Functional Ceramics 2021 - Ohio Designer Craftsmen
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Fu ncti on al C e r a mic s 2 02 1
Functional Ceramics
Takuro Shibata
February 15–April 17, 2021
Ohio Craft Museum
Columbus, Ohio 43212
Presented by Ohio Designer Craftsmen
Welcome
Well, what a time this has been! Did any of us think own studios. No worries, though—we will be back
we’d still be doing this a year later? We hope that in person in 2022!
you and your families have been safe and well
during these challenging times. For many artists, Thank you to the Wayne Center for the Arts, and
it’s meant a loss of income with fairs and exhibi- Executive Director James Fox, General Manager
tions cancelled. We’ve been happy, however, to Lynn Davis, Ceramics Program Coordinator Adam
see a number of you find new outlets in online McVicker and Marketing Coordinator Nichole Feh-
sales. rman, who continue to support the workshop and
exhibition from afar! We look forward to being there
For us—as for many of you—it has meant adapting next year!
to new norms and learning new skills. Three days
after we installed the 2020 exhibition at the Wayne The workshop and exhibition are presented with
Center for the Arts, the state was in lockdown—so the support of the Ohio Designer Craftsmen Board
no show and, of course, no workshop. Once we of Directors and staff, and with funding from the
were able to retrieve the pots, however, we photo- Ohio Arts Council, Mayco, Buckeye Ceramic
graphed all of them and put them online. And we Supply, AMACO, Skutt, Nidec-Shimpo, Spectrum
discovered a whole new set of pottery lovers! Glazes, Cornell Studio Supply, GR Pottery Forms
While we are disappointed that we won’t see and the International Ceramic Artists Network.
everyone in person again this year, we are excited
about trying a new, virtual approach to the work- Betty Talbott, Director Kim Nagorski, Curator
shop. It will be fun to see the artists working in their Functional Ceramics Functional Ceramics
Where’s it all going?
For many of us, a line is the first mark we make. It Being Canadian, my country is 150 years old,
is a huge developmental milestone when a young which makes it much younger than the old cultures.
child’s first scribbles are set to the page (or wall!). My aunt and uncle’s pottery, Pinecroft, is the oldest
We parents and teachers celebrate their purple working studio pottery in Canada, and it only spans
dogs, and houses with crooked chimneys, windows two generations and 71 years.
and doors. This experience of drawing acquaints
the child to the capacity for hand to follow eye. All Bernard Leach once said that America lacks a
kids make art and all are artists! taproot. Having come home from Korea and Italy
steeped in tradition, I felt that perhaps that taproot
Once we start to grow, however, the joy of scribbles he felt missing in America might be seen as free-
on the page fade as we feel a pressure for those dom for creative expression.
lines to represent a reality that we see in the world.
That pressure to represent literally means many I had asked my Korean friends if they thought that
children learn at a very early age to abandon any working within a tradition was a yoke around their
creative expression that falls short of realistic rep- necks. While mostly lost in translation, the general
resentation. Then one day, we announce that we answer was that they wanted to respect the tradi-
can’t draw. tion and have it carry on.
This child’s play has been on my mind since I
visited several pottery cultures around the world. Continued next page
Continued from previous page
Some five years later, I asked Vernon Owens the that Vernon’s family did in order to call yourselves
same question. Vernon is the patriarch of Jugtown potters. Truth is, information is more easily avail-
Pottery in Seagrove, North Carolina. He started able today than ever before. A text, email or phone
making pottery at age 17 and has been making call to the other side of the world will be answered
pots for over 60 years. Vernon’s answer seemed in a heartbeat.
to resonate with the Korean masters. If he could
improve a form, he would. His concern was that I remember well some 30 years ago (being
his young’uns be able to carry on being potters as pre-computer) writing to an Australian potter for
he has, his daddy did and his daddy’s daddy and advice about firing my wood kiln. The handwritten
his daddy’s daddy’s daddy did. The young’uns of letter and reply would have about a six-month turn-
Pam and Vernon Owen—Bayle and Travis—are around time. Today, my question of this evening
fifth-generation North Carolina potters. will have been answered by the time I wake in the
morning.
