PRODUCT GUIDE 2020 - Import Music
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PRODUCT GUIDE 2020
Superior DESIGN. Superior FEEL. SUSTAINABLY SOURCED 90% of our sticks are
made from hickory
Superior SOUND. 2.45:1
2.45 new Appalachian Hardwood
trees grow naturally for everyone that
is harvested or dies.*
THE VIC FIRTH DIFFERENCE Net annual growth has been
increasing for more than fifty years.
Responsible sourcing ensures hickory WE STRIVE TO USE EVERY
SCRAP OF WOOD.
and other Appalachian hardwoods
ACCURACY IS EVERYTHING.
will be around for generations to come.
*USDA data Our state of the art dust collection system increases
our supply of wood-based fuel and decreases our
dependence on fossil fuels.
CONTROLLING MOISTURE CONTENT & WARPAGE IS KEY IN OUR PROCESS.
WE ARE PROUD SUPPORTERS OF
WHY DO STICKS WARP?
SUSTAINABLE FORESTRY:
90%
Sticks warp when they lose moisture. Sticks manufactured with 6%-8% moisture content come out of the factory with very little
moisture to lose. On the other hand, sticks that are manufactured to 10%-12% moisture content have a fair amount of evaporating to
do before they reach average indoor humidity, which is 6%-8%. It is this post-manufacturing water loss that warps a drumstick.
of the water we
6% - 8% . use is reclaimed
MOISTURE CONTENT STICKS During the centerless grinding process
which shapes the profile of each stick,
water is used to keep the wood from
burning. Water and sawdust is filtered
STAGE through a de-watering press, allowing us
10% - 12% XYZ SINCE
1992
HOME STUDIO to continuously reclaim the water we use.
MOISTURE CONTENT
6% - 8% STICKS
AVERAGE INDOOR
HUMIDITY
We were the first company to
package paired sticks together in
paper sleeves which are now the
industry standard–eliminating
THE CLEAR FINISH
OUR ANTI-WARP PROCESS millions of plastic bags from on our sticks is free of materials listed by
landfills every year. EPA as hazardous air pollutants.
Wood is inspected for straightness throughout the manufacturing process, not just at the end. Any wood that does not meet our
stress and warpage standards goes to our boiler to heat the kilns.
Dowels are gradually reduced in size and
shape to minimize stress until they are sand-
Boards and squares are sawn on-
site and sent to the kiln. WE CARE ABOUT OUR PLANET.
ed and straight, and ready for the grinder. AND HAVE BEEN COMMITTED TO DOING OUR PART FOR DECADES. IT’S PART OF OUR DNA.
Sticks are dried for 10 days Our stick sleeves and catalogs are printed by our FSC certified supplier using wind power and vegetable based
This is how pool cue manufacturers produce a 5-foot long in our on-site kiln.
piece of wood that is straight! inks. Recycling matters. All our cardboard, paper and metal is sorted. The rest goes to a zero-sort single-stream
recycling program.
1 2
PRODUCT GUIDE 2020
4 DRUMSTICKS
10 SIGNATURE SERIES
19 ALTERNATIVE IMPLEMENTS
23 CONCERT STICKS & MALLETS
34 CORPSMASTER
43 ACCESSORIES
DRUMSTICKS
3 4
7AN
8DN
5AN
X5AN
5BN
X5BN
3AN
2BN
ROCKN
CMN
KIDS
KIDSPINK
HD4
7A
8D
X8D
85A
ESTICK
5A
X5A
55A
X55A
AMERICAN CLASSIC ® HICKORY
WOOD TIP AMERICAN CLASSIC ® HICKORY
NYLON TIP
The American Classic® line combines tradition and Vic Firth style. With bold designs, the Classics For over 30 years, American Classics® have been the popular choice of countless drummers worldwide.
are turned from select hickory—a dense wood with little flex for a more pronounced sound. Hickory Wood tips were the originals, followed by nylon for a more durable and brighter sounding option. Vic
is also capable of withstanding a great deal of shock, making it highly durable. The tips are deeply
5A Firth was the first manufacturer to offer nylon tips designed to mirror their wood tip counterparts,
The Vic Firth 5A is the
back-cut for intensified cymbal response. number one selling stick in the world. allowing drummers to switch from the richness of a wood tip to the brilliance of nylon without sacrificing Cutaway showing injection
molded nylon tip
feel and balance. And with our injection molding process, they won’t chip or fly off—guaranteed!
KIDSTICKS ESTICK 5B 1A
Engineered to make playing easy for the very A one of a kind design specifically for today’s electronic Also in black (5BB), white (5BW) Tear drop Extra long with a “Taj Mahal” tip. 7AN EXTREME 5AN (X5AN) EXTREME 5BN (X5BN) 2BN
young drum set player—ages 3 to 8. Produces drums. Long taper also provides great touch and sound tip. Ideal for rock, band and practice. Powerful, fast and responsive. Tear drop tip. Perfect for light jazz and combo. For the 5AN player who wants more Like the 5BN, with more power and reach. Tear drop tip. Ideal for heavy rock, band and practice.
a quality sound in blue or pink. on acoustic drums and cymbals. Length: 16” Length: 16 ” 13/16
Length: 15 1/2” power and reach. Length: 16 1/2” Length: 16 1/4”
Length: 13” Length: 16 ” 1/2
Diameter: .595” Diameter: .580” Diameter: .540” Length: 16 1/2” Diameter: .595” Diameter: .630”
Diameter: .520” Diameter: .563” Diameter: .565”
HD4 8DN 3AN ROCKN
5A EXTREME 5B (X5B) HD9 Like the 7AN, with a bit more reach. 5BN Barrel tip produces bright, articulate Oval tip. Great for rock and band.
Vic’s original SD4 design, but in hickory. For a The SD9, in hickory. A favorite of play-
light touch and great feel around the drums. Also in black (5AB), white (5AW) and Pink (5AP) Tear Like the 5B, with more power and reach.
ers who love the 5B but want a little
Length: 16” Tear drop tip. Ideal for rock, band cymbal sounds. Great for light rock Length: 16 5/8”
Length: 15 7/8”
drop tip for rich cymbal sounds. The #1 stick in the Length: 16 1/2” more weight and length. Diameter: .540” and practice. and fusion.
Diameter: .630”
world—great for every style.
Diameter: .595” Length: 16” Length: 16 3/16”
Diameter: .530” Length: 16 1/4”
Length: 16”
Diameter: .610” 5AN Diameter: .595” Diameter: .580” METAL N (CMN)
7A Diameter: .565” Tear drop tip. Light and fast—great for every Oval tip. Offers extra reach and power.
style of music! Length: 17”
Tear drop tip. Perfect for light jazz and combo.
EXTREME 55B (X55B)
Length: 15 1/2” EXTREME 5A (X5A) A 5B with increased shaft thickness and
2B Length: 16” Diameter: .635”
Diameter: .540” Like the 5A, with more power and reach. length. Leverage and power with a great feel!
Tear drop tip. Ideal for heavy rock, Diameter: .565”
band and practice.
Length: 16 1/2” Length: 16 1/2”
8D
AMERICAN CLASSIC ®
Length: 16 1/4”
Like the 7A, with a bit more reach.
Diameter: .565” Diameter: .610”
Diameter: .630” HICKORY
Length: 16” SPECIALTY
Diameter: .540” 55A
F1
Combines the dimensions of a 5A and 5B. A great choice
ROCK As part of our commitment 5A BARREL (5ABRL) 5B "CHOP-OUT" (5BCO) KINETIC FORCE
X8D when a 5B is just a little more stick than required.
