GENDER PERFORMANCE DISCOURSE ON TINDER PROFILE PICTURES IN LONDON, UK - A SOCIAL SEMIOTICS STUDY - UBM Journal
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Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 17 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 GENDER PERFORMANCE DISCOURSE ON TINDER PROFILE PICTURES IN LONDON, UK – A SOCIAL SEMIOTICS STUDY Dery Rovino1), Michael Jibrael Rorong2), Jai Kishon Goswami3) 1) Assistant Professor, English Education Study Program Media Nusantara Citra College of Education (STKIP MNC), Jakarta, Indonesia – 11520 2) Assistant Professor, Communication Science Study Program Putera Batam University, Batam, Riau, Indonesia – 29434 3) Assistant Professor, Amity School of Communication, Amity University Chhattisgarh, Raipur, Chhattisgarh, India – 493225 Diterima 10 Desember 2019/ Disetujui 28 Maret 2020 ABSTRACT Cyclical and bidirectional relationship(s) between technology and today’s romantic gratifications have reformed how people seek romance. On another end, gender performances largely underpin humans’ romantic gratification. This is where Tinder, as a dating application, affords unique opportunities for those seeking romances through portraying gender performances. A number of studies concluded that, in romance-seeking ventures, male’s masculinity and female’s femininity generally remained conformist to their respective biological attributes. Therefore, this study aimed to evaluate nuances of gender performances portrayed in dating apps such as Tinder. Since Tinder profile picture, as a form of visual text, is a source rife with gender performance cues, this study focused on the visual component – profile pictures. Profile Picture Protocol (PPP), derived from notable social semiotics frameworks, was established. This study revealed that, albeit a major affinity towards more saturated bright colors in the observed data, color choices in profile pictures were not conclusive to determine gender performatives, mainly due to possible duality in meanings when other elements (body gestures and clothing choices) were taken into consideration. Formal clothing choices were only found in the male group, which was conformist to the previous studies. Foregrounding bodily features was evident in both male and female group’s profile pictures, which indicated that the male group also exuded an element of femininity, which leaned towards contestating the previous findings. Actors’ angles that were frontal as well as eye-level, indicated a need for social closeness and friendliness emulation, were fashionable in both gender groups, which was initially prevalent in the female group. Limitations were put forth. Keywords; profile picture; visual text, social semiotics, gender performance, Tinder ABSTRAK Hubungan siklus dan dua arah antara teknologi dan gratifikasi romantisme dewasa ini telah mengubah cara orang mencari hubungan romansa. Di sisi lain, ekspresi gender umumnya mendukung gratifikasi romantis manusia. Di sinilah Tinder, sebagai aplikasi kencan, memberikan peluang unik bagi mereka yang mencari romansa melalui ekspresi gender. Sejumlah penelitian menyimpulkan bahwa, dalam usaha pencarian romansa, maskulinitas pria dan femininitas wanita umumnya tetap mengikuti atribut biologis masing-masing. Oleh karena itu, penelitian ini bertujuan untuk mengevaluasi ekspresi gender yang digambarkan dalam aplikasi kencan seperti Tinder. Karena gambar profil Tinder, sebagai bentuk teks visual, adalah sumber penuh dengan isyarat ekspresi gender, penelitian ini berfokus pada komponen visual - gambar profil. Profile Picture Protocol (PPP), berasal dari kerangka kerja semiotika sosial terkemuka, dikonstruksikan. Studi ini mengungkap bahwa, meskipun memiliki ketertarikan umum terhadap warna-warna cerah yang lebih jenuh pada data yang diamati, pilihan warna dalam gambar profil tidak konklusif untuk menentukan ekspkresi gender, terutama karena kemungkinan dualitas dalam makna ketika elemen lain (gerakan tubuh dan pilihan pakaian) disertakan dalam pertimbangan. Pilihan pakaian formal hanya ditemukan pada kelompok pria, yang sesuai dengan penelitian sebelumnya. Gambaran tubuh terdepan terlihat dalam gambar profil kelompok laki-laki dan perempuan, yang menunjukkan bahwa kelompok laki-laki juga memancarkan unsur feminitas, yang condong ke arah mengontestasi temuan sebelumnya. Sudut para aktor yang frontal maupun setinggi mata, mengindikasikan keinginan atas kedekatan sosial dan emulasi keramahan, yang umum di kedua kelompok gender, yang awalnya lazim di kelompok perempuan. Keterbatasan penelitian disampaikan. Kata Kunci; teks visual, Semiotika Sosial, performa gender, aplikasi berkencan. 17
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 18 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 *Korespondensi Penulis: E-mail: dery.rovino@stkipmnc.ac.id michael.rorong@puterabatam.ac.id jkgoswami@rpr.amity.edu INTRODUCTION Polymedia is a construct where there is an understanding that social media are a group Generally, a lot of components of of complex environments whose culture is belonging to modern people and allowances ever-shifting (Madianou, 2015). It can be of Information Communication Technology further contested that although virtually (ICT), in the form of Internet and social Tinder enables users to multiply expressions media sites (SNS), have amalgamated in of selves, it confines as well to an extent that ways that have never been practiced circa the features of Tinder “guide, distort, and pre-millennium era. This situation could be facilitate social activity— but delete some of understood since the internet “[…] grants the it” (David & Cambre, 2016, p. 9). In this possibility […] to stay in constant contact juncture, the complexity of Tinder use and its with friends” thus the need of more organic relation to gender performance portrayal are and physical interactions somewhat has what intrigues this study to proceed. become secondary (Thurlow, 2003). Also, Therefore, the above conundrum humans use applications that are very closely enticed this study to further inquiring the related to current technological developments layers of gender performances expressed by (Rorong, 2016. p 102). Since seeking Tinder users through their profile pictures. romance is a part of human interaction Previous social semiotic studies in gender spectrum, technology also caters to this expressions through visual cues were utilized particular activity (A. Smith & Duggan, in order to assist with evaluating the findings. 