 12 October 2019 – Evening on the Construction
installation by artist JR. ©SGP - Claire-Lisa Havet / JR    site at Saint- Denis. Live performance by electronic
                                                            music composer Chloé. © SGP - Pierre-Augustin Crenn

KM6 - Saturday 29 June 2019, at Vitry-sur-Seine - “Inside   KM7 - 12 October 2019 – Live performance by electronic
out” installation by artist JR.                             music composer Chloé. Evening on the Construction site
© SGP - Claire-Lise Havet / JR                              at Saint- Denis. © SGP - Pierre-Augustin Crenn

KM8 – 1st February 2020 – Fire on the construction          Urban stroll along the route of the future Line 16 of the
site, at Villejuif Institut Gustave Roussy: pyrotechnic     Grand Paris Express, with Enlarge Your Paris - June 2019;
show by Groupe F and live music by Jaffna.                  © SGP - Jéromine Derigny
© SGP - David Delaporte

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CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
Le Pavillon des points de vue The Pavilion of viewpoints by artist
Biennial of architecture and landscape of Versailles –
exhibition of the models of the 68 train stations of the Grand     Alain Bublex at Noisy-Champs – April to December 2018.
Paris Express – 3 May to 13 July 2019.                             © SGP - G.Rollando
© SGP - Aliocha Boi

Appel d'air - Thierry Boutonnier, creative workshop in             Jan Vormann and a collective of
the tree nursery of the Grand Paris Express (Vive les              multidisciplinary artists at Créteil-
Groues, Nanterre). © SGP - Julie Bourges                           L'Echat July 2019. © SGP - Jan
                                                                   Vormann.

The collective “Ne Rougissez pas” unveils its “noise and voices”
system next to the Ardoines train station.                         The participative artwork Sucre Cristal by artist Vivien
© SGP - Ne Rougissez pas                                           Roubaud joined the artistic parade of Nuit blanche and
                                                                   the collection of nomadic artworks of the Grand Paris
                                                                   Express - 5 October 2019.
                                                                   © SGP - Leticia Pontual

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CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
1.2. 2020 PROGRAMME AND KEY MOMENTS

      In 2020, the Société du Grand Paris will continue the development of this programme at the heart of the
      territories, mixing artistic creation, participative actions, experimentations, urban strolls and races,
      exhibitions and big events. Several rendezvous and projects will bring rhythm to this new season.

            “With 200 invited artists, our artistic and cultural programme
            contributes in turning the construction sites into spaces for
            prefiguration and experimentation, to involve the inhabitants in
            the forthcoming urban transformations. It is a real laboratory
"'
0
            for the uses of the future.”
a:-          Pierre-Emmanuel Becherand, General Director of the Endowment Fund of the Grand Paris Express
"'
 With 0-93. Lab, the fashion designer Bastien Laurent, creator of the AVOC brand, proposed to 18 youths from
      Aulnay and Sevran a series of workshops on the creation of a collection of clothes and objects inspired by the
      Grand Paris Express and the construction site of Aulnay’s future train station. The workshop’s participants will
      display their collection on the occasion of an artistic installation close to the construction site.
      > In collaboration with the Théâtre de la Poudrerie, the Le Phun company will propose installations and
      performances in the public space close to the construction site of the future Sevran Livry train station. The
      company has been travelling through the territory, meeting the inhabitants to exchange on their city on th e
      horizon of the Grand Paris’ transformations.

      > Led by the Ecole Nationale d'Architecture Paris la Villette, collaborative construction workshops will give rise to the
      creation of an ephemeral public space using the excavated earth of the Grand Paris Express, in collaboration
      with Les Ateliers Médicis and Grand Paris Grand Est.

