Auckland waits. NZFC CEO David Strong writes. Hamish Bennett on keeping a crew safe - SPRING 2021 | ISSUE 90
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SPRING 2021 | ISSUE 90
The Screen Industry Guild Aotearoa New Zealand quarterly
Auckland waits.
NZFC CEO David Strong writes.
Hamish Bennett on keeping a crew safe.
www.screenguild.co.nz
EDITORIAL CONTENTS
GUILD NEWS & VIEWS
New! IFBlue Belt Pack receiver 2 Behind the scenes Kelly Lucas
Cost effective IFB for Screen Production Hi all, 4 President’s rave Brendon Durey
Lightweight, compact, rugged
Uses 2x AA batteries; alkaline, lithium, or NiMH
And welcome to your NZTECHO #90. It would be INDUSTRY
rechargeables (supplied) last over 12 hours nice to be marking that number with some sort of 5 Hamish Bennett Q&A
IFBlue receiver with optional 4-bay charger
Can be recharged in optional 4-bay charger
celebration of how well we are all doing and how bright
Works with any Lectrosonics transmitter with IFB mode 9 Where have all the Kiwi soundtracks gone?
Easy setup through LCD screen
the future is looking.
3 block frequency selection Designed and Distributed by Lectrosonics, Inc. TECHOSPHERE
But with Auckland – meaning the majority of our
13 Strong words
To order, book a demo, or for more information p: 09 366 1750; e: info@soundtq.co.nz; FB: @soundtechniques; www.soundtq.co.nz;
industry and membership – still locked down as this
Intrigued? Check out www.ifblue.com 15 Why do we test and tag electrical equipment?
issue gets produced, I guess there's not too many reasons
18 Regional wrap
to cheer about.
24 Newbie: Meet Marg Slater.
Still, the show must go on, and while we wait for the
industry to get its equilibrium back, we do at least have a
nicely packed magazine for you.
After the great reception to the ACC piece on
concussions in the last issue, we have asked our friend
Peter Thornton to contribute another piece. We really
like what he has sent us. We reckon you will too.
I also asked Wellington music critic and writer Simon
Cover photo: Graeme Tuckett
Sweetman to send us a few words on a subject very close
to his heart; New Zealand film soundtracks and the
people who make and compile them. It's a fascinating ISSUE 90 SPRING 2021
read from someone who really knows his stuff. Editor Advertising
Graeme Tuckett Advertising queries, please contact
Publisher/advertising Kelly Lucas on 09 8899522 (always dial 09),
We're also glad to have a piece from Adrian Hebron – Kelly Lucas info@screenguild.co.nz. For a copy of our ad
Design specs and rate card, please visit our website.
the beloved Wookie – on testing and tagging and the Jason Bowden / Anim8a Ltd All contents are copyright Screen Industry Guild
importance of getting it right. Printing
Pressprint Ltd
Aotearoa New Zealand Inc. 2017, unless indicated
otherwise. May not be reproduced, copied or
Contributors transmitted in any form without permission.
The views expressed in this publication do not
As well as our usual very welcome and well considered Graeme Tuckett
Simon Sweetman necessarily reflect the views of the Screen
Industry Guild Aotearoa New Zealand Inc.
regional wrap-ups from Auckland, Bay of Plenty, Peter Thornton
Adrian Hebron ISSN 2703-6111 (Print)
Christchurch, Dunedin and Wellington. And the ISSN 2703-612X (Online)
legendary Marg Slater is our newbie of the issue!
So enjoy this, stay safe, please get your shots. www.screenguild.co.nz
And we will see you all back on set, hopefully, very soon.
GOLD STARS & CHOCOLATE FISH
Graeme and Jason.
N To Brendon, Sioux, Tyrone, Kelly and Jane for everything
they've done and are doing in this unprecedented year.
2 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 3
BEHIND THE SCENES With over 20 years in the film and TV industry,
Kelly Lucas is now executive officer for the Techos’ Guild.
Executive Officer Kelly Lucas
Well, here we find ourselves again with COVID I would also like to thank Brendon Durey, Sioux training module for the whole sector. The the sector. We have engaged an independent
on our doorstep and uncertainty in the sector. MacDonald, and Tyrone Payne for putting module will be available on the ScreenSafe Project Manager to finalise this review.
their hand up again to be President, VP, and website in the coming months.
I would like to recognise the stress this causes
Treasurer again this year and to Jane Scott for all SIGANZ Project Development
for most of our members, especially those in Extra Support of Sector Training
of her hard work in the accounts department.
Auckland, and we encourage you to reach out The Guild has undertaken an independent
I would also like to thank the chairs of the We have partnered with Emma Slade and
to the Guild if you require any support. At the project manager to set up a business toolkit and
branches, Christian Gower (Auckland), Adrian Victoria Dabbs to support their Share the
bottom of this article, I have included some (Wookie) Hebron (Wellington), newly voted in series of workshops. These will be ready over the
Knowledge training initiative. This training next three months to share with our members.
external support to help you through these Zac Beckett-Knight (Christchurch), and Wayne covers key areas: Grips, Production Accountants,
challenging times. We hope that the MIQ Allen (Queenstown), for putting their hands up The project includes:
Line Producers, Location Managers, and
situation will change so we can have more to support their branches. I would also like to Location Coordinators. 1. Improved access to legal and business
international production coming in and support thank Amanda Jenkins for all of her hard work
We have partnered with Screen Skills workshops tools, including templates and workshops
our domestic market to get their productions and support over the past year as chair of the
facilitated by Marg Slater to roll out the Set Ready online to help explain contracts, production
underway to get back to work. Relevant groups (Christchurch) committee; she has been very
proactive in getting the Christchurch branch off Go pilot program for newbies that we hoped to policies and procedures, ScreenSafe policies,
in the sector are talking with the government to
the ground and supporting local crew. run this month. The program will be rescheduled regulatory forms, and self-employed tools
share the sector needs, so watch this space, and
pending alert level changes.
hopefully, we will have some clarity soon. Thank you to all of the new and existing 2. Create Screen Industry Bill workshops
committee members, and I will be releasing the We have also been working with the Script for members to understand their rights
The ScreenSafe COVID Health and Safety group Supervisors group and hosted 2 Script
names of the new executive over the coming week. if the law changes
has finalised the revised ScreenSafe COVID 19 Supervisors courses in Auckland and Wellington.
