Aldi Food Store at Salt Lake North, Porthcawl, Public Art Plan - July 2021
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Studio Response www.studio-response.com
Aldi Food Store at Salt Lake North, Porthcawl,
Public Art Plan.
July - 2021
1
Studio Response www.studio-response.com
Aldi Food Store at Salt Lake North, Porthcawl
Public Art Strategy -July 2021.
Contents
1. Introduction 5.Delivery Framework
1.1. Document Aims 5.1. Commissioning Process
5.2. Project Management Structure
2. Location Overview 5.3. Maintenance and Ownership
2.1. Food Store Site, Salt Lake North, Porthcawl 5.3.1 Aldi Foodstore Salt Lake North
2.2. Regeneration Context Maintenance Schedule
5.4. Decommissioning
3.Public Art
3.1. What is Public Art? 6. Reference Material
3.2. The Curatorial Vision
3.2.1. Strategic Fit
4. Commission Opportunities
4.1. Timber Groynes Boundary Treatment
4.1.1. Examples of Potential
4.2. Seating in Public Realm
4.2.1 Examples of Potential
4.3. Community Engagement
4.4. Artist Profile and Recruitment
©Studio Response 2021. No part of this Public Art
Front cover image: Plan may be reproduced in whole or in part without
Porthcawl Seafront. the permission of the copyright owner.
02
Studio Response www.studio-response.com
1. Introduction
Aldi opened its first UK store in 1990 and now This framework identifies the way in which the
has over 800 stores across Wales, England and expertise of professional artists, designers and
Scotland. In 2018 it became the fifth largest makers can be procured to bring added value
supermarket in the UK. Its stores have a limited and to contribute to the creation of a distinctive,
footprint, are of modest size and are designed culturally confident and cohesive development
to serve local communities. Aldi’s has ambitious which is mindful of the broader context in it sits.
growth plans and aims to operate 1200 stores in
Wales, England and Scotland by 2025. This Public Art Plan draws upon the key strategic
and policy documents that impact on the
As part of its expansion programme, Aldi’s has development, including:
acquired the Salt Lake North site in Porthcawl. The
proposal is to develop a new Aldi food store and • Bridgend Local Development Plan (LDP)
associated car parking and landscaped public 2006-2021 (Adopted Plan, September 2013)
realm. • Planning Development Brief: Foodstore Site
Salt Lake North, Porthcawl (June 2019)
The scheme is seen as critical to the regeneration • 7 Bays Project: Supplementary Planning
of the surrounding area, for which it is seen as Guidance (November 2007)
a catalyst, and therefore the emphasis is on the
delivery of a high quality, sustainably designed COVID-19
exemplary development which is site responsive
and in keeping with the masterplan for the wider At the time of writing all of Wales is at
area. alert Level 2 in terms of COVID restrictions.
Although an improving picture there remains
Given this context the Local Planning Authority has uncertainty regarding the ongoing impact of
confirmed that the development should include the global pandemic. It should be noted that
public art. Aldi has commissioned Studio Response the implementation of all proposals within this
to develop a Public Art Plan for its store Public Art Plan are subject to change should
development at Salt Lake North, Porthcawl. This COVID-19 restrictions prevent their delivery in
Public Art Plan sets out a strategic vision for the form described. This could affect community
the integration of public artworks as well as a engagement and programme, for example.
framework for its effective delivery, which is rooted
in recognised good practice.
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Studio Response www.studio-response.com
1.1. Document Aims
The aim of the document is to demonstrate Aldi’s The Public Art Plan also aims to:
commitment to public art at the Salt Lake North
site, and to support its planning application for the • Provide a model of excellence for the
food store development there. commissioning of high quality, contemporary
art in the public realm that is meaningful
It sets out three viable options for the integration and useful and not simply an embellishment,
of public art at the site. These have been scoped and that sets a benchmark for the wider
in collaboration with the full project team – regeneration masterplan for Porthcawl
architects, landscape architects, highways and • ensure the delivery of art and design in the
transportation, structural and drainage engineers. public realm that is relevant, site-responsive
Having an informed and engaged project team and engaging
consider the artwork at the earliest possible • ensure the delivery of art and design in
opportunity is recognised good practice in the public realm that contributes to a sense
commissioning public art. of place and helps create an identity for the
new development.
The detailed proposals for the artwork will be
produced by the appointed artist in response to
the brief and curatorial vision and therefore do
not form part of this Plan. The appointed artist will
be expected to consider maintenance issues as
part of their detailed design work, with finalised
maintenance reports being available following the
installation of any proposed artwork. The Public
Art Plan does however address issues of ownership
and maintenance by demonstrating how it is being
considered at the earliest opportunity and how a
best practice approach to maintenance is being
adopted.
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Studio Response www.studio-response.com
2. Location Overview
Porthcawl is a seaside town in the county borough The town is known, for example, for its annual Elvis
of Bridgend in South Wales. It is situated on a Festival (which attracts tribute acts and fans from
low headland which overlooks the Bristol Channel around the world), and the Sandy Bay Christmas
and lies approximately half way between the Swim.
cities of Cardiff and Swansea. Around 11% of the
total population of Bridgend county borough live Bridgend County Borough’s Local Development Plan
in Porthcawl, (c.16,000 as per the 2011 census), (LDP) states that “The key attractor of Porthcawl is
and it has a relatively higher proportion of older its environment. It is an area of high scenic beauty
residents. and biodiversity, enhanced by its coastal location,
and characterful town centre and seafront. It
The town originally developed in the nineteenth offers accessible sandy beaches and surf for
century as a harbour to service the coal and iron active pursuits and is a base for touring South
industries of the South Wales valleys. It was after Wales.” (Section 2.3.31).
World War I that it transformed into a popular
seaside resort, and it is as a holiday destination
that it is most well-known.