      THE TOURING OF THE NOMADIC ARTWORKS OF THE GRAND PARIS EXPRESS. After Noisy-Champs and Vitry-
      Centre, the artwork Le Pavillon des points de vue by Alain Bublex continues its tour and will overlook a new
      construction site of the network once again. Furthermore, the young collective Si Architectes created a belvedere in
      the Park of Hautes-Bruyères next to the construction site of the future Villejuif Institut Gustave Roussy train
      station. Lastly, the Numen / for use collective imagined a balcony over the construction site fences at Vitry-sur-
      Seine to offer a new playful viewpoint on the construction site.

      6 NEW VIRTUAL REALITY ARTWORKS AROUND THE CONSTRUCTION SITES. This system offers a
      360° digital and sensitive vision of the future train stations and will be implemented close to the construction
      sites of La Courneuve Six-Routes, Sevran-Beaudottes, Clichy-Montfermeil, Vitry-Centre, Pont-de-Sèvres
      and Issy RER.

      TWO EXHIBITIONS TO DISCOVER THE DESIGN OF THE TRAIN STATIONS. For Lille 2020
      International Capital of Design, the designers Patrick Jouin and Ruedi Baur will present urban furniture and
      signage imagined for the train stations of the Grand Paris Express as part of the exhibition “Designer(s) du
      Design, Paysage infini du design français” Designer(s) of Design, the Infinite Landscape of French design
      at the Tripostal. In Saint-Ouen, as part of La Fabrique du métro The Making of the Metro, a space for
      demonstration and testing for the Société du Grand Paris, the public will be able to discover a significant
      amount of full-scale models enabling the simulation of a traveller experience, with namely: the inside of a
      metro carriage, a selection of urban furniture and signage, the future floor of the train stations, films in
      virtual reality, an audio immersion, etc.

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CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
A NEW EDITION OF THE GRAND PARIS EXPRESS PEDESTRIANS. In 2020, the organised urban
    strolls will take on the form of a real adventure in Grand Paris celebrating the landscapes of the metropolis
    and urban walking. This new rendezvous will let you journey over the course of twelve days across the
    route of the future 14, 15, 16, 17 and 18 Lines of the metro. Every day, a start and a finish will be proposed
    from one of the train stations of the Île-de-France Mobilité network (metro, RER or Transilien). An expert
    or an artist will accompany the group to bring his/her view on the landscape, the cultural or patrimonial
    venues, the challenges of urban walking (ecology, public health, art and literature).

    THE GREAT RACE OF THE GRAND PARIS EXPRESS. The Société du Grand Paris will participate in
    the creation of a half-marathon between Champigny and Saint-Denis. For the first time, a race will cross
    through three departments of the metropolis: Val-de-Marne, Paris and Seine-Saint-Denis.

    A CYCLE OF DEBATE-CONCERTS TO IMAGINE AND CELEBRATE THE GRAND PARIS. By giving
    the floor to the architects and creators involved in the construction of the Grand Paris Express, but also
    the writers, researchers and philosophers that have a view on this unprecedented urban transformation,
    the Wednesdays of the Grand Paris Express will become in 2020 a new space for debate and encounters
    to imagine the futures of our metropolis. The musical programme of these events will be done in
    collaboration with the non-profit organisation La Grande Party and the Gaité Lyrique.

                                                           User of a Timescope virtual
                                                           reality terminal close to the future
                                                           Bagneux train station. ©
                                                           Timescope

                                                           0-93. Lab at Aulnay-sous-Bois: workshops of
                                                           initiation to fashion design and visual art with
                                                           Bastien Laurent (AVOC) - (workshop no.1:
0-93. Lab at Aulnay-sous-Bois: workshops of                patterns and blouses) November 2019 to June
initiation to fashion design and visual art with           2020.© Bastien Laurent. 0-93. Lab
Bastien Laurent (AVOC) - November 2019 to June
2020.© Bastien Laurent. 0-93. Lab

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CULTURE AT THE HEART OF THE CONSTRUCTION OF THE GRAND PARIS EXPRESS
Artwork by Samuel Lepoil “Jungle Love” visible in the           La couleur tombée du ciel, an artwork by the young
Timescope terminal of La Courneuve.                             duo of artists Fleuryfontaine, visible in the virtual
© Samuel Lepoil                                                 reality terminal next to the Clichy-Montfermeil train
                                                                station
                                                                © Fleuryfontaine

