Master of Fine Arts - Application Guide 2020 Graduate Intake - NIDA
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Front Cover Ex-Machina 2019 Production Photographer: Patrick Boland Copyright: © NIDA 2018 TABLE OF CONTENTS APPLICATION PROCESS ....................................................................................... 3 APPLICATION PREPARATION DETAILS MASTER OF FINE ARTS (CULTURAL LEADERSHIP) ................................................. 5 MASTER OF FINE ARTS (DESIGN FOR PERFORMANCE) ......................................... 7 MASTER OF FINE ARTS (DIRECTING) .................................................................. 12 MASTER OF FINE ARTS (VOICE) ......................................................................... 15 MASTER OF FINE ARTS (WRITING FOR PERFORMANCE)..................................... 17 FAQS ABOUT INTERVIEWS ................................................................................ 19 APPENIDX A – THEATRE PLAN ........................................................................... 20 APPENIDX B – THEATRE SECTION ...................................................................... 21 NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 2 of 45
APPLICATION PROCESS APPLICATION PERIOD Applications for admission to 2020 NIDA postgraduate courses are open from 1 July – 30 September, 2019. NIDA is unable to accept applications outside of this timeframe. BEFORE APPLYING You should read the following information carefully: • Course information, including unit content, semester dates, fees and frequently asked questions can be found at: https://www.nida.edu.au/courses/graduate • The NIDA Student Handbook, Policies & Procedures and Course Regulations for your intended course: https://www.nida.edu.au/courses/undergraduate/nida-student-policies • Advice on how to apply for each course can be found from page 5 of this guide If you have any further questions at this stage, please contact us at: applications@nida.edu.au APPLYING There are six steps to successfully apply for a NIDA course: STEP 1 Create your application account (link to be provided from 1 July). You will then be sent an automatic email with your log in details to continue your application. STEP 2 Log in, select the green ‘New Application’ button and complete the online form. STEP 3 Upload the following documentation to the online form: • Evidence of your most recent qualification (e.g. school report, Higher School Certificate, university transcript or testamur) • Proof of identification (e.g. passport, driver’s licence, birth certificate; ID must show your date of birth) NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 3 of 45
• A passport style photograph (less than six months old, in colour, well lit, plain background) • Academic IELTS or equivalent (international applicants only) (NIDA requires an overall band of 7.0 Academic IELTS for all Master of Fine Arts courses) • Any course related documents/portfolios (refer to the course information in the following pages for more details). STEP 4 Make payment of the AUD$75 administration fee by credit/debit card. Accept Terms and Conditions. Once you’ve accepted these you will not be able to amend your application. STEP 5 Book your interview date in your nearest capital city. STEP 6 Attend your interview, having prepared the relevant material for your course (refer to the course information in the following pages for more details). TERMS AND CONDITIONS OF APPLYING • The 2020 intake administration fee is AUD$75 (including GST) per application. This is a non-refundable fee. • Applications for NIDA's higher education courses commencing in 2020 close on 30 September 2019. NIDA cannot accept applications after this date. • There are a limited number of places available in each course. Selection is based on merit; not all applicants who meet the published entry requirements will receive a study offer. • All applicants are required to review the course requirements and tuition fees as stated on the NIDA website. • It is not possible to provide applicants with individual written or oral feedback on their audition/interview. • Applicants who receive a study offer for 2020 must accept the offer within the timeframe indicated. It is not possible to defer a study offer at NIDA. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 4 of 45
MASTER OF FINE ARTS (CULTURAL LEADERSHIP) APPLICATION PREPARATION DETAILS FOR 2020 INTAKE NB: The Master of Fine Arts (Cultural Leadership) is only available to study part time. SUBMIT WITH YOUR APPLICATION The following should be uploaded with your application: 1. PROFESSIONAL CV You should upload a detailed CV highlighting your education and training, professional work and other relevant information. 2. ACADEMIC ACHIEVEMENT You will need to provide proof of your university degree/s or five years of professional experience in a relevant area. This can be a scan/photograph of your transcript or testamur from the awarding institution; if you are offered a place in the course you will be required to provide a certified copy. 3. PERSONAL STATEMENT You upload a personal statement of no more than 600 words outlining your interest in the course, new knowledge you hope to acquire, and how you see the course intersecting with your current work/projects. ON THE INTERVIEW DAY Interviews are conducted by at least two NIDA staff members in person, or by video. All applicants will be interviewed to assess their capacity for leadership. Interviews will run for approximately 30 minutes. During the interview we will discuss your ideas about current issues related to the arts and cultural sector and why you want to be a Cultural Leadership student at NIDA. There will also be an opportunity to ask any questions you may have about the course, or about NIDA. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 5 of 45