Porthcawl benefits from seven beaches, perhaps
the most well-known being Trecco, alongside
which is located the large static caravan park,
Trecco Bay. Sandy Bay occupies the area in
front of the Coney Beach fairground. There is an
extensive promenade which was built in 1887
to mark Queen Victoria’s Golden Jubilee, and a
theatre, the Grand Pavilion, which opened in 1932.
Renowned as a holiday location for industrial
workers from the south Wales valleys, its
popularity dwindled in line with the decline of
the heavy industries in this part of the world.
Nonetheless, Porthcawl continues to be a popular
destination for holiday makers and day-trippers
alike, and works hard to set itself apart from other
seaside locations, particularly by capitalising on
its natural assets and by staging a range of unique
and unusual events throughout the year. Image credit: Nick Russill
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Studio Response www.studio-response.com
KEY
Site Boundary
0 10 15 20 25 M
Scale 1:250 at A1 sheet size
2.1. Food Store Site, Salt Lake North, Porthcawl
Denotes tarmac finish
Denotes block paving
16
Denotes landscaped area with misc
planting within application area. (Refer
to landscape designers proposals)
LC
Denotes block paving
13
LC Denotes block paving
The Salt Lake North site is located on the main
EN ADE
N PROM Denotes concrete surface finish
EASTER
Denotes grasscrete surface finish
16
access route into Porthcawl, within 5 miles of
9
Proposed new tree location (Refer to
11
landscape designers proposals)
LC
Lighting Column
LC
LC
Junction 37 of the M4. It is located at the northern
51 Lighting Bollard
50 LB
13 49
48
Electric Vehicle Charging Point
8 (Active)
6
Future Electric Vehicle Charging Point
end of the Porthcawl Waterfront Regeneration Area
14 (Passive)
STORZER
E
ts)
FREE
Palle
(20
Stainless steel bollard (marine grade steel)
14 LC
12 7
and has an extensive industrial maritime history,
LER
LC
T CHIL
ts)
Palle
NIGH
(32
11
although more recently it has been used as car
13 LC 16
5
8
21 AREA
m
sq
AIL
8
RET
parking and as a compound for nearby building
14
m &
E
BIN
STOR
SE
4 sq y
) 39 ing Ba
Fre ding Lo OU
BAY ING
LOAD
5
ezers ad
clu AREH
5
W
LC
works.
(in
12 LC
8
5
E
LOBBANC
Y
ENTR
16
Y
LOBB
EXIT
LC
12
The site for development is in the north west
T
PLAN
OM
RE
LC
TRO
PLAN
FA
WEL
1
OFFI RS
AGE
CE
MAN
11
corner of the Salt Lake car park and occupies an
NER
LB
CLEA
M
F ROO
STAF
16
Y
LOBB
BLEDER/
LC
DISATOM
WC
CUS
LB
ALE
13 4 LB 15
WC
FEM
WC E
area of around 0.9 hectares.
MAL
2
ROOTING
M
MEE
Bin 10
LB 3 Bin LB
P9 27/07/21 JS GS 'Cycle' text removed from Public
Realm.
P8 19/07/21 JS GS Reference to artwork to boundary
To the north the site is bound by the Eastern
removed. Sub-station removed
from plan. Underfloor heating
manifold moved inside. Cold room
condensors moved to loading bay.
P7 16/07/21 JS GS Site levels added.
P6 07/07/21 JS GS Lighting bollards and bins added
to public realm. Retractable
bollards added to site entrance.
Promenade Rd and to the south is a large,
P5 24/06/21 JS GS Artwork to site boundary noted.
1 Proposed access road 10 Location for public art installation Wording to acoustic fence
updated
Telescopic retractable bollards to site entrance to P4 21/06/21 JS GS External plant equipment updated.
2 11 Timber acoustic fence/screen Fence to staff amenity area
prevent entry when store is unoccupied pushed back to building line.
Escape from warehouse added.
ALDI STORE AREAS 3 Extension of public realm 12 Tarmac to car park circulation Total Proposed Parking 114 P3 02/06/21 JS GS Car park circulation added. Public
underdeveloped area of hard standing / grassland,
realm updated. Staff amenity area
(Typically 2.5 x 5m) updated. Bollards added.
Site signage, subject to seperate advertisement Low-level timber groyne boundary treatment to north, P2 29/05/21 JS GS Roof and canopy outline revised
4 13 Standard 96 following pre-app consulation.
Gross External Area (GEA) 2,045 sqm 22,012 sqft consent application west and southern site boundary
Parent & Child 7 Site boundary wall added.
Acoustic fence re-aligned closer
Potential SUDs/Rain garden. Refer to drainage Disabled 5 to building.
5 14 Future EVCP provision (20no additional spaces)
proposals EVCP 4 P1 16/04/21 JS GS First Issue
Gross Internal Area (GIA) 1,965 sqm 21,151 sqft Click & Collect 2
followed by a small marina. To the east the site is
Rev Date By Ap Note
6 EVCP Provision (4no spaces) 15 Cycle hoops Project Drawing Title
Aldi Porthcawl, Salt Lake North PROPOSED SITE PLAN
Retail Area 1,421 sqm 15,296 sqft
7 Click and Collect provision 16 1.1m high paladin fence to rear boundary Site area: 8,830 m² / 2.18 acres
Client Project Number Drawing Number Revision
Please refer to Tyer Grange soft Aldi Stores Ltd
Welfare Block & Other 8 Concrete block paving 200959-1301 P9
also bound by the Eastern Promenade and Sandy
150 sqm 1,615 sqft landscape proposals for further
(Including Ext. Lobby and Internal Walls) Glentworth Court, Lime Kiln Close
details Stoke Gifford, Bristol BS34 8SR Scale Paper Size Filename Date Drawn Checked Purpose/Status
Service yard. Grasscrete finish. Refer to drainage 1:250 ISO A1 200959 PLANS MASTER.vwx 13/04/21 JS GS PLANNING
9 +44 (0)117 931 2062
Warehouse proposals
394 sqm 4,241 sqft www.kendallkingscott.co.uk © Copyright Do not scale this drawing Check all dimensions and levels on site
(Including Loading Bay & Freezers) Only to be used on the site for which designed. The electronic transmission of designs/information contained in this drawing is carried out entirely at the User's risk and Kendall Kingscott Ltd. will have no liability for any errors or inaccuracies
arising therefrom. The production of amended or updated information from the said designs/information by the User is entirely the responsibility of the User and Kendall Kingscott Ltd. shall have no responsibility in respect thereof whatsoever.
