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The international voice of the film industry
Media Pack 2019
Screen International portfolio
MONTHLY/WEEKLY PUBLICATIONS SCREENDAILY.COM, E-SHOTS AND NEWSLETTERS FESTIVAL DAILIES PUBLICATIONS SPECIAL SUPPLEMENTS
CONTRACT PUBLISHING SCREEN AWARDS AND INDUSTRY EVENTS WORLD OF LOCATIONS MARKET GUIDES
Introduction
Screen International is the home for news,
reviews, features, analysis, box-office analysis,
festival reports and commentary for the global
film industry, providing insight and intelligence
into a world of production, finance, sales and
distribution. Now in its fourth decade of oper-
ation, Screen diligently covers the network of
individuals, companies, events and relationships
that compose the film business – reporting on
everything from a small independent production
financed by crowd-funding to the global performance of the biggest Holly-
wood blockbusters.
As the international film markets become more and more crucial to every aspect of the
business, turn to the publication that has covered the ins and outs of the international
territories for decades. From the boom of exhibition in Latin America and Russia to
how producers are tapping into Chinese and Middle Eastern financing, we have the
world covered. We also deliver strong coverage of the US industry, reaching beyond the
insular microcosm of Los Angeles to cover the studios and major US players from an
international perspective.
Our invaluable network of staff editors and international reporters and film critics
attend festivals around the globe each week to stay in touch with what’s happening
in each market and tap into the new talents that will be the need-to-know names in
coming years.
We offer this invaluable content across a range of platforms to serve all our readers’
needs – the print magazine Screen International, our online offering ScreenDaily,
daily email newsletters, market and festival print dailies at major events, special print
supplements and other specials including our Stars of Tomorrow new-talent initiative
“Screen has always been the voice for the industry
and our standalone World of Locations magazine, our ScreenTech newsletter and print
edition, awards-season weekly print editions, and live events like our Screen Awards
outside Hollywood, the host of diverse talent,
and Screen Film Summit. languages and markets that compose ‘international’.”
.
Matt Mueller, Editor
Circulation breakdown Screen Reader Profile – International Coverage
Europe
55%
North America
27% Asia
11%
Central America & Caribbean
1% Africa
1%
South America Australasia & the Pacific
2% 3%
Reader Profile Screen has global access to the most senior decision makers in the film industry.
Job Level Job Function Organisation Type
n 23% CEO/MD n 40% Producer n 38% Production
n 16% Executive n 15% Distribution/PR n 28% Other
n 16% Other n 15% Other n 22% Distribution/acquisition
n 15% Freelance n 12% General management n 6% Finance/legal
n 13% Owner/proprietor n 10% Communications/PR n 2% Exhibition
n 9% Head of department n 4% Sales agent n 2% Post-production services
n 8% Manager n 4% Finance/legal n 2% Organisation/festival
Job Level1
■ 23% CEO/MD
Organisation Typ
Global reach
Print Online
Screen delivers international reach to Screendaily.com is ultimate online Monthly Weekly
an international audience and has an resource for daily film news, reviews
average net circulation of 9,609 and an and insight, with a rapidly growing Unique users 500,000 120,000
average issue readership of 34,000. international audience across
So, if your success is driven website and mobile. Page Views 1,000,000 250,000
internationally, talk to Screen.
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for those who recognise the massive ScreenDaily.com 53 times a month
potential of the global marketplace.
Content highlights
INSIGHT INDUSTRY EVENTS INTERNATIONAL COVERAGE
IN FOCUS FESTIVALS & MARKETS IN DEPTH ANALYSIS
Screen International diligently profiles the leading companies from Screen International covers the film festival circuit with Since Screen International was born four decades ago,
across the globe in production, finance, sales, distribution and rigour and depth. From the Big 4 (Berlin, Cannes, Venice, we have been diligently covering the ins and outs of
exhibition, discovering what makes them successful and how they are Toronto) to smaller festivals across the globe which are international territories. To this day, we have the world
responding to the new challenges of our increasingly digital world. equally important to the global film ecosystem, We also covered, exploring individual territories across the year
deliver in-depth dailies at the major international film with deep-dive reports investigating the local landscapes
INTERVIEWS markets, including AFM, EFM, Cannes and Filmart. for production, financing, incentives, box office,
Screen International delivers the executives, producers, financiers, distribution and exhibition. These invaluable territory
distributors, sales agents and digital revolutionaries who are shaping Screen delivers in-depth features on programming, line- focuses deliver crucial insights for industry players
the current industry landscape, conveying their insights on key issues ups, people, companies and buzz titles from territories exploring new places to do business.
and advice for future leaders. around the world set to make a splash at these events.
Screen also profiles the leading talent involved in creating LOCATIONS
audiovisual content - from directors, screenwriters and actors to CINEMA Screen International covers both established and
cinematographers, VFX artists and production designers. Screen tracks the latest technological developments in emerging filming locations internationally. Working
global cinema and covers major indusrty events such closely with ......
REVIEWS as Cimemacon and Cineeurope.
Our industry-leading critics deliver insightful and useful analysis of films
premiering at festivals across the globe - big to small, commercial to
arthouse - as well as the key international releases.
IN FOCUS AWARDS COUNTDOWN ANALYSIS FESTIVAL LANDSCAPE FESTIVAL FOCUS TORONTO
Popular R
with Manchester By The Sea, and an origi- umblings of discontent have In the short term, Venice has bene- Several names were floated as poten-
Black Panther
nal screenplay nod for The Big Sick earlier been heard this year about
A-list festivals: Berlin, Cannes,
Venice and Toronto fited from Cannes’ position, snagging tial successors to the Berlinale’s long- GALAS
this year. Amazon Studios’ present crop the programming and jury the world premieres of Alfonso Cuaron’s serving artistic director Dieter Kosslick.