2013). Tinder as a dating application (app) Visual texts such as pictures carry potentials acts as a tool and vessel that provides both for portraying gender representations ample and unique opportunity to display (O’Regan, 2006) and Tinder plays a role as a one’s gender performances as a vessel to find fertile space that allows its users the romantic gratifications (Sumter, liberation to assume and subscribe to plethora Vandenbosch, & Ligtenberg, 2017). MacKee of visual expressions (MacKee, 2016; (2016) posits that Tinder mostly permits Timmermans & De Caluwé, 2017). homosexual clients to depict the users’ less Against the above background, a sexual selves, apparently differentiating its research question was then constructed: other partner “hook-up app” which to an “How do Tinder users perform gender degree manage its clients to depict performances in the visual text?”. This study excessively sexual persona(p. 3). was undergone due limited research studies Lawson and Leck (2006) observed which attend to the representation of gender different objectives beyond seeking life in dating application through profile pictures, companion, which are comfort post-crisis, a while similar approach has been done to power over presentation of selves, adventure media in print versions and televised and fantasy realization. This then implies that programs (Dhaenens, 2013; Edgar, 2011). user-generatedness value applies to dating Although Timmermans and de Caluwé (2017) app in that the uses and function of the studied motivations underlying people’s platform are dependent towards the innate decision to create a Tinder profile, little has motivation of the users (Shao, 2009). From been addressed concerning how the users the app point of view, this dialectical displayed their gender performances, which relationships between users and app render was where this study gained its novelty. Tinder as Polymedia: the app producer initial Gender representation has been objective of the app does not always become investigated in printed media (Saraceno & relevant with its final uses on the users’ side Tambling, 2013; Small, 2017; Vokey, Tefft, (Horst & Miller, 2012; J. Smith, 2014). & Tysiaczny, 2013) and gender expression on 18
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 19 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 TV (Dhaenens, 2013; Edgar, 2011). Both humans coexist, interact, and understand their studies virtually discuss how media, as world, wherein investigating human institutional agents of social (re)construction, experience through structure and hierarchy – actively alter their consumers’ understanding generally modernists way – should be towards gender. Timmermans & De Caluwé questioned. Mooers admits that there is an (2017) examined inspirations basic people’s element of inconsistencies in postmodernist choice to form a Tinder profile. McLeod and studies which could lead to lack of certainties Wright (2016), broadly talking, conclude how in the understanding. However, Mooers dating apps (Tinder and Bumble) administer, concludes human experience does not fit into permit, but too restrain its users’ bi- preconditioned categories, which is directional intelligent. Discoveries by Sumter preemptively inherited. Human experiences, and Vandenbosch (2019) floated around the traditions, and cultures are lively and prone to endorsed employments of Tinder and experience shifts. This is further emphasized inspirations of its users in connection to by Januarti and Wempi (2019) where they sexual and romantic graticiation. found cultural shifts in the manufacture of Comparative to Sumter and Vandenbosch, traditional fabrics of an Indonesian ethnic Ranzini (2017) found, among other things, tribe, driven by external influences. This is the polarizing (but nearly twofold) perhaps what is meant by human experiences employments of Tinder where female bunch being complex, fluid and artistic in their looked for approval and sex intercourses unique human ways due to interactions with drove the male partner. All the over different influential agencies. discoveries, in spite of the fact that Furthermore, the force of instructive, did not unequivocally address postmodernism persists beyond claims how visual content constuctions advance or regarding the history of philosophy and downgrade sex representation of its clients, Derrida’s reading of foundational texts. which is where this ponder acts to extend the Between 1970s and 1980s was the onset of discourse through visual content postmodernists affecting literary studies, in investigations. part following the translation of Derrida’s In Indonesia, investigation into work into English. Postmodernism is as well gender has been discussed in relation to its due to the fruit of labour of other thinkers, dialectical relationship with religion, history, including Paul de Man, J. Hillis Miller and and politics where it is placed in such Barbara Johnson. Instead of thinking complex and cyclical position in different postmodernism in ways of modernism Indonesian societies and varying time pockets regarding the metaphysics and claims about (Blackwood, 2005; Robinson, 2008). Few ultimate being, literary postmodernism studies have also acknowledged empirical abandons such constructivist ethos: findings where subversive acts in the form of postmodernism DNA is baselining on the ‘feminist activism’ by Muslim women were relative socioculturally-dependent present in the country though their scalability construction of epistemology (Jones, 2016, p. remained in question (Rinaldo, 2014). 27). Judith Baxter (2016), then, rightly asserts Nevertheless, the observed studies may have that human knowledge is epistemologically implied absence in researching gender built, discovered by and during social through language production, which is where interaction, thus renders knowledge as ever- this study positions itself to fill gap of shifting and dynamic. understanding to gender representation in In gender studies, Butler posits that dating application. gender identities manifests in acts being performed (2016), therefore labeled “gender LITERATURE REVIEW performativity/ performance”. Butler (2006) argues three dimensions interplaying in Postmodernism is a construct to gender performances: “anatomical sex, question and contest the unspoken sanctity of gender identity, and gender performance”. modernist view in evaluating humans’ social This may suggest that human’s gender dynamics. Mooers (1997) rightly suggests identities are conditional thus may not be that philosophical and relative differences linear to the biologically assigned genders. In 19
