ART, DESIGN AND ARCHITECTURE - 2021 UNDERGRADUATE COURSE GUIDE - Monash University
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TAKE YOUR FIRST STEPS CONTENTS TO BECOME A CONTEMPORARY Your Monash experience 2 ARTIST, DESIGNER Fine Art 4 Fine Art 6 Art History and Curating 8 Design10 OR ARCHITECT Design12 Communication Design 14 Industrial Design 15 Spatial Design 16 Collaborative Design 17 Architecture18 Architectural Design 20 Architecture design studios22 Electives24 Double Degrees 26 Facilities28 RANKINGS* Admissions information Course information fast facts 30 6 Look for these icons on each course # Ranked #6* in Australia for Architecture page for key information. Location TOP Top 10* in Australia and Top 50* worldwide 10 Duration in Art and Design Intakes TOP Monash is ranked in the top 1% of world Requirements 1% universities** Acknowledgment of Country We acknowledge and pay respect to the people of the Kulin Nations, the Traditional Owners of *2019 QS World University Rankings by Subject the land on which Monash University is located. **Ranked 75th globally in the Times Higher Education World University Rankings 2020 At the Faculty of Art, Design and Architecture we acknowledge Aboriginal connection to material and creative practice on these lands for more than 60,000 years, and celebrate their enduring presence and knowledge. TALK WITH US AT THESE EVENTS For information on all our upcoming events and to view videos of our academics and students talking about Fine Art, Design and Architecture visit monash.edu/mada/events Coming soon Monash Open Day – register and be the first to hear how we’re bringing Open Day to you monash.edu/openday November MADA Now – Graduate exhibition Image: Excitement builds as our Fine Art, December Design and Architecture students prepare to showcase their work at the graduate Change of preference exhibition MADA Now, held each November. 1
YOUR MONASH TOP 5 REASONS TO STUDY ART, EXPERIENCE DESIGN AND ARCHITECTURE AT MONASH Bring your ideas to life and respond to the important challenges of our time. RANKED IN THE TOP It’s all about your experience on-campus 10* IN AUSTRALIA You have access to an extensive range of support services on-campus from housing and finance FOR ART, DESIGN to counselling. There are also clubs, sports and festivals all year round to keep you entertained and AND ARCHITECTURE support your learning. HANDS-ON IN THE STUDIO FROM DAY ONE Y ou’ll study in small studios (classes) ensuring lecturers know you and help you be your best. LEARN FROM THE BEST Image: Industry, students, family and friends celebrate our emerging creatives at MADA Now, our graduate exhibition held on-campus each November. You’ll be guided by globally renowned and award-winning academics and industry-based A centre of contemporary art and design practitioners. You’ll have direct access to a trio of contemporary art galleries on-campus including MUMA (Monash University Museum of Art), MADA Gallery (Monash Art, Design and Architecture), and Intermission Gallery (run by Fine Art students). CONNECT WITH Central location – Caulfield Campus A CREATIVE We’re 15 minutes from the city and opposite Caulfield train station. COMMUNITY T hrive on a campus bursting with events, exhibitions, speakers and three contemporary art galleries. GRADUATE WITH A FUTURE-FORWARD AND INTERNATIONAL OUTLOOK Image: Vibrating Colour by Bachelor of Fine Art student Louisa Bujor is a collage of monoprints on paper investigating the effects of light Image: Monash has invested more than $250 million to improve the Caulfield campus including the transformation of the Caulfield Library by and colour through the process of traditional printmaking techniques. John Wardle Architects. *2019 QS World University Rankings by Subject 2 3
FINE ART We provoke thought, inspire action and respond to the important TOP 5 REASONS TO STUDY FINE ART AT MONASH Highly regarded by the Australian arts challenges of our time.” industry and internationally recognised, PROFESSOR KATHY TEMIN Monash Fine Art is a dynamic and culturally Renowned Australian artist and WE’LL HELP YOU BE diverse community that encourages Head of Fine Art A CONTEMPORARY ARTIST freedom of expression. Develop the skills and knowledge to Our Fine Art degrees are unique multi-disciplinary and highly experimental realise your aspirations and vision. studio-based courses that provide you with the options to explore the world of contemporary fine art. You can focus on making through a hands-on practice-based approach or develop your knowledge IT'S ALL ABOUT as a specialist in art history and curating. THE ART STUDIOS We'll foster your education and knowledge and introduce you Hands-on and highly experimental to key figures in the local and international art worlds to help multi-disciplinary studios inspire you grow as a contemporary and future-forward artist. critical reflection and artistic self-discovery. LEARN FROM THE BEST You’ll learn from internationally recognised professional artists and art historians such as Emily Floyd, Helen Johnson, Luke Morgan, Callum Morton, Spiros Panigirakis, Stuart Ringholt, Michelle Antoinette, Kathy Temin and Daniel von Sturmer. EXPRESS YOURSELF Explore your ideas in a safe, supportive and creative artistic community. ENHANCE ? YOUR CAREER DID YOU KNOW? At Monash you’ll be part of a vibrant contemporary art scene. OPPORTUNITIES Electives enable you to enhance Trio of galleries Renowned Australian artist and Head of Monash Fine Art Professor or customise your degree – Located 15 minutes from the city centre, Caulfield campus Kathy Temin created an other-worldly landscape of synthetic-fur allowing you to graduate as a is home to a trio of galleries, including the Monash University trees, transforming the LA home of Kim Kardashian and Kanye West highly employable artist. Museum of Art (MUMA), the contemporary MADA Gallery and into a walk through an inspired forest. the experimental student-run Intermission Gallery. View Kathy’s artwork and story here Fine art for everyone Year-round, our campus hosts exhibitions, talks and visits from acclaimed artists and art-world insiders from across the globe. monash.edu/mada/events MAIN PAGE IMAGE: Q&A WITH Melbourne's largest graduate exhibition CONTEMPORARY ARTIST AND EMERGING At the end of each year, our creative faculty transforms from CURATOR BEATRICE RUBIO-GABRIEL studio space into one of Melbourne’s largest galleries showcasing “I fell into Fine Art by chance but stayed original works from over 700 emerging artists, designers and because Monash offers an expansive approach architecture graduates. to teaching contemporary art.” monash.edu/mada/now Click here to read the full story 4 5