controversy
includes Steve Carell and Timothée choices of the A-list festivals. ROMA and Paul Greengrass’s 22 July — These included Cameron Bailey from
Chalamet in father-son drug drama “Victory for Adina Pintilie’s humourless two films that were in a prime position Toronto, Rajendra Roy, chief curator of Beautiful Boy (US)
Beautiful Boy, which could bring Belgian and clumsy documentary essay under- for a Cannes slot. Film at MoMA, and Bero Beyer, artistic Dir Felix van Groeningen
director Felix van Groeningen to the scores Berlin’s status as a festival that “It’s impossible to keep a conservative director of International Film Festival
attention of a much wider audience. Mike promotes the dull and valueless,” wrote position in front of these new players,” Rotterdam. In the end, Locarno’s artistic Following Berlin and Sundance pre-
Leigh’s Venice-bound Peterloo and Dan UK newspaper The Guardian of says Venice’s artistic director Alberto director, Carlo Chatrian, was chosen. He mieres respectively for his last two fea-
Fogelman’s Life Itself, which premieres in the Romanian Golden Bear winner, Barbera, who has himself come under will take up the job in May, concentrat- tures The Broken Circle Breakdown
It looks set to be an awards season like no other, Toronto, are also eagerly anticipated. Touch Me Not. fire for programming just one film by a ing on the artistic side of the festival (a best foreign-language film Oscar
with prestige studio titles up against arthouse Annapurna Pictures could pack a Many festival delegates expressed dis- woman director in the main competition while Mariette Rissenbeek, presently the nominee) and Belgica, the Belgian direc- TORONTO PREVIEW
punch this season. Its roster includes may about Cannes Film Festival’s stand- this year. He says it is in traditional managing director of German Films, tor brings his English-language debut to
curios — and the Oscars’ baffling new popular
Northern
Nicole Kidman in Karyn Kusama’s crime off with Netflix in May, which meant exhibitors’ interests to “make innovative will serve alongside him as executive Toronto. Van Groeningen and Luke
film category. Jeremy Kay reports thriller Destroyer, Jacques Audiard’s The some of the most eagerly anticipated proposals” about how best now to director. Davies (Lion) adapted the film from
Sisters Brothers, and the tentatively titled titles of the year were not shown on the release films rather than to engage in a Chatrian’s appointment has been father-and-son memoirs: David Sheff ’s
Dick Cheney drama Backseat starring Croisette: the SVoD giant could not war of attrition with the streaming plat- broadly welcomed. “Carlo is a cinephile account of his family dealing with their
B exposure
y the time the curtain goes up gist who has worked with the studios for Christian Bale, which Adam McKay is guarantee that the films would receive forms (see page 33). and he listens,” says Ritter. “He is son’s methamphetamine addiction, and
at the opening ceremony of years. Like every expert canvassed by the local theatrical window required by Meanwhile, Harriet Harper-Jones, not about his persona or his ego — he Nic Sheff ’s own Tweak. Steve Carell and Green Book
this year’s Venice Film Festi- Screen International, they asked to remain the French industry, and the festival acquisitions and development manager is always about the films and the Timothée Chalamet star. Dede Gardner,
val, distributors and awards anonymous. “If I were Disney, I would be ‘I’m hopeful the new bowed to local pressure. at leading UK arthouse distributor and filmmakers.” Jeremy Kleiner and Brad Pitt produce for
strategists will have just about picked concerned voters pop that film into that younger and more The gender imbalance among film- exhibitor Curzon, suggests this year’s Jean-Christophe Simon, CEO of sales Plan B; Amazon Studios has US rights.
their jaws off the floor after the Academy new category and leave it off the best pic- makers chosen for official selection is Venice selection feels like “Old Cannes”. agent Films Boutique, agrees: “It looks Contact Amazon Studios
of Motion Picture Arts and Sciences ture category. If Paramount gets serious
diverse voters will allow increasingly, and embarrassingly, appar- The Horizons sidebar is “incredibly contact-us@amazonstudios.com
unveiled what must rank as one of its about Mission: Impossible — Fallout, then for more populist movies ent. Programmers have been accused of cinephilic and auteur-driven”, with The major North American launchpad
‘Festivals Green Book (US)
most radical rule changes in recent that gets into the mix there too.” to be considered’ being too populist and mainstream in “other strands being a lot more main-
for awards season is packed with hot
memory. The announcement in early Whatever the case, Coogler’s film is US studio executive
their choices, or not populist and main- stream and international”. must adapt, Dir Peter Farrelly
August that the 91st Oscars telecast on regarded by awards observers as one to stream enough. Harper-Jones does not believe festivals even reset contenders including new films from
February 24, 2019 will include an award watch this season. Of the others regarded are falling out of touch with the industry. Farrelly, who along with brother Bobby
themselves’ Claire Denis and Nicole Holofcener
for outstanding achievement in popular as potential heavyweights in this early still working on. Sony also has Matthew ‘Festivals are “There is continued symbiosis between
Anaïs Emery, NIFFF
created comedies There’s Something
film came as a bolt out of the blue, taking stage populated by known unknowns, McConaughey in Yann Demange’s ’71 them,” she counters, pointing to initia- About Mary and Dumb And Dumber,
even seasoned campaigners and studio there are several studio contenders, the follow-up White Boy Rick, while Fox the make- tives such as Cannes’ Next VR platform, moves into serious territory with this
executives by surprise. now inevitable presence of the streaming Searchlight could make some noise with or-break the various talent labs at the festivals and to me a very natural change for Berlin.” drama based on the life of jazz musician
Ostensibly a move by the Academy to giants, and a serious roster from Megan Melissa McCarthy in a more versatile the more flexible programming that saw He expects Chatrian to “continue the tra- Don Shirley. Viggo Mortensen stars as
make the ailing Oscars telecast seem Ellison’s ambitious Annapurna Pictures. role as celebrity biographer, forger and
element in titles such as the Twin Peaks and Top Of dition of Berlin being a political festival the driver responsible for chauffeuring
more relevant to younger viewers, observ- thief Lee Israel in Can You Ever Forgive the career The Lake TV series screened in Cannes favouring discoveries”. Shirley (Moonlight Oscar winner Maher-
ers say the new category could damage Early contenders and Lady Gaga (in her first major film tures a strong female cast led by Viola Me?. The studio might also fancy its of arthouse films’ last year. “The festivals are responding to Many point out none of the major shala Ali) around segregated southern
the show’s reputation for championing Among the anticipated early runners are ‘If I were Disney, I would role) sing live, and the film could make a Davis. 20th Century Fox distributes. chances with Venice premiere The Old Thorsten Ritter, Beta Cinema the desire of viewership.” A-list festivals have a female artistic America in the 1960s. Universal will High Life Jeremiah Terminator LeRoy
smaller, independent films (which is not Universal’s Venice opener First Man be concerned voters pop lot of noise. Friends of Sony are similarly “I’m hopeful the new younger and Man & The Gun, a curio now that Robert director — and most of them never release in the US in November; eOne in
always the case — studio films get recog- from Damien Chazelle, which sees the talking up Jason Reitman’s The Front more diverse voters will allow for more Redford has declared it will be his final Importance of curation have done. They suggest unconscious the UK next February. make its international premiere at Globe nomination for star Julia Louis- Life Itself (US-Sp) occupying forces led by Edward I and
nition too). Of greater concern is the pos- youngest-ever winner of the best direct- Black Panther into that Runner starring Hugh Jackman as flawed populist movies and varied movies to be acting role. It matters because securing a slot at Scottish thriller Calibre finally premiered val like Cannes is committed to, which is The programming choices of the major bias can still slip into programming deci- Contact Lionsgate internationalsales@ Toronto. The 1930s-set action thriller
CLOSING FILM
Dreyfus, Holofcener returns with new Dir Dan Fogelman his volatile son, the Prince of Wales.
