Great Books: Pride and Prejudice Teacher's Guide
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Great Books: Pride and Prejudice Teacher’s Guide Grade Level: 9–12 Curriculum Focus: Literature Lesson Duration: Two class periods Program Description The perfidious nature of first impressions is at the heart of this Jane Austen classic. The complicated love story of Elizabeth and Darcy, caught in the matchmaking machinations of Elizabeth's mother, paints a brilliant tableau of middle-class English life while exploring the universal themes of love, marriage, and social expectations. Lesson Plan Student Objectives • Understand that classics are pieces of literature that continue to be popular long after they were authored, and that they tend to have universal themes. • Discuss universal themes of Pride and Prejudice. • Demonstrate their familiarity with Pride and Prejudice by updating a selected scene from it to the 21st century. Materials • Great Books: Pride and Prejudice video • Miscellaneous scenes that your community would consider acceptable from Clueless, the 1995 movie loosely based on Austen’s Emma Procedures 1. Ask the class why think some works of literature are considered “classics.” Explain that classics continue to be popular long after they were authored because they tend to have universal themes. For example, although its setting and characters are certainly dated, Pride and Prejudice has remained a popular novel since its publication in 1813. Have the class talk about why they think the novel has retained its popularity. 2. After giving students some time to think about the question of Pride and Prejudice’s enduring popularity, ask students to list the elements of the novel that are universal. For example: • It’s a great love story with twists, turns, and obstacles, and the right girl(s) and guy(s) ending up with each other.
Great Books: Pride and Prejudice Teacher’s Guide 2 • In addition to the multifaceted Elizabeth and Darcy, the novel presents stock characters we all understand (the interfering, well-intentioned but ridiculously foolish mother; the pompous Mr. Collins; the snobbish Miss Caroline Bingley; and the scoundrel Wickham). 3. Once students have talked about universal themes in the plot and characters, have them work as a class to update these elements into a modern-day scenario. For example, what might happen in a modern-day love story with similar characters and challenges? What might a modern-day Mr. Collins act and look like? To illustrate what you have in mind, you could give students a summary of Austen’s novel Emma and show appropriate scenes from the 1995 movie Clueless, which is loosely based on the novel. 4. Then with the class, divide the modern-day scenario into a number of scenes that, taken together, will cover the entire plot line. (Alternately, they could simply choose a scene from Pride and Prejudice to adapt into a modern-day scene.) Assign a different scene to each of several small groups who will draft an actual script for it. 5. Go over with the class important elements of a dramatic scene: • The script of a scene must contain both dialogue (the conversations and asides of the characters) and stage directions (descriptions of setting, characters, and action). Not all descriptions show up in stage directions, however; sometimes playwrights drop descriptions of setting and of characters right into characters’ dialogue. • The characters might not resolve a problem or an issue in a scene, but a scene must contain a problem or an issue that the characters are considering, and a scene must end in a satisfying way rather than simply trail off. 6. Raise with the class the following questions about updating literature: • How trendy should the locales and clothes be? • Will the characters speak in a local dialect or in a language understandable throughout the English-speaking world? • How do adapters handle content that in the 21st century may be considered sexist, but that is critical to the plot or theme as envisioned by the original author nearly two hundred years ago? 7. After groups have completed their first drafts, share with them a checklist such as the following, giving them time to revise as necessary so that they can answer “yes” to all the questions. • CONTENT: Does the dialogue or do the stage directions clearly show the characters contemplating and dealing with a problem or an issue? Does the scene end naturally, rather than artificially? • STYLE: Is the dialogue realistic and easy for an actor to say? • GRAMMAR, USAGE, MECHANICS: Have I checked to make sure capitalization, spelling, and matters such as agreement, comparison, and pronoun reference are correct? Published by Discovery Education. © 2005. All rights reserved.
Great Books: Pride and Prejudice Teacher’s Guide 3 8. Each group should get a chance to read or perform its adaptation in front of the class. Here are pointers for how to proceed: • Each student in a group should get a copy of that group’s final manuscript. • The members of the group should use their scripts to read the scene for the rest of the class. They may use props during their reading. As appropriate, actors should read or perform stage directions. 9. Once each group has performed, the audience should comment on strengths of the adaptation and parts of it that were unclear or need improvement. Assessment Use the following three-point rubric to evaluate students' work during this lesson. • 3 points: Students’ script contains all key ingredients (themes, actions, characters) from the selected section of the text; script clearly introduces a problem or an issue and develops or resolves it; actors read very clearly and in a well-paced manner. • 2 points: Students’ script contains most key ingredients from the selected section of the text; script introduces but does not develop a problem or an issue; actors read clearly in a well-paced presentation of the scene. • 1 point: Students’ script omits key ingredients from the selected section of the text; script does not focus on a problem or an issue; actors read poorly. Vocabulary appraisal Definition: An act or instance of assessment Context: When Elizabeth is able to come to a true appraisal of Mr. Darcy, she realizes his fine qualities and accepts his marriage proposal astute Definition: Having or showing awareness and clear thinking Context: Jane Austen’s Pride and Prejudice includes astute observations about the nature of love and marriage. degradation Definition: Decline to a low, destitute, or demoralized state; moral or intellectual decadence Context: Mr. Darcy feels that a connection with Elizabeth’s unpolished family will be a source of degradation. Published by Discovery Education. © 2005. All rights reserved.
