POLES in CANNES 2019 MEET US AT THE POLISH CINEMA PAVILION VILLAGE INTERNATIONAL - Film Commission Poland
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POLES
in CANNES
2019
MEET US
AT THE POLISH
CINEMA PAVILION
VILLAGE INTERNATIONAL
– RIVIERA #1172 // INTRODUCTION //
DEAR GUESTS,
The Polish delegation to the Marché du Film 2019 com-
prises representatives of institutions financing and sup-
porting film production, producers, distributors, sales
agents and representatives of film festivals. All of them
are open to international cooperation and are actively
searching for partners abroad. This publication aims at
introducing in an accessible and brief way the immense
potential of the Polish film industry. We encourage you
to look through the catalogue and get in touch with rep-
resentatives of Polish companies and institutions.
We will be waiting for you in the Polish Cinema Pavilion
located in the Village International – Riviera #117.
ORGANIZERS OF THE POLISH CINEMA PAVILION: CO-ORGANIZER:3
TABLE OF CONTENTS
4 POLISH DELEGATION
5 INSTITUTIONS
10 FILM COMMISSIONS & FILM FUNDS
13 BROADCASTERS
15 PRODUCTION & POST–PRODUCTION
60 SALES & MARKETING
65 DISTRIBUTION & EXHIBITION
72 FILM FESTIVALS
81 EDUCATION & TRAINING4
POLISH DELEGATION
INSTITUTIONS 33 FILM POLAND PRODUCTIONS DISTRIBUTION & EXHIBITION
6 POLISH FILM INSTITUTE 35 FILMING LAND 66 AKSON DYSTRYBUCJA
8 POLISH ANIMATION PRODUCERS 36 FIXAFILM 67 GUTEK FILM
ASSOCIATION (SPPA) 37 GIGANT FILMS 68 KINO POD BARANAMI
9 CREATIVE EUROPE DESK POLAND 38 IMPAKT FILM 69 M2 FILMS
40 ISTV MEDIA 70 MAYFLY
FILM COMMISSIONS & FILM FUNDS
41 KALEJDOSKOP FILM 71 MONOLITH FILMS
11 FILM COMMISSION POLAND
43 KIJORA FILM
12 KRAKOW FILM COMMISSION FILM FESTIVALS
/ KRAKOW REGIONAL FILM FUND 45 KRAKOW FILM KLASTER
73 AMERICAN FILM FESTIVAL / US IN PROGRESS
47 LAVA FILMS
BROADCASTERS 49 MATCH&SPARK
74 INTERNATIONAL FESTIVAL OF INDEPENDENT
14 POLISH PUBLIC TELEVISION (TVP) CINEMA OFF CAMERA
50 MUCHAS GRACIAS
75 INTERNATIONAL FILM FESTIVAL TOFIFEST
PRODUCTION & POST–PRODUCTION 51 PLATIGE IMAGE / PLATIGE FILMS
76 KRAKOW FILM FESTIVAL
16 AKSON STUDIO 52 SHIPsBOY
77 NEW HORIZONS INTERNATIONAL FILM FESTIVAL
18 APPLE FILM PRODUCTION 54 SILVER FRAME
78 TRANSATLANTYK FESTIVAL
20 ATM GRUPA 56 STARON-FILM
79 WARSAW INTERNATIONAL FILM FESTIVAL
21 AURA FILMS 58 STUDIO AGART
23 BANANA SPLIT POLSKA 59 WATCHOUT STUDIO EDUCATION & TRAINING
24 BREAKTHRU PRODUCTIONS 82 PITCH THE DOC
SALES & MARKETING
26 CINEO STUDIO 83 SCRIPTEAST
61 ALPHAPANDA WARSAW
28 DI FACTORY 85 WAJDA SCHOOL & STUDIO
62 FINE DAY PROMOTION
29 EAST STUDIO
63 NEW EUROPE FILM SALES
31 EGoFILM EWELINA GORDZIEJUK
64 SONOVISION5
INSTITUTIONS6 // INSTITUTIONS //
COMPANY FOCUS:
based in: Warsaw • national film institute
www.pisf.pl • funding
POLISH FILM INSTITUTE
GOALS IN CANNES:
Established in 2005, Polish Film Institute (PISF) is a funding
The main goal of Polish Film Institute’s participa-
body which supports film industry at all stages of film produc-
tion in the Marché du Film is organizing the Polish
tion and promotes Polish films to potential audiences in Poland
Cinema Stand and promote a 30% cash rebate on film
and abroad. PISF supports films from concept to premiere with
production in Poland. The Stand will be the meeting
particular attention paid to international co-productions. Polish
place for representatives of the Polish Film Insti-
Film Institute is managing a 30% cash rebate scheme.
tute, producers and partners with international film
industry representatives, festival programmers, sales
agents, distributors, filmmakers interested in filming
in Poland and foreign press.
RADOSŁAW ŚMIGULSKI MAŁGORZATA ROBERT BALIŃSKI
General Director SZCZEPKOWSKA-KALEMBA Head of International Relations,
Head of Film Production and Polish-German Film Fund
Film Project Development
e-mail: pisf@pisf.pl e-mail: produkcja@pisf.pl e-mail: robert.balinski@pisf.pl7 // INSTITUTIONS //
POLISH FILM INSTITUTE
MARIA GRADOWSKA-TOMOW ANNA EWA DZIEDZIC
International Projects, Festivals Film Incentives Promotion
mobile: +48 669 900 951 mobile: +48 663 499 799
e-mail: maria.gradowska@pisf.pl e-mail: anna.dziedzic@pisf.pl8 // INSTITUTIONS //
COMPANY FOCUS:
based in: Warsaw • industry organization
www.sppa.eu/en • co-productions
• service for international projects
• animation production
POLISH ANIMATION PRODUCERS ASSOCIATION
(SPPA)
GOALS IN CANNES:
The association’s main objective is to unite animation producers
with a view of promoting positive and attractive image of Polish The Polish Animation Producers Association is looking
animated films in Poland and abroad with a special focus on for and creating networking opportunities for Polish
contemporary animation. This involves integrating the animat- producers. Our main goal is to keep and develop
ed film producers circle and arranging support to Polish pro- good communication with industry representatives
ducers in order to obtain foreign partners. Producers involved and partners – sales agents, festival programmers,
in SPPA cooperate with major governmental institutions. SPPA is producers etc.
part of ANIMATION EUROPE.