FESTIVAL
sibility that whenever a studio tentpole ing Oscar for La La Land return to the new category and leave 1988 presidential candidate Gary Hart. considered,” says one top studio execu- Focus Features also has the gay conver- Sundance, Berlin, Cannes, Venice or at Edinburgh International Film Festival introducing really great cinema to the festivals, Cannes in particular, resonate sions. lionsgate.com revolves around a young man (Eddie Jeremiah Terminator feature The Land Of Steady Habits. Aaron Taylor-Johnson, Florence Pugh
transcends its genre roots and appears fray. The studio also has US rights on
it off the best picture list’ Several strategists agree the influx of tive before the Academy announced its sion therapy drama Boy Erased with Toronto is often crucial to the distribu- this June to rave reviews and then audience,” Cakarel says. “It should be culturally beyond the industry vortex of “If you want to achieve diversity in the Peng) who returns home to avenge an LeRoy (Can-US-UK) Based on the book by Ted Thompson, Fogelman made his feature debut with and Billy Howle round out the key cast
worthy of a shot at the senior Oscar cate- Participant Media’s Toronto premiere new Academy members could influence ‘popular film’ award. In contrast, another Lucas Hedges, Nicole Kidman and Rus- tion chances of an arthouse or even an streamed on Netflix only days later. completely independent of the commer- each event. “Its curation is extraordi- programme, you have to work on the The Hate U Give (US) old murder case. Liao Fan (Berlin best Dir Justin Kelly the film stars Ben Mendelsohn as a resi- 2015’s Al Pacino-starrer Danny Collins, on the opening night gala presentation,
US awards-season strategist
gories, it will be exiled to a populist ghetto. Green Book from Peter Farrelly, a race voting patterns. “This is the year for the campaigner posits the Academy invita- sell Crowe, while a feisty Bleecker Street independent film. When faced with com- “Many would say, ‘This film deserved cial considerations of release windows.” nary,” director Jane Campion said of diversity of the programming team Dir George Tillman Jr actor for Black Coal, Thin Ice in 2014) and dent of an affluent Connecticut town but is best known as the creator of hit which shot in Scotland and is produced
SHAKEDOWN
Eligibility requirements and further drama starring Viggo Mortensen and focus to be back on diversity with the new tions are “cosmetic” and that not every- slate includes Sundance pick-up Colette petition from the SVoD streamers, the to play in the theatres and find regular Some fervent admirers of Cannes Cannes last year. “It really has such because each programmer is biased by Jiang himself also star in this follow-up Laura Dern stars as Laura Albert, the lit- who is overtaken by a need to shake up NBC series This Is Us. His latest film is a by Sihma Film. Outlaw King opens in
details on who will vote for the new Acad- Mahershala Ali. assets for another year of earnings calls, Academy members,” says one strategist, one will accept membership. “You’ve got starring Keira Knightley, Debra Granik’s declining pre-sales market and the crisis distributors around the world.’ But this is believe the festival — and other A-list beautiful high standards of enjoying their own experience. It depends on the Adapted by Audrey Wells (A Dog’s Pur- to the loose trilogy that includes Let The erary hoaxer who created the persona of his life. Netflix has fully financed the drama spanning generations and conti- select theatres and launches globally on
emy Award were not forthcoming at time Annapurna has If Beale Street Could even if an R rating might preclude The who notes Black Panther “has something good optics but are these people actually Leave No Trace with Ben Foster and new- facing arthouse distribution, independ- where we are headed now,” says Beta’s events — are in urgent need of artistic visionary voices and I don’t think there is decision makers,” suggests Maren Kroy- pose) from the 2017 Angie Thomas Bullets Fly and Gone With The Bullets. disenfranchised queer man JT LeRoy, and project and will distribute worldwide. nents starring Oscar Isaac, Olivia Wilde, Netflix on November 9.