So where is it all going? Pottery making and teach-
ing are now mostly academic pursuits or, short of So to answer my own question, “Where is it all go-
that, courses of a weekend, a couple of weeks and ing?” Let the kids make art. Let the kids dream. If
sometimes a month long. There are computerized the kids find a way to express their art in ways that
kilns, pre-made clays, glazes, centering devices, shortcut what we did, then so be it. I say this as an
YouTube videos, and all kinds of fast ways to get artist and teacher.
there. YouTube and Google have all the answers.
So much to learn, so little time! As a craftsperson, however, I think a house must
be built on a strong foundation. I love finely crafted
Some time in front of the computer, two weekend tables, chairs, pottery and things that work—a mar-
courses, and your occupation is that of a “potter” riage of art and fine craft that celebrates creativity
with an Etsy account, you’re teaching pottery, you and skills that have been time earned. There is no
have a catchy name for your pottery and you are substitute for time and hard work.
selling your work.
Work hard and dream big, America!
I’m sure most of you have heard of Malcolm Glad-
well’s 10,000 Hour Rule. Gladwell explains that Tony Clennell
reaching the 10,000-Hour-Rule, which he con- Potter, Educator and Author
siders the key to success in any field, is simply a CANADA
matter of practicing a specific task for 20 hours a
week for 10 years. I think that this is even a short-
cut in the pottery business. There are a multitude
of skills to be practiced. My old friend Robin Hop-
per used to expound it took seven years to learn
the skill of pottery and an additional ten to develop
a signature. Sorry Robin, but so much to learn, so
little time!
With all due respect for tradition and with respect
for those who have learned on their own in their
new, modern ways, I have to say that at this mo-
ment in time, I am seeing some of the most innova-
tive and exciting work of my 68 years on this earth.
I would like to stand on my high horse and pon-
tificate that you must put in the hours that I did or Chandra Debuse
Dawn Candy
Platter
White Stoneware
14½” in diameter
Chandra DeBuse
Butter Dish
Porcelain
6¼” in height
Alison Fawcett
Coffee Pot
Porcelain
7¾” in height
Katie Fee
Trophy
Porcelaneous Stoneware
3¼” in height
Delores Fortuna
Plate
Porcelain
10” in diameter
Jackie Frioud
Oil Bottle
Stoneware
5¼” in heightJason Hartsoe
Vase
Stoneware
7¾” in heightBill Jones
Pitcher
Red Stoneware
10¼” in heightShaunna Lyons
Oval Candy Dish
Red Clay
3” in heightAndrew McIntyre
Perforated Jar
Porcelain
4¼” in heightLisa Orr Butter Dish Earthenware 4” in height
Allison Coles Severance
Square Baker
Stoneware
3½” in heightTakuro Shibata
Plate
North Carolina Clay
11” squareHolly Walker
Dot Palette
Earthenware
12¼” in heightNathan Willever
Nuka Pitcher
Wild Clay
13¼” in heightMatthew Wilt
Temple Jar I
Stoneware
7” in heightFunctional Ceramics Workshop
Featured Potters
1977 Tom and Ginny Marsh 2002 Mark Bell, Kevin Crowe, Julia Galloway
1978 Karl Martz, Brian VanNostrand, Alan Myers, 2003 Randy Johnston, Liz Quackenbush,
Karen Gunderman, Donald MacKenzie, Lee Rexrode
Spencer Davis
2004 Cathra-Anne Barker, Phil Rogers,
1979 Les Miley, Karl Christianson, Edith Franklin Brad Schwieger
1980 Edith Franklin, Byron Temple, 2005 Mark Hewitt, Sandi Pierantozzi,