ROBERT JASZCZUROWSKI WOJCIECH LESZCZYŃSKI (PGP) SEAN BOBBIT
President of the Board Board Member Board Member
mobile: +48 660 747 226 mobile: +48 501 044 375 mobile: +48 601 297 600
e-mail: rjaszczurowski@g-s.pl e-mail: wojtek@wjt.com.pl e-mail: sean@breakthrufilms.pl
PGP – MEMBER OF THE PRODUCERS GUILD OF POLAND9 // INSTITUTIONS //
COMPANY FOCUS:
based in: Warsaw • funding
www.kreatywna-europa.eu
CREATIVE EUROPE DESK POLAND
GOALS IN CANNES:
Creative Europe Desk Poland promotes awareness and un-
Promotion of the Creative Europe MEDIA sub-
derstanding of the Creative Europe programme, provides free
-programme and meetings with representatives
advice and support to applicants, and encourages organisa-
of the European audiovisual sector.
tions from Poland to become involved in successful appli-
cations. The Creative Europe MEDIA sub-programme aims at
supporting the European audiovisual sector. Different fund-
ing schemes encourage audiovisual professionals to operate
across Europe, to reach new audiences and to develop the
skills needed in the digital age.
MAŁGORZATA KIEŁKIEWICZ
Head of Creative Europe Desk Poland
e-mail: malgorzata.kielkiewicz@kreatywna-europa.eu10
FILM COMMISSIONS
& FILM FUNDS11 // FILM COMMISSIONS & FILM FUNDS //
COMPANY FOCUS:
based in: Warsaw • film commission
www.filmcommissionpoland.pl • service for international productions
FILM COMMISSION POLAND
Film Commission Poland operates within the structure of the GOALS IN CANNES:
Polish Film Institute and coordinates the efforts to promote the
Polish film industry and shooting locations on the international • promoting a 30% cash rebate on film production
market. Thanks to a comprehensive database, up-to-date infor- in Poland
mation from the film sector and close cooperation with the net- • promoting Polish locations, film industry and
work of regional film commissions, FCP is the first contact point creating networking opportunities for Polish
for filmmakers interested in making films in Poland and working producers
with Polish partners.
ANNA EWA DZIEDZIC
Film Commissioner
mobile: +48 663 499 799
e-mail: dziedzic@filmcommissionpoland.pl12 // FILM COMMISSIONS & FILM FUNDS //
COMPANY FOCUS:
based in: Kraków • co-productions • TV series production
www.film-commission.pl • service for international projects • other production (commercials,
• feature production music videos, etc.)
• animation production • funding
KRAKOW FILM COMMISSION • documentary production
/ KRAKOW REGIONAL FILM FUND
Krakow Film Commission brings all the city locations into
a movie, providing support on the film set. We manage a rich
GOALS IN CANNES:
database of specialized companies in the region and assist in Searching for international producers interested in filming in Kraków and Małopolska
securing rights to the locations and streamlining cooperation region. Promoting audiovisual potential of our region and it’s film industry. Participating
with city services. Film projects are also welcome to apply for in EUFCN Board Meeting and Cineregio’s General Assembly. Establishing new contacts
financial support as we are the operator of the Krakow Regional and networking with representatives of the European audiovisual sector.
Film Fund – a tool for co-financing film productions. Krakow
Film Commission forms a part of Krakow Festival Office.
ANNA KRUPIARZ DOMINIKA DZIUBIŃSKA
Film Commissioner Film Commissioner
mobile: +48 518 681 248 mobile: +48 517 134 346
e-mail: akrupiarz@film-commission.pl e-mail: dominika.dziubinska@film-commission.pl13
BROADCASTERS14 // BROADCASTERS //
COMPANY FOCUS:
based in: Warsaw • broadcaster • documentary production
www.tvp.pl, www.sales.tvp.pl • co-productions • TV series production
• feature production • distribution
POLISH PUBLIC TELEVISION (TVP)
TVP – Polish Public Television is the leader on the Polish televi- GOALS IN CANNES:
sion market. The station portfolio consists of two nation-wide
channels, 16 regional channels, satellite channels – TV Polonia, • presenting TVP’s offer with regard • networking with industry professionals
TV Biełsat as well as thematic channels: TVP Info, TVP Kultura, to recent and library titles • acquiring interesting projects for
TVP Historia, TVP Sport, TVP Seriale, TVP ABC, TVP Rozrywka. • connecting with film and TV production cooperation
For many years, TVP has been successfully combining its mis- distributors • finding potential co-producers
sion of informing, educating and providing entertainment with • selecting titles for broadcast
a varied program offer addressed to all viewers.
ALEKSANDRA KAŹMIERUK KAROLINA SOCHA-KALINOWSKA MARTA DUŻBABEL
Head of International Sales and Festivals and Film Promotion Head of Documentary Commissioning
Channels Rebroadcast
mobile: +48 605 605 403 mobile: +48 601 600 939 mobile: +48 601 600 531
e-mail: aleksandra.kazmieruk@tvp.pl e-mail: karolina.socha-kalinowska@tvp.pl e-mail: marta.duzbabel@tvp.pl15 // PRODUCTION & POST-PRODUCTION //
PRODUCTION &
POST–PRODUCTION16 // PRODUCTION & POST-PRODUCTION // MEMBER OF THE POLISH PRODUCERS ALLIANCE
COMPANY FOCUS:
based in: Warsaw • co-productions
www.aksonstudio.pl • service for international projects
• feature production
• TV series production
AKSON STUDIO • distribution
Established in 1992, Akson Studio is one of the leading produc-
tion companies in Poland. During the past 20 years Akson Studio
has successfully produced and co-produced more than 40 TV se-
ries and 35 feature films such as the Academy Award nominated
Katyń and Sweet Rush, a winner of the Silver Bear at the Berlina- GOALS IN CANNES:
le. Akson Studio has also produced Andrzej Wajda’s Afterimage We’re looking for a sales agent for our new project –
(Toronto IFF 2016) and Panic Attack by Paweł Maślona (Karlovy I Never Cry. We also hope to find amazing projects
Vary FF 2018). to work on and to meet talented people to work with.
JAN KWIECIŃSKI (PGP)
Producer
mobile: +48 609 856 659
e-mail: jan.kwiecinski@aksonstudio.pl
PGP – MEMBER OF THE PRODUCERS GUILD OF POLAND17 // PRODUCTION & POST-PRODUCTION // PROJECTS IN CANNES // I NEVER CRY // DIR. PIOTR DOMALEWSKI After learning about the death of her father, a builder work- ing abroad, the seventeen-year old Ola has to travel to Ireland to bring his body back to Poland. stage of production: post-production genre: tragicomedy length: 100’ language: Polish /English budget: 1,400,000 EUR financing in place: 1,400,000 EUR countries sought for co-production: — partners attached: MK1 Productions (Ireland) goal in Cannes regarding this project: looking for a sales agent
18 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • co-production
www.applefilm.pl • feature production
• documentary production
• TV series production
APPLE FILM PRODUCTION
APPLE FILM is a leading Polish production company with vast
experience in international co-productions (30 features, docu-
mentaries and drama series, in co-operation with more than 20
countries). The company is run by Dariusz Jabłoński together
GOALS IN CANNES:
with Violetta Kamińska and Izabela Wójcik. A significant part We always look for exciting international co-produc-
of their track-records are CE and EE co-productions, ie. Dovlatov tions of feature films and drama series. We also look for
(Silver Bear Berlinale 2018), When The Trees Fall (Berlinale 2018, partners for our developed projects.