Protocols to support the sector getting back to Last but not least, I would like to thank all of
the members for your continued support of the Lawyer consultation
work in a safe environment. I want to say a big Hardcases – Addressing Bullying
Guild that enables us to do all of the important Last year the Guild engaged the services of
thank you to guild members Paul Andreassend, and Harassment
work we do. lawyer Tim Riley to check any of the concerns
Robert (Gibbo) Gibson, and Kristian Eek for their
For those of you that didn't attend below is a list The Screen Industry Guild (with funding from you may have with your contracts. Please don't
hard work on getting these finalised and ready to NZFC) has engaged an independent company,
of projects/and initiatives we have worked on or hesitate to send them to me confidentially if you
share. I would also like to thank the Health and Hardcases, to manage all disclosures for bullying
continue to work on over the next few months: have any questions, but please do this before you
Safety officers who gave their feedback on these and harassment. Anyone from the industry can
protocols and producer Bex Kelly for supporting sign them or receive your first payment. Your
Professional Respect Training Program contact me confidentially, and I will connect you
contract can be reviewed by Tim free of charge.
this process. with them.
ScreenSafe has continued with the Professional
Links for mental health support, coping with
Last week we held our annual general meeting Respect Training program over the past year. To
Working with Children Guidelines Review financial stress, and WINZ:
in Auckland, Wellington, Christchurch, and date, there have been over 340 people attending
Queenstown. Thank you to everyone who these workshops, and the feedback has been ScreenSafe is working with industry 1. For mental health support, go to
attended these meetings. Auckland and incredibly positive from all who have attended professionals and external organisations to www.health.govt.nz and search COVID-19:
Wellington were held on zoom calls, and we got with many commenting they would like this review the Working with Children Guidelines for mental health and wellbeing resources.
a great turnout. Christchurch and Queenstown program to be mandatory for all HODs. the Screen Sector. This review is being finalised
and will be shared with the sector in the next 2. If you are experiencing money concerns, go
were able to meet in person, and fingers crossed, We are also in the final stages of completing the to www.depression.org.nz/covid-19/money-
month or so.
the rest of us will be able to do that next year. online Preventing Bullying and Harassment worries
Rate Card Review For more information on financial support
The Guild has been contacted on numerous available, go to www.workandincome.govt.nz/
We appreciate occasions regarding crew rates. A formal covid-19/index.html
the support of: subcommittee of HODs has been created to In closing, I know this situation isn't ideal, but
review the current rate card and break down
hopefully, this will pass, sooner the better, so
the rates depending on the production type and
take care out there and look out for each other.
Mick Sinclair experience. The rate card can be utilised in the
If you have any questions on any of the
future to ensure there aren't any inflated rates
initiatives above, please email me at
being charged due to a lack of availability in the
info@screenguild.co.nz
sector. We are also taking into consideration pay
Ph +64 9 360-9995 www.sinclairblack.co.nz parity and fairness. This is a large project and Ngā mihi nui,
will take the rest of the year to complete across Kelly.
4 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 5
PRESIDENT’S RAVE IN FOCUS
Guild President Brendon Durey
Well, it’s looking like another wild ride for us
all, New Zealand’s been hit by the Covid Delta
strain stick which had been a looming threat
productions coming in to take advantage of
production capacity we have available in the
country. I sure hope something is done at a
Hamish Bennett
Q&A
we had watched playing out offshore. I’m government level to provide solutions for this,
not sure how many productions got halted or and hopefully the Film Commission can lobby
side-lined this time but it seemed to hit just as the appropriate ministers on our behalf.
a lot of productions were coming to the end of
The recent news that despite the depature
their shoot.
of the Tolkien Show, Auckland Unlimited is
It’s my opinion that most facets of NZ screen continuing the rebuild and development of Up until now, Hamish
sector are about to hit what I’m calling a MIQ AFS is a big positive for everyone in the screen Bennett has been a full-
induced coma through to at least Christmas. sector. It’s been a long time coming and with
time primary school
This is due to the sectors inability (for both some more investment the facility can reach its
local and offshore shoots) to get talent and potential. Having shot in the place on and off teacher and a part-time
production crew in and out of the country. This since it was used by Hercules and Xena in the filmmaker. But after the
is coupled with a number of larger offshore 1990’s I have a soft spot for the complex and success of his debut feature
productions pushing until next year, and at look forward to its growth. film Bellbird both here
the same time a slowdown of locally produced
content/co-productions.
Stay safe and get vaccinated as soon as you can. and around the world, the
The faster we can to a point where we can open Northlander has had to
As I mention several times to journalists when our borders again the faster the screen industry
questioned about the industries view on the will be able to function properly again.
reverse course, shifting
departure of the “Untitled Amazon Production” into full-time filmmaking
Brendon Durey.
the bigger problem is this looming absence of and part-time teaching. We
screen sector projects in the short term. This caught up with the 43 year
was going to happen regardless of Amazons
old to reflect on the success
departure as they were not intending to shoot
until September next year anyway. While of Bellbird, how COVID-19
Amazon departure may be a tough blow to has impacted his plans, and
many of the vendors and crew hoping for a long the importance of keeping
run, I hope that when the infrastructure is freed the film set a safe place for
up new productions will come to replace the
workflow for everyone.
his crew.
The lack of productions being able to access It’s almost been two years since was received by people, was a really
MIQ slots reliably
Lifeguard is a
& Safety huge
181mm impediment
x 65mm.pdf 1 for
22/09/17 11:36 AM
you released Bellbird, you rewarding experience. Even a couple
must be pleased with the great of years later, I get messages from
reception it received both here people who’ve connected in some
Lifeguard & Safety have been working with Production Companies for
over 20 years, on projects ranging from music videos & film school and around the world? way with the story, and that is a
C
shoots, low budget television & features, up to major motion pictures.
