DANTE ALIGHIERI, INFERNO1

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                                 DANTE ALIGHIERI, INFERNO1

The Divine Comedy, a massive poem comprising over 14,000 lines, was written by Dante
Alighieri in the fourteenth century as the story of the author’s fictitious journey through the
Inferno (or Hell), Purgatory (where people unworthy of immediate entrance into heaven have
their sins purged away), and Paradise (or Heaven). In Canto IV of the Inferno, Dante and his
guide, the celebrated Roman poet Virgil, enter the first circle of Hell, known as Limbo. Before
Dante, Limbo was imagined simply as a place for unbaptized babies. In his Divine Comedy,
however, Dante also places virtuous non-Christians in Limbo, including many Greek and
Roman pagans, as well as Islamic scholars.
        Dante’s imagining of Limbo shows a remarkable openness to non-Christian
civilizations because its inhabitants suffer no physical tortures, though they do endure the
knowledge that their desire to see God will never be achieved. Dante’s generous treatment of
non-Christians shows their importance and the influence they had on European civilization.
        For the full text of Dante’s Inferno, translated by Reverend Henry Francis Cary, click
here.

                                                CANTO IV

Author’s Introduction

The Poet, being roused by a clap of thunder, and following his guide onwards, descends into
Limbo, which is the first circle of Hell, where he finds the souls of those who, although they
have lived virtuously, and have not to suffer for great sins, nevertheless, through lack of
baptism, merit not the bliss of Paradise. Hence he is led on by Virgil 2 to descend into the
second circle.

                Broke the deep slumber in my brain a crash
                Of heavy thunder, that I shook myself,
                As one by main force roused. Risen upright,
                My rested eyes I moved around, and search'd,
                With fixed ken, to know what place it was
                Wherein I stood. For certain, on the brink
                I found me of the lamentable vale,
                The dread abyss, that joins a thundrous sound
                Of plaints3 innumerable. Dark and deep.

1 The Divine Comedy of Dante Alighieri, (Trans.) Henry Francis Cary (New York: Cassell Publishing Co., 188-?),
14-20.
2 Dante’s guide through Hell, Virgil, represents human reason, poetry, and art and personifies what the human

intellect can achieve without Divine Revelation. For a more contemporary translation and in-depth analysis,
see Dante Alighieri, Inferno, (Trans.) Mark Musa, vol. 1 of The Divine Comedy (New York: Penguin Books,
2003).
3 Complaints.
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              And thick with clouds o'erspread, mine eye in vain
              Explored its bottom, nor could aught discern.

              "Now let us to the blind world there beneath
              Descend"; the bard4 began, all pale of look:
              "I go the first, and thou shalt follow next.

              Then I, his alter'd hue perceiving, thus:
              "How may I speed, if thou yieldest to dread.
              Who still art wont to comfort me in doubt?"

              He then: "The anguish of that race below
              With pity stains my cheek, which thou for fear
              Mistakest. Let us on. Our length of way
              Urges to haste." Onward, this said, he moved;
              And entering, led, me with him, on the bounds
              Of the first circle that surrounds the abyss.

              Here, as mine ear could note, no plaint was heard
              Except of sighs, that made the eternal air
              Tremble, not caused by tortures, but of grief
              Felt by those multitudes, many and vast.
              Of men, women, and infants. Then to me
              The gentle guide: "Inquirest thou not what spirits
              Are these which thou beholdest? Ere thou pass
              Farther, I would thou know, that these of sin
              Were blameless; and if aught they merited,
              It profits not, since baptism was not theirs,
              The portal to thy faith. If they before
              The Gospel lived, they served not God aright;
              And among such am I. For these defects.
              And for no other evil, we are lost;
              Only so far afflicted, that we live
              Desiring without hope." Sore grief assail'd
              My heart at hearing this, for well I knew
              Suspended in that Limbo many a soul
              Of mighty worth. "Oh, tell me, sire revered!
              Tell me, my master!" I began through wish
              Of full assurance in that holy faith
              Which vanquishes all error; "Say, did e'er
              Any, or through his own or other's merit,
              Come forth from thence, who afterward was bless?"

              Piercing the secret import of my speech.

4   Virgil.
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                He answer'd: "I was new to that estate,
                When I beheld a puissant one5 arrive
                Amongst us, with victorious trophy crown'd.
                He forth the shade of our first parent drew,
                Abel, his child, and Noah righteous man.
                Of Moses lawgiver for faith approved.
                Of patriarch Abraham, and David king,
                Israel with his sire and with his sons,
                Nor without Rachel6 whom so hard he won,
                And others many more, whom he to bliss
                Exalted. Before these, be thou assured.
                No spirit of human kind was ever saved."

                We, while he spake, ceased not our onward road.
                Still passing through the wood; for so I name
                Those spirits thick beset. We were not far
                On this side from the summit, when I kenn'd 7
                A flame, that o'er the darken'd hemisphere
                Prevailing shined. Yet we a little space
                Were distant, not so far but I in part
                Discovered that a tribe in honor high
                That place possess'd. "O thou, who every art
                And science valuest! Who are these, that boast
                Such honor, separate from all the rest?"

