Channel 4: working across the UK
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What’s inside Introduction02 At a glance 04 Map: Where we work 06 Indies08 Talent14 Map: Reflecting the UK 20 Spotlights22 WORKING ACROSS THE UK 01
Gadget Man Introduction Countdown Channel 4 acts as a creative Throughout our history, Channel 4 has commissioned from a huge Our strategy for building a sustainable sector outside London focuses on Connecting greenhouse. We nurture range of independent production facilitating contact between indies and commissioners companies across the UK and can point commissioners, seed-funding via our and bring to fruition new to numerous success stories. We have Alpha Fund, investment in talent and creative and digital ideas, a continuing ambition to build a network skills development, and therefore with indies: of programme suppliers of the highest growing hubs of creative excellence and in the process we drive calibre from across the UK. across the UK. • We facilitated 258 economic growth, create Since its launch, Channel 4 has invested Since 2011, the Alpha Fund has days of contact between £12.3 billion in content, with £455 million provided seed funding to independent jobs and support hundreds spent on UK-originated programming in production companies outside London commissioners and indies of SMEs across the UK. 2015. Each year we work with nearly 300 to develop their creative offering. and creative companies production companies across TV, digital The fund has helped to transform in the Nations in 2015 and film, accounting for 37% of all public the creative contribution of multiple Channel 4 is unique among public service broadcasters’ spending on UK companies all over the UK, increasing • 525 attendees from over service broadcasters in having a independent production. In doing so, we both their creative expertise and 338 production companies publisher-broadcaster model. commission from more TV production business scale. companies than BBC1, BBC2, ITV or at 21 briefings, including 7 Unlike others, everything we air is commissioned from external Channel 5, and more than ITV and We have regional offices in Manchester genre briefings and 4 shorts production companies. Channel 5 combined. and Glasgow. The Manchester office briefings houses our Northern sales team. Our Alongside our not-for-profit model, As stipulated by Ofcom, 35% of Nations and Regions team, based in • Cities visited include this means that Channel 4’s revenues all our hours and spend on original Glasgow, is a strategic arm of Channel 4 Glasgow, Belfast, Manchester, are invested back into content, going programming must come from content commissioning. The department Cardiff, Leeds, Bristol, straight into the creative economy outside of London. Channel 4 has provides strategic input, development further increased its commitment to funding via the Alpha Fund, creative Newcastle and Edinburgh and supporting the independent production sector – and all at no production in the devolved Nations, briefing and partnership to the best from a quota of 3% to a commitment and most ambitious regionally-based • Our annual Meet the cost to the taxpayer. In fiscal terms, Channel 4’s activities generate a £1.1 that 9% of its main channel programme indies across the UK. Commissioners event billion contribution to UK GDP each hours and spend will come from in London, run with PACT, year, and support 19,000 jobs across the Nations by 2020. saw 46 commissioners the UK. conduct 200 meetings with independent production companies over two days 02 WORKING ACROSS THE UK WORKING ACROSS THE UK 03
At a glance Over £ bn spent on content from 1 Food Unwrapped Fifteen to One outside of London in the Cucumber last 10 years 149m 53% 28m 9% of first-run £ £ originations programme hours were sourced spent on production of first-run originations from suppliers in the outside of London programme hours were spent on production Nations (2015) (2015) sourced from suppliers in the Nations (2015) outside of London 39% of the value of 21 indie briefing 7% of the value of Ofcom target: first-run originations sessions held outside first‑run originations 9% of Channel 4 main was spent outside of London (2015) was spent in the channel programme of London (2015) Nations (2015) hours and spend coming from the Nations by 2020 04 WORKING ACROSS THE UK WORKING ACROSS THE UK 05