BACHELOR OF FINE ART Bachelor of Fine Art COURSE CODE: F20031 CRICOS CODE: 075112E FINE ART Course structure YEAR 1 INTRODUCTION TO THE HISTORY SEMESTER 1 CONTEMPORARY PRACTICES DRAWING 1 AND THEORY OF ART, DESIGN AND ELECTIVE Caulfield Work one-on-one with some of Australia’s most successful artists, art theorists and ARCHITECTURE 3 years cultural commentators to develop your visual language and create an art practice of SEMESTER 2 CONTEMPORARY PRACTICES 2 MODERNISM AND ELECTIVE THE AVANT-GARDE relevance and value to contemporary culture. Semester 1 From dedicated art studios and workshops, you’ll YEAR 2 ATAR:E:70 + RC* have time and access to the resources you need FINE ART GRADUATE WINS SEMESTER 1 CONTEMPORARY PRACTICES 3 POST-WAR PRACTICES ELECTIVE 1945–1990 IB: E:25 + RC to focus and expand your visual language. $50,000 SCHENBERG See page 30 for information Studio classes will build your skills, knowledge ART FELLOWSHIP SEMESTER 2 CONTEMPORARY PRACTICES 4 INDIGENOUS AUSTRALIAN ELECTIVE CREATIVE PRACTICE on how to apply. and experience of the art world, as you meet Fine Art graduate Anita Cummins artists, curators and writers, and learn about the won the 2019 Schenberg Art Fellowship YEAR 3 art industry through visits to galleries, exhibitions, worth $50,000 from a pool of over 60 DOUBLE DEGREES promising emerging Australian artists. SEMESTER 1 CONTEMPORARY PRACTICES 5 ELECTIVE ELECTIVE • Arts art studios and biennales. The award was presented at the Hatched: • Business You’ll develop skills in a range of media, as you National Graduate Show part of the Perth SEMESTER 2 CONTEMPORARY PRACTICES 6 ELECTIVE ELECTIVE • Education (Honours) explore painting, drawing, photography, sculpture, Institute of Contemporary Arts (PICA). • Information Technology jewellery, glass and printmaking, as well as studying video art, film, installation practices and Anita won for her graduate work, feelings • Media Communication 3D printing modelling for artists. and I got out of bed today – a large See page 26. collage and installation made of crushed Absorbed in the making, exploration, Cheezels and the product’s packaging. INDIGENOUS AUSTRALIAN DRAWING CAREER OPTIONS conceptualisation and analysis of contemporary CREATIVE PRACTICE art for the duration of your degree, you’ll graduate The judges felt that Anita’s work • Contemporary artist resonated with authenticity and created with a critically informed studio practice, a unique All students in Art, Design and Architecture Led by practising artist and Senior Lecturer • Museum or gallery professional a sense of wonder. body of work and the confidence and knowledge start first year with a Drawing unit that has in Fine Art Dr Brian Martin a descendant • Studio manager been developed to accommodate all levels of of the Muruwari, Bundjalung and Kamilaroi needed to succeed as a professional artist. “The work triggers feelings of nostalgia • Artist collaborator ability. This subject will help you develop the peoples, you’ll learn about Indigenous cultural You also have the option to undertake a double and hunger in equal measure while capability to draw manufactured and natural productions from an Indigenous perspective. degree and combine your Fine Art practice with revealing the artist’s marvellous ability form, investigating proportion and structure This will help you develop an understanding * T he scores provided are to be used as a guide only, to transform the status of a mundane through line, tone, shape and texture. Those with of the significance of the cultural, social and and are either the lowest selection rank to which an Business, Education, Arts (humanities/social highly developed drawing skills will develop the knowledge economies and their relationship to offer was made in 2020 or an estimate (E). science), IT or Media Communication. junk food snack to that of an elevated capabilities to apply that to design and making. wider Australian history and political space. RC – Range of criteria. art material, reminiscent of pigment.” Image: Anita Cummins installing her work at PICA. Photo by Susie Blatchford. CONTEMPORARY CONTEMPORARY ART HISTORY AND PRACTICES 1 PRACTICES THEORY UNITS Click here for information GRADUATE EXHIBITION on Bachelor of Fine Art, The faculty transforms from studio spaces From day one you’ll get hands-on in the art Contemporary Practices 2 Learn about key moments in art history by entry requirements and fees into one of Melbourne’s largest galleries studios learning all aspects of contemporary In semester 2 you’ll explore theories of selecting from a variety of elective units that where our students showcase their best fine art. contemporary art while experimenting with a align with your interests. Explore different artworks to family and friends, curators, In first year you’ll be introduced to the variety of materials like painting, printmaking, periods and places in European art of the 17th artists and industry professionals. conceptual and material processes of sculpture and glass through fabrication and 18th centuries through to the rise of global contemporary art practice through a variety procedures such as casting, welding and/ events like the Art Biennale. Investigate how the NEW DIGITAL View our graduate student work or moulding in response to projects. art of the mid-20th century used mediums like of projects. Students previously worked on PORTFOLIO SUBMISSION projects like The Body and Space or Public Students previously worked on projects photography, performance and multimedia to Image: Artwork by Bachelor of Fine Art student Genevieve like Place + Atmosphere. Through these Your application for Fine Art is based Spaces to develop inventive and sustainable explore issues of identity, gender and sexuality. Townsend. Working in mixed media installations and socially processes, you’ll begin to develop your own on a range of criteria including: engaged events, Genevieve playfully intervenes with everyday objects solutions to challenges using a range of This course is where you’ll develop your and creates participatory art founded in socio-political critique. media including drawing, video, painting artistic practice. communications skills and ability to discuss, • digital folio of 10–15 pieces of Genevieve won the Anton Herman Social Justice Award, presented and photography. engage with and evaluate cultural products. your original artwork at MADA Now, Monash Fine Art Graduate Exhibition 2019. Image: Students learn how to blow and cast glass in one Contemporary Practices 3 and 4 • 300-word written statement, and of the only university Hot Glass Workshops in the country. During second year studios, you’ll increase • ATAR or GPA. your art-making skills and knowledge through experimentation with a range of media, Apply via VTAC. including painting, sculpture, print and photo Select ‘Fine Art Monash’. media, integrated drawing, interdisciplinary exchange (explore architecture and design), Visit monash.edu/mada/future- material and fabrication procedures while students/how-to-apply for more continuing to refine your artistic practice and language. information and to submit your digital folio and a written statement. Contemporary Practices 5 and 6 ELECTIVES Independent investigation and the development of the creative and expressive potential of your work will prepare you for graduation into Choose electives from Fine Art or Art History BREAKING NEWS professional practice. With your lecturers’ and Curating to develop your interests and help Just announced at the time of publishing. support, you’ll develop an individual program you achieve your career goals. Two Monash Fine Art graduates Oliva Davies (degree) and Alex Hobba (Honours) have been of work reflecting your personal direction and You can even choose electives like a language, selected to exhibit at this year’s PICA graduate evolving art practice. or accounting that are offered by other show. Both artists are in the running for the A selection or example of your work will be Monash faculties. $50,000 Schenberg Art Fellowship. included in the end of year exhibition. See page 24 for more details on electives. 6 7
