PALA Nottingham 2021 Programme - University of Nottingham
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PALA Nottingham 2021
Programme
Tuesday 06 July 2021
Pre-Conference Social Events
18.00 – 19.30: Postgraduate Social
The evening before the conference, we will host a social event exclusively for postgraduate researchers and those who are
new to PALA. There will be a quiz of four rounds ranging from general trivia and puzzles to your knowledge of
‘Language and Literature’. This is a great opportunity to get to know other participants new to PALA in an informal
context. We hope many of you can join us this evening.
Welcome to the Digital PALA Pub
We will also be opening the Digital PALA Pub on Tuesday night at 20.00 ahead of the Opening Ceremony on
Wednesday. (Note that all timings in this Programme are Nottingham time: BST in the UK).
The PALA pub will remain open for the duration of the conference; feel free to pop in and pull up a virtual table
whenever you fancy! You can meet in the pub to discuss papers that you have just attended as well.
2
Day One – Wednesday 07 July 2021
Welcome to PALA Nottingham 2021: 9.00 - 9.30
Dr Marina Lambrou, Chair of the Poetics and Linguistics Association
Prof. Peter Stockwell & Dr Jessica Norledge
The PALA 2021 Organising Team
(Noor Dabbas, Alex Duncan, Marina Galanou, Sarah Grandage, Rebecca Gregory, Claire Humphries, Sarah Nolan, Paweł Szudarski
Rebecca Peck, Violeta Sotirova, Antonia Stoyanova, Jason Whitt, Christopher Woolston, Ella Wydrzynska)
Details on the Teams set up and guidance on how to best navigate the conference will be given as
part of this introductory session.
Screen Break: 9.30 – 9.45
3Parallel Panels, Group A: 9.45 – 11.15
Lovelace Cavendish Lawrence Byron
Chair: Jessica Norledge Chair: Rebecca Gregory Chair: Peter Stockwell Chair: Paweł Szudarski
Mayowa Akinlotan Junyuan Gu, Hannah Rohde and Nourhan Mohamed Haruko Sera
Catholic University of Eichstätt- Patrick Sturt University of Nottingham, Malaysia University of Hyogo, Kobe
Ingolstadt /University of Texas at Austin University of Edinburgh
Building text-worlds one clause at a A corpus stylistic approach to Kazuo
A cognitive selectivity performance Consciousness presentation and time: transitivity as a precursor for Ishiguro’s The Unconsoled: how do
framework of metaphor reference focalization and characterization in the readers interpret and feel about the
world-building of Otared story?
Stefana Garello and Marco Xinran Yang Carmen Bonasera and Claudia- Haya Jasim and Eman Adil Jaafar
Carapezza Tsinghua University Roberta Combei
University of Palermo University of Pisa University of Baghdad
Tense, focalization and mind: a
Four ways to metaphor comprehension: triangulate relationship in One Flew A murderer’s ‘fancy prose style’: A corpus-based stylistic analysis of a
towards a bidimensional account of Over the Cuckoo’s Nest sentiment analysis and affective collection of online suicide notes
metaphor responses in Lolita retrieved from Reddit
Clara Neary and Eileen Ying Fang Paula Ghintuiala Mark Boardman
Pollard Yangzhou University Aston University University of Huddersfield
University of Chester
The interpretation of stream-of- ‘Sometimes, we do bad things for the From token to exegesis: introducing
‘When we say the night has a velvet consciousness play After the Fall from people we love’: an exploration of Corpus Criticism
darkness, we romance. When we say the the perspective of the cognitive concepts shared empathy between a serial killer
soul is black, we are turning a phrase’: of role and values and the audience in the American
metaphors of matter and metaphors that television series ‘YOU’
matter in Hilary Mantel’s Fludd (1989)
Screen Break: 11.15 – 11.30
4Parallel Panels, Group B: 11.30 – 13.00
Lovelace Cavendish Lawrence Byron
Chair: Helen Ringrow Chair: Moniek Kuijpers Chair: Billy Clark Chair: Rocío Montoro
Katharina Mucha Denise Wong Eirini Panagiotidou Xuan Lei
Ruhr University Bochum Queen Mary, University of London West Chester University Tsinghua University