Medium round tip with a short tapered neck.
Great for fusion or electric jazz. Oval tip for a full sound. Great for rock to offering drummers Our classic 5A design, featuring a proportionately Practice stick, Rubber tip with an elongated taper Kinetic energy is a function of mass
Perfect for the 8D player looking for more Length: 16” and band. perfect barrel-shaped tip. An impeccably balanced stick to simulate the balance of the 5B. and speed. By adding a more dense
reach and leverage. Length: 16 3/16” ever-expanding
Diameter: .580” Length: 16 5/8” creating supreme clarity with a beautiful tone. Length: 16 1/4” material to the butt end, these sticks
Length: 16 ” 1/2 Diameter: .580” possibilities with their Length: 16” can be played longer and harder with
Diameter: .630” Diameter: .595”
Diameter: .540” playing, Vic Firth has Diameter: .565” less fatigue. They can also help you
EXTREME 55A (X55A) play faster! Available in 5A (5AKF) and
85A A one of a kind design specifically for today’s electronic 3A added these revolutionary 5A DUAL-TONE (5ADT) 5B (5BKF).
Combines the dimensions of an 8D and 5A. A drums. The long taper also provides great touch and Barrel tip produces bright, articulate cymbal METAL (CM) options for practice and 5B BARREL (5BBRL) 5A wood tip with a durable synthetic felt mallet
sound on acoustic drums and cymbals. A 5B profile with a barrel-shaped tip. The reduced head attached to the butt end.
great jazz stick. sounds. Great for light rock and fusion. Oval tip. Offers extra reach and power. sound production. surface area of the tip provides a more focused cymbal
Length: 16” Length: 16 1/2” Length: 16 3/16” Length: 17” Length: 16 1/8”
sound while retaining great playability and versatility.
Diameter: .550” Diameter: .580” Diameter: .580” Diameter: .635” Diameter: .565”
Length: 16”
Diameter: .595”
5ABRL
ROCK
5BCO
5BBRL
5ADT
5AKF
X55B
5BKF
HD9
X5B
CM
3A
1A
5B
2B
F1
5 6
DOUBLE-GLAZE PUREGRIT VIP GRIP
AS7A
AS8D
AS5A
AS5B
AJ1
AJ2
AJ3
AJ4
AJ5
AJ6
Double Coat of No Finish, Raw Vic Grip is an anti-slip drumstick coating that
Lacquer Finish Wood Texture provides a comfortable and slip resistant grip to
our top selling American Classic® models. The
Now expanded to all Newly expanded to our specially formulated material is extremely durable
of our most popular top models, customized and an ideal choice for players who prefer an
models, treated with for players who prefer enhanced grip on their sticks. Look for the red
our DoubleGlaze a more raw and natural coating and put a stop to slippage!
lacquer formula. A feel. Lacquer-free
consistent and classic with special PureGrit 7AVG 7ANVG
feel that’s great for a processing for an added Length: 15 1/2” Length: 15 1/2”
bit of extra grip when textured feel. Diameter: .540” Diameter: .540”
you need it.
5AVG 5ANVG
AMERICAN JAZZ AMERICAN SOUND
5APG
Length: 16” Length: 16” Length: 16”
5ADG Diameter: .565”
Length: 16” Diameter: .565” Diameter: .565”
Diameter: .565”
5BPG
5BDG Length: 16” X5AVG X5ANVG
Length: 16” Diameter: .595” Length: 16 1/2” Length: 16 1/2” Developed for the player who is looking for an ultimate rebound on the drums and The American Sound series features our most popular American
Diameter: .595”
Diameter: .565” Diameter: .565” cymbals, the American Jazz® line is comprised of six models which feature a long taper Classic models, but with a full round tip. The surface area of the round
7APG
Length: 15 1/2” in the shaft for that great feel! The neck specifications are sizeable enough to create tip brings increased focus and clarity to the drums and cymbals.
7ADG
Length: 15 ”
1/2 Diameter: .540” 5BVG 5BNVG dark cymbal sounds and the small tear drop tip keeps everything in focus.
Diameter: .540”
X5APG Length: 16” Length: 16”
Length: 16 1/2” Diameter: .595” Diameter: .595”
AS7A AS8D
X5ADG AJ1 AJ4
Length: 16 ”
1/2 Diameter: .565” Length: 15 1/2” Length: 16”
Diameter: .565” A 5B shaft that feels full-sized A thin stick that still produces great Diameter: .540” Diameter: .540”
X5BPG X5BVG X5BNVG
Length: 16 1/2” yet plays “lightning fast”. cymbal sound.
X5BDG Length: 16 1/2” Length: 16 1/2”
Length: 16 1/2” Diameter: .595” Length: 16” Length: 16”
Diameter: .595” Diameter: .595”
Diameter: .595”
Diameter: .595” Diameter: .520” AS5A AS5B
Length: 16” Length: 16”
Diameter: .565” Diameter: .595”
AMERICAN CLASSIC ®
AJ2 AJ5
HICKORY A 5A shaft for a light touch. The thinnest stick in the entire catalog! Built with great
SPECIAL FEELS Length: 16” balance in mind, making it light and easy to play.
Diameter: .565” Length: 16”
STONES VS LATHES
VIC FACT
Diameter: .490”
For over 20 years, Vic has used state-of-
AJ3 AJ6 the-art, custom built centerless grinders
An 8D shaft that feels like it A 7A-like shaft coupled with a very small neck to shape VF sticks. Sticks shaped by a
and tip for the sweetest cymbal sounds. No
plays itself. grindstone have less warpage, and
Length: 16” fear of “overplaying” with this model!
Length: 15 1/2” can be cut into complex shapes with
Diameter: .545”
Diameter: .550” unparalleled consistency.
From a light touch to a massive sound, no stick puts you
NEW
MODERN JAZZ COLLECTION
in control the way Freestyle does. Unique specs more
Designed to more than
than double the size of the ‘sweet spot’, giving you the
double the ‘sweet spot’
freedom to move around and choose the balance point
that’s right for the music. Play your way with Freestyle. Some secrets are too good to keep quiet. Over the years and in collaboration with MJC4 MJC5
some of the world’s top artists, the design team at Vic has produced thousands The unmistakable sound and feel of An 8D shaft with a medium taper for
of prototypes ranging from the highly experimental to the straight-ahead. This maple! A 5B diameter with a long taper great balance. Unique nylon tip marries
FS7A FS55A
has been our secret playground. The MJC have been staples in our back room for for a great rebound. Small barrel tip elements of a barrel and an oval, for
Length: 17” Length: 17”
provides a focused cymbal sound. bright and well-defined cymbal sounds.
Diameter: .540” Diameter: .580” years – and while the name says ‘Modern Jazz’, we've found they are exceptional
Length: 16 3/8” Length: 16”
Taper: Long Taper: Long in almost any musical setting.
Diameter: .595” Diameter: .540”
FS85A FS5B Never before available to the public, these five models were developed collab-
Length: 17” Length: 17” oratively with drummers on the cutting edge of "America's Original Art Form",
Diameter: .550” Diameter: .595” including Jeff Ballard, Greg Hutchinson, Joe McCarthy, and Lewis Nash.