Totally. It certainly exceeded our pretty gratifying thing. You finish a
M
We can help in the following areas;
Y Safety supervisors, on set medics, hazard identification & mitigation, expectations. We set out to make a film and you put it out there, but the
CM
WorkSafe NZ compliance, marine coordination, water safety, and divers film that my whānau and friends thing with movies is that
for underwater support.
MY would be proud of. If they were they’ll always be around, they’ve
If it’s the Health & Safety at Work Act 2015 causing you concern, we
CY
have been working with ScreenSafe, WorkSafe NZ & several legal into it then I was going to be happy. got longevity, and with a bit of
companies & consultants to find the best solutions for the Screen Sector. luck they’re going to continue to
CMY
I probably kept my expectations
Contact us if you have any questions regarding your next project.
K
quite contained as a protective find new audiences. Given we’re
Willy Heatley +64 27 451 6002
SPECIALIST FILM & TV SAFETY willy@guard.co.nz • www.guard.co.nz mechanism. But what eventuated proud of our film, that is a pretty
with Bellbird, seeing how well it lovely thought.
6 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 7
that’s the life that I know. Even when Pacific Islands, so with Covid that protocols that we followed were
you go to a funeral or tangi, amongst has obviously slowed the progress a cleared with them first. We were
the tears there is often laughter. wee bit for us. Hopefully in the near visitors to their world and from
People search for that - it’s a release. future we’ll be able to get over safely a health and safety point of view
So you have to find those moments, though, and start gathering all those we took all of our cues from them,
and it was a lot of fun writing them... experiences and story material that because they were the people who
but at the end of the day it was you can only get from spending knew what they were talking about.
our actors who had to bring those time in a place.
moments to life. In this respect, I
The film site has been compared
was incredibly lucky; every actor
What did you learn from your to a building site (with a number
brought so much more to their roles
first feature film? of moving parts and people), so
than was on the page, and not just
from a humour perspective either. It was a huge learning curve for me. was it important that everyone
So much credit needs to go to them Probably one of the luckiest things had a clear plan each day?
for the success the film has had. for me as a director was that the film
Yeah, everyone did. Because we
is set over a year, so we broke filming
shot the film over three blocks, we
It must have been awesome to up into three blocks – summer,
had new people coming and going,
film in your old home region autumn and winter, to be able to
and they picked up pretty quickly
and put that part of NZ onto the cover the different seasons. The
the requirements of the site. As
world stage? real benefit of that was it enabled
much as I was the director, there
me to step back from the shoot
It’s so lovely. One of the really were a lot of people leading in
for a period of time, look at the
great things about the comments that respect. I remember a couple
footage and review where we were
and reviews, lots of them have of crew members turned up on
at. In many ways it was like we were
made mention of the beautiful their first day and, although it was
shooting three short films and then
It was a simple story well told, environment. The area where we unintentional, they were almost
combining them all. I’d imagine that
for people who haven’t seen it, filmed is a tucked away corner of the treating the farm like it was our
if I’d shot for 25 consecutive days, it
what is it about? world that not many people outside very own film set. They were really
would have been a lot harder to see
of Northland know about, called
I’ve had a bit of practice doing this the wood for the trees. Being able to quickly told by established
Maungakaramea. Being able to make
[laughs]. Bellbird is set over a year on have a breather to see where we were members of the crew that this is
a film that is an ode to those kinds of
a tiny dairy farm in rural Northland. at was so beneficial in that respect. a working farm, not a film set,
places and those kinds of people was
Essentially it is about a farmer and that respect and care needs
something I’ll always be grateful for.
and his son battling to come to Safety is paramount at any work to be there at all times. And
terms with the sudden loss of their site, as a director what steps did obviously they understood that
Your first feature film and
much-loved wife and mother. On then COVID-19 arrived, how you take to make sure that the and quickly adapted!
the outside looking in that might has that affected your plans for film set was safe?
sound really grim but ultimately your next movie? First and foremost, for safety it is
it’s a really hopeful story. It has a
It has been interesting. When I recognising the environment you
good sense of humour and it is very
made Bellbird I was a fulltime school are in and leaning really heavily
much grounded in community and
teacher, but I’ve had to take a step on the people who have the most
relationships, and they are things
back from fulltime teaching and expertise in that environment.
that are very important to me.
focus on writing and film-making I grew up in that world but I am
in a more fulltime capacity. At this not a farmer. Our main source of
There are some moments of real
stage I am writing for a range of knowledge in that regard were the
comedy in it as well, how did you
producers and people, which has farmers on the set. The farm that we
capture those?
been really refreshing, but I am filmed on was a working farm, and
I couldn’t imagine writing anything really keen to find some time to get the farmers who own it are family
that didn’t have humour in it, into what I hope will be my second friends. It was really important to
because that’s real life, or at least feature film. It is currently set in the me that any of the procedures or
8 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 9
WIDE ANGLE
Were there any accidents during So having that knowledge and
the filming of Bellbird?
No, we didn’t have any accidents.
But one of the things we outlined
insurance that all of the crew will be
covered is vital for filming. Other
countries don’t have that same
Where have all the Kiwi
early on was that if there was heavy
machinery being used, we used the
experts. Which in this case was the
luxury and it is very important that
we have ACC. soundtracks gone?
locals! Most people think they’d Do you think it incentivises Simon Sweetman
be sweet riding a quad bike, but as filmmakers to shoot in this
much as it might have been fun, country with ACC covering that My fascination with film
we just had to ensure that everyone part of their costs? scores – listening to them,
was protected and that the risk was collecting them – began
I am sure it does. I can’t imagine
minimised where possible.
what it would be like to live or with a New Zealand movie.