Tom and Ginny Marsh Neil Patterson
1981 Tom Turner, Donna Polseno, Rick Hensley 2006 Cathi Jefferson, John Neely, Mark Talbert
1982 Tom and Elaine Coleman, Tom Shafer 2007 Jim Connell, Doug Dacey, Ann Tubbs
1983 David Shaner, Jennifer Lind, Bill Hunt 2008 Posey Bacopoulos, Kim Ellington,
1984 Tim Mather, Barbara Diduk, Val Cushing Jeff Oestreich
1985 John Glick, Warren MacKenzie, 2009 Dick Lehman, Kristen Kieffer,
Barbara Tipton Karl Borgeson
1986 Cynthia Bringle, Stanley M. Andersen, 2010 Bill van Gilder, Silvie Granatelli,
Vernon Owens Fong Choo
1987 John Leach, Todd Piker, Jane Peiser 2011 Jan McKeachie Johnston,
Charity Davis-Woodard, Marty Fielding
1988 Virginia Cartwright, Richard Zakin,
Robin Hopper 2012 Jeff Oestreich, Bill Hunt, Gail Kendall
1989 Paul Soldner, Angela Fina 2013 Linda Christianson, William Brouillard,
Michael Hunt
1990 Jeff Oestreich, Drew Lewis, Reina Kohlmeyer
2014 Suze Lindsay, Daniel Johnston,
1991 Bill Daley, Wayne Bates, Lenore Vanderkooi
Jeff Campana
1992 Mike Dodd, Walter Ostrom, Kathy Koop
2015 Gay Smith, Dan Finnegan,
1993 Ginny Marsh, Jack Troy Ronan Kyle Peterson
1994 Svend Bayer, Charlie Lisk 2016 Cynthia Bringle, Mark Skudlarek,
1995 Steven Hill, Kouji Sugie Julie Wiggins
1996 Joe Bennion, Sandi Pierantozzi 2017 Nick Joerling, Liz Zlot Summerfield,
Tara Wilson
1997 Richard Aerni, Linda Arbuckle
2018 Kevin Crowe, Martha Grover, Sue Tirrell
1998 Cynthia Bringle, Pete Pinnell, Patty Wouters
2019 Jen Allen, Tony Clennell, Kenyon Hansen
1999 Pam Owens, Vernon Owens, Gay Smith,
Chris Staley 2020 Josh DeWeese, Amy Sanders,
Deborah Schwartzkopf (cancelled due to
2000 Richard Burkett, Andrea Gill, Ben Owen III
COVID)
2001 Peg Malloy, Ron Meyers, Mark Nafziger
2021 Chandra DeBuse, Lisa Orr, Takuro Shibata
(virtual due to COVID)Exhibitor Price List
Dawn Candy Jackie Frioud Allison Coles Severance
Electric-fired White Stoneware Salt-glazed Stoneware Wood- and Salt-fired Stoneware
1. Tall Mug .............................. $85 1. Bowl .................................... $45 1. Mug................................... $75
2. Latte Cup ............................ $85 2. Oil Bottle ............................. $90 2. Mug w/Seashells .............. $75
3. Butter Dish .......................... $90 3. Bowl .................................... $90 3. Serving Tray ..................... $110
4. Pitcher .............................. $110 4. Lidded Jar ......................... $100 4. Square Baker.................... $120
5. Platter ............................... $180 5. Teapot ............................... $175 5. Square Baker w/Stripes .... $120
6. Lidded Casserole.............. $200 6. Bowl w/Handles ................ $156
Chandra DeBuse
Electric-fired Porcelain Jason Hartsoe Takuro Shibata
1. Tray................................... $94 Wood-fired Stoneware Wood-fired Local North Carolina
2. Salt Cellar 1. Small Lidded Box................ $95 Clay
w/Squirrel Spoon .............. $160 2. Deep Dish ..........................$110 1. Triangle Mug ....................... $60
3. Butter Dish ........................ $160 3. Lidded Box........................ $125 2. Triangle Mug ....................... $60
4. Vase w/Bug Lugs .............. $360 4. Vase.................................. $160 3. Tray..................................... $90