Urban stroll at Le Bourget, with Enlarge Your Paris,
June 2019. © SGP - Jêromine Derigny                             Urban stroll along the route of the South 15 Line with
                                                                Enlarge Your Paris, May 2018.
                                                                © SGP - Jean Fabien Leclanche

Le Pavillon des points de vue, belvedere of the French   Shaft of the future Pont-de-Sèvres train station, that will open to the
artist at Vitry-sur-Seine for its second stop.           public in May 2020 for KM9, an exceptional cultural and festive event.
© Société du Grand Paris                                 © SGP/DR

                 10
2. BUILDING THE HERITAGE OF THE FUTURE

2.1. THE “ARTIST AND ARCHITECT” TANDEMS: THE GRAND PARIS
EXPRESS IS CREATING THE LARGEST EVER COLLECTION OF
ARTWORKS IN THE PUBLIC SPACE
For each of the train stations, the Société du Grand Paris wanted to call upon an artist to conceive a
perennial artwork, as part of an original involvement process. The durable artistic intervent ion is the
result of an encounter of two aesthetic worlds: the architect and the artist work as a “tandem”. This
close collaboration materialises all throughout the different conception studies of the train station,
enabling the creation of truly integrated artworks. The development of these artworks must ensure
the long-term quality of the train station spaces and the traveller experience: the maintenance and
durability of the artworks are taken into account in the conception phase.

Each day, more than 2 million users will be in contact with this collection of public art, architecture
and urban innovation on the scale of the Grand Paris. It will participate in the national and international
influence of the Île-de-France region, creating a new cultural and touristic offer accessible to all,
making each one of the 68 train stations of the Grand Paris Express into a living space and fully -
fledged destination.

       “The artworks of the Grand Paris Express
       train stations will be sublime, as creative
       elements but also in their relationship to the
       population. These artworks all belong to
       this new history of the Grand Paris.”
       José-Manuel Gonçalvès, artistic and cultural director of the Grand Paris Express

36 ARTISTS AT WORK
Since the launch of the programme in 2017, more than thirty artists from different horizons have
participated in the creation of this huge collection of contemporary public art. The programme favours
a diversity of vocabulary and aesthetics. The variety of the Grand Paris’ territories therefore calls
upon a wide range of artistic forms: monumental artworks integrated in the architecture, sculptures
and installations, video artworks and digital art, interventions on light, etc.

> Young French and international creators under the age of 35 are associated with this programme:
Hicham Berrada (1986), Mathias Isouard (1987), Studio Nonotak (1988), Noémie Goudal (1985),
Lyes Hammadouche (1987), etc.

> International artists: Ryoji Ikeda (Japan), Iván Navarro (Chili), Ned Kahn (USA), Michelangelo
Pistoletto (Italy), Krijn De Koning (Netherlands), Pablo Valbuena (Spain), Leandro Erlich
(Argentina), etc.

> Artists coming from different disciplines and practices: Ange Leccia (video), Laurent
Grasso (visual     arts), Stromae (music  and fashion), Ryoji Ikeda (digital art), Studio
Nonotak (illustration/architecture), etc.

11
AN ARTISTIC DIRECTION AND GUEST CURATORS
This programme is under the artistic direction of José-Manuel Gonçalvès accompanied by guest curators:
Alexia Fabre, chief curator of the MAC VAL, Laurent Le Bon, director of the Musée Picasso, Fabrice
Bousteau, editor-in-chief of Beaux Arts Magazine, Annabelle Ténèze, director of the Abattoirs-FRAC Midi-
Pyrénées and Charlotte Laubard, director of the Visual Arts Department of the HEAD.