Panorama), Under Electric Clouds (Silver Bear Berlinale 2015).
DARIUSZ JABŁOŃSKI IZABELA WÓJCIK VIOLETTA KAMIŃSKA
CEO, Producer Head of Development, Producer Head of Production, Producer
mobile: +48 501 311 310 mobile: +48 501 299 277 mobile: +48 501 299 276
e-mail: jablon@applefilm.pl e-mail: izabela@applefilm.pl e-mail: violetta@applefilm.pl19 // PRODUCTION & POST-PRODUCTION // PROJECTS IN CANNES // STILLBORN // DIR. OLGA CHAJDAS Within Poland’s alternative post-punk scene of the 80s, faced with an unwanted pregnancy, a disturbed, damaged and bi-polar young singer struggles to find connection with her mother. stage of production: development genre: drama length: 90’ language: Polish budget: 1,200,000 EUR financing in place: 55% countries sought for co-production: all partners attached: Tokapi Films (The Netherlands), Moloko Film (Czech Republic) goal in Cannes regarding this project: to find co-production partners, distributor and sales agent
20 // PRODUCTION & POST-PRODUCTION // MEMBER OF THE POLISH PRODUCERS ALLIANCE
COMPANY FOCUS:
based in: Warsaw / Bielany Wrocławskie • co-productions
www.atmgrupa.pl • documentary production
• TV series production
• post-production
ATM GRUPA • distribution
• service for international projects
ATM Grupa S.A. is Poland’s largest independent television and
film production company. ATM owns companies active mostly
in the fields of TV and film production, rental of soundstag-
es and production equipment, events, and games for mobile
devices. ATM’s productions are broadcast by all the leading GOALS IN CANNES:
Polish channels as well as by international ones: HBO, FOX,
• meetings with business partners
Canal+ Discovery, TLC and History.
• establishing new contacts in the film industry
• looking for co-production partners for ATM’s feature
film projects
RENATA MĘCINA
Business Development Director
tel. (landline) +48 22 50 79 700
e-mail: atm.warszawa@atmgrupa.pl21 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Łódź • co-productions
www.aurafilms.pl • feature production
• documentary production
• TV series production
AURA FILMS
Aura Films is a production company founded by Anna Bławut-
-Mazurkiewicz, a lawyer and film producer. The company spe-
cializes in feature and documentary film. One of the goals on
which the company focuses are films for the young audience –
GOALS IN CANNES:
The Day of Chocolate is our last film (2018). We are currently Finding co-production and distribution partners for
working on two story projects. our upcoming feature films.
PRODUCERS
NETWORK
2019
ANNA BŁAWUT
Producer
mobile: +48 660 746 996
e-mail: ania.blawut@gmail.com22 // PRODUCTION & POST-PRODUCTION //
PROJECTS IN CANNES
// THE LAST MISSION // // NEWBORN // // MUTENESS //
DIR. JACEK BŁAWUT DIR. LIDIA DUDA DIR. JACEK PIOTR BŁAWUT
The film is a fascinating story about a legendary Polish subma- It is a story about not accepting your own life and the difficult Year 2029. “Exodus of trees” has been on Earth for 6 years. For
rine and its last mission to destroy German battleships during art of learning a new one. She ran away from home for him. He us, living without them means annihilation. 12-year-old Helen
WW II. It tells the extraordinary story of the Polish-British crew, broke away from his traumatic past for her. Their first child is has a mutation syndrome. Paradoxically, as a mute, he is the
motivated by a sense of mission and a soldier’s duty, waging born. The world champion – who can pull a weight of 420 kg – only person who is able to contact the last tree. Can he convince
a heroic fight against an invisible enemy. raises his newborn son. Less than 4 kg of “new life”. him to stay? It is only hope for the world.
stage of production: production stage of production: finished stage of production: development
genre: war drama genre: drama genre: pro-ecological, sci-fi, young audience
length: 100’ length: 74’ length: 100’
language: English, Polish language: Polish language: English, Polish
budget: 3,000,000 EUR budget: 100,000 EUR budget: 2,500,000 EUR
financing in place: 2,750,000 EUR financing in place: 100,000 EUR financing in place: —
countries sought for co-production: European countries countries sought for co-production: — countries sought for co-production: Norway, Sweden, Iceland,
Denmark, Finland, USA, Canada
partners attached: Polish Film Institute, WFDiF, DI Factory, partners attached: —
Impakt Film, Gdynia Film Fund, Kino Świat partners attached: —
goal in Cannes regarding this project: looking for
goal in Cannes regarding this project: looking for financiers, the sales agent goal in Cannes regarding this project: looking for: co-producers,
distributors, festival commissioners sales agent, partners23 // PRODUCTION & POST-PRODUCTION // MEMBER OF THE POLISH PRODUCERS ALLIANCE
COMPANY FOCUS:
based in: Warsaw • co-productions
www.banana.pl • service for international projects
• feature production
• documentary production
BANANA SPLIT POLSKA • TV series production
• other production (commercials, music videos, etc.)
Banana Split is an independent award-winning production com-
pany with two decades of experience in advertising, feature film
and documentary business. We are co-operating with leading
local and international directors and production companies on
local and international advertising and film platform. GOALS IN CANNES:
Meeting with possible future partners in advertising
and feature cooperation. Presentation company’s pos-
sibilities to produce advertising spots, feature films and
documentaries.
EWA JACUTA
Producer
mobile: +48 501 006 600
e-mail: ewa_jacuta@banana.pl24 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Sopot • co-productions
www.breakthrufilms.pl • feature production
• animation production
BREAKTHRU PRODUCTIONS
Breakthru Production is an award winning animation compa-
ny founded by Hugh Welchaman and Sean Bobbitt and based
in Sopot, Poland. Breakthru received an Oscar for its short film
Peter & the Wolf, and was nominated in 2018 for an Oscar for it’s
GOALS IN CANNES:
latest feature film, Loving Vincent. With the critical and commer- In Cannes we will be meeting with potential co-produc-
cial success of Loving Vincent, which grossed $42 mln world- ers for our upcoming slate of painting animation films,
wide at the box office, the company is planning a further slate and looking for sales representatives and distributors.
of painting animation films.
