Tyler Rodrigues - Animated Cover - DESIGN PORTFOLIO - withspaces.ONLINE
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TylerRodrigues
DESIGN PORTFOLIO
3d Digital Design - Architecture - graphic Design
large graphic
withspaces
Animated
Youtube
Cover 21
year
Hello, my name is Tyler Rodrigues, I go by withspaces (w/_) on the Internet.
I’m a 2020 graduate from Roger Williams University with a B.S. in Architecture,
a minor in Graphic Design, & a particular interest in 3D Digital Modeling.
3 ___
Tyler Rodrigues
2021 Portfolio
withspaces. online
401-368-3161
withspaces.online@gmail.com
___4 5 ___
Program Icon List Table Of Contents
Portfolio map
3D Digital Modeling
3d Modeling
x
10 x
Adobe Illustrator Adobe InDesign
Vector Editing Layout/Presentation Editing
Adobe Photoshop
Image Editing
Adobe Premier
Video Editing
16
Adobe After Effects
Animation Editing
Adobe Audition
Audio Editing 20
Adobe Lightroom
Photo Post Processing
Substance Designer
Texture Generation
24
3D digital modeling
Autocad Revit
28
Vector Based Drafting BIM Based Modeling & Drafting
Architecture
Architecture
34
Rhinoceros 3D Grasshopper
3D CAD Modeling, Drafting & Visual Programming Language
Analysis
Sketchup
CAD Based 3D Design
Lumion
Architectural Rending 38
architecture
Blender
3D Modeling / 2D & 3D Animating
/ Simulations / Rigging / etc.
Python
General-Purpose
44
Programming Language
Unreal Engine Ableton Live
48
Game Engine & Rendering Digital Audio Workstation
Graphic Design
Graphic Design
54
Word Press Office 360
Basic Web Design Microsoft Office Suite
60 graphic design
designing space
___6 7 ___
Digital Modeling
3D digital modeling is my preferred design
medium. To me, it merges the concepts &
design strategies that I’ve learned as an
Architecture & Graphic Design student.
It started off as a tool to showcase my
projects, with Architectural Renders and
Graphic Design Mock-ups. Later in my
college career, my projects became a tool
to showcase my 3D Modeling.
___8 9 ___
Digital Modeling • General Modeling R.O.D.R.160 • (s.) 1 of 3
R.O.D.R.160
Title
Where, who, When
Commissioned Project
for Sean Smith
July.20
ORIGINAL SKETCH
Large Graphic
___10 11 ___
Digital Modeling • General Modeling R.O.D.R.160 • (s.) 2 of 3
General Modeling & Character Design
The screen
Header Programs Used
R.O.D.R.160 is a character model that was created for a
video game. For this project, I was tasked with designing a
Description
robot based off of a preliminary sketch. This detailed version
will be used to create renders for promotional material,
menus, & loading screens.
While modeling R.O.D.R.160, I focused on the connection
Arm Assembly
Elevation Sketches
between parts, the layering of parts, & the materials used.
Through this process, I was able to develop it’s hyper-
realistic style. The jet flame was created using Blender’s new
‘Manta Flow’ fluid simulating framework. All of the modeling,
decals and the screen animation were created from scratch
using Blender, Adobe Illustrator & Adobe After Effects.
Connections & Decals
Rough Paint Texture
Side Render
jet Flame close up
___12
360 Animation
Instagram 13 ___
Digital Modeling • General Modeling R.O.D.R.160 • (s.) 3 of 3
Layers
hyper detail
decals
The rear
Rocket close up
Wire-frame/textured render “Laser In The Eye” Sticker
___14 15 ___
Digital Modeling • Animation, Product Modeling & Advertisements Honey Stick Video Ads. • (s.) 1 of 2
Honey Stick Video Ads.
Title
what, who, When
Commissioned Project
Honey Stick Vapor
September.19
Large Graphic
___16 17 ___
Digital Modeling • Animation, Product Modeling & Advertisements Honey Stick Video Ads. • (s.) 2 of 2
Animations & Advertisements
Landscape
Header Programs Used
ELFAd.
Project one
Textured Wire Frame
These animations began as a personal project, but later evolved
into a commission piece. The original goal of this project
was to practice precision-modeling & animation. I began by
modeling a vaporizer, giving it as much detail as possible. Once
I completed the model, I wanted to try my hand at animating.
landscape model
I used the models from before and created a simple animation
in a perplexing/surreal style. The intention was to showcase my
work in an unorthodox way.