THE NEW PROJECTS AND INVITED ARTISTS IN 2020
 The Société du Grand Paris presents 5 project drafts for the first time
 > Jeppe Hein’s project with Elisabeth de Portzamparc for the train station Bourget RER
 > Pablo Valbuena’s project with Jérôme Brunet for the train station lssy RER
 > Abdelkader Benchamma’s project with Frédéric Neau for the train station of Vitry Centre
 > Noémie Goudal’s project with Jérôme Berranger & Stéphanie Vincent for the train station of Blanc-Mesnil
 > Stromae and Luc Junior Tarn’s project with Kengo Kuma for the train station Saint-Denis Pleyel

 Furthermore, 6 new artists will complete the “tandem” programme:
 > JR with Benedetta Tagliabue for the train station Clichy-Montfermeil
 > Eva Jospin with Jean-Paul Viguier for the train station Kremlin-Bicêtre Hôpital
 > Daniel Buren with Jean-Marie Duthilleul for the train station Sevran Livry
 > Félicie d'Estienne d'Orves with Dietmar Feichtinger for the train station Parc des Expositions
 > Fabrice Hyber with Jean-Marie Duthilleul for the train station Noisy-Champs
 > Eduardo Kobra with Thomas Richez for the service facility at Champigny

   THE FUTURE COLLECTION OF METROPOLITAN ART OF THE GRAND PARIS EXPRESS REPRESENTS:

 > 36 artist-architect tandems at work                 > 16 projects being drafted
 > 7 new artists selected in 2019                      > 20 projects in an advanced study phase
 > 50% of international artists                        > More than 20 specialised design
                                                         offices working with the artists for the
 > 20% of artists from young creation
                                                         technical conception of the artworks

 12
13
◄ Stromae and Luc Junior Tarn & Kengo Kuma tandem
     Saint-Denis Pleyel. Insertion of a tree that “takes its roots
     in the wood facings of the central shaft of the train station
     – materials currently being defined.
     © SGP - Kengo Kuma Associates / Mosaert

     “The guiding principle of our work, in music as well as in design, is that of
     simplicity connected to the essence of everything that surrounds us. In the
     Saint-Denis Pleyel train station, the heart of the Grand Paris, this tree will be
     as one with Kengo Kuma’s architecture, and bear witness to the rebuilding of
     the new relationship that one must have with nature. In the train station: is it
     Man or Nature? Both. Together, in harmony.”

        • Jeppe Hein & Elizabeth de Portzamparc tandem Le Bourget
        RER. 90 balloons in total spread out across the 4 levels of
        the train station, from the ground floor to the platform. ©
        SGP/DR
        “With this artwork, the artist wants to get the attention of the passers-by and spark
        their curiosity and amusement. By this small distraction, the traveller removes
        him/herself for an instant from his/her thoughts to become aware of the surrounding
        environment. By reflecting the crowd walking quickly, the balloons also invite the
        passers-by to humorously realise how animated the train station is.”

14
◄ Pablo Valbuena &
                               Jérôme Brunet tandem -
                               Issy RER. Luminous steel
                               sculpture with LEDs
                               installed over the entire
                               ceiling of the hall (17m).
                               © SGP/DR

                               “My artistic project has been
                               imagined to reinforce the
                               spatial element already present
                               in the train station and
                               accentuate it in an organic
                               manner as if the artwork was
                               part of the architecture since its
                               conception. The idea is to
                               create a link between time and
                               space.”

                    ◄ Abdelkader Benchamma
                     & Frédéric Neau tandem
                     - Vitry Centre. Intervention in
                     acrylic paint on all of the
                     “cave” facings of the train
                     station up to the platforms. ©
                     SGP/DR

                     “Sensitive to the proposal that the
                     King Kong architecture agency
                     created making this train station into
                     a giant cave, Abdelkader
                     Benchamma creates a subtle
                     dialogue with the depths. The artist
                     paints directly in black and white on
                     the concrete walls and these
                     drawings with ochre, brown and
                     bluish tinges, will spread here and
                     there in the cave and dialogue with
                     the flows of the space: an
                     underground station of connection,
                     waiting and passage.”