Taper: Long Taper: Long
FS5A MJC1 MJC2 MJC3
Length: 17” A slightly elongated 55A shaft Slightly thinner than the 5A An 8D shaft with a little
Diameter: .565” with a medium taper and oval with an extra long taper for extra length for a great
Taper: Long tip. The thicker diameter unbelievable response and up-front feel. Well-
helps deliver a little more playability. Long arrow tip for a balanced with a medium
weight and emphasis to the broad surface area, perfect for taper, proportionate
MJC1
MJC2
MJC3
MJC4
MJC5
ride cymbal. complex overtones on cymbals. neck, and oval tip.
Length: 16 1/8” Length: 16” Length: 16 5/16”
Diameter: .580” Diameter: .550” Diameter: .540”
7 8
SD1 GENERAL
SD1 JR.
SD2
SD4
SD5
SD6
SD7
SD9
SD10
SD11
SD12
OF SD6 & SD12
BUTT END
AMERICAN CUSTOM® MAPLE
The American Custom line consists of a variety of models conceived and engineered SD9 DRIVER SD11 SLAMMER
by Vic Firth—performer and educator. The first manufacturer to apply the concept of Oval tip. A favorite for jazz. Arrowhead tip cuts with minimum effort.
a round striking surface to drumstick design, Vic developed the other originals that Length: 16 1/4” Length: 16 1/4”
complete the line with jazz players in mind. All eleven models are turned from select Diameter: .610” Diameter: .610”
rock maple for a light, fast-playing stick with great flex and rebound. The Custom line
is perfect for the artist who is playing lighter types of music or prefers a beefier stick
SD10 SWINGER SD12 SWIZZLE G
Oval tip. Slightly lighter and An SD1 General with a hard spun felt ball
without a lot of weight.
faster than the SD9. attached to the butt end. Ideal for fast
Length: 16 1/8” changes on cymbals.
SD1 GENERAL SD5 ECHO Diameter: .610” Length: 16 5/8”
Round tip. Ideal for orchestral work, rock, Round tip. Extra long taper for control. Diameter: .635”
and band. A legendary practice stick. Length: 15 3/4” Felt Ball: 11/4” x 1”
Length: 16 3/8” Diameter: .670”
Diameter: .635”
SD6 SWIZZLE B
DESIGN PROCESS
SD1 JR. An SD2 Bolero with a hard spun felt ball
attached to the butt end. Ideal for fast
VIC FACT
A scaled down version of our SD1 General.
Perfect for a young student’s hands. changes on cymbals.
Length: 16 1/4” Months, sometimes years before a new
Length: 15 9/16”
Diameter: .615” Diameter: .635” product goes into production, the Vic Firth
Felt Ball: 11/4” x 1” design team obsesses over every detail.
SD2 BOLERO Because as percussionists ourselves, we
Round tip. Ideal for light orchestral and SD7 WHACKER know that every detail matters, and the
pit playing. For jazz and small group. Nylon tip for machines only shape, cut and create with
Length: 15 3/4” great cutting power on the cymbals.
the specs we set out. That’s why we make
Diameter: .635” Length: 16”
Diameter: .590” sure our designs are truly perfect before
every product goes into production.
SD4 COMBO
Barrel tip. Light and fast for jazz quartet or
chamber music.
Length: 15 1/8”
Diameter: .545”
AMERICAN HERITAGE® MAPLE
American Heritage drumsticks feature the dimensional specifications of our most popular American
Classic® models but are crafted in maple rather than hickory for greater rebound and flex. This series
allows drummers to have the feel of their favorite American Classic® model but with a lighter and more
“airy” sound, especially on cymbals. This approach is another extension of our effort to offer drummers
the ability to change their sound and color without changing feel and balance.
SIGNATURE SERIES
AH7A AH5A AH5B
Teardrop tip. Great for music Teardrop tip combines with Teardrop tip. A medium stick that
AH7A
AH5A
AH5B
that requires a light touch. maple for rich cymbal sounds. still produces sweet cymbal sounds.
Length: 15 ” 1/2
Length: 16” Length: 16”
Diameter: .540” Diameter: .565” Diameter: .595”
9 10
In the early 1980’s, Vic and Steve Gadd began
SCA
PP
SCB
STB1
SMC
working together on a top-secret new project: a
signature drumstick. A true design collaboration
between two legendary world class artists had never
been done before in the drumstick industry.
To this day, each signature stick we make is
conceived with the same care and respect for
artistry and musicality. Each Signature Series
model is conceived through extensive research
and collaboration with the world’s finest drummers
from a variety of musical styles. The designs reflect
their musical requirements in terms of feel, sound
projection and cymbal color. Vic’s Signature Series
truly puts the artist’s personal touch into your hands!
CARMINE APPICE (SCA) KENNY ARONOFF (PP) CINDY BLACKMAN (SCB) TERRY BOZZIO “PHASE 1” (STB1) MATT CAMERON (SMC)
All colored sticks feature a clear, natural tip. All A teardrop tip at one end and a An Extreme 5B shaft with the neck and tip Designed with a 5A shaft, enlarged neck, and full Long and thin for speed and response. A 5B style shaft with an elongated
sticks are hickory unless otherwise noted. large heavy tip at the butt. Great of a Rock. Plenty of weight for heavy hitting, taper. A rounded arrow shaped tip creates a phat Helmet shaped tip provides boldness on taper. Barrel tip produces a full and
back beat power. yet thin enough to play with finesse. sound on drums and is full and clear on cymbals. toms, brilliance on cymbals. satisfying cymbal sound.
Length: 15 15/16” Length: 16 1/2” Length: 16” Length: 161/4” Length: 163/16”
Diameter: .595” Diameter: .595” Diameter: .565” Diameter: .550” Diameter: .585”
CARMINE KENNY CARTER CHARLIE GREGG CINDY TERRY MATT DANNY KEITH CHRIS
APPICE ARONOFF BEAUFORD BENANTE BISSONETTE BLACKMAN BOZZIO CAMERON CAREY CARLOCK COLEMAN
SIGNATURE SERIES SIGNATURE SERIES
CARTER BEAUFORD (SBEA2) CHARLIE BENANTE (SBEN) GREGG BISSONETTE (SGB) GREGG BISSONETTE DANNY CAREY (SDC, SDCN) KEITH CARLOCK (SKC) CHRIS COLEMAN (SCOL)
Combines a 5B shaft with an extended A Rock shaft and tip with a special A beefed-up 2B featuring a heavy “BACKBEAT” (SGB2) A truly unique stick! Features a cut-in Compressed teardrop tip for With a short taper and an oval tip,
taper and elongated oval wood tip. The taper for great feel and durability. With shoulder and neck. A 5B shaft with a front-end loaded design at the gripping area for comfort a precise sound. Fast sloping this stick is bold in its design and
result is a design that provides superior Vic Grip for a slip-resistant grip. Length: 161/4” neck and tip for a full sound on the bell and a tapered butt end for improved taper creates a superior bounce allows the player to create a full tone
response, sound and versatility. Length: 165/8” Diameter: .620” of the ride. Vic Grip for a confident balance. Inwood or nylon tip. that makes playing doubles and on drums and cymbals.
Length: 16” Diameter: .625” backbeat and big drum sounds. A Length: 161/2” singles virtually effortless. Length: 163/8”
Diameter: .595” great all-around stick choice. Diameter: .695” bottom Length: 16” Diameter: .615”
Length: 16” (.630" at Shaft) Diameter: .555”
Diameter: .590”
SBEA2
SDCN
SGB2
SCOL
SBEN
SGB
SDC
SKC
11 12
SJDN
SIGNATURE
SJD
SPE
SPE2
SPE3
SSG
SSGN
SSG2
SGRE
SOH
VIC FACT
SERIES PROCESS
Collaborations often take
many months, going back
and forth with each artist
to make sure the final stick
meets the artist’s precise
requirements and will feel
perfect in your hands too.