THINGS TO NOTE NIDA recognises that interviews can be stressful, but every effort will be made to ensure your experience will be as relaxing and enjoyable as possible. The more time and effort you put into your application in advance, the better prepared you will be and the more you will benefit from the interview and discussion. Ensure you keep a copy of all written work, as this will not be returned. The interview process is friendly, informal and open, and is designed to give you the very best opportunity to indicate your potential and readiness to study at NIDA. However, should you have any concerns with the interview process or with what is said to you during the course of the interview, please express your concern immediately, or talk it over with a member of the interview panel before you leave. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 6 of 45
MASTER OF FINE ARTS (DESIGN FOR PERFORMANCE) APPLICATION PREPARATION DETAILS FOR 2020 INTAKE SUBMIT WITH YOUR APPLICATION The following should be uploaded with your application: 1. PROFESSIONAL CV You should upload a detailed CV highlighting your education and training, professional work and other relevant information. 2. ACADEMIC ACHIEVEMENT You will need to provide proof of your university degree/s or five years of professional experience in a relevant area. This can be a scan/photograph of your transcript or testamur from the awarding institution; if you are offered a place in the course you will be required to provide a certified copy. 3. PORTFOLIO You may upload a digital portfolio with your application; otherwise you can bring one with you to your interview. You should prepare examples of past work that you feel will support your application and demonstrate your suitability for a career in design and the arts and entertainment industry. These may include (but are not limited to) photos, life drawings, renders, illustrations, technical drawings, models, sculptures, and paintings. The purpose of the portfolio if to provide an insight into how you think as an artist. PREPARE FOR YOUR INTERVIEW If you are articulating from the NIDA Bachelor of Fine Arts (Design for Performance) you are required to prepare items 1-3 only. If you are NOT articulating from the NIDA Bachelor of Fine Arts (Design for Performance) you are required to prepare items 1-3, as well as the following design project (items 4 and 5). NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 7 of 45
The following should be prepared in advance to be discussed at your interview: 4. DESIGN PROJECT Select one production from the list below for your project. The texts that have been nominated should be readily available from your local library, bookstore, or online. Should you have any difficulty obtaining any of these texts, please contact NIDA. • The Golden Age by Louis Nowra • Away by Michael Gow (play) • The Tempest by William Shakespeare (play) • Cabaret by John Kander and Fred Ebb (music theatre) Your design project specifications will either be targeted towards EITHER a) Set and Costume Design OR the b) Lighting Design. a) SET AND COSTUME DESIGN STREAM • Prepare a scale set model of how you would like to see the production staged (See Appendices A and B on pages 20 and 21 to download the plan and section of the theatre). • Make your model from any suitable materials that effectively show how you would stage the production in the Parade Theatre at NIDA – common examples are balsa, cardboard or foam-core, but you can choose anything, that is appropriate to communicate your idea (See David Neat’s Model-Making: Materials and Methods, 2008). • Use the scale of 1:25 and use a scale ruler for accuracy – this is essential. • Build the model on a strong base – plywood or thin particleboard. • Your model should indicate the colour and finishes of the set. • Your model should include at least one human figure (at 1:25 scale) and scale furniture to give a sense of scale. • Demonstrate your lighting ideas – create at least three lighting states. These may be used to convey temperature, mood, time of day, change of seasons etc. This can be done through sketching or photographing the model and manipulating the image in Photoshop. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 8 of 45
• Prepare at least six full colour costume drawings for the central characters in your production. Drawings should be on A3 paper. • Keep all your research and provide this in a research folder and development sketches etc. as evidence of your process (for all set, lighting and costume designs). b) LIGHTING DESIGN STREAM • Prepare a scale model of how you would like to see the production staged (See Appendices A and B to download the plan and section of the theatre). • Make your model from any suitable materials that effectively show how you would stage the production in the Parade Theatre at NIDA – common examples are balsa, cardboard or foam-core, but you can choose anything, that is appropriate to communicate your idea (See David Neat’s Model-Making: Materials and Methods, 2008). • Use the scale of 1:25 and use a scale ruler for accuracy – this is essential. • Build the model on a strong base – plywood or thin particleboard. • Your model should indicate the colour and finishes of the set. • Your model should include at least one human figure (at 1:25 scale) and scale furniture to give a sense of scale. • Demonstrate your lighting ideas – create at least ten lighting states. These may be used to convey temperature, mood, time of day, change of seasons etc. This can be done through sketching or photographing the model and manipulating the image in Photoshop. • Keep all your research and provide this in a research folder and development sketches etc. as evidence of your process (for all set, lighting and costume designs). NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 9 of 45