You are used to controlling a work in countries without these But you wouldn’t have such
class full of primary school kids, safeguards in place, where only luck now.
did that help from a safety point people with money or health When I was a kid the Footrot Flats
of view in filming? insurance can get healthcare. movie, A Dog’s Tail Tale, was a local
It’s a horrendous thought. That blockbuster. It was at the cinemas,
Yeah, but not just from a safety point
is obviously not the case in New at a time when not every Kiwi film
of view. There are so many parallels
Zealand and I am so grateful for that. made it that far. Not only that,
between teaching and directing. As a its trailer played ahead of the big
teacher you try to establish a culture movies of the day. I remember being
or a tone in that environment that What advice do you have to any
in the theatre watching Crocodile
is warm and welcoming, and values other filmmakers / directors Dundee and we were treated to the
all of the students and the skills coming through in NZ? trailer for Dog’s Tale. It wasn’t so
they bring to the table. It’s about If you ever get the chance to make much a teaser for the film as it was
establishing clear expectations an entire music video (“that’s not a
a film, I think the key thing is just
and being consistent with those trailer. THIS is a trailer!”)
to be grateful. There are so many
expectations. It’s the same thing Dave Dobbyn’s song Slice of Heaven it. There are barely any music stores
creative hard-working people in
with a film set. You want to set a tone featuring Herbs. Cartoon images of anymore, but I’d still be in the
the industry and the opportunity queue for a midnight opening if that
and create a culture that everyone Wal and Cheeky and Cooch and Dog.
to be in that environment is such a record ever arrives.
buys into and wants to be a part A proud moment for New Zealand
privilege. That mantra of ‘don’t be cinema. And New Zealand song.
of. If you can create that culture, The person that introduced me
a dick’ really does apply on a film
then I guess the potential for harm I bought the soundtrack album to that sublime music is one of
occurring is lessened. set. It’s important to remember that
for the tunes – You Oughta Be New Zealand’s safest sets of hands
regardless of your role in the film, In Love and Slice of Heaven – in when it comes to film and TV
Filming in NZ, it doesn’t you are no more or less important particular. I’m still listening to it composition work, Rhian Sheehan.
matter if you are from here than anyone else there - everything now for the incidental music. Dave He has composed for short films
or somewhere else, it must be comes back to relationships, and Dobbyn once told me that he’d like and network TV, documentaries,
nice to have ACC covering any people need to feel valued. Little to make an album like Brian Eno and Planetarium films for the
injuries if they do happen? and David Byrne’s My Life in The international market.
things like saying good morning to
Bush of Ghosts. He said few would
Of course, it’s brilliant. It is security. everyone at the start of the day and I don’t own many New Zealand
believe he had a record like that in
You can put procedures in place to thanking everyone at the end of him. But if you listen to some of the movie soundtracks on vinyl.
limit and prevent accidents from each day...they’re small gestures, but instrumental tracks on his Footrot Because there aren’t many
happening, but accidents do happen. they matter. Flats soundtrack there is no denying available. We have a rich history of
10 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 11
the music outright. Sheehan says Chasing Great) presumably for the
this means “the artist often has guaranteed paycheck as well as the
little or no say in either a physical challenge and discipline of creating
or digital release”. He points music to a deadline, and to serve
to his own work where he was someone else’s vision.
commissioned to create music for
And Karl Steven, formerly of
the 50th Anniversary of Apollo 11 for
Supergroove and Drab Doo Riffs,
a planetarium dome film in 2019. “I
among other fringe musical
managed to convey to the producers
pursuits, is now best known as a
the benefits that can come from
composer for both TV (The Blue
having the music out in the world.
Rose, Casketeers, 800 Words) and film
It only helps promote the show, so
(Bellbird, Come To Daddy, The Justice of
they ended up helping me with
Bunny King).
the release”. Here, he’s referring
to digitally releasing the music via There’s freedom and creativity
his own Bandcamp page. Sheehan within the discipline and focus of
has twin music careers – making making music for someone else’s
albums that are not soundtracks vision. Music made to serve a story
but are comprised of instrumental and punctuate emotional points can
music. So, his chance to share the in fact tell its own story and make
soundtrack work with fans of his impact away from the big screen.
other albums means a chance for the One half of Kiwi band The Phoenix
film to reach a wider audience. Foundation has a successful side-
Another example of this was
Sheehan’s music for a local
documentary, 2015’s Belief: The
Possession of Janet Moses. The music
beautiful film music – from Murray or indie films that have done well at was mixed quietly in the film and
Grindlay’s proto-electro score for the box office – hence there being Sheehan wanted the chance to allow
Sleeping Dogs to Michelle Scullion’s demand for the score, which is in people to hear it on its own – so he
neo-classical strings and things some way an extension of the film negotiated a complete self-released
accompanying Peter Jackson’s for fans.” album. The outcome is that two of
Bad Taste and Jonathan Crayford’s the tracks from that film soundtrack
He also believes “the majority
piano-based trinklings for Ruby & are the most streamed of any score
of people” don’t really enjoy
Rata (among many others). But all he has written.
listening to scores on their own
my collection of hundreds of film Where producers of the film or
and away from the film. Which
scores tells me about New Zealand show own the music publishing it
leads to wondering if the job of
cinema is that Dave Dobbyn once means they can collect any future
film composer is a contract piece of
scored a movie and Jane Campion’s broadcasting fees as part of their
writing. You are paid for a job – and
The Piano called in the international ownership. But it does allow the
you deliver. For all the enduring
heavyweight, Michael Nyman. musician/s to leverage a bigger up-
themes that are re-used, re-purposed,
I asked Rhian why there weren’t even parodied (think of the many front fee. They are being paid once –
as many Kiwi soundtrack albums things John Williams alone has so hoping to make it really count.
available as there used to be, contributed to that realm) the music In recent years New Zealand film
knowing full well that part of the is cut to fit the cloth of a particular and TV has seen more people
answer was in the lack of record set of scenes for a particular film. It crossing over from popular music to
company money, the lack of physical lives and breathes as a part of that ‘serious’ composing. Sean Donnelly,
record sales and the changed film’s fabric. It is not designed to
who recorded a half-dozen perfect,
landscape of the music industry. accessorise elsewhere.
beautiful, but modest-selling records
Sheehan told me that as well as all of It is also becoming more common under the name SJD has made
that, “most scores that get released for producers of film and TV to music for big-budget theatrical
are for bigger budget studio films, own the masters and publishing of documentaries (Richie McCaw:
12 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 13
TECHOSPHERE
Following Sleeping Dogs, the films
Strong words
of Gaylene Preston, Geoff Murphy
and Peter Jackson were well received
here and abroad. Though somewhat
idealistic, there’s a chance that a
boutique record label could release
retrospective film soundtracks. It has been just over two months since
Deluxe vinyl packaging, limited I’ve joined Te Tumu Whakaata Taonga, the
editions. We even have our own New Zealand Film Commission (NZFC).