JACK DEJOHNETTE PETER ERSKINE PETER ERSKINE PETER ERSKINE STEVE GADD
(SJD, SJDN) ORIGINAL (SPE) “RIDE STICK” (SPE2) “BIG BAND” (SPE3) (SSG, SSGN, SSG2) MATT GREINER (SGRE) OMAR HAKIM (SOH)
A stretch 5A for extra reach. Light and fast with a Extra long taper and teardrop tip Combines the shaft dimensions The quintessential studio stick! Barrel tip Medium diameter extended the length Round nylon tip for a brilliant
Great for jazz and fusion. In piccolo tip for pinpoint for enhanced cymbal response. of a 5A and 5B with a long taper produces a sweet cymbal sound. In nylon and elongated taper. Dry-tumbled for a cymbal sound. In honey hickory.
wood or nylon tip. articulation on cymbals. Beefed up shaft for extra power. for an effortless rebound. or wood tip, now available in clear finish. smooth and organic feel. No added finish! Length: 16”
Length: 16 5/16” Length: 16” Length: 16” Length: 16” Length: 15 3/4” Length: 167/16” Diameter: .585”
Diameter: .565” Diameter: .525” Diameter: .575” Diameter: .585” Diameter: .550” Diameter: .585”
JACK PETER STEVE DAVID MATT ALEX BENNY MATT OMAR GAVIN GERALD TOMMY AKIRA
DEJOHNETTE ERSKINE GADD GARIBALDI GARSTKA GONZÁLEZ GREB GREINER HAKIM HARRISON HEYWARD IGOE JIMBO
SIGNATURE SERIES SIGNATURE SERIES
DAVID GARIBALDI (JM) MATT GARSTKA (SGAR) ALEX GONZÁLEZ (SAG) BENNY GREB (SBG) GAVIN HARRISON (SHAR2) GERALD HEYWARD TOMMY IGOE “GROOVE AKIRA JIMBO (SAJ)
Barrel tip and extra long taper Agile without losing its structural Features a barrel-shaped nylon A 5B shaft with a medium taper and An elongated ROCK shaft with a blended (SGH) ESSENTIALS” (STI) Teardrop tip for cymbal definition
for great cymbal and rim integrity. This stick definitely has tip on a 5B shaft. Powerful shortened tear drop tip for focused taper and tip, delivering an ideal Features a barrel tip and plenty The length and extended taper add and tapered butt for unique balance.
shot response. beef, but a blended tip and long taper and articulate. cymbal sound and excellent rebound. combination of power and playability. of length with a short taper for leverage for great feel and power. Length: 16”
Length: 167/16” provide awesome finesse and speed. Length: 165/8” Length: 16” Features a royal blue matte paint in the really laying into a groove. “Taj Mahal” tip is ideal for sensitive Diameter: .565”
Diameter: .560” Length: 16” Diameter: .600” Diameter: .595” gripping area for a unique feel. Length: 165/16” cymbal work.
Diameter: .585” Length: 167/8” Diameter: .570” Length: 161/8”
Diameter: .630” Diameter: .555”
SHAR2
SGAR
SAG
SGH
SBG
SAJ
JM
STI
13 14
SJOR
SGK
SAL
SHM
SHM3
SJM
SNM
HARVEY MASON “THE
STEVE JORDAN (SJOR) GEORGE KOLLIAS (SGK) ABE LABORIEL JR. (SAL) HARVEY MASON (SHM) CHAMELEON” (SHM3) JOJO MAYER (SJM) NICKO MCBRAIN (SNM)
Light and long for great touch and Blends elements of the popular 5A & 5B Long and thick for plenty of power. Gradual A versatile stick that covers a wide Subtle barrel bead creates extremely articulate Designed to offer a big sound A 5B shaft with a beefed up neck
sound around the drums and cymbals. models. A classic barrel-shaped tip delivers taper delivers great rebound and overall feel. dynamic range. The round tip produces cymbal quality and full, clean sound on drums. and feel without a lot of weight. and tip. A medium sized stick that
Length: 16 1/2” a clear cymbal sound and full drum tone. Length: 17” clean, crisp cymbal sounds. Versatile with great feel and musical expression. Length: 1521/64” produces a big sound.
Diameter: .525” Length: 16” Diameter: .630” Length: 157/8” Length: 163/8” Diameter: .577” Length: 16”
Diameter: .585” Diameter: .605” Diameter: .540” Diameter: .595”
STEVE GEORGE ABE THOMAS JEN PETE RAY HARVEY JOJO NICKO RUSS KEITH STANTON ROD
JORDAN KOLLIAS LABORIEL JR. LANG LEDGER LOCKETT LUZIER MASON MAYER MCBRAIN MILLER MOON MOORE MORGENSTEIN
SIGNATURE SERIES SIGNATURE SERIES
THOMAS LANG (STL) JEN LEDGER (SLED) PETE LOCKETT (SLOC) RAY LUZIER (SRL) RUSS MILLER “HI-DEF” (SMIL) KEITH MOON (SKM) STANTON MOORE (SSM) ROD MORGENSTEIN
A large shaft and oversized tear Features a 16 1/2” length for an A very small round bead for extremely An oval tip stick designed with a thick Special “half acorn” tip for incredible Unique in its design with the A slightly elongated tear drop tip (SRM)
drop tip speak loudly and clearly. “extreme” feel. Unique medium-length defined sound. Designed as a double- neck and short taper. Combining a 5B cymbal clarity. Logo at the nodal point combination of a medium shaft, creates a great cymbal sound. A Combines a 5B and a 2B. Full
Designed to produce a taper flanges back out into a bold tear ended stick for multi-purpose use. shaft with the tip and taper of a ROCK. for perfect cross-stick tone, every time! fast-sloping medium taper and a versatile stick that is excellent for shoulder for endurance.
thunderous sound! drop tip for excellent response and Great for drum set, electronics, tim- Can survive heavy back beats while Length: 16” length just short of 16”. Crafted jazz and funk. Length: 161/8”
Length: 161/8” clear sounds on drums and cymbals. bales, metallic percussion and more! still creating great sound and feel. Diameter: .535” with an oval wood tip. Length: 161/4” Diameter: .610”
Diameter: .650” Length: 161/2” Length: 16” Length: 161/8” Length: 1513/16” Diameter: .550”
Diameter: .588” Diameter: .585” Diameter: .595” Diameter: .560”
SLOC
SLED
SMIL
SKM
SRM
SSM
SRL
STL
15 16
SVP
JPH5A
SBR
SBRN
SMT
SAT
SAT2
SCW
VINNIE PAUL (SVP) JOE PORCARO (JPH5A) BUDDY RICH (SBRLTD, SBRNLTD) MIKE TERRANA (SMT) AHMIR ?UESTLOVE THOMPSON CHARLIE WATTS (SCW)
A full sized shaft and enlarged tear The exclusive diamond shaped tip provides A modified 5A with a larger tip, neck, and shoulder. Produces a big sound, even at breath- (SAT, SAT2) Elongated oval tip for dark cymbal
drop tip provide plenty of power. increased articulation and a clean, bright Features a blue foil limited edition logo commemorating taking speed. With a barrel tip for clear A long and thin stick with an extended taper for a light- sounds. Creates a big sound without
Length: 16 7/8” sound in any playing situation. Buddy's 100th birthday. Available in wood and nylon tip. and concise cymbal sound. weight feel. Available with anti-slip VicGrip or clear finish. a lot of weight.