Facets of storytelling – on the The inescapable shame of interior Transportation in ekphrastic poetry: the Construction of authorial identity in
characters’ vulnerability or fragility dialogue in Carmen Maria Machado’s In body and the mind popular-science texts – exemplified by
the Dream House (2019) Stephen Hawking’s two texts on black
holes
Carolina Fernandez-Quintanilla Lilla Farmasi Chidi Nwankwo and Chucka Ononye Alison Gibbons
Jane Lugea, Gemma Carney, Paula University of Szeged University of Nigeria Sheffield Hallam University
Devine and Jan Carson
Queen's University Belfast ‘I’m not talking about insomnia’: Poetic representation of social Reading celebrity autofiction
dissociation and/as storytelling in experience: a transactional reading of
Dementia mind styles in contemporary Haruki Murakami’s ‘Sleep’. Achebe’s war poetry
fiction: an empirical approach
Antonia Stoyanova Tjaša Mohar, Olivera Kusovac Anna Chesnokova and Sonia Zyngier Tim Kenny
University of Nottingham and Michelle Gadpaille Borys Grinchenko Kyiv University University of Liverpool
University of Maribor
The presentation of the ‘divided self’ in Responding to poetry in the original and Speaking art, speaking to art: metaleptic
John Banville’s novels Katherine Porter’s Pale Horse, Pale in translation: how style affects sense communications in Catullus 64
Rider: the process of disintegration and
reintegration of Miranda’s identity
Lunch: 13.00 – 14.00
5Parallel Panels, Group C: 14.00 – 15.30
Lovelace Cavendish Lawrence Byron
Chair: Marcello Giovanelli Chair: Sven Strasen Chair: Jennifer Harding Chair: Małgorzata Drewniok
Iris Gemeinboeck Samuel Alaba Akinwotu Andrew Currie Daniela Francesca Virdis
University of Vienna Adekunle Ajasin University Strathclyde University University of Cagliari
Sublime narratives, sublime keywords – Representation of social actions and Literary interpretations of linguistic Environmental stylistics: theoretical and
the Gothic aesthetic of passions actors in selected songs of Folarin form: a psychological model analytical approaches to discourses of
Falana (FALZ) nature, the environment and
sustainability
Nigel Fabb Rania Habib Serena Demichelis Harry Taverner
Strathclyde University Syracuse University University of Verona University of Grenada
Uncanny form Arabic songs: an affective medium for Rachel Kushner’s The Mars Room: a Ecolinguistics: a corpus-based approach
combating COVID-19 and other crises case study in narrative to the analysis of environmental reports
and style and mission statements
Anne Furlong Salvador Alarcón-Hermosilla Raphael Carneiro Robert Poole
University of Prince Edward Island University of Almería Federal University of Uberlândia University of Alabama
Positioning the other: adaptation and Sticky Fingers: metonymic ‘I don’t really get it!’ Making sense of A corpus-assisted eco-stylistic analysis
alterity conceptualization of drugs and emotions text and context in E.J. Pratt’s ‘Erosion’ of Richard Powers’ The Overstory
in the lyrics of The Rolling Stones
Screen Break: 15.30 – 15.45
6Parallel Panels, Group D: 15.45 – 16.45
Lovelace Cavendish Lawrence Byron
Chair: Ella Wydrzynska Chair: Victoria Pöhls Chair: Fransina Stradling Chair: Naomi Adam
Israel Noletto Martin Gliserman Natalia Campos Martinez Alex Broadhead
Federal University of Piauí/ Federal Rutgers University University of Sheffield University of Liverpool
University of Piauí-PPGEL
Semantics, cognition and culture Reader manipulation and ethical Spelling and sense in early dialect
positioning in Margaret Atwood’s writing
Supporting and competing narratives ‘Bread’: a Text World Theory analysis
mediated by glossopoesis in science
fiction
Timofei Protasov Sven Strassen and Ralph Schneider Polina Gavin Lucie Houdu
University of Tyumen Aachen University Aston University Université d'Artois
Inaccessibility in Science Fiction: new Cultural simulators and the experience ‘There is never only one, of anyone’: Gaps and foreign words: an awakening
approaches to yet again defining and of literary character fictional ekphrasis representing the of the senses in Tony Harrison’s poetry
measuring fantasticality experience of childhood trauma in M.