                He answer'd: "The renown of their great names,
                That echoes through the world above, acquires
                Favor in heaven, which holds them thus advanced."
                Meantime a voice I heard: "Honor the bard
                Sublime! his shade returns, that left us late!"
                No sooner ceased the sound, than I beheld
                Four mighty spirits, toward us bend their steps.
                Of semblance neither sorrowful nor glad.

                When thus my master kind began: "Mark him.
                Who in his right hand bears that falchion8 keen,
                The other three preceding, as their lord.
                This is that Homer, of all bards supreme:
                Flaccus9, the next, in satire's vein excelling;
                The third is Naso10; Lucan11 is the last.

5 Jesus Christ, who according to Dante, raised Old Testament figures to Heaven.
6 In the Old Testament, the favorite wife of Jacob.
7 Perceived.
8 A European sword. Homer is depicted as holding a sword because his poems dealt with the Trojan War and

martial heroes.
9 Horace, the Roman poet and satirist.
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                Because they all that appellation own.
                With which the voice singly accosted me,
                Honoring they greet me thus, and well they judge."

                So I beheld united the bright school
                Of him the monarch of sublimest song.12
                That o'er the others like an eagle soars.

                When they together short discourse had held.
                They turned to me with salutation kind
                Beckoning me; at which my master smiled:
                Nor was this all; but greater honor still
                They gave me, for they made me of their tribe;
                And I was sixth amid so learn'd a band.

                Far as the luminous beacon on we pass'd,
                Speaking of matters then befitting well
                To speak, now fitter left untold. At foot
                Of a magnificent castle we arrived,
                Seven times with lofty walls begirt, and round
                Defended by a pleasant stream. O'er this
                As o'er dry land we pass'd. Next, through seven gates,
                I with those sages enter'd, and we came
                Into a mead13 with lively verdure fresh.

                There dwelt a race, who slow their eyes around
                Majestically moved, and in their port
                Bore eminent authority; they spake
                Seldom, but all their words were tuneful sweet.

                We to one side retired, into a place
                Open, and bright, and lofty, whence each one
                Stood manifest to view. Incontinent,
                There on the green enamel of the plain
                Were shown me the great spirits, by whose sight
                I am exalted in my own esteem.

                Electra14 there I saw accompanied
                By many, among whom Hector I knew,
                Anchises' pious son15, and with hawk's eye

10 Ovid, a Roman poet, whose work Metamorphoses was the primary medieval source on classical mythology.
11 Also a Roman poet.
12 Homer.
13 A meadow.
14 Mother of the founder of Troy.
15 Aeneas, the hero of Virgil’s Aenied, who fled from Troy and founded what would become Ancient Rome.
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                Caesar all armed, and by Camilla there
                Penthesilea.16 On the other side.
                Old King Latinus17 seated by his child
                Lavinia, and that Brutus18 I beheld
                Who Tarquin19 chased, Lucretia,20 Cato's wife
                Marcia, with Julia21 and Cornelia22 there;
                And sole apart retired, the Soldan23 fierce.

                Then when a little more I raised my brow,
                I spied the master24 of the sapient25 throng.
                Seated amid the philosophic train.
                Him all admire, all pay him reverence due.
                There Socrates and Plato both I mark'd
                Nearest to him in rank, Democritus,26
                Who sets the world at chance, Diogenes,27

                With Heraclitus, and Empedocles,
                And Anaxagoras, and Thales sage,
                Zeno, and Dioscorides28 well read
                In Nature's secret lore. Orpheus29 I mark'd
                And Linus,30 Tully31 and moral Seneca,32
                Euclid33 and Ptolemy,34 Hippocrates,
                Galenus, Avicen35, and him who made
                That commentary vast, Averroes 36.

16 In mythology, a Roman and Greek female warrior, respectively.
17 In Greek mythology, the son of Odysseus.
18 The founder of the Roman Republic and one of the assassins of Julius Caesar.
19 The last king of Rome.
20 A semi-legendary figure in Roman history, whose alleged rape precipitated the overthrow of the Roman

monarchy.
21 The daughter of Julius Caesar.
22 The first wife of Julius Caesar.
23 Saladin (1137/1138–1193), an Egyptian sultan who successfully fought against the Crusaders and won

their respect.
24 Aristotle, whom Dante viewed as the epitome of human reason and achievement without God.
25 Learned.
26 An ancient Greek thinker who devised a theory of atoms.
27 From Diogenes to Zeno were all ancient Greek philosophers.
28 An ancient Greek physician and botanist.
29 Legendary ancient Greek musician and poet.
30 One of the first Roman popes.
31 Roman thinker and orator, Cicero.
32 Ancient Roman philosopher.
33 The Hellenistic Greek “Father of Geometry.”
34 From Ptolemy to Galenus (Galen) were all Hellenistic Greek scientists .
35 A Muslim philosopher and scholar also known as Avicenna or ibn-Sina.
36 A Muslim scholar renowned for his studies in medicine, philosophy, law, and commentaries on Aristotle.
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Of all to speak at full were vain attempt;
For my wide theme so urges, that ofttimes
My words fall short of what bechanced. In two
The six associates part. Another way
My sage guide leads me, from that air serene,
Into a climate ever vexed with storms:
And to a part I come, where no light shines.
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