Glasgow Where Birmingham we work Supershoppers – Firecrest Films Homes by the Sea – True North Gadget Man – North One Television Channel 4’s work and impact can be felt all over the UK. The map opposite details the locations of just some of our TV production partners, Film4 shooting locations, Games Leeds production partners, and our offices. Television programmes All 4 Games Higher education • Born Naughty? – commissions from partnerships and Birmingham • Tag Games – Dundee PTS locations (Maverick Television) • Chunk Games – Glasgow • Abertay University – Dundee • One Born Every Minute – • Lucid Games – Liverpool • De Montfort University Bristol (Dragonfly) • Pathos – Bolton – Leicester • Dispatches – • Crash Lab – East Midlands • Durham University Manchester (Blakeway) • Full Fat TV – Birmingham • Big Bit, Paper Seven – • Homes by the Sea – Brighton • Waddell Media – Belfast Leeds (True North) • Fifteen to One – Glasgow • Trusted Developments – • Newry – Northern Ireland Cardiff Oxford (Remedy Productions) • Strawdog Studios – Derby Independent production • Unreported World – • Evil Twin Artworks – Swindon company briefings Oxford (Quicksilver Media) • Underage and Gay – Glasgow, Manchester, Cardiff (Rondo/Yeti) Film 4 shooting locations Cardiff, Leeds, Bristol, • Food Unwrapped – • High-Rise – Belfast Belfast, PACT London Revenge Porn – TiFiNi Brighton (Ricochet) • Starred Up – Belfast • Supershoppers – • The Selfish Giant – Bradford Channel 4 offices Glasgow (Firecrest Films) • Gadget Man – Birmingham • The Lobster – Republic of Ireland Manchester, Glasgow, London (Headquarters) Oxford Manchester (North One TV) • 71’ – Liverpool, Leeds • No Offence – and Blackburn C4 Pop Ups Manchester (Abbottvision) • Jamie and Jimmy’s • Catch Me Daddy – Oldham Bournemouth, Norwich, Brighton • Macbeth – Scotland Friday Night Feast – Wolverhampton, Preston, • Under the Skin – Scotland Brighton (Fresh One) Glasgow, Belfast, Cardiff, • Mr. Turner – South Yorkshire Doncaster, Corby, Leicester • Revenge Porn – Unreported World – Quicksilver Media • How I Live Now – Wales Cardiff (TiFiNi) • How to Talk to Girls at No Offence – Abbottvision • Inside Lego At Christmas – Regional sales offices Belfast (Waddell Media) Parties – Sheffield Belfast, Dublin Jamie and Jimmy’s Friday Night Feast – Fresh One 06 WORKING ACROSS THE UK WORKING ACROSS THE UK 07
True North Leeds Gok's Fill Your House for Free Kirstie and Phil’s Love It or List It Supporting indies True North is an independent production company based in Leeds, producing The Growth Fund has been Raise the Roof programmes across an eclectic range of genres including documentaries, instrumental in supporting a children’s content, factual, features, sustained period of expansion for and factual entertainment. True North, helping the company Glasgow build a bridge from its base in From the early days hot-desking Creative Director, Sarah Walmsley says: Run by founders Andrew Sheldon and Jess Fowle, and supported by Managing the North of England to the rapidly at Channel 4’s Glasgow office, the “We’re keen to take on Channel 4 trajectory of Raise the Roof Productions trainees whenever the opportunity Director Marc Allen, True North’s hit evolving global television market. has been impressive. arises. They’re always of the highest shows include Building the Dream, Andrew Sheldon, Creative Director and Founder, True North standard and working with them has, Homes by the Sea, Too Many Cooks and Raise the Roof has gone on to produce without exception, been beneficial to The Last Leg Goes Down Under. In 2014, 242 hours of television for Channel 4. the company.” Channel 4 invested in True North through Their most recent commissions include its £20 million indie Growth Fund, which The company also provides an important the returning series, Goks' Fill Your As well as welcoming trainees, Raise supports creative SMEs to grow and training ground for new production talent House for Free, and a brand new the Roof works closely with Channel 4 remain independent without the need in the North of England. Their connection format, Big House, Little House. to support skills and talent development to consolidate with other production to Channel 4 has bolstered their in Glasgow. They have received companies or seek private investment long-standing commitment to nurturing Launched in June 2010, they quickly development money through the Alpha loans. Channel 4’s investment was diverse talent, with four BAME trainees won their first commission, Vacation Fund and have worked together with critical in supporting True North to retain recruited in the past 15 months, as well Vacation Vacation, and moved into their Channel 4 on schemes to develop and expand its Northern base, without as the placing of other candidates from own space in The Hub at Glasgow’s more senior members of staff. the need to build a presence in London. diverse backgrounds. Pacific Quay. Their focus on long running, returning formats, including Since Channel 4’s investment, Phil Spencer: Secret Agent, has True North has expanded its presence