of writing, but clearly Black Panther is the Talk, another Toronto world premiere Favourite from playing on Disney’s to say and there’s a rooting factor for it”. participating — watching movies and comer Thomasin McKenzie, Rachel Weisz ent films simply may not be noticed by Ritter. “The romantic side of me agrees, renewal. “Festivals must adapt, even reset anything else like it. Everything else is mann, managing director of Berlin- novel, The Hate U Give follows a young Hidden Man was backed by Hehe Pic- persuaded her boyfriend’s androgynous Contact Netflix info@netflix.com Annette Bening, Mandy Patinkin and Contact Netflix info@netflix.com
film that looks likely to be most affected. that marks Barry Jenkins’ follow-up to upcoming streaming service. Further films that could benefit from voting? It takes a while for all this stuff to in Disobedience, and ensemble drama buyers without a festival platform. yes, this could have had an individual themselves,” says Anaïs Emery, artistic just more populist in its emphasis.” based M-Appeal. woman who witnesses the fatal shooting tures, Gravity Pictures, Flagship Enter- sister, Savannah Knoop (Kristen Stewart), Antonio Banderas. Fogelman’s script
Marvel Studios/Disney executives are 2017 best picture Oscar winner Moon- Early — unreliable — word from those an enhanced awareness of inclusion are: percolate.” If Beale Street Could Talk What They Had starring Blythe Danner, “The big festivals are becoming more campaign in every country. But with director of Neuchatel International Fan- However, those choices, particularly in “We should have female representa- of her best friend at the hands of a police tainment and Emperor Motion Pictures. to pretend to be the author when the book The Lie (Can) first appeared on the Black List of Hol- Widows (UK-US)
proud of their $1.3bn global smash, and it light. Yorgos Lanthimos’s Venice world working on Warner Bros’ A Star Is Born Jenkins’ If Beale Street Could Talk, based Hilary Swank and Michael Shannon. and more the make-or-break element As the dust settles on Cannes’ fallout with Netflix, the Berlinale appoints Netflix, it was the perfect combination, tastic Film Festival (NIFFF) in Switzer- the headline sections, are always open to tion in every level of society and in festi- officer. Helmed by producer/director Contact Gravity Pictures becomes a bestseller. Adapted from Dir Veena Sud lywood’s best unproduced screenplays Dir Steve McQueen
is understood they have been planning premiere and New York Film Festival is positive about Bradley on James Baldwin’s wrenching novel Open to fresh voices whose films launched on the Lido the roster includes the Coen brothers’ Disney’s Mary Poppins Returns could in the career of arthouse films,” says it is now available in so many language land. “We should rethink what is an criticism. Last year, a declaration signed vals as well,” agrees Emery. Tillman Jr, who most recently executive- info@gravitypictures.com.cn Knoop’s memoir Girl Boy Girl: How I and was acquired by FilmNation, before
an awards push that encompasses not Favourite starring Olivia Col-
opener The Favourite, Cooper’s directorial about a pregnant Harlem woman’s The same person points out recent Acad- include Chazelle (La La Land) and western anthology The Ballad Of Buster catch a wave and stars Emily Blunt in the Thorsten Ritter, executive vice-president
well-known cineaste Carlo Chatrian, and sales agents despair over versions simultaneously around the independent production, what is an by 79 German film directors called for The campaign for gender parity grows produced Dee Rees’s Mudbound, the Became JT LeRoy, the film hails from Ele- The second feature from Toronto-born Amazon secured distribution rights in a McQueen follows up his triple Oscar
just crafts and major categories, but best man, Rachel Weisz and Emma Stone, is debut and Ven- odyssey to exonerate her incarcerated emy screenings of Boots Riley’s satire Alfonso Cuaron (Gravity). The latter Scruggs, Paul Greengrass’s 22 July, which iconic role. The UK actress also of acquisitions, sales and marketing at selection decisions, Geoffrey Macnab asks whether the big festivals world. The effect on the career of the auteur, what are the new processes of cre- “renewal” of the Berlinale and for the louder, the Berlinale under Chatrian film stars Amandla Stenberg, who also High Life (Ger-Fr-Pol-UK-US) vated Films, The Fyzz Facility, Ingenious writer/director Sud following 2016’s The $10m deal after winning a three-way winner 12 Years A Slave (2013) with this
picture and director for Ryan Coogler. with Fox Searchlight. Searchlight is the ice world pre- fiancé; Focus Features’ BlacKkKlans- Sorry To Bother You starring Lakeith Stan- returns to Italy for the world premiere of charts the aftermath of the 2011 Norway impressed in Paramount’s A Quiet Place, Berlin-based sales agent Beta Cinema. filmmaker is maximised and the doors ation. Our responsibility is to be more appointment of a new remains an unknown quantity and no takes the lead in Amma Asante’s fellow Beautiful Boy Media, Aquarius Content, Sobini Films, Salton Sea, The Lie (previously known as auction with Universal and Paramount. adaptation of the 1983 UK mini-series
The industry consensus so far is that reigning awards season champions, miere. Cooper man from Spike Lee, whose critically field and Tessa Thompson, and Bo Burn- ROMA, his first Mexico-set film since his terrorist attack, and possibly Noah one of several horror films causing a stir, Sales agents point out that being in
are becoming elitist and what that means for the indie film industry for the producers are open.” open-minded. Festivals have artistic director who one would bet against Cannes in its Net- Toronto title Where Hands Touch. 20th
Dir Claire Denis
Thirty Three Productions, LBI Entertain- Between Earth And Sky) follows two par- Contact Amazon Studios by Lynda La Plante. With the action
the Academy is being fuzzy-headed in its whose best picture and directing Oscars admired Cannes title recounts how ham’s rites-of-passage drama Eighth 2001 breakout Y Tu Mama Tambien. Baumbach’s untitled divorce comedy alongside A24’s Sundance sensation official selection at Cannes, in particular, It is not hard to find those who believe always had a business model would streamline its flix showdown. But what does seems Century Fox will release across multiple High Life may be set in space, but with Pandora Filmproduktion and the UK’s finds herself in a complicated love trian- ment and Buffalo Gal Pictures. ents as they attempt to help their daugh- contact-us@amazonstudios.com moved to Chicago, Gone Girl author Gil-
good intentions. It took notice when the for Guillermo del Toro’s The Shape Of an African-American cop Grade show how existing Academy mem- Netflix is handling the black-and-white with Scarlett Johansson and Adam Driver Hereditary with Toni Collette and Luca will multiply the market potential of the Cannes’ attempts to prohibit films without in which we show films programme and certain is the power of film festivals to territories from October 2018. mercurial French creator Denis at the The Apocalypse Films. gle. Released in India in September by Contact Nadine de Barros, Fortitude ter after she has made a lethal mistake. lian Flynn has penned the screenplay