Diameter: .630” Length: 16” Length: 16 5/16” Length: 16 1/4” Length: 17” Length: 16”
Diameter: .565” Diameter: .590” Diameter: .560” Diameter: .520” Diameter: .585”
VINNIE JOE BUDDY TONY CHRISTOPH STEVE MIKE AHMIR ?UESTLOVE CHARLIE DAVE LENNY ZORO
PAUL PORCARO RICH ROYSTER JR. SCHNEIDER SMITH TERRANA THOMPSON WATTS WECKL WHITE
SIGNATURE SERIES SIGNATURE SERIES
TONY ROYSTER JR. (STR) TONY ROYSTER 2 (STR2) CHRISTOPH SCHNEIDER STEVE SMITH (SSS) DAVE WECKL (SDW, SDWN) DAVE WECKL LENNY WHITE (SLW) ZORO (SZ)
Barrel tip for sensitive drum and Evolving from Tony’s existing signature (SCS) Elongated tip with a long shoulder Barrel tip for broad cymbal sound. Fast, “EVOLUTION” A combination of the 5A and 5B An enlarged SD4 with a barrel tip
cymbal sounds. A great choice for stick, the new STR2 is designed to match the A thick stick with a short taper and a and short taper. Provides the feel of with great leverage. In wood or nylon tip. (SDW2, SDW2N) with an oval tip for a great feel for great tone while grooving on
jazz, rock, latin and funk. needs and playing style of Tony today. With teardrop tip. Packs plenty of punch! a 5A with the beef of a 5B. Length: 16 1/4” A short teardrop tip on a 5A and full ride cymbal sound. the cymbals and hi-hat. In honey
Length: 16 1/8” a diameter of .585”, this stick has the feel of a Length: 16 1/4” Length: 16” Diameter: .560” shaft. Provides superior cymbal Length: 16” hickory.
Diameter: .547” slimmed-down American Classic® 5B in the Diameter: .645” Diameter: .555” definition with an excellent Diameter: .580” Length: 16 3/8”
hand. A slightly longer taper offers incredible rebound. Available in wood or Diameter: .555”
rebound – great for fast, flowing, effortless nylon tip.
chops. Length: 16”
Length: 16” Diameter: .563”
Diameter: .585”
SDW2N
SDWN
SDW2
STR2
SDW
SCS
SLW
SSS
STR
SZ
17 18VICKICK BEATERS®
From the first beat, you'll hear a difference. That's because the VicKick Beaters® were designed with sound
quality as the number one priority. Available in felt, wood and fleece, each model features a spherical head for a
consistent striking surface and provides a distinct level of articulation, all while achieving an enhanced low-end sound.
Within the VicKick™ series, both the felt and wood beaters feature a unique dual striking position. Set in the “radial”
position, the beater provides clear articulation, consistent rebound and allows for side-by-side clearance when used on double pedal
setups. The “flat” position increases beater surface contact for enhanced sound. The fleece beater is crafted with an oval felt core and
sets up in a singular position.
VKB1 (FELT) VKB2 (WOOD) VKB3 (FLEECE-
Radial. Medium-hard premium felt head Radial. Hard maple head creates super COVERED FELT)
creates clear articulation with a full low-end rhythmic clarity. Weight of ball helps produce Oval. Medium felt core
sound. Dual orientation offers multiple a full sound. Dual orientation offers multiple covered with fleece for an
sound and feel options. A fantastic general sound and feel options. Ideal for rockers incredibly full and warm
beater for all musical styles! looking for the ultimate in articulation! sound! Outstanding for jazz!
Length: 7 7/8” Length: 7 7/8” Length: 8 1/8”
Head Size: 2” x 1 1/2” Head Size: 2” x 1 1/2” Head Size: 3” x 2 3/4”
VKB4 (CAJON) VKB5 (WOOD SHAFT)
A spherical foam rubber head produces a Wood shaft distributes weight for an
warm, full bass tone on Cajon with just the unbelievable sense of balance and throw.
right amount of attack. Think outside the The VKB5 unlocks a sense of touch and
"box" and try it out on your bass drum, control that is simply not attainable with
too. Cajon Bru-llet on page 22! other beaters on the market.
Length: 7 7/8” Length: 7 1/2”
Head Size: 1 7/8” Head Size: 1 3/4”
Dual orientation offers multiple sound and feel options.
Flat Radial Flat Radial
ALTERNATIVE
IMPLEMENTS
19 20RUTE
RUTE 202
RUTE 303
RUTE 505
RUTE 606
WIRE BRUSHES
RUSS MILLER
STEVE GAD BRUSH
LIVE WIRES
DREADLOCKS
JAZZ BRUSH
RUTE & RE ● MIX BRUSHES
HERITAGE BRUSH
LEGACY BRUSH
SPLIT BRUSH
RUTES RE ● MIX BRUSHES
ROCK RAKE
JAZZ RAKE
Vic Firth’s complete line of Rute is designed to provide the player with Looking for the ultimate in sound exploration? Vic Firth RE·MIX brushes are the
alternative sounds and feels across a variety of musical settings. Unless first and only brushes designed to allow you to mix & match timbres, opening
otherwise indicated, each Rute model features premium birch dowels up a world of sonic possibilities. Designed with world-renown percussionist Pete
secured in a birch drumstick handle. The handle provides a natural feel Lockett, Vic Firth RE·MIX Brushes pair together easily so you can create unique
BRUSHES
and can also be used for back beats, cross rim work and intricate sounds not otherwise possible. Natural materials provide an organic feel and
patterns on the cymbal bell. A moveable band adjusts the effect from sound, while the specially designed handles pair comfortably in your hand to
crisp to splashy. give you the effortless feel you’d expect from Vic Firth.
RUTE RUTE 505 BROOMCORN (RM1) BIRCH DOWELS (RM3) Vic Firth offers a variety of “brushes” designed to deliver a traditional sound or create bold LEGACY BRUSH (LB)
Our original. Designed for all-around rock, jazz, This model is a cross between our Rock Rake and new colors. Each model makes its own musical statement and provides the opportunity for an A retractable wire brush with a wood handle provides a natural feel in the hand. Medium
Delicate, subtle brush sound for softer Mid-range volume and attack while maintaining
and combo playing. With 16 dowels (.125”). the original Rute. A great choice for light jazz and gauge wire and an infinitely adjustable brush spread capable of maintaining any playing
musical situations. Pairs well with RM3 & an organic sound & feel. Pairs well with any extensive range of effects. Unless otherwise noted, all brushes feature a triple crimped
Length: 16 ” 3/8 combo playing. Thirty-one plastic bristles (.094”)
RM4 for more attack. RE·MIX brush. position. Features a double crimped pull-rod.
secured in a vinyl handle. pull-rod for enhanced setting capability. Diameter: .530”
Handle Thickness: .750” Height: 7/8” Height: 7/8”
Length: 15” Spread: 5”
Length: 14 1/8” Length: 14 1/8”
RUTE 202 Diameter: .690”
Width: 1/2” Width: 1/2” JAZZ BRUSH (WB) LIVE WIRES (LW)
Perfect for the player who wants to really dig
RUTE 606 A retractable wire brush with an infinitely adjustable A retractable wire brush featuring heavy gauge wire
RUSS MILLER WIRE BRUSHES (RMWB)
AFRICAN GRASS (RM2) RATTAN/BIRCH (RM4)
in while still retaining the classic Rute sound.
brush spread, capable of maintaining any playing position. with a small, round bead on the tip of each strand. For
Seven dowels (.188”) surround a thicker center For the Rute player who prefers a rubber handle A brush dedicated to each hand! Features a “sweep” brush with medium gauge wire for
Great balance of softness and attack. Rigid rattan & birch for the most volume and response. Medium gauge wire provides excellent coverage and an added sharp snap on cymbals and drums.
dowel (.250”) and are wrapped in a thin grip. and fixed position band. Designed for all-around smooth sound, and a “ride” brush with a tight spread and heavy gauge wire for clear
playing. With 19 dowels (.125”). Pair with RM3 & RM4 for added attack Pair with any RE·MIX brush for more attack. sound. Features a double crimped pull-rod. Diameter: .530”
Length: 16 3/8” Diameter: .575”
projection with an incredible rebound.