Great Books: Pride and Prejudice Teacher’s Guide 4 discernment Definition: The quality of being able to grasp and comprehend what is obscure Context: Elizabeth prides herself on her discernment when judging people and must learn that she has made a mistake in the case of Mr. Darcy. orchestrate Definition: To arrange or combine so as to achieve a desired or maximum effect Context: Mr. Darcy orchestrated accidental meetings in order to have contact with Elizabeth. scoundrel Definition: A disreputable person. Context: The scoundrel Mr. Wickham lies, cheats, and takes advantage of innocent people. suitor Definition: One who courts a woman or seeks to marry her Context: Jane Austen is believed to have had one or two serious suitors in her life, but she never married. unrequited Definition: Not reciprocated or returned in kind Context: For some time, Mr. Darcy had to live with the knowledge that his love for Elizabeth was unrequited. Academic Standards Mid-continent Research for Education and Learning (McREL) McREL's Content Knowledge: A Compendium of Standards and Benchmarks for K-12 Education addresses 14 content areas. To view the standards and benchmarks, visit http://www.mcrel.org/compendium/browse.asp. This lesson plan addresses the following national standards: • Language Arts—Reading: Uses the general skills and strategies of the reading process. • Language Arts—Reading: Uses reading skills and strategies to understand and interpret a variety of literary texts. Support Materials Develop custom worksheets, educational puzzles, online quizzes, and more with the free teaching tools offered on the Discoveryschool.com Web site. Create and print support materials, or save them to a Custom Classroom account for future use. To learn more, visit • http://school.discovery.com/teachingtools/teachingtools.html Published by Discovery Education. © 2005. All rights reserved.
Great Books: Pride and Prejudice Teacher’s Guide 5 DVD Content How To Use the DVD The DVD starting screen has the following options: Play Video—This plays the video from start to finish. There are no programmed stops, except by using a remote control. With a computer, depending on the particular software player, a pause button is included with the other video controls. Video Index—Here the video is divided into sections, indicated by video thumbnail icons. Watching all parts in sequence is similar to watching the video from start to finish. Brief descriptions and total running times are noted for each part. To play a particular segment, press Enter on the remote for TV playback; on a computer, click once to highlight a thumbnail and read the accompanying text description and click again to start the video. Curriculum Units—These are specially edited video segments pulled from different sections of the video (see below). These nonlinear segments align with key ideas in the unit of instruction. They include onscreen pre- and post-viewing questions, reproduced below in this Teacher’s Guide. To play a particular segment, press Enter on the TV remote or click once on the Curriculum Unit title on a computer. Standards Link—Selecting this option displays a single screen that lists the national academic standards the video addresses. Teacher Resources—This screen gives the technical support number and Web site address. Video Index I. Overview (11 min.) An introduction to Pride and Prejudice, Jane Austen's story of Elizabeth (Lizzy) Bennet and her sisters, 19th-century women all searching for the perfect husband. II. Austen’s Romantic Comedy (15 min.) Learn about Jane Austen's own life while taking a closer look at the romantic comedy genre. Lizzy forms an unfavorable opinion of Mr. Darcy after meeting him at a party. III. A Marriage Refusal (12 min.) After refusing Mr. Collins' marriage proposal, Lizzy refuses the same request from Mr. Darcy because she has a poor opinion of him. Lizzy's search for love is mirrored in modern-day tales. IV. Reevaluating Darcy (14 min.) After receiving a letter from Darcy in which he explains himself, Lizzy reevaluates her opinion of him. But their road to love, like many real-life romances, is littered with obstacles. Published by Discovery Education. © 2005. All rights reserved.
Great Books: Pride and Prejudice Teacher’s Guide 6 Curriculum Units Segment 1: Pride and Prejudice: A Timeless Love Story Pre-viewing question Q: What is the greatest love story you have ever heard? A: Answers will vary. Post-viewing question Q: Do characters in the romantic comedy genre generally fall in love at first sight? A: No, typically the characters immediately dislike one another but eventually have a change of heart and fall in love. In romantic comedies, such characters are fated to be together. Segment 2: The Search for Mr. Right Pre-viewing question Q: Have you ever misjudged somebody based on a first impression? A: Answers will vary. Post-viewing question Q: Why do you think Lizzy was Jane Austen's favorite character? A: She is intelligent and independent. It has been said that Lizzy was based on Jane Austen herself, which would make the author partial to her. Segment 3: First Impressions, Worst Impressions Pre-viewing question Q: Would you act against your own principles in order to help your family? A: Answers will vary. Post-viewing question Q: In what way does Lizzy misjudge Mr. Wickham? A: She believes him to be compassionate and caring because he shows such ease and grace. Segment 4: Lizzy Falls in Love Pre-viewing question Q: Have you ever unwittingly created a bad situation through good intentions? A: Answers will vary. Post-viewing question Q: Why does Lizzy change her mind about Darcy? A: After reading and rereading his letter she begins to understand his position and is able to see him for the man that he is rather than for the man that she assumed him to be. Segment 5: Jane Austen's Life Pre-viewing question Q: Do you think Jane Austen believed in true love? A: Answers will vary. Published by Discovery Education. © 2005. All rights reserved.
Great Books: Pride and Prejudice Teacher’s Guide 7 Post-viewing question Q: How did Jane Austen's life change after the initial rejection of First Impressions? A: Her family moved, and her father died. It has been rumored that she lost a love as well, but that has never been confirmed. Segment 6: . Austen's Timeless Tales Pre-viewing question Q: What were the accepted careers for 19th-century women? A: Women were limited to social and domestic duties. They could work as a governess, tutor, or writer. But marriage was the most widely accepted path. Post-viewing question Q: Do you think Austen's stories are still relevant today? A: Answers will vary. Published by Discovery Education. © 2005. All rights reserved.
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