Bay beach is around 70m away in an easterly
direction, with Coney Beach fair to the north of
the beach. In a westerly direction the site is
immediately adjacent to a roundabout off the
Eastern Promenade and the Portway.
Proposed Aldi Food Store - Salt Lake North, Porthcawl
Client: Aldi Stores Ltd
Date: 25/11/2020
Job/Dwg: 001.297.03.A
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Studio Response www.studio-response.com
2.2. Regeneration Context
Bridgend’s Local Development Plan (LDP) Following recent regeneration successes of
designates Porthcawl as a Strategic Regeneration the rejuvenation of the Marina and Jennings
Growth Area (SGRA), a key objective of which is to development, the new food store for Salt Lake
see Porthcawl “redefine itself as a premier tourist North represents the next critical step in the
attraction” (Section 2.3.29). implementation of the masterplan for the area, and
the expectation is that it should act as a catalyst
The successful delivery of Porthcawl’s for the regeneration of the wider area. In this
regeneration is linked to the implementation of respect the food store – and the associated public
the wider 7 Bays Project. This project covers an art – must be an exemplar scheme, setting the bar
area encompassing a wide coastal belt between in terms of quality of design and placemaking, for
Merthyr Mawr Warren to the east, taking in the developments to follow.
entire urban area of Porthcawl itself and extending
to Kenfig Hill Burrows and the boundary of Bridgend
County Borough with that of Neath Port Talbot in
the west. I
A major element of the 7 Bays Project is the
regeneration of the Porthcawl Waterfront
Regeneration Area. This major project is described
by the LDP as “the strategic focus of growth and
opportunity for Porthcawl” (Section 2.3.33).
The Porthcawl Waterfront development area
focuses on what was mainly derelict land
comprising over 100 acres of coastline. The aim is
that the regeneration of the waterfront will create
a vibrant new focus that will bring social, economic
and environmental benefits for the town itself and
the wider area. The Salt Lake North food store site
is located at the northern end of the Porthcawl
Waterfront Regeneration Area.
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Studio Response www.studio-response.com
3. Public Art
Public Art plays an important part in creating or This has led to much earlier involvement of artists As such art in the public realm is a multifaceted
enhancing individuality and distinctiveness, and in the planning and design of developments, field, which is continually shifting and evolving
in raising the profile of our towns, villages, cities allowing artists to respond directly to the needs to further engage the wider public. At its most
and urban and rural landscape. The integration and requirements of each location, planning fundamental, it is site-responsive, and it is about
of the skills or work of a professional artist can towards the physical integration of works into the process of artists’ responding to people, place,
add value and can also be employed at key existing operations and the development of culture and heritage. It is more about art that
locations to enhance legibility and public realm. social cohesion through creative and cultural belongs to and grows out of a place, rather than
There is considerable scope for integrating engagement. being additionally located in it. It is in this process
public art into the townscape, ranging from the that its strength and impact lie.
dramatic to the subtle, from traditional landmark 3.1. What is Public Art?
sculpture, commemorative works and smaller 3.2. The Curatorial Vision
incidental interventions, to integrate works using Part of what makes public art so difficult to define
contemporary and interactive media such as sound is that it encompasses a vast spectrum of art To achieve an integrated public art vision for the
or lighting… practices and forms: from permanent sculptures Aldi food store at Salt Lake North that makes a
Technical Advice Note (TAN) 12, Design, to temporary artworks, political activism, socially- valid contribution to the placemaking agenda for
March 2016 (p.51) engaged practices, monuments, memorials, the site, it is important to shift our perceptions
community-based projects, off-site museum and regarding public art, and to accept that it should
The principle of commissioning art in the public gallery programmes, earthworks and land art, site- not be seen as a standalone embellishment,
realm from artists, designers and makers as specific and site-responsive work, street furniture, particularly one added once the built environment
part of public and private developments and urban design, and integrated architectural designs is completed. Indeed, it does not need to be seen
infrastructure projects is well-established. have all been classified under art in the public as purely about the visual arts, or about permanent
Indeed, this approached is endorsed by Welsh realm. artworks.
Government’s Technical Advice Note (TAN) 12 on
design. Some argue that categorising public art is Engaging artists as part of this development
misleading – public art is just art outside the presents the opportunity to create scheme that
More recently, the commissioning of art in the gallery and museum walls. Certainly, we see more is not merely functional but which is firmly borne
public realm has evolved into a broader recognition and more how the distinction between an artist’s out of the particulars of place and community,
of the unique skills and vision artists can bring to a studio practice and one that is publicly motivated reflecting its aspirations, its assets and its context
design team and the wider community through the (i.e. political, social, situational, or relational) has and helping shape its identity and character. In
integration of site-specific artworks and artist-led blurred and there is considerable fluidity in how this way, the artist and artwork will help create
interventions with the community. an artist’s work resonates within the gallery, for that crucial and ephemeral quality often defined as
example and then within the public art contexts. “sense of place”.