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 20 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 turn, positivist’s claim where gender is exchanges between a specific drug-using biologically or environmentally conditioned group in a platform is interactional-based, in is challenged. Judith Butler (2006), however, that codes are created between interlocutors admits that humans are limited in performing in unique ways where their uses are localized, gender where alignment with the norms of limited, and understood by the people culture is desired by the society. It is accepted involved in the community. Hutapea confirms that these social standards can be what is that those specific codes are to enable them to implied by sex generalizations. Döring, Reif, communicate without being understood by & Poeschl (2016) warn that drastic the external people. This then informs an simplifying cultural phenomenon drastically element of user-generatedness on social added with repeated practices of it would media platforms where the users’ objectives yield cumbersome social norms potential to of using a particular social media platform are exclude people who are unfit to the fixated not necessarily in line with its intended uses categories (p. 956). Pierre Bourdieu (1977) (Kwak, Lee, Park, & Moon, 2010; labels this phenomenon a “cultural habitus”, Situmeang, 2017). which is a product of an act of repeating and In regards to online interactions, habitualizing a particular doing. Giving Herring (2011) interestingly finds a number archetypes of masculine and feminine of females portraying vigorous language behaviors may provide a single narrative of choices in an online forum that is dominated gender profiling thus exclusion of certain by males, while males linguistically seemed group of people may not be avoided. In this less exuberant in an online forum where the manner, it would be concerning in the event females are the majority. Clothing-wise, that this categorization of sex performativity Tifferet & Vilnai-yavetz (2014) sees that would turn into more broadened sexual male clients' Facebook profile pictures show orientation asymmetry where one gather of formal dress and outside exercises which is sex rules the other. contended that convention and open air action Furthermore, it could be argued that are identified with the guys and the need of the mainstreaming of binary gender "displaying status prompts"(p. 393). performance could reach the large body of Dating apps like Tinder, being a social groups could promote and perpetuate platform for digitized online interactions viewing gender one-sidedly which would added with the need for romantic later yield undesired consequences in the gratification, Herring (2011) observes young social sphere. Vokey, Tefft, & Tysiaczny women’s self-representing themselves in a (2013) conclude that ‘hyper-masculinization’: rather sexual display by wearing low-cut and a single, over-masculinized, way of provoking clothes along with sexualized characterizing “manhood”, in magazines gestures (p. 213). Selfie culture on Tinder is might result ‘social sanctions’ to male also semiotically relevant to how people hint populace such as improbable ‘perfect man’ their gender performances. Sedgewick, Flath, profiling and physical hostility to the inverse & Elias (2017) finds that the males prefer to sex (p. 573). Novarisa (2019) further take a photo of themselves with angle that is confirms that there is a symbolic reference lower while the females have an affinity where male actors imposed violent power towards taking a selfie with angles that are asymmetry towards female actors on scripted higher. These findings, the scholars argue, television program, which could say correspond to what the users believe as “the something about an affinity towards ideal mate qualities”: for the males, lower patriarchal ideology and the current capital point would make a “tall illusion” and more value towards masculinization nature of TV in control; lower point would reflect a “small/ programs. brief illusion” for the females in this way less However, there is production and in control. reproduction of communicational codes based It can be concluded the observed on a cyclical relationship between agents and male and female groups are capable to the target cultures. Hutapea (2017) provides a assume more than one gender performances useful description where the researcher found preconditioned not only by biological and out that a repertoire of communicative cultural, but also social and eventually 20
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 21 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 personal predispositions. Multiplicity of of a sign. A Semiotics expert, Umberto Eco identity not uncommon in social interaction. calls the sign as a 'lie' wherein something MacKee (2016) concludes that non- hidden is oftentimes not the Sign intended (p. heteronormative men depict different gender 177). John O’Regan (2006) acknowledges performances in two different dating apps visual texts potentials (pictures, colors, wherein the participants’ Tinder profile shapes, and more) to add ideational meanings picture would semiotically signify somewhat of texts. However, in reality, it seems the of dignified and less sexual men. majority of text analyses remain to rely on the Contrastingly, the same participants would written cues thus the visual ones become signify more sexually obvious persona in an secondary. Theo van Leeuwen (2004) app that is generally preconditioned for confirms that the ideational meanings could sexual advances. Participants of Mackee’s be relative as communicative means “[…] study would, one of which, feature their allows the articulation of different social and “topless” overly sexualized profile pictures in cultural meanings” (p. 4). Since Tinder users the sex-motored app. deal with visual text, this study develops Visual cues in the form of photos are Profile Picture Protocol (PPP) as a tool of heavily used to portray gender performances analysis. PPP generally comprises of two on a dating application like Tinder. Therefore, major elements: Space, allowing it is compelling to explore the dynamics of interpretation surrounding elements in the gender performance being formed and picture; and Actor, decoding ideational projected outward in the Tinder app meanings portrayed by the person. compared to the previous findings. ‘Space’ is further broken down into frame, color codes, and spatial codes. Van RESEARCH METHODOLOGY Leeuwen (2004) suggests that frame is essentially the “territory” of the picture where A Social Semiotic Analysis – Profile contributive lexical elements may exists. Picture Protocol (PPP). Further, ‘Color codes’ according to Kress & Social Semiotics is an endeavor for van Leeuwen (2006) is essentially the colors something rather strange to be further and how they may signify ideational questioned in certain texts or narratives / meanings. Color codes are further broken discourses. Analysis behind the paradigm, down into the followings: including the hidden meaning behind visual - High & Low Color Saturation entails to texts. People also often say semiophica is an the overall impressions of color where effort to find the meaning of 'news behind the emotive effects may be resulted from: news' with semiotics. (Trifonas, 2015. p.1- high saturation that is heavy with the mix 25). Djonov and Zhao (2018) notes the ability of bright colors is associated to positivity, of