CANVAS HIGHER EDUCATION EDITION - WHEN WORLDS COLLIDE HIGHER EDUCATION INSIDE AND OUT - Cordiner King
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CANVAS HIGHER EDUCATION EDITION BY PANORAMA WELCOME Welcome to the Summer 2018 edition of CANVAS, the sectoral insight update from Panorama’s global partners. CANVAS is a platform to share interesting thoughts and perspectives on topics and issues that are relevant and current in your sector. We very much welcome any thoughts, comments, or inputs you would like to share. We hope you enjoy this edition! CONTENTS SPARKING THE CREATIVE FLAME: IN THE NEWS Pg 4 Interview with Professor Bashir Makhoul, Pg 12 We provide a brief insight into key news Vice-Chancellor, University for UCA items that are causing a stir locally and globally THE EDUCATIONAL EVOLUTION: KEY APPOINTMENTS Pg 8 Interview with Martin Bean, Vice-Chancellor Pg 14 An update of recent global leadership of RMIT University, Melbourne appointments in the sector LOOKING BEYOND THE INDIVIDUAL VIEW FROM THE BRIDGE Pg 11 Hamish Laing from Saxton Bampfylde provides Pg 15 Team Insight: Sarah Magnell, Partner in insight on the benefits of leadership services Panorama at Cordiner King, Australia 2 CANVAS
EDITION OVERVIEW EDITION OVERVIEW STEPHEN BAMPFYLDE Chairman, Saxton Bampfylde & Panorama m stephen.bampfylde@saxbam.com T he outside perspective should “We should always be Arts. Looking at his varied life and career, not be underestimated. It can he explains why a strong relationship looking beyond our bring clarity to confusion and between the arts and academia can foster innovative thinking to a traditional boundaries, both physical a wealth of opportunities for so many. approach. In the higher education sector, and self-imposed, to see both in the UK and internationally, where we can be learning We also talk to Martin Bean who, after this outside-in, and indeed inside-out, or collaborating better to more than 20 years working outside view assists an evolutionary process Australia, has returned to his hometown bring improved outcomes and encourages the sector to move as Vice-Chancellor of Melbourne’s away from isolation to collaboration. for as many as possible.” esteemed RMIT University. In a career that has always had education at its heart, When we look at how higher education is Martin explains why it is so important developing right across the world, we see particularly the impact it can have for the sector to embrace the benefits of a greater variety of institutions, disciplines in higher education and beyond, we technology and industry partnerships, and models being introduced. No longer bring you this edition of CANVAS. and bring them to wider society. purely the preserve of the academic, we are witnessing a spirit of partnership and We have the pleasure of including two In addition, we include insights from cooperation that is spreading across many profile interviews, following different Hamish Laing at Saxton Bampfylde different sectors. This positive collision beginnings and career paths, but both about the importance of looking beyond and cohesion of different disciplines is offering hugely interesting insights and the individual to an organisation’s not only enhancing the modern learning innovative approaches to evolving higher collective goal to help to identify, experience, but greatly improving the education, its wider context in the UK and nurture and strengthen the best leaders wider political, economic, cultural and internationally. Firstly, we talk to Professor within the higher education sector. physical world in which we live. Bashir Makhoul. Born in Palestine and Finally, we welcome Sarah Magnell, originally coming to the UK speaking very Partner at Cordiner King, one of the We should always be looking beyond little English, he has spent 26 years here firms in the Panorama network, for our boundaries to generate improved studying and working. An internationally our team profile and to offer insight outcomes for as many as possible. In the renowned artist, Bashir is also an academic on the HE sector in Australia. C spirit of collaboration and the chance and last year was appointed as Vice- to learn from outside perspectives, Chancellor of the University of the Creative CANVAS 3
SPARKING THE CREATIVE FLAME: Interview with Professor Bashir Makhoul SPARKING THE CREATIVE FLAME Interview with Professor Bashir Makhoul, Vice-Chancellor, University For The Creative Arts 4 CANVAS
SPARKING THE CREATIVE FLAME: Interview with Professor Bashir Makhoul Looking back at his formative years in Palestine, Professor Bashir Makhoul reflects on what experiences, attitudes and outside influences have contributed to his remarkable journey from work on a building site aged 13 in Galilee to becoming Vice-Chancellor of a specialist arts institution in the UK. An artist and an academic, his joined-up vision of these two worlds is highlighted throughout this interview: particularly their importance in an international context to allow for greater collaboration and encourage a stronger spirit of entrepreneurialism, growth and understanding of other cultures. T ell us about your upbringing The kindness of the people I met on Iona – a moment when I fully understood the and how it has influenced you convinced me that the UK could have a very contribution universities can make to as an artist and as an academic. special role to play in my development as an furthering understanding of our culture. I grew up in the tiny village of artist. I was shocked at just how politically Makhoul in Galilee, Palestine/Israel, and aware the residents were, and at how As a successful practitioner was one of ten children being raised in a much they knew about the issues faced and academic, why choose two-room home by a widowed mother. I was by Palestinian villagers such as myself. academic leadership as well? always instinctively drawn to making things. I was fortunate enough to benefit from Even in those early years, I would collect I sold everything I had, and with the help highly personalised support during stones from the rubble of a bombed-out of a scholarship was able, aged 25, to my own education, which has led me village nearby and carve small figures using commence a BA at Liverpool Polytechnic. to become a passionate advocate for our family’s knife – the only one we owned. The work ethic instilled in me by my mother engaging with students on an individual led me to achieve a first within two years, level. Nowhere is this more important While I didn’t know any artists as such whilst simultaneously studying English than in specialist arts institutions where when I was growing up, I was surrounded and holding exhibitions of my work. students should be encouraged to by people who valued creativity and develop their own