International Rights Spring 2021 - Literary Agency
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Denmark Romania Madame Nielsen Cătălin Partenie LAMENTO 3 GOLDEN BURROW 15 Germany Switzerland Amanda Lasker-Berlin Peter Stamm ELIJA’S SONG 5 THE ARCHIVE OF FEELINGS 16 Mario Lima Frédéric Zwicker THE WALLS OF PORTO 6 RADOST 18 Special Highlight Recent Backlist 19 Andreas Kilcher (Ed.) FRANZ KAFKA: Representations 24 THE DRAWINGS 7 Netherlands Oek de Jong BLACK BARN 9 Israel Ron Leshem WHEN WE WERE BEAUTIFUL 10 Dror A. Mishani CONVICTION 11 Abraham B. Yehoshua THE ONLY DAUGHTER 13 Ohad Hemo UNDER THE SURFACE 14 Liepman AG Literary Agency Asylstrasse 92 CH-8032 Zürich +41 43 268 23 80 info@liepmanagency.com Marc Koralnik www.liepmanagency.com marc.koralnik@liepmanagency.com
MADAME NIELSEN “There is no comparable “No one has such a distinctive literary substance and elegant linguistic signature as so addictive in contemporary Madame Nielsen. Her writing style literature.” is as ruthlessly self-exposing as it is —ZDF, Das Literarische Quartett radical.“ —Weekendavisen
Madame Nielsen LAMENTO Original title Original publisher Madame Nielsen is a novelist, Lamento Grif, 2020 German artist, performer, world histo- 174 pages Kiepenheuer & Witsch ry enactor, composer, chan- Norwegian Pelikanen teuse – and multi-gendered. English sample and Born as Claus Beck-Nielsen complete German in 1963 in Aalborg, Denmark, translation available she is the author of numerous literary works. A pioneer of „performative biographism” and “Scandinavian autofiction” the artist declared the death of Claus Beck-Nielsen in 2001, published Claus Beck-Nielsen (1963–2001) – A Biography, followed by The Suicide Mis- ”It is a most unusually sion and continues to work as worldly and wise novel, a call Madame Nielsen. My Encoun- ters with The Great Authors of to embrace the everyday with our Nation was nominated for Denmark love.” The Nordic Council Literature Prize and The Endless Summer —Dagbladenes Bureau became a great success in Germany and was published in English by Open Letter in 2018. Her work has been translated into nine languages so far. You only kill who you love. Everyone else is indifferent. Otherwise why should they be killed? A sentence from a burned but saved manuscript. The only thing the protagonist saved from a raging fire he caused in a friend’s apartment in Paris. Everything else was not worth saving. In the novel’s opening scene, a couple watches a fire burn ”Falling in love is a down an apartment. We learn how they fell in love and were insep- Chernobyl-like arable. Always reading the same book, drinking out of the same catastrophe. Madame glass and even breathing the same air out of each other’s mouths. Nielsen closes her But mastering everyday life turns out to be a challenge they novel-trilogy about cannot overcome. The husband withdraws and dedicates himself to love with a beautiful his writing. The couple lives in totally different rhythms. Doors are elegy about the grand closed, backs turned. His urge to live under ever more rigid rules, falling-in-love, which in search of a higher order, takes on self-destructive features and couldn’t survive the ends in their separation. everyday. Like the A lament on love in three parts, from the first fire of falling two previous novels in love, to the attempt to live with it, and finally to death by and of Lamento is most won- love; a tale of wild infatuation, this magical state of mind, and how derfully written.” hard, even impossible it is to transform this state into a calm, lasting —Politiken love of everyday life. Liepman Agency ― International Rights Spring 2021 4
Amanda Lasker-Berlin ELIJA’S SONG Original title Original publisher Elijas Lied Frankfurter Nominated for the 2020 Verlagsanstalt, 2020 lit.Cologne Debut Prize 253 pages A 2020 New Books in Amanda Lasker-Berlin was German selection born in Essen in 1994 and staged her first play at the age of eighteen. She graduated in fine art from the Bauhaus Uni- versity in Weimar and is now studying at the Academy of Performing Arts Baden-Würt- temberg in Ludwigsburg. Her “A debut novelist who plays and prose won several delights with experimenta- awards for emerging writers. ELIJA’S SONG is her first novel. tion.” —Vogue “Remarkable. The con- Germany vincing debut from an author and playwright, Three estranged sisters reunite for a walk across a moor and up whom we would like to a peak. The hike has been arranged by Loth, the youngest sister, to hear, see or read and is a route they used to take with their father. As they walk and more.” talk, we learn about the sisters’ very different lives. —hr2 Kultur Elija lives in assisted housing, has an intimate relationship with her friend Mio and loves being on stage. We learn through her “A courageous debut sisters’ accounts that she could be disruptive as a child, which was novel, which convinces burdensome for them. As if to prove this point, Elija steals a stuffed with its multi-layered owl from a café they stop by along the way. characters and sensi- Noa, the middle sister, is a graduate who works in a badly paid tive language.” and soul-destroying job in a canteen of an office building. She has —Deutschlandfunk Kultur an affair with guy from the executive suite. He doesn’t know that she also provides sexual assistance to the disabled. “Her art is political and Loth is living in a community of nationalist activists: the ex- she has something tent of her involvement with them and adoption of their Neo-Nazi to say. Amanda Lask- message emerges gradually, as does her obsession with her looks er-Berlin is a literary and body. As a child, Loth felt overlooked and neglected by her force to be reckoned parents, who tended to focus on Elija, and she still harbours this with.