HCS - Arizona Journal of Hispanic Cultural Studies
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HCS
Arizona Journal of Hispanic
Cultural
Studies
Special Sections
Urban Space: Contesting Inequality and Constructing Citizenship
in the Lusophone World
El cine de horror en la era del Antropoceno: claves para entender
el universo fílmico de Jaume Balagueró en cinco ensayos
Volume 22, 2018Susan Larson Agustín Cuadrado
Texas Tech University Texas State University
Senior Editor Managing Editor
Benjamin Fraser Malcolm Alan Compitello Brigette Walters
The University of Arizona The University of Arizona The University of Arizona
Senior Editor Executive Editor Assistant Editor
Eva Karene Romero Nuria Morgado
Independent Researcher CUNY-Staten Island
Arts Editor Book Review Editor
Assistant Editors for Production
Shalisa M. Collins Kalen R. Oswald Pedro José Vizoso
St. Norbert College Albion College Hastings College
Editorial Board
J. Andrew Brown Arnaldo Cruz-Malavé Bradley S. Epps
Washington University Fordham University University of Cambridge
in St. Louis
Jessica Folkart Edward Friedman Jorge González del Pozo
Virginia Tech Vanderbilt University University of
Michigan-Dearborn
Christine Henseler David K. Herzberger George Mariscal
Union College University of University of
California-Riverside California-San Diego
Jaume Martí-Olivella Walter Mignolo William Nichols
University of Duke University Georgia State University
New Hampshire
Dianna Niebylski Gema Pérez-Sánchez Ronald W. Sousa
University of Illinois University of Miami University of
at Chicago North Carolina-Asheville
Michael Ugarte Lauro Zavala
University of Universidad Autónoma
Missouri-Columbia Metropolitana, Xochimilco
Editorial Assistants
Adolfo Bejar Romy Yanahí Ceron Canche María del Mar Navarro
Morris Samuel Germansky Andrea Herrera Dulcet Claudia Ortiz Nazario
Justin Paz Miriam Rodríguez Guerra Carmella Scorcia Pacheco
Carmen Solís Delgado Whitney Waites
ISSN: 1096-2492
Printed by Thomson-Shore —7300 West Joy Road. Dexter, MI 48130-9701HCS
Arizona Journal of Hispanic
Cultural
Studies Volume 22, 2018
In This Issue
Malcolm Compitello
About the Artist: Adela Antoinette
Eva Karene Romero
Essays
Vanesa Miseres
9 Solicitudes de amistad: el uso del álbum como red de sociabilidad y práctica de
escritura femeninas
Francesca Dennstedt
29 “Between Utopian Longings and Everyday Failures”: Imagining a Latin American
Cuir Future
Araceli Masterson-Algar
49 Geografías del 15M desde la experiencia ecuatoriana: ecología cultural
y movimientos sociales
Catalina Iannone
69 Así se gentrifica un barrio madrileño: Street Artist PorFavor Maps Lavapiés
in 2029
Rafael Climent-Espino
89 Al margen del códice: análisis de tres ejemplos recientes de objetos-libro
en España
Diana Norton
109 Bodies, Ink, Shoes: Scandalous Objects from the 1947 Gilda Premiere in SpainSpecial Section
Urban Space: Contesting Inequality and Constructing
Citizenship in the Lusophone World
Guest Editors: Katia da Costa Bezerra, Leila Lehnen, and Jeremy Lehnen
Katia da Costa Bezerra, Leila Lehnen, and Jeremy Lehnen
129 Urban Space: Contesting Inequality and Constructing Citizenship
in the Lusophone World
David William Foster
135 Breaches in the Walls: Carlos Cazalis’s Photographs of São Paulo
Leonora S. Paula
151 Pixação and the Production of Spatial Justice by the Urban Excluded
Sophia Beal
165 Brasília’s Cultural Events Take to the Street
Andrew C. Rajca
181 Urban Imaginaries, Spatial Practices, and Cinematic Aesthetics in Sérgio
Bianchi’s Os inquilinos
Luís Mendes
199 Gentrification and the New Urban Social Movements in Times of Post-Capitalist
Crisis and Austerity Urbanism in Portugal
Special Section
El cine de horror en la era del Antropoceno:
claves para entender el universo fílmico de Jaume
Balagueró en cinco ensayos
Guest Editors: Mónica Cantero-Exojo and Maria Van Liew
Mónica Cantero-Exojo and Maria Van Liew
219 El cine de horror en la era del Antropoceno: claves para entender el universo
fílmico de Jaume Balagueró en cinco ensayos
Sohyun Lee
227 Gestación y encarnación del horror: el cuerpo femenino como instrumento
monstruoso en el cine de BalagueróJennifer Brady
243 La maternidad imposible: hiperrealidad e histeria en el cine apocalíptico
de Jaume Balagueró
Mónica Cantero-Exojo
253 Posthumanidad y lo cotidiano en El ángel exterminador de Buñuel y [REC]
de Balagueró
Maria Van Liew
269 Going Viral in the Age of the Synchronous Remake: [Rec] and Quarantine
Víctor Pueyo Zoco
281 Líneas narrativas del terror neoliberal en el cine de Jaume Balagueró (2002-2015)
Book Reviews