unique practice. were incredibly resourceful. My mum’s I intend to make it my mission to ensure attitude and her faith that tomorrow that as many people as possible benefit could bring better things than today “Wherever they from a personalised creative education. influenced us all. She instilled a work Wherever they may be in the world, ethic and passion for creativity that I may be in the wherever their interests may lie, everyone continue to draw on to this day. world, wherever has their own forms of expression. This should be celebrated because it has When I reached the age of about 13, I their interests may the potential to enrich all our lives. took up paid work on a building site to supplement my schooling. It was tough lie, everyone has Leading a university and having such an physical work, but I was determined to their own forms of impact on a new generation of creative educate myself. I left school with the academic credentials needed to attend expression.” professionals is a huge responsibility and honour. As a practicing artist, it seems only university, but unfortunately without the natural to want to shape and influence financial means. I took a job working in a creativity in some way. Education opens carpentry shop, sweeping floors and tidying so many doors for so many people the workshop – later, my boss discovered and I want to ensure that it becomes I could draw and started taking me along Further scholarships enabled me to achieve increasingly accessible in a way that benefits on jobs. Eventually, he also discovered an MA and then a PhD at Manchester creative generations of the future. my passion for carving and gave me Metropolitan. I’ll be honest: I didn’t even the opportunity to get involved with the know what a PhD was before I came to What attracted you to UCA and production process. Eighteen months Britain. But the support I received, the what are the opportunities after starting out in the lowliest role, I way I was encouraged to explore my for it internationally? was made manager of the workshop. Palestinian heritage and engage with issues As a practicing artist, I was of course of culture and identity, was revelatory. attracted to an institution that values I was incredibly grateful for this opportunity, creativity and has such a strong track but the desire to continue both my Mine was the first PhD to meld the record of nurturing creatives who go on education and my artistic practice never practical and theoretical. I interviewed to be leading practitioners in their fields. left me. Working as an instructor for a many Palestinian artists, and I was summer school on the Sea of Galilee encouraged to use my explicit knowledge UCA is as an institution united by its diversity brought me to the attention of a Scottish of making and doing to further explore with unique creative and intellectual clergyman who invited me to the Isle of Iona artistic responses to the political assets across each of its campuses. The to design and install a public sculpture. context. It was a turning point in my life substantial collective strength in the CANVAS 5
SPARKING THE CREATIVE FLAME: Interview with Professor Bashir Makhoul structure of the university is provided by the for delivering education that supports messaging and causes it to resonate with unique strengths of each campus. At the growth – through working with international different regions and in different contexts. same time, it is a structure which is ideally governments, as well as public and private suited to flexible and creative expansion sector organisations – is enormous. What is your perspective on the both regionally and internationally. creative arts in the UK, and what it needs to do to maintain and Essentially, UCA is a university without develop its global status? borders that is simultaneously able to The UK is a leading force behind the global maintain strong regional identities and roots, creative industries. In the UK, the creative provide world class education to the regions “Education opens so industries are growing at almost twice the rate and attract world class students and research. many doors for so of the wider UK economy and in particular, British contemporary art is world-leading. Our ambition is to establish strong many people and I international partnerships with long- term sustainability, and we are already want to ensure that it Maintaining our international status goes hand-in-hand with increasing accessibility working collaboratively with many becomes increasingly to creative education. I am very aware that I countries to ensure that students from a range of different locations, cultures and accessible in a way benefitted from a UK education during an era when overseas students were greeted with backgrounds are able to access the world- that benefits creative open arms. I will never cease to be grateful class creative education provided by UCA. for the kindness and opportunities extended generations of the to me, and I’m all too aware of how different The global UCA experience means future.” my life could have been had I not received providing a diverse curriculum that is support at key moments. That’s why I’ve been based on international creativity, working saddened to witness the increasing barriers collaboratively on research and other implemented by successive Governments in projects with governments, industries the UK. Today, a driven Palestinian villager is and institutions, as well as enhancing very unlikely to have the same opportunities student mobility. The opportunities and as I had – a state of affairs that I’m possibilities for an international, creative UCA has just launched its own Business determined to challenge as a Vice-Chancellor. education are incredibly exciting. School for the Creative Industries, which builds on our long tradition of collaborating Where do UK universities, and in with employers to cultivate leadership, particular specialist institutions like entrepreneurial and problem-solving skills. UCA, lead? And what can they learn from its peers internationally? There is growing recognition that creativity and innovation in businesses depends on the “British universities For the last 150 years, UCA has been skills and attitudes that specialist universities are not open enough equipping students with the skills they need such as UCA have taught for many years to thrive in the creative industries. From as part of a creative education. These internationally. They architects to animators, and fashion designers approaches to innovation, creativity, and ideas have educational to artists, specialist institutions such as UCA, generation have been ignored by business equip students with a versatile set of skills education – but now they are increasingly integrity, but they and offer