Before the August Level 4 lockdown I was
internationally recognised cult
lucky enough to get out and about to catch up
music label that could take on
with industry colleagues and friends. I also
this gig. Imagine Flying Nun
had the opportunity to meet film industry
repackaging the music for Braindead
professionals whose paths I hadn’t crossed
and The Frighteners, a vinyl reissue of
during my time working in production. It has
Topless Women Talk About Their Lives, been fascinating to learn about your varied
the soundtracks to Utu and Sharon career paths and production successes, and to
hustle as the entity Moniker. O’Neill’s sublime songs for Smash get a sense of where you feel the challenges and $3 billion a year, and if we want to keep that
They make music for Netflix TV Palace? Gatefold record sleeves, new opportunities facing the industry lie. level of economic activity in the country,
shows and worked on the early liner notes, photos from behind the provisions need to be made for select, key
Taika Cohen projects, including scenes. And the music. That glorious COVID-19 is a major challenge for us all and
personnel to enter. These productions create
The Hunt For The Wilderpeople. music. Souvenirs for film fans. And has once again halted production. I am aware of
sustainable jobs for the 15,000 Kiwis who are
Their music for that film was even a crucial part of our rich musical the significant hardships the screen industry
employed in the screen sector.
released as an album, appreciated has experienced because of the pandemic and
history too.
by fans of the band – and able to feel for you, your families and your businesses. Amazon’s announcement to move the
It’s a weird, strange, and maybe small second series of The Lord of the Rings to the
turn some fans of the film on to the What I can tell you is the NZFC is working
wish that is trying to dream big, but UK has impacted everyone who worked on
band’s studio recordings. closely with government and industry partners
I am here for such a thing. I would the production and the businesses which
And though it’s a difficult numbers to ensure that people can get back to work as
buy everything a label dedicated to have been supporting it. In a year in which
game in a small country, there quickly and safely as possible once restrictions
Kiwi cinema might release. COVID-19 disrupted much of the global
is a passionate international are lifted. We are also working closely with
In America and Europe, where screen industry, having a production of this
guilds and other organisations to ensure the
audience for certain Kiwi scale, even temporarily, provided significant
there are admittedly much larger industry has the expertise, skills and capability
artistic achievements. opportunities for a large number of local people
numbers of record-buyers there are needed in a COVID and post-COVID world.
and businesses. We would have liked Amazon
several boutique labels dedicated
One of the challenges the industry faces is the to stay, but we understand that it was a business
to soundtrack music re-releases.
difficulty of getting international personnel decision and in line with their intent to operate
Some specialise in horror films only.
into New Zealand. I am aware that for many out of the UK.
Taking the music made by Ennio
New Zealand productions, international
Morricone and Pino Donaggio and We are in regular contact with international
financing is contingent on there being bankable,
the prog-rock bands Goblin and studios and producers to bring other large-
international talent. And to bring large-
Tangerine Dream and giving it a scale productions to New Zealand, and interest
scale international projects to New Zealand,
whole new life – and audience. remains high for 2022. The news that Auckland
international cast and crew need to come too.
Film Studios will be expanding helps in
It might seem like a fool’s errand Maintaining COVID-19 border controls is attracting these productions. Maintaining the
even sneaking this thought out rightly a priority for the government and New Zealand Screen Production Grant (NZSPG)
into the world, but the music being they are aware of the sacrifices being made is vital to the sustainability and growth of the
made for so many of our Kiwi films by many sectors, including ours. We’re aware industry and to remaining competitive on the
is as Little Battler-good as the films of the impact of the current MIQ system for world stage. The best studios, the best crews
themselves. I believe it’s time for this local and international productions, and and the best locations are not enough;
conversation to get some air, to have this is something we are prioritising in our financial incentives are the global reality
its day, to float forward conversations with the government. The and something we, as an industry, must
for consideration. New Zealand screen sector is valued at over advocate for at every opportunity.
14 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 15
The NZSPG is key to attracting international of Amazon and The Lord of the Rings, and most
production to New Zealand, which is not
only important economically, but is critical
recently, COVID-19 shutting down the industry.
This has been great for learning how the
TECHOSPHERE
to the development of New Zealand’s screen
organisation works and our role in the sector,
industry workers. Experience on international
and I have been impressed with the passion,
productions builds skills and knowledge for
knowledge and commitment that the staff here
Why do we test and tag
local practitioners which they then bring
show on a daily basis to support the industry.
to domestic productions and pass on to less
There’s a real commitment behind the scenes
experienced crew, allowing them to move into
to help make great films and a real pride
more senior roles.
electrical equipment?
when we see your films on the big screen. I
Ahead of the World Premiere of The Power of have been ably supported by the NZFC staff
the Dog at the recent Venice Film Festival, Dame whose experience and expertise has assisted
Jane Campion mentioned the outstanding work me greatly. I’m aware there are areas we can
of her predominantly New Zealand crew, saying, improve on and am looking forward to getting
"It was an enormous pleasure to be working in into those. But right now, we need to focus on
my homeland with so many extraordinary Kiwi COVID and keeping the production pipeline
colleagues and particularly heart-warming to running, locally and internationally. We need
hear my lead actors comment that they had to get back to work fast and set up productions
never seen sets so well made or dressed with such for 2022. To that end, you may have heard that
incredible detail. Working with the enthusiasm we’re running an additional ‘interim’ Premium
and love of this crew and cast and Thomas Production round, to help fast track projects
Savage's masterful novel was a lifetime thrill that are production ready. Interest is high and
and I'm very grateful to the New Zealand Film along with NZ On Air and Te Māngai Pāho,
Commission and the country for their support." we’re looking to make decisions in November.