“ resentment. —MDR As evening approaches, the sisters reach the peak and sing “Elija’s song”, a song made up by their father with one verse for “The portray of injured, each daughter. As they descend and darkness falls, Loth loses her politically lost and dis- temper and Elija runs off. The two of them end up on the edge of a illusioned characters precipice overlooking a lake. Elija loses her balance and Loth gently in all their physicality. pushes her over. And Noa runs, Noa swims to her rescue, terrified What starts as a hike she may be too late... soon becomes a tragic Amanda Lasker-Berlin’s writing is highly lyrical and her narra- walk on a tightrope.” tive flows perfectly all the way to its harrowing conclusion. —Buchkultur Liepman Agency ― International Rights Spring 2021 5
Mario Lima THE WALLS OF PORTO Original title Original publisher Die Mauern von Porto Heyne Verlag, 2021 368 pages Mario Lima is the pseudonym of a German author who chose to make Portugal his home many years ago. He lives in the green north of the country with his wife and three cats. Besides inventing new cases for Inspector Fonseca and his A new case for team, he attends to his vines Inspector Fonseca with great enthusiasm and even presses his own Vinho Verde. Germany Praise for Death in Porto: Guilt has no statute of limitations. “Maybe the best of all A new case leads Inspector Fonseca and his team to the Portugal thrillers pub- oldest part of Porto, the narrow and winding Bairro da Sé. After a lished to date.” fire, the fire brigade finds two skeletons walled up in an old, empty —Neue Osnabrücker Zeitung house. They are two female murder victims, and the homicide squad starts investigating. The residents of the Bairro are not idle either, “Suspense from begin- for the case stirs up old conflicts again, everyone seems to know ning to end” something. And everyone wants justice. When another murder oc- —Mainhattan Courier curs, Fonseca has to act quickly … With THE WALLS OF PORTO, Mario Lima has once again suc- “Mario Lima has land- ceeded in writing a gripping Portugal crime novel with a lot of local ed a hit: crime fiction colour. As in Death in Porto, he takes his readers deep into the alleys at its best – totally and customs of the port city. an absolute must for crime fiction and convincing with first- Portugal lovers. class police work and protagonists with cult status potential.” —literaturmarkt.info Liepman Agency ― International Rights Spring 2021 6
Andreas Kilcher/ Pavel Schmidt Special Highlight (Ed.) KAFKA‘S DRAW- INGS Nothing short of a sensation: An international co-edition showing for the first time the complete graphic work in high quality facsimiles, including over 100 newly discovered drawings.
FRANZ KAFKA: Franz Kafka (1883–1924) is one of the greatest writers of the 20th century. A significant THE DRAWINGS part of his literary oeuvre was saved by his friend Max Brod, who opposed Kafka’s wish that his estate, including his Edited by Andreas Kilcher drawings, be burned after his death. Brod’s recently opened with the collaboration of Pavel estate is also the source of Kafka’s newly discovered Schmidt. drawings. With essays by Judith Butler Andreas Kilcher is Professor of Literature and Cultural Stud- ies at ETH Zurich. He has held and Andreas Kilcher visiting professorships at He- brew University, Jerusalem, Tel Aviv University, Princeton University and Stanford Uni- versity. He has published wide- ly on Kafka and German-Jew- ish literature. Original publisher C.H.Beck Verlag, World English Yale UP Fall 2021 France Cahiers dessinés Italy Adelphi ca. 336 pages, Spain Galaxia Gutenberg Special Highlight 240 colour illustrations, Netherlands Athenaeum 30,000 words Poland Wydawnictwo Literackie It was not until 2019 that over 100 drawings by Franz Kafka emerged, which had been kept under lock and key in a Zurich bank safe for decades: a sensation. For until then, only a few drawings by the world-famous writer were known. Kafka’s artistic ambitions and his extraordinary talent can only be appreciated with the new discov- ery. They are pictures of almost irresistible appeal. Here they are published for the first time, together with the already known sheets. Especially in his early years, between 1902 and 1907, Kafka drew intensively. A complete booklet of drawings has now come to light alongside dozens of individual sheets. These are fragile, levitat- ing and at the same time enigmatically fascinating figures that one encounters on these pages: human figures, but also human-animal hybrids, some of which are rendered only with a few skilful strokes. Kafka’s drawings veer from the realistic to the fantastic, to the grotesque, sometimes even uncanny, some seem carnivalesque or caricaturistically exaggerated. In any case, they make a second Kafka visible alongside the writer. In this volume, with its brilliant reproductions and illuminating explanations, he can be discovered in full for the first time. Liepman Agency ― International Rights Spring 2021 8