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Studio Response www.studio-response.com
3.2.1. Strategic Fit
The proposed approach to public art will be holistic The curatorial vision can in part be achieved by The SPG adopted in 2007 for the redevelopment of
and has the capacity to encompass a range of identifying how the proposed artwork can support the Waterfront in Porthcawl makes a commitment
opportunities that enable the appointed artist to key strategic objectives relevant to the food to the inclusion of public art within this
respond to the site as a whole, both its physicality store development. The approach to public art masterplan, stating that “public art will be required
and social context. The spectrum of opportunities addresses Bridgend’s LDP’s objective of producing to make a significant contribution to developing
includes: high quality, sustainable places (Objective 1), character, identity and a sense of place. It should
and specifically SP2, ‘design and sustainable be used to enhance the experience of the place
• The creation of permanent and temporary placemaking’ which states “all development and used for orientation and identity”. These
artwork(s) of high quality, that underpin should contribute to creating high quality, principles are evident through the public art
the development and design principles attractive, sustainable places which enhance options proposed in this Plan.
established for the Salt Lake North food store the community in which they are located, whilst
site having full regard to the natural, historic and built The Public Art Plan also reflects the ethos of
• The creation of bespoke site-specific works environment”. the Wellbeing of Future Generations (Wales) Act
that are distinctive to the location and its 2015. Although only public bodies are governed
strategic context The LPA’s Planning Development Brief for the by the statutory requirements of the Act, there
• The meaningful engagement of local site sets out the key objectives that have been is no doubt that the private sector can actively
communities in artist-led consultation for identified for the development. The commission contribute to meeting the wellbeing goals
the tangible artworks ideas put forward variously contribute to for Wales that the Act sets out. Working with
addressing the following objectives: artists to explore and respond to the economic,
Our ambition for public art for this development is environmental and social context of a site is
to deliver high-quality, bespoke art and design in • Provide a distinct and enhanced gateway in itself a different approach to sustainable
the public realm that is relevant, site-responsive into Porthcawl development.
and engaging, and that supports the published • Improving the quality of pedestrian and cycle
design principles. It should contribute to a sense links to and through the site …
of place and help create an identity. Through • Development to be robust, practical and
creative placemaking, the commissioned public respond to the local context (i.e. heritage,
art should add value to the development by adding townscape quality, setting) and future
another layer of interest and vibrancy, and we the masterplan aspirations
artworks should demonstrate a usefulness, or • Utilise high quality ‘soft’ and ‘hard’
be fully integrated into the design, rather than a landscaping to soften the site boundary,
standalone feature. particularly in areas of blank, or inactive
frontages
• Provide a high quality public realm that
contributes towards the placemaking
objectives promoted through Planning Policy
Wales.
09
Studio Response www.studio-response.com
4. Commission Opportunities
In any context in which commissioning public It is important that any permanent artworks are The two commission opportunities are:
art is proposed, a clear framework that defines safe, durable, low maintenance, accessible to
what is considered as public art must be in place. all and appropriate to their public context. The • Timber groynes boundary treatment
For the purposes of this Plan, and in line with appointed artist will need to demonstrate the • Public realm seating
internationally recognised good practice, these longevity and resilience of all materials in their
are that: design proposals, particularly showing how they
have considered the salty, coastal environment in
• The work must be the original work of an their material choices. KEY
appropriate, living, professional artist 0 10 15 20 25 M
Site Boundary
• The work should be site-specific (i.e. an
Scale 1:250 at A1 sheet size
Denotes tarmac finish
Denotes block paving
original approach / design / work, that is Timber groynes
16
Denotes landscaped area with mis
planting within application area. (R
to landscape designers proposals)
specific to the needs, limitations, conditions boundary treatment.
LC
Denotes block paving
13
LC Denotes block paving
or long -term use of the site and its users)
E
M ENAD
R N PRO Denotes concrete surface finish
EASTE
• The work should result from an informed brief
Denotes grasscrete surface finish
16
9
Proposed new tree location (Refer
11
landscape designers proposals)
to artists
LC
Lighting Column
LC
LC
• The work must be unique / bespoke and not
51 Lighting Bollard
50 LB
13 49
48
Electric Vehicle Charging Point
8 (Active)
a mass-produced object, a reproduction
6
Future Electric Vehicle Charging P
14 (Passive)
STOEZER
RE
ets)
FRE
Pall
(20
of an original artwork or a previously
Stainless steel bollard (marine gra
14 LC
12 7
unrealised design.
R
LLE
LC
CHI
ets)
Pall
HT
NIG
(32
11
13 LC 16
5
8
1 s REA
Scoping a public art approach always begins with
qm
142 IL A
TA
8
RE
an analysis of the site context and engagement
m &
RE
BIN
zers ad USE
STO
4 sq y
) 39 ing Ba
BAY G
DIN
Freeding Lo HO
5
LOA
5
clu ARE
W
LC
with the client and project team. Following
(in
12 LC
8
5
initial discussions, we have started to shape the
CE
curatorial direction for the site-responsive public
RAN
BY
LOB
ENT
16
BY
T LOB
LC
EXI
12
artworks and have identified three commission
NT
M
E
PLA
OO
LC
AR
NTR
PLA
LF
WE
1
OFF ERS
ICE
opportunities for consideration.
NAG
MA
11
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ANE
LB
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OM
RO
FF
16
STA
BY
ABL ER/
LOB
LC
WC ED
DIS TOM
CUS
LB
ALE
13 4 LB 15
WC
FEM
LE
WC
MA
2
We acknowledge that the site as whole demands
RO NG
OM
ETI
Bin 10
ME
LB 3 Bin LB
high standards of design and quality of materials,
and this ambition should be carried into the design
P9 27/07/21 JS GS 'Cycle' text removed from
Realm.
P8 19/07/21 JS GS Reference to artwork to bo
removed. Sub-station rem
from plan. Underfloor heat
and delivery of the artworks.
manifold moved inside. Co
condensors moved to load
P7 16/07/21 JS GS Site levels added.
P6 07/07/21 JS GS Lighting bollards and bins
Timber groynes
to public realm. Retractab
Bespoke Public Realm
bollards added to site entr
P5 24/06/21 JS GS Artwork to site boundary n
1 Proposed access road 10 Location for public art installation Wording to acoustic fence
updated
Telescopic retractable bollards to site entrance to P4 21/06/21 JS GS External plant equipment
boundary
2 11 Timber acoustic fence/screen Fence to staff amenity are
prevent entry when store is unoccupied
seatiing.
pushed back to building li
Escape from warehouse a
ALDI STORE AREAS 3 Extension of public realm 12 Tarmac to car park circulation Total Proposed Parking 114 P3 02/06/21 JS GS Car park circulation added
realm updated. Staff amen
(Typically 2.5 x 5m) updated. Bollards added.
treatment.