     ◄ Noémie Goudal & Jérôme Berranger
     and Stéphanie Vincent tandem - Le Blanc-
     Mesnil.
     Video work shot in a sequence-shot that will
     be shown on an LED slab screen in one of
     the transit areas. © SGP/DR

     “Inspired by the project of the Grand Paris and the construction of a
     subterranean building, Noémie Goudal proposes a video around five
     performances, filmed in a sequence-shot. The narration of the film is
     structured around a descending then ascending movement in echo to
     the construction site. In the space of a cinema set, the camera follows
     the constructions and deconstructions of five sets of scenery activated
     by engineers. The idea is to lose oneself between the function of the
     technical gestures and the fiction that the settings offer.”

15
THE FORTHCOMING TANDEMS

D.Buren
© Alain Denantes - Getty

                                    Sevran Livry© SGP - Duthilleul agency and AREP
                                    Jean-Marie Duthilleul & Daniel Buren,
                                    Sevran-Livry train station
                                    For more than five decades, Daniel Buren has been renewing the forms and challenges
                                    of the pictorial medium. The discovery of the striped blind of a shop in 1965 marked a
                                    turning point in his practice. Seduced by its banal aspect, he saw in this industrial
Jean-Marie Duthilleul               product the means to approach art in an impersonal manner and reduce his pictorial
© SNCF-AREP- C.Delettre             intervention to its simplest expression, to reach what he called the “zero degree” of
                                    painting. The artist then produced a series of artworks using this print as a backdrop.
                                    Stripes quickly became his signature, although the artist doesn’t limit himself to this
                                    motif.

 Félicie d'Estienne d'Orves
 © Gerald_Knights

                              © SGP/DR
                              Félicie d'Estienne d'Orves & Dietmar Feichtinger, Parc des Expositions train station
                              Decentring, relativity and continuous movement are at the heart of Félicie
                              d'Estienne d'Orves’ artistic project. Her installations and performances call
                              upon a phenomenological knowledge of reality, questioning the process of our
                              vision and the conditioning of our gaze. In her work, light is at once the tool
                              and the subject. She is interested in the definition of the limits of a physical
                              and cosmological space, through light and speed. She was awarded in 2019
                              the Prize of the Vasarely Foundation for digital arts.
  © Dietmar Feichtinger

                    16
Fabrice Hyber
                                                                                         © SGP/DR

© SGP - Jean-Marie Duthilleul
Fabrice Hyber & Jean-Marie Duthilleul, Noisy-Champs train station
As a visual artist, Fabrice places the articulation between art and science at the
centre of his work. His art presents itself as a network of ramifications in perpetual
development: proceeding with accumulations and hybridisations, he creates
constant shifts between very different fields, taking his inspiration from the way in
which the cellular systems of many living organisms develop. Considering Mankind
and his future when faced with scientific development and species mutations is a
central point of his work.

© SGP - Agence Miralles Tagliabue
EMBT - Bordas+ Peiro
JR & Benedetta Tagliabue,
Clichy-Montfermeil train
station
JR exhibits freely in the streets all
over the world, attracting the
attention of people who are not
accustomed to museums, from the
Parisian suburbs to the streets of
New York, pasting huge portraits of
anonymous people. In 2011, JR was
awarded with the TED prize, after                                                  Benedetta Tagliabue
which he created Inside Out, an                    JR                              © Lluc Miralles
international participative artistic               © JR-art
project that allows people all over
the world to have their photo taken
and to paste their portrait on the
wall.