Oek de Jong BLACK BARN Original title Zwarte Schuur Italian Neri Pozza Bestseller with 100’000 copies sold Oek de Jong, born in 1952, is Original publisher English and German internationally acknowledged Winner of the Boekenbon Atlas Contact, 2019 sample translations as one of the most important Literature Prize 2020 496 pages available contemporary Dutch authors. Shortlisted for the Libris His œuvre is characterized by Literature Prize great stylistic power and psy- Translation support by chological depth. His books the Dutch Foundation for have sold more than six hun- Literature dred thousand copies. His bestselling novels were nom- inated multiple times for the Libris Literature Prize in Hol- “A novel about the long tentacles of land, he received the Golden guilt and the blistering power of a Owl in Belgium and other lit- great love.“ erary prices and is translated into German, French, Scandi- —De Standaard navian and several other lan- guages Netherlands “Oek de Jong has written another instant classic.” —De Groene Amsterdammer At the age of fifty-nine celebrated artist Maris Coppoolse is given a “Here is a writer at retrospective in Amsterdam’s Stedelijk Museum. He is at the pinna- work who no longer cle of his fame when a magazine cover story exposes the source needs to prove himself of his obsessive work: a crime he committed as a young teenager. and able to draw you No one in his circle knew about this; his friends and acquaintances into his story with are deeply shocked. confidence and ease.” This is the story of a life marked forever by a single cata- —NRC Handelsblad strophic event. It is the artist’s life sentence. We see him living as an artist in Amsterdam and New York, and are given a probing view “Oek de Jong at his of his troubled marriage with the vivacious and adventurous Fran, best: as a powerful who is also incriminated. The magazine story drives him to relive his narrator, passionate childhood, especially that Saturday afternoon on the island when he dramatist, keen ob- went into that ill-fated tar black barn he had no business being in. server, expert on the BLACK BARN is a novel about living with trauma and over- heart and soul. Rarely coming it and about the power of true love. has an obsession been rendered so clear and tangible. … a compel- ling and penetrating novel.” —Trouw Liepman Agency ― International Rights Spring 2021 9
Ron Leshem WHEN WE WERE BEAUTIFUL Original title Original publisher Ron Leshem, born in 1976, is Yafim Kemo Shehayanu Kinneret-Zmora Bitan, Complete English an Israeli-American television Dvir, 2020 translation by Jessica and film writer and producer, Cohen available best known for the television (111’000 words) series Euphoria, and for the international bestseller and cult debut and anti-war novel Beaufort and the Academy “An exquisite novel. Leshem has the Award nominated feature film rare ability to write with breathtaking based on his adaptation. He has won some of the top Is- authenticity and the result is a sig- raeli literary awards, among nificant work of literature. Rich with them the prestigious annual empathy, written by a confident au- Sapir Prize. thor, dramatic and astonishing. You International publishers of will sink in the ocean of Leshem’s Beaufort: English (UK) Harvill creation and never want to come up Secker, English (US) Delacorte, German Rowohlt, French Edi- Israel for air.” tions du Seuil, Italian Rizzoli, –Makor Rishon Dutch Meulenhoff, Korean Dulnyouk Publishing, China ThinKingdom, Romania SC Leda, Brazil Record, Portugal Bico de Pena,Poland WAB, We will never be as beautiful as we once were, because everything Russian Kinneret Zmora Bitan that happened – the loss and the estrangement, the betrayal and the pain, but also the golden shores and the scent of salt on the water, the friendship and the love, especially the love – has been washed away by the river of time. “A a more mature work What are we willing to do, what would we sacrifice to relive than Beaufort, more our past? Who and what point in time would we return to? These complete, with more questions come to Daniel in the most unexpected of places, on a to say about Israel and riverbank in the heart of the jungle. And when Nora, who presents the world – which is no him with this miraculous and terrifying possibility, slips through his small feat. fingers, he finds himself traversing a divided country, accompanied –Walla by a dead body, a butterfly farmer and a wandering butcher. This surreal journey, sensual and macabre, unfolds alongside A fascinating novel Daniel’s life story: his relationship with his mother, who worries that that reverberates and he worries too much; with Noam, the brother he never had, who bravely enters our teaches him how to stop fearing life; and with his brothers-in-arms most sensitive terrain, in the military, who teach him how to stop fearing death. the one authors avoid From the eternal childhood in the lost paradise of the Gaza out of fear. Both the strip to the celebrations of the Day of the Dead in Cambodia; from ideas in the novel and the sniper’s point of view to the eye of the storm in the Amazon; Leshem’s young, vibrant Ron Leshem’s latest novel, When We Were Beautiful, affords us the prose restore a glimmer rare opportunity of losing ourselves and rediscovering our past – in to the eyes of those another person. It is a deep dive through our hero’s eyes to awe-in- who have been waiting spiring, beautiful moments of longing and compassion, estrange- a very long time for ment and revolution, casting the reader across the stormy waves literary courage. of an ocean of memories. (Noa Manheim, Publisher). –Kan Tarbut Radio Liepman Agency ― International Rights Spring 2021 10
DROR MISHANI “Dror Mishani is the indisputable spiritual heir of Georges Simenon.” –Le Monde “Dror Mishani has reached the world league of crime fiction.” —Die Zeit “Mishani has a superior ©Jacquard &Loison/Opale “Mishani writes with gift for psychological “One of the greatest profound originality.” suspense.” writers in the genre.” —Henning Mankell —Publishers Weekly —Politiken