SEAN BOBBITT
CEO / Producer
mobile: +48 601 297 600
e-mail: sean@breakthrufilms.pl25 // PRODUCTION & POST-PRODUCTION // PROJECTS IN CANNES // THE PEASANTS // DIR. DOROTA KOBIELA In the peasant village of Lipka the marriage of the local beau- ty, Yagna, to a rich widower unleashes fierce rivalries and lust- ful desires, which spiral the community into a series of disasters that ends with Yagna’s tragic demise. stage of production: development genre: historical animation length: 100’ language: Polish budget: 4,500,000 EUR financing in place: 1,000,000 EUR countries sought for co-production: Czech Republic, Romania, Greece, Hungary partners attached: — goal in Cannes regarding this project: looking for co-production partners and sales agent
26 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • co-production
www.cineostudio.pl • service for international projects
• feature production
• documentary production
CINEO STUDIO • education for film professionals
Feature fiction / Theatrical Movies / Production / Services.
GOALS IN CANNES:
Looking for: co-producers, broadcasters and film
festivals for 4 projects in progress and partners
for next co-productions and services in Poland
(30% CASH REBATE).
PRODUCERS
NETWORK
2019
KAMIL PRZEŁĘCKI
Producer
mobile: +48 601 290 672
e-mail: kamil.przelecki@cineostudio.pl27 // PRODUCTION & POST-PRODUCTION //
PROJECTS IN CANNES
// BUTTERFLY CHILD EFFECT // // RUTKA // // MALIGNUM //
DIR. JAROSŁAW SZMIDT DIR. SŁAWOMIR FABICKI DIR. KORDIAN KĄDZIELA
Butterfly Child Effect is about great strength and hope. It’s a sto- The story of ten-year-old girl, Zosia, who meets a new friend – Jerzy (70 year old man) – the president of the Records Control
ry about fighting for life and health of the child that is suffering a girl who is an imaginary ghost form the Jewish Ghetto in Lodz Association embarks on a journey to search for record-holders,
from a rare genetic skin disease. (Poland) from the World War II. They travel in time, from the with the aim of inviting them to his very own Grand Convention
present to the ’40s, time of World War II. of Record-Holders. As a result of an unfortunate coincidence,
stage of production: 50 of 70 shooting days / production Jerzy has to take this long trip with his wife, Aniela (67).
and post-production stage of production: development
stage of production: pre-production
genre: documentary genre: drama, teenage, family
genre: comedy-drama
length: 90’ length: 90’
length: 90’
language: Polish, English language: Polish
language: Polish
budget: 230,000 EUR budget: 2,500,000 EUR
budget: 900,000 EUR
financing in place: 220,000 EUR financing in place: 50,000 EUR
financing in place: 50,000 EUR
countries sought for co-production: USA, France, Sweden, countries sought for co-production: Israel, Germany,
Germany Poland, USA countries sought for co-production: Czech Republic, Germany,
France, Ukraine, Lithuania and other European countries
partners attached: Polish Public Television (TVP), Polish Film partners attached: Polish Film Institute, in negotiations
Institute, ARS IMAGO partners attached: Polish Film Institute
goal in Cannes regarding this project: to find co-producers
goal in Cannes regarding this project: to find broadcasters, goal in Cannes regarding this project: to find co-producers
festivals, and co-producer with distribution experience28 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • post-production
www.di-factory.com • service for international projects
• co-productions
DI FACTORY
GOALS IN CANNES:
DI Factory guarantees the highest standards in image post-pro-
duction processes from set to release, for feature films and TV • presenting the company’s abilities abroad to all
potential clients, such as producers and co-producers
series. The company has done over 120 Digital Intermediates
working on international markets
to Polish and international features: Cold War and Ida by Paw-
likowski, Mug by Szumowska, Loving Vincent by Kobiela & Welch- • to observe all the new trends that can be seen in this
man, Communion by Zamecka, Winter Flies by Omerzu, 1983 se- year’s feature film productions
ries for Netflix just to mention a few. Company is also involved • to exchange the ideas and experiences with film
in digital restoration and the promotion of Polish film classics. industry people
• to establish new business contacts
JĘDRZEJ SABLIŃSKI RAFAŁ GOLIS JULIA SKORUPSKA
CEO Sales Executive Executive Producer
mobile: +48 887 807 800 mobile: +48 887 807 802 mobile: +48 731 777 713
e-mail: sablinski@di-factory.com e-mail: golis@di-factory.com e-mail: skorupska@di-factory.com29 // PRODUCTION & POST-PRODUCTION // MEMBER OF THE POLISH PRODUCERS ALLIANCE
COMPANY FOCUS:
based in: Warsaw • co-productions
www.eaststudio.pl • service for international projects
• feature production
• animation production
EAST STUDIO • TV series production
• other production (commercials, music videos, etc.)
East Studio is a creative production studio operating in the
movie industry since 2010. Successfully developing its own film
projects, the company has considerable experience in making
documentary, feature and corporate films.
GOALS IN CANNES:
To find a sales agent for our film Broad Peak by Leszek
Dawid, and meet festival programmers.
MARIA HERBICH
Associate Producer
mobile: +48 535 845 865
e-mail: m.herbich@eaststudio.pl30 // PRODUCTION & POST-PRODUCTION // PROJECTS IN CANNES // BROAD PEAK // DIR. LESZEK DAWID Broad Peak is a dramatic story based on real events of Maciej Berbeka, a world-renowned Himalayan climber, who was the first man to ascent the Broad Peak summit during the winter time. It is a tale of a beautiful yet destructive passion that push- es a man to the very edge. stage of production: production genre: drama length: 100’ language: Polish budget: 3,426,000 EUR financing in place: 3,176,000 EUR countries sought for co-production: — partners attached: Polish Film Institute, Krakow Film Commission, TVN, Kino Świat, Private Investors, Film Commission Vallee D’Aoste goal in Cannes regarding this project: looking for sales agent and meeting with festival programmers
31 // PRODUCTION & POST-PRODUCTION // MEMBER OF THE POLISH PRODUCERS ALLIANCE
COMPANY FOCUS:
based in: Warsaw • co-productions
www.egofilm.pl • service for international projects
• animation production
• other production (commercials, music videos, etc.)
EGoFILM EWELINA GORDZIEJUK • distribution
We produce animated movies, tv series for children (Pompik,
s01 completed, s02 in production and Tales of Tappi the Viking
s01, s02 in preparation), feature animations (The Shrew of Des-
tiny) and animated shorts (The Firefly Grove) – all projects are
co-financed by the Polish Film Institute. We work with Polish GOALS IN CANNES:
artists and European authors with the focus on high artistic We look for co-production partners, sales agents,
merit and educational value. EGoFILM is the dream team which distributors and broadcasters for our current and
combines the experience with the freshness of creative ideas. upcoming projects.