Description
I posted the video on Reddit.com, where it gained some attention
and was eventually recognized by an employee at Honey Stick,
the Fort Lauderdale based company that created the vaporizer
in my animation. They asked to colaborate on a new animation
for another product called the ‘HRB Turbo.’
ELf ad.
Closeup w/ Birds
HRBTurboAd.
Project Two
Description
YouTube This animation was created as a social media advertisement
for a dry herb vaporizer by Honey Stick. I was told that
it could be in a similar style as the first animation. The
Frame from Video Ad.
concept behind this style is that the perplexing scenes grab
the viewers attention long enough to showcase the product.
The naturalistic motifs emerged from the product, being a
dry herb (HRB) vaporizer. The dry herb feature is the biggest
difference when compaired to the rest of their product line-
up. The jet sound effects, emitted from the vapes in the
Opening Animation
animation, represent the idea that this is a powerful device
(Turbo).
The setting of this animation is the “Land Of The HRB
Turbos,” a peaceful, naturalistic landscape that is protected
from humans by giant birds. Once a year, the HRB Turbos
migrate back to this land to experience and celebrate it’s
beauty. The underlying concept for the video is meant to be
unorthodox to show off the product like the first animation.
HRB Turbo ad.
Fly-by Shot
YouTube
___18 19 ___Digital Modeling • Animation, Product Modeling & Advertisements Done, Dead. (Video Game) • (s.) 1 of 2
Done, Dead.
Title
(Video Game)
Where, who, When
Personal Project
w/ Sean Smith
November.19 - Present
Large Graphic
___20 21 ___Digital Modeling • Unreal Engine. Asset & Environment Design Done, Dead. (Video Game) • (s.) 2 of 2
Unreal Engine
HEADER
DESCRIPTION
Programs Used
‘Done, Dead.’ is an open-world video game being developed
SCREENSHOT
by a friend & I. Our goals for this project are to learn how
to utilize Unreal Engine (UE) while showcasing our digital
modeling skills. To achieve this, we have been modeling
all of our assets from scratch using Blender, importing
them into UE using a Python script I wrote, and compiling
it into a digital landscape. The style we’re going for with our
assets is a sharp shaded, ‘detail where it needs to be’ style.
This is to showcase the geometry of our assets.
SCREENSHOT
This long term side project is in it’s beginning stages. In
our current stage, we have created hundreds of assets—
from vegetation to buildings. We’ve designed, modeled,
and textured the island and started to build the game
mechanics using UEs Blueprint system.
Our next phase for this project is learning how to work
with the UE lighting system, building more of the games
mechanics, and creating the character animations.
General Layout
Some of my models
Flow diagram
Original Sketch
Zoning Sketch
Height map
Original sketch
___22 23 ___Digital Modeling • Procedural Generation & Pipeline Scripting Python Scripting • (s.) 1 of 2
Python Scripting
Title
what, who, When
Personal Project
Self
March.20 - Present
Large Graphic
___24 25 ___Digital Modeling • Procedural Generation & Pipeline Scripting Python Scripting • (s.) 2 of 2
Procedural Generation & Pipelining
HEADER
Generated Tree
Programs Used
Generated Bark
Python scripting and automation is a tool I use
to accelerate my creative workflow. It has a wide
range of opportunities but some of the more
useful implications are procedural generation and
workflow pipelining. These Python scripts have
saved me weeks of work and effort.
Description
Blender to Unreal Engine.py
This script prepares Blender models for UE.
It runs through a list of checks and repairs.
It then exports the model as a .fbx file. There
are other plugins that operate similarly but
creating mine from scratch allows me to
customize it to my work flow.
Table Generator.py
This procedural generation script can create
an infinite number of unique tables from a
few basic inputs meshes. It was created to
easily create unique furniture for the different
buildings in “Done, Dead.”
Tree Generator.py
Table Generator script
This script is similar to the Table Generator,
but it doesn’t require any input meshes. It
creates unique meshes from scratch in a set of
additive stages. There are also similar plugins
for this, but this script will allow me to match
the style of trees to the rest of our assets.