at allowed the company to invest in staff Media City in Manchester, grown its edit and development. They now have They’re investing in us and we’re capacity across the company by 40% to 16 permanent members of staff, investing in them… the Nations 18 edit suites, and begun a campaign to and in 2015 alone they issued win its first US commission. Hiring has and Regions department have Building the Dream 372 freelance contracts. increased, with their headcount growing been great champions of ours and from 80–100 in 2014 to 140–150 in 2016. Raise the Roof has offered opportunities have always had our back. There’s They have also doubled the amount of to Channel 4 trainees, ranging from no doubt that their support has returning series on their slate, providing researchers and coordinators to series helped secure commissions. a strong and sustainable revenue base; producers and executive producers, indeed, revenues have doubled to just and has found the experience Jane Muirhead, Managing Director under £10 million since Channel 4’s mutually beneficial. investment. True North’s programmes are now watched in more than 200 countries around the world. 08 WORKING ACROSS THE UK WORKING ACROSS THE UK 09
Supporting indies Nine Lives Manchester Yeti Wales Based in Wales, Yeti Productions has been successful in building key supply relationships with both the Formats and The Nations and Regions department Documentaries teams at Channel 4. The has helped Yeti immensely – with company launched as Yeti in October advice, funding and active internal 2014 as a new company created by support at Channel 4. We feel we’ve Rondo Media. While still part of Rondo, Dispatches: Aldi’s Supermarket Secrets Dispatches, Benefits Britain: Universal Credit the team made their breakthrough with had a real champion for both our Channel 4 back in 2011, following Alpha programme ideas and our Fund support in a taster tape simply capabilities as a supplier. entitled Tattoo. Based in Manchester, Nine Lives Media Paul Symonds, Producer/Director at Yeti is an award-winning independent At a time when news and current That led to a single and documentary production company specialising affairs can be dominated by the series commission with Channel 4, the in current affairs, children’s and company’s first network commission documentary programming. Westminster agenda, Channel 4 alongside their considerable home- continues to invest in unearthing grown success in Wales. Since that Launched in 2007 by Cat Lewis, the company employs 20 people and its stories from all parts of the UK, early success, the company have and supporting journalism that carved out a successful series of slate includes high-impact investigations originates outside London. formatted documentaries including for Channel 4’s Dispatches current Frozen at Christmas and Britain’s affairs strand, overseen by Executive Cat Lewis, CEO of Nine Lives Media Favourite Superhero; as well as Producer Mike Lewis. Their film Aldi’s the recent My Millionaire Dads Supermarket Secrets, investigated and Me. the practices of the fast-growing supermarket chain, won the highest- In addition to commissioning, Channel 4 The company has also won a new ever audience share for Dispatches, works with Nine Lives Media and other daytime commission from Channel 4, bringing in nearly 4 million viewers. independent production companies Find It, Fix It, Flog It, a 20-part series outside London to develop skills and which will premiere in late 2016. Nine Lives’ documentary for Dispatches, talent in investigative journalism. Nine Benefits Britain: Universal Credit, looked Lives provides placements for Channel at the impact of the Universal Credit pilot 4’s Investigative Journalism Scheme, schemes in the North West and is an which includes mentoring and paid, example of how Channel 4 sees the practical hands-on experience in benefit of working with local production Manchester for people looking to pursue companies, leveraging local knowledge Britain’s Favourite Superhero a career in this highly specialised field. and sources to seek out impactful stories. 10 WORKING ACROSS THE UK WORKING ACROSS THE UK 11
