Asian Art Postgraduate Diploma in - PROSPECTUS 2021/22 - SOAS University of London
←
→
Page content transcription
If your browser does not render page correctly, please read the page content below
POSTGRADUATE DIPLOMA IN ASIAN ART 2 The Postgraduate Diploma in Asian art at SOAS University of London offers a programme renowned for its excellence. The course provides object-based study through lectures and contributions from a wide range of leading scholars, curators, and art market professionals. We have a formal association with the British Museum and the Victoria and Albert Museum (V&A), which means we offer exceptional access to the collections and curatorial expertise of both institutions. The Postgraduate Diploma will appeal to all those with a serious interest in Asian art, regardless of your personal, professional or academic background. It is also a proven pathway to further postgraduate study in Asian art and careers in museums, the art world and academia. In 2021/22 all our full-time modules will be fully available online, so you can study with us from anywhere in the world. Those able to travel to London will be able to join selected sessions in person, where circumstances allow. We also plan to host a series of co-curricular events, including in-person visits to the V&A and British Museum, subject to current safety measures. “ The online modules have been a game changer for me! I would have never been able to physically go to London because of my work and studies. Also, the format allowed for such a diverse group of students as well as lecturers to come together, which was really enjoyable. Coming together in this virtual space allowed us students to sharpen our senses with regards to seeing the tiniest details that may have escaped our attention if in situ. I particularly enjoyed the virtual museum visits and curator's talks on site. The SOAS Postgraduate Diploma in Asian art has skillfully adapted to online teaching, creating a highly enjoyable learning environment beneficial for students all over the world. Theresa Zischkin ” SOAS University of London PROSPECTUS 2021/22
CONTENTS 3 FOREWORD 4 PROGRAMME DETAILS 5 COURSE SYLLABUS 6 CAREER AND FURTHER OPPORTUNITIES 8 THE STUDENT EXPERIENCE 9 SHORT SPECIALIST ART COURSES 10 HOW TO APPLY 11 Postgraduate Diploma in Asian Art SOAS University of London Thornhaugh Street, Russell Square London WC1H OXG Phone: +44 (0)20 7898 4445 Email: AsianArt@soas.ac.uk www.AsianArtDiploma.co.uk https://www.instagram.com/soasdiplomainasianart “ The superlative collections of the V&A and the British Museum make London one of the most important centres for the appreciation and study of Asian art and culture. The SOAS Postgraduate Diploma in Asian art gives students unique access to these Programme Director: collections and to the expertise of those who curate them. Dr Malcolm McNeill mm133@soas.ac.uk ” Programme Manager: Anna Jackson Jane Portal Patrick Monger Keeper of the Asia Department Keeper of the Department of Asia pm50@soas.ac.uk Victoria & Albert Museum British Museum SOAS University of London PROSPECTUS 2021/22
FOREWORD 4 SOAS University of London is the only higher education institution in the UK The fundamental aim of the course is to provide students with a broad specialising in the study of Africa, Asia and the Middle East. The understanding of Asian art covering all major periods and media. Students Postgraduate Diploma in Asian Art is part of SOAS’ School of Arts, a world- will learn how to research, identify and document objects, setting them in leading centre for study and research involving visual and sound arts, their cultural context. In addition to the academic setting of SOAS, students material and intangible cultures, media industries and digital cultures of will benefit from the guidance of museum curators in the study of objects Asia, Africa and the Middle East, and their global diasporas. Our unique from the reserve collection of the Victoria and Albert Museum and the concentration of experts is unsurpassed in scale and reach by any other British Museum, London. institution worldwide. Our unique combination of academic focus, museum access, and practical The Postgraduate Diploma in Asian Art is a unique programme of object-led experience provides an exceptional platform for the study of Asian art and study of the arts of Asia. It combines a focused survey of Asian art with a an unrivalled combination of opportunities for our students. A network of practical approach to the study of objects. Lectures are given by leading leading experts contribute to a challenging and stimulating lecture experts on India, China, Southeast Asia, Japan and Korea, Buddhist art and programme. The Programme Director and module convenors provide the arts of the Islamic world. We prepare students for work in