Generated Tables
___26 27 ___Digital Modeling • Product Design & 3D Printing Displayed Gallery • (s.) 1 of 2
Gallery by Displayed
Title
What, who, When
Commissioned Project
MikeysGallery.com
March.20 - Present
Large Graphic
by
___28 29 ___Digital Modeling • Product Design & 3D Printing Displayed Gallery • (s.) 2 of 2
Custom 3D Printing
HEADER
Description
Designs Programs Used
Hex Plate Social Media Graphics
Recently, I’ve been working with a start-up online
distributer in California designing display items to
print and sell. These two projects are my favorite so
far from this partnership.
The first is a mini display piece modeled after the
skeleton character used as the brand’s identity. This
display piece serves as an interesting novelty item
on the site. The model was sculpted using Blender
and was specifically designed to print without any
supports or assembly.
3D Model
The second project, on the following page, is a
complete redesign of their main display stand.
This stand was a major improvement over their
original boxier design. The new design, which
‘Gallery’
we’ve branded as the “Gallery” takes a fraction of
the time to print and was specifically designed to
be modular. This allows a customer to expand and
customize their display to their own preferences.
3d Printed model
Ashtray
Mikeysgallery.com Character
___30 31 ___Architecture
Architecture has been my introduction to design.
As a student, it has taught me that design is an
investigative & iterative process. Long hours in
the studio and constant deadlines have taught
me that the design process can be long and
demanding before it’s rewarding. Critiques &
presentations have taught me to communicate
my ideas both verbally and graphically to an
audience of professionals.
Technical classes have taught me how to be
practical and work within constraints, while
studio professors have taught me how to break
out of those constraints without breaking those
rules. Most importantly, architecture has taught
to understand space in both 2D & 3D mediums.
___32 33 ___Architecture • Architectural Renders Preserve Club & Residence • (s.) 1 of 2
The Preserve
Title
What, who, When
Internship
The Preserve Club And Residence (Richmond, R.I.)
May.18-December.19
Large Graphic
___34 35 ___Architecture • Architectural Renders Preserve Club &Architecture • Projects
Residence • (s.) 2 of 2
Tiny House Render
Architectural Renders
HEADER
Description
Programs Used
The Preserve is a 3500 acre luxury outdoor sporting club &
private residence located in Richmond, Rhode Island. I had the
opportunity of interning at the facility’s in-house architecture
Entrance Render
and engineering office. There, I created graphics & renderings
that were used for proposals & promotional material. The
buildings in the renders are a mix of BIM models created in
Revit for The Preserve and models created by myself while
Interior render
working there.
The most ambitious project I took on while at The Preserve
was a birds eye view render of the 3500 acre property in it’s
current state. I used the work from this project later on to
create these detailed renderings for proposals.
Proposal Render
3D Floor Plan
Birds Eye View Render
Proposal Render
Proposal Render
___36 37 ___Architecture •Conceptional Studio Project Roxbury Creative Center • (s.) 1 of 3
Roxbury Creative Center
Title
What, who, When
Studio Project
Professor Armando Plata
Fa.19
Large Graphic
___38 39 ___Architecture • Conceptional Studio Project Roxbury Creative Center • (s.) 2 of 3
Conceptional Studio
HEADER Project
Description
Programs Used
The goal of this semester long project was to design a
recreational center for a community in Roxbury, MA.
Wood and steel Concept Model
Charcoal 24”x28”
With my professor Armando Plata, I spent the first half
of the semester experimenting with concepts by creating
“Artifacts”— two and three-dimensional abstract art
pieces as a way to determine my concept. These artifacts
culminated into a concept of exposing complexities and
connections.
Expanding on my concept, I decided that the theme of
the recreational center would be Art & Creation. The
complexities being exposed are the variety of different
creative disciplines the center will be designed for. The
connections would be the collaboration between the
disciplines, highlighted by a unique floor plan that’s
designed to encourage collaboration.
The final design consists of six separate buildings, or
“shops”, connected by a glass clad space-frame that
Charcoal & Acetone Transfer 24”x28”
spills out, forming an art gallery in the rear of the building.
The shape of the shops were designed specifically to
create social hot-spots within the circulation, encouraging
collaboration. The geometry of the space- frame was
generated using Blender by simulating a fluid flowing
through the shops and flowing out of the rear. Figuratively,
the collaborative work created in the shops would
eventually be “washed up” by the fluid, into the gallery.