Social Semiotics to uncover meanings that exuberance, adventurousness, energy, etc. are produced, repeated, in different media and On the other hand, low saturation usually platforms, mainly billboards, literary texts, signifies subtlety, mood dynamics, and others. The researchers further argue that tenderness, cold and repression, and also acts of repetition and ‘habitualization’ brood. (Kress & van Leeuwen, 2006); producing signs and meanings will ultimately - Color Immaculateness extends from lead to institutionalization of the meanings exceedingly unadulterated in color to and sings produced. This then means that exceedingly crossover in color: tall there is a subtle, unconscious, yet apparent immaculateness is to some degree action to producing a form of sign which ‘Mondrian’ where there's color blocking Pierre Bourdieu previously has mentioned in in essential colors (yellow, ruddy, blue, regards to ‘cultural habitus’. dark, and white).This means an Bouissac (2017) further posits component of innovation and lesson. Tall Semiotics as a model of analysis for social hybridity where color angles are utilized science, aimed to understand the world as a is related with “fluidity, relativeness, and system of relationships that has a basic unit of complexity of ideas”, and submits to 'sign'. Therefore, semiotics studies center postmodernism (Demjen, 2016, p. 129); themselves on the existence and interpretation - Modulation is essentially the application 21
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 22 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 of shades of colors. Low modulation Clothing is comprised of the followings: where one-tone color is applied ‘Carrier’ which essentially signifies the throughout may signal ‘simplicity, general look; possessive attributes whose boldness, and abstract truth’ (Kress & van accessories are considered in the overall look, Leeuwen, 2006); i.e. the use of pearl necklaces, formal clothes, - Differentiation is related to the color uses and dresses signify different ideational where monochromes suggest timidity and meanings; and high or low modality are acknowledges ‘classic fashion’ choices. discussed. Hodge & Kress (1988) rightly Multicolor uses signify an element of claim that each clothing item suggests diversity and a sense of adventurousness meanings, especially in relation to the actor’s (Demjen, 2016, p. 129); aspiration to a particular gender stereotype - Red or blue tones point at the common (pp. 62–3), deemed highly relevant to this temperament of the picture. The utilize of study. ruddy tint is related to warmth, vitality, A number analyses need to be undergone striking nature, foregrounding. when it comes to ‘Gesture’. Kress & van Occurrences of blue tone are connected to Leeuwen (2006) emphasize that there is a ‘coldness, calmness, separate, need for ‘vector’ analysis, which is backgrounding’ (Demjen, 2016, p. 129). - essentially the lines stretched in the frame signifying a few meanings: directions to - Spatial Codes bargains with the actor’s another object in the frame, the degree of position within the outline and the degree proximity of actors to the audience, and of remove crossing between the gathering actor’s visible pictorial movements. ‘Angle of people and the on-screen character. positioning’, scholars claim, is generally Notes to see at are whether the on-screen comprised of a few elements: frontal angle character is formally/ casually depicted which indicate involvements with the and whether the on-screen character is audience; oblique angle which suggests positioned central or within the outskirts detachment from the audience; high angle is of the outline. Spatial codes offer closely associated with power asymmetry assistance reply the ideological request of where the less power position is on the control asymmetry (Hodge & Kress, actor’s side thus putting the audience in the 1988, pp. 61–3). The degrees of distance higher power relational position; lower angle are linked to emotional proximity is the polar opposite of high angle where the between the actor and audience. To put actor is position in much higher power into perspective, close shot picture position to the audience; and eye-level signifies closer and intimate emotional suggests equality in power among audience proximity, medium shot is linked to a and actor. collective or social proximity, and long Gestural cues, furthermore, Kress & shot suggests less than personal van Leeuwen (2006) further elaborate as focal proximity. elements in determining semiotic understanding to the gesture analysis. Ideational meaning can be found in Gestural cues are divided into two sub- ‘Actors’ and their saliency, clothing, and elements, ‘demand’ and ‘offer’. ‘Demand’ gestures along with the way they gaze in the means that the actor expects audience to join frame. Saliency is related to the ways of in an imaginary relationships with them. It is actors and their methods of emphasis amidst as if the actors express “Look at me as the compositional elements, especially regarding central actor”. Cues to be scrutinized in the the degrees in which they appeal to the ‘demand’ is the visible smile (audience is to audience attention (Van Leeuwen, 2004, p. enter actor’s social sphere), cold/ straight-face 284). Photographic alterations such as (audience is feel the emotional vulnerability brightness, focus, methods of cropping, and of the actor), seductive/ sexually provoking pictorial size of the actors are also taken into “pouts” (audience is to desire the actor), account. limbs position (folded arms in front of the ‘Clothing’ is essentially the methods of body indicates emotional distance and neutral actor’s attire’s mixing-and-matching. limbs indicate actor expecting sufficient 22
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 23 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 social proximity) (Gopikrishnan, n.d.). Kress with the actor may suggest the actor’s healthy & van Leeuwen suggest ‘Offer’ gestural cues lifestyle. Lastly, according to the scholars, where the actors represent somewhat of an ‘Gaze’ evokes ideational meaning where a information vessel for greater narratives. is as direct look to the audience may suggest if the actor confers “Look at this ideation ‘Demand’ while absence of gaze to the where I belong to!”