                    17
Eva Jospin & Jean-Paul Viguier, Kremlin-Bicêtre Hôpital train station
Eva Jospin sculpts monumental forests out of cardboard: wood, branches, roots, crowns, trunks, ramifications,
leaves, fruits, buds, hedges, shrubs, stalks, moss, etc. Everything that makes up the woodland, mysterious,
unfathomable, even maze-like entanglement of a forest becomes, in Eva Jospin’s hands, an enchanting landscape.
Jean-Paul Viguier et Associés. © SGP/DR

Eva Jospin                    Jean-Paul Viguier
© SGP/DR                      © Adrien Buchet

                                                                        Eduardo Kobra, Champigny
                                                                        service facility
                                                                        Eduardo Kobra signs giant multicoloured
                                                                        frescoes on the largest metropolitan walls
                                                                        of the world. He has created artworks
                                                                        across the 5 continents. One of his most
                                                                        famous pieces is “The Kiss” created in
                                                                        2012 on the High Line in New York.

Eduardo Kobra                       Thomas Richez
© SGP/DR                            © SGP/DR

                18
2.2. A DIVERSITY OF ARCHITECTURES, A SHARED DESIGN

                 Each Grand Paris Express train station gives rise to a singular architectural project. In this respect,
                 more than thirty architecture agencies are working today on the conception of the train stations. The
                 challenge is to respond to the diversity of urban contexts whilst proposing “tailor-made” projects. The
                 train stations will contribute in accompanying urban development, and the quality and architectural
                 standard of the projects as well as their conception also looks to guarantee the comfort and durability
                 of these new spaces for mobility open to all.

                     A NEW EDITION OF THE TRAIN STATIONS’ CHARTER OF ARCHITECTURE .
                 The 68 train stations of the network share common orientations – determined by the architects Jacques
                 Ferrier and Pauline Marchetti, architectural advisors for the Grand Paris train stations – to respond to
                 the same requirements of architectural quality for all of the train stations. The train stations’ Charter of
                 Architecture formalises and shares the ambitions for the conception of all of the train stations: defining
                 a global identity, guaranteeing a coherent architectural quality and facilitating the specific conception of
                 each train station, supplying a common vocabulary. The vision that is carried highlights the train station
                 as an urban project: the train station is a public equipment and a space for all forms of mobility. It also
                 invites us to have a sensorial approach of the train stations: the traveller experience is the common
                 thread of the conception. In 2020, Jacques Ferrier will deliver a new version of this reference document,
                 looking to confirm the fundamentals and the architectural ambitions of the Société du Grand Paris.

                        “The train stations will have to
                        define themselves through their
                        serenity and the timelessness of
                        their architectural writing.”
                        Jacques Ferrier,
                        Architectural advisor of the Grand Paris Express

                 DESIGN AS A COMMON THREAD.
                 The interior design of the train stations that welcomes and accompanies the traveller has been entrusted
                 to Ruedi Baur for the signage and to Patrick Jouin for the urban furniture. Traveller information systems,
                 furniture and flooring make up the whole identity of the Grand Paris Express, as a common thread that
                 will connect the 68 train stations, inscribing it in a larger history of the Île-de-France transportation
                 network. The different train station facilities will create a strong marker of the new service proposed to
                 travellers.
                 The design of the Grand Paris Express will be the object of two exhibitions in the Spring of 2020 as part
                 of Lille International Capital of Design, as well as at the Fabrique du Métro in Saint-Ouen.

                                                                      “The Parisian suburbs require the same quality
                                                                      and beauty that were considered, in their time, for
                                                                      Paris with Guimard.”
                                                                      Ruedi Baur and Patrick Jouin, designers

Patrick Jouin          RuediBaur
                                                                g"'

                A CONCEPTION GUIDE FOR THE FUTURE SQUARES OF THE GRAND PARIS- In 2019, the book “Squares of the
                Grand Paris”, created by the architecture and urban planning agency TVK looked, with a team of creators,
                researchers and specialists, to develop a common culture for the conception of public spaces around the Grand Paris
                Express train stations. Several principles structure this guide: the public spaces will create a link between the
                territories, the surrounding neighbourhoods and the transportation infrastructure (continuity principle); they will be
                accessible to all and allow a diversity of uses and functions to live together (availability principle); they will also adapt
                public spaces to the longer temporality of the city and its changes (principle of likely course). The squares of the
                Grand Paris Express will be emblematic of the planning policy, but also of breathers, living spaces adapted to the
                users, modulated and integrated in their environment, that the users will enjoy on a daily basis.