Length: 16 1/8”
and volume. Height: 7/8” Spread: 5” Diameter: .580”
Handle Thickness: .665” Height: 7/8” Spread: 5”
Handle Thickness: .590” Length: 14 1/8” Sweep Spread: 4”
Length: 14 1/8” Width: 1/2”
RUTE 303 Width: 1/2” JAZZ RAKE (BJR) Ride Spread: 3 3/4”
Birch & Rattan Dowels: 5/16”
Designed for playing with a light touch while
HERITAGE BRUSH (HB) A retractable plastic brush that features thin flexible
retaining the classic Rute sound. Great for
A retractable wire brush featuring light gauge wire and a bristles for fusion and jazz.
medium and small group playing. With seven CAJON BRU-LLET (CB1)
WORLD CLASSIC
smooth rubber handle. Fast and easy to play. Diameter: .605”
®
dowels (.156”). The Cajon Bru-llet marries elements of a
Diameter: .530” Spread: 4”
Length: 16 3/8” brush and a mallet to brilliantly translate both
Spread: 5”
Handle Thickness: .630” slap and bass tones to the Cajon! Hickory
shaft with medium-stiff plastic bristles and a
Vic Firth offers a selection of world music percussion products under ROCK RAKE (BRR) 1 1/2” mallet head made from XLPE foam.
the World Classic® banner. This line combines Vic Firth’s attention to STEVE GADD WIRE BRUSH A retractable plastic brush with stiff thick bristles for Length: 13 1/2”
greater projection.
quality with the expertise of legendary artists worldwide. (SGWB) Diameter: .650”
Steve and Vic have solved the age-old problem of wire Diameter: .605”
brushes snagging on new coated drumheads by slightly Spread: 4”
Ride Spread: 3 1/4” CAJON
TMB1 ALEX ACUÑA angling the wires in the playing end. The light gauge wires BRU-LLET
Our biggest and boldest timbale stick. Designed Alex Acuña’s timbale sticks are designed glide across the head‚ allowing a smoother sweep and a
for the player looking for extra reach and power. to provide optimum response on timbales velvet swish sound. DREADLOCKS (DLKS)
Length: 17” and cymbals. In hickory. Diameter: .530” Braided heavy gauge stainless-steel wires produce
Diameter: .500” Spread: 5” bold percussive sounds. Strike, scrape or let your
CONQUISTADOR (SAA) imagination create a variety of effects. With
Length: 16” Diameter: .440” hickory handles.
TMB2 CLEAR CONQUISTADOR (SAAC) SPLIT BRUSH (SB) Length: 14"
A unique option for the player looking for slightly
Length: 16” Diameter: .440” Designed with 2 separate rows of wire producing unique Diameter: .575”
SAAC
SAA2
TMB1
TMB2
more than the standard sized timbale stick. weighting of sound with different qualities of articulation.
Spread: 5 1/2”
SAA
Length: 16 1/2” EL PALO (SAA2) Diameter: .575”
Diameter: .470” Length: 16 1/2” Diameter: .500” Spread: 4 1/2” Check out the VKB4 Cajon
beater on page 20.
22GB1
GB2
GB3
GB4
BD1
BD2
BD3
BD7
BD8
BCS1
SOUND POWER®
Vic Firth’s bass drum mallets combine seamless, round felt heads with tapered GB1* BD7 ROLLING MALLETS*
maple handles for deep, dark sound without excessive weight. The exception is the For large gong, tam tam and nipple gongs. Same hardness as BD1, for two-fisted rolls.
BD8 with its extraordinary weight and contoured shaft. The gong mallets feature Length: 17 ” 1/4 Sold in pairs.
Head: 4 1/4” Length: 16”
turned maple handles and are offered with fleece covered (GB1-2) or yarn wound
Head: 2 3/4”
(GB3-4) heads. The chime hammer is designed for durability, with a high impact GB2*
head and a maple handle. For small gong, gamelan and tuned gongs. BD8 GRANDIOSO
Length: 16 1/2” Specially designed for increased weight.
Head: 4 1/4” x 2 1/8” Creates a round, warm sound at lower
dynamics and the ultimate, full-bodied
TIMPANI MALLETS AMERICAN GB3 fortissimo when needed!
For a full sound at all dynamic levels. Perfect Length: 17”
CUSTOM® for large gongs and tam-tams. Head: 3 3/8”
Length: 17”
Made with hand selected bamboo shafts for exceptional durability and
Head: 3 1/2” BECKEN CYMBAL
feel. Only the highest grade felt is used to produce these seamless MALLET (BCS1)
timpani mallets, offering fantastic sound and response. GB4 Named after the German word for “cymbal”,
Medium-heavy for all-around playing. these mallets are uniquely designed for
playing suspended cymbals. Crafted in maple.
Length: 17 1/4”
T1 GENERAL* T4 ULTRA STACCATO* Head: 3 11/32”
Soft, large yarn wound heads for rolls and
For all-around playing. Produces rich sound Hard. Produces the clearest rhythmic long crescendi. For big cymbals where dark,
low partials are desired. Sold in pairs.
yet is capable of rhythmic clarity. projection of the felt models.
BD1 GENERAL* Length: 15 1/2”
Length: 14 1/2” Length: 14 1/2” Perfect for all-purpose playing.
Head: 1 1/2” Head: 1 3/8” Length: 17”
CHIME HAMMER (CH)
Head: 3 1/4” For brilliant chime sounds.
T2 CARTWHEEL* T5 WOOD Head: 1 5/8”
Very soft. Ideal for soft rolls, legato strokes Very hard. A special effects mallet. BD2 LEGATO*
A soft mallet for dark sounds.
and the richest sounds. Length: 14 ” 1/2
Length: 14 1/2” Head: 1 1/4” Length: 17 1/2”
Head: 1 3/4” Head: 3 3/4”
BD3 STACCATO*
T3 STACCATO* T6 CUSTOM GENERAL* Harder, for rhythmic clarity.
Medium hard for rhythmic articulation. Larger and heavier than a T1. Produces an
Length: 16 1/2”
Length: 14 ” 1/2 enormous sound.
Length: 14 ” 3/4 Head: 2 3/4”
Head: 1 1/4”
Head: 1 3/4”
CONCERT
STICKS & MALLETS T1
*Replacement felt kits
available. See page 47.