BACHELOR OF FINE ART Bachelor of Art History and Curating ART HISTORY Course structure YEAR 1 AND CURATING INTRODUCTION TO THE HISTORY COURSE CODE: F20033 CRICOS CODE: 085529G SEMESTER 1 AND THEORY OF ART, DESIGN AND ELECTIVE DRAWING ELECTIVE ARCHITECTURE Caulfield MODERNISM AND DIGITAL IMAGING FOR SEMESTER 2 INTRODUCTION TO CURATING ELECTIVE THE AVANT-GARDE CONTEMPORARY ART 3 years Cultural tourism is a fast-growing international market. With interest in galleries and museums on the rise, the art sector is seeking people with a strong visual language, YEAR 2 Semester 1 specialised knowledge of the art world and excellent communication skills. Our Bachelor SEMESTER 1 POST-WAR PRACTICES CURATING: HISTORIES ART HISTORY AND ELECTIVE 1945–1990 AND THEORIES THEORY ELECTIVE ATAR:70.50* of Art History and Curating will equip you with these skills and help you succeed in a 25 INDIGENOUS AUSTRALIAN ART HISTORY AND IB: creative and influential career as a curator, researcher or writer. SEMESTER 2 CREATIVE PRACTICE CURATING PRACTICES THEORY ELECTIVE ELECTIVE See page 30 for information on how to apply. Throughout your studies you’ll work closely with the SEMESTER 2 CURATING INTERNSHIP nationally significant Monash University Museum DEVELOP AN INFLUENTIAL VOICE of Art (MUMA), you’ll learn about the history of art In second year you’ll learn the basics DOUBLE DEGREES YEAR 3 from foremost scholars and art writers, and acquire of writing and publishing so you’re • Arts skills in the theory and practice of curating from ART HISTORY AND ART HISTORY AND able to promote your work via various SEMESTER 1 THEORY ELECTIVE ART WRITING AND CRITICISM THEORY ELECTIVE ELECTIVE • Business leaders in the field. digital platforms. • Media Communication ART HISTORY AND In the core and elective units, you’ll explore many SEMESTER 2 PROJECT STUDIES ELECTIVE ELECTIVE ESTABLISHING CONNECTIONS THEORY ELECTIVE See page 26. different periods and places, including Italian You’ll learn from writers, critics and Renaissance and Baroque art, modern and art professionals, alongside well-known CAREER OPTIONS contemporary art, asian art, photography, film contemporary artists, with whom you and Indigenous art. Through this study, you’ll may be working one day! Art historian, curator, arts journalist, develop a broad base of knowledge that sets you INTRODUCTION ART HISTORY AND DRAWING writer, museum director, gallery up for a career in Australia or abroad. TO CURATING THEORY UNITS owner, publisher, arts programmer, arts collection manager, conservator, Hands-on experience developing an exhibition All students in Art, Design and Architecture Curators influence the way we encounter visual Learn about key moments in art history by archivist, museum education officer, concept and internship opportunities in the start first year with a Drawing unit that has art and give shape to the experience and value we selecting from a variety of elective units that museum and gallery sector will develop your been developed to accommodate all levels of derive from engagement with artworks. Exploring align with your interests. Explore different antiques dealer, picture editor, ability. This subject will help you develop the past and present curatorship, you’ll develop your periods and places in European art of the 17th researcher. curating skills in ‘real-life’ situations while units capability to draw manufactured and natural curating skills alongside a deeper understanding and 18th centuries through to the rise of global * T he scores provided are to be used as a guide only, in the History and Theory of Curating and in SCHOLARSHIP FOR INTERNATIONAL form, investigating proportion and structure of the significance of the curator’s role. events like the Art Biennale. Investigate how the and are either the lowest selection rank to which an Art Writing will provide you with knowledge TRAVEL – YES PLEASE! through line, tone, shape and texture. Those with Image: Fine Art students have the opportunity to participate art of the mid-20th century used mediums like offer was made in 2019 or an estimate (E). highly developed drawing skills will develop the photography, performance and multimedia to and skills for your future career in the visual arts. The Tess Hill and Bill Hawtin Fine Art in local and overseas study tours. The students below are capabilities to apply that to design and making. taking a guided tour of Brancacci Chapel in Florence, Italy. explore issues of identity, gender and sexuality. ? Scholarship provides current students on Through these units you’ll develop your DID YOU KNOW? a low income studying a Bachelor of Fine communications skills and ability to discuss, The Bachelor of Art History and Curating Art specialisation with the opportunity to engage with and evaluate cultural products. Click here for information on undertake international travel to enhance is ATAR only entry (or equivalent) – that Bachelor of Art History and their learning. means no interview or supplementary form Curating, entry requirements is required! Read more on page 31. and fees FINE ART PRATO, ITALY PROGRAM If you enrol in the Prato program you’ll spend two months in Italy undertaking studies in Fine Art Practice, Art History and Theory, and Curating. Taught intensively by leading artists and scholars, the program consists of site visits, workshops, lectures and travel to major events. In the past students have explored the Venice Biennale and visited places like Siena, Florence, Milan and Rome. Click here to discover your global opportunities Q&A WITH EMERGING PROJECT CURATING ELECTIVES STUDIES INTERNSHIP CURATOR EVA BALOG Monash University’s art galleries, artists In your final year you’ll investigate how curating Put your skills and knowledge into practice Choose electives from Fine Art or Art History and teaching staff lured Eva Balog has changed from the mid-18th century to with a six-week curating internship in a gallery, and Curating to develop your interests and help from Sydney to Melbourne to study the today, culminating in the rise of international museum or other related organisation. You’ll you achieve your career goals. Bachelor of Art History and Curating. biennales and triennials in the modern era. build contacts and confidence while gaining You can even choose electives like a She found a “unique degree” and You’ll put theory into practice by developing and on-the-job practical experience. language, or accounting that are offered a wealth of opportunity for hands-on exhibiting your own curated project as part of Eva Balog completed her internship at the 21st by other Monash faculties. the MADA Now graduation exhibition. Biennale of Sydney, which led to her current gallery experience. See page 24 for more details on electives. role at the organisation. See page 8 for the link Read the story here. to her story. 8 9