5. Jar w/Bug Lugs ................. $480 5. Server ............................... $225 4. Square Plate ..................... $120
6. Fluted Flask ...................... $275 5. Triangle Jar ....................... $480
Alison Fawcett
Oxidation-fired Porcelain Bill Jones Holly Walker
1. Mug..................................... $60 Oxidation-fired Red Stoneware Electric-fired Earthenware
2. Mug..................................... $60 1. Barrel Mug .......................... $42 1. Petal Plate w/Bars ............ $135
3. Serving Bowl....................... $80 2. Flask Vase .......................... $60 2. Oval Rimmed Dish............ $150
4. Serving Tray ....................... $90 3. Crown Jar ........................... $72 3. Boat Tray .......................... $150
5. Coffee Pot......................... $200 4. Canteen Vase ..................... $96 4. Elliptical Dish .................... $165
6. Flower Brick ...................... $200 5. Serving Bowl..................... $120 5. Listening Jar ..................... $325
6. Pitcher .............................. $120 6. Dot Palette ........................ $350
Katie Fee
Wood-fired Porcelaneous Stoneware Shaunna Lyons Nathan Willever
1. Mug................................... $65 Electric-fired Red Clay Reduction- or Wood-fired Wild
2. Stein ................................. $75 1. Cup w/Feisty Bird ............... $69 Clay
3. Trophy (soda fired) ........... $75 2. Tea Bowl w/Serene Bird ..... $83 1. Stein ................................. $60
4. Silt Ingot (bookend) 3. Oval Candy Dish............... $199 2. Tray................................... $140
terra cotta ......................... $120 4. Oval Serving Bowl ............ $229 3. Nuka Pitcher ..................... $220
5. Silt Ingot (bookend) 5. Oval Serving Dish ............. $299 4. Pitcher .............................. $240
terra cotta ......................... $120 5. Teapot ............................... $250
6. Basket............................... $150 Andrew McIntyre
Soda-fired Porcelain Matt Wilt
Delores Fortuna 1. Perforated Bowl .................. $85 Salt-fired Stoneware
Gas-fired Porcelain 2. Perforated Mug ................... $65 1. Temple Jar IV.................... $200
1. Low Bowl ............................ $78 3. Perforated Mug .................. $65 2. Covered Jar ...................... $200
2. Stripe Bowl ......................... $82 4. Perforated Jar ..................... $95 3. Server ............................... $200
3. Plate ................................... $88 5. Perforated Jar ..................... $95 4.Temple Jar I ....................... $200
4. Vase.................................... $95 5. Temple Jar II ..................... $250
5. Flow Bowl ......................... $135 Lisa Orr 6. Drink Set ........................... $250
6. Lidded Jar ......................... $145 Electric-fired Earthenware
1. Mug..................................... $54
2. Butter Dish .......................... $88
3. Oval Bowl ......................... $125
4. Pitcher .............................. $149
5. Teapot ............................... $244Exhibitor Biographies
Dawn Candy Alison Fawcett
Red Deer Alberta CAN Dayton OH
dleahcandy@gmail.com • littlesister.ca anf42095@gmail.com • afawcettpottery.com
Education Education
• Red Deer College, Red Deer, Alberta, Canada, • Ohio University, Athens, OH, BFA ceramics,
Visual Arts Diploma, 2006 cum laude, 2017