                 19
AN IMPORTANT COMMISSION TO ILLUSTRATE THE TERRITORIES
                   At the end of 2020, the Société du Grand Paris will launch a commission for the creation of iconic
                   illustrations of the territories that will be installed in large formats on the platforms of the 68 train stations
                   of the Grand Paris Express. These illustrations will be seen as windows on to the territory and will create
                   a sensitive connection between each train station, its neighbourhood, its city and the Grand Paris. The
                   curators of this project will be Ruedi Baur, Patrick Jouin and José-Manuel Gonçalvès, as part of a
                   multidisciplinary collaboration looking to select 68 illustrators and artists from all over the world.

                         “The public space is the part of the Earth that we share,
                         open and accessible to all.”
                         Pierre-Alain Trevelo, architect
0
I

    .;,

Information desk, graphic design of the traveller information of
the Grand Paris Express proposed by Ruedi Baur, furniture and
equipment imagined by Patrick Jouin iD © Patrick Jouin iD

Furniture and equipment of the Grand Paris Express imagined by           © Julien Lelièvre
Patrick Jouin, integrating Ruedi Baur’s graphic design © Patrick
Jouin iD

                   20
3. PLEYEL, AN URBAN AND CULTURAL
         DEMONSTRATOR

      In December 2019, the Société du Grand Paris launched “IMAGINE PLEYEL”, a project tender to invite
      investors, cultural operators, actors of innovation and trade to develop a 5,000 sqm space for cultural and
      social innovation located on the four floors of the future Saint-Denis Pleyel train station. This space must
      carry the Grand Paris Express’ ambition to promote and increase access to culture for all and everywhere
      across the metropolis, as well as encounters between the public and creativity.

             “As an emblematic train station,
              Saint-Denis Pleyel wants to become the demonstrator of a
              durable city, focused on the users and implementing a
              diversity of activities.”
a:
0
              Thierry Dallard, President of the Board of the Société du Grand Paris
\9
Vl
Saint-Denis Pleyel, an emblematic train station with a strong and distinctive architecture signed Kengo
Kuma. © SGP/DR

The Pleyel neighbourhood, a centrality at the heart of the Grand Paris Express. © SGP/DR

22
5. THE ENDOWMENT FUND,
   A VOLUNTARIST APPROACH
At the initiative of Rémi Babinet (Founding President of the BETC agency) and Xavier Lépine (President
of the Board of La Française), a fundraising entity was created to involve the private sector in the artistic
and cultural dimension of the Grand Paris Express. The current phase confirms the attractiveness of the
programme with new patrons and allows us to define a mixed public-private funding programme over the
course of ten years.

       “We are calling upon private companies. Today there is an
       extraordinary opportunity for businesses to get involved in an
       unprecedented project that will revolutionise the city and the
       lives of the inhabitants of the Grand Paris. Let’s endow our
       future metro with a social dimension augmented through art
       and culture.”
       Rémi Babinet, President of the Endowment Fund of the Grand Paris Express

The funding requirements to allow the entire artistic and cultural programme to materialise, integrating the
route with the “tandem” artworks as well as artistic and cultural actions in the territories, is of 32 million
euros at the horizon of 2030, of which 16 million by 2024, based on the train station implementation
schedule. The Endowment Fund has already benefited from 5 million euros of donations from private
companies over the last 3 years.