. This can mean that the audience may signify ‘Offer’. actor expects a membership to a larger setting instead of centering the signified meaning on DATA AND ETHICAL themselves, e.g. sports activities portrayed CONSIDERATION Figure A: Tinder Topography retrieved from http://bit.ly/2uNELbU, last accessed: 23/07/2017, 05.03 pm, London time Tinder is a dating app that is geo- central London were collected. London was locating and proximity-based allowing users chosen as the locus of this consideration for a to locate potential romantic partners who fall reason none other than the truth that this into their preferred criteria of gender and geo- consideration was a portion of a bigger scale location proximity (i.e. 0 – 21 km) (Sumter et of think about which took put in London. al., 2017). “Swiping” is the common Changing the area for information collection vernacular in this context which means other than London may require another set of physically dragging a profile to the right information that would wreck the full means an interest for interaction with the investigation gathering. Indeed so, this brings profile owner, and a drag to the left signifies approximately an address, and conceivable otherwise.The figure above provides future course of investigating, in which description of Tinder topography and geographic area may have impacts in sexual sequential process of “finding a match”. orientation exhibitions. Tinder users are given a “stack” of potential Even though there ought to be no romantic-interests from which they can either undesired suggestion from selecting this swipe right or left depending of the users’ zone, potential designs and discoveries as interests. The “It’s a Match” screen indicates byproducts of this consider may not rehash, that both show interests in each other. Only ought to comparable consider being upon matching, conversation can begin. connected in other geological zones. All things considered, restricting topographical Datasets sweep and the sum of collected information Tinder by and large has two primary were due to the permitted time, were components which are profile pictures and moreover due to the time-intensiveness of description. In any case, in this ponder, an undertaking Social Semiotics Investigation. examination was coordinated towards the profile pictures. Since social semiotics is Data Collection Method and Maximizing primarily utilized for visual content, this Randomness thinks about at that point normally Tinder profile was set up in arrange accumulated sixty fundamental profile to extricate arbitrary Tinder profiles. pictures from thirty female and thirty male Submerging, to begin with, analyst into the Tinder clients. Profiles inside – 21 km from watched investigate setting isn't an 23
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 24 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 unprecedented hone particularly considering degree of points of interest and complexities the possibilities for encountering the inquire to begin with analyst connected to the system about setting first-hand (Dörnyei, 2007). Only were the causes of or maybe long profiles within the – 21 km extend were examination handle. Furthermore, there were extricated and analyzed. Five days were negligible program employments to help with decided for the information collection term. PPP investigation. Be that as it may, the Three “time zones” were organized where the investigation was generally helped by the most punctual time hour for information clear picture designs i.e. most profile pictures collection was at 9 AM and 10 PM being the were taken in a ‘selfie’ a representation mode most recent. Five hours were the interims (Sorokowska et al., 2016) in this way between time zones. To begin with, half-hour requiring less time for interpreting not as it was for extricating Tinder profiles that were were the actors’ look but to point. from the male gather, Female bunch profile extraction was the half-hour after. To advance Ethical Consideration guarantee greatest arbitrariness, the male- There were several inquire about then-female approach to profile extraction morals to be examined and defended. was not continuously connected all through Framework disappointments, particularly the course of information collection period: regarding data security, support, and information collection variety from male- misfortune, are several common challenges in female to female-male setup was executed. this ponder. Subsequently, to begin with, In any case, in reality, the perfect situation analysts concocted password-encrypted cloud over was not the foremost time-efficient in capacity for any reports. Equipment such as this way an adjustment was called for. To put tablet computer, smartphone, an outside hard- it into viewpoint, in a day, three profiles were drive, and computer program Mendeley extricated at the same time, and in this way, reference supervisor was password-encrypted the time-frame and time-intervals were as well for maximum assurance. Concerning neglected. Tinder profiles in a perfect world the nature of information, zero coordinate are comprised of at slightest one profile contact with any human members was picture and some composed substance within connected due to the text-driven nature of the the profile depictions. Avoidance to a few inquire about to extend. A foundational Tinder profiles, be that as it may, had to be reason for exclusively including visual sanctioned since the baselining preconditions components (profile pictures) is there were laid out in both the information criteria and possibilities for visual content to show as inquire about morals were not met. “[…] social spaces in which two essential Categories for profile exclusion were, among social forms at the same time happen: others, babies/ underage children within the cognition and representation of the world, and outline, numerous profiles but comparable social interaction” (Fairclough, 1995, p. 6). profile proprietor, and pictureless profile. Further, the non-attendance of assent shape in a ponder where human-produced Data Analysis Procedure online substance is included may be a PPP was completely utilized in common practice, however cautious treatment arrange to reply to the inquire about the to information still should take put. Trilling address: “How do Tinder users portray sex (2015) explored two bunches of human- exhibitions within the visual text?”. Analysts produced content, discourse transcript and set up a PPP network where each push is Twitter posts with a hashtag #tvduell where spoken to sub-analysis with foreordained the creator did not get assent shapes from the conditions for simple reference. Information Twitter clients whose tweets were utilized as was analyzed successively: beginning from the dataset. Looking at the test estimate (N= the Space to the On-screen character segment. 120.557 tweets), it was very unreasonable to There was no watched method of reasoning get assent from the information makers. as to why a consecutive information Advance, to Trilling’s (2015) defense, tweets investigation preparation was undergone. are composed substance freely accessible. All Three weeks was the time utilized to achieve things considered, Trilling utilized several the PPP investigation for all information. The strategies to anonymize content makers such 24