Site signage, subject to seperate advertisement Low-level timber groyne boundary treatment to north, P2 29/05/21 JS GS Roof and canopy outline r
4 13 Standard 96 following pre-app consula
Gross External Area (GEA) 2,045 sqm 22,012 sqft consent application west and southern site boundary
Parent & Child 7 Site boundary wall added.
Acoustic fence re-aligned
Potential SUDs/Rain garden. Refer to drainage Disabled 5 to building.
5 14 Future EVCP provision (20no additional spaces)
proposals EVCP 4 P1 16/04/21 JS GS First Issue
Gross Internal Area (GIA) 1,965 sqm 21,151 sqft Click & Collect 2 Rev Date By Ap Note
6 EVCP Provision (4no spaces) 15 Cycle hoops Project Drawing Title
Aldi Porthcawl, Salt Lake North PROPOSED SITE PLAN
Retail Area 1,421 sqm 15,296 sqft
10
7 Click and Collect provision 16 1.1m high paladin fence to rear boundary Site area: 8,830 m² / 2.18 acres
Client Project Number Drawing Number Revision
Please refer to Tyer Grange soft Aldi Stores Ltd
Welfare Block & Other
150 sqm 1,615 sqft 8 Concrete block paving landscape proposals for further 200959-1301 P9
(Including Ext. Lobby and Internal Walls) Glentworth Court, Lime Kiln Close
details Stoke Gifford, Bristol BS34 8SR Scale Paper Size Filename Date Drawn Checked Purpose/Status
Service yard. Grasscrete finish. Refer to drainage 1:250 ISO A1 200959 PLANS MASTER.vwx 13/04/21 JS GS PLANNING
9 +44 (0)117 931 2062
Warehouse proposals
394 sqm 4,241 sqft www.kendallkingscott.co.uk © Copyright Do not scale this drawing Check all dimensions and levels on site
(Including Loading Bay & Freezers) Only to be used on the site for which designed. The electronic transmission of designs/information contained in this drawing is carried out entirely at the User's risk and Kendall Kingscott Ltd. will have no liability for any errors or
arising therefrom. The production of amended or updated information from the said designs/information by the User is entirely the responsibility of the User and Kendall Kingscott Ltd. shall have no responsibility in respect thereof whaStudio Response www.studio-response.com
4.1. Timber Groynes Boundary Treatment 4.1.1. Examples of Potential
In a nod to coastal architecture, it is proposed Other artworks would be featured at key points Below and on the next page are examples of
that stacked timber groynes are used to create around the timber groyne boundary, and this could potential relating to the timber groynes concept.
a distinct boundary treatment, which reflect the include images of local flora and fauna, native
character and local context of the site (item 13 on species and places of interest. The intention
site plan). This will encompass the north, south would not be to cover the boundary treatment with
and west boundaries, and will be extended to the artwork, as this would be visually too busy and
prominent corner around the staff welfare area. fussy and would detract from the desired effect.
The groynes provide an excellent opportunity for Any text included in the artwork would be bilingual.
an integrated artwork, as they can be engraved
or used for pyrography. The subject matter for The artwork would help reinforce a sense of place
the artwork would be the local natural and built and celebrate local distinctiveness, particularly
environment, the special and unique character Porthcawl’s environment, which is “of high scenic
of which is highlighted in the Preferred Strategy beauty and biodiversity,enhanced by its coastal
Consultation Document of the Replacement LDP location, characterful town centre and seafront.“
(2019): (Preferred Strategy Consultation Document of the
Replacement LDP, Section 4.4.24).
The County’s natural and built environment is of
high quality and represents one of its Should this option be favoured, the Public Art
primary assets. The diversity of landscapes, advisers would consult with the supplier of the
habitats, species and geology, and their timber groynes at the earliest opportunity to test
relationship with the urban area, contribute the robustness of the materials for receiving the
enormously to the County’s distinctive and artwork, the process of fabricating the artwork and
attractive character. the impact (if any) on warranties.
The focal point at the rear of the staff welfare
area could for example feature a map, and in this
way play with the idea of gateways; the gateway
site itself offering a visual gateway to the wider
area. The map could work on a range of scales:
it could cover the 7 Bays Project area, Porthcawl
Waterfront or the wider Glamorgan Heritage
Coast. Using this location opposite the Eastern
Promenade and Sandy Bay beyond could help draw
footfall into the food store site itself.