Supporting indies Lime Pictures Liverpool Full Fat TV Birmingham Lime Pictures and Channel 4 have a long Set up in 2015 by Colette Foster in and successful history – not least through Birmingham, the company first gained the five episodes of Hollyoaks per week Channel 4’s commitment to support via the Channel 4 Alpha Fund, that they have been producing for us Hollyoaks has enabled Lime which provided resources to employ since 1995. Pictures to sustain over 300 Senior Development Producer Perjeet permanent roles, meaningfully Aujla. It is a personal passion of They are also responsible for a range Colette’s to work with talent who come of other high profile programming invest in the local infrastructure from the local area, and to deliver hit including Celebs Go Dating for E4, and talent, providing a stable network shows from the Midlands. ITVBe’s The Only Way Is Essex, Rocket’s foundation for the creation and Island for BBC, and MTV’s Geordie Shore. retention of a strong craft base. In early 2016, the Nations and Regions They also make The Singles’ Project, a Alpha Fund gave some further backing dating show on Bravo that made Lime the Claire Poyser, Joint Managing Director (with Kate Little) to Colette’s continuing development first UK producer of US real-time content. push, which has resulted in two new single commissions from Channel 4 The All3Media-owned indie, headed up Features: Joe Wicks: Summer Body Joe Wicks: Summer Body Coach by joint Managing Directors Claire Poyser Hollyoaks Coach, following the Instagram and Kate Little, is known for delivering sensation in his first TV pilot; and 24 distinctive projects with a huge social Hours Inside Your Body, a ground- media and online presence, allowing the breaking Features commission. key 16–24 audience to engage directly with their favourite shows and channels. Gaining Alpha Fund backing has The support Full Fat TV has received also been instrumental in helping from the Alpha Fund has been a huge Lime has also collaborated with Channel 4 the company to gain investment. confidence boost for the company. on initiatives such as the Northern Writers’ In 2015, Fremantle acquired a 25% It’s early days but we are mightily Award (see page 20), the Channel 4 stake in Full Fat TV, seeing the ambitious – we are creating a Diversity Storylining Initiative and a recent company’s relationship with collaboration with Directors UK that led to Channel 4 and its regional base sustainable Midlands base that two female directors, Charlotte George as an attractive proposition. offers opportunities for talent from and Claire Tailyour, joining a mentoring the region to grow their careers scheme at Hollyoaks. without having to go to London. Colette Foster, Founder 12 WORKING ACROSS THE UK WORKING ACROSS THE UK 13
Staffordshire Fiona Wilson Glasgow This Is England ‘90 Nurturing talent Fiona shadowed Anouk on location, Shane Meadows spent time in the edit and also had the opportunity to shoot; one-third of the footage in the final cut was actually directed by Fiona. Acclaimed writer and director Shane When Channel 4 commissioned a full Meadows made his first documentary series of Britain’s Benefit Tenants, Fiona for Channel 4 in 1995, before directing This Is England has been the perfect was asked to direct an episode, and four feature films with Film4, and the example where an investment ten following a recommission, Fiona stepped much-lauded semi-autobiographical years ago for a film has sparked off into the role of Series Producer. TV drama trilogy spin-off from This Is over £12 million of production spend England. Shane’s film and TV work with Channel 4 has all been set and filmed out of our Sheffield office. Channel 4 develops new talent in in the Midlands, often featuring young, Mark Herbert, Joint CEO Warp Films the Nations and Regions through undiscovered local talent. Shadowing Anouk was an shadowing, allowing production talent to observe and absorb, first-hand, absolutely fantastic and invaluable Shane’s career began at a local opportunity… the additional the skills of more established film centre in Nottingham, where he 2008 BAFTA for Best British Film, borrowed a camcorder at weekends highlighting Meadows as one of the production professionals. experience and support gave and developed his technique of UK’s best directors. me a lot of confidence. Fiona Wilson, currently at Scottish film-making using his friends as indie IWC, is just one professional Fiona Wilson, IWC actors in a series of short films. In 2013, for his fourth collaboration who has broadened her experience with Film4, Meadows documented the thanks to the success of this initiative. In 1995 he was approached to direct reunion of one of Manchester’s biggest Although experienced, Fiona had not Britain’s Benefit Tenants TV documentary King of the Gypsies for bands, the era-defining Stone Roses, yet directed a full hour for Channel 4 Channel 4. After writing and directing his who Shane cites as one of his main Documentaries. When IWC won the Midlands trilogy (Twenty Four Seven, A inspirations and the soundtrack for commission for Britain’s Benefit Room For Romeo Brass and Once Upon the This Is England generation. Tenants, a single hour documentary, a Time in the Midlands), Film4 funded investment from the Nations and Shane’s BAFTA-nominated thriller and Film4 continues to work with Meadows Regions department meant that Fiona cult classic Dead Man’s Shoes in 2003. and his long-term producing partner, was able to shadow the director on Mark Herbert of Sheffield-based Warp the project, Anouk Curry. This Is England was Meadows’ third Films. The relationship built by Film4 collaboration with Film4. Set in 1983, gave Channel 4 the opportunity to it tells the story of Shaun, an 11-year-old support TV spin-offs This Is England growing up in the North of England. The ‘86, ‘88 and ‘90, the latter winning film was a critical success and won the three TV BAFTAs in 2016. 14 WORKING ACROSS THE UK WORKING ACROSS THE UK 15