important connections to industry. UCA instils creative thinking within their seen as integral to growth and success. aren’t agile enough and students, which is a highly valuable asset that Tell us about your work at the interface they don’t think like is extremely sought after by businesses. UCA doesn’t just offer a skills-based education, of academia with other sectors internationally, and its benefits. businesses.” it encourages risk-taking within creativity. My work has always centred around conflict. It is such a deeply personal issue UK universities, while being world-leading, can that transcends an array of academic learn a lot from their peers internationally. fields and sectors. It resonates with so Apart from research, British universities are many people and societies around the A creative education can help power the not open enough internationally. They have globe due to the profound way that economy by preparing generations of young educational integrity, but they aren’t agile it affects different communities. people to enter today’s workplace. We have enough and they don’t think like businesses. a responsibility to place employability at The majority of UK institutions offer a very Being able to communicate important the heart of all programmes we deliver, linear, traditional education and are risk- issues and raise questions through art gives both at home and internationally, which adverse, which means that there is plenty that people the opportunity to stop and think means we must create partnerships with can be learned from overseas universities. about their answers for a moment. I want employers to ensure that we are helping to draw people in with the aesthetic of the students develop the skills needed to The Australian approach to education imagery and then confront them with deeper power the economy of tomorrow. is completely different to the UK’s, for issues, such as nationalism and religion. example, and there is tremendous focus on The international nature of my work, and the Making that distinctive connection between investment and collaboration. Scandinavian visibility it gains through global exhibitions, the creative arts and industry is crucial universities, meanwhile, give creative provides a strong platform to instigate to maintaining our international position. subjects an equal footing and contribute discussion on such important topics. Acknowledging the enormous value and in a much greater extent towards design. Using an aesthetic sensibility that is attractive contributions the creative arts make across Specialist institutions in the UK tend to and engages people with these complex the board, and ensuring that we continue be small in size and this can make them issues is important. By universalising to develop and shape a workforce capable vulnerable, particularly when there is location, my work transcends language of breaking boundaries, solving problems constant changing and shifting in higher barriers. The issues conveyed in the art and keeping pace with industries as they education policy at government level. affect nearly everyone in some way, but transform and grow, is paramount to the careful choice of where I hold these maintaining our global creative arts status. The potential that these institutions have exhibitions seeks to personalise the 6 CANVAS
SPARKING THE CREATIVE FLAME: Interview with Professor Bashir Makhoul “Universities need to stop being used for political games if they are to maintain their global status.” Tell us about how you produce your Universities need to stop being used for art and its transnational nature. political games if they are to maintain I have always maintained my art practice alongside working in academia, because their global status. The government must establish a sense of stability in order Professor Bashir fundamentally it is who I am and what for universities to get on with the job of Makhoul I have strived to achieve. How could I providing world-leading education. support and influence creative education Maintaining an international profile also BIOGRAPHY if I stifled my own creative instincts? means recognising and meeting the needs of businesses. We must listen to Bashir Makhoul is Palestinian, born in I maintain a studio in Beijing, and work with the direct requirements of industries Galilee. He is an artist and academic themes that create universal connections and match the demands of the economy, and has been based in the United with people. Issues such as migration, for so that every person who enters higher Kingdom for the past 26 years. During example, affect all nations. I use an ideas- education to increase their skillset or this time, he has produced a body of driven approach to production, which develop their artistic practice leaves with work based on repeated motifs which means that I can plan work in advance the ability to contribute to the rapidly can be characterised by their power and even test it, sometimes through digital growing creative industries, or with the of aesthetic seduction. Economics, simulation, before it is produced. Sometimes creative know-how to work innovatively nationalism, war and torture are components for my work are manufactured in creative and non-creative roles. frequently woven into the layers of away from the studio due to the scale Makhoul’s work and often the more or nature of the materials being used. We need to appreciate that academic explicit the material, the more seductive disciplines are never fixed. Take design the surface. He completed his PhD I’ve exhibited at many locations worldwide, for instance. In recent years we have seen in 1995 at Manchester Metropolitan some of which have included the Hayward perceptions of design shift dramatically. University in the UK. He has exhibited Gallery, Tate Liverpool, 2013 Venice A generation ago ‘design’ referred to the his work widely in Britain and Biennale and the Aichi Biennale in Japan. I creation of objects that could be touched internationally. currently have work on show in Australia, and felt. But with the advent of the digital Liverpool and Beirut, and a large exhibition age the discipline is now being interpreted In April 2017 he became Vice-Chancellor in Mexico is planned for next year. far more broadly, to encompass not just at the University for the Creative Arts. objects, but experiences. The websites Prior to this he was the Deputy Vice- For me, my art has been a way of opening we view, the apps on our phones – these Chancellor at Birmingham City University a dialogue on my own Palestinian heritage, have been crafted as diligently as any and a professor in art and design. connecting people through discussions sculpture or piece of textile art. on refugees and war-torn nations and Previously he was Head of Department