CONTESTING THE LITERARY VS. POPULAR QUESTION: WITH REFERENCE TO CHETAN BHAGAT'S FICTION

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Contemporary Research in India (ISSN 2231-2137): Vol. 8: Issue: 1 March, 2018 (www.contemporaryresearchindia.net)

                              CONTESTING THE LITERARY VS. POPULAR QUESTION:
                               WITH REFERENCE TO CHETAN BHAGAT’S FICTION
                                                                    Deepak Dongre G.,
                                                            Lecturer in English, GRWPT Shimoga
                                                               Research Scholar, VSKU Ballari
  Received: 09/02/2018                       Edited: 17/02/2018                             Accepted: 23/02/2018

Abstract: Chetan Bhagat is considered as a popular writer, especially among the youth. He is successful as his books are sold in great
numbers. This shows that, he has induced a readership among the Indian youth. These are the days when people turn to modern gadgets
than books, but surprisingly, the number of books published each year did not decrease either. Bhagat shows optimism by having a
steady fan following by sustaining considerable readership. As a columnist and user of social media, he remains in the limelight through
his participation in the recent debates. Bhagat proves himself to be an important writer of the day by reaching young readers. It can even
be called that the popular fiction can be studied considering Chetan Bhagat as a landmark.
Keywords: Popular fiction, Literary, Chetan Bhagat.

        Delhi University proposed to include Chetan                   “elitism”, as this reason is pointed out by Bhagat but
Bhagat’s first novel Five Point Someone in its syllabus.              she says, because the syllabus is constituted and for
This was offered in the English department as an                      the reason of coherence in the syllabus. (Benita,)
elective last year. If approved, students of the                               Contrary to the rejection by some teachers
English department in Delhi University would have                     and critics, Dr.Mitra Mukherjee Parikh encourages
got a chance to study Chetan Bhagat’s novel along                     the study of popular fiction. Some years ago,
with some other popular fiction such as J.K                           Mumbai’s SNDT University chosen Bhagat’s fiction
Rowling’s Harry Potter and the Philosopher’s Stone,                   Five Point Someone for its popular fiction paper in MA
Agatha Christie’s Murder on the Orient Express and                    English. The reason for this inclusion is said to
Louisa M Alcott’s Little Women.1 Chetan Bhagat                        understand the need of studying major changes in
himself was pleased for the proposal and shared his                   the literature. Mukherji in support of popular fiction
opinion over twitter. He expressed that “Literature is                suggests that the studying of popular fiction allows
about being open minded, reading the classics as well                 the students to study and question the idea of
as the contemporary”2. What followed next explained                   literature. She supports her choice of Chetan
how popular fiction is received. There were many                      Bhagat’s fiction as:
discussions in the media and several critics did not                  I can't say I am a fan of Five Point Someone. He
consider Bhagat for academic study. There are                         takes on issues too simply in most parts of the book.
faculty members who recommend not to add                              That said, I personally feel there is a protracted effort
Bhagat’s fiction to the syllabus, whereas, on the                     from him to identify and isolate a question for the
contrary: there are critics who endorse his fiction as                middle class mind. (Benita)
fit for the youth as well. Dr Swati Moitra rejects                             Chetan Bhagat holds ‘elitism’ responsible for
Bhagat’s novels as fit for the syllabus. She claims that              rejection of his book later from the proposed
his novels are normally used as an example of how                     syllabus. His objections include the fact about the
not to write a novel. In supporting her argument, she                 audience of ‘elite’ literature. Bhagat claims that his
points that other than Bhagat writes bestsellers, there               books are for a wider range of audience than the
is nothing to celebrate in his writings. The reason for               limited ‘privileged audience’ of elite literature. This
not picking his fiction for the syllabus is not                       argument of Bhagat allows us to investigate the