Nurturing talent Investigative C4 Pop Ups Journalism Scheme Glasgow, Preston, Norwich, Glasgow, Belfast, Leicester, Wolverhampton, Leeds, Manchester, Bournemouth, Belfast, Cardiff, Leicester Corby, Doncaster In addition to apprenticeships and work diversity of entrants into the creative Channel 4 is committed to pursuing experience initiatives, C4 Pop Ups is an and digital industries, which in turn has high-quality investigative journalism and outreach programme of skills workshops strengthened the sector in the Nations is known for its risk-taking, high-impact, The training I received changed across the UK, promoting careers and Regions through a wider range agenda-setting news and current affairs my life, giving me the skills and within the industry and unearthing of experiences and ideas. – reflecting its important remit to show the confidence to find stories undiscovered talent. alternative viewpoints and stimulate and tell them in an engaging The attendees were encouraging in debate. Investigative journalism is a It’s an ambition of Channel 4 that their diversity: our research also found highly specialist field and Channel 4 and thoughtful way. the people who make television that 44% did not have a degree-level has been working with production Kevin Anderson, AP at Firecrest Films, Glasgow – programmes should be as diverse education and 28% came from companies and institutions across Channel 4 Investigative Journalism Scheme 2014 as the people who watch them. households receiving Income Support. the UK to train up a new generation of We are therefore committed to ensuring Following the Pop Ups, 97% said that investigative journalists and widen the that people from all backgrounds and they knew what to do next about a pool of talent to include people from walks of life can successfully pursue career in the media/creative industries, diverse backgrounds. Channel 4’s Dispatches: Secrets of Cadbury careers in the media industry. after experiencing the day. Investigative Journalism Scheme provides on the job training with In particular, we are deliberately Other examples of skills partnerships independent production companies targeting young people from in the Nations and Regions include working on Channel 4’s Dispatches disadvantaged backgrounds, and are Gen Up, a skills development strand and takes two sets of trainees: focusing away from the main ‘media partnership with TRC Media, and entry-level and more experienced hub’ cities. In 2015, our programme Dare to Be Digital, with Channel 4 candidates (for example at AP or visited Bournemouth, Norwich, supporting and mentoring the University producer-level) who are looking to move Wolverhampton, Preston and Glasgow, of Abertay’s video games competition. into more senior roles. The scheme has reaching more than 600 young people included placements with independent with its open days. production companies across the UK, such as Matchlight and Firecrest Films The course, which has been developed Local independent production and in Glasgow, Nine Lives Media in in partnership with Channel 4’s News digital companies play a central role Manchester, Below the Radar and Erica and Current Affairs team, will cover areas in these events, allowing local young C4 Pop Ups Starling in Belfast and True North in such as techniques of in-depth research, people to understand what they do, Leeds. This collaboration has resulted including handling complex data, network with them and hear about in the successful development and understanding financial information, opportunities available to them in retention of new journalistic talent working undercover, using freedom of their area. Channel 4 believes that this outside of London. information, the law, compliance and scheme has helped to broaden the safety alongside filming and editing. Channel 4 has also teamed up with As part of the course, which starts in De Montfort University’s Media School September 2016, students will learn in Leicester to launch a new Investigative how to identify, pitch, research and film Journalism MA. investigative stories. 16 WORKING ACROSS THE UK WORKING ACROSS THE UK 17