EWELINA GORDZIEJUK (PGP)
Producer, Owner
mobile: +48 607 563 638
e-mail: studio@egofilm.pl
PGP – MEMBER OF THE PRODUCERS GUILD OF POLAND32 // PRODUCTION & POST-PRODUCTION //
PROJECTS IN CANNES
// THE FIREFLY GROVE // // TALES OF TAPPI THE VIKING // // ASIUNIA //
DIR. TOMASZ PILARSKI DIR. PIOTR MORAWSKI DIR. TAMÁS DUCKI
The video game maniac is trying to regain his portable console In the wonderful, magical Whispering Forest, which stretch- Asiunia is a story of a little girl for whom the war started just af-
stolen by magpie, his actions hurt his little sister. Torn, he must es along the banks of the Ice Gulf, lives Viking Tappi. He is not ter her fifth birthday, when one night her mother and her home
answer the question of what is more important to him. a true Viking, because he is not interested in brandishing his disappeared. She had to go to sleep in strangers’ house, where
sword. His greatest weapon is his smile, kindness and ingenuity. there was no mom, but some unknown lady, and where she had
stage of production: completed to drink milk from a strange mug...
stage of production: 1st season completed, 2nd season in pre-
genre: drama, family cinema
production stage of production: production
length: 5’24”
genre: adventure, comedy, family cinema genre: drama, family cinema
language: no dialogues
length: 1st season: 13 x 11’, 2nd season: 26 x 11’ length: 20’
budget: 46,583 EUR
language: Polish, English language: Polish, English
financing in place: 46,583 EUR
budget: 1st season: 813,750 EUR, 2nd season: 1,296,419 EUR budget: 280,000 EUR
countries sought for co-production: —
financing in place: 2nd season: 975,489 EUR financing in place: 190,000 EUR
partners attached: Polish Film Institute, Paris+Hendzel CO.
countries sought for co-production: Scandinavian countries, countries sought for co-production: Germany, Hungary,
goal in Cannes regarding this project: finding worldwide Czech Republic Austria, Ukraine, Russia, China, Japan and others
distribution, looking for TV broadcasters, sales agents,
partners attached: Polish Film Institute, Paris+Hendzel CO. partners attached: Polish Film Institute, Paris+Hendzel CO.
short film festivals
goal in Cannes regarding this project: finding co-producers goal in Cannes regarding this project: finding worldwide
for the 2nd season distribution and co-producers33 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Kraków • co-productions • TV series production
www.filmpoland.pl • service for international projects • other production (commercials,
• feature production music videos, etc.)
• documentary production
FILM POLAND PRODUCTIONS
Film Poland Productions is a film production house established
in 2009 in Kraków. The company is the precursor of Indo-Polish
GOALS IN CANNES:
film exchange and the leader in re-opening Poland to films and
commercials coming from India and rest of the world. Film Po- • As a very experienced service producers: We search for films that could be filmed
land specializes in feature film production and servicing, com- in Poland using the new 30% Cash Rebate.
mercials, TV and documentary production. Credits include The • As co-producers: We are actively looking for outstanding projects.
Last Witness, Kick, Shaandar, Aazaan, Saguni, Fitoor, TV films for
BBC, NATGEO, History Channel and over 40 tvc’s.
• As producers: We are open to meetings with potential partners/co-producers/financier
for our films – Soldier Bear and The Director.
PRODUCERS
NETWORK
2019
KRZYSZTOF SOŁEK
CEO / Producer
mobile: +48 604 428 940
e-mail: kris@filmpoland.pl34 // PRODUCTION & POST-PRODUCTION //
PROJECTS IN CANNES
// LEGACY OF LIES // // SOLDIER BEAR //
DIR. ADRIAN BOL DIR. BRENDAN FOLEY
Ryan Baxter, an ex-MI6 agent, is thrown back into the world A true story of a brown bear who became a Soldier in the Polish
of espionage and high stakes when Alexandra Stepanenko, Army during the World War II.
a beautiful Ukrainian journalist, seeks his help in uncovering
the shocking truth about operations conducted by the Russian stage of production: script
Secret Service.
genre: biography, adventure
stage of production: filming length: 110’
genre: spy thriller language: English
length: 105’ budget: 20,000,000 EUR
language: English financing in place: 10,000,000 EUR
budget: 3,000,000 EUR countries sought for co-production: Belgium, Morocco
financing in place: all partners attached: Brendan Foley, Jackdaw Films – Gavin
James, North Ireland Screen, Scotland Screen
countries sought for co-production: —
goal in Cannes regarding this project: finance research, finding
partners attached: —
partners and sales agent
goal in Cannes regarding this project: searching for buyers35 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • co-productions • other production (commercials,
www.filmingland.pl • service for international projects music videos, etc.)
• TV series production • funding
FILMING LAND
GOALS IN CANNES:
We are an efficient, open minded, skilled & experienced team
Extending our successful cooperation with Asian countries such as South Korea,
that cherishes life. We have extensive experience in TV & com-
China and Japan. We would also like to meet projects’ representatives & producers
mercials. We operate mainly in Poland, but we enjoy working on
from Great Britain that could cover:
other markets. We will provide you with:
• production service, • culinary show in Poland,
• administrational support with possible governmental and • travel show concentrated on slow life, slow food and great spa offer in Poland,
commercial co-financing of your project, • celebrity travel,
• help with in any European venture as we have a reliable • TV drama covering one of the subjects.
network of international partners.
Check our latest project with South Korea Terius Behind Me.
AGNIESZKA PAJĄK
Producer
mobile: +48 509 989 789
e-mail: chief@filmingland.pl36 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • co-productions
www.fixafilm.com • service for international projects
• post-production
• education for film professionals
FIXAFILM
FIXAFILM is a boutique post-production studio in Warsaw, highly GOALS IN CANNES:
recommended by the Polish and foreign clients. We have built
our reputation through aestetic attentiveness, technical exel- • to present Fixafilm’s offer to all the potential clients
lence, creativity and trust on delivering world class work. Our • to establish new business contacts
collaborative approach to every project keeps our clients’ needs • to look for partners and projects in the early stage
at the core of everything we do. We provide on-set data man- of production for whom we can carry out the post-
agement, editing, color grading, vfx, online, mastering, conver- production process
sions, film restoration and archiving.