a variety of students with continuity, academic guidance and close individual support. professions in the arts and the museum world. The course also provides a pathway to a master’s degree and PhD for those without an academic Students will be encouraged to develop background in the subject. research and writing skills and will have access to the renowned resources of the Many of our alumni now work in a variety of international museums, art SOAS Library, the UK’s designated National foundations, galleries and auction houses. We welcome students from Research Library for Asia, Africa, and the varied academic or professional backgrounds, ranging from recent Middle East. graduates and those who wish to pursue a career in the art world to retired professionals and others with a serious interest in the art and culture of a This combination of theoretical and practical specific region. study makes the Postgraduate Diploma a unique programme based within the foremost One of the strengths of the Postgraduate Diploma is its flexibility. Students institution in the world for studies of this kind, can choose any number or combination of our six, 12-week-long modules: ideal for aspiring museum curators, collectors, Indian Art, Chinese Art, Southeast Asian Art, Japanese & Korean Art, or those simply with an interest in the field. Buddhist Art and the Arts of the Islamic World. Students who successfully complete three modules over a period of one to four academic years will be Dr Malcolm McNeill awarded the Postgraduate Diploma. Those who successfully pass a single Programme Director module will be awarded a Postgraduate Certificate. Senior Lecturer in Arts Education SOAS University of London PROSPECTUS 2021/22
PROGRAMME DETAILS 5 Course Content Course Delivery n Live, online lectures given by SOAS academic staff, leading national and The Postgraduate Diploma in Asian Art offers six full-time modules, each 12 weeks international scholars, museum curators, and art market professionals, generally in length. taking place between 11.00 and 15.30 (UK time) Monday through Thursday. Students can take any number or combination of modules. You can begin the n Exclusive contributions from the British Museum and Victoria and Albert Museum programme in October, January or April. In the 2021/22 academic year, all core n A series of asynchronous online lectures exploring critical thinking and teaching will be available online, making our courses accessible from anywhere in methodology the world. All lectures will also be recorded and made available asynchronously, n Recommended weekly readings, all accessible online so if you are not able to join live in your time zone, you can catch up at a time n Weekly review sessions n Weekly one-to-one tutorials with your module convenors convenient for you. Candidates are expected to hold an undergraduate degree in any subject or Student Assessment equivalent experience. Prior knowledge of Asian art history or archaeology is not a requirement, though candidates are expected to have an interest in the area. n Two essays of 3,500 words per module n One 48-hour, take-home exam per module Issues and themes dealt with in weekly lectures are developed further through tutorials, review sessions and frequent contributions from museums and private Academic Qualifications collections. The award of Postgraduate Diploma is made on the successful completion of three modules. A student who completes a single module will be awarded a Postgraduate Our course convenors provide weekly review sessions and one-to-one tutorials. Certificate. Course Aims and Objectives Credit Points n To develop visual skills through the direct examination of objects n To put material objects in their cultural context The Postgraduate Diploma has a CATS rating of 135 points. The certificate for the individual module has a CATS rating of 45 points. n To develop research skills using primary and secondary sources n To develop a sound visual method for analysing and documenting works of art Auditing n To develop writing and communication skills: to formulate and structure an We also offer spaces on the programme to those who are not seeking an academic academic viewpoint and to use visual analysis to support and document this qualification. Those who choose to audit the course enjoy full access as a SOAS student argument but are not required to complete the assessments. This is for the full module fee. SOAS University of London PROSPECTUS 2021/22