Nuzhat Ali Northern Sharma Walfall Writers’ Award Nurturing talent Nations and Regions As part of Channel 4’s 360° Diversity Charter commitments, Channel 4 partnered with Northumbria University December 2014. Her play When George Came to Bradford was part of the Bradford Literature Festival and has Diversity Production and New Writing North on this new award, to reach out to a diverse spectrum of writers. The partnership been recorded for the BBC Radio website. Nuzhat is active in her community as a member of the Muslim Training Scheme pilot goes beyond simply developing a resource-base for writer development: the three organisations’ different Women’s Council. Since winning the award, she is working with Nicola Shindler’s Red Productions, developing networks, skills, experience and an original drama series. With the aim of generating more The trainees will be working with indies knowledge create a unique and diverse production talent at entry-level, including Icon Films, Rondo, RDF Bristol, powerful support structure for talent Sharma Walfall is a young writer-actor the Nations and Regions Production Boomerang and Plimsoll. The scheme development. We have committed to from Manchester and a number of her Training Scheme launched as a pilot is due to start in September 2016. the scheme for another three years. short films have gone into production. in Glasgow in 2016. Winning the award has allowed Sharma In parallel, we also invested in Through the award, Channel 4 time away from her job and to take up a The scheme saw six new entrants mid-level talent in Glasgow, to help discovered some fantastic writing talent placement on Hollyoaks, where she immerse themselves in paid work grow and develop the careers of in 2015: Nuzhat Ali is currently working is developing story ideas and writing placements as trainee researchers high-potential people identified by with Red Productions and Sharma her own original Hollyoaks script. and coordinators at four production indies. We supported two individuals: Walfall has taken up a placement companies: Raise the Roof, IWC, at Raise the Roof we funded a six-month on Hollyoaks. Remedy and Lion. Placements were role as shadowing Series Producer on funded 50/50 by Channel 4 and the Gok’s Fill Your House for Free, and at Nuzhat lives in Bradford. She home- host indies. IWC we funded a shadowing directing educated her two younger children for Winning the award has been an placement on Location, Location, eight years and started writing when incredible experience, I’ve always The placements were enhanced by a Location and Britain’s Benefit Tenants. they went on to further education. wanted to be a writer for television three-week training programme, aiming Nuzhat was one of ten people selected to give trainees’ careers a kick start with A number of our year-long but found it wasn’t easy to get into. for the Street Voices 5 Play Writing key skills and industry insights. paid placements under the main Having no previous TV writing Course in October 2014, and she Production Trainee Scheme will be followed this by being chosen for the experience, this award and The placements were so successful that in the Nations and Regions. In Belfast, Dream Reality Radio competition in placement has been an amazing all of the companies decided to extend host companies are Big Mountain and opportunity. I am really grateful the original contracts, which are now Waddell Media, and in Birmingham due to end in September 2016. This Full Fat TV and 7 Wonder will be to win the award and recommend augurs well as Channel 4 rolls out the hosting placements, which are due new writers to enter. entry-level scheme in Bristol and Cardiff to start in September 2016. Sharma Walfall to support another six trainees. 18 WORKING ACROSS THE UK WORKING ACROSS THE UK 19
Four in a Bed Reflecting the UK Channel 4 seeks to reflect the length and breadth Gogglebox of the UK in our programmes, from popular staple programmes with contributors from across the Eden UK to drama and comedy that portray life in a particular region. This map shows just some examples of regional portrayal in 2016. Paul Merton’s Secret Stations Drifters Come Dine With Me No Offence Hollyoaks Amazing Spaces Key Amazing Spaces Eden Come Dine With Me Drifters Gogglebox Paul Merton’s Secret Stations Hollyoaks No Offence Grayson Perry: All Man Four in a Bed Grayson Perry: All Man 20 WORKING ACROSS THE UK WORKING ACROSS THE UK 21