#Oscarsowhite furore blew up a couple of Water could not have come at a better infiltrated the Ku Klux Klan bers are open to fresh voices. Recent best family saga from Participant Media and and Susanne Bier’s sci-fi Bird Box with Guadagnino’s Venice world premiere film. International distributors go there Some sales agents express frustration A strong counter-argument can be had a huge impact on the film’s life,” says theatrical distribution in France cannot be before the exhibitors. We strengthen its com- give an invaluable global platform to art- Contact 20th Century Fox helm, it will not be science fiction as we Contact Wild Bunch sales@wildbunch.eu Eros International, Husband Material is International nadine@fortitudeint.com As an Emmy-winning television pro- OPENING FILM
about a group of recently bereaved
years ago, and in the past 18 months has time. If the title of Lanthimos’s report- in the late 1970s; and Steve picture winners Moonlight and 12 Years A held back its films from Cannes after it Sandra Bullock. It is understood Netflix Suspiria for Amazon Studios, inspired by determined to secure the best new titles when small, fragile, defiantly uncom- made that when films such as Apichat- Pintilie, the film’s Romanian writer/direc- sustained. After all, as Efe Cakarel — have the first window of petition. The state- house and independent films is reso- foxmovies@fox.com know it. Robert Pattinson plays a man produced by India’s Phantom Films and ducer, Sud also created the US version of women who team up to attempt the art
made overtures to the world outside, edly Kubrickian period drama proves McQueen’s Toronto- Slave are cases in point. “People respond refused to bow to French distribution had not finalised theatrical plans for its Dario Argento’s 1977 giallo classic. and the world’s press is on the ground to mercial, experimental films are chosen pong Weerasethakul’s Uncle Boonmee tor. Touch Me Not took seven years to founder and CEO of UK-based arthouse exhibition but to protect ment called the latter lutely undiminished. living in isolation in space with his Husband Material (India) Colour Yellow Productions. The latter is The Land Of Steady The Killing and Seven Seconds; here The Outlaw King (US-UK) heist that killed their husbands. The
inviting a new intake of younger, more prescient, Disney chairman and CEO bound heist thriller to storytelling no matter their age or eth- window rules. Netflix covets a best pic- contenders as of mid-August. Finally, Stan & Ollie will close the BFI write about them. in the main competitions. If those titles Who Can Recall His Past Lives or Pintilie’s develop and make, and has gone on to streaming platform MUBI, which bought this hierarchy is a bit old- “by far the weakest Whether these films will eventually be Hidden Man (China) daughter (Mia Goth). The cast includes Dir Anurag Kashyap also behind Rahi Anil Barve and Anand Habits (US) Killing’s star Mireille Enos leads a cast Dir David Mackenzie cast includes Viola Davis, Colin Farrell,
diverse, international entertainment pro- Bob Iger could be purring content- Widows from See-Saw nic demographic,” they say. ture win and recently signalled its intent While the company has prospered in London Film Festival and stars Steve “You can only create that kind of buzz win the main prizes and are then ignored Touch Me Not win the Palme d’Or, the screen at festivals around the world and Touch Me Not for the UK — suggests, fashioned. We have to look of all the major film watched in cinemas or on TVs and Dir Jiang Wen Juliette Binoche, Lars Eidinger and Gandhi’s forthcoming fantasy drama Dir Nicole Holofcener that includes Peter Sarsgaard and Joey Jacki Weaver and Elizabeth Debicki,
fessionals that would account for roughly edly about the acquisition of the Films, Film 4 and New As The Shape Of Water and Birdman by bringing awards guru Lisa Taback in- the documentary category, Amazon Stu- Coogan and John C Reilly as the famous if you have everyone from the industry in by audiences when released worldwide, Golden Bear or the Golden Lion, their secure distribution deals in 30 countries. doing so is going against the spirit of a fes- for a new business model.” festivals”. mobile devices, the distributors will still André Benjamin (aka OutKast’s Andre The latest from prolific Indian actor/ Tumbbad, which opens this year’s Ven- King. Blumhouse Productions produces Chris Pine stars as Robert The Bruce in and 20th Century Fox will release in
one-fifth of global membership. 21st Century Fox entertainment Regency, which will have shown in recent years, Venice can house. Taback and her team will need to dios has had the better of it in the other comedians Stan Laurel and Oliver Hardy. one place,” says Moritz Hemminger, the net effect can be to devalue the eco- success gives a major boost to arthouse By contrast, certain genre titles shut tival dedicated to artistic excellence. be coming to Cannes, Toronto, Berlin, Following a summer release in China 3000), with visual input from feted producer/writer/director Kashyap ice Critics’ Week. Five years after Enough Said, which also alongside Mad Dog Films. Mackenzie’s gritty account of the rise of multiple territories.
“It effects Black Panther the most in my open the BFI London kick-start a successful best picture Oscar pick a horse and the early indications are senior sections, earning best actor and One source said Coogan is outstanding deputy head of sales and acquisitions at nomic standing of the entire event that distribution in general. “The recognition out of the A-list festivals have subse- “It is very backwards thinking, not nec- (Right) Carlo Chatrian moves Sundance and Venice in their hordes to with a gross of $86m, renowned Chinese Icelandic artist Olafur Eliasson. Produc- (Udaan, Gangs Of Wasseypur) is the Contact Phantom Films premiered in Toronto and went on to Contact Blumhouse Scotland’s 14th-century hero who Contact 20th Century Fox
opinion,” says one veteran awards strate- (Right) BlacKkKlansman Film Festival and fea- campaign, while best director winners Cuaron’s film will be the one, although best original screenplay awards in 2017 and could go all the way. ns Germany’s ARRI Media. programmed it. Touch Me Not received at the Berlinale quently flourished. For example, Beta’s essarily aligned with the ethos that a festi- from Locarno to the Berlinale find them. ■ s actor/director Jiang’s latest film will tion companies include Alcatraz Films, story of a young Punjabi woman who website@phantoms.in win a raft of plaudits including a Golden sales@blumhouseinternational.com defied the medieval might of England’s foxmovies@fox.com »
8 Screen International August-September 2018 www.screendaily.com www.screendaily.com August-September 2018 Screen International 9 14 Screen International August-September 2018 www.screendaily.com www.screendaily.com August-September 2018 Screen International 15 50 Screen International August-September 2018 www.screendaily.com www.screendaily.com August-September 2018 Screen International 51
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UK IN FOCUS
With a talented and well-
E
respected team of editorial,
PROMOTIONAL FEATUR
WORLD OF LOCATIONS
Michael R Roskam’s Racer ‘We support
designers and production
staff, Screen can help you
And The Jailbird at Poelaert
all kinds of
F
rom neo-classical to medieval, Square, overlooking the
city
kind of
Brussels boasts every content,
This is
architecture imaginable.