DESIGN STUDENT DESIGN GOES GLOBAL All design students have the opportunity to work on industry-based projects to gain valuable work experience. Working with global juice company Emma & Tom’s, TOP 5 REASONS TO STUDY DESIGN AT MONASH The challenges the world faces today Communication Design students designed a and into the future is a call to action for glass bottle packaging solution that is a finalist in the 2020 Australasian Packaging Innovation design! At Monash, we’ll prepare you to be and Design Award. THINK LIKE the designer the world needs – inventive, Read the full story A DESIGNER Solve complex problems with purposeful and visionary. curiosity, agility, experimentation and creativity. Our Bachelor of Design is a unique interdisciplinary studio-based course that provides you with options to complete specialisations in communication, industrial, spatial or collaborative design. BE READY TO We will equip you with the skills, knowledge and capability to create imaginative and effective solutions to the challenges of our rapidly TACKLE COMPLEXITY changing world. Through interdisciplinary studios, you’ll gain the skills and knowledge future employers will demand. INDUSTRIAL DESIGN GRADUATE Develop specialist capabilities in LAUNCHES 3D ARTIFICIAL REEF communication, industrial, spatial Alex Goad created MARS (Modular Artificial Reef Structure) or collaborative design. for his final year Industrial Design project. The 3D printed SPOTTED AROUND MELBOURNE artificial reef structure helps to quickly re-grow damaged Have you spotted or travelled on the two coral reef areas. The project has won multiple awards iconic Melbourne trams covered in designs created by our talented Monash designers? ELECTIVES GIVE and has been featured on BBC Earth, CBS and in the Huffington Post. YOU CHOICE Watch the video Tailor your degree to suit your The success of the MARS project enabled Alex to start career ambitions. Choose from his business Reef Design Lab which focuses on research over 100 electives in Art, Design into constructed marine habits. The company is currently and Architecture and more from working on projects in Australia and overseas. across the University. Click here to read the full story Main page image: Alex Goad snorkelling at Summer Island in the Maldives where MARS was initially implemented in July 2018. Photography Hugo Sands. LEARN FROM THE BEST You’ll be guided by expert practitioners and industry professionals with up-to-date ? knowledge of current and DID YOU KNOW? future trends. You’ll have access to the latest design software and equipment including our Wacom Authorised Training Centre of Cintiq 24HD tablets. DOUBLE YOUR CAREER OPPORTUNITIES With one extra year of study, a double degree can open up career opportunities, choose from business, IT or media and communications. *Industrial design students can also study a double degree with mechanical engineering. ? DID YOU KNOW? The Bachelor of Design is ATAR only entry (or equivalent) – that means no folio or interview is required! 10 11
Bachelor of Design COURSE CODE: F20033 CRICOS CODE: 085529G BACHELOR OF DESIGN Course structure YEAR 1 INTRODUCTION TO THE HISTORY SEMESTER 1 COLLABORATIVE DESIGN STUDIO 1 AND THEORY OF ART, DESIGN AND DRAWING 1 Caulfield Explore the world of design. We offer four different specialisations in design – ARCHITECTURE 3 years Communication, Industrial, Spatial and Collaborative, so you can build a IT’S TIME TO SELECT YOUR DESIGN SPECIALISATION Choose from: Communication Design | Industrial Design | Spatial Design high level of design expertise in the area that interests you most. SEMESTER 2 DESIGN STUDIO 2 DESIGN AND THE AVANT-GARDE ELECTIVE Semesters 1 and 2 76.50* YEAR 2 ATAR: IB: 27 HOW OUR BACHELOR OF DESIGN DEGREE WORKS SEMESTER 1 DESIGN STUDIO 3 SOCIOLOGIES OF DESIGN ELECTIVE Apply for the Bachelor of Design (see page 30 for how to apply). See page 30 for information on how to apply. SEMESTER 2 ELECTIVE ELECTIVE ELECTIVE ELECTIVE YEAR 1 SEMESTER 1 SEMESTER 2 YEAR 3 DOUBLE DEGREES Everyone starts together Select your design specialisation • Business SEMESTER 1 DESIGN STUDIO 4 RESEARCH FOR DESIGN ELECTIVE • Information Technology All students begin with our introductory You select the specialist design studio you design studio – Collaborative Design Studio 1. are most interested in which will lead to the DESIGN STRATEGY AND • Media Communication SEMESTER 2 DESIGN STUDIO 5 PROFESSIONAL PRACTICE ELECTIVE • Mechanical Engineering See the ‘Course structure’ on the next page. degree that you will graduate with: View Design studio specialisations over the page. (Industrial Design only) Bachelor of See page 26. Communication Design * T he scores provided are to be used as a guide only, and are either the lowest selection rank to which an COLLABORATIVE DESIGN DESIGN THEORY Bachelor of DRAWING offer was made in 2019 or an estimate (E). STUDIO 1 SEQUENCE Industrial Design You’ll join all first year design students in the All students in Art, Design and Architecture Design Theory is a sequence of study that Bachelor of common Collaborative Design Studio 1 unit to start first year with a Drawing unit that has been starts with Introduction to the history of art, Spatial Design work together on projects to create speculative developed to accommodate all levels of ability. design and architecture in your first year. This and innovative responses to issues such as So even if you have not drawn since primary study sequence ensures you are connected to Click here for information on sustainability, social inequality and topics on school, this subject will help you develop the the broader historical and critical contexts of Bachelor of Design specialisations, global change gaining hands-on experience of capability to draw manufactured and natural design and how these are applied to practical entry requirements and fees communication, industrial and spatial design. form, investigating proportion and structure studio work. Through the sequence you will No matter what design skills and experience YEAR 3 Past projects include designing a sustainable through line, tone, shape and texture. Those with explore how social and political frameworks you have, this unit provides you with the SEMESTERS 1 AND 2 wearable piece of clothing and creating a 3D highly developed drawing skills will develop the relate to design practices historically and as fundamental design-thinking and design- Another option model that communicates a mood or social capabilities to apply that to design and making. we move into the future and contemporary making skills you’ll need to build your purpose. The studio finishes off with you practice. Discover how Indigeneity, gender creating a poster and booklet that documents identity, socio-economic privilege and knowledge and technical abilities. In this semester you can select to do the your finished work. By the end of the semester environmental concerns impact on design Collaborative Design specialisation and you’ll have a clearer idea of the pathway you and how it is operationalised in the world. See the following pages for information graduate with: want to follow. Design Theory is vital to enriching your design PROFESSIONAL RECOGNITION practice to ensure you are the thoughtful and about the design specialisations. responsible designer the world needs. The Design Institute of Australia Bachelor of (DIA) is the peak industry body for Collaborative professional design. It represents Design ELECTIVES Australian design and designers both DESIGN STRATEGY AND domestically and internationally. PROFESSIONAL PRACTICE Electives enable you to build your design skills and professional capabilities. You can select You apply for the Bachelor of Design from a vast range that includes branding, In the final semester, you prepare to become and depending on what you select photography, exhibition design, 3D modelling, a work-ready professional designer. Design as your specialisation, you graduate animation, furniture and transport design. Strategy and Professional Practice is the with a DIA-recognised degree in: unit where you bring everything together and You can even choose electives like a language, learn to apply your knowledge and skills to • Bachelor of Communication Design IT or accounting that are offered by other enter the workforce. You will learn how to Monash faculties. Double degree students • Bachelor of Collaborative Design Studying design at Monash use their elective as part of their partner connect with industry networks; build your own communication strategy; use social media as • Bachelor of Industrial Design opened up a world of opportunity degree studies. See page 24 for more details a tool to progress your career; and understand • Bachelor of Spatial Design for me.” on electives. the legal and compliance issues relevant to • Bachelor of Design (Honours). design to protect your copyright. Design graduate, Christopher Thorpe Visit design.org.au for more information about DIA and design shares why he chose to study design at Monash and the opportunities that THE WORLD IS in Australia. YOURS TO EXPLORE opened up from his studies. He also Second year is your time to explore. provides an insight into his current ? role as an experience designer for Maybe head to Monash Prato Italy, DID YOU KNOW? located near Florence on a travelling The Bachelor of Design is ATAR only leading design agency Büro North. studio tour or go on exchange – there entry (or equivalent) – that means no are 150 universities in more than 30 Watch the video here countries to choose from. folio or interview is required! 12 13