Dror A. Mishani CONVICTION Original title Option Publishers Emuna English (UK) Riverrun English (US) Europa Editions German Diogenes English (CA) Anansi Original publisher French Gallimard Italian e/o Dror A. Mishani is an interna- Achuzat Bayit, 2021 Spanish Anagrama tional bestselling crime writer, 272 pages Catalan Grup Editorial 62 screenwriter and literary Korean Bookrecipe scholar, specializing in the Croatian Fraktura history of crime fiction. His Greek Keimena Books bestselling Inspector Avraham Dutch Arbeiderspers series (The Missing File, A Chinese (TWN) Ecus Possibility of Violence, The Man Who Wanted to Know) was translated into more than 20 languages. They were shortlisted for the CWA inter- national dagger award and the “CONVICTION is a successful Grand Prix de Littérature Poli- synthesis of the emotionality of clière and won the prestigious the previous Avraham cases and Martin Beck award for best crime novel translated to the fast-paced, highly suspense- Swedish and the Grand Prix ful standalone novel, Three. Once du meilleur Polar de lecteurs again, Mishani delivers an almost de Points. A successful French Israel unbearably tense story, both thrilling cine movie (Fleuve Noire) and an Israeli TV series based on and emotionally involving. It is yet the Inspector Avraham series another triumph.” were released in 2018/2019. —Markus Lemke (Mishani’s German His stand alone thriller Three translator) was again an international bestseller, received the Prix Mystère de la Critique and is longlisted for the CWA Crime Fiction in Translation Dagger. Both investigations began on the same day. One seemed domestic, almost banal: a newborn is found in a bag outside a hospital and the woman who left it there is captured after a few hours. The second investigation appeared stranger and more intriguing: a Swiss tourist disappeared from a beach-hotel near Tel-Aviv, and a quick inquiry “Dror Mishani has showed he had been using a fake passport and at least two names. reached the world Can he be a Mossad agent like his daughter claims? And is he in league of crime fiction” danger? —Die Zeit Inspector Avraham Avraham, wishing to outgrow his usual cas- es of domestic violence, is indifferent to the one, and seduced by the “Dror Mishani is other. Soon he understands he did a wrong choice, as both investiga- the indisputable tions spiral into a maze of violence and deception, leading to Israel’s spiritual heir of darkest secrets – and threatening to put Avraham in conflict with the Georges Simenon.” most powerful men in the country, who technically don’t even exist. –Le Monde CONVICTION is a brilliant political thriller, and a witty literary confrontation with Israel’s most secret and sacred myths. Liepman Agency ― International Rights Spring 2021 12
Abraham B. Yehoshua THE ONLY DAUGHTER Novella Original title Original publisher Abraham B. Yehoshua’s The Habat Hayechida Hakibbutz Hameuchad, English (US) Lover, published in 1977, es- 2021 Houghton Mifflin tablished his international English translation 165 pages English (UK) Halban renown. He wrote over a doz- avaiable Italian Einaudi en of novels, all of them trans- French Grasset lated into more than twenty languages and received nu- merous international awards, most recently the prix Médicis “A.B. Yehoshua, Israel’s premier étranger, le Prix du meilleur livre étranger, Premio Interna- storyteller, has given us a mature zionale “Antonio Feltrinelli” masterpiece of modest proportions and the Dan David Prize. Ye- – fresh, surprising, polished in its hoshua has been compared every detail. The story is written as a to William Faulkner and named an author of Nobel reach. ‘slightly expanded novella’, the term used by Thomas Mann to describe Israel his own masterpiece, Death in Ven- ice.” —Dan Miron, Ha’aretz “A unique book, for many reasons. Beyond the sheer excitement of a rare reading The story takes place in northern Italy, at the end of the 20th centu- experience, the char- ry, in the two months between the Christmas season and Carnival acter of Rachele, the time in Venice. protagonist of the 12-year-old Rachele is the only child of an affluent family, novel, is a perfect po- receiving love and praise from her Jewish grandfather Sergio, who etic representation of runs the family’s law firm together with his son. But she is also the a girl who personifies only grandchild of her mother’s parents, her Catholic grandparents. freedom, openness and Rachele is frustrated: she has been chosen to play the Ma- power.” donna, Mother of God, in her school’s Christmas play. But her ill —Shulamit Almog, Professor and hospitalized father, who doesn’t observe Jewish rituals, forbids of Law, University of Haifa her nonetheless from participating in a play filled with Christian religious content. “Gently hinting, without The love and affection that surround Rachele from all sides, passing judgment, A.B. her teachers included, cannot remedy her loneliness. Moreover, Yehoshua expresses her beloved father’s serious illness raises the possibility that he his wonder of the world: won’t live long enough to attend her Bat Mitzvah, scheduled for the religion, parent-child coming spring. relationships, and es- Rachele’s crisis arouses a fantasy that blends Judaism and pecially the search for Christianity in the image of a Holy Spirit that doesn’t give birth to identity and shedding of another God, but rather a brother, perhaps in the same distant land masks.” where thousands of years ago the divine baby was born. — Rachel Paran, Narrative Once again, A.B. Yehoshua is challenging masterly and with Therapist, Jerusalem humour the cages of identity and belonging and with ingenuity rejoices in celebrating the turmoils he creates for his beloved char- acters. Liepman Agency ― International Rights Spring 2021 13