Charcoal, coffee Acetone Transfer 24”x28”
Piano-Wire Tension Sculpture
wood & steel Tension Sculpture
___40 41 ___Architecture • Conceptional Studio Project Roxbury Creative Center • (s.) 3 of 3
Conceptional Studio Project
HEADER
Exploded Axon
Section Cut
Circulation
Video
YouTube
walk through
Gallery Space
___42 43 ___Architecture • Conceptional Studio Project East Bay Bike Station • (s.) 1 of 2
East Bay Bike Station
Title
Where, who, When
Studio Project
Professor Patrick Charles
Sp.19
Large Graphic
___44 45 ___Architecture • Conceptional Studio Project East Bay Bike Station • (s.) 2 of 2
Conceptional Studio Project
HEADER
Section Perspective
Programs Used
Description
The East Bay Bike Station was designed to be the hub of the East Bay Bike Path.
There, people will be able to store their belongings in the locker rooms, purchase
food & supplies from one of the shops, and use the community room as a public
Bike Path elevation
work space. The building sits on a long & narrow site, across the street from India
Point Park and hugs the i-195 overpass. Due to the narrow site, I designed the
building to have staggered floors connected by ramp-ways that form the core of
the building. This would also allow people to easily transport their bikes through
the building.
The brightly colored spaces make it easy to differentiate the levels
from inside or outside the building. With floors towering 30 feet
over i-195, the Bike Station would be the gate into Providence from
the East Bay Bike Path.
Programming Diagram
Street elevation
CAFE LOBBY
MEC.
REPAIR
STORE
Ramp Render
Floor Plans
bike Path Render
___46 47 ___Architecture • Conceptional Studio Project The Crystal Vault • (s.) 2 of 2
Crystal Vault
Title
Where, who, When
Comp Apps Project
Professor Austin Blanks
Fa.18
Large Graphic
___48 49 ___Architecture • Conceptional Studio Project The Crystal Vault • (s.) 2 of 2
Conceptional
HEADER
Description
Comp AppsProject Programs Used
The goal of this conceptual project was to create a shelter for
a dangerous environment. The first part of the project was to
procedurally generate the environment using Rhino3D and it’s
visual programming interface, Grasshopper. I then designed
a shelter that complimented the environment. My final design
was an organic form that burrows into the side of a steep
hill. The conceptual structure would be made of concrete and
lined with steel ribs supporting a layered glass ceiling.
Front Render Landscape Height Map Interior Render
Section Cut
___50 51 ___Graphic Design
Graphic design has taught me that design and communication go hand
& hand. As a student, I learned the history of graphical communication
and how it’s continuously evolving as a discipline. Research assignments
taught me to approach projects with an anthropological view and that
culture should influence design. Branding design has taught me that
being the odd one out can be an advantage. Graphic Design studios
expanded on concepts I picked up from architecture studios such as
balance, contrast & hierarchy. They then introduced me to the importance
of formatting, color theory & typography. It has pushed the importance of
iteration & investigation— showing me that design can communicate in
multiple ways.
___52 53 ___Graphic Design • Posters Poster Design • (s.) 1 of 3
Poster Design
Title
Where, who, When
Class Projects/ Personal Projects
Prof. Nicole Juen / Prof. John Farmer / Self
Sp.2017 / Sp. 2020
Large Graphic
___54 55 ___Graphic Design • Posters Poster Design • (s.) 2 of 3
Info-Graphics
HEADER Programs Used
THE STORY OF PABLO
THE STORY OF PABLO
THE STORY OF PABLO Apr ‘14
THE STORY OF PABLO
KANYE POSTPONES YEEZUS TOUR TO
KIM AND KANYE
WORK ON HIS NEXT ALBUM
TIE THE KNOT
MAY 24, 2014
MARCH 31, 2014
“Due to unexpected timing requirements to
finish his highly Anticipated new studio album,
Scheduled for a 2014 release, Kanye
West regretfully announces the
Postponement of his upcoming
Jun ‘14
THE STORY OF PABLO
Jul ‘14
Tour dates in Australia.”
“FINISHED ALBUM”
-RocNation SUPPOSEDLY TURNED
SEPTEMBER 19, 2014
INTO DEF JAM RECORDS
Kanye guest lectures a
class at the L.A. Trade and
YEEZUS TOUR Technical College. There,
he revealed that he turned
THE STORY OF PABLO
Aug ‘14
in his new album to be
released.