T2
T3
T4
T5
T6
23 24TG01
TG02
TG03
TG04
TG06
TG07
TG08
GEN1
GEN2
GEN3
GEN4
GEN5
GEN6
GEN7
GEN8
STG
STG2
SATK
SNR
TG15
TG25
SCS1
SCS2
SATK2
SJN
SYMPHONIC SYMPHONIC
SIGNATURE SIGNATURE SYMPHONIC COLLECTION
TOM GAUGER TIM GENIS
CONCERT SNARE STICKS SYMPHONIC COLLECTION
Tom Gauger developed his line of mallets during his 35+ year career with the Tim Genis, Principal Timpanist of the Boston Symphony Orchestra, designed
Boston Symphony and Boston Pops Orchestras and as an educator at Boston this versatile line of timpani mallets to be tonal in character and to create TIM GENIS GENERAL (STG) TOM GAUGER (TG15) PERSIMMON SNARE (SCS1) TED ATKATZ (SATK2)
University and the Boston University Tanglewood Institute. Each product was different colors and qualities of articulation. Persimmon shafts provide a darker Designed with great balance to cover all aspects of A general snare stick with a round tip. Crafted from select persimmon – a wood known for For the concert snare drummer looking for the weight
developed on the job and for the job, designed to solve a technical problem or sound. The balance and weight of each model make articulation effortless. concert snare drumming. In persimmon to produce a Length: 16 9/16” its rigidity and dark tones – the SCS1 is a premium and control of a laminated birch stick with added
dark, full-bodied sound. symphonic snare drum stick for the serious player. nuance, the new Ted Atkatz II Signature snare drum
achieve the desired sound. Sold as individual mallets unless otherwise noted. Diameter: .625”
Length: 16 7/8” Length: 17” stick was designed with a unique nylon tip and narrow
ROLLER (GEN1) HARD TONAL (GEN6) Diameter: .650” Diameter: .650”
neck, offering you unparalleled control and the ultimate
TG01 GENERAL TG04 ROLLERS Produces a beautiful roll quality without Retains a dark quality while achieving excellent TOM GAUGER in articulation. This stick creates a bright but full
Perfect for all-purpose playing. Articulate, Rolling mallets with felt cores offer plenty of weight for attack in the stroke. Felt core. articulation. Wood core.
TIM GENIS LEGGIERO (STG2) SNARE/TIMPANI (TG25) LAMINATED BIRCH SNARE
bodied drum sound with plenty of clarity at
low dynamics.
but not too hard. a full sound. Sold in pairs. Length: 14 1/2” Length: 14 5/16” A TG15 stick with a felt timpani mallet head
For playing fast musical passages softly. The added (SCS2) Length: 15 7/8”
Length: 16 3/16” Length: 15 3/4” Head: 1 3/4” Head: 1 1/2” weight and density of persimmon help produce clean
attached to the butt end. For general playing.
Using the iconic SD1 as its inspiration, the SCS2
Head: 2 3/4” Head: 2 1/2” Length: 16 ” 3/4 Diameter: .605”
double strokes and clear articulation.
BEETHOVEN – SOFT
adds balance with a longer taper and thinner shaft
Length: 16 7/8” Head: 1 1/8”
ARTICULATE
to the weight and durability of laminated birch for a
TG02 LEGATO TG06 FORTISSIMO (GEN2) (GEN7)
Diameter: .625” JAKE NISSLY (SJN)
The special felt core produces subtle, dark Produces immediate attack at loud and soft dynamic
Diameter: .650” truly impressive feel and sound.
Designed for the Verdi Requiem, an ideal mallet for Tonal, with enough up front attack for
levels. Wood core.
Length: 17” In a word: versatile. Jake designed this stick with
sounds with good articulation. maximum volume. clarity. Felt core. unique specs to cover the full gamut of orchestral
Length: 16 3/16” Length: 16 3/8” Length: 14 3/4” Length: 14 5/16” TED ATKATZ (SATK) Diameter: .625”
and rudimental snare drum repertoire, while
Long taper for great control and clarity at all dynamic
Head: 3” Head: 2 13/16” Head: 1 5/8” Head: 1 5/16” utilizing laminated birch that feels both solid and
levels. Persimmon provides the ideal density and lively in the hand.”
TG03 MOLTO TG07 ULTRA STACCATO BEETHOVEN – HARD MOLTO ARTICULATE (GEN8)
weight for a concert stick.
Length: 16 3/4”
Length: 17”
The unique oval design provides weight for With a wood core and chamois cover for (GEN3) Designed to produce the most immediate attack while Diameter: .574” (.675" at Shaft)
the fullness of sound at all dynamic levels. maximum clarity. retaining a dark quality of sound. Wood core.
Diameter: .660”
Full bodied sound with excellent clarity.
Length: 16 ” 1/2
Length: 16 ” 1/8
Length: 14 3/8” Length: 14 1/4”
Head: 2 3/4” Head: 2 11/32” Head: 1 1/2” Head: 1 1/4”
NEY ROSAURO (SNR)
An elongated tip with an increased surface area
TG08 STACCATO DOLCE ARTICULATE
for enhanced sound quality. Long taper provides
excellent rebound, while a slight taper towards
Medium head for a full but articulate.
(GEN4) the butt enhances the balance. In hickory.
Length: 16 3/16”
Outstanding clarity in softer passages. Length: 16 1/2”
Head: 2 3/4”
Length: 14 7/16” Diameter: .600”
Head: 1 3/4”
TG21 CHAMOIS/WOOD
This chamois/wood mallet is a must for The
Rite of Spring. Sold in pairs. TONAL (GEN5)
An excellent all-purpose
Length: 15 1/4”
mallet. Wood core.
Head: 1 1/2” & 1 3/8”
Length: 14 1/2”
TG26 DOUBLE END Head: 1 11/16”
1
Designed for one-handed rolls.
2
TG
Length: 15 1/2”
Head: 2 3/4”
26
TG
25 26M111
M112
M113
M114
M115
M116
M121
M122
M123
M124
M125
M126
M160
M161
M162
M163
M164
M23
M25
M27
M31
M32
M33
M36
SIGNATURE MARIMBA MALLETS
ROBERT VAN SICE GIFFORD HOWARTH
Respected internationally as a soloist and educator, Robert van Sice designed
this series of yarn wound marimba mallets with an exclusive hand-wrapping
An active recitalist and educator, Gifford Howarth designed this line of
marimba mallets to create the highest quality of sound for the recital hall or SIGNATURE KEYBOARD MALLETS
technique that virtually eliminates the sound of bar contact. Rubber core within an ensemble. Each model allows the specific characteristics of each
models are mono-tonal; synthetic core models are multi-tonal. 17" maple range of the instrument to shine through. With long lasting yarn for durability
Each Vic Firth Signature Keyboard model was conceived GARY BURTON YARN (M25) TERRY GIBBS (M31, M32, M33)
handles provide excellent feel and control at extended intervals. and clear, unfinished birch shafts for a natural feel. Yarn wound heads and rattan handles accommodate Gary’s This line offers a rattan handled mallet for every dynamic
through extensive discussion and research with the finest
requirements on vibraphone. range on vibraphone or marimba. Cord wound heads.
keyboard percussionists from a variety of musical styles.
RUBBER CORE (MONO-TONAL) SYNTHETIC CORE (MULTI-TONAL) M160 M163
Length: 15 1/2” Length: 15 1/4”
The designs are a reflection of their musical requirements
M111 M121
Very soft. Huge sounding low-end mallets. Medium hard. For general playing on the entire
in terms of balance, feel, hardness and tone color.
