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Emotions:
History, Culture, Society
Emotions and Change
Vol. 1, No. 2 (2017)
ISSN: 2206-7485
e-ISSN 2208-522X
A peer-reviewed interdisciplinary biannual journal published
for the Society for the History of Emotions
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via free accessEmotions: History, Culture, Society
Emotions: History, Culture, Society (EHCS) is a peer-reviewed multidisciplinary biannual
journal published for the Society for the History of Emotions (SHE). EHCS welcomes
theoretically informed work from a range of historical, cultural and social domains.
We aim to illuminate: the ways emotion is conceptualised and understood in different
temporal or cultural settings, from antiquity to the present, and across the globe; the
impact of emotion on human action and in processes of change; and the influence
of emotional legacies from the past on current social, cultural and political practices.
Contributor Guidelines:
Please submit your essay in MS Word or rtf format, as an email attachment, to
editemotions@gmail.com. A c.200-word abstract, five keywords and a short biography
of the author should be separately attached. Authors will receive reports from two
independent referees within at least two months of submission.
Please prepare your essays using the Chicago Manual of Style, 16th edition, using
footnotes rather than endnotes, and consult the EHCS Style Guide before submitting.
Articles should be between 6,000 and 8,000 words in length (including notes), 12 pt.
double-spaced, Times New Roman, with 1” margins.
Book Reviews:
EHCS publishes reviews of recent publications on emotions from a range of historical,
cultural and social disciplines. If you are interested in reviewing, please contact the
Reviews Editor, Dr Giovanni Tarantino at giovanni.tarantino@uwa.edu.au.
Publishers are welcome to send relevant titles to:
The Society for the History of Emotions
c/o The University of Western Australia
M201, Faculty of Arts, Business, Law and Education
35 Stirling Highway
PERTH
WA 6009, Australia
Copyright:
Authors grant to EHCS an irrevocable, fee-free licence to publish their articles in
printed form and in other media (including electronic) that are the subject of sub-
licensing agreements between EHCS and third parties. Authors retain copyright of
their articles and may republish them anywhere provided that EHCS is acknowledged
as the original place of publication, and that the work is not published again within
the first twenty-four months of the article’s initial publication in EHCS.
Emotions: History, Culture, Society | Vol. 1 No. 2 (2017) | iii
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Editors:
Katie Barclay, The University of Adelaide
Andrew Lynch, The University of Western Australia
Business Manager and Book Reviews:
Giovanni Tarantino, The University of Western Australia
Editorial Assistant:
Ciara Rawnsley, The University of Western Australia
Advisory Board:
Susan Bandes, DePaul University David Lemmings,
Roland Bleiker, The University of Adelaide
The University of Queensland Mary Luckhurst,
Toby Burrows, The University of Melbourne
The University of Western Australia W. Gerrod Parrott, Georgetown University
Ananya Chakravarti, Margrit Pernau, Max Planck Institute for
Georgetown University Human Development
Louis Charland, Barbara Rosenwein,
Western University, Canada Loyola University Chicago
Louise D’Arcens, Macquarie University Paolo Santangelo,
Jane W. Davidson, Sapienza University of Rome
The University of Melbourne Monique Scheer,
Stephanie Dickey, Eberhard Karls University, Tübingen
Queen’s University, Canada Mick Smith, Queen’s University, Canada
Thomas Dixon, François Soyer, University of Southampton
Queen Mary University of London John Sutton, Macquarie University
Karin Fierke, University of St Andrews Jonathan H. Turner,
Yasmin Haskell, University of Bristol University of California, Riverside
Peter Holbrook, Jacqueline Van Gent,
The University of Queensland The University of Western Australia
Emma Hutchison, Robert S. White,
The University of Queensland The University of Western Australia
Katherine Ibbett, Harvey Whitehouse, University of Oxford
University College London Michalinos Zembylas,
David Konstan, New York University Open University of Cyprus
Charles Zika, The University of Melbourne
For further information on EHCS and submission guidelines please visit our
website: http://www.historyofemotions.org.au/society-for-the-history-of-
emotions/emotions-journal/.
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via free accessEmotions: History, Culture, Society
The Society for the History of Emotion (SHE) is a project of the ARC Centre of
Excellence for the History of Emotions, Europe 1100-1800 (CHE). It is a professional
association for scholars interested in emotions as historically and culturally situated
phenomenon within past and present societies. The Society welcomes members
working in the field of history of emotions across the world, including independent
scholars, early career researchers and postgraduates.