COURSE SYLLABUS 6 Modules Offered n Indian Art (annually) 4 October – 22 December 2021 Click here to see our showcase video: n Chinese Art (annually) 10 January – 3 April 2022 Three Objects from the Arts of India, n Islamic Art (biennially) 25 April – 17 July 2022 China and Japan n Southeast Asian Art (biennially) 25 April – 17 July 2022 A Fierce Goddess, A Withered Saint, n Buddhist Art (biennially) April – July 2023 and A Modern Print n Japanese & Korean Art (biennially) April – July 2023 Indian Art Chinese Art Islamic Art From 2500 BCE to the present day, the The Chinese Art module The Islamic Art module explores the Indian Art module explores the monumental, examines material culture origin and development of the arts fine and decorative arts of South Asia. The of China from the Neolithic produced in the central regions of the course deals with architecture, sculpture, period to the 21st century. Muslim world from the 7th century AD miniature painting, carved jades, carpets, The course covers develop- to the present day: architecture, the textiles, furniture, jewellery, arms and armour, ments in metalwork, jade, arts of the book, ceramics, metalwork, and the rural arts. The syllabus is broadly lacquer, ceramics, painting, glass as well as textiles and carpets. chronological and places the art in its calligraphy, sculpture, and religious and historical context. The course textiles. Lectures on history, The course follows a broadly begins with an introduction to the Vedas, religion, philosophy and chronological structure, ensuring Buddhism, Jainism and Hinduism focusing on early Jain and literature provide a contextual framework for clarity and continuity, and providing a coherent Buddhist art and the principles of Hindu iconography, understanding these developments. The framework for study. Among the topics covered will be architecture, sculpture and wall painting. It emphasises the course also considers the importance of the use of decorative motifs such as calligraphy, the relationship between ritual and image in the study of medieval patronage (imperial, elite, and popular), the arabesque and geometric ornament and their evolution Hindu sculpture and architecture. Lectures cover Buddhist, Jain impact of systems of belief (Confucianism, through different periods and regions. The course will and Hindu manuscript painting. The course includes Tibetan and Buddhism, Daoism), and the role played by explore what is particular to Islamic art and how artists in Himalayan sculpture and painting. The latter half of the term will changes in the lives and social roles of artists. the Muslim world borrowed from other cultures as well as explore Mughal and Rajput court art from the 16th century. It will Technology and design approaches as well as the impact Islamic art had on the West. The influence of give particular emphasis to miniature painting and jewellery. the impact of interaction between China and the China trade, the exchange of luxury items along the Terracottas, textiles and other rural arts will also be covered and the outside world are among the topics Silk route, and the contacts with Europe and the Mongols there will be lectures on contemporary South Asian art. considered. in Central Asia will also be examined. SOAS University of London PROSPECTUS 2021/22
COURSE SYLLABUS continued 7 Southeast Buddhist Art Japanese & Asian Art The Buddhist Art module Korean Art This module covers the introduces you to the This module exam- art of mainland and religious, historical and ines the Arts of maritime Southeast Asia geographic context for Japan and Korea in from prehistoric times to the spread of Buddhism relation to religious, the present day. A wide and Buddhist art across historical, and social range of art objects are Asia: from Buddhism’s contexts. The course considered from the origins two and a half follows a broad ethnographical to the millennia ago in Northern chronological classical and monumental India, to its current status progression from arts of Buddhism, as a global religion. The pre-history to con- Hinduism and Islam. Art historical, archaeological and course begins with a brief temporary, with the ethnographic interpretations are presented side by side so that overview of the life and first few weeks this inter-disciplinary approach enhances students’ teachings of the Buddha focusing primarily on religious art and understanding of the vast artistic heritage of the region. and considers the earliest Buddhist images in South architecture of ancient to medieval eras when Asia. We then trace the movement of Buddhist images, the links between Japan and Korea were The course covers the ethnographic art of the outer Indonesian ideas and beliefs across the deserts and mountains of particularly strong. While the major part of the islands and New Guinea, and the fertility, ancestor and spirit Central Asia into China. Exploring the adaptations and course is dedicated to Japan, the study of cults it expresses. It surveys the bronze age and the later developments of Buddhism in China, we go on to Korean art is integrated into the course in order dramatic development in social