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Bachelor of Architectural Studies We value education, At UCT, the Bachelor of The studio-based model of learning and knowledge; Architectural Studies under- the curriculum is underpinned imagination & graduate degree (BAS) is a by the objective to produce creativity; open- foundation programme in internationally competitive mindedness and diversity; the design of buildings and graduates with a capacity perceptiveness the urban and landscape for critical engagement with & perseverance. environments around them. context and change. The BAS programme welcomes This professionally accredited qualifying students from degree provides the different backgrounds and necessary ability in design, nationalities. This academically theory, technology and stimulating diversity remains communication to proceed on an upward trajectory as the to a wide range of graduate UCT BAS programme strives professional programmes to mantain its position as one in Architecture, Landscape of the leading design schools Architecture, Urban Design, in the continent. and City and Regional Planning. 2
The degree has stature in its (construction, environmental should be prepared to have own right for entry into the control, structures, etc.), to purchase approximately job market in architectural and representation (manual and R3000 worth of drawing other design and planning digital), communication equipment and materials offices, interior design, (written and verbal) and in the first year. Students landscape architecture, history and theory of in following years should property development and architecture and related budget for approximately in the building industry and disciplines. R3500 per year for plan prints, can lead to professional photocopying, graphic and registration as a senior Studio programmes absorb other materials. architectural technician. half of student time and energy, and many support For enquiries on how to apply, In the introductory year courses or projects are closely contact the School on the programme involves linked. All students are 021 650 3705 and check the familiarisation with precedent, given a work space in their website: www.apg.uct.ac.za elementary design exercises Design studios, were they and later the design of more are required to work during Your application package must sophisticated places, sites, classes, and may elect to work include: your grades, UCT buildings and complexes. after-hours. All students must National Benchmark test Other major areas of study provide their own books and results, a written motivation are building technology drawing equipment. Students and a portfolio of work. 3
Architects: - design buildings - design spaces inside and outside of buildings - design parts of cities, neighbourhoods, small towns, human settlements, parks, public places, etc. - design interiors practice graphic design - design furniture/crockery/cutlery student work in the - manage projects architecture programmes at the School - are required to work in the interests of the client and society at large - are able to envision a more positive future - are OPTIMISTIC - are able to solve problems creatively - are able to bring together a range of disparate factors to provide a singular solution 4
Typical teaching and learning scenarios: Lecturers discussing students work with them. Work in the studio spaces. Field trips to small towns around the Western Cape, and Architectural tours of the country and continent are also part of the Architectural student’s experience. Many of the projects set for students are on real sites around the city. Organized site visits are part of this process. 5
Teaching and learning Pin-up presentations, with immediate and individual feedback and discussions are an everyday part of the student experience The BAS is a professional Structures, Environment Students are required to degree leading to registration & Services, Management produce drawings and models with the South African Practice and Law throughout the course; Council for the Architectural Students learn how to present Profession as a ‘Senior The BAS is an intensive course their ideas and proposals Architectural Technologist’ requiring lots of dedication, verbally AND visually; time and input; The BAS is a foundation Design projects include: degree leading to Masters it is a popular course - we degrees in Architecture, THEREFORE recommend you Buildings Landscape Architecture, apply to lots of universities Urban Design and Planning and universities of technology Urban Design (applications to these is by Most teaching occurs through portfolio and good undergrad discussion and one on one Landscape designs / academic results) teaching. interventions Design and Theory Studio Conceptual projects is the basis of the course along with Technology which Furniture is the second core course. Other support subjects such Competitions as History and Theory of Architecture, Representation, 6
The BAS leads to other degrees in the School Bachelor Honours Masters PhD Bachelor of BAS Honours MArch Prof PhD Architectural Studies Bachelor of Arch Master of Architecture Doctor of Philosophy Studies Hons (Professional) BCP Honours MArch Bachelor of City Master of Architecture Planning Hons (Research) BLA Honours MCRP Bachelor of Master of City and Landscape Arch Hons Regional Planning MLA Master of Landscape Architecture MUD Master of Urban Design MPhil Master of Philosophy in Architecture MPhil CBE Conservation of the Built Environment 7