BACHELOR OF DESIGN BACHELOR OF DESIGN COMMUNICATION DESIGN INDUSTRIAL DESIGN Become a bold, imaginative communication designer and Illustrator and InDesign to develop technical abilities. You’ll be Create stunning three-dimensional and digital products, You’ll also learn the tools and techniques to transform your ideas into help shape the visual language of society through creative encouraged to experiment with image-making, typography, digital media, services, systems and experiences by combining your prototypes with moving parts and realistic details and have access to UX and more, as tools to solve design challenges. In the workshops, the latest 3D printers, laser cutters, CNC milling tools, thermoformers visual narratives. you’ll work with different materials and learn how to use digital tools like knowledge of materials and technology, manufacturing, (plastic moulding) and a wide range of traditional wood and From day one you’ll be in the studio – a hands-on, creative environment laser cutters, 3D printers, robotics, coding and animation software. and human-centred design with innovation and aesthetics. metalworking facilities. where you’ll work side-by-side with your peers under the direction of From cutting-edge transport solutions to furniture and lighting design, Group design projects will teach you how to think like a designer, You’ll also learn how important it is to integrate your product design into Monash’s award-winning academic staff. You’ll be introduced to concept from medical equipment to products that aid developing countries – developing the strategic skills to identify design problems and work your larger systems of operation that takes account of our environment. development, technical-making skills and you will explore various the work of industrial designers advances the human experience, way through the design process. Working with a range of industry clients materials and media. making a better life for us all. on real projects, you will gain first-hand experience while building a folio In our Communication Design studios, you’ll use both hand-generated of work that will support your entry into a design career. Guided by Monash academics, practising industrial designers and top drawing and computer-aided design applications like Photoshop, researchers you’ll develop a deep understanding of ‘user needs’ through You will graduate with a Bachelor of Communication Design. empathy, and apply pragmatic, user-centric problem-solving processes You will graduate with a Bachelor of Industrial Design. Recognised by the Design Institute of Australia. to design products, systems, services and experiences. Recognised by the Design Institute of Australia. Career options Career options YEAR 1 YEAR 1 Communication designer, brand strategist, Industrial designer, product and packaging multimedia designer, web/UX designer, designer, design consultant, furniture designer, For details about common For details about common art director, interaction designer, information lighting designer, public transport designer, units across all Bachelor of units across all Bachelor of YEAR 2 designer, publication designer, advertiser, YEAR 2 automotive designer, service designer, digital Design specialisations please Design specialisations please see pages 12 and 13. packaging designer, animator, television and see pages 12 and 13. product designer, and experience designer. motion graphic designer, illustrator, experience YEAR 3 designer, and exhibition designer. YEAR 3 Communication Design Studios 2, 3, 4, 5 Industrial Design Studios 2, 3, 4, 5 COMMUNICATION DESIGN COMMUNICATION DESIGN COMMUNICATION DESIGN INDUSTRIAL DESIGN INDUSTRIAL DESIGN STUDIO 2 STUDIOS 3 AND 4 STUDIO 5 STUDIO 2 STUDIO 3 Six Industrial Design students and recent graduates were named finalists In semester 2 you’ll continue to develop Taking your previous broad learnings you’ll now In your final year you’ll prepare to graduate Construction and deconstruction form the Applying theoretical learning with an in the 2019 VIVID design competition your design problem-solving capabilities, dig deep into a specialisation such as publication into professional life by either building on the basis of this studio. Through these processes, experimental approach to problem-solving, by Decor + Design – Australia’s with a focus on communication design’s design, typography, image, brand, animation, work undertaken in Studio 4 or expanding into a you’ll build your skills in manipulating and you’ll explore the way industrial design objects longest-running awards program. fundamental principles of typography, image, sound and motion, interactivity or other emerging new area to broaden your expertise. Whichever controlling materials. Moving from cardboard interact with humans. Using the system of layout manipulation and time-based design. areas field of new technologies. With the support path you choose, you’ll be required to develop to CAD (computer-aided design) you’ll be anthropometry (the physical constraints of Read the full story here Through observation, critical enquiry and and guidance of the studio instructors, you’ll an in-depth program of study in consultation building your knowledge of how things work, the human body) and an understanding of the interpretation you’ll develop an understanding of develop your specialisation to a professional level. with your studio instructors. You’ll build your how components connect and understand more psychological constructions of the ways people Image: Candy wheel-thrown porcelain forms designed by Jack Balfour. how effective communication design enhances Image: Promode Photography App designed by technological and conceptual thinking of your clearly, the processes of iteration, refinement interact with objects will give you real insights the human experience. Communication Design student Charmaine Chin. specialisation to a high level of competency, and manufacturing. into the requirements of the design process. Image: Are You Being Watched? digital publication by as you prepare to enter the industry. Image: Dr Mark Richardson, Program Coordinator Communication Design student Kelly Zheng. Image: Design for Social Impact studio posters Industrial Design assists students on a project in the Digital Fabrication workshop. INDUSTRIAL DESIGN STUDIO 4 You’ll develop advanced skills and apply creative thinking to design solutions to problems considering all aspects of the market and