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 25 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 as not uncovering Twitter handles. This to begin with analyst has screened all inquire about to consider, moreover, obscured out visual writings/ profile pictures depended on Tinder Inc. explanation that through the Google Picture Discoverer upon marking up, Tinder users “[…] concur (https://images.google.com/) to affirm that that any Substance put on the Benefit may be the first sources where the pictures have a seen by any individual going to or partaking place to were untraceable within the web. within the Benefit (such as people who may In respect to information transmission, to get shared Content from other Tinder users).” begin with, the analyst has guaranteed that the (Tinder Legal, 2016, p. 4). This proposes that information would not circulate anyplace off Tinder clients ought to completely mindful London, embedded into emails, passed that any components of the profile they show online, or be made in print without applying a may be unveiled worldwide (Tinder Lawful, tall level of secrecy. Each cautious 2016). Subsequently, from the information information assurance degree has submitted point of view, it infers the versatility of the to the morals rules by “British Mental Society substance in that it can both be seen and (2009) Code of Morals and Conduct, and moved around. In any case, leaving from (2014) Code of Human Inquire about Morals, Trilling strategies of inquiring about morals British Instructive Inquire about Affiliation application, to begin with, the analyst has (2011) Moral Rules, and British Sociological secured the information by obscuring out any Affiliation (2002) Explanation of Moral identifiable highlights such as facial Practice”. Report of inquiring about morals highlights, all sorts of online and offline was submitted to the UCL Established of addresses. This approach to anonymization is Instruction and this consider had gotten an additionally exemplified by Mackee (2016). endorsement from the UCL Board of Assist, as an included degree to the Investigate Morals. information security, novel treatment to the information could be a strategy called ANALYSIS AND DISCUSSION “backtrack image” strategy. This implies that, Figure B: (left to right) Andy, Ariana, Jeff and Isaacs, retrieved from Authors’ data analysis. Space Generally, the watched profile “blue”, and 20 female profiles appeared to pictures did not have any composed content flag “red hue” whereas the rest appeared to within the outline. Appeared within the chart, depict “blue”. most information appeared direct degrees of Kress & van Leeuwen (2006) color immersion, as prove in Jeff and Isaacs conversation almost the potential messages picture. Since most of the pictures were color- being transmitted in that blue tint, for the saturated, it appeared just like the balance and most part, communicates backgrounding, hybridity elements were influenced as well. whereas the ruddy one signals foregrounding Analysts found that most Tinder profile of the on-screen character (p. 235). pictures have shown many degrees of color Encourage, Demjen (2016) proposes that the combination i.e. pastel colors to blends of utilize of distinctive colors in several shades shinning colors. Encourage, the little number (cf. hybridity) might inspire “fluidity, of profile pictures (3 occasions) concocted relativeness, and complexity of ideas” ( p. dull colors: from distinctive shades of dark, to 129). Goffman (1956) talks around many completely BW (dark and white)/ total conceivable implications of dark colors, one desaturation. In terms of “hue”, 17 male of which is that they are more often than not profile pictures were categorized as “red” concocted to cover up things within the whereas the rest appeared to communicate shadow: “[…] dull colors don't appear the 25
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 26 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 dirt” (p.143). To a degree, subsequently, the cropping. “Selfie” has ended up a striking utilize of dark or other dim colors reflects a marvel on a part of social media stages. As sense of removing the actors. “attention-seeking” was the foremost visit However, today’s moment inspiration for posting selfies, Sung et al, photography approaches through smartphones (2016) assist found that – among other things utilize channel arrangement and indeed – drawing in the inverse sex might too be “sticker”. Andy’s picture, for the occasion, determined from this category. Hodge & appears less standard. Within the outline, Kress (1988) affirm that near and medium Dark & White channel was formulated by shots mean individual, hint and social vicinity Andy but at that point included a dog’s nose between the on-screen characters and sticker. It appeared like there's a component gathering of people. Hence, it conclusive that of comical esteem to his picture. The comical Tinder pictures. Therefore, it seem conclusive and amusing individual is continuously that Tinder pictures where actors are in close congenial and related to invitingness. and medium shots expect and/ or allows Subsequently, it looks like Andy is intimacy to their potential romantic partners. attempting to imitate the invitingness On another conclusion, other actor- component to his picture in spite of the Dark highlighting methods were concocted in and White color choice to his picture. arrange to check the backgrounding Following Andy, Ariana utilized comparative possibilities when selfies were not utilized. It Dark and White channel to her picture. In any was watched that, in this ponder, on-screen case, what is curiously is that Ariana has characters as often as possible made shown openness by opening up her middle. themselves the biggest pictorial measure Moreover, Ariana communicated delight in compared to other performing artists through her grin. On the off chance that Goffman’s zooming and/ or trimming strategies, as prove Dark & White contention was taken in Isaacs’s picture. Advance, photographic erratically, we might have rashly concluded adjustments and setting controls i.e. on-screen the two actors over to set up separately with a characters purposely obscured out the group of onlookers. Subsequently, it can be foundation, the biggest sum of light contended that Dark and White pictures don't connected onto themselves, precise continuously communicate removing and procedures (will be talked about advance), backgrounding, particularly when body and so on. The researchers respect these signals were considered. But inconsistencies foregrounding strategies as ways to create the over, the actors’ approaches included layers on-screen characters ended up notable within of abundance in elucidation. the outline, and Johansen (1993) calls it an Interpretations are too determined “artistic vision and technique” (p. 74). from the actors’ and their position within the Taken together, although