5. DESIGN DEVELOPMENT Consider the following questions when creating your design and for discussion at interview: • Why have you chosen this play/opera/musical? Why is it important to you? Why will audiences want to see it? • Text: What ideas is the playwright/librettist trying to express? What relevance does the play/opera/musical have for contemporary Australian audiences? • Characters and actors: What kind of people are the characters in the play/opera/musical? In what kind of world do they exist? If you had complete freedom of choice, which actors would you cast in the production? • Design: How would you describe the imaginative world of the play/opera/musical? Where is it located? In what period/time is the production based? Is the story told in real time, or over a broken time frame? • Costume, sets, lighting and props: What is required in each of these areas? • (For guidance on how to develop a design, please see Stephen Curtis’s STAGING IDEAS: Set and Costume Design for Theatre, 2014) Bring your entire project along to the interview – do not send it in advance. ON THE INTERVIEW DAY Interviews are conducted by two NIDA staff members, in person. Interviews will run for approximately one hour. The interview is in two parts: 1. First, there will be a brief talk about NIDA, the MFA (Design for Performance) course and what will happen during the interview. There will be an opportunity for you to ask any questions you may have about NIDA or about the interview itself. 2. Each applicant will then be interviewed for around 45 minutes. During the interview, we will discuss your project; your ideas about theatre, film and the broader creative industry; and why you want to study Design for Performance at NIDA. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 10 of 45
THINGS TO NOTE NIDA recognises that interviews can be stressful, but every effort will be made to ensure your experience will be as relaxing and enjoyable as possible. Remember, the more time and effort you put into the project in advance, the better prepared you will be and the more you will benefit from the interview and discussion. NIDA may keep all or part of your project until the final selection of applicants is made. Make sure your name is clearly marked on all project materials. Ensure you keep a copy of all written work, as this will not be returned. The project will then be available for collection from NIDA during office hours. Interstate applicants’ projects will be returned on request. Be prepared to take your project away with you as well, as we may choose not to keep any material. The interview process is friendly, informal and open, and is designed to give you the very best opportunity to indicate your potential and readiness to study at NIDA. However, should you have any concerns with the interview process or with what is said to you during the course of the interview, please express your concern immediately, or talk it over with a member of the interview panel before you leave. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 11 of 45
MASTER OF FINE ARTS (DIRECTING) APPLICATION PREPARATION DETAILS FOR 2020 INTAKE SUBMIT WITH YOUR APPLICATION The following should be uploaded with your application: 1. PROFESSIONAL CV You should upload a detailed CV highlighting your education and training, professional work and other relevant information. 2. ACADEMIC ACHIEVEMENT You will need to provide proof of your university degree/s or five years of professional experience in a relevant area. This can be a scan/photograph of your transcript or testamur from the awarding institution; if you are offered a place in the course you will be required to provide a certified copy. 3. A CRITICAL ESSAY Prepare a two page critical essay or report on your practice, or a particular cultural event you have witnessed. This should be uploaded with your application. 4. PORTFOLIO You may upload a digital portfolio with your application; otherwise you can bring one with you to your interview. You should prepare examples of past work that you feel will support your application and demonstrate your suitability for a career in directing and the arts and entertainment industry. PREPARE FOR YOUR INTERVIEW The following should be prepared in advance to be discussed at your interview: 5. DIRECTING PROJECT Prepare a project based on EITHER Medea by Euripides OR The Black Sequin Dress by Jenny Kemp. The nominated should texts be readily available from your local library, bookstore, or online. Should you have any difficulty obtaining the text, please contact NIDA. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 12 of 45