the city for art nouveau
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AUSTRALIA,
ings, as the team behind
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what the
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. If the
The Danish Girl discovered
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NEW ZEALAND
buildings,
requirement is for modernist
politicians and series’
the kind of places where
can be found
the TV
technocrats work, they Noël Magis, screen.brus
sels
of Nato
& FIJI
is the base
here too (Brussels
from supplements for
). The
and the European Commission hid- fund invested
city is also full of parks,
forests and tries too. In March, the
in Ari Folman’s
$285,000 (¤250,000)
has successfully
den gardens. was Is Anne Frank.
animated project, Where
The Australian industry Actress Charlotte Rampling a new TV ver-
d incentive to help recently in town for a
screening of her It has also come on board
lobbied for an improve co-produced by
anniversaries all the way
which, like Clint
New Zealand’s latest feature Hannah, sion of Les Miserables,
stay competitive, while Eastwood’s 15:17 To
Paris, was shot the BBC and Belgian outfi t Czar, starring
lly appealing. Dominic West and Lily
Collins — and
vistas remain perennia partly in the city. Eastwood
drew heavily
of the which shot in the city.
Nick Goundry reports on the logistical expertise
film commission , headed Money is available for documentar at
ies,
screen.bruss els
to be lower
though investments tend
through to your annual
had to be super
by Pierrette Baillot. “We mark.
confidential, nobody could
know,” Baillot around the $22,800 (¤20,000)
visit. Rupert els backing, a
remembers of Eastwood’s To unlock screen.bruss
of its financ-
Everett (“very, very friendly”)
also came project needs to have 40%
to Brussels to shoot part
of his Oscar BRUSSELS ing already in place. For
web series, the
that have 80% of
marketing material in
Wilde biopic, The Happy
Prince. fund supports projects
The film commission advises
on every ers are discovering the budget already secured.
locations, International filmmak Projects that receive screen.bruss
els
aspect of filming: permits, city can be
catering, accommoda
tion, equipment just how versatile the support are also likely
to benefit from
Some will
Sony’s Peter Rabbit recreated
rental, even obtaining police permission Belgian tax shelter financing.
the UK’s Lake District
region Screen Flan-
also secure backing from
a cost-effective method.
in Sydney’s Centennial
Park before blocking off streets. Rupert Everett’s
with countless The Happy Prince ders and Wallimage.
“At the heart of Europe, Brussels does
Magis acknowledges
facility but
not yet offer a big studio
fund as an AUSTRALIA ‘Brussels space is available at nearby
AED Studios
Vinterberg’s
ing a new $99m (A$140m) in Flanders where Thomas
A
ustralia ’s combinatio
n of produc- square feet. Fox Studios
Australia in offers which was
added incentive for international among submarine drama Kursk,
world-class studio facilities,
sup- ers that will be allocated
over the next four THE LOWDOWN Sydney also has nine stages
Docklands spectacular backed by the fund, was
shot. The facil-
generous filming incentive location offset will its production resources. only half-
locations
is
pool years from 2019-20. The Financial incentives
Australia’s five stages in ity, which has water tanks,
port and experienced crew but the new fund Studios Melbourne offers city and very
officially remain at 16.5% main federal filming incentive
for an-hour’s drive from the
has helped turn the country
into one of the
will effectively bring the
offset closer to the is the location Victoria. Australian crews
are world-
from historic soon further studio space
and a water
s main production international producers renowned and experienced
at working
southern hemisphere’ by the industry. local porary to in Vilvoorde, a
in Australia 30% figure sought
offset worth 16.5% of qualifying productions. to contem tank will be available
hubs. International production popular on big-budget Hollywood Brussels. There
New Zealand is a similarly expenditure. The programme 15-minute drive from
is centred on Gold Coast,
Queensland and
southern hemisphere hub.
The mountain- utterly surreal’ are also various alternative
spaces in
coast in Sydney, is geared towards big-budget is a big country
further down the east South Island are Size matters Australia sels warehouses
ous vistas of the central movies and high-end TV Pierrette Baillot, screen.brus Brussels itself, including
but an integrated air transport
SECR
are the places chief international can be easily
New South Wales, as these
ET UK
and former factories, that
LOCATIO
among the country’s series, with producers capitals
facilities. Gold network serves all the state
NS
that offer the major studio appeals, bolstered by a competitive
national
required to spend at least it’s no wonder customised for large-scale
filmmaking.
Studios has and many of the regional
areas. cultures enriching the city, look-
Coast’s Village Roadshow filming incentive. Paramount $10.6m (A$15m) in Australia and varied screen.brussels is not primarily
Marvel’s Thor: Ragnarok Central Australia is dominated
by Brussels offers spectacular of all the ex-pats we have here,” productions . As
recently hosted
Pictures filmed an elaborate to access the support.
A new
region. The to contemporary like the little language ing to attract big US
Fox Studios the Outback wilderness locations from historic bours. “We were a bit all kinds of for tax shel-
and Warner Bros’ Aquaman. helicopter chase in
the
$99m (A$140m) fund launched Baillot, to explain regions, Flan- Magis explains. “We support Magis explains, to be eligible
Pacific Rim has ample accommodat ion to utterly surreal,” says brother of our two other the language of films need
Australia in Sydney counts Central Otago region earlier this year effectively
brings country are being Wallonia in the content, no matter what ter and regional funding,
among its big- options for international
productions why such different projects ders in the north and ” or be made
Uprising and Alien: Covenant of South Island for the offset closer to 30%.