offering exposure to some of the most Disciplines and creative outputs evolve all the of Art and Design and the Director of harrowing humanitarian issues. time, but the creative mind-set that powers the Research Institute of Media, Art and these changes is essentially timeless – adding Design at the University of Bedfordshire, How would you describe the UK value that transcends time and place. where he was also the founding Head of higher education sector at the the School of Media Art and Design. He moment and what do we need The most important factor in maintaining was also the Rector of the Winchester to do to ensure its position as an our position as a global leader is ensuring Campus and Head of Winchester School international leader is protected? that we aren’t closing doors to international of Art. Additionally, he is the founder Higher education in the UK is world-leading students, researchers, businesses or and Co-Director of the Winchester but maintaining its position on the global partners. Universal collaboration generates Centre for Global Futures in Art Design stage requires the backing of politicians growth. Ensuring that the UK is enabling, and Media. – keeping university doors open should rather than stifling, growth should be a be a priority for the UK government. top priority for the UK government. C CANVAS 7
THE EDUCATIONAL EVOLUTION: Interview with Martin Bean THE EDUCATIONAL EVOLUTION In a career that has traversed three continents, with the intersection of technology and education at its heart, Martin Bean CBE really exemplifies international experience and perspective. A native Australian, we talk to him as he enters his third year as Vice- Chancellor at RMIT in Melbourne, looking ahead at the country’s continuously evolving higher education system and the opportunities afforded it through greater international and industry partnerships, as well as the eager adoption of technology for learning. 8 CANVAS
THE EDUCATIONAL EVOLUTION: Interview with Martin Bean T ell us what led you to become who may not have traditionally participated at Are you able to give us examples of a Vice-Chancellor in the UK and a tertiary level. What was even more special your experience recruiting from outside then return to Australia to take was that RMIT is a dual sector institution the higher education into university up the leadership of another offering Vocational Education or VE (Further leadership roles? university? Education in the UK) all the way up to PhD I have tried to strike a healthy balance on my The focus of my working life has always been level, making RMIT a very powerful institution Executive Team at RMIT, with some coming about the intersection between technology for the future world of work. from higher education and others from a and education and I have been lucky enough more commercial world. Ultimately, early on to work in this area across three different The challenge was fantastic, how could I help in any conversation with a potential candidate continents. a 130-year-old institution, based on traditional I look at their motivations for wanting to join learning methodologies, really embrace us. I look for a common ingredient, no matter My degree is in education, but I began technological innovation to benefit students, where they come from – the motivation to join working for IT companies early in my career, staff, the Institution and the communities they a mission-led organisation. I look for people looking primarily at how technology can be serve? A challenge too good to be true, and I who truly believe in the power of education used in learning. It’s been amazing to see how now find myself back in my home city in the and want to wake up every day identifying much has changed in such a short period of beautiful Australian sunshine. with an organisation that makes a difference time. With the arrival of the internet it was in the world. very clear to me that at least one of the game changers had arrived for education. “I look for people who If you go looking for that drive and attitude, rather than having conversations around At its inception the internet was largely about truly believe in the compensation, seniority, or job title you not content, but that quickly morphed into a social power of education and only can attract brilliant talent, but also ensure platform, making it much more powerful for they are really comfortable working inside education, and more recently it moved into want to wake up every a university. In many ways, it eliminates the the early days of personalisation and analytics day identifying with concern that they may not fit or be able to for learning. My job with Microsoft spanned make the transition. the primary, secondary and tertiary spectrum an organisation that and was focused on improving learning outcomes for students everywhere in the makes a difference in A specific area of focus in your previous roles was the enhancement of learning world, particularly those who needed it the the world.” through technology. Thinking about most. Technology was the common factor; this specifically in relation to higher it was opening up quality experiences to so education, how is technology changing many more people on the planet and it was and shaping the future of this sector? democratising education. Can you tell us what you learned I have always believed that technology impacts moving from a leadership role at industries most at the point of consumption. My work at Microsoft exposed me to open Microsoft to the Open University? How When you look specifically at higher education resources and the application of did this influence your approach to and education there is an excellent opportunity technology to drive access to almost unlimited vision for RMIT? for technology to help transform the way we content. It was an amazing journey and I was I was very lucky to have had the opportunity teach, increase accessibility and improve the working with some remarkable people. It was to work at Microsoft, particularly in the role overall experience. The rise of MOOCs and with some surprise that The Open University I had. I worked alongside the Foundation third party organisations delivering micro in the UK approached me to be their next and had the opportunity to think about how credentials has impacted expectations of Vice-Chancellor. I’d been working with them technology could improve education as a students and employers considerably. to explore how technology could power social sector. The experience, perspective and skills learning and I soon realised what a wonderful I developed made the transition to the Open More recently, personalisation, machine institution it was. It remains one of the great University not as different or as complicated learning, artificial