Ohad Hemo UNDER THE SURFACE An Insider Reportage from the Palestinian Territories Ohad Hemo is an Israeli jour- nalist and reporter on Pales- tinian affairs at Israel Channel Original title Original publisher 12, the most viewed channel Pney Hashetach Keter, 2020 Synopsis and English in Israel. He holds an M.A. in 296 pages sample translation Middle Eastern Studies from available the Hebrew University and has been covering the Palestinian “Ohad Hemo is one of the bravest beat in the Gaza Strip and the and profound reporters. For years, West Bank for nearly twenty years. One of the few Israeli he did not shy away from dangerous journalists traveling to the places in order that the voice of Palestinian territories, he has the Palestinians could be heard. covered the major events of He gains their trust in his humane this period from up close – from the second Intifada and and courageous way. A fascinat- the suicide attacks, through ing book for anyone who wants to the death of Arafat and the Israel think honestly about a possible and Gaza disengagement, and up realistic solution to one of the most to Israel’s three major military difficult and painful conflicts in the operations in the Gaza Strip. During his career he has host- history of the 20th century.” ed television shows for Jewish —A.B. Yehoshua and Arab children on Islam and the Middle East, and has directed several television movies. He received the 2017 Cutting Edge Award for his Fugitives from the Balata refugee camp gathering in an abandoned work. cemetery under an endless barrage of fire; Hamas activists who believe in the prophecy that Israel will be erased in the year 2022; young Gazans using social networks to share their trauma with Israelis their age on the other side of the fence; a man who in his “Ohad Hemo’s view youth set out for an Israeli checkpoint wearing an explosive belt from the inside carves a and was stopped at the last moment, today holding his own baby; window to see through these are only some of the characters filling the pages of this book. the iron wall that sepa- For the past two decades, Israeli journalist Ohad Hemo has rates us from the Pales- been going back and forth between Israel and the Palestinian Au- tinian neighbourhoods, thority, between Tel Aviv and the cities and villages of the West allowing us to see Bank. He feels at home in places that most Israelis have never set beyond preconceptions foot on. Through extraordinary conversations and encounters, he and demonic images of sketches a picture of the Palestinian society today that projects the other.” onto the conflict with Israel; onto the internal tensions; onto the —Reuven Rivlin despair and the hope; onto the past and more importantly – onto the future; and primarily onto the greatest threat and folly of all: the “A diligent reporter and imminent death of the idea of two states. intelligent observer who A powerful, colourful and intimate portrait offering a unique lays out the worldviews perspective beyond the ubiquitous clichés. At the same time it is of a new generation of an urgent wake up call to rescue the two-state solution before it Palestinians.” is too late. — HA’ARETZ Liepman Agency ― International Rights Spring 2021 14
Cătălin Partenie GOLDEN BURROW Original title Original publisher Vizuina De Aur Polirom, 2020 Original English 176 pages language manuscript available Cătălin Partenie is a Romani- an-Canadian philosopher, teaching at the National School of Political Studies in Bucharest. He completed he Ph.D. in Philosophy at the Uni- versity of Glasgow, and was also a graduate student at Oxford. He has taught in Can- ada and Europe, and is the editor of Plato. Selected Myths (Oxford’s World Classics) and –Charles King, Jewish Book Award winning Plato’s Myths (Cambridge UP). author of Midnight at the Pera Palace and His short story Gudrun has Odessa earned an Honorable Mention at the Frank McCourt Interna- tional Contest and has been published in The Southampton Review. THE GOLDEN BUR- Romania ROW is his first novel. Bucharest, 1988. Nicolae Ceauşescu’s darkest years. Paul, a first- year philosophy student, wants to play the drums in a rock band but is expelled and ends up as the guard of a forgotten depot in which a theatre keeps its scenery and props. He spends all his time there with his girlfriend Oksana (a waitress who just finished high school) “A bitter-sweet, pro- and his best-friend Stefan (a first-year high school student who plays foundly affecting story the guitar). Using stage furniture and props, Oksana builds inside of the redeeming pow- the depot the interior of a home. They call it ‘The Golden Burrow’ er art and music can and there they have the time of their lives. Oksana is pregnant but have in our survival as is afraid to tell Paul; abortion is illegal, and illegal abortion is ex- human beings in times pensive and dangerous. of hardship.” In April 1989, without telling anything to anyone, Paul swims —Vladimir Mirodan, Emeritus across the Danube and defects. He is caught by the Yugoslavian Professor of Theatre, Univer- authorities but can emigrate to Canada. However, in December sity of the Arts, London 1989, he returns to Bucharest secretly, just after Ceauşescu has fled his headquarters. In the chaos that follows he is shot dead in “This is a novel whose front of Muzica, the city’s biggest record store. words are like a cur- Almost 30 years later, Paul’s son Victor contacts Stefan and tain; open them, and asks him to write down all that he can remember about his father. great characters will He would also like to find out if his father knew that Oksana was start singing on the pregnant when he left Romania. Stefan, however, is an unreliable stage: freedom, friend- narrator, and Victor will have to imagine for himself what kind of ship, love.” man his father was. —Peter Kerek, director of the A philosophical, charming and cinematic tragicomedy – like theatrical adaptation of the a New Romanian Wave take on Plato’s cave. novel Liepman Agency ― International Rights Spring 2021 15