Atwood’s The Cat’s Eye
Screen Break: 16.45 – 17.00
7PLENARY SESSION: 17.00 – 18.00
Prof. Lisa Zunshine
University of Kentucky
The secret life of literature
Chair: Peter Stockwell
END OF DAY ONE
8Day Two – Thursday 08 July 2021
PLENARY SESSION: 09.00 - 10.00
Prof. Tomoji Tabata
University of Osaka
Different paths to the same peak: digital humanities
and Spitzerian stylistics
Chair: Violeta Sotirova
Screen Break: 10.00 – 10.15
9Parallel Panels, Group E: 10.15 – 11.15
Lovelace Cavendish Lawrence Byron
Chair: Violeta Sotirova Chair: Elif Aytemiz Chair: Xuan Lei Chair: Starlina Rose
Eri Shigematsu Azumi Yoshida, Masayuki Teranishi, Hongyan Xu Olfat Nour El-Din
Tottori University Takayuki Nishihara and Masako Tsinghua University MSA University, Cairo
Nasu
Representation of perception in the University of Hyogo Humour styles of chinese male and Reinventing Bluebeard: a
novel: from traditional past-tense female college students in gender sociopragmatic study of genre
narrative to contemporary present-tense The influence of L1 on L2 proficiency: a identity construction – a case study of
narrative stylistic analysis of English writings by three universities
Japanese EFL learners
Sylvia Adamson Nor Shahila Mansor, Norazah Abdul Monica Lucioni Nadelina Ivova
University of Sheffield Aziz, and Hazlina Abdul Halim, UCSC Milan South-West University ‘Neofit Rilski’
Universiti Putra Malaysia Blagoevgrad
Change, choice and functional ecology: Humour through punctuation: Jules
the case of the historical present ‘Abang sayang’: scrutinising how Malay Laforgue’s ‘Pierrots’ On some parallels in etymological
women from different social status figures usage in Bulgarian and Slavic
address their spouses folklore texts
Screen Break: 11.15 – 11.30
10Parallel Panels, Group F: 11.30 – 13.00
Lovelace Cavendish Lawrence Byron
Chair: Katharina Mucha Chair: Mark Boardman Chair: Simonetta Falchi Chair: Arwa Hasan
Louise Nuttall Chris Fitzgerald Sena Hilal Zaganor Roi Tartakovsky
University of Huddersfield University of Limerick University of Granada Tel Aviv University
‘Training for the mind’: a cognitive Public reaction to poetic quotation in Characterisation in Fifty Shades of Grey: The x of x: E.E. Cummings’s poetics of
stylistic analysis of mindfulness COVID-related addresses to the nation a corpus-informed analysis from a the small hyperbolic
discourse on Headspace by Irish political leaders Systemic Functional Grammar
Perspective
Patricia Canning Thomas Hammond Amélie Doche Susan McComb
Utrecht University University of Sheffield Birmingham City University Independent
‘He likes to make jokes’: ‘making’ Testing trends in deontic modality: the Online interpersonal literacies in praxis: ‘Dull as dolls’: pararhyme, cognition
sense in and of a social security UK government and COVID-19 an SFL-based stylistic analysis of and aesthetics – a spoken word
disability assessment interview readers’ responses to The Sense of an perspective
Ending (2011)
Despoina Felekidou Svitlana Shurma and Alla Golovnia Monica Turci Billy Clark and Tony Williams
Aristotle University of Thessaloniki Tomas Bata University, Zlin University of Bologna Northumbria University
Metaphor employment in personal WAR or PANIC? Using metaphors for A transitivity analysis of Kim by Pragmatic stylistics and creative writing
stories of addiction legitimizing Ukrainian and Belarusian Rudyard Kipling: Kim and the Lama practice
governmental actions during the
COVID-19 Pandemic
Lunch: 13.00 – 14.00
11Poster Session: 14.00 – 15.00
Screen Break: 15.00 – 15.15
Parallel Panels, Group G: 15.15 – 16.45
Lovelace Cavendish Lawrence Byron
Chair: Polina Gavin Chair: Kimberley Pager-McClymont Chair: Marina Lambrou Chair: Valentina Rossi
Olga Vorobyova Fransina Stradling Mahmood Ibrahim Sandrine Sorlin
Kyiv National Linguistic University University of Huddersfield Independent University Paul Valéry – Montpellier 3
Lost in musicalization: sense and How the linguistic construal of the The linguistic Construction of political ‘I concede NOTHING’: Trump’s
sense(s) in Elfriede Jelinek’s The Piano reader in Chopin’s ‘The Story of an crimes in the Kurdish-Iraqi Sherko discourse of denial on Twitter leading
Teacher Hour’ impacts readers’ empathetic Bekas’ poem ‘The Small Mirrors’ thousands to the Capitol
Engagement
Sabrina Francesconi Lorenzo Mastropierro and Kathy Ulrike Tabbert Elisabetta Zurru
University of Trento Conklin University of Huddersfield University of Genoa
University of Nottingham
Forms and functions of the voice-over in Metaphor themes in the construction of Social movements and metaphor: the
screen adaptations Racial slurs and perception of racism in crime and criminals case of #FridaysForFuture
Heart of Darkness: a reader-response
analysis
Bimbola Idowu-Faith Jessica Mason Temitope Michael Ajayi Helen Ringrow and Simon Statham
Bowen University Sheffield Hallam University University of Ibadan University of Portsmouth
Threatening communication in radicalist ‘I didn’t explicitly lie, but I did imply’: Discourse of scam emails and SMS in ‘As we go marching, marching...’:
film discourse: a look at Land of Fury lying about reading Nigeria: a corpus-based approach judgement and metaphor in the Irish
abortion online campaigns
Screen Break: 16.45 – 17.00
12Parallel Panels, Group H: 17.00 – 18.00
Lovelace Cavendish Lawrence Byron
Chair: Claudia-Roberta Combei Chair: Chloe Harrison Chair: Megan Mansworth Chair: Anne Furlong
Anna Thörnell Aoife Beville Emma Pasquali Wesam El-Sayed
Stockholm University University of Naples ‘L’Orientale’ University of Naples ‘L’Orientale’ Minia University
How to handle information from My false o’erweighs your true: a Epiphanies as isolating processes: an Performativity, cognitive stylistics and
multiple modes? An analysis of pragmatic analysis of lying in Measure encounter between James Joyce’s horror fiction: It's all in your head!