• to participate in workshops and presentations
ANDRZEJ ŁUCJANEK
CEO
mobile: +48 692 056 984
e-mail: andrzej@fixafilm.pl37 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • feature production
www.planetasingli.pl
GIGANT FILMS
Gigant Films is run by Radek Drabik and Michał Chaciński – in-
dustry professionals with the background in business manage-
GOALS IN CANNES:
ment, festival organisation & programming, film criticism and
script consulting. Our objective is to deliver great genre movies. Looking for worldwide distribution for current and
Our approach is to creatively oversee each phase of film produc- future films.
tion – from generating the initial idea, through internal script
development, all the way to the final sound mix. The company
finances its projects solely from private funds.
RADEK DRABIK (PGP)
Producer
mobile: +48 604 229 729
e-mail: radoslaw.drabik@kinomedia.pl
PGP – MEMBER OF THE PRODUCERS GUILD OF POLAND38 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • co-productions
www.impaktfilm.com • service for international projects
• feature production
• documentary production
IMPAKT FILM
Impakt Film is a production company located in Warsaw,
Poland. Impakt Film aims at producing feature, documentary
and animated films. The company focuses on international
co-productions.
GOALS IN CANNES:
We will focus on looking for co-producers for the
feature film The Last Mission.
BARTEK GLIŃSKI MACIEK HAMELA
Producer Producer
mobile: +48 604 105 975 mobile: +48 501 344 648
e-mail: bartek@impaktfilm.com e-mail: maciek@impaktfilm.com39 // PRODUCTION & POST-PRODUCTION // PROJECTS IN CANNES // THE LAST MISSION // The film is a fascinating story about a legendary Polish subma- rine and its last mission to destroy German battleships during WW II. It tells the extraordinary story of the Polish-British crew, motivated by a sense of mission and a soldier’s duty, waging a heroic fight against an invisible enemy. stage of production: production genre: war drama length: 100’ language: English, Polish budget: 3,000,000 EUR financing in place: 2,750,000 EUR countries sought for co-production: European countries partners attached: Aura Films, Polish Film Institute, WFDiF, DI Factory, Gdynia Film Fund, Kino Świat goal in Cannes regarding this project: looking for financiers, distributors, festival commissioners
40 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Kraków • co-productions • TV series production
www.istvmedia.pl • service for international projects • other production (commercials,
• feature production music videos, etc.)
• animation production • post-production
ISTV MEDIA • documentary production
ISTV MEDIA is the one of the biggest production houses from
Małopolska Region (south part of Poland). We provide line pro-
duction, full service, logistics and organization of film production
sets. We also provide site scouting as well as service and super-
GOALS IN CANNES:
vision of facilities. We have over 500 unique locations in Kraków Participation in workshops, presentations and market. Establishing contacts with foreign
and Małopolska Region. We have a variety of places: historical, movie creators, for whom Kraków can be an attractive set location. Expanding knowledge
tourist, open air or indoor. We are able to get those popular and about the latest trends in film production. Presentation of ISTV Media offer – commercial
known around the world locations, as well as those that have and movies production.
been not explored in front of the camera yet. We work with Polish
and foreign film crews. Work: The City of Treasure (Polish Public
Television series), True Life of Angels (feature film in production),
Marygoround (feature film in production), Bosch, Idea Bank etc.
KAMIL JANIK
Producer, CEO
mobile: +48 503 850 310
e-mail: kamil@istv.pl41 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • co-productions • TV series production
www.kalejdoskopfilm.pl • service for international projects • other production (commercials,
• feature production music videos, etc.)
• documentary production
KALEJDOSKOP FILM
Kalejdoskop Film is a film and TV production company based
in Warsaw, founded in 2010. We are a sister company of Studio
GOALS IN CANNES:
Filmowe Kalejdoskop (IDA Award, Oscar Nominee & more than
200 productions). We produce documentaries (IDFA, Al Jazeera, • looking for partners potentially interested in our upcoming project: False Positive
Krakow FF), fictions, commercials and music videos. Currently by Kasia Płazińska
we are working on feature documentary The Antarctic Syndrome • looking for sales agents, distributors and festivals for our new feature documentary
and a narrative fiction False Positive, which was developed film The Antarctic Syndrome by Piotr Jaworski
during Biennale Cinema College 2018.
• establishing new contacts in the film industry
KAMIL SKAŁKOWSKI
Producer
mobile: +48 790 204 630
e-mail: kamil@kalejdoskop.art.pl42 // PRODUCTION & POST-PRODUCTION //
PROJECTS IN CANNES
// THE ANTARCTIC SYNDROME // // FALSE POSITIVE // // THE SONGS WE NEVER SANG //
DIR. PIOTR JAWORSKI DIR. KASIA PŁAZIŃSKA DIR. CHRIS RUDZ
Follows the events that took place in the Polish polar base 40 Dawid, an interpreter from Warsaw, leads a seemingly flawless Akiko is a teenager runaway from foster care, whose future
years ago. The forgotten, pioneering experiment of psychologist life. Until one day, he is disrupted by his father’s Alzheimer dis- rests on a promised underwater treasure hidden by her de-
Dr Terelak, who studied limits of human psyche under the con- ease. Amidst the pressure, a mysterious occurrence happens: ceased mother. She arrives on their ancestral island to find
ditions of the Antarctic isolation, turned out to be a full of hu- everyone in the city is gone. Dawid confronts the void. What will promised treasure. Only Akiko’s reluctant aunt – a traditional
mor and irony metaphor of the system. he find in the midst of the desolation? diving woman – can help her succeed before time runs out.
stage of production: complete stage of production: development stage of production: development
genre: documentary genre: drama genre: drama
length: 72’ length: 75’ length: 90’
language: Polish language: Polish language: Japanese
budget: closed budget: 650,000 EUR budget: 550,000 EUR
financing in place: closed financing in place: 15,000 EUR financing in place: 4,500 EUR
countries sought for co-production: — countries sought for co-production: Europe, China and North countries sought for co-production: Japan, China, Korea,
America The Netherlands
partners attached: Polish Public Television, EBH Polska, Cine
Village, Polish Film Institute partners attached: Biennale College Cinema partners attached: Digital Amigos (Japan)
goal in Cannes regarding this project: looking for sales agent, goal in Cannes regarding this project: looking for co-producers, goal in Cannes regarding this project: looking for co-producers,
distributors, festivals partners, investors partners, investors43 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • documentary production
www.kijorafilm.com • feature production
• other production (commercials, music videos, etc.)