Aims:
• To produce a journal called Emotions: History, Culture, Society in two issues each year;
• To organise conferences and similar events to further knowledge of the history
of emotions;
• To establish the history of emotions as a widely used framework for understanding
past societies and cultures;
• To understand the changing meanings and consequences of emotional concepts,
expressions and regulation over time and space.
Council:
• Convenor: Jacqueline Van Gent, The University of Western Australia
• Secretary: Joanne McEwan, The University of Western Australia
• Treasurer: Tanya Tuffrey, The University of Western Australia
• Communications Officer: Erika von Kaschke, The University of Western Australia
• Administrative Officer: Katrina Tap, The University of Western Australia
• Postgraduate Representatives: Jennifer Jorm, The University of Queensland; Rachel
Allerton, Macquarie University
• Journal Editors: Katie Barclay, The University of Adelaide; Andrew Lynch,
The University of Western Australia
• Ordinary Members: Susan Broomhall, The University of Western Australia; Ute
Frevert, Max Planck Institute for Human Development; Susan Matt, Weber State
University; Piroska Nagy, Université du Québec à Montréal; Carly Osborn, The
University of Adelaide; Miri Rubin, Queen Mary University of London; Peter Stearns,
George Mason University; Giovanni Tarantino, The University of Western Australia;
Stephanie Trigg, The University of Melbourne; Paul Yachnin, McGill University
For more information on how to become a member of the Society for the History
of Emotions, and receive two issues of the EHCS biannual journal per year, please
visit our website: http://www.historyofemotions.org.au/society-for-the-history-of-
emotions/about-she/.
Please direct any enquiries to: societyhistoryemotions@gmail.com
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Vol. 1, No. 2 (2017)
EMOTIONS AND CHANGE
Notes on Contributors ix
Introduction: Emotions and Change 1
Katie Barclay
Ecstatic Melancholic: Ambivalence, Electronic Music and Social 11
Change around the Fall of the Berlin Wall
Ben Gook
Militant Emotions in Reina Roffé’s Monte de Venus 39
Erika Bondi
Emotions and Empowerment in Collective Action: The Experience 59
of a Women’s Collective in Oaxaca, Mexico, 2006–2016
Alice Poma and Tommaso Gravante
Impostors: Performance, Emotion and Genteel Criminality in 81
Late Eighteenth-Century England
Amy Milka
Pity, Love or Justice? Seeing 1830s Australian Colonial Violence 109
Jane Lydon
Shame, Social Orders and the Governing of Women and Girls 131
through Institutions in New South Wales
Jan Mason and Tobia Fattore
vi | Emotions: History, Culture, Society | Vol. 1 No. 2 (2017)
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via free accessBook Reviews
Atkinson, M., The Poetics of Transgenerational Trauma (London/ 155
New York: Bloomsbury Academic, 2017)
R. A. Goodrich
Beecher, D., Adapted Brains and Imaginary Worlds: Cognitive Science 157
and the Literature of the Renaissance (Montreal/Kingston/London/
Chicago: McGill-Queen’s University Press, 2016)
Danijela Kambaskovic-Schwartz
Brooks, A., Genealogies of Emotions, Intimacies, and Desire: Theories 159
of Change in Emotional Regimes from Medieval Society to Late
Modernity (New York: Routledge, 2017)
Raffaella Sarti
Hesson, A., C. Zika, and M. Martin, eds, Love: Art of Emotion 162
1400–1800 (Melbourne: National Gallery of Victoria, 2017)
Arvi Wattel
Knights, M. and A. Morton, eds, The Power of Laughter and Satire 164
in Early Modern Britain: Political and Religious Culture, 1500–1820
(Woodbridge: The Boydell Press, 2017)
Robin Macdonald
Mallipeddi, R., Spectacular Suffering: Witnessing Slavery in the 166
Eighteenth-Century British Atlantic (Charlottesville: University
of Virginia Press, 2016)
Natalie Zacek
Meiborg, C. and S. Tuinen, eds, Deleuze and the Passions (Earth, 168
Milky Way: punctum books, 2016)
Paul Megna
Emotions: History, Culture, Society | Vol. 1 No. 2 (2017) | vii
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via free accessMessner, A. C., Zirkulierende Leidenschaft, Eine Geschichte der 171
Gefühle im China des 17. Jahrhunderts (Köln/Weimar/Wein: Böhlau
Verlag, 2016)
Ines Eben von Racknitz
Miller, M. J., Cast Down: Abjection in America, 1700–1850 173
(Philadelphia: University of Pennsylvanian Press, 2016).