intelligence, and augmented success stories of how to open up education as you might think. and virtual reality have contributed to the through innovation. Starting in the very early modularisation of tertiary education. In other 70s, the OU had embraced every step change The Open University is all about helping words, the packages of learning which we call in technology and I couldn’t think of a better people get access to high quality education the degree or the diploma etc. are likely to place to put my strategy into action. at a distance using technology. In many ways, be further broken down and be much more an extension of the work I had undertaken flexible and increasingly industry aligned in Fast forward to 2012 and the Massive Open at Microsoft. Obviously, there are very big the future. Online Course (MOOC) phenomena took hold differences managing people in the United where some of the best universities in the States versus the UK, but that’s one of the At RMIT we started investing in online world began giving away their courses for free; things I really enjoy about being a global education over 20 years ago and student another massive step change in the evolution leader; how you can embrace the different demand for online learning is soaring. In of access to quality education. cultures and ways of working and still be Australia online education is set to be a $3.3 successful. billion industry by the end 2018, and expected It was at this point that Simon Nelson and to continue to grow significantly over the next I, with the backing of The Open University, I think one of the biggest challenges moving five years. started FutureLearn - effectively the UK’s from a technology firm to a university, no response to the US MOOC phenomena. I’m matter how close you are to the education But it’s not a question of e-Learning versus so proud to see the way Simon and his team sector, is the shift from being an advisor face-to-face learning. We need to embrace have evolved FutureLearn, far exceeding to being a practitioner. It was no longer the best that both can offer and ensure our original ambition. Again, somewhat by theory, best practice, or advice. I had to we create the best contemporary learning surprise, I was invited back to my home town wake up every day and think deeply about experiences possible. The higher education of Melbourne to be considered for the role the success of our students. It is something sector needs to act in a much more agile of Vice-Chancellor at the Royal Melbourne that I thoroughly enjoyed and have gone on way and move to be more demand side in Institute of Technology (RMIT), an institution to develop even further at my role at RMIT our thinking – focus more on students and that is over 130 years old, and deeply – helping our students get ready for life and employers needs rather than what we want committed to opening up education to those work. to deliver. CANVAS 9
THE EDUCATIONAL EVOLUTION: Interview with Martin Bean “There is an excellent opportunity for technology to help transform the way we teach, increase accessibility and improve the overall experience.” With your knowledge of both the of Melbourne is that it has always been, and partners provides real and authentic UK and Australian higher education will continue to be, one of the great cultural experiences and gives students the sectors, what would you highlight as melting pots of the world. We have a vibrant experience and credentials they need to key similarities or differences between international cohort and we’re proud of the supplement their academic programmes. the two? Are there lessons that could be role those students play in the life of the city learnt and adopted by either to enhance and state. At RMIT we are unashamedly committed their respective systems overall? to two key drivers – getting our students Overwhelmingly I would say there are many More widely, across the HE sector in Australia, ready for life and work and making sure our more similarities than there are differences international students allow us to be part of research has real world impact. It’s a brilliant between overall systems and approach. the growth phenomena in the Asia-Pacific role being a Vice-Chancellor and I’m so proud region. For a smaller, geographically remote to be able to lead RMIT at this amazing and However, there are certain areas that strike nation like Australia, to be part of this growth challenging time. C me as different. One of the key things I have through our learning and teaching, and also reflected on since I arrived back in Melbourne our research, brings amazing opportunities. is the localised nature of higher education in We can capitalise on these opportunities Australia versus the UK. Students here tend to enhance our growth, but also, very MARTIN BEAN CBE to go to university in their home town, very importantly, we are tackling some of the few leave to go elsewhere and that lowers challenges which come with growth – whether BIOGRAPHY the overall cost of participating in higher that be climate change; sustainability; building education for students and their families. vibrant and contemporary sustainable cities; Martin Bean CBE was appointed as or enriching communities through healthier Vice-Chancellor and President of RMIT I also believe there is a larger appetite in lifestyles etc. in January 2015. Prior to this, he held Australia for the development of offshore the position of Vice-Chancellor at The campuses. How important do you consider to be Open University – the largest academic the connection between business and institution in the UK and a global leader A great example of this are RMIT’s very commerce and the higher education in the provision of flexible learning. successful campuses in Vietnam, where we sector? Should there be a greater have been since the early 2000s. In Singapore, transference of skills, knowledge and He previously held executive leadership approximately 1% of the entire population employees between these two sectors? positions in a number of organisations has studied at RMIT over the last 30 years. RMIT’s strategy has a clear statement where he was responsible for We have become part of the fabric of the to ensure that ‘industry is embedded in integrating technology and learning Singapore and Vietnamese HE sector and we everything that we do’. Without a doubt this is systems. This includes a role as General very much think and act as a global university. one of the biggest challenges for universities Manager of the Microsoft Worldwide like RMIT, but one that we have embraced Education Products Group. In 2012 On the other hand, I believe the UK is leading wholeheartedly. Martin launched FutureLearn, which Australia in their intense focus on the quality was the first at-scale