I recently attended the premieres of The Justice I look forward to once again getting out and
of Bunny King and Coming Home in the Dark about, reconnecting with old friends and
and was impressed with the high production making new ones. I also look forward to hearing
values and high quality of both films. The level about your projects and encourage anyone
of technical expertise and professionalism with a great New Zealand screen story they are
required to make films like these is something burning to tell, to bring it to the table. If it’s a
that comes from having an industry which Kiwi story we’re interested in it, regardless of
provides sustainable employment opportunities genre - family, musical, teen angst, conspiracy
for New Zealand cast and crew. Something that thriller, set in outer space, rural or middle-class
the NZSPG supports. suburbia, or in a fantasy world. We’ve made
many iconic stories in the past, ones that stay
In essence, given the incentives, the experience with us for life with images and quotes that
and can-do approach you bring, the studios, the have become part of our national identity, our
locations and our leading-edge technology, we cultural fabric. Be it a piano on a beach, cooking We can have a look at what the Government It is up to the person conducting the business
are making it easy for international productions a can of beans, a bloke with a motorcycle on says here: or undertaking (PCBU) to decide whether to
to choose to come here and for local productions white sands, or riding a whale, New Zealand test and tag. They can either get the testing
https://www.worksafe.govt.nz/topic-and- equipment and train up a worker, or hire a third-
to be made here. audiences love to watch great New Zealand
industry/electricity/testing-and-tagging- party to carry out the testing.
stories and we love to see ourselves on screen.
When I was leaving college (many years ago electrical-appliances/
We have many brilliant storytellers and you add
now!) the idea that someone could make a living Whoever does the work must have the knowledge
to that legacy. And if you cannot be bothered to have a look I
working in the film industry would never have and skills to do the task correctly. It doesn't need
crossed my mind. That it is now considered not have copied it below. to be a registered electrical worker but the person
I’m positive about the future. This is a
just a viable career, but a much respected and passionate and creative industry and one Testing and tagging electrical appliances is one needs to be able to understand the Standards
admired one, shows how much the New Zealand that has weathered disruption before. I have useful way to check electrical equipment is safe. involved. However, only a registered electrical
screen industry has matured and grown. To be great faith in the resilience of the sector and worker will be able to fix any problems the
a part of this industry and to help in guiding its those who work in it and will work to ensure However, it's not mandatory. What is legally testing reveals.
growth was a big part of my decision to take on the NZFC’s programmes and practices suit required is that equipment is electrically safe
and maintained in a safe condition. How often you test and tag depends on the
the role as New Zealand Film Commission CEO, current and future needs. I am still at the very
nature of the equipment and the workplace.
and something I’m truly invested in. beginning of my journey in this role, but I can
Testing and tagging doesn't guarantee future For example, electrical equipment used on
already tell it’s going to be an exciting one.
So far, it has been a robust introduction electrical safety, what it does is provide a a construction site - outside and in damp
to the job, with the public reaction to the David Strong snapshot of how safe the appliance is at the time conditions - would need more frequent testing
announcement of They Are Us, the departure NZFC CEO of testing. than a computer in an office.
16 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 17
If the above then fail the test it must not be Art department: please do not rock up to set
bought on to the job in the hope it will be ok. with a van full of practicals and expect lighting
to make sure they are safe to use. It is not their
If you are suspicious of an item get it tested responsibility to do this and often they do not
have a qualified competent person to do this or
Tag and test finds over 90% of faults just with are just too busy.
the first test which is a visual examination of
the item, damaged cables, loose wires in clear You bring them along then get them tested before
top plugs, incorrect cabling, loose components the job.
(rattles), incorrect fittings.
And we have not mentioned the insurers take
Testers come in many styles and prices, the on this. Insurance companies do not like giving
cheaper ones generally give a pass or fail result out money and therefore would be very keen on
for the required tests whilst the expensive recovering expenses incurred by them from the
machines will give a reading of the values that person responsible for any incident.
enable a pass or fail. This means that an item
might be a “pass” but could be very close in value Then there are the costs financially
Whether you decide to test and tag or not, it's The person who has hired to use the equipment
to a failure. and emotionally incurred by a
important to regularly look at cords, plugs and has responsibility of testing and tagging during
Worksafe investigation.
tools to see if they're damaged. the hireage if the test date expires while it is This is something a qualified person will pick up
hired. So, any long form features or TV shows on during testing and should advise the owner of If you want to know what they can hit you with
And remember, whether tested and tagged or the equipment will be on set beyond its expiry the equipment that this is so. go to the link below, insurance will not cover
not, electrical equipment still needs to be RCD- date, it is the responsibility of the production to these costs. Sobering reading.
protected in certain circumstances, such as ensure that the equipment is test and tagged or Top end machines will also store the results
outside in the damp. removed from service for repair if it fails. that can then be downloaded to a computer/ https://worksafe.govt.nz/dmsdocument/812-
phone and passed onto the owner to be kept for offences-and-penalties-under-the-health-and-
Records must be kept of testing, yes even the
Related resources 7 years. This is often easier than having to write safety-at-work-act-2015
items that fail so the person responsible for
maintenance will have a record if that item out the records.
The Electricity (Safety) Regulations 2010 Think about it, is it worth not making sure our
apply to appliances, leads, and hand-held tools has a history. It is like a Warrant of Fitness test on your car or a gear is safe for everyone who touches it?
connected to electricity. Repair of faulty equipment can only be Certificate of Fitness test on a truck. If someone
undertaken by a registered electrical worker. you cared about was injured or killed by a vehicle
The AS/NZS 3760 Standard with no WOF/COF and a WOF/COF failure was
is an option for PCBUs to demonstrate I would rather offend someone now than attend a
found to be the cause of the incident you would
compliance testing and tagging. funeral caused by negligence in complying with
not be very happy about it.
test and tag procedures.