1106
9
TCB
90a
Bank
90
Studio Response www.studio-response.com
Community
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21
EA
3
Section 2
4
5
6
7
8
9
10
10
KEY
Site Boundary
1 Proposed access road 9 Concrete service yard. Option to use
grasscrete finish
2 Future EVCP provision
(20no additional spaces) 10 Location for public art installation Car Park
3 Extension of public realm 11 3m high acoustic grade timber fence
16
4 Site signage, subject to seperate 12 Tarmac to car park circulation
7
advertisement consent application
13 Low-level timber groynes to north,
8
5 Potential SUDs/Rain garden west and southern site boundary
9
RS
10
6 NAGE E
EVCP Provision (4no spaces)
NER MA FIC OF M
CLEA TROO
10
PLAN
Click and Collect provision
RE
7
ER/
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PLACE
WE sq m
OM D
CUSTABLE 8 Concrete block paving
121
10 DIS WC
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11
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Project
FEMA
DE
7 WC T
6
PLAN Aldi Porthcawl
HILLSBORO
ETING LE
NA
5 ME OM MA
RO WC
4 Client
Aldi Stores Ltd
ME
3
0 25 50 75 100 M
3
10 Glentworth Court, Lime Kiln Close
4
RO
10 Scale 1:500 at A1 sheet size Stoke Gifford, Bristol BS34 8SR Scale Paper Size Filen
5
9
+44 (0)117 931 2062 1:500 ISO A1 20
6 10
NP
8
7 6 10 www.kendallkingscott.co.uk © Copyright Do n
10 Only to be used on the site for which designed. The electronic transmission of designs/
6 5 10 10 arising therefrom. The production of amended or updated information from the said desig
ER
5
4 10 10
4 10 10
3
10
3 10
ST
3 10
10
3
4 10
S
10
4
EA
10
S
5 5 10
10
6 6 10 10
10
7
7
8
9 8
10 9
10 10 10 10 10 10
10 10 10
Section 3 Section 5
Approximate Quantities
75x150x2400 posts 75x150x1500 posts 50x150x1050 planks
Section 1 6 34 193
Section 2 12 52 323
Section 3 28 22 270
Section 4 6 54 286
10
Section 5 25 0 130
10 Total 77 162 1202
9
8
7
6
*excluding wastage
5
4
3 4
3 5
3
4
6
5
6
6
6
5
5
4
3
4
3
4 5 4 3 3
5 5 6 6
6 3 4
5 4 3
6 6 6
5 3 4 5
4 4 3
3 6 6 5
3 4 5
Rev Date By Ap Note
Project Drawing Title
Aldi Porthcawl, Salt Lake North SITE BOUNDARY ARRANGEMENT
Section 4 Client
Aldi Stores Ltd
Project Number Drawing Number Revision
200959-1601
Timber Groynes - for illustration
Glentworth Court, Lime Kiln Close
Stoke Gifford, Bristol BS34 8SR Scale Paper Size Filename Date Drawn Checked Purpose/Status
+44 (0)117 931 2062 1:100 ISO A1 ga200959 PLANS MASTER.vwx 13/04/21 GA JS PLANNING
www.kendallkingscott.co.uk
purposes only and are subject to change.
© Copyright Do not scale this drawing Check all dimensions and levels on site
Only to be used on the site for which designed. The electronic transmission of designs/information contained in this drawing is carried out entirely at the User's risk and Kendall Kingscott Ltd. will have no liability for any errors or inaccuracies
arising therefrom. The production of amended or updated information from the said designs/information by the User is entirely the responsibility of the User and Kendall Kingscott Ltd. shall have no responsibility in respect thereof whatsoever.
12Studio Response www.studio-response.com
13Studio Response www.studio-response.com
4.2. Seating in Public Realm 4.2.1. Examples of Potential
The second proposal for consideration is to It could also be used to highlight and complement Examples of potential bespoke benches, some
contribute to the site’s high quality landscaping the Plastic Free Porthcawl campaign which is using recycled materials and surface treatment to
by integrating public art into the extended public working to eliminate single use plastic waste from standard benches.
realm (identified as location 3 on the site plan). the town.
This area includes a number of benches which help
establish the area’s purpose as a space for the As a material, recycled plastic is durable and low
public to sit, rest and interact. maintenance, and can bear a striking resemblance
to timber. Ideally we would like to explore with a
One option is for the public art commission to manufacturer / fabricator whether plastic waste
focus on surface treatments to the enliven the from Porthcawl could be collected, recycled and
benches to be installed in the public realm. It then fabricated into the bespoke benches, to
would deliver a site specific, bespoke response further illustrate the issue and to be site specific
drawing on Porthcawl’s culture and heritage, in a unique, and fundamental way.
including flora, fauna and places of local interest.
Bilingual text, either poetry or prose, could also be The public realm design code for the site refers
featured. to the 7 Bays Project SPG for guidance on street
furniture. Our proposals align with the following
A second option would be for the commission design principles set out for street furniture:
to design, fabricate and install a small number
of benches as whole, therefore integrating a • Designs should be simple, elegant and
wholly unique design element into the public appropriate to context.
realm. We are particularly keen to look at using • Where appropriate, opportunities should be
recycled plastics as the material for the benches, taken to include public art within the design
as this would be a valuable opportunity to raise of street furniture.
awareness of the impact that plastic, particularly • Street furniture should be robust, easy
single use plastic, has on a coastal / tourist to repair and capable of withstanding the
location. It would also be an exemplar project in local coastal conditions.
terms of sustainable design. • The use of recycled and reclaimed materials
in street furniture will be encouraged.
An approach that utilises recycled plastics is
in line with Aldi’s commitment to sustainability
and recycling. It introduced a plastic reduction
strategy in 2018 and is committed to ensuring
that packaging of all of its own label products are
recyclable, reusable or compostable by 2022.
14Studio Response www.studio-response.com
BY
L OB
IT
EX
FIC S
OF GER
E
NA
MA
R
NE
LB
EA
CL
Y
BB
/
AB ER
LO
WC LED
DIS TOM
S
CU
LB
WC LE
MA
LB
FE
WC E
L
MA
RO TING
OM
E
Bin
ME
LB Bin LB
Series of bespoke benches.
P4 27/07/21 JS GS Word 'Cycle' removed from cycle
route in favour of bicycle graphic.
(More legible from the ground)
P3 16/07/21 JS GS Lighting bollards and bins added
to public realm. Retractable
bollards added to site entrance.
P2 24/06/21 JS GS Fence to staff amenity area
pushed back to building line.
P1 01/06/21 JS GS First Issue
Rev Date By Ap Note
Project Drawing Title
Aldi Porthcawl, Salt Lake North PROPOSED PUBLIC REALM
Client Project Number Drawing Number Revision
Aldi Stores Ltd
Glentworth Court, Lime Kiln Close
200959-1303 P4
Stoke Gifford, Bristol BS34 8SR Scale Paper Size Filename Date Drawn Checked Purpose/Status
0 2.5 5.0 7.5 10.0 M 1:50 ISO A1 200959 PLANS MASTER.vwx 13/04/21 JS GS PLANNING
+44 (0)117 931 2062
Scale 1:50 at A1 sheet size www.kendallkingscott.co.uk © Copyright Do not scale this drawing Check all dimensions and levels on site
Only to be used on the site for which designed. The electronic transmission of designs/information contained in this drawing is carried out entirely at the User's risk and Kendall Kingscott Ltd. will have no liability for any errors or inaccuracies
arising therefrom. The production of amended or updated information from the said designs/information by the User is entirely the responsibility of the User and Kendall Kingscott Ltd. shall have no responsibility in respect thereof whatsoever.