• University of Lethbridge, Alberta, Canada, BA, 2001 • Pioneer School of Zanesville Clay Center
Residency, Zanesville, OH, 2017
Experience
• Studio potter/owner, Little Sister Pottery, Red Deer, Experience
Alberta, 2010–present • Ceramics instructor, Rosewood Art Center,
• Visual art instructor, Culture Services, City of Red Kettering, OH, 2020–present
Deer, Alberta, 2007–present • Ceramics adjunct, Stivers School for the Arts,
Dayton, OH, 2019–present
Recent Exhibitions or Awards
• Solo exhibition, Companion Gallery, Recent Exhibitions or Awards
Humboldt, TN, 2020 • Visiting artist, Yellow Springs Pottery, Yellow
• Solo exhibition, In Tandem Gallery, Springs, OH, 2020
Bakersville, NC, 2020 • “15th Annual Ceramics Invitational,” River Gallery,
• Ceramics Monthly Emerging Artist, 2019 Rocky River, OH, 2020
• “Under One Roof,” adjunct faculty exhibition,
Chandra DeBuse Stivers School for the Arts, Dayton, OH, 2020
Kansas City KS
chandradebuse@gmail.com • chandradebuse.com Katie Fee
Alfred NY
Education katiebethfee@gmail.com • katiefee.com
• University of Florida, Gainesville, MFA, 2010
• University of Nebraska-Lincoln, Post-baccalaureate Education
studies, ceramics, 2006 • University of Massachusetts, Dartmouth,
post-baccalaureate certificate, ceramics, 2017
Experience • The College of William & Mary, Williamsburg, VA,
• Adjunct faculty, University of Central Missouri, BA studio art, cum laude, 2016
Warrensburg, MO, 2018
• Instructor, Kansas City Art Institute, Kansas City, Experience
MO, 2017 • Artist-in-Residence, Morean Center for Clay,
• Studio artist, Kansas City, KS, 2012–present St. Petersburg, FL, 2018–2020
• Artist-in-Residence/Instructor of record, Mudflat Art
Recent Exhibitions or Awards Studios, Boston, MA, 2017–2018
• Solo exhibition, In Tandem Gallery, Bakersville, NC,
2020 Recent Exhibitions or Awards
• Solo exhibition, Charlie Cummings Gallery, • RePresentations,” NCECA, Richmond, VA, 2020
Gainesville, FL, 2018 • “Americano Invitational,” Clay Akar,
• “43rd Annual Pottery Show & Sale,” Art School at Iowa City, IA, 2019
the Old Church, Demarest, NJ, 2017 • “Last Call IV,” Companion Gallery, Humboldt,
TN, 2019Exhibitor Biographies
Delores Fortuna Experience
Galena IL • Resident artist, Penland School of Crafts, Penland,
djfortuna48@gmail.com • fortunapottery.com NC, 2019–present
• Apprentice, Bandana Pottery, Bakersville, NC,
Education 2013–2016
• University of Chicago, IL, MFA with honors, 1972 • Assistant, Dan Finnegan Pottery, Fredericksburg,
• University of Chicago, IL, BFA, 1970 VA, 2011–2013
• Assistant, Winchcombe Pottery, Gloucestershire,
Experience England, 2010
• Studio potter, Galena, IL, 2000–present • Student, Mieko Sagasaki and Richard Truckle
• Instructor, The School of the Art Institute of studio, Tokoname, Japan, 2010
Chicago, IL, 1999–2015
• Instructor, Saint Xavier University, Chicago, Recent Exhibitions or Awards
1978-1981 • “Eight Fluid Ounces: 9th Biannual National
Invitational Ceramic Cup Exhibition,” Louisiana State
Recent Exhibitions or Awards University, Baton Rouge, LA, 2020
• Installation, We are all in this together, purchased for • “Adapt: Resilience Through Craft: Penland Resident
permanent collection, Dubuque Museum of Art, Artist Exhibition,” Penland School of Crafts, Penland,
IA, 2021 NC, 2020
• “Philadelphia Museum Craft Show,” Best of Show • “Across the Pond and Back: Training, Making,