Channel 4 introduced Random Acts Random Acts Network Centres, enabling Random Acts in 2011 to show films by artists (as as many young people as possible to opposed to making programmes about access the programming, including in them) and has since broadcast over areas where access to film and TV 500 short films from renowned figures has been limited. The network has including Ai Weiwei and Kate Tempest. successfully supported 134 young artists to deliver 83 films to date In 2016, Random Acts launched with (mid-2016). renewed purpose: to work with more established artists and allow them to The best films will feature on the play with the form and premiere work Random Acts strand on television and from them, as well as to identify and online, alongside films by established develop fresh and diverse creative talent artists commissioned directly by The Snowman and The Snowdog from across the UK, offering young Channel 4. By mid-2016, 75% of the people aged 16–24 the opportunity to films reviewed by Channel 4 had create high-quality short films. Over been selected for distribution online, Made in Chelsea: The Game three years, Arts Council England has and two films (5%) had been selected committed to invest £3 million in five for broadcast. All 4 Games All 4 Games comprises a team of then publish and promote the games four games industry veterans based across all the channel’s networks. in Glasgow, commissioning games Recently, Scottish-developed game We’re inviting artists to use TV as linked to Channel 4 programming, and Super Arc Light was published by a canvas and let their imaginations topping the App Store’s charts with All 4 Games to global recognition, run wild and create the work itself. programme-linked games such as The boosted by international-featuring It’s liberating for them – hardly Snowman and The Snowdog, Made in by Apple, and garnering coverage Chelsea and Hollyoaks. Our mobile in The New York Times. anyone gives them the budget and game for Stand Up To Cancer, Reverse then says ‘go away and make it’. The Odds, was developed by Chunk in Since 2012, All 4 Games has supported The heart and soul of Random Acts Glasgow and has won various awards the video game competition Dare to lives across all our digital platforms including a Digital Emmy. be Digital. It is run by The University to give artists more exposure than of Abertay in Dundee, which provides All games commissioned to date a £25,000 prize and mentorship for ever before. (September 2016) have been produced the winning student team to help them Pegah Farahmand, Editor, Random Acts in the Nations and Regions, from establish a company and publish locations including Dundee, Bolton, their first game. Derby and Bristol. Man Made Youth All 4 Games aims to give small game studios a route to market for their own indie games; advise developers on how to improve the quality, monetisation and marketability of their games; and London – ICA, South West – Calling the Shots, South East – Screen South, Midlands – Rural Media Company, North – Tyneside Cinema 22 WORKING ACROSS THE UK WORKING ACROSS THE UK 23
Regional offices Manchester regional office Channel 4 has four regional offices: Glasgow Glasgow, where the Nations and Channel 4’s Glasgow office is the Regions and All 4 Games teams are only editorial office outside London, based; Manchester, a Channel 4 Sales housing both the Nations and Regions office; and two further Sales offices and All 4 Games teams. in Belfast and Dublin. The office is a hub for producer Manchester meetings, briefings and events, Channel 4 Sales in Manchester is and serves as a regular base for our responsible for UK agency and client London colleagues when they are relationships outside the South East in town for edits and meetings with of England, creating a North West hub Scottish indies. for our commercial, creative and industry partners. TRC Media also operates from our office, delivering high-end media training for We work with these clients to Nations and Regions companies. deliver activity across the full range of Channel 4 commercial opportunities, While the Nations and Regions team covering sport, sponsorship, digital, focuses on increasing production and shorts, product placement and spend outside the M25 for the channel, advertiser funded programming. All 4 Games works to give independent games producers a publishing platform, The channel’s growing regional sales as well as releasing games in conjunction team in Manchester forms the core of with Channel 4 programmes. the new premises, with an open hub space with up to 15 hot desks and meeting rooms for up to 60 people. These facilities will be available to Channel 4’s Growth Fund indies, and its production, creative, commercial and third-party sales partners, as well as the Channel 4 Board, Commissioning, Nations and Regions and All 4 Games teams. 24 WORKING ACROSS THE UK
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