Consider the following questions in relation to the specified play and be ready to discuss them at your interview: • Text: What ideas is the playwright trying to express? What is the relevance of the play to contemporary Australian audiences? • Characters and Actors: What kind of people are the characters in the play? In what kind of world do they exist? If you had complete freedom of choice, which actors would you cast in your production? • Design: How would you describe the imaginative world of the play? Where is it located? • Lighting: How should lighting be used to reveal and expose areas of this play and the design of your production? • Costume, Sets and Props: What particular requirements are there in each of these areas? • Music and Sound: What kind of music or sound effects would you use, and why? • Theatre: Where would you stage your production? What kind of theatre will it be in? What kind of equipment will you require? What challenges might arise in the staging? • Production Design Concept: Communicate your production through collected material. This could include drawings or models of sets and costumes, impressions in collage or electronic; anything that will help the selection panel to understand your production concept. ON THE INTERVIEW DAY Interviews are conducted by two NIDA staff members, in person. Interviews will run for approximately one hour. The interview is in two parts: 1. First, there will be a brief talk about NIDA, the MFA (Directing) course and what will happen during the interview. There will be an opportunity for you to ask any questions you may have about NIDA or about the interview itself. 2. Each applicant will then be interviewed for around 45 minutes. During the interview, we will discuss your project; your ideas about theatre, film and the broader creative industry; and why you want to study Directing at NIDA. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 13 of 45
ON THE RECALL DAY If the selection panel would like to see more, you may be asked back for a recall interview on a separate date. Here you will be asked to work with one or two actors on an excerpt from the text and respond to direction from the panel in regard to directing the performers. Should you be short-listed for acceptance into the course after the recall, you may be asked to submit a list of three referees who have seen your work, or worked with you in some arts- related capacity. NIDA may contact these referees before making a study offer. Please note if you are not invited to attend a recall, you should consider your application unsuccessful this year. Please note applicants who do not make it through to the recall stage for Master of Fine Arts (Directing) should consider their application unsuccessful for the 2020 intake. THINGS TO NOTE NIDA recognises that interviews can be stressful, but every effort will be made to ensure your experience will be as relaxing and enjoyable as possible. Remember, the more time and effort you put into the project in advance, the better prepared you will be and the more you will benefit from the interview and discussion. NIDA may keep all or part of your project until the final selection of applicants is made. Make sure your name is clearly marked on all project materials. Ensure you keep a copy of all written work, as this will not be returned. The project will then be available for collection from NIDA during office hours. Interstate applicants’ projects will be returned on request. Be prepared to take your project away with you as well, as we may choose not to keep any material. The interview process is friendly, informal and open, and is designed to give you the very best opportunity to indicate your potential and readiness to study at NIDA. However, should you have any concerns with the interview process or with what is said to you during the course of the interview, please express your concern immediately, or talk it over with a member of the interview panel before you leave. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 14 of 45
MASTER OF FINE ARTS (VOICE) APPLICATION PREPARATION DETAILS FOR 2020 INTAKE SUBMIT WITH YOUR APPLICATION The following should be uploaded with your application: 1. PROFESSIONAL CV You should upload a detailed CV highlighting your education and training, professional work and other relevant information. 2. ACADEMIC ACHIEVEMENT You will need to provide proof of your university degree/s or five years of professional experience in a relevant area. This can be a scan/photograph of your transcript or testamur from the awarding institution; if you are offered a place in the course you will be required to provide a certified copy. PREPARE FOR YOUR INTERVIEW The following should be prepared in advance to be discussed at your interview: 3. RECITAL/PERFORMANCE Prepare and memorise a piece of poetic or dramatic text of no more than two minutes in length. 4. PORTFOLIO Prepare examples of past work that you feel will support your application and demonstrate your suitability for a career in voice coaching and teaching in the performing arts. ON THE INTERVIEW DAY Interviews are conducted by two NIDA staff members, in person. You should be prepared to spend half a day at your interview. The interview is in three parts: 1. First, there will be a brief talk about NIDA, the MFA (Voice) course and what will NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 15 of 45