Very soft. For a warm, round sound that is Very soft. Produces a heavy, dark sound. Perfect for
For a full, overtone-rich bass sound. instrument, with excellent clarity in the upper range
RUSTY BURGE MEDIUM CORD (M27) ED SAINDON
perfect for low register chorales. use in the bass position.
Length: 17 5/8” and rich tones in the lower and mid-ranges.
Generates a full sound that maintains its characteristics across all MEDIUM-HARD (M39)
Length: 17 1/4” VICTOR MENDOZA CORD (M23) registers and at all dynamic levels. Durable synthetic cord over a A natural rubber core tightly wrapped with thin cord
M112 M122 M161 Medium hard cord wound mushroom heads produce a brilliant rubber core produces a nice jump off the bar. With rattan handles. generates a full sound with exceptional clarity at all
Soft. A Deep open bass sound in the lower
M164 sound on vibraphone. With rattan handles. Length: 15 1/2” dynamic levels. Perfect for both vibraphone and marimba.
Soft. Produces a broad sound with tremendous Soft. An ideal mallet for pieces such as the Bach
“Multi-tone”. Hard to medium. Provides sharp clarity Rattan handles.
projection that is dark, but not muffled. Cello Suites. two-thirds of the instrument while still speaking Length: 15 1/2”
through the mid-range.
in the highest range of the instrument without a Length: 15 1/2”
harsh “core attack” sound in the lower range.
M113 M123 Length: 17 1/2”
Length: 17 1/4”
Medium soft. A general mallet that covers the Medium soft. A very versatile mallet that covers the
M162
lower four octaves of the marimba.. entire instrument.
Medium. For a lush quality in the lower range
M114 M124 with the attack needed through most of the
Medium. The most popular model in the series, Medium. The most popular mallet in the series. upper range.
this mallet covers the entire range of the An extraordinary range of color, which is easily
Length: 17 3/8”
marimba and produces a singing sound that is manipulated by the performer.
full of life.
M125
M115 Medium hard. This is the most expressive mallet
Medium hard. Bright, but not to the point of of the series and is an ideal choice for the modern
“xylophone-like” brilliance. marimba repertoire.
M116 M126
Hard. When extreme cutting power and a sharp Hard. For those moments where the player needs
edge are required. maximum cutting power and edge to the sound.
GARY TERRY
BURTON GIBBS
VICTOR RUSTY ED
MENDOZA BURGE SAINDON
27M221
M222
M223
M224
M225
M226
M227
M228
M229
M281
M282
M283
M284
M285
M287
M286
M290
M291
M292
M293
M294
M300
M301
M302
M303
M304
SIGNATURE KEYBOARD MALLETS SIGNATURE KEYBOARD MALLETS
NEY ROSAURO THEODOR MILKOV ANDERS ÅSTRAND
Internationally renowned composer and percussionist, Renown for his creative approach to the instrument and astounding technical ability, As a performer and clinician, Vic Firth artist Anders Åstrand has shared his unique sense of melodic and rhythmic exploration with audiences around the globe. As a
Ney Rosauro, designed this special series of marimba and Theodor now offers his sound in a series of unique marimba mallets that provide a soft, dark composer, his work with brass quintets, choirs, and big bands has helped to inform his own playing. This compositional mindset – knowing when voices need to blend
vibraphone mallets to reflect the sound he desires for his sound while still maintaining an incredible amount of articulation and feel. and when they need to shine – set the tone for the two series of mallets Anders created with Vic Firth.
award-winning compositions.
The blended Mohair yarn balances with the core to create a focused sound where the true ORANGE BLUE
All of the models feature rattan shafts and rubber cores tone of the marimba bar is singularly realized at all times. Played at the softest of dynamics, Inspired by string quartets, brass quintets, and vocal Designed to support the soloist as
coupled with special yarn and cord choices. This assures the bar truly sings without unwanted extraneous sounds. The premium hickory shafts choirs, the individual mallets in this series share well as the percussionist playing in an
the player a pure and natural sound that projects the full provide the added weight the mallet needs to produce low frequencies, and the strength of a common sound color that allows their individual ensemble setting, the Blue series is a bit
capabilities of the instrument. Unique to this series are two the wood increases control and longevity. voices to speak beautifully together. While they are a heavier, producing rich sounds with great
“hybrid” models designed to cross-over between marimba,
great choice for solo playing, the Orange series are projection. Added weight allows the mallets
vibraphone, and xylophone.
exceptional mallets for keyboard ensemble settings, to speak clearly without the player needing
M281 M283 M286 where instruments must blend. to do all of the work.
MARIMBA
Soft. With a dark fundamental, this Medium. A full sounding mallet Hard & Bright. A crystal clear sound
mallet projects a beautiful sound with articulation for the lower half of can be created and yet with a tone that
in the low register of the marimba. the marimba. is full and rich.
M221 M223 Length: 17” Length: 17” Length: 17” SOFT (M290) SOFT (M300)
Soft. For rich bass and well defined Medium hard. A versatile and general Designed for the bass part on the marimba, great for Full bass sound with a great dynamic. A light
fundamentally in the lower register. mallet that produces full and natural sound ensemble. Brings out the bass with clear articulation. touch brings out the big warm bass.
Length: 16 3/4
” throughout the entire keyboard. M282 M284 M287 Length: 16 3/4” Length: 16 3/4”
Length: 16 3/4
” Medium soft. Ideal when articulation is Medium Hard. The "General" mallet Very Hard. Designed for the top 3
required in the low register while of the series. Covers the entire range octaves for the most projected clarity.
M222 maintaining a fundamental dark sound. of the marimba with an articulated
Length: 17”
Medium soft. Produces a warm and M224 Length: 17” dark fundamental sound with a MEDIUM-SOFT (M291) MEDIUM-SOFT (M301)
round sound while maintaining Hard. Cuts well, but still maintains a touch of high overtones. Articulation over the whole range on the instrument. Brings out the fundamental on the instrument. Allows
clear articulation. pure fundamental sound. Length: 17” Well-suited for the mid-part in an ensemble. you to play softly and still achieve a full, warm sound.
Length: 16 3/4” Length: 16 3/4” Length: 16 3/4” Length: 16 3/4”
M285
Hard. A bold and articulate mallet
VIBRAPHONE HYBRID Well balanced mallet between
MEDIUM (M292) MEDIUM (M302)
fundamental and high overtones.
Gives a full, warm sound on both Vibes Works great for both Marimba and Vibes. Ideal
M225 M228 Length: 17” and Marimba in any musical setting. for solo performance or in smaller ensembles.
Soft. Designed specifically for the low General. An all-purpose mallet for Length: 16 3/4” Length: 16 3/4”
register of the extended range vibraphone. rich, full sound on any keyboard.
Length: 15 3/4” Length: 16 1/4”
HARD (M293) MEDIUM HARD (M303)
M226 M229 Very clear and warm in the top range on the Plays great on Marimba and Vibraphone.
Medium. For full and extremely rich Very hard. A very articulate and marimba and all ranges on the vibes. Works in all different styles and settings.
sound throughout the keyboard. extremely powerful mallet.
Length: 16 3/4” Length: 16 3/4”
Length: 15 3/4
” Length: 16 1/4
”
M227 VERY HARD (M294) HARD (M304)
Medium. For full and extremely rich
Allows the xylophone to blend nicely Great choice for chamber settings when you
sound throughout the keyboard.
with other keyboard instruments. want a full sound with bright articulation.
Length: 15 3/4”
Length: 16 3/4” Length: 16 3/4”
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