provider of of the overall student experience. This Industry is demanding different attributes Massive Open Online Courses (MOOCs) began in the UK several years ago with the from graduates - they don’t just want in the UK. introduction of the National Student Survey, academic grades or discipline expertise, they a spotlight on the overall student experience, are increasingly looking for what is often Holding a Bachelor of Education from and learning and teaching outcomes. I’m described as ‘21st century competencies’. the University of Technology Sydney delighted to see that we are more focused in However, the collaboration between industry (UTS), Martin was awarded an Honorary that area now and I look forward to being part and universities can’t be just a default Doctor of Laws from the University of of the response. position of work placements, it has to be London in 2013 and he was officially based on everything from instructional design named as a Business Ambassador by How important is the international to practice based teaching and real-world the UK Prime Minister in 2014. Martin market for the higher education research. This approach is reflected in our has won numerous awards in both the sector in Australia? What are the partnerships with Apple for example, to US and the UK for his contribution to key opportunities that you see from deliver app development courses based education, including a Commander of internationalisation in the next five to on the tech giant’s Swift curriculum. This the Order of the British Empire (CBE) ten years? demonstrates how our vision and strategy are award for services to higher education The international student population is coming to life. in the 2015 United Kingdom New Year’s incredibly important in Australia and to RMIT. Honours list. One of the great characteristics of the city Delivering these programmes with industry 10 CANVAS
LOOKING BEYOND THE INDIVIDUAL LOOKING BEYOND THE INDIVIDUAL Hamish Laing, Head of the Higher Education practice group at Saxton Bampfylde, looks at why a broad institutional-wide approach to finding, developing and nurturing executive and governing leaders in the higher education sector is so important and can deliver the most successful results. Saxton Bampfylde has been engaged in celebrate these divergent viewpoints. achievement of strategic goals. This is finding leaders in higher education for It is also vitally important that they analysed through detailed and tailored over 30 years. In this time, the sector embrace a more diverse candidate assessments, including: has experienced much change which pool in order to promote collaboration, has delivered affirmative traction with consensus and effective working • coaching; regards to positive working cultures, practices. • on-boarding; staff development, greater diversity • board skills appraisal; of thought and background, and an The accountability of both executive • and assessment integrated sense of collaboration. and non-executive functions continues to attract greater scrutiny than ever. Our work in this capacity, with a range As universities further expand and In this regard, we pride ourselves of higher education institutions, has cultivate differing perspectives on being trusted advisors long after evidenced the added value offered by on internationalisation, industry the appointment process has been these broader services. Having worked partnerships and commercialisation, it completed. Our focus is on much with University of Surrey on a range is essential that executive teams and more than just the individual; it is of searches for academic and non- non-executive boards understand and on the organisation as a whole. We academic leadership posts, we were focus on the structures surrounding delighted to lead a series of workshops the appointment, the dynamics of the on career progression in 2017 as part team concerned, the ‘unwritten rules of Surrey’s Athena SWAN action plan. of the game’ in terms of culture, and the over-arching strategic goals of the Sector guidelines and codes of organisation. practice continue to place ever greater importance on executive and Our specialist in-house team of non-executive effectiveness reviews. consultants and psychologists ensure The latest Scottish Code of Good HE that not only the right person for the Governance recommends regular role is appointed, but that they will reviews, stating that each university enable and encourage cultural governing body ‘is expected to review accord, constructive team its own effectiveness each year and dynamics and the collective to undertake an externally facilitated evaluation of its own effectiveness and that of its committees, including size and composition of membership, at least every five years’. Our expertise in analysing and promoting productive team and individual working practices can be invaluable here. GET IN TOUCH If you would like to know more or discuss these services contact Hamish Laing. m hamish.laing@saxbam.com CANVAS 11
IN THE NEWS IN THE NEWS We provide a brief insight into key news items that are causing a stir locally and globally. UK Research and Innovation Launches On 1 April 2018, UK Research and Innovation innovation talent in the UK. It will provide up Chair - EPSRC; Professor Jennifer Rubin, (UKRI) was formalised. The result of significant to seven years of funding, for at least 550 Executive Chair – ESRC; Dr Ian Campbell, reorganisation of the UK’s research funding early-career researchers and innovators, Interim Executive Chair – Innovate UK; system, UKRI brings together the seven with outstanding potential in universities, UK Professor Fiona Watt, Executive Chair - MRC; Research Councils, Innovate UK, and the registered businesses, and other research Professor Mark Thompson, Executive Chair – newly formed Research England. Its overall and user environments including research STFC; and Dr Marta Tufet, Executive Director aim is to bring a new level of cohesion councils’ institutes and laboratories. – UKCDS. and future collaboration amongst the UK’s science sector to ensure the sustainability This new structure has already gained much and development research and innovation in recognition and continues to develop at pace. Non-Executive Directors, UKRI: the UK. Under the direction of Professor Sir Saxton Bampfylde have been delighted Sir John Kingman; Fiona Driscoll; Mustafa Mark Walport, former Chief Scientific Advisor to assist in the appointment of a number Suleyman; Sir Peter Bazalgette; Professor to the government, UKRI will oversee the of positions within UKRI including: Julia Black; Professor Sir Leszek Borysiewicz; distribution of £6 billion in funding each year. Lord (John) Browne of Madingley; Sir Harpal Sir Professor Mark Walport, Chief Kumar; Professor Max Lu; Professor