The AS/NZS 3012 Standard Just as it is the duty of a vehicle owner to keep
Therefore, I will state that we do not have worst
provides guidance for the safe use of electricity it in a road worthy condition and not just at
departments in our industry for compliance,
on construction and demolition sites. test time, so it is a requirement of the owner of
every department is bad. If you are testing and
tagging to the rules then I congratulate you and electrical equipment to keep it safe and be able to
Our guide for ensuring electrical safety on small
appreciate your contribution to everyone’s safety prove it.
construction sites provides information about
electrical supply on small construction sites. on set. So those of you that are not complying up
It is not funny when I turn up on set to see
your game and comply, it is not just yourselves
equipment that I tested 5 years ago still with
Simply put it is undertaken so no one gets that you are risking but anyone else who uses
my tags on it. Nor is it my fault if someone gets
injured or killed at work through negligence of your equipment or touches it. Kill or injure
injured through use of this equipment when it is
the owner of the equipment. yourself with faulty equipment and its your bad
well past its test expiry date. At this point it is the
luck, kill or injure someone else and it is a lot
The excuse “its brand new, I just bought it from owner of the equipment who is responsible.
more serious.
wherever” does not work here. In New Zealand
Test and tag is not mandatory but as a supplier Practical lights are most likely to cause a shock
new equipment must be tested before its first use.
of electrical equipment you are required to on a film set as they are often old and have been
Fortunately, it is the same test for new and old
prove that it is safe and this is an internationally repaired many times often by an unqualified
gear in NZ so it is a simple process.
proven way to do so. This covers all electrical person using whatever they had lying around.
Equipment hired from overseas must also be test equipment that is on a production. Offices, tea Many of these lights are wired with incorrect
and tagged, this is best left to qualified registered room, workshops, sets etc. cable and are missing earths when they should
person who understands the differences in have them. It can easily take over an hour to
If you hire an item from a provider and it is
wiring between NZ and overseas. rebuild a non-compliant practical light fitting
not tested or the test is out of date you have
which is why these must be checked in advance
The hirer has the responsibility to ensure that a few options.
before a shoot starts and I will repeat: repair
the equipment complies with requirements of 1. return it to them to get tested work can only be undertaken by a qualified
AS/NZS3760 at the commencement of the hire. 2. arrange to have it tested yourself competent person.18 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 19
REGIONAL WRAP
Take one – Auckland
What a strange old time we find ourselves living in. The whole incentive system is a form of ‘tax relief’
to the company who are spending their money in
As I write this article, Auckland has been in Level
New Zealand. No actual money gets ‘given’ to them.
4 lockdown status for over a month, and several
(They just don’t have to pay so much tax on a certain
big projects (Evil Dead, One of Us is Lying, Mystic,
amount once they have spent XX dollars in our
Shortland Street, Brokenwood Mysteries to name a
country). Without this incentive, we would find it very
few) have had to shut down. One of these projects
hard to attract international spend in NZ. Simple. No
has taken their final weeks of filming offshore
incentive, no money coming in, and no international
because our MIQ system makes shooting here near
jobs shooting here. This was not the only the reason
impossible.
for the UAP’s departure.
With the news of the Amazon project leaving New
Zealand just before this latest lockdown period, many Back to the silver lining… us little kiwis should be
crew and businesses were left reeling at the thought, proud. Proud that we proved we could shoot not only
even though they were settling in for what was going a mammoth production as the Untitled Amazon
to be a predicted 6–9-month hiatus regardless. Many Project, but we could also furnish other international
Take two – Bay of Plenty
businesses in Auckland had invested a lot of time and local work simultaneously. Yes, we struggled
Our first days of Spring have come and while the
and money developing and creating systems and to find crew of particular experience for some
warmth isn't quite in the air there is a sense that it's
equipment designed to handle a production of this departments on some jobs, but all in all, our can do
not too far away.
size and are now wondering what they might do with attitude let us punch well above out weight in my
it all. I’d like to encourage everyone to perhaps look at opinion. We will have taught new crew new skills, old Despite the Covid lockdown enquiries are still
the silver linings where there are some. crew different skills and management ideas which coming in with productions showcasing they have
will help us all in the future. learnt to work in this new world and have flexibility
We now know that Amazon must have been in bed
on filming dates. International productions
with their contacts in the UK for a lengthy period, as Wellington has benefited from our lockdown, and are still looking at New Zealand as a desirable
you don’t just move a production of such a scale after several jobs have gone south to shoot, which has been filming destination with many adjusting dates to
a cup of tea and a little flirting with your mistress. lovely to see for our Wellington friends. As Auckland Training and up-skilling are always at the forefront
accommodate MIQ availability.
Unfortunately, we may feel blindsided, but our whole of our collective minds. This month we will be
starts to climb back up the Covid Levels ladder, I have
industry is built on uncertainty, peaks, and troughs. The advantage the Bay of Plenty has is the working closely with the Share the Knowledge
been inundated with bookings for crew being held
Let’s be honest, we can never really count on the next proximity to national/international airports and
on television commercial work, so even though our course for Location Managers & Location
job, even when we are in the middle of shooting it, infrastructure, but is still far enough away to "touch
MIQ system is, lets face it, a shambles, I am quietly Coordinators.
especially in the world climate of Covid. wood" avoid too many Covid interruptions.
confident that our local industry may just survive the
We recently supported the E Tū Rangitahi Film
That aside, our situation is not helped by another next wee period with only a few scars and bruises. We Film Bay of Plenty continues to provide support
Challenge in Ōpōtiki and Whakatāne. The second
branch of our own. The media. You will always need to do all we can to support our fellow crew, those and facilitation for both incoming and home-
part of this was put on hold due to lockdown, but
find ‘media’ reports by ill-informed, uneducated that work mainly on film or in drama, and perhaps grown film projects. We provide access to locations,
they'll be back. We aim to continue working with
journalists who continue to wah on about how throw a job their way if you are able to do so. I am a film permits, industry connections, logistical and
this group to bring this opportunity to Rangitahi in
taxpayers are ‘paying tax of XXX million’ to these big firm believer that if everyone gets a little piece of the business support as required.
the wider Bay area.