there were outline. Fifty-one profile pictures (N=60) trends aligning with the literature, specifically positioned the on-screen character within the in relation to actors’ positioning, there were center. More particularly, thirty-three on- other interesting findings that suggested screen characters situated themselves in the different interpretations. It seems like other near shot and eighteen on-screen characters actors’ included in the frame associated with were in a medium shot. Ariana’s picture establishing a certain image of actor. The use communicates semiotic meanings similar to of filter also seemed to compromise the most pictures. Ariana situated herself within literature. The use of Black and White filter the center of the frame. Moreover, Ariana also could suggest an element of higher level appeared to deliberately anticipate other on- of class and distancing, and yet there is also screen characters to be within the outline, friendliness and joy exuded from the pictures, apparent from her strategy of picture- which in turn suggests friendliness. 26
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 27 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 Figure C: (left to right) Glenn, Eric, Ed, and Tammy retrieved from Authors’ data analysis Actor clothing to be casual by a subjective Although it was troublesome to legitimization and comparison the bigger pinpoint “clothing” components due to setting in which the casual wear is regularly common “selfie” design, writing focuses out worn. Considering semiformal/ casual events that clothing choices ought to be considered where casual clothing is as a rule worn, in connection to sexual orientation execution. analysts may conclude that the casualness of By and large, the watched on-screen Tinder users’ outfits strengthens an thought characters remained traditionalist to more of hint and social nearness being for the most conventional sexual orientation part wanted. generalization. Analysts have assembled Another curiously finding was what these clothing choices into four categories: this ponder coined “strategic skin showing”. “formal; casual; skin; and nondescript”. As numerous as 25 (twenty-five) Tinder Clothing categories from this time forward clients appeared their body parts in changing considered as “carrier”, concurring to Hodge degrees. The designs were that a few male & Kress (1988), would have components of clients favored to go “topless”. Female clients “possessive attributes” to encourage total the appeared to appear liking to appear shoulders, semiotic understanding of an on-screen arms, breasts zone, and legs. As of now character. Underneath is the analysis: already depicted in that there remains an Five guys were appeared to wear component of mindfulness towards formal outfits whereas the same did not apply conventional sex standards that resort in for the female bunch. This implies that formal organic gifts which dole out a specific clothing category less prevalent despite individual to a specific sex category. several occurrences. Analysts would However, it is interesting that this legitimize those attires as formal since of particular action was more fashionable in the much bigger setting where such clothing were female group (F= 16) than that of the male ordinary to be worn in formal event. Suit and (M= 9). This somehow suggests an element tie gathering was obvious in Glenn’s picture of subscription towards the traditional where it would appear like he meant an narrative of sexism in that a lot of women component of custom. Comparative notes remain to conform to bodily attributes that were too found in Eric’s picture. His close-up accentuate womanhood in order to identify situating appeared sufficient suit and tie, themselves as a woman (Bennett, 2015). Seen which at that point moreover proposed a level in Ed’s profile picture, he went “topless” of custom. Hodge & Kress (1988) where he did not appear to wear any shirt, recommends that traditionalist and formal which then allowed further highlight of his events call for individuals to wear masculine features. Also, as already magnificent embellishment, dresses, and suit- mentioned previously, Tammy’s outfit and-tie outfits, to which a level of convention resembles the females under this category is what Glenn and Eric wished to depict. where they would wear dresses with cuts and On the other hand, casual outfits were openings for their feminine parts: the breast: watched in twenty-five Tinder clients where legs; midriff; and legs. male bunch was quicker towards casual wear (fifteen occasions) than that of female gather (eleven occasions). Analysts considered 27
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 28 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 Gestures conventional sex generalizations stay intaglio. Forty Tinder profile pictures were The analyst recommends that “muscle- watched to have coordinate look to the group showing” guys lean toward to appear off their of onlookers and the other twenty had looks physical highlights since they assume real absent from the group of onlookers. Straight quality is related with the manly persona. look into the gathering of people means an Besides, point choices-wise, The ponder welcome for the group of onlookers to enter discoveries to some degree differentiate the actor’s social space (Kress & van Sedgewick et al. (2017) where they found Leeuwen, 2006). In other words, the watched guys appearing inclinations towards low- Tinder clients endeavored to set up an angle photo to depict themselves as strong- insinuate vicinity with their gathering of looking, taller, and higher control position people. This finding was advance than that of gathering of people, and the strengthened by as numerous as fifty-three female partner where they favored tall point profile pictures which utilized eye-level point for an figment of being brief, less huge, and which proposes rise to control position within the lesser control position than their between on-screen characters and gathering group of onlookers. The researchers of people. Too, the well known frontal point proceeded that point choice is generally due meant near social nearness and openness. to natural faculties at play as well as the attitude of “the perfect mate qualities”. Further Discussion Sedgewick et al. (2017) consider point Photographs are conceivable to approaches as “gender differences”. In any specific changing implied meaning and this case in this ponder, really not one or the other think about endeavored to find a few of them. male nor female bunches appeared The watched Tinder profile pictures appeared inclinations in concocting either tall or low inclination in implying occupation-related angles. In truth, the foremost prevalent point through clothing choices for status/ course/ choice among bunches is the eye-level point. custom