complexity engendered as the examine how these iterations of Buddhist art and to compare and contrast the cultural differences maritime trade routes developed throughout Southeast Asia culture acted as a catalyst for subsequent of the two countries. The relationship with China and linked China with the Mediterranean. The profound impact developments; first in Korea and Japan, and later in is also considered in a larger East Asian context of Hinduism and Buddhism is studied as these Indic systems rich Southeast Asia, Vietnam, Java and Cambodia. The of transmission of ideas and trade. in cosmology, philosophy and ritual infused the sacred course also explores how Esoteric Buddhism reached monumental art and ‘real-politik’ of Cambodia, Java, Burma, its apogee in Tibet and Theravadin Buddhism The second part of the course examines secular Vietnam and Thailand and produced a boom in magnificent engendered distinctive forms of Buddhist art in Burma, traditions of painting, and a wide variety of temple construction unmatched in human history. Thailand and Cambodia. decorative arts such as ceramics, lacquer, and textiles. The study of innovative contemporary The course ranges over Southeast Asia’s cultural tapestry to In exploring the diverse incarnations of Buddhist art architecture and designs towards the end of the offer insight on its statuary and reliefs, its textiles, ceramics, across Asia, this course offers a broad and immersive course will encourage the students to gain a painting, lacquerware, shadow puppets, metalwork, calligraphy, introduction to the visual and material manifestations sound understanding of the continuation of and wood-carving. of one of the world’s most significant religions. aesthetic ideas. SOAS University of London PROSPECTUS 2021/22
CAREERS AND FURTHER OPPORTUNITIES 8 The Postgraduate Diploma is a pathway to further study or a career in Museums and the art world. Many students, some with no formal background in art history or archaeology, go on to complete a master’s in the History of Art & Archaeology Department at SOAS or other institutions. A number continue to PhD level. Alumni from the course have gone on to work in UK and international Museums, auctions houses and galleries including: British Museum, V&A, the Asian Civilisation Museum Singapore, Sotheby’s, Christies, Bonhams, Simon Ray Gallery and many more. “ My experience at the Postgraduate Diploma of Asian Art turned out to be crucial to my further study in Art History. The lectures were taught by different tutors, scholars and curators, which gave us a variety of approaches to the subjects. The museum and gallery tours were valuable opportunities for me to handle the artwork, and communicate with the professionals. I liked the friendly atmosphere here and the fact the lectures gave a lot of support to the students. The knowledge and skills I gained in the program helped me with my future study in a Master’s Degree. Bella He ” “ Having spent my career based in London and Hong Kong with frequent visits to China and other Asian countries I was keen to learn more about the arts of Asia. This carefully structured, intensive Postgraduate Diploma course, delivered by expert tutors and other world leading authorities in the field of Asian art, has given me in one unforgettable year a deeper and broader understanding than I could ever have imagined possible. The course has prepared me with knowledge and skills that will be invaluable for further study and research and has ignited within me an insatiable thirst to know more. Ralph Barber ” SOAS University of London PROSPECTUS 2021/22
THE STUDENT EXPERIENCE 9 Ensuring you have the best possible experience as a student on the Postgraduate Diploma in Asian Art is our utmost priority. While studying with us you will be fully supported by the programme director, manager, administrator and your module convenors, who will each do their best to see you get the most out of your time with us. The flexible nature of study, allowing you to select your modules and complete the course over four academic years, is aimed to fit around those who work or have personal commitments. Each module is a self-contained course and assessed separately, which ensures that students who study one module each year or all three achieve similar results. In each module, art history of the region is introduced in a broadly chronological framework. You develop key skills in documenting, analysing and appraising objects, alongside broad academic skills in essay writing and presentation. This ensures that candidates who do not have an art history background are able to adapt quickly to art historical academic writing. Many of our students come from varied academic and professional backgrounds and we ensure that they are well equipped to handle the material