corporations in the form of rebates and the Screen pie, we can all survive the rough times. There is no
Production Grant system. They berate us, scream better time to reach out and check on our work mates, In addition, we provide in-depth familiarisation
Also postponed was our WIFT (Women in Film and
from the rooftops how the film industry gets special to see exactly how they are doing, and offering them tours that highlight locations, give information on
Television) event. We'll be coming back to you with a
treatment, and how the government whipped by the some support if they are in a worse position than you. permitting, accommodation, councils, Iwi and crew
new date soon.
glamour etc. (I’m not quite sure why anyone sane and any additional production support. We can
thinks this industry is glamourous) so be aware, tax Sioux Macdonald, Guild vice president and also provide connection to central government and Ngā mihi,
payers are NOT paying anyone any actual money. executive committee member other relevant local agencies. Jade F Kent20 | NZTECHO Spring 2021 NZTECHO Spring 2021 | 21
Take three – Wellington Take five – Queenstown
Hi all, the film companies. I'm always happy to be the AGM Week, so firstly thanks to Branch Chair occupied (if not busy) in the meantime with more
person to pass on to the producers and production Wayne Allan for once again steering the QT fun and varied TVCs.
To say we have been busy in the Capital and
managers that they are hoping to shoot on the exact members along the Guild pathway, to Jane Mccurdy
around the head of the fish would be a massive And still lots of talk about studios...
same day that four other TVC's are also rolling, but who keeps everyone informed and connected, and
understatement. Normally, that would be a great
isn't there some way that the information could to all members who make up our vibrant and
thing, but since we all know the reason, all this extra Looking forwards: The Power of the Dog is
be shared among the companies as well, without engaged community.
work isn't really making us as happy as it should. coming to a cinema near you scheduled for a
compromising your own commercial confidentiality.
Having multiple jobs for the same client in town at In Review: The last few months seem to have been limited theatre release in November 2021, prior
At time of writing, the Crew Wellington office has
the same time is a learning curve for us too. Trying to dominated by a soup of Covid lockdown memes, and to streaming on Netflix on 1 December. It goes on
crews pencilled or confirmed on eleven TVC's, all
work out which job is which, and which ones are film postponed or cancelled jobs... big sigh. show in Dunedin on November 5th. Congrats to
happening in October or November. It's a big number
Dame Jane Campion, Chloe Smith and all other
for a city of our sixe, and finding the right people for companies just competing for the same job!
Winter 2021 did not really serve its usual spread NZ crew on this award winning film. It is surely a
all roles, when the dates are so often clashing, is an
Anyway, it's great to be busy and it's brilliant to have so of snow jobs, but we did however deliver several must-watch on a big screen.
almighty challenge – but also a hell of a privilege.
many of our crew out there. But, we know this is only outstanding TVCs all currently screening: Westpac's
With Avatar heading back at the end of October for a at the expense of our comrades in the big city. Stay fantastical "Stand By Me" advert; Lotto's beautiful Finally: local Fly Fishing Filmmaker Ayato Otsubo
pick up shoot – with no wrap date set that we know of safe and get back soon mates. The entire country sees "Imagine On Ice"; and Subways giant floating supported by a team of fine folk in our community
– we are also hoping it's not too long before Auckland you and thanks you for what you are doing to keep us sandwich (bigger than Texas!) there is a great BTS have crafted the lovely short film "River Talks To
is open for business again too! all safe. link for this kookie advert at this link: Me" that was shortlisted in the Stimmies. If you get
this mag before 8 October then head there watch
One problem this inrush of work has highlighted – Love your work, https://campaignbrief.com/giant-9-metre-long-sub- and vote, otherwise I hope they leave the shortlist
again – is how little communication there is between GT and Crew Wellington sails-on-lake-wakatipu-in-latest-subway-campaign- up able to be viewed. Good Luck (and hopefully
via-publicis-worldwide/ Congrats!!) to Ayato and his team.
Happening now: Blossom, Lambs, Daffodils! And https://www.flyfilmfest.com/stimmies
Take four – Christchurch faint whispers of jobs in the air with potentially two
dramas looking to shoot in the region over summer. See you out there,
Spring has seen us rise through another level 4 It has been a busy last few weeks with local line I have fingers-crossed that those productions keep Nicola MacAllan,
lockdown and Covid disruptions, cancelling many producers an producers quoting and location tracking in this direction, and that we are kept Freelance Production Coordinator
jobs in mid flight. scouts searching for spring locations, supermarkets,
houses, beaches, urban streets and city locations
However the region has managed to bounce back and
for advertising campaigns and work shot for TVNZ,
harness the Covid opportunity as a production ready
location solution for the North Island. Novus, Calder Stewart, Ethique, Australia’s Bellamy’s
Organic, Springtime and Prime TV
We are welcoming collaboration with Auckland
agencies and production companies making serious A number of funded short films are in preproduction
enquiries as they look for solutions for pre Christmas or just released with NZFC, Loadingdocs,
campaigns. Somedaystories, Freshshorts, and independently
funded successful shorts screening at international
Key benefits of a film friendly council and fast turn
around city location permits with a pool of skilled film festivals along with NZIFF and ShowMeShorts.
crew and equipment. Sending good vibes and inspiration we celebrate
Christchurch born Director Jessica Hobbs winning
Christchurch has established relationships with
an Emmy Award on the 'War' episode of the television
nationwide equipment suppliers to support additional
series THE CROWN.
requirement supply with remote streaming solutions
along with additional camera gear. The recently announced Canterbury ScreenNZ
funding incentive for long form production ready
We are in a fortunate position that heaps more crew
projects to shoot in Canterbury has raised over 24
are in the region after returning from Auckland
enquiries, 8 full applications, with 6 to be revised by
lockdown with a number of DOP’s and experienced
the panel. ChristchurchNZ to make final decision
technical crew across all
early October, exciting times ahead for local crew!
departments available to work, production, DOP’s,
Looking forward to what Canterbury brings...
AD’s, camera, lighting, grip, sound, art department,
safety, casting are available. Amanda Jenkins, Christchurch Branch ChairYou can also read