happen during the interview. There will be an opportunity for you to ask any questions you may have about NIDA or about the interview itself. 2. You will then be asked to work creatively and collaboratively through a physical and vocal workshop, along with the recital/performance of your chosen text. The workshop will be no longer than one hour in duration, during which the work presented will be discussed and interrogated. 3. After the workshop, individual interviews will be held where you will be able to discuss your reasons for applying to the course, provide evidence of intellectual enquiry, and reflect on your personal voice practice and pedagogy. THINGS TO NOTE NIDA recognises that interviews can be stressful, but every effort will be made to ensure your experience will be as relaxing and enjoyable as possible. Remember, the more time and effort you put into your application in advance, the better prepared you will be and the more you will benefit from the interview and discussion. NIDA may keep all or part of your portfolio until the final selection of applicants is made. Make sure your name is clearly marked on all materials. Ensure you keep a copy of all written work, as this will not be returned. The interview process is friendly, informal and open, and is designed to give you the very best opportunity to indicate your potential and readiness to study at NIDA. However, should you have any concerns with the interview process or with what is said to you during the course of the interview, please express your concern immediately, or talk it over with a member of the interview panel before you leave. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 16 of 45
SUBMIT WITH YOUR APPLICATION The following should be uploaded with your application: 1. PROFESSIONAL CV You should upload a detailed CV highlighting your education and training, professional work and other relevant information. 2. ACADEMIC ACHIEVEMENT You will need to provide proof of your university degree/s or five years of professional experience in a relevant area. This can be a scan/photograph of your transcript or testamur from the awarding institution; if you are offered a place in the course you will be required to provide a certified copy. 3. PORTFOLIO You should prepare examples of past work that you feel will support your application and demonstrate your suitability for a career in writing for performance, and the arts and entertainment industry • Prepare your three best pieces of creative writing • They do not have to be plays or scripts for actors, but at least one piece should display dramatic qualities • At least one piece should contain a sample of dialogue • Each extract or example should be no more than 2000 words • Please merge your three pieces into ONE document, and upload as part of your application NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 17 of 45
ON THE INTERVIEW DAY Interviews are generally conducted by two NIDA staff members, in person or by video. Interviews will run for approximately 40 minutes. The interview is in two parts: 1. First, there will be a brief talk about NIDA, the MFA (Writing for Performance) course and what will happen during the interview. There will be an opportunity for you to ask any questions you may have about NIDA or about the interview itself. 2. Each applicant will then be interviewed for around 30 minutes. During the interview, we will discuss your portfolio; your ideas about theatre, film and television; your worldview, concerns, ambitions, creative process experience, and why you want to study Writing for Performance at NIDA. THINGS TO NOTE NIDA recognises that interviews can be stressful, but every effort will be made to ensure your experience will be as relaxing and enjoyable as possible. Remember, the more time and effort you put into your application in advance, the better prepared you will be and the more you will benefit from the interview and discussion. The interview process is friendly, informal and open, and is designed to give you the very best opportunity to indicate your potential and readiness to study at NIDA. However, should you have any concerns with the interview process or with what is said to you during the course of the interview, please express your concern immediately, or talk it over with a member of the interview panel before you leave. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 18 of 45
FAQs ABOUT AUDITIONS AND INTERVIEWS CAN I APPLY FOR MORE THAN ONE COURSE? Yes, however a separate online application form and payment of the AUD$75 administration fee is required for each course you would like to apply for. WHAT DO I DO IF I HAVEN’T RECEIVED DETAILS OF MY APPLICATION ACCOUNT? If you do not receive any automated emails from NIDA regarding your application account, please check your junk/spam/promotions filter. If you are still experiencing difficulties please contact us at applications@nida.edu.au WHERE WILL MY AUDITION/INTERVIEW TAKE PLACE? NIDA travels to most Australian capital cities for audition and interviews. Where necessary, NIDA may conduct some interviews for non-Acting courses via video. Auditions however, must take place in person. During your online application you will have the opportunity to select the date and location of your audition/interview. Please note that NIDA reserves the right to amend your audition/interview date and location at any time, depending on availability. DOES NIDA GIVE AUDITION/INTERVIEW FEEDBACK? Due to the large number of people being auditioned and interviewed, it is not possible for NIDA to provide individual feedback. However, you may view the audition process as a learning experience by observing the re-direction suggestions provided to you, or other applicants, by members of the audition panel. WHAT HAPPENS AFTER MY AUDITION/INTERVIEW? Final selections are made for each course by mid-December when study offers will be distributed to successful applicants via email. NIDA Masters of Fine Arts Application Guide for 2020 Intake Page 19 of 45
APPENDIX A – THEATRE PLAN NIDA Master of Fine Arts Application Guide for 2020 Intake Page 20 of 21
APPENDIX B – THEATRE SECTION NIDA Master of Fine Arts Application Guide for 2020 Intake Page 21 of 21
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