Life in the programme Group projects are one of the ways student learn to put ideas together. The crafting of Architecture, and the making of things is part of this process too. Multi-modal learning: Students build models, make sculptures, build furniture, make drawings and work between modes of presentation. 8
Teaching with discussion is an integral part of the process in the Design Studio. Most teaching and learning happens in the STUDIOS where each student has a workspace. Students regularly work late into the night in the Studios. The studio pedagogy is incremental to the way we teach Architecture and allows for a dynamic interactive learning experience. 9
Life in Centlivres Ths School is a venue for public events, that attract students and public from both within and outside campus The “archi-building”, or as it is officially known, Centlivres, sits at the south end of University Avenue on Upper Campus 10
The “archi-building” is privileged to have its own library: the Built-Environment Library Students make regular use of the Workshop Students are not just numbers here. Each student has their own mailbox and everyone knows one another 11
BAS How to apply SUCCESSFUL APPLICANTS As the portfolio counts SUMMARY OF PORTFOLIO will have been selected on for 50% of the application REQUIREMENTS: THREE things: grade it is VERY important. Applicants who apply without - A written motivation 1. The submitted portfolio submitting a portfolio are not - Two drawing exercises which includes drawing work, considered. BAS portfolio - Four design exercises creative exercises and a requirements can be found at: - Supplementary work written motivation. http://www.uct.ac.za/ (optional) downloads/uct.ac.za/apply/ - Rough work / 2. NSC scores forms/ug_application_diary. “brainstorming” / design pdf#page=7 process drawings (well 3. NBT scores presented and organized) Many successful applicants - Your latest school or tertiary A BAS application grade of have in the past never done institution grades 100% is made up of art formally. - BAS Application Form” as NSC + NBT = 50% can be found here Portfolio = 50% http://www.uct.ac.za/ downloads/uct.ac.za/apply/ Applicants are ranked, the forms/bas_form.pdf highest ranking applicants are successful. Special consideration is made for a number of students from disadvantaged backgrounds who show talent, but have not had the privileges of other students due to the legacy of Apartheid. 12
Portfolio Requirements A. DRAWING 1. Choose a manufactured object: e.g. an object of any size and in any condition (new or in a state of decay). Draw the object as you see it. DO NOT DRAW THE OBJECT FROM A PHOTOGRAPH. Make an effort to show the special quality of the object, e.g. its roughness or its smooth softness, manufactured property, etc. You can use any technique to draw it. Use A4 paper (210 x 297mm – the size of this sheet). Examples of drawings of a manufactured objects drawn by a successful applicant to the BAS Programme. ALWAYS Include some of your preliminary work with each exercise, such as in the example above. 13
Examples of patterns generated from the drawings of the manufactured objects drawn by the applicant who drew the corkscrew as her object, and the applicant who drew the sharpener (shown B. DESIGN earlier). Please note the abstraction of the objects into 2. Draw a portrait of an elderly lines and shapes, and then the person in his or her favourite designed way in which they’re place – this should be a real put together to make a totally person that you know, and a new pattern. real place. Use any drawing technique and A4 size 3. Make a design for a paper. Again, draw by direct pattern, which could be observation – NOT FROM A used - for example – in the PHOTOGRAPH. The portrait printing of fabric. The pattern may extend to the whole body should be based on the of the person you are drawing repetition or manipulation of (not just the face). DO NOT the manufactured object you NEGLECT THE CONTEXT – selected for drawing exercise you are being asked to draw a A1. Use A4 paper and any person, and a place. technique. Right and Below: Examples of the “Portraits of an Elderly person in their favourite place” drawn by successful applicants to the BAS Programme (showing preliminary work as well). 14
B. DESIGN 4. Design and make a freestanding light/lamp. Think about the effect of your lamp/ light in creating light and shadow. Explain your thought processes about light and shadow and what inspired the light. Include photographs of you in the process of designing and making the lamp. Include photographs of the finished product illustrating the light/lamp when it is lit up. Include all Example of a Lamp showing your rough work and design the drawings and the final drawings. made object. Example of a light design, including rough sketches, pictures of the process of making it, and the final product. 15
B. DESIGN 5. Design a poster advertising a significant event, exhibition or conference that reflects what you consider socially relevant. Carefully judge the information that needs to be communicated as well as the desired visual impact that you want to achieve. The poster must be on A3 paper (twice the size of this sheet - 420 x 297mm) and may be folded in half when sent in the post. Use any technique. Some examples of posters drawn by a successful applicant s to the programme. 16