• co-productions
KIJORA FILM • service for international projects
The film production company Kijora was established in 2007
by Anna Gawlita, who has since then twice won best producer
awards – at Era New Horizons International Film Festival (2008)
and Krakow Film Festival (2017). We have produced documen-
GOALS IN CANNES:
tary films directed by Tomasz Wolski, Piotr Stasik, Jakub Radej, • Sales & promotion of the latest productions Hurrah, We’re Still Alive by Agnieszka
Aleksandra Maciuszek and the feature-length fiction film Hurrah, Polska and Ordinary Country by Tomasz Wolski.
We’re Still Alive (post-production) by Agnieszka Polska. We are
dedicated to making documentaries and fiction movies.
• To look for partners, distribution and financing for our upcoming documentary
productions: White Chief by Grzegorz Piekarski, Big Chief by Tomasz Wolski and
Comrades by Joanna Janikowska.
ANNA GAWLITA
Producer
mobile: +48 609 421 497
e-mail: kijora@gmail.com44 // PRODUCTION & POST-PRODUCTION //
PROJECTS IN CANNES
// HURRAH, WE ARE STILL ALIVE // // BIG CHIEF // // WHITE CHIEF //
DIR. AGNIESZKA POLSKA DIR. TOMASZ WOLSKI DIR. GRZEGORZ PIEKARSKI
A team of bohemian filmmakers is awaiting the comeback of an Poland, 1972. A French TV crew interviews legendary spy Leopold White Chief is a story about two white European people who are
influential director, who left without leaving a trace. A member Trepper. The footage was confiscated. 45 years later we went the ruler of the village or province in African countries. People
of an underground leftist militant group visits their house. In the to France to show it to the journalists that thought it was lost who live between two continents, having totally different posi-
course of dense action, the protagonists are forced to re-evaluate forever. tions in both places.
their belief in political cinema.
stage of production: development stage of production: development
stage of production: post-production
genre: documentary genre: documentary
genre: drama
length: 52’ and 75’ length: 52’ and 75’
length: 90’
language: French, Polish, Hebrew, German, Russian language: French, German, Bulu
language: Polish
budget: 350,000 EUR budget: 280,000 EUR
budget: 250,000 EUR
financing in place: 40,000 EUR financing in place: 50,000 EUR
financing in place: 240,000 EUR
countries sought for co-production: France, Belgium, countries sought for co-production: France, Belgium,
countries sought for co-production: Germany Germany, Israel Germany, Finland
partners attached: Polish Film Institute, Museum of Modern partners attached: La Bête, Polish Cultural Institute in Paris, partners attached: La Bête, Polish Film Institute, Media
Art in Warsaw, Fundacja Instytut Filmu Dokumentalnego Polish Public Television (TVP) Creative Europe
goal in Cannes regarding this project: to present the film goal in Cannes regarding this project: to find co-producers, goal in Cannes regarding this project: to find co-producers,
to the festival commissioners, to find worldwide distribution sales agents and financing sales agents and financing
and sales agents45 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Kraków • co-productions
www.facebook.com/krakowfilmklaster • service for international projects
• feature production
• documentary production
KRAKOW FILM KLASTER
Krakow Film Klaster is a film producer originating from GOALS IN CANNES:
Małopolska region in Poland. In its portfolio KFK has numerous
documentary and feature films acclaimed at domestic and in- One of the main goals is to find European co-pro-
ternational festivals. One of KFK’s main focus is Małopolska De- duction partners for a feature film True Life of Angels
but Studio – a programme supporting young artists with their by Artur Więcek. Other aim is to introduce It Will Be
professional debut. Lately, KFK took up a challenge of joining Such a Beautiful Suicide – a feature film by Michał
international co-productions and found such opportunities Hytroś – to international sales angents and/or
in Ukraine, Spain and Vietnam. distributors. Next, we would like to interst Euro-
pean distributors with another feature – The Paths
of My Father by Mauricio Osaki.
ANETA ZAGÓRSKA
Producer
mobile: +48 501 756 073
e-mail: aneta.zagorska@film.krakow.pl46 // PRODUCTION & POST-PRODUCTION //
PROJECTS IN CANNES
// TRUE LIFE OF ANGELS // // THE PATHS OF MY FATHER // // IT WILL BE SUCH A BEAUTIFUL SUICIDE //
DIR. ARTUR „BARON” WIĘCEK DIR. MAURICIO OSAKI DIR. MICHAŁ HYTROŚ
Can love be the remedy against all odds? Adam, a famous ac- When Nhi’s grandmother is sent to the hospital, 10-year-old Rafał – a 30 year old tour guide around the town of Wolna Wól-
tor, can’t find sense in life when he is disrupted by a stroke, Nhi decides to join her father, a busy truck driver, on a journey ka, also known as the suicide town, is chosen to commit sui-
yet his wife will passionately fight for his health and their love. to the far corners of northern Vietnam. Her father opposes the cide number 10000, thus guaranteeing the town’s entry into the
Krzysztof Globisz, in the leading role, is an actor who is also re- idea of taking his daughter on the trip – her first and his last. Guinness Book of Records. The problem is, that Rafał doesn’t
covering from a recent stroke. have any reason to kill himself.
stage of production: post-production
stage of production: shooting stage of production: development
genre: drama
genre: biographical drama genre: dark comedy
length: 90’
length: 90’ length: 75’
language: Vietnamese
language: Polish language: Polish
budget: 415,000 EUR
budget: 1,000,000 EUR budget: 162,790 EUR
financing in place: 230,000 EUR
financing in place: 300,000 EUR financing in place: 162,790 EUR
countries sought for co-production: Germany, Belgium,
countries sought for co-production: Germany, Belgium, Czech The Netherlands, France countries sought for co-production: —
Republic, Slovakia and other European countries
partners attached: Dezenove Som e Imagens, Polish Film partners attached: Polish Film Institute, Polish PublicTelevision
partners attached: Krakow Festival Office, Proxima-Service Institute, FSA – BRDE – SUAT (TVP)
goal in Cannes regarding this project: finding European: co- goal in Cannes regarding this project: finding European: co- goal in Cannes regarding this project: finding European sales
producers, partners (for post-production period) and producers, partners (for post-production period) and agents and distrubutor
sales agents sales agents47 // PRODUCTION & POST-PRODUCTION // MEMBER OF THE POLISH PRODUCERS ALLIANCE
COMPANY FOCUS:
based in: Łódź • co-productions
www.lavafilms.pl • service for international projects
• feature production
• documentary production
LAVA FILMS • other production (commercials, music videos, etc.)