Sir Ian One of the first initiatives being implemented Executive, UKRI; Ian Kenyon, CFO, UKRI; Diamond; Professor Alice Gast; Vivienne by UKRI is the Future Leaders Fellowship Professor Melanie Welham, Executive Chair, Parry; Lord (David) Willetts; and Professor scheme (FLF) with the key ambition of BBSRC; Professor Lynn Gladden, Executive Dame Sally Davies developing and retaining research and Sector leaders push for Europe- HESA data made publicly wide excellence available initiative The latest data from HESA has been made publicly available for free for the first time, under Leaders at universities across Europe are pushing a Creative Commons licence. for the implementation of a new ‘excellence Detailed extracts from HESA’s initiative’, which they argue would help increase student data collection has been the competitiveness of higher education systems. made available as open data Having been initially discussed at a strategy day as part of a push by HESA to for European university leaders held in January encourage reuse of data. 2018, the proposed ‘European Excellence Initiative’ would see the European Union provide The data has been presented institution-level funding. according to a number of key themes, including: who’s It would be up to each EU member country to studying in higher education; choose whether to participate in the initiative, what they’re studying; where which would primarily be funded by national they come from; where they funds and money from the EU structural funds, study; and student progression supplemented with finance from the EU research rates and qualifications. and innovation programme. Similar initiatives have already been implemented successfully in countries such as Germany and China. 12 CANVAS
IN THE NEWS EVOLVING & THRIVING In early 2016 Saxton Bampfylde launched a piece of research looking at the changing role of the Chair in the higher education sector: Evolve or die? A view from the chair on the changing face of the university council. Over the past two years, we are delighted to have had the chance to host a total of 104 senior figures in the sector, including 45 Chairs, 40 Vice-Chancellors and 14 Registrars at a series of 12 events held across the country. Nothing artificial about it In March 2018 Dr Jennifer Barnes, through higher education, ensuring their Partner for Global Higher Education contributions to society go above and and Arts and Culture practices, was beyond AI. the Chair and moderator at a higher education symposium held in Oman. Jennifer is a member of the International The theme of the event was the future Advisory Board made up of leaders in of higher education in the age of artificial higher education strategy from around intelligence: its potential impacts, and the world who advise the Omani the corresponding need for continual government on the developments of the development of the next generation forthcoming University of Oman. During these events, discussions Leadership Foundation to develop were held about the pertinent issues facing the sector: governance, diversity principles framework in internationalism, diversity, funding and value for money. partnership with search firms Download our research at: www.saxbam.com/thought-leadership Consultation underway on draft CUC remuneration code Earlier this year the Leadership Foundation diversity. The project will be informed by (now integrated into Advance HE) a report published in March 2017 by the announced its intention to develop a Leadership Foundation, titled ‘Increasing The Committee of University Chairs is framework outlining ‘diversity principles the diversity of senior leaders in higher due to complete consultation on a draft in practice’ to support higher education education: the role of executive search remuneration code for the higher education institutions to increase the diversity of firms’. in mid-March 2018. The code has been their boards. The framework is intended drafted in response to calls for transparency to help institutions meet HEFCE’s target of The proposed framework is part of a over senior university staff members’ pay. achieving 40 per cent women on boards broader project commissioned by the by 2020 but will also look at diversity in a Higher Education Funding Council for Universities UK stated that the code would broader sense. England, the Higher Education Funding provide “important guidance for university Council for Wales and the Department for remuneration committees to ensure senior The organisation is working in collaboration the Economy in Northern Ireland, which pay decisions are fair, accountable and with leading executive search firms for includes a number of intended outputs justified whilst recognising that competitive the sector, including Saxton Bampfylde, to aimed at increasing the diversity of higher pay is necessary to attract first rate leaders”. look at the role they can play in challenging education governors. the higher education sector’s approach to CANVAS 13
KEY APPOINTMENTS KEY APPOINTMENTS KEY APPOINTMENTS Saxton Bampfylde and its partners around the world through Panorama advise many leading universities and higher education organisations. We are delighted to share with you a selection of some of the roles that we have been privileged to work on recently. PROF. SUE RIGBY PROF. GILL VALENTINE JANE SHAW BATH SPA UNIVERSITY SHEFFIELD UNIVERSITY HARRIS MANCHESTER Vice-Chancellor Provost & DVC COLLEGE, OXFORD Professor Sue Rigby Professor Gill Valentine has Principal commenced her role as been appointed Provost and Harris Manchester College Vice-Chancellor of Bath Spa University on Deputy Vice-Chancellor of University of Sheffield. has elected Jane Shaw to be the new 22 January 2018. Previously she was Deputy She was previously Head of the Faculty of Principal from October 2018. A distinguished Vice-Chancellor for Student Development Social Sciences since September 2012 having historian of Christianity and respected leader, at the University of Lincoln. Sue is a previously worked at the University from 1994 to Professor Shaw has been at Stanford since palaeontologist by background. After being 2004 as a lecturer, senior lecturer and professor 2014. Prior to going to Stanford, she was the an academic at Cambridge, Leicester in the Department of Geography. From 2004, Dean of Grace Cathedral in San Francisco and and Edinburgh she moved into senior she served as Head of the School of Geography before then, taught history and theology at management, first as Assistant Principal at the University of Leeds where she also the University of Oxford from 1994 to 2010, and then Vice-Principal at the University of Director of the Leeds Social Science Institute. In first as a Fellow of Regent’s Park College and Edinburgh. She is an HEA Principal