Peter Stamm THE ARCHIVE OF FEELINGS Original title Original publisher Peter Stamm, born in 1963, Das Archiv der Gefühle S. Fischer, 2021 French Grasset had his international break- 256 pages through with his debut novel Agnes in 1998. Since then his books have been translated into more than 30 languages. In 2013 he was on the shortlist “One of Europe’s most exciting for the International Booker writers” Prize. Stamm’s writing has ―The New York Times been compared to Chekhov and Camus as well as Amer- ican storytellers such as Ray- “A master writer … His prose … is as mond Carver, Richard Ford and sharply illuminating as a surgical Ernest Hemingway. Peter light.” Stamm has been awarded several prizes, such as —The Economist the Friedrich-Hölderlin-Prize (2014) and the Swiss Book Switzerland Award (2018). Do we recognise the opportunities in our life? “Peter Stamm’s prose The singer Fabienne’s real name is Franziska, and it was forty is plain … A subtle but years ago that they were close friends and he confessed his love to deadly style.” her. Almost a lifetime. Since then he has done everything to keep —Zadie Smith disquiet and discontent away from him. He has withdrawn more and more and lived only in his imagination. He missed out on his “Peter Stamm is an ex- life But now Franziska reappears. traordinary author who Does this endanger his protected existence, or or will he take can make the ordinary this second chance? absolutely electrify- A “recherche du temps perdu à la Stamm”, beautiful and at- ing…Hard to recom- mospheric – it immediately puts you in that special mood that only mend too highly.” a Peter Stamm novel can evoke. Masterful. —Tim Parks Liepman Agency ― International Rights Spring 2021 16
WHEN IT GETS DARK MARCIA FROM THE SWEET VERMONT INDIFFERENCE OF Original title A Christmas Tale THE WORLD Wenn es dunkel wird Original Publisher Original title Original title S. Fischer, 2020 Marcia aus Vermont – Eine Die sanfte Gleichgültigkeit 192 pages Weihnachtsgeschichte der Welt Original Publisher Original publisher S. Fischer, 2019 S. Fischer, 2018 160 pages Switzerland 80 pages World English Other Press World English Other Press World English Other Press “Resolute laconicism from Spanish Acantilado French Bourgois an experienced narrator Catalan Quaderns Crema Spanish Acantilado French Grasset Catalan Quaderns Crema and effortless artistry that Swedish Thoren & Lindskog impresses.” Czech Albatros —Frankfurter Rundschau Italian Casagrande Croatian Fraktura “A master of the un- Greek Kastaniotis “Stamm drills worm holes in spectacular, a virtuoso Chinese Shanghai 99 Turkish Paloma Yayinevi everyday life. These stories of the narrative form” begin quite harmlessly and —The New York Times stage feelings at turning Review of Books points in life.” “Excellent. This amor- —Deutschlandfunk Kultur “Peter Stamm is an ex- phous tale folds in traordinary author who on itself, becoming “A Peter Stamm short story can make the ordinary a meditation on how is still among the most absolutely electrifying.“ memory can distort remarkable things you can —The Times reality. Fans of Julian read.” Barnes will love this.” —SRF 2 —Publishers Weekly “Ordinary lives, elevat- ed from the ground. Powerful!” —Le Monde Liepman Agency ― International Rights Spring 2021 17
Frédéric Zwicker RADOST Original title Radost A 2020 New Books in English sample German selection translation available Original publisher Born in 1983 in Lausanne, Zytglogge, 2020 Literature work grant Frédéric Zwicker grew up in 286 pages from the city of St. Gallen Rapperswil on the Lake Zurich, where he lives again today. He studied German literature, history and philosophy. With his band “Knuts Koffer“ he has repeatedly toured the Balkans. He works as a journalist, cop- ywriter and screenwriter, writes columns for several local newspapers, comedy “A remarkable new voice in shows and of course song Swiss literature.” texts. His debut novel Hier können Sie im Kreis gehen —SRF 3 (Nagel & Kimche, 2016) was a remarkable critical and com- mercial success. Switzerland It starts with a joke. But where does it end? Fabian is a young, somewhat phlegmatic local journalist. In the “Zwicker has a knack evening, on his sofa, he dreams himself into a more interesting for the involuntary com- everyday life. By chance, he wins a plane ticket to Zanzibar and edy of dialogues, which makes the trip, still rather unwillingly. On the island he meets Max, pass each other by a an as irritating as fascinating Swiss eccentric in a Massai costume, hair’s breadth.” whose life Fabian must save on their first encounter. —Tagesanzeiger Three years later they meet again by chance, back home in Switzerland. Fabian learns about Max’ mental illness, which brought “Zwicker depicts bizarre him from Switzerland to Zagreb and Zanzibar, into marriage, father- things, without taking hood and prison. But Max’s memories are incomplete and in an away the dignity of his effort to regain some understanding of who he really is, he com- characters, and handles missions Fabian to write his biography. the balance between So just, like Max 14 years before, it is now Fabian who takes tragedy and comedy his bicycle and cycles to Zagreb and eventually flies to Zanzibar for with great sensitivity.” a second time. On this new journey – his own and the one into Max’s —Neue Luzerner Zeitung life – Fabian encounters people, hears stories and sees things he could never have imagined on his sofa. RADOST is a fast-paced road trip into the madness of life and a warm-hearted story about mental fragility. Liepman Agency ― International Rights Spring 2021 18