Lava Films is a production company set up in Łódź, Poland. The
company collaborates with aspiring filmmakers as well as with
GOALS IN CANNES:
established professionals coming from Poland and abroad. Our
goal is to help artists transform their potential into debuts, sec- We intend to find partners (a sales agent, co-producer
ond features or subsequent works of film art. Lava Films aims at and additional funding) for our two feature film
producing features, documentaries and animated films bearing projects HER/HIS by Anna Kazejak and Wet Monday
hallmarks of director’s artistic and national individuality, yet re- by Justyna Mytnik and potential buyers for our docu-
flecting universal, human issues of our times. mentary The Herd by Karolina Poryzała and Monika
Kotecka. We also hope to find projects for potential
minority co-productions.
MARIUSZ WŁODARSKI (PGP) AGNIESZKA WASIAK MARTA GMOSIŃSKA
Producer Producer Junior Producer
mobile: +48 506 061 974 mobile: +48 602 132 222 mobile: +48 782 668 551
e-mail: mariusz@lavafilms.pl e-mail: agnieszka@lavafilms.pl e-mail: marta@lavafilms.pl
PGP – MEMBER OF THE PRODUCERS GUILD OF POLAND48 // PRODUCTION & POST-PRODUCTION //
PROJECTS IN CANNES
// HER/HIS // // WET MONDAY // // THE HERD //
DIR. ANNA KAZEJAK DIR. JUSTYNA MYTNIK DIR. KAROLINA PORYZAŁA, MONIKA KOTECKA
She loved another man, but married him because it made sense. Fantasy dramedy set during Easter celebrations. An introverted Vaulting is like the circle of life – when you are little you can
He has only ever loved her. She wants to be free and follow her teenage girl desperately seeks a folk remedy, which will stop her just fly but when you grow up you must start to carry. Two am-
passion. He believes their marriage is sacred and they should from talking in her sleep and before her nosy sister overhears ateur vaulters – a girl and a woman confront their weaknesses
be together till death do them part. The story is quite different and unravels her secret. and join their efforts to bring their team to the national league.
when you see it through her or his eyes. A portrait of different stages of womanhood.
stage of production: development
stage of production: development stage of production: editing
genre: fantasy dramedy
genre: drama genre: documentary
length: 100’
length: 90’ length: 70’
language: Polish
language: Polish language: Polish
budget: 900,000 EUR
budget: 1,900,000 EUR budget: 145,000 EUR
financing in place: —
financing in place: 5,000 EUR financing in place: 145,000 EUR
countries sought for co-production: all European countries
countries sought for co-production: all European countries countries sought for co-production: —
partners attached: —
partners attached: Mistrus Media (LV) partners attached: HBO Poland, Polish Film Institute
goal in Cannes regarding this project: find a sales agent,
goal in Cannes regarding this project: find a sales agent, funding and a co-producer goal in Cannes regarding this project: to find world sales agent,
funding and a co-producer international distributors, tv broadcasters49 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • co-productions
www.matchandspark.com • service for international projects
• feature production
• TV series production
MATCH&SPARK
MATCH&SPARK is a talent management and production compa- GOALS IN CANNES:
ny aimed at promoting Polish Talents internationally. Founded
in 2015, Match&Spark produces international feature and docu- • representing our filmmakers
mentary films, and represents over 40 award-winning and out- • meeting agents from other countries
standing filmmakers. Match&Spark also provides expertise and • looking for new projects for Match&Spark talents
consulting services on feature projects, TV series and documen-
tary productions.
• looking for distributors/sales agents for Match&Spark projects
• establishing new business contacts
• exchanging ideas and experiences with professionals from film industry
ANNA RÓŻALSKA
Talent Manager, Producer
mobile: +48 600 302 202
e-mail: film@matchandspark.com50 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Kraków / Warsaw • co-productions
www.muchasgracias.pl • service for international projects
• other production (commercials, music videos, etc.)
MUCHAS GRACIAS
Muchas Gracias is a line production company based in Poland
(30% incentives). With production facilities in Warsaw and
GOALS IN CANNES:
Kraków, the company offers complete range of production ser-
vices to meet expectations of large projects. Muchas Gracias We are here to build business relations in the fields
also produces commercials for worldwide renowned brands. of line production and co-production. With experi-
Key clients: Universal Music, Davidoff, Lenovo, Nestle, Philips, ence in large scale projects we are looking forward
Skoda, Sri Thendadal Films, 2D Entertainment. The company to shooting more films demanding extremly well
produced feature films 24 by V. Kumar and Mersal by Atlee. organised process.
MARCIN ANDRUCHÓW
Executive Producer
mobile: +48 502 979 226
e-mail: m.andruchow@muchasgracias.pl51 // PRODUCTION & POST-PRODUCTION //
COMPANY FOCUS:
based in: Warsaw • animation production
www.platige.com • post-production
• other production (commercials, music videos, etc.)
• TV series production
PLATIGE IMAGE / PLATIGE FILMS • co-productions
• service for international projects
Platige Image is an award-winning film production, VFX, anima- • feature production
tion and post-production company based in Warsaw, Poland.
The studio is responsible for the VFX effects for several films,
include: Katyń, Antychryst, Melancholia, Essential Killing, and
Wonder Woman and as a co-producer for The Lure and Mug. GOALS IN CANNES:
Platige Films was established to handle the development and
• offering high quality cg animation and vfx service
production of a feature-length film (Another Day of Life) and TV to other companies
series (The Witcher for Netflix).
• looking for interesting projects to co-produce
or post-produce
JAROSŁAW SAWKO
Executive Producer
mobile: +48 601 343 009
e-mail: jsawko@platige.com52 // PRODUCTION & POST-PRODUCTION // MEMBER OF THE POLISH PRODUCERS ALLIANCE
COMPANY FOCUS:
based in: Warsaw • co-productions
www.shipsboy.com • service for international projects
• feature production
• animation production
SHIPsBOY • documentary production
• TV series production
A Warsaw-based production company working in fiction, docu-
mentaries & TV series. Our main focus is on discovering and nur-
turing new talents – at the local and international level. We have
created an experienced, energetic and audience-oriented team,
GOALS IN CANNES:
developing a slate of edgy, innovative and audience-appealing • To present Locations Poland – a new branch of the
features and creative documentaries. We are actively looking company dedicated to production services.
for international co-production possibilities. Locations Poland
is a new branch of SHIPSBOY dedicated to production services.
• To look for partners for our TV series 1989 and
a sales agent for our family adventure comedy –
Detective Bruno.
JOANNA SZYMAŃSKA (PGP) KRYSTYNA KANTOR MONIKA ŁUCZYK
Producer Producer, Project Manager (Locations Poland) Production Assistant
mobile: +48 607 816 342 mobile: +48 512 733 112 mobile: +48 668 034 480
e-mail: szymanska@shipsboy.com e-mail: kantor@shipsboy.com e-mail: luczyk@shipsboy.com
PGP – MEMBER OF THE PRODUCERS GUILD OF POLANDYou can also read