commercial enterprise to achieve a particular result. Identifying a market or societal issue or need, you’ll undertake research, source relevant data, develop a product design specification and complete the design for a product proposal supervised by a Monash industrial designer. INDUSTRIAL DESIGN DESIGNERS SHINE AT NATIONAL AWARDS STUDIO 5 Q&A WITH SAM PROSSER-ROBERTS Nine talented Communication Design students were named finalists in the 2019 Australian Sam’s love for creating things and Graphic Design Association (AGDA) Design Awards. This semester sets you up for professional “a desire to make an impact in the practice. You’ll bring together all that you’ve healthcare industry” led him to a double Our students featured in categories including Book/Magazine/Zine, Reports, Print Posters, learned over your preceding two years of study, Animation and Moving Image. The awards recognise the best work in Australia across a wide degree with a Bachelor of Industrial Design engaging design thinking, materiality, human range of disciplines. interaction, manufacturing and communication and a Bachelor of Engineering. skills. You’ll also bring creativity to the challenge View designs from the nine finalists on our Instagram page of designing a product through to prototype Read the full story here Image: The Seattle Sound, designed by Bachelor of Communication Design student and AGDA finalist Nick Manton. level that meets a market or societal need. 14 15
BACHELOR OF DESIGN BACHELOR OF DESIGN SPATIAL DESIGN COLLABORATIVE DESIGN Design experiences that set moods, communicate ideas, You’ll work both independently and collaboratively on projects ranging With Collaborative Design you create your own Design undefined by a single discipline, creating new career opportunities. address social issues and facilitate cultural expression from intimate private spaces to large public structures. Studio sequence. This means you can undertake studios These areas include service design, experience design, and co‑design where increasingly designers are intersecting their skills with community through the innovative use of space, lighting, technology As a Monash student, you’ll meet and work with a variety of guest lecturers, from Communication Design, Industrial Design or Spatial engagement, entrepreneurial mindsets and the skills from a range of other and form. from up-and-coming designers to established industry practitioners and Design in your first and second year. design project participants. Designers are playing leading roles in large gain an understanding of industry practice enabling you to shape a unique The work of spatial designers surrounds us – from corporate and domestic This course structure allows you to acquire a range of design capabilities multi-discipline projects, and the capstone studios build collaboration, approach to your own career. interiors, retail outlets, restaurants, entertainment venues and exhibitions, and understandings from each studio which can then intersect and be communication and strategic thinking. This option prepares you for a to virtual worlds and vast public spaces activated by interactive technology. built upon in your final year. If you take this path you will complete your future in which design dexterity is needed to help navigate change and degree with two capstone studios: Collaborative Design Studio 4 and prepare you to become the agile design thinker the world needs. Combining interior/exterior spatial and structural knowledge with a Collaborative Design Studio 5. new approach to designing for people and places that engages immersive technologies, user experience and influences human behaviour forms This new opportunity within the Bachelor of Design is answering the basis of this course. an increasing need for design professionals with blended skill sets, You will graduate with a Bachelor of Spatial Design. You will graduate with a Bachelor of Collaborative Design. Recognised by the Design Institute of Australia. Recognised by the Design Institute of Australia. Career options Career options YEAR 1 YEAR 1 Residential and commercial interior designer, Service designer, co-designer, experience visual merchandiser, stage/set production designer, graphic designer, multimedia For details about common For details about common designer, experience designer, museum designer, web/UX designer, art director, units across all Bachelor of units across all Bachelor of YEAR 2 exhibition designer. YEAR 2 interaction designer, information designer, Design specialisations please Design specialisations please see pages 12 and 13. see pages 12 and 13. industrial designer, interior designer, visual merchandiser, stage/set production designer, YEAR 3 YEAR 3 museum exhibition designer, and future careers that haven’t yet been imagined. Spatial Design Studios 2, 3, 4, 5 Any specialisation for studios 2 and 3 Collaborative Design Studios 4 and 5 SPATIAL DESIGN SPATIAL DESIGN SPATIAL DESIGN STUDIO 2 STUDIO 3 STUDIOS 4 AND 5 Your first spatial design studio focuses on the In second year it becomes more ‘real’ with In your final year you’ll work on projects that idea of inhabitation and you’ll get out of the site visits and case studies, working on design prepare for your transition into professional studio (classroom) and onsite. Past projects concepts for pop-up festivals and performances practice. You’ll work with clients from cultural, have seen students redesign and transform and developing the communication skills to community or commercial organisations, the interior and exterior of Melbourne’s iconic confidently present your work to industry clients through to more speculative briefs conceived Co-design is an act of rebellion. Brighton Bathing Boxes (pictured) into working (pictured). You’ll build on your experience and to explore the challenges and opportunities of It shifts power by bringing together and sleeping spaces for varied clients. Projects skills and learn how to adapt existing spaces to continually transforming contemporary society, involve learning 2D and 3D computer modelling reflect your design ideas. people with diverse expertise and The year culminates in MADA Now (pictured) and drafting software like Photoshop and the annual graduate exhibition, where you can experiences to learn from each other, InDesign to prepare files for laser cutting and showcase your achievements from the year. create together and change how 3D printing models. something works.” The role of the collaborative designer is different from that in traditional design practice. Co‑designers are anchors, caretakers, explorers, and witnesses. They guide communities to design, dismantle or re-imagine whatever is needed – making products, services or systems that work for all. If you are into equity, justice or survival of the planet, Collaborative Design is a must. Help people share their voices and visions for better futures. Design differently. JO SZCZEPANSKA Bachelor of Industrial Design (Honours) 2007 Consumer Experience and Co-design Consultant at Dental Health Services Victoria Q&A WITH CATHERINE RUSSELL “My ultimate goal after studying Spatial Design is to work in exhibition design with a leading Read more about Jo and her design work international gallery.” Image: Jo led a collaborative and visioning workshop with children and their parents for Dental Health Services Victoria, creating and critiquing concepts Read the full story here and prototypes for the school dental van project. 16 17