Madame Nielsen Abraham B. Yehoshua Dror Mishani THE MONSTER THE TUNNEL THREE Original title Original title Original title The Monster Haminhara Shalosh Original publisher Original publisher Original publisher Gyldendal, 2018 Hakibbutz Hameuchad, 2018 Achuzat Bayit, 2018 220 pages 324 pages 245 pages Recent Backlist German Kiepenheuer & Witsch English (US) English (UK) French Notabilia (rights reverted) Houghton Mifflin Quercus/riverrun Spanish Minúscula English (UK) Halban English (US) Europa Editions Norwegian Pelikanen German Nagel & Kimche Italian English (CA) Anansi Einaudi German Diogenes French Grasset French Gallimard Spanish Duomo Italian e/o Dutch Wereldbibliotheek Spanish Anagrama There is no comparable lit- Catalan Grup Editorial 62 Korean Bookrecipe erary substance so addictive Croatian Fraktura in contemporary literature.” Greek Keimena Books —ZDF, Das Literarische Quartett A New York Times Editor’s Choice Dutch Arbeiterspers Chinese (TWN) Ecus “An irresistible experiment.” Film and TV rights sold to the Emmy nominated —WDR 5 producers of “Homeland” “Yehoshua is one of the “Madame Nielsen, or who- great writers of the 20th cen- ever she is, can write so that tury … [The Tunnel is] a novel I sometimes levitate from so intimate and vivid that Prix Mystère de la Critique the couch. It takes many past and present and future exceptional authors to make merge in ways that generate Longlisted for the CWA Crime Fiction in Translation Dagger one Madame, so dear reader, surprise and delight.” just let yourself get invaded.” Shortlisted for Grand Prix de Lit- —The Arts Fuse térature Policlière —Weekendavisen “A quirky, deeply affecting Shortlisted for the Sapir Prize work by a master storyteller.” —Kirkus, Starred Review 13 weeks the #1 bestseller in Israel 26 consecutive weeks a top-twenty Spiegel-bestseller in Germany, 80’00 copies sold Liepman Agency ― International Rights Spring 2021 19
Ari Folman Otto de Kat Mario Lima WHERE IS ANNE FREETOWN DEATH IN PORTO FRANK? Original title Original title Freetown Tod in Porto A graphic novel based on the Original publisher Original publisher forthcoming animated motion Van Oorschot, 2018 Heyne Verlag, 2019 picture Where is Anne Frank? 165 pages 384 pages by Oscar-nominated Ari Fol- Recent Backlist man, to be released in thea- tres worldwide in 2021. German Schöffling & Co. “Maybe the best of all Por- World English tugal thrillers published to MacLehose Press date.” English (US) Pantheon —Neue Osnabrücker Zeitung English (UK) Viking French Calmann-Lévy “Suspense from beginning German S. Fischer “De Kat’s language is of rare to end” Dutch Prometheus Italian Einaudi beauty and he writes with —Mainhattan Courier Spanish Penguin Random House endless melancholy.“ Hebrew Kinneret —NDC papers, Haarlems Dagblad “Mario Lima has landed Brazil Record a hit. DEATH IN PORTO is Portugal Porto Editora “One of the Netherlands’ crime Fiction at its best – most compelling literary totally convincing with first- voices” class police work and —Irish Examiner protagonists with cult status potential.” “Otto de Kat breaks your —literaturmarkt.info heart with 200 words.” —Scotland on Sunday “With sentences like pre- cisely directed light sources that illuminate paintings in an art gallery, de Kat creates unforgettable scenes and landscapes.” —Badische Zeitung Liepman Agency ― International Rights Spring 2021 20
David Albahari Daniel de Roulet Thomas Sparr TODAY IS TEN LITTLE GRUNEWALD IN THE WEDNESDAY ANARCHISTS ORIENT The German-Jewish Original title Original title Jerusalem Danas je sreda Dix petites anarchistes Original title Original Publisher Original publisher Grunewald im Orient – Das Čarobna, 2017 Limmat Verlag, 2017 155 pages deutsch-jüdische Jerusalem Recent Backlist 144 pages Original publisher Berenberg Verlag, 2018 184 pages German Schöffling & Co, French Buchet Chastel Italian Clichy Edizioni Greek The Colleagues` Publications World English Haus Publishing “Glowing with depth and Spanish Acantilado tragedy, sparkling with Hebrew Schocken intelligence and irony. David Albahari has wrested a pow- Prix Bibliomedia 2019 erful work of consolation from his illness”. “A melancholic, often —Neue Zürcher Zeitung touching, sometimes painful “Daniel de Roulet tells book. Inevitably so, Thomas “Albahari puts the personal without pathos but with lots Sparr tells of a vanished at the centre but if you of empathy and pace about world. Only in the books of listen carefully you learn the hope for freedom and its former inhabitants, in everything about the world“ of strong women in a time their poems and letters, the —Deutschlandfunk Kultur when migration from Swit- spirit of Rechavia continues zerland was very common to live on.” “A Kafka of our Times” and people were expelled —MDR Kultur —Neue Zürcher Zeitung from their own country.” —20 Minuten “Sparr is known as a great “Albahari is to be stored’ connoisseur of Ger- “A wonderful story about on the shelf of Nobel Prize man-Jewish intellectual life.” commitment, courage and winners in spe.” —Die Welt exile.” —La Vie Littéraire —RTS La Première “A very political adventure.“ —L’Humanité Liepman Agency ― International Rights Spring 2021 21