Australia tal and the film or the TV series. to qualify as European
including the InterContinen lured to Brussels. south,” Magis says.
budget feature credits. Mission: Impossible — and years since Underlining its cosmopoli- as co-productions with
countries
often shoot sup- also offers the post, digital while private In the two-and-a-half
Four Seasons in Sydney, fund
Library
The major productions which and pro- tan approach, the treaties with Belgium
nearby but Fallout and Ava visual effects offset (PDV), often the opening its doors, financing
that have
porting footage on location harbour mansions are The funding family ns in Chile,
D u Ve r n a y s h o t is worth 30% of local expenditure els has revi- accepts applicatio (this list includes Canada,
of Birm
Hollywood duction agency screen.bruss was formed,
stage work tends to be
the primary focus. at preferred choices of the
a local and When screen.brus sels French, Dutch and English. Israel and China but not
the US).
included Sony’s scenes in the same for productions spending The Olsen or talised the city as both the main fund
elite. Melbourne offers it brought together the it is clear
ingham
Recent exceptions have area for her Disney least $353,000 (A$500,000)
Crown Casino, l filmmaking hub. screen.brus- In its two-year lifespan, Even without that influx,
Peter Rabbit, which built
a set of the UK’s Como in South Yarra or internationa with three other agencies: fund has worked with
part- — and
fantasy A Wrinkle In locally. Productions do
not need Broadbeach The fund, launched in
May 2016, has , screen.brussels the new agency is flourishing
Sydney’s Centennial Southbank. Queensland’s sels film commission ners from France, Denmark,
part
Lake District region in
Time (see case study, to have filmed in Australia
to a year into fea- production, is now regarded as a vital Birming
pumped $3.5m (¤3.4m) ham , BRITISH
Park to keep the shoot
close to Animal but it and Main Beach have become cluster (which supports the UK, the Netherland
s,
of the film financing
and Englan FILM
COMMISS
page 69). qualify for the PDV offset, and documenta- VR companies d
production popular accommodation
options ture films, TV dramas ction and Can- ION UK
Logic, the movie’s visual-effects International produc- is an either/or arrangement
with t and attract post-produ
become more Switzerland, Spain, production landscape IN FOCU
S 2018
for productions shooting
at Village ries to boost employmen looking to grow and
company based in the city. ers do sometimes film
on
the location offset. Full
details now investment. For screen.bru ssels ada and Israel, and with in Belgium.
considerable inward
Tollym
incentive for Roadshow. European productions
internation al) and
Australia’s main filming location in New Zealand’s ausfilm.com.au/incentives $10.30 (¤9) loans or makes a host of other coun-
is its location offset benefit from the recently
launched every euro the fund invests, business (which offers
ore
international producers major cities. Paramount’s London and says Noël Magis, For further information, FOCUS
2018
local spend- non-stop flight between are spent in the region, equity investments). (Right) Grace Of Monaco, UK IN
that is worth 16.5% of eligible
Forest
ISSION
Ghost In The Shell shot els. please visit
Infrastructure and crew managing director of screen.bruss of co-pro- COMM
source of persistent con- Perth in Western Australia. “We call ourselves the kings starring Nicole Kidman, BRITISH
FILM
ing. The figure is a in has grown to www.screen.brussels/en
Park
extensively in Wellington, Village Roadshow Studios The profile of the area French, Dutch filmed at the Parliament
troversy, with many
in the production of the city tank ital Region is duction because we speak in Brussels
Newcas
turning parts Queensland offers water Kate Marks, that Brussels-Cap is the common tle,
industry calling for the
offset to be raised First person to email the point
of its neigh- and also English, as that County
into a far-eastern » facilities and nine sound
stages,
kate.marks@ausfilm.com.au no longer in the shadow
Down,
Northe
Australia compete Ausfilm RTISE
closer to 30% to help the largest of which spans
40,000 www.worldoflocations.com VFX EXPE rn Irel
al Studios
global market. ION UK and
more effectively in the (Right) Jason Momoa N AND
ANIMAT
government
Earlier this year, the federal ODUCTIO
Univers
as Aquaman 2018
by launch- 22 World of Locations POST-PR
responded to industry concerns EST
ary and
www.worldoflocations.com
“ THE BIGG IS
n
Londo
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NGE
Legend
CHALLE
produced Uprising
LS
ING A SKILT
Rim:
Pacific
66 World of Locations
2018 SUPPLY
SUPPOR
© 2018
BASE TO
UCTION DS OF
THE NEE DUCTIONS”
y of Dneg
UK PROD
SPOTLIGHT
AL PRO n
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INTERNAon, BFC and Film
Courtes
Londo
Woott
Adrian sh Prin-
s The Spani
nce
By Innoce
Ordeal , ude, Starz’ rk.
The BBC’sArdgowan House tic’s Fortit BBC’s Polda woods
filmed
at nd Sky Atlan and the Little
Greenock
in Scotla
page 24) former
cess (see site of the has been
ear-
ool, the uarters
In Liverp ) devel-
firm headq $65m (£50m s and
mail-order new studio in a Studio
for a enham
marked een by Twick ic.
opment
overs & Centr produc-
Capital
developer a hub of
property remains
England t studio
s, Pine- INSTEAD
WORLD OF LOCATIONS
South-east of the larges Bros Studios PANIES,
tion activi
ty. Three
and Warne
r
pro- t and worl
d- “ US COMOFF‒SOURCING
housed T OR
wood,
Shepp erton
have recen
tly
The ntives, talenmade the UK OF JUS KOREA
— which ns and Tax ince ION TO G
Leavesden
ns Retur
Mary Poppi s (both Walt Dis- ities have hub ANIMAT UTILISIN ”
such as class facil animation ARE NOW PANIES
ductions al VFX and INDIA,
Four Realm el-
And The s Of Grind
s: The Crime a plethora a glob of abatin
g ION COM n
Nutcracker stic Beast host
Photo
credit :
Trabashow
s no sign
comin g UK ANIMATBFC and Film Londo
Fanta to that ts
— are set
on,
ney), and g months, trend ntos/ projec
Another
Shuttl erstoc Woott
Showcasing the world’s film,
er Bros) the comin ationa and Adrian
wald (Warn tentpoles over Bond 25
for ow of intern sk (VFX) a-
oming is the fl their visual effect thanks not the UK]. Comp
udget for [in
of big-b ’s forthc
de IX for
Walt
to the UK . This is being shot get the
Danny Boyle tion needs tax incen
tives
productions they can
including Wars: Episo From Home post-produc at where s the
rsal/M GM, Star : Far er UK’s competitive can qualify are looking they can acces
Unive Spider-Man Wond only to
the
productions even if
nies
, and where
asfilm, tainment, eligible ology.”