15Studio Response www.studio-response.com
16Studio Response www.studio-response.com
4.3. Community Engagement 5. Delivery Framework
Meaningful community engagement in art in the We will take advice from Bridgend CBC officers The process of commissioning artists and
public realm is recognised good practice and can about the most appropriate way to engage managing public art projects is a complex and
help secure buy-in and a sense of ownership of members of Bridgend CBC and Porthcawl Town specialised one. The aim should always be to
artworks which in turn can lead to an increased Council. secure the inclusion of professional expertise at
pride in communities and public spaces. Indeed, the earliest possible opportunity. Aldi’s inclusion
the impact of community engagement is a further 4.4. Artist Profile and Recruitment of public art specialists as part of the project team
benefit associated with art in the public realm. at pre-application stage for the Salt Lake North
To make best use of the available budget it is store adheres to good practice principles in public
This commission will therefore include a small recommended that one artist is directly appointed art commissioning and has ensured the integration
experiential / engagement element. This may take to take forward the commission brief. The artist will of proposals into the overall design.
place at various points throughout the commission be selected by Studio Response and the client and
process. It may initially inform the commission drawn from an identified longlist of suitably skilled
alongside the appointed artist’s own research, and experienced artists.
take place as the
commission proceeds, or post-installation to This approach lends itself to greater economy in
celebrate and launch the artworks. terms of resources available and maximises the
production budget for artwork rather than the
The direction and focus of this engagement will recruitment process.
depend on the commission opportunity taken
forward. The concepts rooted in active travel and Should the design-led commission for the recycled
recycled plastics for example lend themselves to benches be taken forward, then an alternative
different approaches to those focused on local approach is that Studio Response could taken on
landscapes and heritage. the design aspect and work with a fabricator to
commission the final artworks. Studio Response’s
The appointed artist will draw on the knowledge Co-Director Emma Price maintains an arts practice
of local stakeholders to identify groups, in co-producing public artworks with local
organisations and individuals with whom to communities in the process of designing site-
engage. Useful starting points may be local specific installations, whether this be artist-led
schools – Newton Primary School, Nottage Primary playgrounds, designing back in nature spaces and
School, Porthcawl Primary School, Ysgol Gyfun functional artworks within the public realm.
Porthcawl Comprehensive School – and Porthcawl
YMCA, a community hub in the town centre open
to all which runs a variety of classes and groups
including after school clubs, holiday clubs and
youth clubs.
17Studio Response www.studio-response.com
5.1. Commissioning Process
A well-managed public art commission should • Assess feasibility and budgets of proposed For the purposes of this Public Art Plan, the
include the following phases. This framework shall designs stakeholders include:
be adopted for the delivery phase of the Public Art • Completion and submission of detailed
Plan for the Salt Lake North Food Store, designs • Aldi (the developer and client)and any
nominated members of the project team
Phase 1-Artist Selection: • Bridgend County Borough Council Planning
Phase 3- Implementation: Officers
• Finalise brief and recruit artist following • Studio Response (appointed arts
agreed procurement route as set out in the • Fabrication and implementation of the commissioners and curators)
Public Art Plan artwork(s) • Local community representative (if deemed
• Confirmation of artist appointment • Continuation of engagement programme by appropriate), for example a representative
• Contract artist appointed artist (if proposed in the artist’s from Porthcawl Town Council or a local
original engagement proposal) community group, or a local resident
Phase 2-Research, development, engagement & • Secure the construction and installation
design: of the commissioned works in line with CDM 5.2.1 The Artist
Regulations / Equality Act
• Artist carries out research into site and its • Artist to deliver a final maintenance schedule Once a commission idea has been selected, a
context • Documentation of each completed artwork brief to artist will be produced that will define the
• Development of engagement programme by • Official opening event and relevant press and specific requirements of the commission and will
appointed artist publicity with client group therefore set out expectations of the artist’ role in
• Commencement of the engagement • Ongoing inspection and maintenance of the the successful implementation of the artwork.
programme by appointed artist (note artwork(s) as required In addition to these requirements, the artist will be
that this can continue throughout the expected to demonstrate a professionalism that
commissioning phase, including post- 5.2. Project Management Structure enables them to adhere to the following
installation) responsibilities:
• Collate research and material from Delivering a high-quality public art programme
engagement programme (if appropriate) to requires effective management and for there to • To work collaboratively with the client team
inform concepts for artwork be clarity of roles and responsibilities throughout and design team
• Procure detailed designs from artist the commissioning process. It is important that • To prepare project documentation (e.g.
• Manage presentations to the client group there is a clear process for decision making and community engagement proposal, concept
and the wider community, if required that the views of all stakeholders are adequately designs, final designs, method statement,
• Ensure designs confirm to the principles and represented. Full and equitable collaboration maintenance manuals) by the deadlines set
practical constraints as specified by project between the professional teams, other and agreed at the outset of the commission
team and detailed in the artist brief stakeholders and the appointed artist is essential. and included in the contracts
18Studio Response www.studio-response.com
• To take responsibility for setting up and 5.2.2. Project Partners Group 5.3. Maintenance and Ownership
delivering community engagement events
and sessions, as required and permitted A core steering group will be established Public artworks are valuable assets which can
• To prepare for and attend meetings as constituted of the developer, local authority provide visual quality, interest and help create a
required planning officers (should they wish to be involved) distinct identity for many areas. Appropriate care is
• To manage the arts commission budget and the arts commissioners and curators. In essential for the retention of quality and as part of
• To undertake any health and safety / addition, it is recommended that local project the recognition of:
site induction briefings as required prior to partners are identified and kept informed of the • The artwork’s financial and cultural value
installation commission process, so that they that can develop • The provision of a legacy for the development
• To provide regular updates about the a sense of ownership and engagement in the • The artist as a professional
progress of the commission process of commissioning the artwork and assist • Those who have paid for the work
• To document all stages of the commissions in driving forward its implementation. • Those whose environment it occupies
process and share with the project team as
requested. The Group will convene at these key points in the When public art is commissioned with insufficient
• To take part in any press and PR coverage commission process: thought to long-term maintenance the result is
of the commission and engage with the • Review of community engagement findings that the effects of general wear and tear, damage,
client’s communications staff / consultants • Presentation of draft designs vandalism, dirt and simple deterioration are not
as required. • Presentation of final designs. prevented or rectified. The asset is therefore
devalued, and the reputations of all those involved
All appointed artists will have Public Liability 5.2.3. Studio Response: Arts Commissioners and are placed at risk.