alongside students from an arts background. “ Having never studied Art History formally in the past, it was vital for me to have a solid foundation to begin an academic study in Tibetan art. And the Postgraduate Diploma was an exact fit, with its precise balance of “ Having graduated with an undergraduate degree in history, I soon found that I needed to undergo further study to progress in my career in the art world. The Postgraduate Diploma in Asian Art provided the perfect means theory and practice in the curriculum. For instance, the numerous object for me to acquire a thorough foundation in the history of Asian art, and to reviewing and handling sessions formed an integral part of the object- begin to make contacts in the field. The courses were stimulating and oriented learning process. From Mughal spinels to folios from Dunhuang, we inspiring; having the opportunity to learn from different tutors from a range had the opportunity to experience a breath of pan-Asian material culture, of institutions, all experts in their field, was a true luxury. The unique object- which would be difficult if not impossible to access under ordinary based focus of the course also provides a training that is necessary to circumstances. Another highlight of this course has been the people who appeal to auction houses, museums and galleries. Having completed the constitute it: from accessible and helpful tutors, to friendly and efficient Diploma did a Masters in Indian and Islamic painting and then went on to administrative staff and fellow classmates from diverse backgrounds, all work for a leading dealer of Indian art. Neither of these would have been contributing towards an ideal learning environment. Thupten Kelsang possible were it not for my experience of the Diploma. Alexa Cooper ” ” SOAS University of London PROSPECTUS 2021/22
SPECIALIST SHORT COURSES 10 e in the A nc ie nt World: Global Trad 3000–300 BCE xury Alongside our full-time modules, Cultures of Lu ART COURS E O N LI N E S P E C IA LI S T Chinese Ceram our short courses have become an 1 – 10 June 20 21 A Global Histo ics: integral part of the Postgraduate ry of Collectin Diploma’s programming. g In Celebration of the Orienta Ceramic Societ l Introduced in 2006, these courses y Centenary in 2021 O N LI N E S P E are open to all and aimed at students C IA LI S T A R T COURSE from a wide variety of backgrounds 2 2 January - 12 Eight weekly online lectur March 2021 wanting to broaden their knowledge es. Every Fri day 12:30 UK (GMT) / 20:30 China (CST) of specialised areas in Asian art. Short courses are ideal for those who do not have the opportunity to attend our full-time programme and also serve as a taster to the longer modules. The courses enable us to 00 urse Fee: £5 Co specialise in specific areas which are lennium BCE saw a rise in contact bet me routes wh ween ich urses: of the 3rd mil the great lan d and mariti y was often a Upcoming co The advent Culture in a not covered in depth within the civilisations, particu nt centres larl y alo of ng pow er. The impetus for con nec nelian tivit and lap is lazuli, or Cur ating Art and line) linked differe h as ivory, cor ponry. Digital Age (on cio us materials suc nze for superior wea 2021 Postgraduate Diploma modules. desire for rare and pre tin, essential for the manufact exchanged alo ure of bro ng these routes , and ambiti exotic animals ous 17 June – 15 July Mongols metals such as Seljuks and arte fac ts were traded and prestige by importing wild and me nt. Iran Under the Luxury to enh ance their for the ir own amuse – 11 Nov em ber 2021 ght ply 8 rulers even sou for hunting or sim ical gardens, stimulated arti stic Chinese for their zoolog nds of miles, ation contact: geogra ceramics have long been app Lectures are given by leading experts These inte rac tion s, sometimes across thousa This cou rse focuses on the flowering of e ves sels , Fo r more inform phical region s. These eight reciated by collectors acr ugh out the centuries. sea ls and hard-ston s nart@ soa s.ac.uk diverse histor weekly online oss vast Age asia y of collecting enrichment thro ries, apparent in Bronze n. Luxury obj ect lectures explore Course Fee: and curators and where appropriate arts across bou nda otamia, the Per sia n Gul f to Afghanista ive commo dities disc ove red Un ive rsity of Lo nd on present day. from Lea din g sch Chinese ceram olars, art ma ics , from the the rich and Tang dynasty £500 (Includes a yea ia to Me sop and exp ens pt, the SO AS on WC1 H 0XG the Na tional Palace rke t pro fessionals and to the r-long members from Ind o metalwork and ivories, cultures of Egy et, Russell Squ are, Lond Oriental Ceram hip to the we also include practising artists, n the ancient ian Thornhaugh Stre London and the Museum in Taip museum curato ic Society) including