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possible pre requisites that are necessary for reading      Cummins’s The Lamplighter. If Only 7,800 copies of
fiction. According to him novels are for general            The Scarlet Letter and 3,000 copies of Moby Dick were
public, this is supported by his use of simple              sold during the 19th Century, the sales figures of The
language in his fiction. Unlike popular fiction, literary   Lamp Lighter exceeded over one lakh copies.
novels are different not only because of its unique         Hawthorne is stunned to see the mystery of
treatment of themes, but also because of its language.      innumerable editions of this book and blames the
The syllabus framing committee decides on what text         public for being occupied with such trash. The
to study on the basis of the course and program             opinion of Hawthorne suggests that The Lamplighter
outcomes of the students. If the committee thinks           was a product of “scribbling women” but it was
that by studying Chetan Bhagat’s fiction, students          successful in satisfying 19th century popular fiction
could enhance their communication skills and kindle         readers. Contrary to Hawthorne’s idea it was
a taste for reading, then there is nothing wrong in it.     considered as one of the most original and natural
Reading his novels may lead students to read other          narratives. (Williams) The Boston Daily Atlas
popular fiction as well. Many critics were anxious          concluded that “Cummins has evidently a highly
about why other contemporary popular writers were           cultivated and refined as well as an original and
not considered, but the text book framing committee         imaginative mind, and writes with ease.”3 Though
retains the liberty of selecting a text of its choice.      Hawthorne considered Cummins’s fiction an
         The proposal of prescribing popular fiction        ordinary and later complained the popular reading
to the syllabus has raised several questions that           public of consuming trash; the author was
includes, Why Chetan Bhagat, Agatha Christie or             considered original and only second to Harriet
J.K.Rowling can’t make it to the syllabus. This             Beecher Stowe’s Uncle Tom’s Cabin in popularity.
question leads us to the popular versus literary            (Williams 72)
debates. This contested sites of identifying,                        The ‘literary’ debates were explored in the
considering and understanding ‘popular’ and ‘literary’      past by such critics as, Max Horkheimer and Adorno;
is discussed right from the time when different             whereas ‘populist’ arguments were discussed by
genres evolved. William Stowe discusses how                 critics like Richard Slotkin, John G Cawelti and
popular fiction is considered as an escape, a               Janice Radway. The elitist tried to discard popular as
distraction or a diversion to turn our attention from       ‘bad art’. Edmund Wilson4 considers detective fiction
popular subjects. Similar ideas are presented in            can’t be included to the list of fine books and calls it
Brigby’s “The Politics of Popular Culture” as well.         as rubbish. He, along with Dwight Macdonald
We can observe that there are two points of view            concludes to this argument on the assumption of
here; the one presented above is an ‘elitist’ view of       their superior taste. (Stowe,1986,p.646). The first
looking at popular fiction. The other argument              concern about popular culture is what or who
considers popular fiction as “a manifestation of            determines popular culture. Where does popular
people’s preoccupations, an affirmation of their            culture come from? Does the emergence of culture
values and choices, even, in some cases, the vehicle        in commodity forms mean that criteria of
for a symbolic act of defiance against oppressive           profitability and marketability take precedence over
conditions”.(Stowe,646)                                     quality, artistry, integrity and intellectual challenge?
         The discussion of popular and literary novels      The arguments of differentiating popular and the
is not new. Its historical significance dates back to       literature are presented by various critics differently.
the nineteenth century. If we take the example of                    The necessity of an in-depth analysis of ‘text’
Hawthorne’s The Scarlet Letter or Melville’s Mobydick;      is necessary for a student of literature; in such
it didn’t find very impressive sales figures. In the        analysis a ‘text’ can be tool to such study. Any text of
same period, people were influenced by Maria S.             competence can act as a tool for the better
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Contemporary Research in India (ISSN 2231-2137): Vol. 8: Issue: 1 March, 2018 (www.contemporaryresearchindia.net)