Ferenc Barnás Péter Nádas Péter Nádas TO THE END ILLUMINATED DETAILS LENI WEEPS OF OUR LIVES Essays Original title Világló részletek Original title Original title Életünk Végéig Leni weint. Essays Original publisher Jelenkor, 2017 Original publisher Original publisher 1212 pages Rowohlt, 2018 Kalligram, 2019 528 pages Recent Backlist 455 pages German Rowohlt World English Archipelago Books World English Farrar Straus & German Schöffling & Co. Giroux Swedish Bonniers French Phébus „These essays are fright- Danish Rosinante eningly prophetic and yet Winner of the Milán Füst Prize 2019 based on a deep faith in “Best book of the year” 2019 in The memoirs of a giant of Eu- humanity.” Hungary ropean literature. A spectacu- —Frankfurter Allgemein Zeitung Shortlisted for the lar work unfolding the life and AEGON Prize world of Péter Nádas. “Again and again – Péter Shortlisted for the Libri Prize Nádas’ writing is breath-tak- ing. It is so astonishing, so agitating, but the reader has “A firework of remembrance the feeling that, once he has „Barnás can be counted as in which each spark unfolds lived through these storms, one of the most important its own luminosity and he is breathing more calmly, writers in Hungary.” above all triggers further more empowered, because —Frankfurter Allgemeine Zeitung memories.” he is able to decipher the —Frankfurter Allgemeine Zeitung world more precisely.” “The sheer number of —Berliner Zeitung microcosms being set into “Péter Nádas is the great motion: virtuosic.” surveyor of European land- „No writer in Europe today —Rvizoronline scapes of souls in the 20th has dealt more eloquently century. Breathtakingly mi- with the obligations and “Ferenc Barnás is a legend croscopic, a feast of details moral conundrums of mem- among those who know and nuances, epochal, an ory, private and collective, him.” unsurpassable work of art.” than the Hungarian novelist —László Krasznahorkai —Die Zeit and essayist Péter Nádas.” —The New York Times Liepman Agency ― International Rights Spring 2021 22
Zygmunt Bauman Anna Bikont Hanna Krall MAKING THE FAMILIAR SENDLEROWA. THE SYNAPSES UNFAMILIAR IN HIDING OF MARIA H. A Conversation with Peter Original title Haffner Original title Synapsy Marii H. Sendlerowa. W ukryciu Original title Original publisher Original publisher Das Vertraute Czarne, 2017 Wydawnictwo Literackie, 2020 unvertraut machen. Recent Backlist 477 pages 128 pages Ein Gespräch mit Peter Haffner Original publisher Hoffmann & Campe, 2017 Swedish Ersatz Förlag 188 pages Hebrew Carmel French Noir sur Blanc World English Polity “Hanna Krall is a master of Ryszard Kapuściński Award for Polish Wielka Litera Literary Reportage, 2018 the reportage, perhaps the Italian Laterza, best in Poland. She does not Spanish Tusquets describe her protagonists, Brazilian Zahar Korean Marco Polo Press she makes sure that they are “Much more than a biog- there. The reader sees them, raphy. It is a partial but hears them, accompanies “Zygmunt Bauman’s profound description of the them.” thoughts shine brightly in reality of war. Writing this —Die Zeit times of totalitarian tenden- book required enormous cies.” stamina, wisdom, and “Krall’s reportages consti- —Die Welt modesty. It is dense, factual, tute a poetical genre of their quick, and emotionally ex- own.” “A last conversation with hausting.” —Neue Zürcher Zeitung —Gazeta Wyborzca Bauman and his legacy” —Süddeutsche Zeitung “The laconism of Hanna “Anna Bikont defies the ef- Krall’s books opens up forts of right-wing populists endless perspectives where “Conciliatory in tone as to reinterpret Poland’s histo- the outcome is suggested always, this Socrates of ry by confronting them with without being said, where practical reason finds clear her meticulous reconstruc- silence watches every sen- words on the untenable tion of the crime.“ tence, often fading out with state of affairs.” —Frankfurter Rundschau suspension points...” —Der Standard —Le Monde Liepman Agency ― International Rights Spring 2021 23
David Albahari Ryszard Kapuściński, Estate Otto de Kat Nir Baram György Konrád, Estate Ferenc Barnás Hanna Krall Rolf Bauerdick, Estate Ulrich Becher, Estate Dirk Laucke Emanuel Bergmann Stefan Lehnberg Michel Bergmann Charles Lewinsky Anna Bikont Heinz Liepman, Estate Alfred Bodenheimer André Brink, Estate David Markish Thomas Buergenthal R.W.B. McCormack Icchokas Meras, Estate Elias Canetti, Estate Dror Mishani Veza Canetti, Estate Anna Mitgutsch Mahmud Doulatabadi Péter Nádas, c/o Graf & Graf Robert Neumann, Estate Norbert Elias, Estate Péter Esterházy, Estate Jona Oberski Representations Lilian Faschinger Gert Raeithel Ida Fink, Estate John C.G. Röhl Catalin Dorian Florescu Göran Rosenberg Anne Frank, Estate Gerhard Roth Eric Franklin Daniel de Roulet Ursula Fricker Susanne Fritz Joachim B. Schmidt Erich Fromm, Estate Alexis Schwarzenbach Henry Slesar, Estate Petr Ginz, Estate Maruan Soto Antaki Lea Gottheil Thomas Sparr Johan Goudsblom György Spiró Roman Graf Peter Stamm Arno Gruen, Estate Barbara Stengl Andreas Straub Christian Haller Jürg Halter Aleksandar Tisma, Estate Peter Haffner Heinrich Hannover Ulrike Ulrich Frank Heer Veit Heinichen Abraham B. Yehoshua Jeanne Hersch, Estate Gabriele Hoffmann Idith Zertal Monika Zgustova Oek de Jong Bruno Ziauddin Frédéric Zwicker Liepman Agency ― International Rights Spring 2021 24
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