Disney/Luc rvel Enter tainment, — for which in the UK ntra- best deals
and techn
UK
Pictures/Ma r Bros/DC Enter VFX work roduction,
for ng out the conce best talent VFX and post-p the UK
for Sony Warne spin-off if carryi — but also
TV and commercial locations.
1984 for In Black overseas talent. Alongside ng since
Woman tled Men shooting ies and also thrivi broad-
as-yet-unti s -class facilit ts taking tion is exten ded to r
the world projec anima was
and Studio tion of ples of Netflix offering The secto
ength
42 es. n’s 3 Mills
Sony Pictur animated
t exam include incentive ts in 2013. ier”, says
east Londo Two recen offering shot in tion projec
capital, Anderson’s Studios of this cast anima “healthier and
health Photo
str
In the for Wes n advantage Altered Carbo
n, which of just credit :
work at , instead
Steph
e
as the base , while West Londo ing the
en Emer
rength to
served its VFX has becom “US companies or son/Alamy
Dogs ctions includ Eve. sci-fi drama much of Legendary tion to
Korea
e Isle Of produ g uver but did and Wootton. anima tion
high-end featur
has attrac
ted Killin Vanco
Dneg and
Milk VFX,
Upris- outsourcing ng UK anima
Introducing more locations,
ica show
s film and
From st
in Hayes d BBC Amer ed to cope London’s c Rim: now utilisi t has been felt
country’ grow th lly laude being plann given to a ent’s Pacifi to Dneg India, are benefi s,
UK, the tinui ng critica
facilities
are Enter tainm
companies
”
. The TV show
n in the UK’s con Further green light
has been Lon- also came and feature
films and
Bristol’s
productio explores the also uti- nd. The ham, east ing, which
ing in
Australia by both including
spend on nab om have with dema studios
in Dagen
to create
a
after shoot companies (Chicken
Run,
reaking ffrey Mac Fallen Kingd end TV drama
s
new film
and TV set aside s. . and by
Animations continues to
a record-bblossoming. Geo Jurassic
World: High- (£100m) ing 12 stage South Korea receiving
Aardman
7 seeing l By Inno- with $129m 22 acres, includ been
are h. In sh locations. don, have l VFX Man ) which n’s
201 s g the growt Scotti Ordea “We ationa Early Londo
With industrie lised orks/BBC’s have covering from intern relocate, or prosper,
and
more incentives and
underpinnin example, Bel- A+E Netw The Victim complex inquiries mith Ani-
television support for such as
STV Produ
ctions’ ive Scot- across
ng to
anies wanti studios here [in new Locks is
ern Ireland, s Game Of and throu gh Creat es facilit ies comp n, which
king in North y house cence ng featur skills sed new and matio
h alread os, see from backi h Fund, as have Future production offices Film itself as
for filmma benefited these propo to add pitching
boom times ission and fast (whic ic Studi
ction Growt w King
(see
Alongside
the UK’s notes British answer
hese are at its Titan Super- nzie’s Outla nations, the coun- the UK],”
Film Comm on talks Thrones hosting land’s Produ
. and Film the UK’s
T
h Jones s and ensuring
the UK.
British Woott has been at the David Macke Holland’s Garet the region ated to upsurge. Commission Adrian
page 56) Krypton including hed its also dedic continuing hed its to Pixar.
n CEO Adrian the British origin series
szka
nd launc sector is meet the n’s CEO
Film Londo tly behind man t Harbour 68) and Agnie
ive Scotla $13m t can has launc Londo For more
curren end TV d Belfas page a (BFI) “They
entum” 2018, Creat d with try’s talen Institute by train- Wootton.
UK’s
a spotlight on the best
the
and high- newly opene page 74). And Early in Unit, backe n- delivered on the
of the “mom — as more films nd Screen sh gover h Film e based in
try count ry, dema Studi os (see Wales is the ated the Scotti The Britis
Skills action plan, aims to provid may be VFX offer-
indus the in dedic from nt Fund.
film
are produ
ced in Studios TV investment launch a TV Conte Future Film ive Skillset, which y stream
of
another
terri- see
dramas new Wolf ambitious (£10m) y Creat a stead they
ing,
further. -breaking the BBC’s His will shortl ing body es for any skills tory, but page 70.
increases d the record base for Pullman’s ment, and opportuniti and respond to ng to
ns behin ction of Philip McAvoy training , are vendi
43
The reaso on UK produ adaptation g James to enjoy technicians
) spend stable ials starrin activity continue top-level sectors. have,” says film and
TV
n (£3bn familiar: Dark Mater Regional of England also across the nge we
near $3.9b reassuringly around the Peters. of s Yorkshire’s shortages st challe ying a 13
ction.
studios in each territory.
are now s and Clarke brisk north The region of produ Victo- the bigge on suppl (Right)
Altered
in 2017 ent studio a bur- has been is dramas “That’s uing focus changing
, excell , writers, Business nder, which n sing levels os hosted TV and the contin rt the Carbon
tax reliefs , actors and Outla increa Studi n for ITV on of suppo got to
technicians locations r, too. seaso Fenton oth Scree - Woott
base that
can . “We’ve
country, r, great the borde its fourth Church by Mamm nal Treas productions
shooting UK skills
by ➤
VFX secto currently confirmed (produced el 4’s Natio rebooted ational
geoning nge rate. more ria
) and Chann its of intern
rable excha thriving had two Ward- ht needs
the favou and has shoot at Masterpiece Television broug r, while that work.”
already ues to close da Mancheste accelerate
And the tting fur- Sony, contin in Cumbernauld, ure. Grana Space Studios med
now benefi s s’ Aveng
- to os has welco ing
sector is streaming park Studio l Studio Cold Feet Yard Studi , includ
global ow. Marve rsal’s The Bottle n productions
ther as ix and to Glasg and Unive Bristol’s
— Netfl nity War small-scree
platforms ular —
com- ers: Infi s Return
s shot at a raft of
in partic of pro- Poppin sden
Amazon, numbers
s Leave
In (Left) Maryr Bros Studio
increasing the UK. Warne
mission ced in is open-
are produ studio space public
jects that nd, extra t and
to dema tmen
response e inves
with privat
ing up,
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