signals, assist complementing that of Kress & van Leeuwen (2006) foresee the Tifferet & Vilnai-yavetz (2014) in that not as thought processes within the notoriety of eye- it were guys that highlight those categories level point: (a) a apparatus to appear social for “status cues”, but females as well in spite closeness with the group of onlookers, and; of the fact that it did not appear overpowering (b) a vessel to show sidelong control position occasions. Encourage, well known occasions between on-screen characters and group of of center situating and close-shot share a onlookers. Solid ubiquity for utilizing frontal resemblance with Herring (2011) in that points as well as coordinate look to the group selfies are utilized as a vessel to show users’ of onlookers encourage cement closeness and self-presentation. invitingness components shown by the Specific to the vital skin-showing, the watched Tinder clients. However, color discoveries complement Duguay (2016) selection-wise, Kress & van Leeuwen (2004) where at first, appearing skin was restricted to affirm that strong system to translate semiotic females endeavoring for “aesthetic implications behind color codes is however to appearance”. Discoveries of this ponder be built up, primarily due to different uses of complements that of Duguay (2016) in that color different pockets of history. Researchers there remains patterns for the watched female advance declare that “[…] what individuals gather to go through the conventional sex do with color shifts massively, and social generalization where ladies are craved due to bunches which share common purposes their physical highlights. In any case, it was around employments of color are regularly or maybe shocking where it was found that moderately little and specialized” (p. 228). male gather moreover appeared inclinations Although this study found a few color in appearing substantial highlights, making combinations to be more favored by a this common for both bunches. Although specific sex gather, it would be a rushed appearing skin isn't strikingly well known, conclusion ought to a sexual orientation this finding remained vital. The discoveries of execution translation be decoded from colors. “skin-showing” guys share an degree of resemblance with Döring et al., (2016) in that 28
Bricolage : Jurnal Magister Ilmu Komunikasi Versi Online: http://journal.ubm.ac.id/ Vol.6 (No. 1 ) : 29 – 134 Th. 2020 Hasil Penelitian p-ISSN: 2502-0935 e-ISSN: 2615-6423 CONCLUSION encountered were due to the nature of the data, as Bowen (2009) has posited that there Instead of a feminine/ masculine is bound to be barriers in the data analysis clear-cut categorization largely suggested by due to the kinds of data being garnered. There notable constructivist thinkers, this study is also an issue of human-driven analysis. It points at a direction where gender expression has been hotly debated that analysis by and identity is an ensemble of complex human raters most-likely entails to, one of display of outward performance. This is in which, biases. Burghardt et al (2012) have full alignment with some principles of noted several alternatives to alleviate biases interpretivist/ postmodernist epistemological by human raters by employing, one of which, construct (Baxter, 2016). To certain degrees, blind analysis by different raters. Due to complexity of gender performance was manpower and other limitations, these emulated in the findings of this study. This recommendations could not be performed. social semiotic study found elements of This study employed heavy Tinder profile pictures which communicated adherence to human-driven analysis over the cues of gender performances. Complementing computer software. It has been hinted its literary findings, this study discovered that previously that most, if not all, aspects of the use of formal wear is most notably in analysis were done by the researchers with male groups although some females were means that computer intervention is minimal. seen to wear similar clothing type. Color This is of a shortcoming: the data nature that choices, though preferences towards high is a screenshot, instead of an actual file, saturation and multicolored choice, were resulted in some distortions in picture quality rather inconclusive to pinpoint a particular and file extension thus computer-based gender performance. Most notably, however, software was unable to perform. Unlike actors showcasing bodily-feature were exemplified in Thurlow (2003) and Rovino common in both male and female groups. (2019), researchers were not successful in Taken further, showing off bodily features, or discovering a computer software to assist previously jargoned: strategic skin showing, with all conditions governed by the PPP. was evident in both male and female groups Although supplementary software i.e. although prevalence is leaning towards the Photoscape had been devised to assist with female ones. Although evident, this study the analysis related to color composition, discovered the utilization of the low angle to human-rater based analysis is the majority in be rather subtle in the male group as well as the data analysis process. female group, which is complementing the The above treatment, then, may be literature which initially suggests that low prone to human innate preferences. angle is related to creating an illusion of Therefore, it can be arguably suggested that height, thus “the ideals of masculinity”. most pictorial analyses might lead to, among Alternatively, frontal and eye-level angle, others, personal bias. With that being said, which exude friendly approach and social researchers would like to invite the readers of closeness, seemed to be fashionable in both this study to acknowledge that analysis biases groups. The idea of gender has far shifted are unavoidable in a lot of social research, as from the binary mold. The study is insofar noted by Shank and Corbitt (1999). Since confident that, although influences of gender biases are heavily related to social research binary hegemony, gender is performed in a studies, Shank & Corbitt invite social multilayered manner in the dating world researchers to improve the quality of data and nowadays. method of analyses which include, but not limited to, the number of garnered data and Research Limitation(S) the level of intricacy/ complexity of the analysis methods. Since this study situated in It is unsurprising that a lot of studies, London, there is a possibility that the or in all studies generally, there are research garnered Tinder profile pictures came from limitations. The followings highlight some of diverse ethnic backgrounds. Due to the nature the flaws that this research study has of this study which disregards ethnic encountered. Some of the limitations differences, conclusion byproducts where 29
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