Ceramics, Philadelphia, PA, 2020 Influence,” NCECA, Richmond, VA, 2020
• Solo exhibition, Abel Contemporary Gallery, Stough-
ton, WI, 2020 Bill Jones
Greensboro NC
Jackie Frioud billjonespottery@gmail.com • billjonespottery.com
North Vancouver, BC, Canada
jfrioud@shaw.ca • jackiefrioud.com Education
• Apprentice, Daniel Johnston Pottery, 2013–2015
Education • University of Michigan Taubman School of
• University of British Columbia, Vancouver, BC, Architecture, Ann Arbor, 2011–2012
Canada, BFA, 1993 • Lehigh University, Bethlehem, PA, 2010
Experience Experience
• Studio potter, North Vancouver, BC, 2000–present • Teacher/studio technician, Rockingham Community
College, Wentworth, NC, 2019–present
Recent Exhibitions or Awards • Studio potter, Greensboro, NC, 2016–present
• Featured artist, Ceramics: Profiles of Potters and • Resident artist, STARworks, Star, NC, 2015
Artisans by Carole Epp and Julia Kreuger, Uppercase
Publishing, 2020 Recent Exhibitions or Awards
• Recipient, “North-West Ceramics Foundation Award • “American Pottery Festival,” Northern Clay Center,
of Excellence,” Vancouver, BC, 2018 Minneapolis, MN, 2020
• “11th Annual Invitational Cup Show,” Kobo Gallery, • “Worcester Pottery Invitational,” Worcester Center
Seattle, WA, 2017 for Crafts, Worcester, MA, 2020
• “Smithsonian Craft Show,” Washington, D.C., 2019
Jason Hartsoe
Bakersville NC Shaunna Lyons
jasonhartsoepottery@gmail.com • hartsoepottery.com Bakersville NC
herbalpumpkin@yahoo.com • shaunnalyonspottery.
Education square.site
• Belmont Abbey College, Belmont, NC,
BA English, 2001Exhibitor Biographies
Education Lisa Orr
• University of Georgia, Athens, BFA, 1995 Austin TX
• “Potters to Nepal,” with Doug Casebeer/Anderson lkoenator@icloud.com • lisaorr.com
Ranch Arts Center, 1995
• University Exchange Program, University of Oregon, Education
Eugene, 1994 • New York State College of Ceramics at Alfred
University, Alfred, NY, MFA, 1992
Experience • University of Texas at Austin, BFA, 1983
• Assistant to clay coordinator, Penland School of
Crafts, Penland, NC, 2009–2010 Experience
• Studio potter, Bakersville, NC, 2005–present • Studio potter, Austin, TX, 1996–present
• Bush camp manager/field guide training instructor, • Studio potter/store owner, San Antonio, TX,
Impalila Island, Namibia and Sabi Sands, South Afri- 1983–1996
ca, 2001–2003
Recent Exhibitions or Awards
Recent Exhibitions or Awards • “46th Annual Pottery Show and Sale,” the Art School
• Solo exhibition, In Tandem Gallery, Bakersville, at Old Church, Demarest, NJ, 2020
NC, 2019 • Solo exhibition, In Tandem Gallery, Bakersville, NC,
• Studio assistantships, Penland School of Crafts, 2018
Penland, NC, 2006, 2008 • Exhibitor, ArtStream Nomadic Gallery, NCECA,
• Scholarship, “Neo-Maoilica” with Walter Ostrom, Pittsburgh, PA, 2018
Anderson Ranch Arts Center, Snowmass Village,
CO, 2006 Allison Coles Severance
Cascade, MD
Andrew McIntyre allison@allisonseverancepottery.com
Oxford MS allisonseverancepottery.com
andrewbmcintyre@gmail.com
andrewmcintyreceramics.com Education
• Hood College, Frederick, MD, BA with studio minor,
Education 2001
• Syracuse University, Syracuse, NY, MFA ceramics, • Virginia Commonwealth University, Richmond, VA,
2015 studies in painting, printmaking, art education,
• The University of Mississippi, Oxford, MS, 1983–1986