electronic poetry using Baddeley’s for Measure Dubliners and cognitive poetics
model
Kieran O’Halloran Samuel Oliver Suzanne McClure Rosalee Ross
King's College, London Lancaster University University of Liverpool University of Edinburgh
Postdigital stylistics and creative (Im)politeness metalanguage and Expressions of light and darkness in the Sensory overload: the creation of horror
multimodal interpretation of poetry: characterisation in Shakespeare’s plays novels of D.H. Lawrence in Naomi Alderman’s The Power
demarginalising the performance-based
reader
END OF DAY TWO
13Day Three – Friday 09 July 2021
PLENARY SESSION: 09.00 – 10.00
Prof. Jon McGregor
University of Nottingham
In conversation with Jessica Norledge
Screen Break: 10.00 – 10.15
14Parallel Panels, Group I: 10.15 – 11.15
Lovelace Cavendish Lawrence Byron
Chair: Patricia Palomino-Manjón Chair: Aoife Beville Chair: Mayowa Akinlotan Chair: Eloise Parr
Reiko Ikeo Zsuzsanna Ajtony Esmat Babaii Eva Gómez-Jiménez
Senshu University, Tokyo Sapientia Hungarian University of Kharazmi University University of Granada
Transylvania
A corpus-based stylistic analysis of Towards a more child-friendly discourse Critical stylistics: building the corpus of
direct speech in present-tense fiction Crisis and opportunity – Ray Bradbury’s in primary school textbooks news on economic inequality (1971-
‘The Last Night of the World’ 2018)
Masayuki Nakao Megan Mansworth Stephen Pihlaja Ilse Ras
Tottori University Aston University Newman University Leiden University
Narrative present tense revisited Empathy and readers’ experiences of ‘As a Muslim person…’: categories and Reporting on the Essex lorry deaths by a
possible and impossible worlds in Janice blending in parent discourse about major Dutch-language digital news
Galloway’s ‘The Trick Is To Keep Church of England primary education source
Breathing’
Screen Break: 11.15 – 11.30
15Parallel Panels, Group J: 11.30 – 13.00
Lovelace Cavendish Lawrence Byron
Chair: Nigel Fabb Chair: Antonia Stoyanova Chair: Stephen Pihlaja Chair: Daniela Francesca Virdis
Liis Kollamagi Maya Sfeir Mürüvvet Mescigil, Erdem Akbas and Kamontip Klaibanmai
University of Calabria American University of Beirut I. Banu Akcesme University of Huddersfield
Erciyes University
Corpus stylistics – subversion of gender On digital approaches to dramatic Interpersonal issues in academic book
in Alderman’s The Power? discourse: insights into drama as a genre Providing insight into epistemic reviews: a comparative study between
violence in Harold Pinter’s works The Thai and English
Caretaker, Betrayal and Ashes to Ashes
via corpus stylistic and literary analyses
Dan McIntyre and Brian Walker Patrick Juola Iryna Tryshchenko Arwa Hasan
University of Huddersfield Duquesne University, Pittsburgh Taras Shevchenko National University King Saud University
of Kyiv
Diachronic change in the poetic style of Who is Watson? A stylistic exploration Losing the scent and sense when
W.B. Yeats: insights from stylometry of narrative voice Sense of loss presentation in modern translating ‘Scent Traps’ to Wolves of
and corpus stylistics fiction the Crescent Moon
Eman Adil Jaafar Federica Zullo Daria Tunca Katherine Hrisonopulo
University of Baghdad Università degli Studi di Urbino Carlo University of Liège Saint-Petersburg State University of
Bo Culture
Investigating poetic language: a Unscrambling the ‘Grammar of
pedagogical corpus stylistic approach Economic discourse, ‘Bildungsroman’ Violence’: sexual Assault in A cognitive account of prepositional
and you-narrative: a critical Linguistic Chimamanda Ngozi Adichie’s constructions with the meaning of
analysis of How to Get Filthy Rich in Americanah emotional states in English translations
Rising Asia by Mohsin Hamid of A.S. Pushkin’s short story ‘The
Queen of Spades’
Lunch: 13.00 – 14.00