301
Troubled Memories: Iconic Mexican Women and the Traps of Representation
by Oswaldo Estrada
Liliana Wendorff
303
Latin American Technopoetics: Scientific Explorations in New Media
by Scott Weintraub
Eduardo Ledesma
307
Jorge Luis Borges, Post-Analytic Philosophy and Representation
by Silvia G. Dapía
Rolando Pérez
312
Dissensual Subjects: Memory, Human Rights, and Postdictatorship in Argentina,
Brazil, and Uruguay by Andrew C. Rajca
Adolfo Bejar
313
Memory Battles of the Spanish Civil War. History, Fiction, Photography
by Sebastiaan Faber
Isolina Ballesteros
316
Biografía y polémica. El Inca Garcilaso y el archivo colonial andino en el siglo XIX
por Enrique E. Cortez
Christian Elguera
318
De Aztlán al Río de la Plata: Studies in Honor of Charles M. Tatum
editado por Sergio M. Martínez
Susana Villanueva Eguia Lis321 Engaging the Emotions in Spanish Culture and History edited by Luisa Elena Delgado, Pura Fernández, and Jo Labanyi Laura V. Sández 324 Líneas de fuga. Hacia otra historiografía cultural del exilio republicano español coordinado por Mari Paz Balibrea Pablo García Martínez 326 Ecuadorians in Madrid: Migrants’ Place in Urban History by Araceli Masterson-Algar Juan Suárez Ontaneda 328 Filosofía y culturas hispánicas: Nuevas perspectivas editado por Nuria Morgado y Rolando Pérez Ana Sánchez Acevedo
In This Issue
I
t is hard to believe that I sat down to write the first “In This Issue” more than twenty-two
years ago. What is more, it has been almost twenty-four years since this publication was
conceived and plans for its look, organization, and all of the other items, large and small,
that were on that first to do list and remain important today. As I peruse the table of contents for
Volume Twenty-Two one last time before its goes to the printer, it is reassuring to know that the
vision imagined for this publication remains the same. The topics covered by the essays published
in these pages are all solid contributions to the expansive vision of what Cultural Studies is and
how it has helped change the nature of what Hispanists study and the pedagogies they deploy
in the classroom. Thirty years ago most of the profession would have though the majority of
these interdisciplinary inquiries were not germane to what Hispanists do. Today, thanks to this
journal and others and the restive intellectual spirit of our field, that is no longer the case. I think
you will find that each of six essays in the journal’s main section engage issues of great moment,
or offer fascinating reinterpretations of material from earlier periods. From the beginning the
Arizona Journal of Hispanic Cultural Studies listened to colleagues with ideas for special sections
and has worked with them to get their ideas into print. This volume contains two special sec-
tions. The cluster of essays on the Spanish film maker Jaume Balagueró should help open new
avenues of research on this important cultural creator whose work merits more critical scrutiny.
This journal has always been particularly interested in the spatial dimension of cultural practices.
The second special section on space, resistance, and citizenship in the Lusophone world is an
important cluster of essays that continues in the lines with other special sections that have dealt
with a particular part of the globe. While one individual writes to tell you what we are publish-
ing each year, getting those ideas to you has always been built on the dedication of a number of
people. Susan Larson and Ben Fraser have been among those who have made major contributions
to this publication. Both now assume new roles. Starting with Volume Twenty-Three they will
both serve as Senior Advisors (our equivalent of ministers without portfolios) to the Executive
and Managing Editors of the journal. We welcome our new senior editors, Susan Divine, Juliana
Luna Freire, Araceli Masterson-Algar, and William Nichols. I also take this opportunity to thank
Adolfo Bejar for his service as Assistant Editor handling the day to day of the journal last year
and Brigette Walters, who is now handling that task, for getting this volume into your hands.
Thanks also go out to all of those who have published with us and who have provided us with
their wisdom as manuscript evaluators. I am also grateful to the support of all of the graduate
students in Spanish and Portuguese, and other departments here at the University of Arizona,
for their contributions as editorial assistants over these twenty-two volumes.
Malcolm Alan Compitello
Executive Editor
The University of ArizonaYou can also read