BFA ceramics, 2011 • Howard Community College, Columbia, MD,
AA art, 1983
Experience
• Ceramic technician/instructor, The University of Experience
Mississippi, Oxford, 2016–present • Studio potter, 2001–present
• Studio potter, Oxford, MS, 2016–present • Ceramics instructor, the Art League School,
• Ceramics instructor, The University of Mississippi, Alexandria, VA, 2012–2020
Oxford, 2016–present • Apprentice, van Gilder Pottery, Gapland, MD, 1999
• Graduate instructor, Syracuse University, Syracuse,
NY, 2013–2014 Recent Exhibitions or Awards
• “Contemporary Clay 2020,” The Art Center of
Recent Exhibitions or Awards Western Colorado, Grand Junction, CO, 2020
• Solo exhibition, Charlie Cummings Gallery, • “Triumphant Traditions,” Baltimore Clayworks,
Gainesville, FL, 2020 Baltimore, MD, 2019
• “Southern Crossings Pottery Festival,” Louisville, • “Quietude,” Schaller Gallery, St. Joseph, MI, 2018
KY, 2020
• “Americano Invitational,” Clay Akar,
Iowa City, IA, 2019Exhibitor Biographies
Takuro Shibata Nathan Willever
Seagrove NC Philadelphia PA
takuro@starworksnc.org • studiotouya.com nwillever@meca.edu • nathanwillever.com
Education Education
• Doshisha University, Kyoto, Japan, bachelor of • Maine College of Art, Portland, BFA ceramics, 2011
engineering, applied chemistry, 1996
Experience
Experience • Summer resident, Archie Bray Foundation for the
• Studio potter/co-owner with Hitomi Shibata, Studio Ceramic Arts, Helena, MT, 2019
Touya, Seagrove, NC, 2007–present • Guest artist, Shigaraki Ceramic Culture Park,
• Director, STARworks Ceramics, Star, NC, Shigaraki, Japan, 2018
2005–present • Resident artist/Zeldin fellow, The Clay Studio, Phila-
• Technical instructor, Shigaraki Ceramic Cultural delphia, 2017–present
Park, Shigaraki, Japan, 2004–2005
Recent Exhibitions or Awards
Recent Exhibitions or Awards • “Future Memories: The Clay Studio Resident Artists
• “46th Annual Pottery Show” (virtual), The Art School and Alumni,” the Clay Studio, Philadelphia, PA, 2021
at Old Church, Demarest, NJ, 2020 • “Yunomi Invitational,” Clay Akar, Iowa City, IA, 2020
• “Americano Invitational,” Clay Akar, Iowa City, IA, • “Winterfest,” Baltimore Clayworks, Baltimore,
2020 MD, 2019
• “Pottery on the Hill” (virtual), Hill Center,
Washington, DC, 2020 Matthew Wilt
Saratoga Springs NY
Holly Walker matt@mattwilt.com • mattwilt.com
Randolph VT
hwalker@surfglobal.net • hollywalkerceramics.com Education
• Ohio University, Athens, MFA, 1995
Education • Penn State University, State College, PA,
• Louisiana State University, Baton Rouge, BA ceramics/art education, 1991
MFA ceramics with minor in painting, 1990
• Ohio University, Athens, BFA painting, magna cum Experience
laude, 1974 • Area head, ceramics program, Skidmore College,
Saratoga Springs, NY, 2012–present
Experience • Area head, ceramics program, Southern Illinois
• Educational outreach coordinator, Penland School University Edwardsville, IL, 2002–2012
of Crafts, Penland, NC, 1997–2000 • Resident artist, The Clay Studio, Philadelphia, PA,
• Executive director, Watershed Center for the 1995–1999
Ceramic Arts, Newcastle, ME, 1990–1995
• Studio potter, 1979–present Recent Exhibitions or Awards
• “Future Memories: The Clay Studio Resident Artists
Recent Exhibitions or Awards and Alumni,” the Clay Studio, Philadelphia, PA, 2021
• Conference presenter/exhibitor, “Utilitarian Clay • Solo exhibition, View Center for the Arts, Old Forge,