insurance up to the value of £5 million and must Curators
be registered as self-employed or as a limited Careful planning during the commissioning
company / limited partnership. They will be The Arts Commissioner and Curators are process, clarity of ownership and responsibility,
required to provide evidence of a satisfactory responsible for ensuring the curatorial vision appropriate precautionary action as required and
DBS check prior to commencing any engagement for public art is upheld. They are responsible the effective identification and application of
activity with children, young people or vulnerable for identifying an appropriate artist for the pooled resources are crucial in avoiding these
adults. commission based on their practice and previous pitfalls. Planned maintenance will ultimately save
experience, and for ensuring they are appropriately precious resources.
Should any appointed artist choose to sub- contracted. They also are responsible for the
contract an element of the commission (e.g. implementation and installation of the agreed No artwork will be maintenance free; if due care
fabrication, community engagement),they will be schedule of artworks and are the primary contact is taken during the commissioning process then
fully responsible for all aspects of this agreement, and link between the developer and the appointed long-term costs can be minimised. In many cases
including: contracting, checking appropriate artists. They are also responsible for maintaining where artworks are integrated into the public
insurances are in place, ensuring DBS checks are communication between the project and the local realm it will be possible to absorb maintenance
in place, and managing payments. Artists should authority, particularly in relation to planning and costs within existing commitments for general and
ensure that they are fully aware of the financial community matters. ongoing maintenance. This is the intention with
implications of sub-contracting, particularly if the integrated commission opportunities identified
their chosen sub-contractor is VAT registered. in this Plan. 19Studio Response www.studio-response.com
5.3.1 Aldi Foodstore Salt Lake North
Maintenance Schedule
The artwork(s) at the Aldi Foodstore Salt Lake North • Materials, finishes, processes and British Decommissioning may be appropriate for practical
will be either implemented through an engagement Standard / RAL reference numbers where or creative reasons in circumstances
programme and / or designed and constructed in appropriate when:
line with all relevant regulations and legislation • Design and structural drawings • The work has reached the end of its
applicable to the public realm. • Routine maintenance tasks determined lifespan
• Clear statements regarding work • The work does not occupy the site for which
All materials specified for artworks will need to that may be carried out by the owner it was designed and is compromised
be robust and low maintenance, durable andas or the owner’s agent, and work which will • The structural integrity of a work is such that
far as possible sustainable. Material selection require the involvement of the artist or a it poses a danger to public safety
will need to take into account the exposed, salty specialist conservator • The site is subject to immediate re-
coastal environment in which the artworks will • Draft maintenance schedules will be development
be situated. The design of the artwork(s) should provided at design stage, with final versions • The work proves perpetually problematic or
look to discourage vandalism. The public art must made available following installation poses a risk to public safety
leave a legacy for the development and should • The work may be appropriately relocated
have a lifespan of no less than 15 years. To achieve 5.4. Decommissioning
this longevity, as well as quality of design and If decommissioning being considered it is advised
fabrication, the artworks will need to be fit for Although the artworks at the Aldi Food Store, Salt that the artist and arts curator / commissioner are
purpose, relevant and above all in keeping with the Lake North will be designed to have a minimum contacted to advise on the most appropriate way
development and design principles. lifespan of 15 years, it is important to be aware of to proceed.
how public art should be managed after this time.
Maintenance will be considered at all stages of Like many other elements in the public realm,
the artwork commissioning process. The following some artworks have a lifespan beyond which
framework will be actioned: their aesthetic, material, or mechanical role is
• The brief to artist will contain specific exhausted.
information regarding the requirements
for the completed artwork(s) to be low Some works will necessarily be temporary such
maintenance and durable, as defined by the as hoardings, some video/film projections, or
context and parameters of the site performance related works. There are however
• The brief to artist will clearly state creative and aesthetic concerns attached to
that the artist will be required to provide a decommissioning, and to the setting of a limited
maintenance schedule in respect of the lifespan for artworks in the public realm.
installed artwork. The maintenance schedule
should specify:
20Studio Response www.studio-response.com
6. Reference Material
For further information please contact public
The following documents have informed this Public art producers and commissioners:
Art Plan:
• Aldi: Investing in your Community: Planning Jo-Anne Breckon
Opportunities and Benefits (2019)
mobile: 079 74964 233
• ALDI TO REMOVE OVER 2 BILLION PIECES
OF PLASTIC - Digital Media Centre email: jo@studio-response.com
(aldipresscentre.co.uk) (Accessed 19th May
2021)
• Bridgend Local Development Plan (LDP) 2006- Emma M Price
2021 (Adopted Plan, September 2013)
• Planning Development Brief: Foodstore Site mobile: 077 13150 166
Salt Lake North, Porthcawl (June 2019) email: emma@studio-response.com
• Welsh Government Technical Advice Note
(TAN) 12, Design (March 2016)
Website: www.studio-response.com
• Welsh Government Design Guidance Active
Travel (Wales) Act 2013 (December 2014)
• 7 Bays Project: Supplementary Planning
Guidance (November 2007).
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