Sep ‘14
KANYE
PREVIEWS
THE STORY OF PABLO
SEPTEMBER 25, 2014
HIS ALBUM
IN PARIS
Oct ‘14
Kanye plays
the “album”
for an small
Nov ‘14 intimate
crowd in
Paris.
THE STORY OF PABLO
KANYE PLAYS HIS ALBUM
FOR SETH ROGEN RELEASES SINGLE
December 3, 2014
“ONLY ONE”
JANUARY 1, 2015
"There were no lyrics, only beats.
So he raps the whole album, and Kanye starts off 2015 by
Dec ‘14 after each song, he stops it, like, releasing a single featuring
'So what do you think?' We were in
KANYE RELEASES
Paul McCartney titled “Only
JANUARY 29, 2015
the van for two hours!"
MUSIC VIDEO
One.”
“ONLY ONE”
THE STORY OF PABLO
-Seth Rogen
FOR
ADIDAS ANNOUNCES “YEEZY” COLAB KANYE PERFORMS
“YEEZY SEASON 1”
Jan ‘15
FEBRUARY 15, 2015
“WOLVES”
FEBRUARY 5, 2015
PREMIERS “ALL DAY”
FEBRUARY 25, 2015
KANYES LAPTOP Ft. Sia &Vic Mensa
ANNOUNCED
“For 2015, we welcome to the Adidas family,
DECEMBER 4, 2014
MARCH 11, 2015
one of the most influential artists of this GETS STOLEN Kanye performs a new track, LIVE ON SNL RELEASES
FEBRUARY 3, 2015
“FOUR FIVE SECONDS”
THE STORY OF PABLO
generation, 21 times Grammy Award winner, “All Day” at the Britt Awards. The performance took
After the performance, he place on their 40th Five days after releasing his video
Feb ‘15
Kanye West. He crosses music and fashion
like no other, and together, with our history announces that the name of anniversary and was ` for “Only One,” Kanye follows up
in fashion and street wear culture, we will his next album would be “So the highlight of the by releasing a second single and
create a new chapter. Details to follow.” Help Me God” night. music video featuring Paul
McCarthey. This time with
-Adidas Rhianna on the chorus.
KANYE TWEETS “YEEZY SEASON 1”
Mar ‘15
YEEZY SEASONON 1
“SWISH” LAUNCH
MARCH 16, 2015
FEBRUARY 12, 2015
Apr ‘15
Kanye tweets “I’M SO KANYE CHANGES ALBUM
TITLE TO “SWISH The event took place in
MAY 3, 2015
LUCKY” with a photo New York City, there kanye
“I’m changing my album name
of Kim, folowed by 5 previewed “Wolves,” but at
to SWISH... I might change it
more tweets that all the time, it was teased as
again but that’s the name now”
say “SWISH.” Each “TRACK #1 ON KANYE
with a new pic of Kim. -Kanye WEST'S NEW ALBUM.”
“YEEZY BOOST 350s”
This info-graphic was a project for
Mar ‘15
IN 10 MINUTES
JUNE 27, 2015
YEEZY BOOST 350s SELLS OUT June ‘15
my Intro to Graphic Design class with
Professor John Farmer. The objective of
the project was to create an info-graphic
Aug ‘15
KANYE ANNOUNCES
“YEEZY SEASON 2”
Jul ‘15
“YEEZY SEASON 2”
SEPTEMBER 14, 2015
SEPTEMBER 19, 2015
LAUNCH
YEEZY SEASON 2
Like the first “Yeezy
on a topic of our choice. My project Season” launch, Kanye
used the event to
preview a new track
diagrams the time period, between
titled “Fade.”
Kayne West announcing his new album “FADE” PREMIERS Sep ‘15
NOVEMBER 18, 2014
While djing at London’s XOYO, KANYE JOINS SOUNDCLOUD
OCTOBER 19, 2015
Virgil Abloh, one of Kanye’s good Following the hype of his Yeezy
to when he finally released The Life Of friends, premiers Kanye’s track launch, Kanye joins soundcloud
“fade” that was originally teased and uploads two songs. A remix
as the “Yeezy Season 2” event. of “Tell your friends” by the
weekend, and a remix of his own
Pablo— two and a half years later. Nov ‘15
song “Say You Will.”