16Parallel Panels, Group K: 14.00 – 15.30
Lovelace Cavendish Lawrence Byron
Chair: Patricia Canning Chair: Sylvia Adamson Chair: Ilse Ras Chair: Lilla Farmasi
Sara Bartl Ludwig Camilleri Naomi Adam Tatyana Karpenko-Seccombe
University of Birmingham University of Malta University of Liverpool University of Huddersfield
‘It’s nothing like a broken leg’: The coagulation of language: a study of ‘[P]eople will wonder why this black Deictic shift vs deictic switch – a case
(embodied) metaphor in experience- prefabricated phrases intersecting woman’: hypothetical thinking, double study of Pasternak’s ‘Hamlet’
based accounts of mental illness mystical discourse and the epistolary consciousness and controlling images in
genre based on the letters of Saint Marlon James’ (2014) A Brief History of
Elizabeth of the Trinity Seven Killings
Małgorzata Drewniok and Marek Jennifer Harding Christiana Gregoriou Kim Pager-McClymont
Kuźniak Washington & Jefferson College University of Leeds University of Huddersfield
University of Lincoln
Pleas across space and race: the family Clue-burying and misdirection-making Twisted mis-tress: a stylistic analysis of
‘Dive back in’: Condé Nast Traveller letters of Ann Calvert to her half-brother in Peter Robinson’s (2016) When the fetishism in Maupassant’s ‘La
hotel descriptions, style, and language in Charles Music’s Over Chevelure’
the times of a global pandemic
Lettie Dorst Riyukta Raghunath Sarah Bennett Józefina Piątkowska
Leiden University New College of the Humanities University of Nottingham University of Warsaw
Metaphor in literary machine Accessibility relations and The rhetoric of conspiracy theories The structural function of events and
translation: style, creativity, literariness counterfactual historical fiction non-events in the poetic cycle ‘Don
Juan’ by Marina Tsevtaeva
Screen Break: 15.30 – 15.45
17Parallel Panels, Group L: 15.45 – 16.45
Lovelace Cavendish Lawrence Byron
Chair: Martin Gliserman Chair: Clara Neary Chair: Salvador Alarcón-Hermosilla Chair: Monica Turci
Marcello Giovanelli Monika Pleyer Wesam Ibrahim Rocío Montoro and Adrián Castro
Aston University University of Greifswald Tanta University University of Granada
The language of landscapes in Mary Im/politeness, directness and the child’s Entertaining impoliteness and taboo Are Skeksis male and do they speak like
Borden’s The Forbidden Zone pragmatic preferences in translated discourse in the Egyptian TV show Abla men? A corpus stylistics approach to
children’s fiction Fahita gender in the Netflix TV series The
Dark Crystal: Age of Resistance (2019)
Beata Piecychna Ella Wydrzynska Valentina Rossi Patricia Palomino-Manjón
University of Białystok University of Nottingham eCampus University of Novedrate University of Valencia
Embodied Aesthetics Meets Literary ‘This story starts like all good stories “Life is simple and family isn’t”: A corpus-stylistic approach to the
Translation Studies: On the Implied do’: setting the scene through Exploring impoliteness in The Ranch misappropriation of female
Reader’s Reactions to Descriptions of postmodern and metafictive techniques empowerment in the TV series
Landscape as Depicted in Polish in the prologues of children’s books Westworld
Renderings of Anne of Green Gables
Screen Break: 16.45 – 17.00
Closing Ceremony and AGM: 17.00 – 18.30
END OF DAY THREE
18PALA Gala: 19.30 – 21.00
The conference ends in the traditional manner with the PALA Gala
Bring your own drinks and snacks and listen to live music provided by PALA members,
interspersed with some ‘PALA games’
We will also announce the winner of the archery competition
Dress code: feel free to join us wearing your most elegant, extravagant, or exuberant outfit!
Or just something smart (at least from the waist upwards), so we can celebrate the PALA Gala ‘in style’
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