Fellow. addition, Professor Valentine has held academic subsequently as Dean of Divinity and Fellow She is Chair of the HEFCE Learning Gain posts at the Universities of Manchester and of New College. During that time, she also project and a member of the Scottish Reading. served as Canon Theologian of Salisbury Funding Council QA review group. Cathedral and was an honorary canon of Christ Church Cathedral, Oxford. SYLVAIN PROF. RUFUS BLACK CHARBONNEAU UNIVERSITY OF UNIVERSITY OF TASMANIA OTTAWA Vice-Chancellor & Vice President, Research President LOUISE DUNN Sylvain Charbonneau has been appointed as Professor Rufus Black has been appointed RMIT UNIVERSITY Vice-President, Research, at the University as the new Vice-Chancellor and President at Deputy Pro-Vice- of Ottawa. Sylvain joined the Institute for Chancellor, International, the University of Tasmania. Professor Black Microstructural Sciences at the National was previously Master of the University of College of Business Research Council (NRC) in 1988. At the Melbourne’s Ormond College and Deputy RMIT University has announced the NRC, he led a number of research and Chancellor of Victoria University. He is appointment of Louise Dunn as Deputy development initiatives, including the a Principal Fellow in the Department of Pro-Vice-Chancellor, International, College Canadian Photonics Fabrication Centre and Management and Marketing in the Faculty of of Business. Louise was previously Director, the Printable Electronics flagship program. Business and Economics and Principal Fellow Capability Development at Asialink Business. In late 2000, he co-founded Optenia Inc., in Philosophy at the University of Melbourne. Prior to this she held senior position at an NRC spinoff in the communications He is co-founder of the Wade Institute for UoM Commerical and IDP Education. She technology sector. He has published over 180 Entrepreneurship and a Director of the Walter commenced her career at KMPG Consulting. papers and has 17 patents and licences in the and Eliza Hall Institute for Medical Research. Louise holds a Bachelor of Arts, Chinese fields of photonics, nanotechnology and ICT. He holds degrees in law and politics from (Honours) from University of Melbourne and University of Melbourne, and degrees in Graduate Certificate in Business, International moral theology from the University of Oxford, Trade from RMIT University. where he studied as a Rhodes Scholar. 14 CANVAS
VIEW FROM THE BRIDGE: TEAM INSIGHT VIEW FROM THE BRIDGE TEAM INSIGHT SARAH MAGNELL Sarah Magnell is a Partner of Cordiner King, one of the leading Australian executive search agencies in the Panorama global partnership. PAST, PRESENT AND FUTURE WITH PANORAMA I recently moved back to Sydney and joined Cordiner King after several years in London with Saxton Bampfylde. I currently head Cordiner King’s Sydney Office. RAINY DAY DREAMS It fortunately doesn’t rain a lot in Sydney. However, when it does, I enjoy visiting the NSW Art Gallery and particularly the special exhibitions. I recently saw an exhibition on Rembrandt and the Dutch Masters that was impressive. TRUE PASSION Dance. I’ve been dancing since I was five years old and I have taken classes and performed almost all forms this brilliant artform. I have recently returned to dance classes at Sydney Dance Company. The experience has been wonderful – just like coming home to an old friend. HOT TIP Since returning to my hometown of Sydney I have rediscovered a city full of excellent restaurants and intimate small bars. My hot tip in the Sydney CBD is Prime Steak Restaurant & Grill Room in the basement of the GPO Building. The best steak in Sydney – its mouth-wateringly good! SECTOR VIEW IN THREE WORDS More with less. to produce high quality research and improve strengthening their ability to attract student satisfaction ratings. international students - who are a vital source IN AUSTRALIA ARE YOU SEEING MORE of revenue in the era of federal government MOVEMENT OF LEADERS INTO HIGHER University leaders therefore will need to funding cuts. EDUCATION FROM OTHER SECTORS THAN have the skills and experience to find ways to IN THE PAST? WHY DO YOU BELIEVE stay true to the mission, maintain academic Australia’s reputation for high-quality THIS IS? integrity and independence, while at the same university education and our proximity to Asia We have started to see a movement of time changing and adapting their business helped to propel education export earnings ‘non-traditional’ leaders into Vice-Chancellor and operating models to ensure sustainability. to a record $21.8billion in 2016. According and other senior management positions at to higher education peak body Universities Australian universities. We are finding that a HOW IMPORTANT IS THE Australia, the education of international number of universities are seeking this mix of INTERNATIONAL AGENDA FOR students is Australia’s third largest export, bringing together an understanding of, and AUSTRALIAN HE INSTITUTIONS? behind only iron ore and coal. Consequently, credibility in, higher education with strong The international agenda is vitally important universities across Australia have a strong commercial nous. Universities in Australia, and to Australian universities. Universities are incentive to attract the best and brightest of indeed globally, are under constant threat of increasing their levels of global partnerships the international students. funding cuts, increased competition locally with international institutions, finding ways and internationally, fundamental change to strengthen their international profile and reputation in an increasingly competitive GET IN TOUCH WITH SARAH in the way students learn through digital m sarah.magnell@cordinerking.com.au technologies and there is constant pressure and crowded market. They are in particular CANVAS 15
MELBOURNE LEVEL 21 90 COLLINS STREET MELBOURNE VICTORIA 3000 TELEPHONE 61 3 9620 2800 SYDNEY LEVEL 36, GOVERNOR PHILLIP TOWER 1 FARRER PLACE SYDNEY NSW 2000 TELEPHONE 61 2 9233 4244 GLOBAL HIGHER EDUCATION TEAM KEY CONTACTS UK Stephen Bampfylde, Partner stephen.bampfylde@saxbam.com Dr. Jennifer Barnes, Partner jennifer.barnes@saxbam.com Hamish Laing, Partner and Head of Global Higher Education Practice hamish.laing@saxbam.com Jamie Wesley, Partner jamie.wesley@saxbam.com NORTH AMERICA Martin Baker, Partner martin@buffkinbaker.com Patrick Kenniff, Partner pkenniff@kenniffracine.com AUSTRALASIA Sarah Magnell, Partner sarah.magnell@cordinerking.com.au Sean Davies, Partner sean.davies@cordinerking.com.au ASIA Ronesh Puri, Partner ronesh@executiveaccess.co.in Saxton Bampfylde is a member of Panorama, a global partnership of 17 leading independent executive search firms around the world. wwww.panoramasearch.com
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