virtuos nections betwee lennium BCE, the rise of Iran Freer and Sac ei, the Victor ia & Albert Mu rs ship wre cks , all reveal con In the first mil s of Cen tral tDi ploma .co.uk ran ge of ins kler Galleries in seu m in on East. steppe www.AsianAr ights into how Washington DC and the Near twards as the our Chinese ceram will offer a uni musicians and object-study sessions. Mediterranean new arts and ideas as far eas world of the nomads. In to periods displayed ove r the cen turies, examin ics have been collected, trad que Upcoming co urses: n the empires spread societies to can look back (r. 1100-1126 ing the imperia ed and beyond urban nications, we ent ) and Qianlong l tastes of Em Asia, reaching tional commu the developm founders of the (r. 1736-1795 perors Huizon Global Trade era of interna ificant part in Oriental Ceram ), collecting fas g in the Ancien contemporary bal exc han ge played a sign and tas tem ic Society, and hions pioneered Cultures of Lux t World: n glo akers like C. T. the legacies of by ury (3000 - 30 in antiquity whe 1st millennium Students will Loo (1880-19 international dea BCE) 0 This year, we aim to run a of art and cul ture . tern Iran, Casp ian region. ca. early not onl y learn about 57) and Edward T. Chow (19 lers n lles. Northwes frieze of gaze no. 62.84 better unders Chinese ceram 10-1980). 1 - 4 June 20 n: Cup with a of Art, NY, acc. tanding of the ic production 21 Image Descriptio cm. © Metropolitan Museum and the art ma networks that , but also gai Iran Under the connect global combination of weekly, online short B.C. Gold, ht. 6.5 Hong Kong and rket. Networks Beijing that con from Kaifeng, collecting, sch to London, to olarship n Seljuks and ceramics today. tinue to shape Washington DC , to Contact courses as well as four-day, in-person our understan ding of Chines e asianart@soa Lectures in s.ac.uk English, with courses. For more information about Simultaneous interpretation Chinese cap available for Chi tions provided in lecture slides. nese-speaker SOAS Universi s during Q&A ty of London our upcoming short courses, please Chenghua mar Davi k and period d Collection. (1465-14 © The Trustees 87) porcelain 'chicken cup', sessions. www.AsianArtD iplo ma.co.uk , of the British decorated in Museum doucai style, visit our website or contact us. from the Percival Thornhaugh Str Russell Square eet, , London WC1H 0XG SOAS University of London PROSPECTUS 2021/22
HOW TO APPLY 11 Entry Requirements Details of preparatory English courses can be obtained from International We welcome applications from those from all backgrounds. Previous study Foundation Courses and English Language Studies (IFCELS) at SOAS: of art or art history is not required, but students must be able to www.soas.ac.uk/ifcels demonstrate an interest in the subject in a personal statement. Application Procedure Students should normally possess a good Bachelor’s degree or its A completed application form must be equivalent. Other qualifications such as published works or appropriate submitted to asianart@soas.ac.uk along professional experience will also be considered. Applications from mature with: students are encouraged. Non-standard applicants are considered on their merits and may be asked to submit written work for appraisal and/or attend n A personal statement outlining your an interview. background, interests and why you are applying for the course Language Requirements (approximately 500 words). n Names and contact details of one or All international applicants where English is not their first language must be able to show that their English is of a high enough standard to successfully engage with and complete the course. The required standard for direct two referees. Academic references are entry is IELTS Level 6.5 overall with at least 6.5 in all sub-scores. preferred, but professional references are acceptable if you have been out More information about these requirements and accepted forms of evidence of academia for more than five years. can be found at: www.soas.ac.uk/international/englishrequirements Full references can be submitted along with the application or sent You do not need to provide evidence of your English language ability if any separately to asianart@soas.ac.uk. n A validated copy of undergraduate transcript or certificate. of the following apply: n You are from a government-recognised majority English speaking n Documentation of English Language ability (if required). country and have successfully completed high school or a degree in the respective country. Early application is advised for all modules. The application form can be n You’ve completed a degree in the UK or in any Majority English Speaking found on our website. Country (UKVI defined). n You’ve completed a SOAS Pre-Masters or International Foundation (60% Interviews Applicants may be invited to attend an interview with the Programme in Academic English) or ELAS programme (70% in Academic English). Director, who will assess the candidate’s commitment and aptitude. No n You’ve passed a Pre-sessional English course at a UK university special preparation for this interview is necessary. (2-year validity). SOAS University of London PROSPECTUS 2021/22