       “The Société du Grand Paris wants to be the
       driving force of the co-construction approach,
       associating the public and private sectors, at
       the service of an unprecedented cultural and
       artistic ambition in France and in Europe.”
       Pierre-Emmanuel Becherand, General Director of the Endowment Fund of the Grand Paris Express

23
APPENDIX

REVELATION OF THE FORTHCOMING ARTWORKS AND TANDEMS
THE TANDEMS AND PROJECTS UNVEILED IN JANURY 2019
TRAIN STATION                                     1   ARCHITECT & ARTIST TANDEM

SOUTH 15 LINE
Pont-de-Sèvres                                        Jean-Marie Duthilleul & Ryoji Ikeda
Issy RER                                              Jérôme Brunet & Pablo Valbuena
Fort d'lssy-Vanves-Clamart                            Philippe Gazeau & SUPERFLEX
Châtillon-Montrouge                                   David Trottin & Laurent Grasso
Bagneux                                               Marc Barani & Tatiana Trouvé
Arcueil-Cachan                                        Jean-Pierre Vaysse & Vincent Mauger
Villejuif-Institut Gustave Roussy                     Dominique Perrault & Iván Navarro
Villejuif Louis-Aragon                                Phillippe Gazeau & Nathalie Junod-Ponsard
Vitry technical centre                                Marc Barani and Stéphane Thidet
Les Ardoines                                          Denis Valode and Hicham Berrada
Le Vert de Maisons                                    Denis Valode and Krijn de Koning
Créteil-L'Echat                                       Cyril Trétout and Mathias lsouard
Saint-Maur Créteil                                    Cyril Trétout and Susanna Fritscher
Champigny Centre                                      Thomas Richez and Michelangelo Pistoletto
Bry-Villiers-Champigny                                Thomas Richez & Ange Leccia
Champigny service facility                            Eduardo Kobra

SOUTH 14 LINE
Maison Blanche-Paris XIIIe                            Mark Wilson and Ned Kahn
M.I.N Porte de Thiais                                 Jérôme Brunet & Gerda Steiner and Jërg
                                                      Lenzlinger
Pont-de-Rungis
                                                      Denis Valode & Lyes Hammadouche
Kremlin-Bicêtre Hôpital                               Eva Jospin & Jean-Paul Viguier

16 LINE
La Courneuve « Six Routes »                           Frédéric Chartier
                                                      and Pascale Dalix & Duy Anh Nhan Duc
Aulnay                                                Aldrick Beckmann & Berger&Berger
Aulnay technical centre                               Groupe-6 & Yann Kersalé
Sevran-Beaudottes                                     Jean-Marie Duthilleul & Leandro Erlich

TRAIN STATION FORECOURTS
All of the Grand Paris Express train station forecourts: Jacques Ferrier and Pauline Marchetti & Thierry
                                                    Boutonnier

                  24
THE NEW 2020 ARTISTS AND PROJECTS

    !TRAIN STATION                   1 ARCHITECT     & ARTIST TANDEM

1    SOUTH 15 LINE
     Vitry Centre                      Frédéric Neau & Abdelkader Benchamma
     Centre technique de Champigny     Thomas Richez & Eduardo Kobra, a system of
                                       flags, collection and curating by the MAC VAL

1    SOUTH 14 LINE
    1 Kremlin-Bicêtre Hôpital         Jean-Paul Viguier and Eva Jospin

    1 Orly Airport                    François Tamisier & Vhils

    1 Chevilly-Trois-Communes         Franklin Azzi & Studio Nonotak

1    16 LINE
    1 Sevran-Livry                    Jean-Marie Duthilleul & Daniel Buren

    1 Noisy-Champs                    Jean-Marie Duthilleul & Fabrice Hyber

1    17 LINE
    Parc des expositions/ Viaduc     1 Dietmar   Feichtinger & Félicie d'Estienne d'Orves   1

                     25
To follow the current artistic and cultural programme:

http://www.culture-grandparisexpress.fr

More information: culture@societedugrandparis.fr

Press contacts

Société du Grand Paris :

Jérémy Huppenoire
jhuppenoire.quai3@societedugrandparis.fr
06 34 471618

Guy-Arnaud Behiri
gbehiri.quai3@societedugrandparis.fr
06 98 82 79 40

Artistic and cultural programme of the Grand Paris Express:
Pierre Laporte - pierre@pierre-laporte.com
Laurent Jourdren - laurent@pierre-laporte.com
0145 231414

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