ARCHITECTURE ? DID YOU KNOW? TOP 5 REASONS Skills for life TO STUDY Throughout each semester architecture students present their projects and work to classmates, academics, industry partners ARCHITECTURE Progressive, dynamic and regarded by industry as a champion and local and international architects. This process of peer review replicates the experience of architectural offices and aims to build your AT MONASH of change, Monash Architecture places you in a position to written and verbal skills, preparing you to be able to present your work imagine the new environments of the future and shape the way to clients professionally and with confidence – just as architects do in the industry. we live and interact with one another – from our houses and THINK LIKE AN workplaces to our neighbourhoods and cities. ARCHITECT OF THE FUTURE Monash Architecture is all about the bigger picture. You’ll learn to consider architecture, urban design Through creative and critical thinking and urban planning as a whole. We’ll train you to consider buildings within their larger urban or regional you’ll learn to seek out problems and environment and cities in the context of a changing planet. solve complex design challenges. In this course, you’ll develop the future-forward skills and knowledge to contribute to the common good of society, and a sustainable and equitable world. IMAGINE NEW ENVIRONMENTS You’ll go beyond buildings, and shape how we live, work and play by contributing to the common good of society and a sustainable and equitable world. BE FUTURE-WORK READY You’ll graduate ready to work in fast-paced and dynamic environments where agility, adaptability and inventiveness are essential; attributes that will be in high demand by employers of the future, across a variety of industries. LEARN FROM THE BEST You’ll learn from award-winning architects, engaged lecturers and curious and imaginative researchers who are regarded among the best architectural design teachers in Australia. Our interdisciplinary expertise is recognised by local and international industry, institutions and government. WORK ON TRANSFORMATIONAL AND REAL-LIFE PROJECTS You’ll have the opportunity to work Image: The Blurred Centre designed by Master of Architecture on integrative and transformational student Haroula Karapanagiotidis aims to invite the public realm real-life projects that are important of Docklands within. The project explores the blurred condition to the future of our cities and our between public space and paid spaces for theatre, dance planet. From designing sustainable and galleries. and affordable housing to investigating the impact of rising sea Haroula developed this project in response to the ‘More of Less levels on suburbs and towns. Design Studio’ led by John Bahoric (engineer, Office of the Victorian Government Architect) and Andrew Walter (WALTER&WALTER). 18 19
BACHELOR OF Bachelor of Architectural Design COURSE CODE: F2001 CRICOS CODE: 059372G ARCHITECTURAL DESIGN Course structure YEAR 1 ARCHITECTURE INTRODUCTION TO THE HISTORY SEMESTER 1 FOUNDATION STUDIO 1 AND THEORY OF ART, DESIGN AND COMMUNICATIONS 1 Combine your creative vision, You’ll also learn how to effectively communicate ARCHITECTURE Caulfield design ideas to others – whether they’re clients, technical expertise and great design skills SEMESTER 2 FOUNDATION STUDIO 2 ARCHITECTURE TECHNOLOGIES AND communities or policy-makers – through COMMUNICATIONS 2 ENVIRONMENTS 1 3 years to shape the future of society through the drawings, models and live presentation. built environment. YEAR 2 Semester 1 There is no need to have previously studied Think beyond the building and learn how to CONTEMPORARY TECHNOLOGIES AND any design subjects as our first year has been SEMESTER 1 ARCHITECTURE DESIGN STUDIO 3 ARCHITECTURE ENVIRONMENTS 2 ATAR: 82.60* create solutions that transform the way people developed to ensure all students gain the IB: 30 live, creating spaces, places and communities necessary foundation skills in freehand and SEMESTER 2 ARCHITECTURE DESIGN STUDIO 4 19TH AND 20TH CENTURY TECHNOLOGIES AND ARCHITECTURE ENVIRONMENTS 3 The Master of Architecture that improve their quality of life. Learn to make computer-aided drawing to be successful in is accredited by the places that are inspiring and sustainable. the degree and within architectural practice. YEAR 3 Architects Accreditation You’ll study every aspect of architecture in this INTEGRATED TECHNOLOGIES, Upon successful completion of the bachelor’s SEMESTER 1 ARCHITECTURE DESIGN STUDIO 5 ENVIRONMENTS AND ELECTIVE Council of Australia (AACA). hands-on, studio-based degree. More than half degree, you can move directly into either the PROFESSIONAL STUDIES See page 30 for information of your time will be in the design studio, guided Master of Architecture or the Master of Urban on how to apply. by industry experts, collaborating with your peers Planning and Design. SEMESTER 2 ARCHITECTURE DESIGN STUDIO 6 ARCHITECTURE AND THE CITY ELECTIVE in small groups to develop design responses to a wide range of social and spatial issues, just DOUBLE DEGREE as you would in an actual architecture firm. Civil Engineering ARCHITECTURE 19TH AND 20TH CENTURY INTEGRATED TECHNOLOGIES DID SOMEONE SAY ‘TRAVELLING STUDIO’? COMMUNICATIONS 1 AND 2 ARCHITECTURE AND ENVIRONMENTS 1, 2 AND 3 CAREER OPTIONS Travelling studios are connected to a project Urban design and planning or unit of study. They give you first-hand Drawing and modelling skills are vital to an The (second) Industrial Revolution changed Making design ideas manifest, in physical or consultant, sustainable design architect. We’ll teach you how to use computer- the way humans live in the world. Exploring virtual form, is an essential skill for an architect. experience working out of the classroom and consultant, disaster relief aided drafting (CAD) software and develop CAD Australian and international architecture, you’ll In Technologies and Environments, you’ll learn in a local or international location. specialist, historic building modelling and drawing skills in both two and build analytical and evaluative skills as you about material, structure, construction and You could work onsite building mobile retail three dimensions. explore these two centuries of unprecedented environmental conditions. Design projects conservationist, interior design change and experimentation. will build on your making skills, ensuring consultant, theatre and set spaces in laneways in a Japanese city or your capabilities in constructing models, designer, community development create sculptures in the ancient fields around real and virtual, and developing drawings officer, property developer, Tuscany, or maybe develop interactive design that communicate your ideas persuasively town planner, architectural displays for the Venice Biennale. and clearly. writer and commentator, Click here to explore our urban informatics designer. overseas programs Image: Architectural students on a study tour of Korea and Japan. * T he scores provided are to be used as a guide only, and are either the lowest selection rank to which an offer was made in 2019 or an estimate (E). ? DID YOU KNOW? YOU’LL LEARN THE DESIGN SKILLS The Bachelor of Architectural Design is YOU NEED IN FIRST YEAR FOUNDATION STUDIOS ARCHITECTURE DESIGN ARCHITECTURE DESIGN ATAR only entry (or equivalent) – that Whether you’re starting out or experienced 1 AND 2 STUDIOS 3 AND 4 STUDIOS 5 AND 6 means no folio or interview is required! in design, the first year provides you with Click here for information on the necessary foundation skills in freehand Using the