HOW TO APPLY continued 12 Fees finding a variety of accommodation options, including halls of residence for The fee for the 2021/22 academic year is £5,150 per module. To secure their postgraduate students, shared student housing or private rental. For more place on the course, candidates must pay a deposit of £500 when accepting information see: www.soas.ac.uk/accommodation. their offer of a place on the programme. Deposits are non-refundable. The remaining fee balance is payable four weeks before the start of each Accessibility module. Applications are considered on the standard academic criteria, Alumni Discount regardless of any disability. We A 20% reduction in tuition fees is available to all students who have an do recommend that you contact Undergraduate degree in any subject from SOAS, but no higher the Disability & Neurodiversity qualification. (Please note that you cannot receive the SOAS Alumni Team on disabilities@soas.ac.uk discount if you have already received another discount/scholarship from the before submitting your University.) application so that any potential adjustments can be discussed Scholarships and so that you can decide if In 2021/22 we are offering two scholarships for the October start date. SOAS is suitable for you. We will do all that we can to make it The Heather Elgood Scholarship – This scholarship covers full tuition fees possible for you to study at for the Postgraduate Diploma in Asian Art and an allowance to cover living SOAS but in the unlikely event costs during term time. that we are not able to make the adjustments necessary we will let The Denise Acford Access Scholarship – This part-fee scholarship covers you know as soon as possible. half the tuition fees for three modules (the full Postgraduate Diploma) to be taken consecutively in the 2021/22 academic year. Terms Of Enrolment Those responsible for the These scholarships are competitive and awarded on a combination of programme reserve the right to academic merit and financial need. For more information regarding the amend the content and timing of eligibility criteria, application process and deadlines, please visit the courses. Where possible, www.soas.ac.uk/art/programmes/dipasart or email asianart@soas.ac.uk notice will be given but this cannot be guaranteed. They also reserve the right to discontinue Accommodation any whole or part of any For 2021/22, London (or UK) residency is not a requirement for the course. programme. The information in Those who would like to relocate to London are responsible for their own this prospectus is accurate at the accommodation and are strongly advised to allow ample time to make date of publication. suitable arrangements before their course begins. SOAS offers support for SOAS University of London PROSPECTUS 2021/22
IMAGE CAPTIONS 13 Image copyright, left to right. Page 1 Page 6 n Ms Masami Yamada teaching on the Japanese & Korean Art module n © Victoria and Albert Museum, London © Victoria and Albert Museum, London n © Percival David Foundation n Dr Helen Glaister teaching on the Chinese Art module n © Metropolitan Museum of Art © Victoria and Albert Museum, London n Dr Imma Ramos teaching on the Indian Art module Page 7 n © Dr Peter Sharrock © Trustees of the British Museum n Ms Ricarda Brosch teaching on the Buddhist Art module n © Metropolitan Museum of Art n © Trustees of the British Museum © Victoria and Albert Museum, London n Dr Heather Elgood and students at the British Museum n Dr Rosalie Kim teaching on the Japanese & Korean Art module Page 8 n Dr Rosalie Kim teaching on the Japanese & Korean Art module © Victoria and Albert Museum, London n © Victoria and Albert Museum, London © Victoria and Albert Museum, London n © Metropolitan Museum of Art n Ms Ricarda Brosch teaching on the Buddhist Art module n Dr Rosalie Kim teaching on the Japanese & Korean Art module © Victoria and Albert Museum, London © Victoria and Albert Museum, London n © Dr Peter Sharrock Page 9 n Ms Rose Kerr teaching on the Chinese Art module n Dr Nick Barnard teaching on the Indian Art module © Victoria and Albert Museum, London © Victoria and Albert Museum, London Page 2 Page 11 n © Percival David Foundation n © Victoria and Albert Museum, London Page 3 Page 12 n Ms Masami Yamada teaching on the Japanese & Korean Art module n © Metropolitan Museum of Art © Victoria and Albert Museum, London SOAS University of London PROSPECTUS 2021/22
You can also read