B. DESIGN 6.Using drawings only (i.e. no words) and any graphic technique you like, draw for a friend how to go on a journey from your house to your favourite local place. Use one sheet of A4 paper for this. PLEASE NOTE: We are not asking for a map, or for directions. This exercise is about 2 things: showing us how keenly observant you are of the world around you; how imaginative you are about representing that environment. It is about representing an understanding of space. Please avoid using symbols (eg. MacDonalds or KFC), please avoid arrows, and please try to show more than just roads. The cities and towns we live in are made up of many interesting things: buildings, trees, mountains, the sea, people, markets, shops, houses, etc. Examples of drawings of a manufactured objects drawn by successful applicants to the BAS Programme. 17
Submission 7. Include a one page PLEASE NOTE FOR MORE INFORMATION written motivation in you PLEASE CONSULT THE portfolio giving your reasons The size of portfolio should FOLLOWING WEBSITES: for wanting to study in this NOT exceed A3 (420 x programme. 297mm). Applicants can apply online at The drawings should NOT http://applyonline.uct.ac.za SUPPLEMENTARY WORK be rolled up nor put into cylindrical containers. http://www.uct.ac.za/apply/ You may also submit copies As all official documents, welcome/english/ or photographs of any e.g. academic results and other creative work such transcripts, are filed, please http://www.ebe.uct.ac.za/ebe/ as drawings, sketches, ensure that they can be study/architecture-planning- paintings, or made objects removed from your work. and-geomatics (e.g. ceramics, clothing, Each loose section of your carpentry, jewellery, wirework, work must be clearly marked http://www.apg.uct.ac.za/ beadwork, etc.). Please do not with your name. submit copies of more than While the selection committee http://apg.uct.ac.za/wp- six such items. Do not submit takes every care not to content/uploads/2014/04/ any physical objects or bulky remove or damage any items, Information-for-Prospective- framed artwork. the University cannot be held Students-Booklet.pdf responsible in any way for loss or damage to a whole or part http://www.nbt.ac.za/ of your work. http://apg.uct.ac.za/?page_ id=315 PLEASE NOTE ALL PORTFOLIOS MUST BE SUBMITTED BY HAND OR BY POST BY 31 JULY TO: BAS Application Portfolio The School of Architecture, Planning & Geomatics University Avenue, Upper Campus Private bag X3 Rondebosch Cape Town South Africa 7700 For further queries please call the reception at the School of Architecture, Planning & Geomatics, 021 650 3705 18
Selection Selection process: What the selection panel ability to observe accurately, looks for: an imaginative approach to - a committee of 3 Lecturers subject matter, the stamina portfolios are graded out of • Motivation: not to leave loose ends - 50 and added to NSC and This can be seen in the way these are all looked for in the NBT results in which you present your work. work as a whole, the degree - early offers are made based of effort shown in the projects • Academic ability: on preliminary matric results requested by the School Strong portfolios often show provided that matric scores - as well as in your written work that is motivated by are at the same level or higher motivation. strong and original ideas. This is more relevant to some of - early offers are made as soon • Design ability: the portfolio tasks than others. as possible Each piece of work is examined for its designed • Initiative: - where there is equivalency, quality. Note that people What often separates some the committee will attempt with little experience in art or applicants from others is to make selections based on design are admitted where an indication of people establishing a diverse class their work provides evidence exploring or recording which is essential to a rich of good observation, three something for themselves, studio learning experience dimensional awareness working because they are for all and careful consideration interested - not because of the presentation of the they have to. This means - the committee takes into portfolio, with good, hand- that sketch explorations are account all post-secondary drawn lettering, careful as useful as finished works. school activities and paper selection, and careful Although supplementary work education, as long as it is organisation of the pages. from school art or Technikon clearly stated in the portfolio. courses is often received, • Creative ability: evidence of this independent This is an important factor. initiative does not necessarily However, note that expertise lie there. in technical drawing or “painterly” ability alone is not highly considered. A sense of design or composition, an 19
Director of the School Prof. Tomà Berlanda BAS Programme Convenor Dr. Tom Sanya Administrative Assistant Nanette Pickover Full Time Teaching Staff Leon Coetzee A/Prof. Nic Coetzer Albertrum Crowder Jonathan Green Simone Le Grange Michael Louw Stella Papanicolaou Jan Schabert Melinda Silverman Sonja Spamer A/Prof. Alta Steenkamp Sadiq Toffa Mike Wentworth Part Time Teaching Staff Bruce Bermeister Sadie Beyl Em. Prof. Julian Cooke Jane Boardman-Smith Liani Douglas Michael du Toit Randy Hartzenberg Irina Kubica Ziyaat Majiet Andrew Nimmo Peter Neokoridis Brian Richardson Sedick Rylands Andrew Swain Ricardo Sa Albert van Jaarsveld Gaarith Williams John Wilson Harris apg.uct.ac.za
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