understanding of the new approaches to literature           (Rollin, 1989, p 98.) James Campbell convinves the
and while selecting this tool we may not distinguish a      importance of popular by remarking the magnitude
text on the basis of genre debate. Though we divide         of context in which such popular art is studied, as:
books as popular and literary, the markers of “high”        One of the most contentious debates in the academia
and “low” still in place, the cultural politics of          has been the distinction between high art and
crossing over performed by individual contemporary          popular culture: a distinction that many would argue
texts needs to be assessed by careful in depth              is now arbitrary as the boundary between the two
analysis. Katherine Larsen points that we should stop       blurs and blends. What constitutes popular culture
making distinctions and embrace the blending and            and why popular culture matters can be hard to
now, when the distinctions between the genres are           define and how one answers those questions
fast blurring, the celebration of the ordinary through      depends upon the era in which one asked them.
popular fiction finds a valid place in literary study.      (Campbell, p.3)
         Popular culture is not considered earlier as a              Literature that serves only the need of a class
serious topic for scholarly analysis, because it is         in the society may not do justice to all readers. For
formulaic, it is produced for commercial gains, it’s        majority of readers the literature shall be realistic, so
about ordinary and day to day lives of ordinary             that readers connect themselves with it. If we
people, produced for mass consumption etc. There            consider that any written work of artistic value can
are several debates about the distinction between           be considered literature, then why make further
popular and high art. What makes the distinction is         divisions on the basis of style of writing, reading
an important question, is it the place or space where       public groups, content and language. Moreover,
it appears? According to Stowe, it is essential to          popular can be enjoyed in its own space rather than
include all popular forms for the propagation of            considering or defining it by comparing it to
culture:                                                    ‘Literary’ texts. Popular fiction, sometimes called
Detective fiction, like all popular art is also and         genre fiction should be considered for the artistic
primarily, entertainment. Readers come to it for            values and creativity available in it. The reason for its
relaxation, for escape, as they often say, not for self-    popularity can also be studied on the basis of its
improvement, and certainly not for social criticism.        features such as the plot, cover, price etc., Popular
Readers are also, however discriminating. They know         fiction will be in an attractive cover, the blurb asks
what they like, and they vote for it with their             you to consider reading it, and it’s cheap so that you
pocketbooks. They read critical columns and fun             can afford it. The books may be for an easy reading,
magazines and support their favourite writers. Like it      it may not stay with you forever. These are the
or not, readers of detective novels and romances and        features of genre fiction that could be applicable to
sci-fi thrillers, like tv viewers and sports fans, are      literary fiction in some conditions. A literary novel
participating in the ongoing propogation of culture,        may have a gaudy, attractive cover; it may find a huge
in the symbolization of social values and structures.       sales figure. In this way the feature which defines
(Stowe, 1986, pp 646)                                       whether a book is popular or literary is fluctuating
         Popular culture scholars believe that their        and in some situations some of the features can be
subject is not only appropriate for serious study but       applicable to both the genres of literature. The
it is an important one as well. It is self-evident that     differences between the genres are fast decreasing, as
anything which looms so large in the lives of most          the books are produced according to the audience’s
citizens of the developed nations at least should be        tastes and preferences. Earlier, it was considered that
of interest to scholars and, since much of it involves      a text is literary novel if it is in the syllabus. Now, the
forms of the arts and letters, to humanities scholars       popular novels finding place in the academic syllabus
in particular; it should be considered as a work of art.    is a good sign. Popular fiction reader knows what
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they are about to read, they know it’s formulaic, they       made them read. Bhagat is responsible for making
understand the fact that they are reading a similar          youngsters go for reading. The readers preferred him
kind of fiction; but still like to read it.                  for the simplicity of the language, new ways of
         Literary novels are supposed to be the choice       storytelling and his handling of the various themes.
of authors, where as popular fiction is written to           Bhagat’s works are a good choice for those who are
serve the needs of its audience. In popular fiction,         thinking of getting into the habit of reading, because
reader’s likes and dislikes, market surveys, history of      his fiction opens up a way for the literature in an easy
the market for similar novels, a convention, a               way possible. His books are simple, good for light
formula and a set of rules are essential for a popular       reading, easily accessible and of course entertaining.
fiction. It follows a style, it’s driven by plot and the     Bhagat’s works can be studied for the simplicity of
narrative is such that it keeps the story interesting till   narration, language, depiction of ordinary and middle
the end. The language is simple unlike literary novels       class lives. These texts may open up some of our
where symbolic representations and rhetoric make             discussions to the puzzling marketing, publication
the language more elegant and refined.                       factors as well. Studying Bhagat in an academic
         Chetan Bhagat is a fiction writer with the          atmosphere requires reading him unbiased. This
wide popularity, his books may be dejected by the            studying may have to consider his books as a text in
critics for its non literariness, but its immense            isolation and may be read without comparing
popularity must have been for a reason right? He is          relatively with the other authors.
known for bringing a change a shift in the youth,

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Footnote:
1. “Chetan Bhagat’s novel may become part of DU syllabus”. The Hindu, April 25, 2017
2. @Chetan Bhagat. “Am honoured DU added my books to their course. Literature is about being open minded,
   reading the classics as well as the contemporary.” Twitter. 23 April 2017,10:16PM,
   
3. The Boston Atlas newspaper of Boston, Massachusetts, was published in daily and semi-weekly editions in the
   mid-19th century. John H. Eastburn established the paper in 1832
4. Edmund Wilson is an American writer and critic who is well known for his treatment of Freudian and Marxist
   themes.

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