VIII,” Arrowmont School of Arts and Crafts, NY, 2020
Gatlinburg, TN, 2022 • “Clay and Life: Contemporary American Couples in
• Two-person exhibition, TRAX Gallery, Clay,” Eutectic Gallery, Portland, OR, 2020
Berkeley, CA, 2021
• “Flower City Pottery Invitational,” Rochester,
NY, 2021Workshop Presenters 2021 Chandra DeBuse Lisa Orr Takuro Shibata Kansas City, Kansas, artist Lisa Orr has maintained a studio Wood-fire potter Takuro Chandra DeBuse earned her in Austin, Texas, for nearly Shibata established Studio MFA from the University of 40 years. She received her Touya in Seagrove, North Florida in 2010, several years MFA from the New York State Carolina, in 2007, with his wife after discovering clay at a com- College of Ceramics at Alfred and fellow artist, Hitomi Shibata. munity pottery studio in Lincoln, University in 1992, and was The director of STARworks Ce- Nebraska. Named an NCECA awarded a Fulbright and an ramics in Seagrove since 2005, Emerging Artist in 2012, she is MAAA/NEA grant to continue Shibata received a degree in a founding member of Kansas her studies. Orr’s work is formed engineering and applied chem- City Urban Potters. DeBuse’s in molds or on the wheel, then istry from Doshisha University, work has been featured in embellished with stamps, slips, Kyoto, in 1996. His interest in exhibitions across the country, sprigs and multiple layers of ceramics led him to an appren- and she has taught numerous glazes. She has exhibited and ticeship at a pottery studio in workshops. She handbuilds with taught workshops nationally and Shigaraki the following year. His soft slabs, and enhances the internationally, and her work work has been exhibited inter- surfaces of her pots with narra- has been featured in numerous nationally, and he has presented tive imagery. publications. numerous workshops.
Scenes from the 2019 Functional Ceramics Workshop
Functional Ceramics 2021
The 2021 Functional Ceramics Workshop and
Exhibition is presented by Ohio Designer Craftsmen.
Founded in 1964, Ohio Designer
Craftsmen engages and enriches
the community through high-
quality exhibitions and education
programs, and encourages the
professional development of
fine craft artists. Contact us at: Ohio Designer
Craftsmen, 1665 W. Fifth Ave., Columbus, OH 43212;
www.ohiocraft.org; 614-486-4402; e-mail
info@ohiocraft.org.
Photography and Catalog Design: Kathleen Dlabick Lisa Orr
Support for the Functional Ceramics Workshop comes from:
Ohio Arts Council Cornell Studio Supply
Columbus, OH 43215 8290 N. Dixie Dr.
oac.ohio.gov Dayton, OH 45414
Cornellstudiosupply.com
International ICAN International
International Ceramic
CERAMIC CERAMIC
ARTISTS Artists Network
ARTISTS Nidec-Shimpo
600 N. Cleveland Ave., Ste. 210 175 Wall St.
N E T W O R K N E T W O R K
Westerville, OH 43082 Glendale Hts., IL 60139
ceramicartsnetwork.org shimpoceramics.com
International International
CERAMIC CERAMIC
ARTISTSMayco Colors/Buckeye
ARTISTS
N E T W O R K
Spectrum Glazes
Ceramic Supply
N E T W O R K
273 Bowes Rd. Unit A1
4077 Weaver Ct., S. Concord, ON L4K 1H8
Hilliard, OH 43026 spectrumglazes.com
buckeyeceramicsupply.com
GR Pottery Forms
Skutt Grand Rapids, MI 49504
6441 S.E. Johnson Creek Blvd. grpotteryforms.com
Portland, OR 97206
skutt.com
AMACO
6060 Guion Rd.
Indianapolis, IN 46254-1222
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