Naomi Alisa Calnitsky
Van Engen, A., Sympathetic Puritans: Calvinist Fellow Feeling in 176
Early New England (New York: Oxford University Press, 2015)
Kirk Essary
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via free accessNotes on Contributors
Katie Barclay is a Senior Research Fellow in the ARC Centre of Excellence
for the History of Emotions and Department of History, The University
of Adelaide. She is the author of Love, Intimacy and Power: Marriage and
Patriarchy in Scotland, 1650–1850 (2011) and numerous articles on gender,
emotion and family life.
Erika Bondi has a PhD in Spanish Literature. She specialises in the study
of emotions in Latin American literature and film and recently published
an article on decoloniality and emotions. She is currently working in China
as a Lecturer at Sichuan University.
Tobia Fattore is a Lecturer in the Department of Sociology at Macquarie
University. His current research is in the broad areas of the sociology of
childhood, sociology of work and political sociology. Dr Fattore is currently
a coordinating lead researcher on the multi-national study ‘Children’s
Understandings of Well-Being – Global and Local Contexts’, which involves
a qualitative investigation into how children experience well-being from a
comparative and global perspective. He is also a researcher on the project
‘Hidden Voices: Interrogating the “Report of the Royal Commission into
Institutional Responses to Child Sexual Abuse” through a Preliminary
Analysis of Worker Voices’, and is the co-author of the recently published
Children’s Understandings of Well-Being: Towards a Child Standpoint (2016).
Benjamin Gook is an Alexander von Humboldt Foundation Postdoctoral
Fellow at Humboldt Universität, Berlin. He also holds honorary positions
at The University of Melbourne, as a Fellow in the School of Social and
Political Sciences, and at the ARC Centre of Excellence for the History
of Emotions, as an Investigator. His first book, published by Rowman and
Littlefield International (2015), is Divided Subjects, Invisible Borders: Re-
unified Germany after 1989. He has published articles in journals including
S: Journal of the Circle for Lacanian Ideology Critique, Studies in Social and
Political Thought and Memory Studies, and in edited volumes including The
Everyday of Memory: Between Communism and Postcommunism (2013) and
Scars and Wounds: Film and Legacies of Trauma (2017).
Emotions: History, Culture, Society | Vol. 1 No. 2 (2017) | ix
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via free accessNotes on Contributors
Tommaso Gravante has a PhD in Politics. He is a Postdoctoral Fellow at
CEIICH-UNAM. His main research interests are self-organised grassroots
movements; emotions and protest; empowerment and social change; micro-
politics; and qualitative methodology.
Jane Lydon is the Wesfarmers Chair of Australian History at The University
of Western Australia. Her research centres on Australia’s colonial past and
its legacies in the present. Her books include Eye Contact: Photographing
Indigenous Australians (2005) and The Flash of Recognition: Photography and
the Emergence of Indigenous Rights (2012) which won the 2013 Queensland
Literary Awards’ History Book Award. She edited Calling the Shots: Aboriginal
Photographies (2014) which brings together Aboriginal and non-Aboriginal
scholars to explore the Indigenous meanings of the photographic archive.
Other major current research interests include anti-slavery in Australia, the
role of magic lantern slides in shaping early visual culture, and the emotional
narratives that created relationships across the British Empire. Photography,
Humanitarianism, Empire was published by Bloomsbury in paperback in
March 2017.
Jan Mason is Emeritus Professor at Western Sydney University, where she
was Foundation Professor of Social Work and Foundation Director of the
Childhood and Youth Policy Research Unit and later of the Social Justice
and Social Change Research Centre. Her early career, in various child welfare
positions, informs her academic work in its focus on linking theory, policy
and practice on childhood issues. Currently she is a researcher on the project
‘Children’s Understandings of Well-Being: Global and Local Contexts’ and
on a project on institutional child abuse.
Amy Milka is a Postdoctoral Research Fellow at the ARC Centre of Excellence
for the History of Emotions, based at The University of Adelaide. She is
currently working on two projects: a study of emotions in the eighteenth-
century criminal courtroom, and a monograph on literary engagements with
political radicalism during the French Revolution. She is the author, with
David Lemmings, of a recent article on law and emotions in the eighteenth
century: ‘Narratives of Feeling and Majesty: Mediated Emotions in the
Eighteenth-Century Criminal Courtroom,’ Journal of Legal History 38, no.
2 (2017): 155–78.
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via free accessNotes on Contributors
Alice Poma has a PhD in Social Sciences. At present she is a Research
Associate at the UNAM Social Research Institute (IIS-UNAM). Her
main research interest is the emotional dimension of protest and activism.
She is currently analysing the experience of people who take part in self-
organised grassroots groups and environmental conflicts, employing qualitative
research techniques.
Emotions: History, Culture, Society | Vol. 1 No. 2 (2017) | xi
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