architectural design processes of Second year studios are organised into Third year studios introduce critical approaches Why is there no folio or Bachelor of Architectural Design, and computer-aided drawing that will investigation and experimentation your first themes introducing key approaches to design to materialising architectural ideas. Selecting interview required? year studios explore materials, crafts, space, processes. You’ll select a focus of study from your area of study from a range of studios with entry requirements and fees bring you up to speed. unexpected environments and projects such as a range of studios with different orientations different orientations you’ll learn how to work the notion of the space traveller as a fictional to help expand your understanding of diverse from concept to realisation and how to actively narrative. This will help you to question and ways of practising. You’ll learn how to refine engage with our transforming cities. discover design-thinking in architecture through your ideas through sharing, discussing and the making of architectural objects. peer reviews. Turn the page to see examples HOW TO REGISTER AS A Watch the video below to find out what you’ll learn in first year and why we only require ATAR of architecture design studios. PRACTISING ARCHITECT (or equivalent) • To qualify as a registered architect, you’ll need to complete the Master of Architecture1 ELECTIVES and undertake two years of professional practice. • GOOD NEWS – graduates of our We’re going to push you to Choose from hundreds of electives that allow you to develop your architectural interests and Bachelor of Architectural Design explore beyond what you think help you achieve your career goals. gain automatic entry into our architecture might be.” Dive deeper into contemporary architecture or Master of Architecture. ALEX BROWN study glass-making, sculpture, painting, or 3D 1. T he Master of Architecture is accredited by Senior Lecturer modelling, sound and video art. Maybe explore the Architects Accreditation Council of Australia Bachelor of Architectural Design branding or service design. You can even (AACA). choose electives like a language or accounting, Click here to watch the video that are offered by other Monash faculties. See page 24 for more details on electives. 20 21
ARCHITECTURE Image: The New Chancery Laneway DESIGN STUDIOS Market by Master of Architecture student Pascal Henle, explores new opportunities created by the vertical separation of service areas and public space. This project was part of the Every semester you will be able to select from a vast array BABYLON design studio. of architecture design studios. This enables you to follow your interests and become the architectural professional you want Studio leader: Rutger Pasman, CHORDstudio + spatial investigators. to be. All studios grapple with contemporary architectural issues and are taught by practising architects or academics Discover more on the BABYLON design (many are also both). studio in the description below. The cornerstone of architectural education, the design studio is a project-based problem-solving experience where you work in small groups or individually on complex issues to develop a range of creative interventions and responses. The ‘studio’ models the way architects work with clients in an iterative process to achieve an outcome. The breadth of studio topics enables you to build your skills in specific areas, expand your understanding of architectural possibilities and gain experience aligning with your interests and career aspirations. You’ll drill deep and learn fast working on complex and challenging design projects alongside some of Australia’s leading architects and academics. Our design studios change each semester. The examples shown are a selection of architecture design studios from 2019. OUR DESIGN STUDIOS ARCHITECTURE CRITICAL OBSERVATION DESIGNING MATERIALISING AND THE CITY AND PROPOSITION PROCESS ARCHITECTURAL IDEAS Every studio deals with a different topic and a range of complex challenges. Studios provide our students with a meaningful experience on BABYLON MIND THE GAP THE DIFFERENT SPONGE CITY WORKSHOP what it is like to work as an architect. Each year our students can choose Using the process of drawing to critically Proposing a new train station precinct for The rise of 3D printing and advanced digital This travelling studio explored world-heritage- from over 30 amazing and varied design studios. explore the image of the city, BABYLON focuses Clifton Hill, Mind the Gap uses this concrete fabrication techniques are opening the listed villages and traditional Chinese ways on the laneways of Melbourne. Designing example to interrogate the idea of transport- possibilities of architecture to the unique, the of integrating water with urban life. Students a speculative tower, the studio re-imagines oriented precincts. Using processes such as bespoke, the one-off and the intricate. Develop learned about the city of Beijing and analytical Melbourne’s characteristic spaces and events drawing and model-making, you’ll explore your digital skills in a range of platforms and and descriptive drawing techniques – applying while exploring the architectural capacity possibilities for a diverse user group. learn how to evaluate the quality of your designs what they had learned to create designs for of drawing. Studio Leaders: Phil Burns, Architect in context of the history of the digital age. projects in Victoria. Studio Leader: Rutger Pasman, at Matt Gibson A+D and Jacqui O’Brien, Studio Leader: Sean Guy, Rhino Product Studio Leader: Nigel Bertram, Professor CHORDstudio + spatial investigators. Placement Studio. Manager at Fologram. of Architecture Monash University and Director of NMBW Architecture Studio. SPACE FORGETS YOU ARCHITECT AS WORKER ON VIRTUALITY Engaging with graffiti practices, street How can architectural design shape the future? Develop advanced skills in digital design CULTUREBERG art, tactical urbanism, guerrilla gardening, What new forms of architectural work are processes, 3D scanning, 3D printing and virtual Designing a mountain for Melbourne’s inner performance art and art intervention, you’ll possible? Challenging you to generate a critical reality while engaging in disciplinary inquiry into city, Cultureberg combines three programs: develop your understanding of the breadth and understanding of the architect as worker, this cultural heritage and architectural preservation. production of culture, consumption of culture role of public art with a conceptual or political studio invites you to create your idea of the Using Melbourne’s Shrine of Remembrance as and a public garden. Through this challenge agenda from an architectural perspective. future of architectural work. the focus, you’ll produce both an archive of the students explored how public spaces supports Studio Leader: Oliver Shearer, PhD candidate Studio Leaders: Dr Lee-Anne Khor, Shrine and design alterations and additions to cultural activity, focusing particularly on and Tutor Monash Architecture. Senior Lecturer Monash Architecture the monument using digital design strategies. definitions of local and migrant cultures. Click here to check out the current and past and Frank Burridge, Teaching Associate Studio Leader: Ben Waters, Director at Studio Leader: Ciro Márquez, Sessional Tutor architecture studios that our students have undertaken Monash Architecture. OSK Architects. in Architecture and Artist. 22 23
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