“NO MORE PARTIES IN
Dec ‘15
LA (FT. KENDRICK)
ON SOUNDCLOUD
“SWISH” IS
KANYE RELEASES
SAINT WEST IS BORN
JANUARY 18, 2016
“SWISH” NEAR COMPLETION “SWISH” GETS A RELEASE DATE COMPLETE
DECEMBER 12, 2014
DECEMBER 31, 2015
JANUARY 24, 2016
KANYE RELEASES
DECEMBER 5, 2014
AND RELEASES NEW MUSIC
JANUARY 8, 2016
SOUNDCLOUD
“I’m finishing my album and my “So happy to be
“FACT” ON
This album is known for it’s
next collection…” The hype train speeds up as kanye finished with the
tweets that “Swish” will drop February
JAN 27, 2016
TRACKLIST
-Kanye best album of all
UPDATED
“WAVES”
11th. He also releases two new tracks time [tracklist pic]”
The “collection” is believed to be on his soundcloud, “Real Friends” and
unconventional release. After two years “Yeezy Season 3” “No More Parties in L.A. (not yet feat. -Kanye
Kendrick). KANYE ANNOUNCES SOW FOR
FEBRUARY 1, 2016
“WAVES” + “YEEZY SEASON 3”
Feb ‘16
Kanye announces on twitter he will
of hyping it up, Kanye first dropped the Jan ‘16
ALBUM TITLE CHANGED TO
be having a show at Madison
Square Garden to debut “Waves”
MSG SHOW
JANUARY 26, 2016
SELLS OUT
“WAVES”
IN 10 MIN.
FEB 4, 2016
and “Yeezy Season 3.”
album as a limited release, followed by
Just 2 days after saying the album was
finished, Kanye changes the name of
the album and updates the tracklist
“New album title, WAVES” ALBUM TITLE CHANGED.
a full release weeks later. He continued -Kanye AGAIN
With two days left till the
FEBRUARY 8, 2016
innitial release date, Kanye
Jul ‘16
to change and update the album on THE MADISON SQUARE
GARDEN SHOW
took to twitter to announce
he’s chaning the name of This info-graphic was a personal project
FEBRUARY 11, 2016
his album to “T.L.O.P.” and
During the show, Kanye debuts his
of mine. Some friends and I were in a
promises tickets to the
streaming platforms for months after
“Yeezy Season 3” Madison Square Garden
line while playing
Kanye Performs on SNL show to the first person to
FEB 13, 2016
through album. guess the meaning of the
Kanye performs “Highlights” and “Ultra
large groupchat we call “GroupZilla.”
Later he reveals acronym.
it’s final release.
Light Beam” live on SNL alongside the album cover
Chance The Rapper and Kelly Price. on twitter.
RELEASES “REAL FRIENDS”
KANYE TEASES NEW TRACKS
Recently, some of us were trying to
WITH YOUNG THUG AND
ON SOUNDCLOUD
FEBRUARY 12, 2016
KANYE ADDS “SAINT PABLO” TO THE ALBUM T.L.O.P. RELEASES ON TIDAL
AND ANNOUNCES THE “SAINT PABLO TOUR”
FEBRUARY 15, 2016
June 15, 2016
After the SNL performence, Kanye
“YEEZY SEASON 3”
“My album will never never
FEBRUARY 14, 2016
move the group to a new platform with
KENDRICK
Kanye updates the album and adds “Saint
FEBRUARY 18, 2016
releases his sixth studio album “The
Kanye has called this release a
never be on Apple. And it will
ANNOUNCED
Pablo as the last song. Later, he announces never be for sale... You can
Life Of Pablo,” but there was a catch.
the 21 stop ”Saint Pablo Tour. only get it on Tidal.”
It was only available on Tidal, a music
streaming service created and owned -Kanye
“living, breathing, changing, creative
by artists such as Jay-Z, Daft Punk,
Madanna and Kanye himself. A few
hours after releasing he took to twitter
more features. I created this graphic
to highlight the benefits of the new
to say
expression,” which is what I try to
KANYE ANNOUNCES NEW
T.L.O.P. FAILING TO CHART
APBUM COMING IN THE
KANYE UPDATES TWO
BECAUSE OF PIRATING
FEBRUARY 23, 2016
SONGS ON TIDAL
KANYE TALKS
platform.
T.L.O.P. RELEASES ON ITUNES AND SPOTIFY
FEBRUARY 24, 2016
Because of its exclusive
MARCH 24, 2016
illustrate with this graphic.
AND ALMOST EVERY TRACK UPDATED ABOUT “T.L.O.P”
MARCH 31, 2016
release to Tidal, this album
MARCH 13, 2015
SIMMER
After ranting about how T.L.O.P. will never be on Fixing Wolves was being heavily pirated,
Apple Music, Kanye releases T.L.O.P. to Apple Music. 2day... Worked on it and became one of the
He also updated almost every song on the album. for 3 weeks. Life Of most pirated albums of all
Pablo is a living Mar 16’
time. Because of this the
breathing changing album was failing to chart.
creative expression.”
___56 57 ___
Apr ‘16
TYLRw/_
TYLRwithspaces.comGraphic Design • Posters Poster Design • (s.) 3 of 3
Animated Posters
HEADER Programs Used
S.O.A.P.M
Instagram
Poster Love/H
Instagram
This animated poster was a conceptual
project for my Design Communication
class with Professor Nicole Juen. The
idea for the project was to choose a
subject and to make a poster illustrating
what you “love” and what you “hate”
about that subject. The subject I chose
was architecture. The aspect I “loved”
architecture is its complexities and
layering. The aspects that I “hated”
I made this animated poster for an about architecture is when it relies
artist to promote his music. The model purely on form. The poster illustrates
in the animation was created from a conceptually modeled form with an
models he made for his architectural internal structure. I used clipping objects
studio projects. The models were to reveal the complexities within the
duplicated and rotated to create the form. The background of the poster is
form below. Lights and shaders were the word “Architecture” repeated down
used to create the dramatic visuals. For the page. The clipping objects cover the
the animation, I used the camera as a architectural form and words, revealing
way to explore the object. Sweeping in their geometry. Showing the complexities
and out, synchronized to the music. under the forms of the 3D Models.
___58 59 ___Graphic Design • Branding Branding Projects • (s.) 1 of 2
Branding
Title
Where, who, When
Architectural Internship
The Preserve Club And Renders
May.18-December.19
Large Graphic
___60 61 ___Graphic Design • Branding Branding Projects • (s.) 3 of 2
Branding Projects
HEADER Programs Used
This project was for my Brand Identity class w/
Professor John Farmer. The idea was to create
a concept for an 826 National store specific for
the location we were assigned. I was assigned
Detroit, MI. The concept for my store was a DIY
shop branded “Made In Detroit.” This highlighted
Detroit’s history of production while giving a cool
novelty to the store. The shop would be filled
with bins of mechanical and electrical parts that
customers could put together using one of the
provided guides. Once finished with your object,
you’re given a “Card Of Authenticity” with a small
vinyl sticker saying “Made In Detroit” that you
place on your object.
This conceptual project was also for my Brand Identity class.
The idea for this project was to create a brand for a time travel
company. My concept was to create an exclusive Virtual Reality
company that uses the technology to visually send people
back in time into hyper-real environments. The company
would be called Twin Mirror, after the technique used in the
earliest VR devices. A customer would apply for an invitation
through the Twin Mirror website. If they are selected, they are
sent a rectangular box with a 4 digit number dial on the front.
Customers then set the dial to the year they would like to go
back to, and then open the box. Once opened, the stretched
Twin Mirror logo is foreshortened, revealing the true logo and
the virtual reality glasses inside.
___62 63 ___PersonalArtwork ___64 65 ___ bonus art Projects
‘bugs’ — 2018 — 17” x 30” — copic pen, paint markers, layered vellum
‘Baths tribute’ — 2018 — 6” x 6” — copic pen, sketchbook, photoshop
‘slugs’ — 2018 — 8” x 14” — copic pen, sketchbook
___66 67 ___‘studio section’ — 2018 — 22.5” x 14.5” — copic pen, strathmore bristol
‘soggy’ — 2018 — digital — sketchup, lumion
‘“acitona”’ — 2020 — digital — photoshop
___68 69 ___‘Hour water’ — 2016 — 12”x12”x24” — laminated wood, copper pipe, plexi, cloth
‘shadows’ — 2016 — 12”x12”x24” — pencil, copic pen, layered trace paper, cardboard
‘untitled’ — 2019 — digital — illustrator, autocad
___70 71 ______72
‘takashi murakami Tribute’ — 2018 — 8” x 14” — Copic pen, Sketchbook
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